Recent Publications in Music 2012 - IAML

3 of 149Gianera, Pablo Ignacio. Formas Frágiles: Improvisación, indeterminación y azar en la música[Fragile Forms: Improvisation, Indeterminacy, and Chance in Music]. Buenos Aires: Debate.2011. 160 p. ISBN 978-987-178609-1.Gianera, Pablo Ignacio. La Música en el Grupo Sur: Una modernidad inconclusa [The Music ofthe Sur Group: An Unfinished Modernity]. Buenos Aires: Eterna Cadencia. 2011. 128 p. ISBN978-987-167335-3.Ginastera, Alberto. Ginastera en el Instituto Di Tella: Correspondencia 1958–1970 [Ginastera atthe Instituto Di Tella: Correspondence 1958–1970]. Estudio preliminar, compilacion y notas,M. Laura Novoa. Buenos Aires: Biblioteca Nacional de Argentina, 2011. 360 p. (ColecciónCuadernos de Música, 3). ISBN 978-987-1741-11-3.Graziano, Martín. Cancionistas del Río de la Plata después del rock: Una música popular para elsiglo XXI [Singers of Río de la Plata after Rock: Popular Music for the 21 st Century]. BuenosAires: Gourmet Musical Ediciones, 2011. 320 p. (Serie Celeste, Monografías). ISBN 978-987-25614-6-8.Grinberg, Miguel. Cómo vino la mano: Orígenes del rock nacional [How It Came to Be: TheOrigins of Argentine Rock]. Buenos Aires: Gourmet Musical Ediciones, 2008. 292 p. (SerieCeleste, Monografías). ISBN 978-987-22664-3-1.Groussac, Paul. Críticas sobre música [Music Reviews]. Buenos Aires: Biblioteca Nacional, 2007.346 p. (Colección Libros de Música, 1). 346 p. ISBN 978-987-9350-25-6.Groussac, Paul. Paradojas sobre música [Musical Paradoxes]. Buenos Aires: Biblioteca Nacional,2008. 345 p. (Colección Libros de Música, 3). ISBN 987-9350-33-1.Kohan, Pablo. Estudios sobre los estilos compositivos del tango (1920–1935) [Studies in theCompositional Styles of the Tango (1920–1935)]. 100 p. Buenos Aires: Gourmet MusicalEdiciones, 2010. (Serie Amarilla, Estudios). ISBN 978-987-25614-1-3.Mansilla, Silvina Luz. La obra musical de Carlos Guastavino: Circulación, recepción, mediaciones[The Musical Works of Carlos Guastavino: Circulation, Reception, Mediations]. Buenos Aires:Gourmet Musical Ediciones, 2011. 344 p. (Serie Celeste, Monografías). ISBN 978-987-22664-9-1.Manso, Carlos. Juan José Castro: Biografía y epistolario [Juan José Castro: Biography andCorrespondence]. Buenos Aires: De los Cuatro Vientos, 2008. 474 p. ISBN 978-987-08-0047-7.Nattiez, Jean-Jacques. Proust músico [Proust, Musician]. Buenos Aires: Gourmet MusicalEdiciones, 2009. 120 p. (Serie Roja, La Música y los otros). ISBN 978-987-22664-7-9.Translation of: Proust musicien (Paris: C. Bourgois, 1984)Nuevos estudios sobre música argentina: Aportes desde la asignatura [New Studies in ArgentineMusic: Contributions from the Field]. Buenos Aires: Educa, 2009. 398 p. ISBN 978-987-620-105-6.Nuevas poéticas en la música contemporánea argentina: Escritos de compositores [New Poeticsin Contemporary Argentine Music: Composers’ Writings]. Pablo Fessel (comp.). BuenosAires, Biblioteca Nacional, 2007. 352 p. (Colección Libros de Música, 2). ISBN 978-987-9350-50-8.Salgán, Horacio. Arreglos para orquesta típica: Tradición e innovación en manuscritos originales[Arrangements for the Standard Orchestra: Tradition and Innovation in OriginalManuscripts]. Buenos Aires: Biblioteca Nacional de Argentina, 2008. 240 p. (ColecciónCuadernos de Música, 2). ISBN 978-987-9350-52-2.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

4 of 149Suárez Urtubey, Pola. Antecedentes de la Musicología en la Argentina: Documentación yexégesis [The Background of Musicology in Argentina: Documentation and Exegesis]. BuenosAires: Editorial de la Universidad Católica Argentina, 2009. 643 p. ISBN 978-987-620-111-7.Tangos cultos: Kagel, J.J. Castro, Mastropiero y otros cruces musicales. [Highbrow Tangos: Kagel,J.J. Castro, Mastropiero, and Other Musical Cross-Overs]. Esteban Buch, compilador. BuenosAires: Gourmet Musical, 2012. 224 p. (Serie Amarilla, Estudios). ISBN 978-987-25614-7-5.Verde, José Adolfo. Mercedes Sosa: cantora [Mercedes Sosa: Singer]. Buenos Aires: Sony MusicEntertainment Argentina, 2009. 69 p. ISBN 978-987-24689-9-6.AUSTRALIAAndrews, Marc; Claire Isaac; David Nichols. Pop Life: Inside Smash Hits Australia 1984-2007.Mulgrave, Vic.: Affirm Press, 2011. 186 p. ISBN 978-0-9871326-7-3.Barnes, Gwyneth. Peter Sculthorpe: An Australian Composer’s Influence. Melbourne: BrolgaPublishing, 2011. 410 p. 978-1-921596-60-5Bennett, Gwen. More than Music: The Life andWork of Kenneth W Tribe AC. Grosvenor Place, N.S.W.: Australian Music Centre, 2011. 248 p.ISBN 978-0-909168-78-0.Breebaart, Rino. Song Logic: Essays in Music. The Gap, Qld: Rino Breebaart, 2011. 115 p. ISBN978-1-4467-4417-8.Canham, Nicole. Democracy versus Creativity in Australian Classical Music. Strawberry Hills,N.S.W.: Currency House, 2011. 55 p. (Platform Papers, ISSN 1449-583X; 29). ISBN 978-0-9807982-8-9.Carter, Gerard B. Arthur Friedheim’s Recently Discovered Roll Recording. Ashfield, N.S.W.:Wensleydale Press, 2011. 85 p. (Liszt Piano Sonata Monographs). ISBN 978-3-86931-795-3.Davine, Annamaria. Longing and Belonging: The History of the Coro Adriatico, an Italian MaleChoir in Australia. Melbourne: Italian Australian Institute, La Trobe University, 2011. 102 p.ISBN 978-0-9805994-5-9.Doggett, Anne; Gwyn Gillard. See How They Ring: Travelling Bellringers on the AustralasianPopular Stage. Bakery Hill, Vic.: BHS Publishing, 2011. 244 p. ISBN 9781876478101 (invalid).Douglas, Lynne Gavin. The Golden Age: Clive Douglas, Composer, Conductor. Wollongong,N.S.W.: Wirripang, 2011. 1 v. (12 p.) + 1 CD. ISBN 978-1-876829-21-6.Dreyfus, George. Brush Off! Fitzroy North, Vic.: Black Pepper, 2011. 1 v. ISBN 978-1-876044-73-2.Fernandes, Sujatha. Close to the Edge: In Search of the Global Hip Hop Generation. Sydney:NewSouth Publishing, 2011. 204 p. ISBN 978-1-74223-311-6.Fletcher, Brian H. Sing a New Song: Australian Hymnody and the Renewal of the Church sincethe 1960s. Barton, A.C.T.: Barton Books, 2011. 280 p. ISBN 978-1-921577-07-9.The Folk Revival in South Australia: An Historical Chronology. Compiled by Brian Samuels.Adelaide: Brian Samuels, 2011. 24 p.Ford, Andrew. Illegal Harmonies: Music in the Modern Age. 3 rd edition. Collingwood, Vic.: BlackInc., 2011. 284 p. ISBN 978-1-86395-528-7.Graney, Dave. 1001 Australian Nights: A Memoir. Mulgrave, Vic.: Affirm Press, 2011. 245 p. ISBN978-0-9807904-3-6.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

