THE ULTIMATE GREATEST HITS CELEBRATING 50 YEARS OF AEROSMITH! 20 tracks spanning their five-decade career on standard weight black vinyl. Featuring “Dream On,” “Walk This Way,” “Sweet Emotion,” “Crazy,” “Cryin’,” “I Don’t Want To Miss A Thing” and many more!

Alice in Chains’ acclaimed Jar of Flies is being reissued in celebration of its 30th anniversary.  The EP made history as the first of its format to debut at No. 1 on the Billboard 200 in its first week of sales.  Hit tracks like "No Excuses," "I Stay Away," and "Nutshell", extended the group's popularity.

Formed in the imagination of a 7-year-old beabadoobee and carried with her ever since Beatopia is a fantastical yet deeply personal world that houses her most impressive work to date. Marking a huge progression, in 14 songs she traverses fuzzy rock, classic singer/songwriter, psychedelia, Midwest emo, and outright pop whilst remaining undeniably herself throughout.

Whatever and Ever Amen is the sophomore album from alternative rock trio Ben Folds Five. Originally released in 1997, the album features fan favorite songs like "Brick", "Kate", and "Song for the Dumped.”

Phoebe Bridgers wrote her first song at age 11, spent her adolescence at open mic nights, and busked through her teenage years at farmers markets in her native Los Angeles. By age 20, she'd caught the ear of Ryan Adams, who listened to her perform her song "Killer" in his L.A. studio, inviting her to come back and record it there the next day. The session blossomed into the three-song ‘Killer’ EP, released to much acclaim on Adams’s Pax-Am label in 2015. In the two short years since, Bridgers has toured or played with Conor Oberst, Julien Baker, City and Colour, Violent Femmes, Mitski, Television and Blake Babies among others. On September 22nd, Phoebe Bridgers will release her debut full-length, Stranger In The Alps. From the weeping strings and Twin Peaks twangs of opening track Smoke Signals, to the simple heartbreak of Funeral and melancholic crescendo of Scott Street, Stranger in the Alps is a swooningly beautiful record with a gothic heart.

Awaken, My Love! is a bold departure from the hip-hop sound of his previous work, and finds the Atlanta star evolving into full-on funk and R&B mode. Donald Glover and longtime collaborator Ludwig Goransson channel the spirit of Parliament Funkadelic with a potent psychedelic funk vibe that permeates through the entire album. Check the Bootsy-esque single "Redbone" and the epic"Me And Your Mama" for a taste, we know you'll be coming back for more! This deluxe double vinyl pressing comes pressed at 45RPM for the best possible sound and comes complete with digital download, glow-in-the-dark cover, and a Virtual Reality headset that allows for access to exclusive VR live performances from the PHAROS Experience.

With $10 Cowboy, Charley Crockett didn’t set out to make a themed record. He had released a concept album in 2022, the critically acclaimed Man From Waco, propelling Crockett to new heights and establishing him as one of the leaders of a sparkling revival of traditional country and folk music.  

For the follow up album, Crockett wrote freely, over a two-month period, as he wound his way across the United States on the back of a tour bus. The resulting songs—raw, personal, vivid portraits of a country in transition—ended up being connected after all.

“This material is written at truck stops, it’s written at casinos, it’s written in the alleys behind the venues, it’s written in my truck parked up on South Congress in Austin,” explains Crockett. “A ramblin’ man like me, a genuine transient, is in a pretty damn good position to have something to say about America.”

As the album unfolds, you begin to understand that a $10 Cowboy is anyone who has hustled to get by, who didn’t fit in, who has slept on other people’s couches, or the street, who has fallen down, gotten up, and ventured from home chasing a paying gig, or a new start.

“Being out on the road gives you a first-hand experience of how different kinds of Americans see themselves as going through some kind of great struggle,” Crockett says. “The roughneck working the oil and natural gas fields in West Texas. The single mother raising kids by herself. The young man working a street corner because he thinks it's his only option. I would be dishonest if I said I couldn’t see the thread. Each of ‘em feel invisible. I am struck by the battles they are fighting internally, and the ways they have been entrapped by what America says they are.”

The album was recorded at Arlyn Studios in Austin, produced by Crockett and his long-time collaborator Billy Horton. It was recorded live to tape, with anywhere from 6-12 musicians and backup singers on each track, giving the songs the feel of a live performance. It’s a sound Crockett has been after for years. “Reason I cut it on tape is because when you got the right people in the room, and the great players rise to the occasion when that red light is on and the tape is rolling, you get the magic of a great performance.”