5 of 149Hounslow, Keith. Oh Looketh Ahead Babe: Improvisation: A Personal Viewpoint by Veteran JazzTrumpeter Keith Hounslow. Fremantle, W.A.: Vivid Publishing, 2011. 91 p. ISBN 978-1-921787-42-3.Jarvis, Martin W.B. Written by Mrs Bach. Pymble, N.S.W.: HarperCollins Publishers, 2011. 276 p.ISBN 978-0-7333-2872-5.Johnson, Chris Noel. Guitar: The Australian Journey. Drawings by Catherine Gordon. Griffith,A.C.T.: Barrallier Books, 2011. 1 v. (313 p.) + 1 CD. ISBN 978-0-9806633-7-2.Keats, J. Brennan. A Poet’s Composer: The Biography of Horace Keats 1895–1945 and HisConnection with Associate Artists such as Peter Dawson, Barbara Russell and the PoetsKenned Mackenzie, Hugh Mccrae and Chirstopher Bremmam. Wollongong, N.S.W.:Wirripang, 2011. 1 v. (242 p.) + 2 CDs. ISBN 978-1-876829-22-3.Kelly, Paul. How to Make Gravy. Camberwell, Vic.: Penguin, 2011. 568 p. ISBN 978-1-926428-27-7.Biography.Landl, Lotte. 12 th out of 13: Autobiography. Sunnybank Hills, Qld.: Bookpal, 2011. 126 p. ISBN978-1-74284-035-2.McParland, Stephen J. Inception & Conception: The Beach Boys 1961–1963, from Hite Morganto Nick Venet. North Strathfield, N.S.W.: Cmusic Publishing, 2011. 136 p. ISBN 978-1-876788-29-2.O’Hara, Ben; Mark Beard. Artist and Band Management. Sydney: Music Sales, 2011. 143 p. ISBN978-0-949785-02-2.Raftery, Judith. Singing the Faith: History, Theology and Hymnody of Churches of Christ in theMid-Twentieth Century. Mulgrave, Vic.: Australian Churches of Christ Historical Society,2011. 1 v. (128 p.) + 1 study guide (14 p.). ISBN 978-0-9870786-0-5.San Miguel, Dolores. The Ballroom: The Melbourne Punk and Post-Punk Scene: A Tell-AllMemoir. Melbourne: Melbourne Books, 2011. 231 p. ISBN 978-1-877096-41-9.Shelley, Ingrid. Touching God: Popular Music In Spritual & Theological Development. Hawthorn,Vic.: Zadok Institute for Christianity and Society, 2011. 12 p. (Zadok paper, S182).Siblin, Eric. The Cello Suites: J.S. Bach, Pablo Casals and the Search for a Baroque Masterpiece.Crows Nest, N.S.W.: Allen & Unwin, 2011, 2009. 319 p. ISBN 978-1-74237-586-1.Sitsky, Larry. Australian Chamber Music with Piano. Acton, A.C.T.: ANU E Press, 2011. 321 p. ISBN978-1-921862-40-3.Also available online: http://epress.anu.edu.au/titles/chamber_music_citation. ISBN9781921862410 (Online)Sung Tales from the Papua New Guinea Highlands: Studies in Form, Meaning, and SocioculturalContext. Edited by Alan Rumsey & Don Niles. Canberra: ANU E Press, 2011. 330 p. ISBN 978-1-921862-20-5.Also available online, ISBN 978-1-921862-21-2.Tintner, Tanya Buchdahl. Out of Time: The Vexed Life of Georg Tintner. Foreword by Richard Gill.Crawley, W.A.: UWA Publishing, 2011. 421 p. ISBN 978-1-74258-256-6.AUSTRIA© 2012 – International Association of Music Libraries; Fontes Artis Musicae

7 of 149Ehrentraud, Adolf. Pleyel: 1757–1831; von Ruppersthal in die Welt. Neuaufl. der biogr.Zusammenschau, 2. Aufl. Ruppersthal: Internat. Ignaz-Joseph-Pleyel-Gesellschaft (IPG),2011. 351 p. ISBN 978-3-9503176-0-2.Ehrentraud, Adolf. Pleyel, 1757–1831: From Ruppersthal into the World; An Attempt at a FirstBiographical Overview. Transl. from the German by Henry M. Lieberman. 2. ed. Ruppersthal:Internat. Ignaz J. Pleyel Society (IPG), 2011. 283 p. ISBN 978-3-9503176-1-9.Flotzinger, Rudolf. Das sogenannte Organum: zu den Anfängen der kirchlichen Mehrstimmigkeitim Abendland. Hrsg. von Federico Celestini. Graz: Akademische Druck- und Verlags-Anstalt,2011. 273 p. (ADEVA-Musik). ISBN 978-3-201-01921-7.Gandalf. Erdenklang & Sternentanz: aus der Partitur meiner Lebenssinfonie. Wien: Verlag-Gruppe Styria, 2011. 1 v. (238 p.) + 1 CD. (Styria Premium). ISBN 9783222133305.Gemeinsame Vergangenheit, gemeinsame Zukunft?: musikalische Beziehungen Öster-reichs zuden neuen EU-Nachbarn Tschechien, Slowakei und Ungarn. Bruckner-Symposion;Brucknerhaus, Linz, 27.–30. September 2006; Bericht Hrsg. von Theophil Antonicek; AndreasLindner; Klaus Petermayr. Wien: Musikwissenschaftlicher Verlag, 2011. 187 p. ISBN 978-3-902681-17-1.Greger-Amanshauser, Sabine; Christoph Großpietsch; Gabriele Ramsauer. Next To Mozart:Answers to the 111 Most Common Questions. English translation: Kristen Kopp. Salzburg:Pustet, 2011. 208 p. ISBN 978-3-7025-0645-2.Translation of: Mensch Mozart! Antworten auf die 100 häufigsten Fragen (Salzburg: AntonPustet, 2005).Gustav Mahler in Wien und München: Komponist, Operndirektor, Dirigent. Reinhold Kubik,Thomas Trabitsch (Hg.); unter Mitarbeit von Jens Malte Fischer und Claudia Blank. Wien:Brandstätter, 2011. 335 p. ISBN 978-3-85033-569-0.Haas, Elisabeth. Einübung in ästhetische Räume: zu Anton Weberns Kinderstück, György KurtágsJátékok und Helmut Lachenmanns Kinderspiel. Wien: Böhlau, 2011. 228 p. (Wiener Schriftenzur Stilkunde und Aufführungspraxis, 7). ISBN 978-3-205-78697-9.Dissertation: Univ. für Musik und Darstellende Kunst, Wien, 2010.Hackl, Stefan. Die Gitarre in Österreich: von Abate Costa bis Zykan. Innsbruck: StudienVerlag,2011. 263 p. ISBN 978-3-7065-4980-6.Bibliography and discography: p. 212–247.Halfin, Ross. Def Leppard: die definitive Geschichte in Bildern. Mit einem Vorw. von Joe Elliott.Übers.: Alan Tepper. Dt. Erstausg. Höfen: Hannibal-Verlag, 2011. 225 p. ISBN 978-3-85445-348-2.Translation of: Def Leppard: The Definitive Visual History (San Francisco: Chronicle Books,2011).Der Himmel hängt voller Geigen: die Violine in Biedermeier und Romantik; eine Ausstellung desKunsthistorischen Museums Wien. In Kooperation mit der Gesellschaft der Musikfreunde inWien. Otto Biba; Ingrid Fuchs; Rudolf Hopfner. Hrsg. von Sabine Haag. Wien: KHM-Kunsthistorisches Museum, 2011. 167 p. ISBN 978-3-8.5497-202-0.Himmelwärts: 100 Jahre Kirchenmusikverein Baden St. Stephan; Festschrift zum 100-jährigenBestand des Kirchenmusikvereins Baden St. Stephan. Mit einem historischen Abriss vonRudolf Maurer. Baden bei Wien: Kirchenmusikverein Baden St. Stephan, 2011. 219 p.€29.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

8 of 149Hofacker, Ernst Giganten. 25 Rockmusiker im Porträt; die legendären Baumeister der Rockmusi.Dt. Erstausg. Höfen: Hannibal-Verlag, 2011. 477 p. ISBN 978-3-85445-363-5.Holzer, Andreas. Zur Kategorie der Form in neuer Musik. Hrsg.: Manfred Permoser. Wien: Mille-Tre-Verlag, 2011. 603 p. (Musikkontext, 5). ISBN 978-3-900198-24-4.Bibliography: p. 563–585.Kaintoch, Gabriela. Plädoyer der guten Stimme: klassisch oder Mikro? Neckenmarkt: NovumPubl., 2011. 156 p. (Novum Pocket). ISBN 978-3-9901014-6-9.Landesmann, Hans. “Ohne Musik wäre das Leben ein Irrtum”: Erinnerungen. Aufgezeichnet vonKarl Harb. Wien: Zsolnay, 2011. 206 p. ISBN 978-3-552-05529-2.Lisztomania 2011 Burgenland: Katalog: Ausstellungen. Texte: Gerhard Winkler ... [et al.];Herausgeber: Amt der Burgenlandischen Landesregierung, ... Landesmuseum Burgenland.Eisenstadt: Amt der Burgenlandischen Landesregierung, Abt. 7-LM, LandesmuseumBurgenland, 2011. 252 p. (Katalog. Burgenlandisches Landesmuseum Eisenstadt, 42 (NeueFolge)). ISBN 9783854051817.Mahler im Kontext = Contextualizing Mahler. Herausgegeben im Auftrag der InternationalenGustav-Mahler-Gesellschaft von Erich Wolfgang Partsch und Morten Solvik. Mit einerEinleitung von Constantin Floros. Wien: Böhlau, 2011. 450 p. ISBN 978-3-205-78496-8.Martin, Ricky. Ich. Aus dem Amerikan von Ines Klöhn . Höfen: Hannibal-Verlag, 2011. 249 p.ISBN 978-3-85445-346-8.Translation of: Me (New York: New American Library, 2010).Melnick, Monte A.; Frank Meyer. Auf Tour mit den Ramones. Aus dem Amerikan. übers. vonAlan Tepper. Höfen: Hannibal-Verlag, 2011. 310 p. ISBN 978-3-85445-327-7.Translation of: On the Road with the Ramones (New York, NY: MJF Books, 2010).Mertl, Monika. Nikolaus Harnoncourt: vom Denken des Herzens; eine Biographie. 2., bearb. underg. Neuaufl. St. Pölten: Residenz-Verlag, 2011. 430 p. ISBN 978-3-7017-3231-9.Discography: p. 393–419.Miller, Mark. Auf Tour mit Bob Marley: ein Insider erzählt. Aus dem Engl. übers. von HelmutDierlamm. Orig.-Ausg. Höfen: Hannibal-Verlag, 2011. 204 p. ISBN 978-3-85445-349-9.Musik in Bewegung: Richtlinien für Ausrückungen und Marschmusikbewertungen österreichischerBlasmusikkapellen. Österreichischer Blasmusikverband. Bewertungsblätter: FranzPirklbauer; Franz Jungwirth. 4. Aufl. Oberwart: Tuba MusikVerlag, 2011. 1 v. (144 p.) + 1 CD.Musikalien des Übergangs: Festschrift für Gerlinde Haid anlässlich ihrer Emeritierung 2011. Mitenglischen Zusammenfassungen, Ton- und Videobeispielen. Ursula Hemetek; Evelyn Fink-Mennel; Rudolf Pietsch (Hg.). Wien: Böhlau, 2011. 1 v. (373 p.) + 1 DVD. (Schriften zurVolksmusik, 24). ISBN 978-3-205-78676.Includes summaries in English.Musiker aus Czernowitz: Botschafter einer minder beachteten Kultur. Red.: Raimund Lang.Innsbruck: Traditionsverb. “Kath. Czernowitzer Pennäler”, 2011. 106 p. (Czernowitzer kleineSchriften, 25). ISBN 978-3-902368-28-7.Neil, Vince; Mike Sager. Tattoos & Tequila: mein Weg zur Hölle und zurück mit Mötley Crüe. Ausdem Amerikan. übers von Kirsten Borchardt. Dt. Erstausg. Höfen: Hannibal, 2011. 367 p.ISBN 978-3-85445-335-2.Translation of: Tattoos & Tequila: To Hell and Back with One of Rock’s Most NotoriousFrontmen (New York: Grand Central Pub., 2010).© 2012 – International Association of Music Libraries; Fontes Artis Musicae

9 of 149Nödl, Carl. Wege zu Wolfgang Amadeus Mozart: erhaltene Stätten in Wien, Baden, Linz undSalzburg; ein Buch für Mozartfreunde. Wien: Österr. Kunst- und KulturVerlag, 2011. 84 p.ISBN 978-3-85437-318-6.Parfitt, Rick; Francis Rossi; Mick Wall. Die Status-Quo: Autobiografie. Aus dem Engl. übers. vonAngelika Inhoffen. Höfen: Hannibal-Verlag, 2011. 383 p. ISBN 978-3-85445-365-9.Translation of: XS All Areas: The Status Quo Autobiography (London: Sidgwick & Jackson,2004).Pärt, Arvo. Arvo Pärt im Gespräch. Wien: Universal Edition, 2010. 169 p. ISBN 9783702469610.Please kill me: die unzensierte Geschichte des Punk. Erzählt von Dee Dee und Joey Ramone, LouReed, John Cale, Patti Smith, Debbie Harry, Malcolm McLaren, Willy DeVille, MC5, Television,Iggy Pop und vielen anderen. Legs McNeil und Gillian McCain [editors]. Aus dem Engl. vonEsther Breger und Udo Breger. Neuaufl. Höfen: Hannibal-Verlag, 2011. 509 p. ISBN 978-3-85445-370-3.Translation of: Please Kill Me: The Uncensored Oral History of Punk (New York: Grove Press,1996).Psaltike: neue Studien zur byzantinischen Musik; Festschrift für Gerda Wolfram. Hrsg. von Nina-Maria Wanek. Wien: Praesens-Verlag, 2011. 397 p. (Praesens Byzantinistik). ISBN 978-3-7069-0458-2.Includes contributions in German, English, and Greek.Reitsamer, Rosa. “They say I’m different”: Popularmusik, Szenen und ihre Akteurinnen. WolfgangFichna (Hg.). Wien: Löcker, 2011. 323 p. ISBN 978-3-85409-570-5.Rik. “So bin ich eben”: 25 Jahre im Zeichen von Poesie und Romantik. Linz: Trauner, 2011. 1 v.(approximately 100 p.) + 1 CD. ISBN 978-3-85499-877-8.Includes contributions in German, Italian, and Russian.Roach, Martin. The Prodigy: wie alles began; die einzige autorisierte Biografie. Aus dem Engl. übers.von Kirsten Borchardt. Höfen: Hannibal-Verlag, 2011. 221 p. ISBN 978-3-85445-332-1.Translation of: The Prodigy, the Official Story: Electronic Punks; The Early Years 1988–1994(Church Stretton: Independent Music Press, 2010).Schlögl, Michaela. 200 Jahre Gesellschaft der Musikfreunde in Wien. Mit einem Vorw. von FranzWelser-Möst und einem Geleitw. von Dietrich Karner.Wien; Graz: Styria Books, 2011. 179 p.(Styria premium). ISBN 978-3-222-13333-6.Schubertiade (Schwarzenberg, 2011). Hohenems 2011. 18. Juni–3. Juli, 27. August–11.September; 6.–22. Mai, 2.–9. Oktober. Hrsg.: Schubertiade GmbH. Für den Inhalt verantw.:Gerd Nachbauer. Stand: April 2011. Hohenems: Schubertiade GmbH, 2011. 49 p.Includes contributions in German and English.Schubertiade (Schwarzenberg, 2012). Vorarlberg; Hohenems. Schubertiade Schwarzenberg2012. 16. Juni–25. Juni, 27. August–9. September; Hohenems 2012, 20.–24. April, 11.Oktober. Hrsg.: Schubertiade GmbH. Für den Inhalt verantw.: Gerd Nachbauer. Juni 2011.Hohenems: Schubertiade GmbH, 2011. 19 p.Includes contributions in German and English.Sebach, Eric. Die Stoani-Saga: wie die Stoakogler die Welt eroberten. Graz: Primgeiger Sebach,2011. 128 p. ISBN 978-3-200-02144-0.Skai, Hollow. Sex, Love & Rock ‘n’ Roll. Höfen: Hannibal-Verlag, 2011. 319 p. ISBN 978-3-85445-365-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

10 of 149Steinthaler, Evelyn. Morgen muß ich fort von hier: Richard Tauber: die Emigration einesWeltstars. Wien: Milena-Verlag, 2011. 227 p. (Zeitgeschichte). ISBN 978-3-85286-208-8.Taylor, Corey. Die sieben Todsünden: mein Leben mit Slipknot und Stone Sour. Aus demAmerikan. von Alan Tepper. Höfen: Hannibal-Verlag, 2011. 253 p. ISBN 978-3-85445-324-6.Translation of: The Seven Deadly Sins: Settling the Argument between Born Bad andDamaged Good (Cambridge, MA: Da Capo Press, 2011).Teibler-Vondrak, Antonia. Silvestre Revueltas: Musik für Bühne und Film. Wien: Böhlau, 2011.380 p. (Wiener Schriften zur Stilkunde und Aufführungspraxis; Sonderband, 6). ISBN 978-3-205-78767-9.Dissertation: Universitat fur Musik und Darstellende Kunst, Wien, 2008, with title: Dermexikanische Komponist Silvestre Revueltas: Musik für Bühne und Film.Theessink, Hans. Big Bill’s Guitar: Wien: Echomedia-BuchVerlag, 2011. 73 p. ISBN 978-3-902672-38-4.In German.Waldner, Annegret. Emotionen im deutschen Schlager 1930–1949. Innsbruck: StudienVerlag,2011. 257 p. (Innsbrucker Schriften zur europäischen Ethnologie und Kulturanalyse, 1). ISBN978-3-7065-4772-7.Dissertation: Universität Innsbruck, 2007, with title: Das kann doch einen Seemann nichterschüttern.Welt der Operette: Glamour, Stars und Showbusiness. Ausstellung, ÖsterreichischesTheatermuseum, Wien, 2.2.–24.9.2012; Deutsches Theatermuseum, München, 17.10.2012–10.3.2013. Marie-Theres Arnbom; Kevin Clarke; Thomas Trabitsch. Wien: Brandstätter, 2011.293 p. ISBN 978-3-85033-581-2.Wie Bilder klingen: Tagungsband zum Symposium Musik nach Bildern. (Innsbruck, 16–18. April2010). Lukas Christensen, Monika Fink (Hgg.). Wien: Lit, 2011. 302 p. (Neue InnsbruckerBeiträge zur Musikwissenschaft, 1). ISBN 978-3-643-50184-4.Wolf, Hugo. Briefe 1873–1901. Ausgabe in 4 Bänden. Mit Kommentar vorgelegt von LeopoldSpitzer. Wien: Musikwissen-schaftlicher Verlag, 2010-2011.Vol. 4: Kommentar und Register, 2011. ISBN 978-3-902681-23-2.BELGIUM50 instruments insolites: les coups de coeur des visiteurs du MIM. Stéphane Colin [et al.];photographies: Anne Deknock. Coordonné par Joke Krause et Cécile Maréchal. Bruxelles:Renaissance du livre, 2010. 127 p. ISBN 978-2-507-00435-4.50 muzikale meesterstukken: uw favoriete instrumenten uit het MIM. Stéphane Colin [et al.];fotografie: Anne Deknock. Brussel, Renaissance du Livre, 2010. 127 p. ISBN 978-2-507-00355-5.50 Unusual Instruments: MIM Visitor Favourites. Stéphane Colin [et al.]; translator: FrankParker; photographs: Anne Deknock. Bruxelles: Renaissance du livre, 2010. 127 p. ISBN 978-2-507-00354-8.Amadis de Gaule de Johann Christian Bach, Philippe Quinault et Saint-Alphonse. Textes réunispar Jean Duron. Wavre: Mardaga, 2011. 333 p. (Regards sur la musique). ISBN 978-2-8047-0083-6.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