It's exactly what he achieved with $10 Cowboy. Regular bandmates Fox, Nathan Fleming, and Mayo Valdez are joined by some of the genre’s most talented players—Rich Brotherton, Kevin Smith, Dave LeRoy Biller, T. Jarrod Bonta and others, including a string quartet. Lauren Cervantes and Angela Miller sing on the album. While the musicianship and accompaniment are exquisite, they are also subtle, placed joyously, yet judiciously across the album.

No, Crockett didn’t set out to write a themed record. Or, through his studied eye, to find America. But with $10 Cowboy, he might have done both.

Julee Cruise’s 1989 album Floating Into the Night is a hauntingly beautiful, critically acclaimed work that showcases her unique vocal style and the atmospheric, dreamlike music of composer Angelo Badalamenti.

The album was produced by Badalamenti and David Lynch, who had previously worked together on the soundtrack for Lynch’s film Blue Velvet. Today in the wake of both Julee Cruise and Angelo Badalamenti’s passing its important to honor their musical legacy and contribution to both the sonic and cinematic landscapes. The album is widely regarded as a masterpiece, a definitive moment in the development of the Dream Pop genre, and the unofficial soundtrack to the cult classic television show Twin Peaks. And while the album’s best known song may be the show’s iconic theme song ”Falling,” it also contains many of Cruise’s most beloved hits including “Rockin’ Back Inside My Heart” and “The Nightingale.” 

Recorded at Henson Studios and Trainwreck Studios, Ohms is an other-worldly body of work meticulously crafted by the 5 piece band. It is a magnificent tour de force and their first album in 4 years since the critically acclaimed Gore LP in 2016. The band, which includes Chino Moreno, Frank Delgado, Stephen Carpenter, Abe Cunningham, and Sergio Vega, has produced a dense LP with every member firing on all cylinders. The album also boasts a familiar collaborator in veteran producer and engineer Terry Date, who worked on 1995’s Adrenaline, 1997’s Around the Fur and 2000’s White Pony. All of the above assembles and sets the stage to deliver Ohms; 10 tracks of raw escapism and unparalleled grooves that have made Deftones' sound singular for over two decades.

Best listened to from inside the womb, Duster’s 1998’s debut Stratosphere simultaneously capped off and reinvented the slow core’s first wave. A four track dreamscape that will wake the neighbors and then lull them back to sleep. Hazy, arpeggiated guitars layer over a deliberate drummer with no real place to be, as semi-inaudible vocals warn of millennial malaise and subtly encourage the listener to “rock out, rock out, rock out, rock out.” This foil stampled and numbered 25th anniversary edition is pressed on 180G vinyl and comes with a lyric sheet and poster.

The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album “Waltz For Debby” was originally released in 1962 as a companion to “Sunday At The Village Vanguard”. This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.

With her spellbinding voice and time-bending sensibilities, Sierra Ferrell makes music that’s as fantastically vagabond as the artist herself. On her highly anticipated Rounder debut Long Time Coming, Ferrell shares a dozen songs beautifully unbound by genre or era, instantly transporting her audience to an infinitely more enchanted world.

Sunburn is Dominic Fike’s highly-anticipated sophomore full-length album, and the follow up to 2020’s What Could Possibly Go Wrong. This 14-track collection finds the artist going back to Naples, Florida, as he sets to explore his childhood, family history & the meaning of home. The album has production credits for Dominic Fike, as well as Jim-E Stack and Kid Harpoon.

If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.

Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”

But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed. 

“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.

Hearing Plantasia in the 21^st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia'snew renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.

**Comes with fully restored original booklet with new liner notes by Andy Beta (Pitchfork). All vinyl copies come with seed paper download card – plant it and watch it sprout!**

Limited red colored vinyl LP pressing. Girl in Red is the project of Marie Ulven, 20, hailing from Horten, Norway. From beginning in her bedroom teaching herself to play the guitar and piano and to produce her own music, in less than a year the project has grown exponentially through her social media channels and caught the attention of tastemakers from Fader to Sirius XM XMU and KEXP/Seattle. Inspired by Marie's own trials and tribulations with mental health and sexuality, her music and her character are equal in their honesty and authenticity. The New York Times has quoted Marie as "one of the most astute and exciting singer-songwriters working in the world of guitar music, with a laserlike melodic instinct that verges on the primal and lyrics that capture the sweat of real life."

Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.

A Star Is Born (Original Motion Picture Soundtrack) comes this October alongside the Bradley Cooper and Lady Gaga remake of the 1973 original ‘A Star Is Born’ film. The soundtrack includes 34 tracks of music, ranging from Americana/Acoustic to Pop, and scene dialogue from the movie. Rather than covers from the previous films, the album will feature original songs from Lady Gaga, Bradley Cooper and duets by both. The new music highlights Lady Gaga’s artistry, giving a fresh take on this classic.