11 of 149André Campra (1660–1744), un muscien provencal à Paris. Textes réunis par Jean Duron. Wavre:Mardaga, 2010. 207 p. (Regards sur la musique). ISBN 978-2-8047-0061-4.August De Boeck (1865–1937), componist. Redactie Jozef De Beenhouwer en Frank Teirlinck.Merchtem: Gemeente Merchtem, 2011. 1 v. (463 p.) + 1 CD. ISBN 9789081778107.Ballman, Christine, Le Luth et Lassus. Bruxelles: Académie royale de Belgique, 2011. 288 p.(Publication de la Classe des Arts. 3e série, ISSN 0775-3276; 2076) . ISBN 978-2-8031-0283-9.Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries.Edited by Rudolf Rasch. Turnhout: Brepols, 2011. 387 p. (Speculum musicae, 16). ISBN 978-2-503-54244-7.Bossuyt, Ignace. De “Goldbergvariaties” van J. S. Bach [The “Goldberg Variations” of J.S. Bach].Leuven: Universitaire Pers, 2011. 80 p. ISBN 978-90-5867-861-4. €15.00.The Calligraphy of Medieval Music. Edited by John Haines. Turnhout: Brepols, 2011. 276 p.(Musicalia Medii Aevi, 1). ISBN 978-2-503-54005-4.Ceulemans, Anne-Emmanuelle. De la vièle médiévale au violon du XVIIe siècle: Étudeterminologique, iconographique et théorique. Préface par Anne Cahen-Delhaye. Turnhout:Brepols, 2011. 267 p. (Epitome musical). ISBN 978-2-503-53561-6.Decobert, Laurence. Henry Du Mont (1610–1684): Maistre et compositeur de la musique de lachapelle du Roy et de la Reyne. Wavre: Mardaga, 2011. 480 p. (Etudes du Centre de musiqueBaroque de Versailles). ISBN 978-2-8047-0079-9. €39.00.“La délivrance de Renaud”: Ballet dansé par Louis XIII en 1617 = “La délivrance de Renaud”:Ballet Danced by Louis XIII in 1617. Edited by Greer Garden. Turnhout: Brepols, 2011. 293 p.(Epitome musical). ISBN 978-2-503-52347-7.De Wilde, Maartje. Ik ben getrouwd met een kwaaie griet: lief en leed in Brusselse liederen uitde 17 de eeuw [I Am Married to an Angry Shrew: Love and Misery in Songs from 17th CenturyBrussels]. Leuven: Davidsfonds, 2011. 1 v. (79 p.) + 2 CDs. ISBN 978-90-5826-809-9. €29.95.Dratwicki, Benoît. Antoine Dauvergne (1713–1797): Une carrière tourmentée dans le Francemusicale des Lumières. Wavre: Mardaga, 2011. 479 p. (Etudes du Centre de musiqueBaroque de Versailles). ISBN 978-2-8047-0082-9. €39.00.La fabrique des paroles de musique en France à l'âge Classique. Textes réunis par Anne-Madeleine Goulet et Laura Naudeix. Wavre: Mardaga, 2010. 351 p. (Etudes du Centre demusique Baroque de Versailles). ISBN 978-2-8047-0060-7.Flemish Chamber Music since 1950: Historical Overview, Discussion of Selected Work,s andInventory. Edited by Mark Delaere and Rebecca Diependaele. Leuven: Matrix, 2011. 1 v. (159p.) + 1 CD. (Contemporary Music in Flanders, 7). ISBN 978-90-77717-06-6.Gallagher, Sean. Johannes Regis. Turnhout: Brepols, 2010. 1 v. (429 p.) + 2 CDs. (Epitomemusical). ISBN 978-2-503-53364-3Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and theRenaissance. Edited by David Burn, Stefan Gasch. Turnhout: Brepols, 2011. 438 p. (Epitomemusical). ISBN 978-2-503-54249-2.Leach, Elizabeth Eva. Guillaume de Machaut: Secretary, Poet, Musician. Leuven: LeuvenUniversity Press, 2011. 367 p. ISBN 978-90-5867-876-8. €49.50.Maes, Francis; Piet De Volder. Opera: Achter de schermen van de emotie [Opera: Behind theScreens of Emotion]. Leuven: LannooCampus, 2011. 303 p. ISBN 978-90-209-9851-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

12 of 149Maral, Alexandre. La chapelle royale de Versailles sous Louis XIV: Cérémonial, liturgie etmusique. Préface Yves-Marie Bercé. 2 e édition revue et mise à jour. Wavre: Mardaga, 2010.476 p. (Etudes du Centre de musique Baroque de Versailles). ISBN 978-2-8047-0055-3.€45.00.Mourtis, Bertram; Pieter Steinz. Luisteren etcetera: Het web van de popmuziek in de jarenzeventig [Listening Etc.: The Web of Pop Music in the Seventies]. Amsterdam: Contact, 2011.270 p. ISBN 978-90-254-3618-6.Musique et évolution. Sous la direction de Irène Deliège, Oliver Vitouch, Olivia Ladinig. Wavre:Mardaga, 2010. 414 p. (PSY, 8). ISBN 978-2-8047-0023-2. €38.00.Nicolò Paganini, “diabolus in musica”. Edited by Andrea Barizza and Fulvia Morabito. Turnhout:Brepols, 2010. 565 p. (Studies on Italian Music History, 5). ISBN 978-2-503-53533-3.€100.00.Papers in English, French, and Italian presented at a meeting held July 16–18, 2009, Liguria,Italy.Cooremans, Kamiel; Jan Dewilde; Roger Leens. O song: Vic Nees, portret van eenkoorcomponist. [O Song: Vic Nees, Portrait of a Choral Composer]. Leuven: Davidsfonds,2011. 1 v. (167 p.) + 1 CD. ISBN 978-90-5826-765-8.The Opéra-Comique in the Eighteenth and Nineteenth Centuries. Edited by Lorenzo Frassà.Turnhout: Brepols, 2011. 400 p. (Speculum musicae, 15). ISBN 978-2-503-52781-9.Palermo, Paola; Giula Pecis Cavagna. La cappella musicale di Santa Maria Maggiore a Bergamodal 1657 al 1810. [The Musical Chapel of Santa Maria Maggiore in Bergamo from 1657 to1810]. Turnhout: Brepols, 2011. 1 v. (526 p.) + 1 CD-ROM. (Studies on Italian Music History,6). ISBN 978-2-503-51033-0.Peleman, Axl. Bijna vergeten Antwerpse volksliedjes [Almost Forgotten Antwerp Folk Songs].Illustraties Fred Bervoets. Lichtervelde: Kannibaal, 2011. 1 v. (93 p.) + 1 CD. ISBN 978-90-8162-375-9.The Practice of Practising. Catherine Laws (ed.). Leuven: Universitaire Pers Leuven: 2011. 91 p.(Collected Writings of the Orpheus Institute. Subseries Orpheus Research Centre in Music,4). ISBN 978-90-5867-848-5. €25.00.Rewriting Recent Music History: The Development of Early Serialism, 1947–1955. Edited by MarcDelaere. Leuven: Peeters, 2011. 215 p. (Analysis in Context, 3). ISBN 978-90-429-2523-6.Robert, Michel. Béjart: Si Dieu le veut. Bruxelles: Racine, 2011. 198 p. ISBN 978-2-87386-739-3.Scarcez, Alicia. L’Antiphonaire 12A-B de Westmalle dans l’histoire du chant cistertcien au XIIesiècle: Introduction historique, analyse, fac-similés, tableaux et index. Turnhout: Brepols,2011. 1 v. (686 p.) + 1 DVD-ROM (Bibliologia, 32). ISBN 978-2-503-53670-5.Schirren, Fernand. Le rythme primordial et souverain. Bruxelles: Contredanse, 2011. 1 v. (383 p.)+ 1 CD. ISBN 978-2-930146-33-1. BEF 850.Swerts, Piet. Imitatio et aemulatio: De “L’homme armé”-traditie in heden en verleden alsinspiratiebron voor een vernieuwde toonspraak, renaissance van de polyfonie? [“Imitationand Emulation”: The “L’homme armé” Tradition Past and Present as a Source of Inspirationfor a Renewed Musical Language; Renaissance of Polyphony?]. Bertem: Zodiac Editions,2011. 291, 186 p.Van Loo, Bart. Chanson: Een gezongen geschiedenis van Frankrijk [Chanson: A Musical History ofFrance]. Antwerpen: De Bezige Bij, 2011. 333 p. ISBN 978-90-8542-301-0.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

13 of 149Verbeke, Demmy. Latin Letters and Poems in Motet Collections by Franco-Flemish Composers(c.1550–c.1600). Turnhout: Brepols, 2010. 315 p. (Epitome musical). ISBN 978-2-503-53363-6. €60.00.CHINAChen, Lerong = 陈乐融 . Wo, zuo ci jia: Chen Lerong yu 14 wei ci ren de chuang yi pan ni = 我 , 作词家 : 陈乐融与 14 位词人的创意叛逆 = I, Lyricist. Di 1 ban. Beijing Shi: Hua wen chu banshe, 2011. 309 p. (Hong wen guan = 弘文馆 ); (Fresh shu xi = Fresh 书系 ). ISBN 978-7-5075-3318-7.Ding, Xiaoli = 丁晓莉 . Hasake zu min zu yin yue wen hua yan jiu = 哈萨克族民族音乐文化研究[The Ethnic Music of Kazakhstan]. Di 1 ban. Lanzhou: Gansu min zu chu ban she, 2011. 230p. ISBN 978-7-5421-1843-1.Dong, Xiutuan = 董秀团 . Bai zu da ben qu yan jiu = 白族大本曲研究 [Research into the BaiTribe’s Music and Theater]. Di 1 ban. Beijing Zhongguo she hui ke xue chu ban she, 2011.449 p. ISBN 978-7-5004-9263-4.Du, Yaxiong = 杜亚雄 . Min zu yin yue xue gai lun = 民族音乐学概论 = An Outline ofEthnomusicology. Xiu ding ban, di 1 ban. Shanghai shi: Shanghai yin yue xue yuan chu banshe, 2011. 115 p. ISBN 978-7-80692-632-1. RMB¥22.00.Hunan yin yue pu cha bao gao = 湖南音乐普查报告 [A Survey of Hunan Music]. Zhongguo yinyue yan jiu suo bian; Xu Meihui xiu ding zheng li. Di 1 ban. Beijing: Hunan ren min chu banshe, 2011. 538 p. (Hu Xiang wen ku. Yi, 23). ISBN 978-7-5438-7094-9.Jin, Shan = 金汕 . Dang dai Beijing yin yue shi hua = 当代北京音乐史话 [The History ofContemporary Music in Beijing]. Di 1 ban. Beijing shi: Dang dai Zhongguo chu ban she, 2011.198 p. (Dang dai Beijing she hui sheng huo shi hua cong shu= 当代北京社会生活史话丛书 ).ISBN 978-7-80170-944-8. RMB¥29.00.Li, Lanqing = 李岚清 . Shanghai: Zhongguo jin xian dai yin yue de yao lan = 上海 : 中国近现代音乐的摇篮 = Shanghai: Cradle of China’s Contemporary and Modern Music. Shanghai: Wenhui chu ban she, 2011. 1 v. (195 p.) + 1 CDROM. ISBN 978-7-5496-0040-3.Parallel text in English and Chinese.Li, Xiaonuo = 李小诺 . Shen mei xin li shi ye xia de xi fang yin yue ti cai = 审美心理视野下的西方音乐体裁 = In the View of Aesthetic Psychology of Western Music Genre. Di 1 ban. Shanghai:Shanghai yin yue xue yuan chu ban she, 2011. 194 p. ISBN 978-7-80692-642-0. RMB¥28.00.Li Yuchuan qi chuang zuo ji = 李渔传奇创作集 [A Creative Collection of Li Yuchuan’s ChineseOperas]. Zhu bian Xie Boliang; fu zhu bian Zou Dewang, Yao Zhiqiang.. Di 1 ban. Shanghai:Shanghai gu ji chu ban she, 2011. 176 p. (Zhongguo xi qu xue yuan shi yan xi ju cong shu =中国戏曲学院实验戏剧丛书 ). ISBN 978-7-5325-5181-1.Lin, Hua = 林华 . Yin yue shen mei yu min zu xin li = 音乐审美与民族心理 [Music Aesthetics andEthnopsychology]. Di 1 ban. Shanghai shi: Shanghai yin yue xue yuan chu ban she, 2011. 505p. ISBN 978-7-80692-550-8. RMB¥68.00.Liu, Hongqing = 刘红庆 . Yao shi gu huo: Zhao Songguang Zhonghua yin yue si xiang li mei zhi lu= 耀世孤火 : 赵宋光中华音乐思想立美之旅 [The Journey of Music Theorist Zhao© 2012 – International Association of Music Libraries; Fontes Artis Musicae

14 of 149Songguang]. Di 1 ban. Jinan Shi: Qi Lu shu she, 2011. 213 p. (Guo yue chuan cheng yuchuang xin cong shu. Ren wu = 国乐传承与创新丛书 . 人物 , 3). ISBN 978-7-5333-2544-2.Luo, Xiaoping = 罗小平 ; Feng Changchun = 冯长春 . Yue zhi dao: Zhongguo dang dai yin yue mei xueming jia fang tan = 乐之道 : 中国当代音乐美学名家访谈 [The Path of Music: Interviews withContemporary Chinese Music Aesthetics Scholars]. Di 1 ban. Shanghai Shi: Shanghai yin yue xueyuan chu ban she, 2011. 1 v. (345 p.) + 1 DVD. ISBN 978-7-80692-627-7.Qi, Huimin = 祁慧民 . Yi shi, yin yue yu hun yin: Qinghai hu zhu tu zu chuan tong hun li ji qi yinyue de diao cha yu yan jiu = 仪式 , 音乐与婚姻 : 青海互助土族传统婚礼及其音乐的调查与研究 [Ceremony, Music and Wedding: A Survey and Investigation of the Qinghai Hu ZhuTu Tribe’s Traditional Wedding Ceremonies and Music]. Di 1 ban. Beijing: Zhongguo she huike xue chu ban she, 2011. 214 p. ISBN 978-7-5004-9088-3.Qian, Zhixi = 钱志熙 . Han Wei yue fu de yin yue yu shi = 汉魏乐府的音乐与诗 [The Music andPoems of Yuefu from the Han and Wei Dynasties]. Di 1 ban. Beijing Shi: Xue yuan chu banshe, 2011. 331 p. ISBN 978-7-5077-3732-5.Qiu, Huang = 丘煌 . Guangdong han ju yin yue yan jiu = 广东汉剧音乐研究 [Research into theMusic of Cantonese Operas]. Di 1 ban. Guangzhou Shi: Guangzhou Zhongshan da xue chuban she, 2011. 462 p. (Ling nan bin wei ju zhong yan jiu cong shu = 岭南濒危剧种研究丛书 ).ISBN 978-7-306-03814-2.Quan guo yin yue fen xi xue shu yan tao hui (1 st , 2009, Shanghai yin yue xue yuan). Shou jiequan guo yin yue fen xi xue xue shu yan tao hui xue shu lun wen ji = 首届全国音乐分析学学朮研讨会学朮论文集 = Selected Articles of the First National Symposium of Music Analysis.Di 1 ban. Shanghai shi: Shanghai yin yue xue yuan chu ban she, 2011. 2 v. ISBN 978-7-80692-643-7 (set). RMB¥110.00.Shi, Yong = 施咏 . Xian wai zhi yin: Dang dai gu qin wen hua chuan cheng shi lu = 弦外之音 : 当代古琴文化传承实录 = The Investigation about Guqin Cultural Inheriting in theContemporary Era [The Qin in Contemporary Music]. Di 1 ban. Beijing: Guang ming ri baochu ban she, 2011. 335 p. (Gao xiao she ke wen ku = 高校社科文库 = University SocialScience Series). ISBN 978-7-5112-1038-8.Song, Bonian = 宋博年 . Si chou zhi lu: Yin yue yan jiu = 丝绸之路 : 音乐研究 [The Silk Road: AMusic Research Project]. Xinjiang: Xinjiang ren min chu ban she, 2011. 328 p. (Si chou zhi luyan jiu cong shu = 丝绸之路研究丛书 ). ISBN 978-7-228-14111-1.Sun, Yuemei = 孙悦湄 ; Fan Xiaofeng = 范晓峰 . Zhongguo jin xian dai sheng yue yi shu fa zhanshi = 中国近现代声乐艺朮发展史 [The History of the Development of China’sContemporary Vocal Arts]. Di 1 ban. Hangzhou shi: Zhejiang da xue chu ban she, 2011. 304p. ISBN 978-7-308-08764-3. RMB¥45.00.Tan, Yong = 谭勇 ; Xu, Bihai = 胥必海 ; Sun, Xiaoli = 孙晓丽 . Xin wen hua yun dong shi qi “yin yuechuang jiang” Wang Guangqi yu xi nan di qu min zu yin yue = 新文化运动时期 “ 音乐闯将” 王光祈与西南地区民族音乐 [The Period of the New Cultural Movement, “The VanguardGeneral of Music”: Wang Guangqi and Ethnomusicology in the Northwestern Region].Zhongguo: Min zu chu ban she, 2011. ISBN 978-7-105-11251-7.Wang, Guangqi = 王光祈 . Wang Guangqi yin yue lun zhao er zhong = 王光祈音乐论著二种[Wang Guangqi’s Music Criticism]. Di 1 ban. Shanghai: Shanghai shu dian chu ban she, 2011.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

16 of 149Yang, Xiuzhao = 杨秀昭 . Zhongguo shao shu min zu zong jiao yin yue yan jiu: Guangxi = 中国少数民族宗教音乐研究 . 广西卷 = Studies on the Religious Music of China’s Ethnic Minorities:Guangxi. Di 1 ban. Beijing: Zong jiao wen hua chu ban she, 2011. 948 p. ISBN 978-7-80254-366-9.Yi, Zengxun = 伊增埙 . Gu diao jin tan: Beijing ba jiao gu cha qu yan jiu ping zhu = 古调今谭 : 北京八角古岔曲研究评注 [A Talk on Ancient Tunes; Research on Beijing’s Folk Music]. Zengding ban, di 1 ban. Beijing: Xue yuan chu ban she, 2011. 421 p. ISBN 978-7-5077-3743-1.You, Jingbo = 尤静波 . Liu xing ge qu xie zuo jiao cheng = 流行歌曲写作教程 [TeachingMaterials for Composing Popular Music]. Di 1 ban. Beijing: Dai zhong wen yi chu ban she,2011. 224 p. (Xian dai yin yue jiao yu cong shu = 现代音乐教育丛书 ). ISBN 978-7-80240-802-9.You, Jingbo = 尤静波 . Zhongguo liu xing yin yue tong lun = 中国流行音乐通论 [A Talk onChinese Popular Music]. Di 1 ban. Beijing: Da zhong wen yi chu ban she, 2011. 256 p. (Xiandai yin yue jiao yu cong shu = 现代音乐教育丛书 ). ISBN 978-7-80240-801-2.Zhong, Libin = 仲立斌 . Hongxiannü chang qiang yi shu yan jiu = 红线女唱腔艺朮研究 [TheVocal Art of Hongxiannü]. Di 1 ban. Guangzhou: Jinan da xue chu ban she, 2011. 180 p. (Yinyue xue xin shi jie cong shu = 音乐学新视界丛书 ). ISBN 978-7-81135-965-7.Zhong yang min zu da xue (China). Min zu yue qi ke ti zu = 中央民族大学 ( 中国 ). 民族乐器课题组 . Min zu yue qi = 民族乐器 [Ethnic Instruments]. Di 1 ban. Beijing: Zhongguo jing ji chuban she, 2011. 302 p. ISBN 978-7-5136-0576-2.Zhongguo min jian yi shi yin yue yan jiu. Huabei, Xinan, Huadong zeng bu he juan = 中国民间仪式音乐研究 . 华北、西南、华东增补合卷 [Research on Chinese Ritual Music. AnExpanded Volume for Huabei, Xinan, and Huadong]. Cao Benzhi zhu bian. Di 1 ban. BeijingShi: Wen hua yi shu chu ban she, 2011. 346 p. (Zhongguo yi shi yin yue yan jiu cong shu = 中国仪式音乐研究丛书 ). ISBN 978-7-5039-4978-4.Zhongguo yi shu yan jiu yuan. Yin yue yan jiu suo = 中国艺朮研究院 . 音乐研究所 ; Lin Chen =林晨 . Qin xue liu shi nian lun wen ji = 琴学六十年论文集 [A Collection of Essays on the Qinand Its Music]. Zhongguo yi shu yan jiu yuan yin yue yan jiu suo bian; Lin Chen zhu bian. Di 1ban. Beijing Shi: Wen hua yi shu chu ban she, 2011. 2 v. (1229 p.). ISBN 978-7-5039-4651-6.Zhou, Honglei = 周洪雷 . Yin yue shi chang ying xiao ji an li fen xi = 音乐市场营销及案例分析 =Music Marketing and Cases Analysis. Xiu ding ban, di 2 ban. Shanghai shi: Shanghai yin yuexue yuan chu ban she, 2011. 331 p. ISBN 978-7-80692-614-7. RMB¥38.00.CROATIABersa, Blagoje. Korespondencija [Correspondence]. Sedak, Eva, (ed.). Zagreb: Hrvatski glazbenizavod, 2011. 408 p. (Sabrana djela, 1. knjiga). ISBN 978-953-99277-5-0.Dominikanci u Hrvatskoj [Dominicans in Croatia]. Zagreb: Galerija Klovićevi dvori, 2011. 534 p.ISBN 978-953-271-011-3.Catalog of the exhibition held at Klovićevi yard, Zagreb, 20 December 2007–30 March 2008.Dragaš, Aleksandar. Rock 21. stoljeća. [Rock in the 21st Century]. Zagreb: VBZ, 2011. 237 p.(Biblioteka Posebna izdanja). ISBN 978-953-304-311-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

17 of 149Duraković, Lada. Ideologija i glazbeni život: Pula 1945.–1966. [Ideology and Musical Life: Pula1945–1966]. Zagreb: Hrvatsko muzikološko društvo, 2011. 231 p. (Serija Muzikološke studije,br. 12). ISBN: 978-953-6090-43-3.Gall, Zlatko. Pojmovnik popularne glazbe [Dictionary of Popular Music]. 2. prošireno izd. Zagreb:Naklada Ljevak, 2011. 343 p. (Biblioteka POP). ISBN 978-953-303-352-5.Grgurić, Diana. Glazba, riječ: Istraživanje odnosa: intermedijalna i povijesna razmatranja opusaMilutina Cihlara Nehajeva i Nedjeljka Fabrija [Music, Word: Exploring the Correlation:Intermediary and Historical Considerations in the Works of Milutin Cihlar Nehaj and NedjeljkaFabry]. Zagreb: Hrvatska sveučilišna naklada 2010. 180 p. ISBN 978-953-169-217-5.Grudsko pivanje: Ganga, đotavica, putničko pivanje, diple i gusle iz Grudskog kraja [TraditionalSinging of the Grude Region]. Matković, Tomo (ed.). Grude: Matica Hrvatska ogranak Grude,2011. 46 p. ISBN 978-953-6020-49-2Hrvoj, Davor. Jazz vibrations: Razgovori s jazz glazbenicima [Jazz Vibrations: Interviews with JazzMusicians]. Zagreb: Menart, 2011. 485 p. ISBN 978-953-55625-9-7.Kiš Žuvela, Sanja. Zlatni rez i Fibonaccijev niz u glazbi 20. stoljeća [The Golden Mean and theFibonacci Sequence in 20th Century Music]. Zagreb: Hrvatsko društvo glazbenih teoretičara,2011. 150 p. ISBN 978-953-7763-01-5.Kostelnik, Branko. Eros, laži i pop rock-pjesme: Seksizam i profit u hrvatskoj pop- i rock-glazbi udevedesetima [Eros, Lies, and Pop-Rock Songs: Sexism and Profit in Croatian Pop and RockMusic in the Nineties]. Zaprešić: Fraktura, 2011. 184 p. ISBN 978-953-266-309-9.Krpan, Erika. Riječ između tonova: Zapisi o hrvatskoj glazbi [Words between Sounds: Records ofCroatian Music]. Zagreb: Cantus, 2011. 250 p. ISBN 978-953-7530-01-3.Leksikon hrvatske crkvene glazbe [Lexicon of Croatian Church Music]. Samobor: Meridijan, 2011.(Bibliotheca Posebna izdanja, 8). 427 p. ISBN 978-953-239-140-4.Lukežić, Irvin. Ferruccio Busoni: Faust iz Toskane: Književni eseji [Ferruccio Busoni: Faust fromTuscany: Literary Essays]. Zagreb: Leykam International, 2011. 454 p. ISBN 978-953-7534-75-2.Martinić, Jerko. Pučki napjevi misa iz srednje Dalmacije u kontekstu glagoljaške tradicije: Širepodručje Splita, otoci Brač i Hvar [Folk Mass Chants from Central Dalmatia in the Context ofthe Glagolitic Tradition: The Wider Area of Split, the Islands of Brac, and Hvar]. Zagreb:Hrvatsko muzikološko društvo, 2011, 357 p. (Serija Muzikološke, 13). ISBN 978-953-6090-37-2.Musical Theatre as High Culture?: The Cultural Discourse on Opera and Operetta in the 19thCentury = Glazbeno kazalište kao elitna kultura? Kulturološki diskurs o operi i opereti u 19.stoljecu. Urednici, Vjera Katalinic, Stanlislav Tuksar, Harry White. Zagreb: Hrvatskomuzikološko društvo, 2011. 166 p. ISBN 9789536090396.Muzička akademija Sveučilišta u Zagrebu: 90 godina [The Zagreb Academy of Music: 90 Years].Urednica Erika Krpan. Zagreb: Muzička akademija Sveučilišta u Zagrebu, 2011. 411 p. ISBN978-953-97100-6-2.Njikoš, Julije. Povijest tambure i tamburaške glazbe [History of the Tambura and TamburaMusic]. Osijek: Šokačka grana, 2011. 172 p. ISBN 978-953-55179-3-1.Paulus, Irena. Kubrickova glazbena odiseja [Kubrick’s Musical Odyssey]. Zagreb: Pozitiv film,2011. 331 p. (Biblioteka Negativ). ISBN 978-953-7675-03-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

18 of 149Pierre Schaeffer: Mediart: Proceedings of the International Conference, Rijeka, 2011. Rijeka:Muzej moderne i suvremene umjetnosti, 2011. 160 p. ISBN 978-953-6501-78-6.Petar Selem: operne i glazbeno-scenske režije, dramske režije, teatralika: Esejistički i znanstvenirad, autobiografske natuknice [Petar Selem: Opera and Musical and Theatrical Director,Drama Director, Theater Scholar: Essay and Research Paper, Autobiographical Sketch].Zagreb: Školska knjiga, 2011. (Biblioteka Monografije, 3). 458 p. ISBN 978-953-0-61953-1.Riman, Marija; Barbara Riman. Franjo Godec: Život i djelo [Franjo Godec: Life and Works]. Rijeka:Ustanova “Ivan Matetić Ronjgov”, 2011, 246 p. ISBN 978-953-7007-27-0Vuković, Siniša. Ruža solista: Glazba književnosti i književnost glazbe: Operni historiografski esejii putopisno-dnevničke zabilješk, 2005.–2007 [Rose Solo: Music Literature and Literature ofMusic: Opera Historiographical Essays and Diary/Travelogue, 2005–2007]. Split: NakladaBošković, 2011. 700 p. (Biblioteka Kolona, 28). ISBN 978-953-263-149-4.DENMARKAlbertsen, Leif Ludwig. Kennst du das Land? Goethe som sangskriver [Do You Know That Land?Goethe as a Songwriter]. Esbjerg: Syddansk Musikkonservatorium & Skuespillerskole, 2010.27 p. (PubliMus, 17). ISBN 978-87-89919-22-5.Amerika i dansk kulturliv 1945–75 [America in Danish Cultural Life, 1945–75]. Redigeret af SørenHein Rasmussen og Rasmus Rosenørn. Odense: Syddansk Universitetsforlag, 2010. 279 p.(University of Southern Denmark Studies in History and Social Sciences, ISSN 1602-5962;411). ISBN 978-87-7674-507-3.Andersen, Lene; Henriette Kragh Jacobsen. Kildevæld: Viser & eventyr fortalt for 100 år siden[Springs: Songs & Fairy Tales Told a Hundred Years Ago]. København: DanskFolkemindesamling, 2011.Andersen, Mogens. Historien om vor tids musik [A History of the Music of Our Time].København: Wilhelm Hansen, 2009. 366 p. ISBN 978-87-598-1771-1.Audiovisuel kultur- og den gode lyd: En kvalitativ undersøgelse. [Audiovisual Culture and GoodSound: A Qualitative Investigation],Online publication.URL: http://www.avlyt.dk/2010/04/Weblog.Ballieu Petersen, Ulrik. Kærlighed til klaveret: Reflektioner over en epoke i historien om denklassiske klavermusik [Love for the Piano: Reflections on an Epoch in the History of ClassicalPiano Music]. Nørre Alslev: Aesculus, 2009. 392 p. ISBN 978-87-993026-0-4.Bak, Andrea. Else Marie Pade: En biografi [Else Marie Pade: A Biography]. København:Gyldendal, 2009. 205 p. ISBN 978-87-02-07927-2Balslev, Poul Christian. Thorvald Aagaard: Komponist og musikformidler i den folkelige sangstjeneste [Thorvald Aagaard: Composer and Music Distributor in the Service of Popular Song].Odense: Odense Bys Museer, 2009. 99 p. ISBN 978-87-87345-25-5.Barfod, Hans. Alex Riel: Manden bag trommerne [Alex Riel: The Man Behind the Drums].Karrebæksminde: Saxart, 2010. 288 p. ISBN 978-87-92653-00-0.Bergström-Isacsson, Märith. “Music and Vibroacoustic Stimulation in People with RettSyndrome: A Neurophysiological Study”. 2011. 199 p.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

19 of 149Ph.D. thesis: Aalborg Universitet.Bergstrøm-Nielsen, Carl. ”Grafisk notation” [Graphic Notation]. Om metodiske øvelser i at lavelyttepartiturer. 2010. 27 p.Ph.D. thesis: Aalborg Universitet.URL: http://vbn.aau.dk/files/40118885/grafhb.pdfBille, Torben. Sebastian: Når lyset bryder frem [Sebastian: When the Light Breaks Through].København: Lindhardt og Ringhof, 2009. 313 p. ISBN 978-87-11-43358-4.Bille, Torben. Yeah yeah yeah! en krønike om the Beatles [Yeah Yeah Yeah! A Chronicle of theBeatles]. København: Gyldendal, 2010. 383 p. ISBN 978-87-02-07559-5.Bonde, Lars Ole. Musik og menneske: Introduktion til musikpsykologi [Music and Man:Introduction to Music Psychology]. Frederiksberg: Samfundslitteratur, 2009. 371 p. ISBN978-87-593-1400-5.Braad Thomsen, Christian. Drømmejazz: Jazzens historie belyst gennem 100 af de bedste cd’er[Dream Jazz: The History of Jazz in 100 of the Best CDs]. København: Tiderne Skifter, 2009.415 p. ISBN 978-87-7973-394-7.Brincker, Jens. Komponistbasen: Et webleksikon in-progress over danske komponister, 1840–[The Composers’ Database: An In-Progress Web Dictionary of Danish Composers beginningin 1840].Online publication.URL: http://www.komponistforeningen.dk/node/24Christensen, Anders Chr. N. Vildspil og nodespil: Traditionel spillemandsmusik i Danmark:Indspilninger fra Dansk Folkemindesamling 1909–2009 [Wild Play and Music Play:Traditional Folk Music in Denmark: Recordings from the Danish Folklore Archives 1909–2009]. København: Kragen, 2011. 1 v. (206 p.) + 2 CDs. ISBN 978-87-89160-12-2.Christensen, John. Guide til Bob Dylan: Mennesket, myten, musikeren [Guide to Bob Dylan: Man,Myth, Musician]. Fårevejle: Emil, 2009. 239 p. ISBN 978-87-89703-40-4.Christensen, Niels. Montmartre i Nørregade: Mig og Monten [Montmartre in Nørregade: Meand the “Mount”]. København: People’s Press, 2010. 251 p. ISBN 978-87-7108-104-6.Christiansen, Toke Lund. Mozarts øre og andre fortællinger om det mindste og det største imusikken [Mozart’s Ear and Other Tales of the Smallest and the Largest in Music].København: Vandkunsten, 2010. 177 p. ISBN 978-87-7695-197-9.Cross, Billy. Så langt så godt [So Far So Good]. København: Gyldendal, 2009. 188 p. ISBN 978-87-02-05408-8.Donnerborg,Troels. Klangen af en stjerne: Historien om vidunderbarnet, Else Marie Pade, dervoksede sig stærk i nazisternes fængsel og blev Danmarks første elektroniske komponist [TheSound of a Star: The History of the Infant Prodigy Else Marie Pade, Who Grew Up in a NaziPrison and Became Denmark’s First Electronic Composer]. København: Byens forlag, 2009.310 p. ISBN 978-87-992951-8-0.Dürrfeld, Peter. Mozartkuren: Lyt til Mozart og få et rigere liv [The Mozart Cure: Listen to Mozartand Have a Richer Life]. København: Olufsen, 2009. 126 p. ISBN 978-87-7917-600-3.Dürrfeld, Peter. Gud i musikken [God in Music]. København: Kristeligt Dagblad, 2011. 255 p. ISBN978-87-7467-067-4.Elers, Pia. Nattegn: Et portræt af Johnny Madsen [Night Pass: A Portrait of Johnny Madsen].København: People’s Press, 2011. 310 p. ISBN 978-87-7108-632-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

20 of 149Enemark, Einar; Anders Houmøller Thomsen. Manden der var MC Einar [The Man Who Was MCEinar]. København: People’s Press, 2011. 201 p. ISBN 978-87-7108-466-5.Erichsen, Jørgen. Friedrich Kuhlau: ein deutscher Musiker in Kopenhagen.Online publication.URL: http://www.josebamus.dk/Kuhlau/Kuhlau-4.htmFabricius, Peter; Valdemar Lønsted; Morten Zeuthen. Anton Kontra: Historien om en kunstner[Anton Kontra: History of an Artist]. København: Gyldendal, 2010. 1 v. (220 p.) + 1 DVD. ISBN978-87-02-10077-8.Fock, Eva. “Det glemmer jeg aldrig”: Et krydstogt i musikformidling [“I’ll Never Forget”: A Tourthrough Music Promotion]. Esbjerg: VMK Forlag, 2009. 71 p. ISBN 978-87-89919-17-1.Fock, Eva. På tværs af musik [Across Music]. København: Wilhelm Hansen, 2011. 286 p. ISBN978-87-598-2015-5.Frederiksen, Steen. Pris på musikken: En minutiøst fortalt historie om, hvem der fik LéonieSonnings Musikpris gennem årene [A Price on Music: A Meticulously Told History of thePersons Who Received the Léonie Sonning Music Prize through the Years]. København:Vandkunsten, 2010. 446 p. ISBN 978-87-7695-155-9Frimodt-Møller, Søren R. “Playing by the Rules? A Philosophical Approach to Normativity andCoordination in Music Performance”. 2010. 256 p.Ph.D. thesis: Syddansk universitet.URL: http://www.orkesterfilosofi.dk/DissertationMay2010.pdfGraakjær, Nicolai Jørgensgaard. Musik i tv-reklamer: Teori og analyse [Music in TV Commercials:Theory and Analysis]. Frederiksberg: Samfundslitteratur, 2011. 198 p. ISBN 978-87-593-1486-9.Groth, Sanne Krogh. “To musikkulturer, én institution: Forskningsstrategier og textljudkompositionerved det svenske elektronmusikstudie EMS i 1960’erne og 1970’erne” [TwoMusic Cultures, One Institution: Research Strategies and Text-Sound Composition at theSwedish Electronic Music Studio EMS during the 1960s and 1970s]. 2010. 224 p.PhD. Thesis: Københavns Universitet.Grove, Arnaq; Michael Hauser; Hivshu Robert Peary. Christian´Ledenip UummannamiUpernavimmilu 1909-mi 1912-imilu immiussai, ileqqorsuutit erinarsuutit taallallu, ChristianLedens lydsamlinger fra Uummannaq og Upernavik, fra 1909 og 1912: Sange, vrøvlevers ogdigte = Christian Leden’s Audio Collections from Uummannaq and Upernavik from 1909 and1912: Songs, Nonsense Rhymes, and Poems. København: Det Grønlandske Selskab, 2011. 72p. ISBN 978-87-87925-44-0.Grund, Cynthia M.; William Westney. Music, Movement, Performance & Perception:Perspectives on Cross-Disciplinary Research and Teaching within NNIMIPA, Nordic Networkfor the Integration of Music Informatics, Performance, and Aesthetics. An Essay in Wordsand Pictures Recounting the Nordplus-Sponsored Coordination Meeting for NNIMIPA Heldat the University of Oslo, February 18–19, 2010. Odense: NNIMIPA, 2010. 75 p. ISBN 978-87-92646-11-8.Hansen, Jette Barnholdt. Den klingende tale: Studier i de første hofoperaer på baggrund afsenrenæssancens retorik [Sounding Speech: Studies in the First Court Operas and theBackground of Late Renaissance Rhetoric]. København: Museum Tusculanum, 2010. 254 p.ISBN 978-87-635-2593-0.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

21 of 149Hansen, Thomas Holme. Knud Jeppesen (1892–1974). København: Det Kongelige Bibliotek,2011.Online publication.URL: http://www.kb.dk/da/nb/tema/fokus/jeppesen/redaktionelt.htmlHansen, Thomas Holme. Knud Jeppesen katalog: Skriftlige arbejder, kompositioner og editioner,diskografi og bibliografi [Knud Jeppesen Catalogue: Texts, Compositions, and Editions,Discography, and Bibliography]. København: Det Kongelige Bibliotek, 2011. Onlinepublication. URL:http://www.kb.dk/da/publikationer/online/fund_og_forskning/download/kjkatalog.pdfHauge, Peter. An Annotated Bibliography Covering the Subjects Textual Criticism, Critical MusicEditing, Music Engraving, and Notation. Copenhagen: Royal Library, Danish Centre for MusicPublcation, 2010.Online publication.URL: http://www.kb.dk/en/kb/nb/mta/dcm/udgivelser/bibliografi.htmlHauser, Michael. Traditional Inuit Songs from the Thule Area. Copenhagen: MuseumTusculanum Press, 2010. 2 v. + 1 CD. (Meddelelser om Grønland, 346); (Man & Society, 36).ISBN 978-87-635-2589-3.Hjortkjær, Jens. “Toward a Cognitive Theory of Musical Tension”. 2011. 330 p.Ph.D. thesis: Københavns Universitet.Høg Hansen, Anders. Bob Dylan: Kærlighed, krig og historie 1961–1967 [Bob Dylan: Love, War,and History, 1961–1967]. Frederiksberg: Frydenlund, 2011. 175 p. ISBN 978-87-7887-966-0.Holt, Fabian; Jens Nielsen; Charlotte Rørdam Larsen. Analyse af danske musikfestivaler [Analysisof Danish Music Festivals]. København: Statens Kunstråds Musikudvalg, 2010. 98 p.Online publication.URL: http://www.kunst.dk/fileadmin/user_upload/dokumenter/Musik/Rapporter/NIRAS_Musikfestivalanalyse_2010.pdfHorneman, C.F.E.; Edvard Grieg. Et venskab: C.F.E. Hornemans korrespondance med EdvardGrieg, 1863–1898 [A Friendship: C.F.E. Horneman’s Correspondence with Edvard Grieg,1863–1898]. København: Museum Tusculanum, 2011. 166 p. ISBN 978-87-635-3741-4.Humphries, Carl. Teaching Improvisation in Classical Music. Esbjerg: VestjyskMusikkonservatorium, 2009. 32 p. (PUFF, 13-09). ISBN 978-87-89919-15-7.Also published online: http://www.smks.dk/fileadmin/filer/Udgivelser/PUFF/PUFF-13-Humphries_samlet.pdfIrgens-Møller, Christer. Music in Nuristan: Traditional Music from Afghanistan: An Investigationof the Field Recordings of Lennart Edelberg and Klaus Ferdinand, 1953–54, 1964, 1970.Moesgaard: Moesgaard Museum in association with Jutland Archaeological Society, 2009. 1v. (221 p.) + 3 CDs. ISBN 978-87-88415-58-2.Jam Rasmussen, Jens. Heavy metal: 40 år med hard rock [Heavy Metal: 40 Years with HardRock]. København: Information, 2010. 354 p. ISBN 978-87-7514-259-0.Jazz i Danmark, 1950–2010 [Jazz in Denmark, 1950–2010]. Redaktion Olav Harsløf, FinnSlumstrup. København: Politiken, 2011. 624 p. ISBN 978-87-567-9565-4.Jensen, Eva Maria; Knud Ketting. Drømmelandet: En bog om Chopin [Dreamland: A Book onChopin]. København: Multivers, 2010. 264 p. ISBN 978-87-7917-283-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

22 of 149Jensen, Eva Maria. Død og evighed i musikken, 1890–1920 [Death and Eternity in Music, 1890–1920]. København: Museum Tuscu-lanum, 2011. 356 p. ISBN 978-87-635-1089-9.Jensen, Henning. Th. Frobenius & Sønner Orgelbyggeri, 1909–2009 [Th. Frobenius & Sons OrganBuilders, 1909–2009]. Kgs. Lyngby: Th. Frobenius & Sønner, 2009. 128 p.Jensen, Jesper Højvang. “Feature Extraction for Music Information Retrieval”. 2010. 152 p.Ph.D. thesis: Aalborg University.URL: http://vbn.aau.dk/files/19151090/thesis.pdfJensen, Jørgen I. Europasonate; teologiske spor i den klassiske musik [Europe Sonata:Theological Traces in Classical Music]. Frederiksberg: Aros, 2009. 215 p. ISBN 978-87-7003-655-9.Jespersen, Finn. ”Carmina Burana”: Carl Orff og nazismen [“Carmina Burana”: Carl Orff andNazism]. Esbjerg: Syddansk Musikkonservatorium & Skuespillerskole, 2010. 33 p. (PubliMus,20). ISBN 978-87-89919-25-6.Jürgensen, Knud Arne. H.C. Lumbye 200 års jubilæum [H.C. Lumbye, 200 th Year Anniversary].København: Det Kongelige Bibliotek, 2010.Online publication.URL: http://www.kb.dk/da/nb/tema/webudstillinger/Lumbye/index.htmlKirk, Elsebeth. Musik som udtryksform [Music as a Form of Expression]. København: HansReitzel, 2009. 286 p. ISBN 978-87-412-5216-2.Knudsen, Knud; Ole Izard Høyer; Tore Mortensen. Fra Odd Fellow til East Park: Jazz i Aalborg1920–1970 [From Odd Fellow to East Park; Jazz in Aalborg 1920–1970]. Aalborg: AalborgUniversitetsforlag, 2010. 1 v. (143 p.) + 1 CD. (All That Jazz, ISSN 1904-5239; 2). ISBN 978-87-7307-994-2.Krabbe, Niels. The Carl Nielsen Edition 1993–2009. Copenhagen: Det Kongelige Bibliotek 2009.23 p.Kreutzfeldt, Jacob. “Akustisk territorialitet: Rumlige perspektiver i analysen af urbane lydmiljøer:R. Murray Schafer, J.-F. Augoyard, G. Deleuze & F. Guattari” [Acoustic Territoriality: SpacePerspectives in the Analysis of Urban Sound Environments: R. Murray Schafer, J.-F. Augoyard,G. Deleuze, & F. Guattari]. 2009. 336 p.Ph.D. thesis: Københavns Universitet.Kullberg, Erling. Sange for kor: Dansk kormusik i det 20. århundrede [Choral Songs: DanishChoral Music in the 20th Century]. København: Wilhelm Hansen, 2009. 239 p. ISBN 978-87-598-1848-0.Kühl, Ole. Musikhistoriens ikonisering: Motown og bebop [The Iconization of Music History:Motown and Bebop]. Esbjerg: Vestjysk Musikkonservatorium, 2009. 24 p. (PUFF, 15/09).ISBN 978-87-89919-19-5.Also published online:http://www.smks.dk/fileadmin/filer/Udgivelser/PUFF/PUFF15_Ole_Kuhl_samlet.pdfLa Cour, Niels. En konservatorielærers responsum: et kritisk indlæg om uddannelses- ogkulturpolitikken [A Response from a Conservatory Teacher: A Critical Paper on Educationaland Cultural Politics]. [no place given]: Eget forlag, 2010. 103 p. ISBN 978-87-92467-99-7.Laursen, Lise Høy; Maria Blum Bertelsen. Musik i øjeblikket: En håndbog om musik i ældreplejen[Music in the Moment: A Handbook on Music in the Care of the Elderly]. Frederiksberg:Unitas, 2011. 95 p. ISBN 978-87-7517-908-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

23 of 149Lindvang, Charlotte. “A Field of Resonant Learning: Self-Experimential Training and theDevelopment of Music Therapeutic Competencies”. 2010. 458 p.Ph.D. thesis: Aalborg University.URL: http://www.mt-phd.aau.dk/digitalAssets/6/6465_dissertation_c_lindvang.pdfLirum Larum – lys på rødderne: En historie om folkemusik, folk og musik [Jingle, Jingle, Light onthe Roots: A History of Traditional Music, People, and Music]. Af Karen Dansen [et al.].Roskilde: Roskilde Museum, 2009. 1 v. (195 p.) + 1 DVD. ISBN 978-87-88563-60-3.Lund, Jacob D.; Peter Rewers. Solisten: Historien om Kim Larsen [Soloist: The History of KimLarsen]. København: Gyldendal, 2011. 278 p. ISBN 978-87-02-11227-6.Mariager-Anderson, Kristina. “Musikpædagogisk praksis på Det Kongelige DanskeMusikkonservatorium: Et sociologisk orienteret studium af den pædagogiske dimension påen kunstnerisk uddannelsesinstitution” [Music Teaching Practices at the Royal DanishAcademy of Music: A Sociologically-Oriented Study into Dimensions of Teaching at an ArtInstitution]. 2010. 259 p. ISBN 978-87-7430-136-3.Ph.D. thesis: Aarhus Universitet.Marling, Gitte; Hans Kiib. Instant City: Roskilde Festival. Aalborg: Aalborg Universitetsforlag,2011. 403 p. (Art and Urbanism Series, 3). ISBN 978-87-7307-974-4.Marstal, Henrik. Jeg lytter, altså er jeg: tanker om musik og liv [I Listen, Ergo I Am: Thoughtsabout Music and Life]. København: Gyldendal, 2010. 203 p. ISBN 978-87-02-09273-8.Mathiasen, Jørgen. Scandinavian wood: Niels-Henning Ørsted Pedersens musikalske løbebane ilyset af hans diskografi [Scandinavian Wood: Niels-Henning Ørsted Pedersen’s MusicalCareer in the Light of His Discography]. København: Books on Demand, 2010. 354 p. ISBN978-87-7114-599-1.Moe, Bjarke. “Musikkulturel trafik i København og Rostock: musikerrekruttering ogrepertoirefornyelse i første halvdel af 1600–tallet” [Musi-Cultural Traffic in Copenhagen andRostock: The Recruiting of Musicians and the Renewal of Repertory in the First Half of the17th Century]. 2010. 2 v. EAN 0245860171877.Ph.D. thesis: Københavns Universitet.Møller, Anders Monrad. Møllerne og musikken samt andre erindringer og tidsbilleder [TheMøller People and Music, Plus Other Memories and Pictures of the Period]. København:Falcon, 2010. 214 p. ISBN 978-87-88802-26-9.Mortensen, Tore. Fortællinger om jazzen: Dens vej gennem Statsradiofonien, Danmarks Radio,og DR [Stories of Jazz: Its Way through the State Broadcasting Company, the Danish Radio,and DR]. Aalborg: Center for Dansk Jazzhistorie, 2010. 210 p. (All That Jazz, ISSN 1904-5239;1). ISBN 978-87-7307-983-6.Moseholm, Erik. Da den moderne dansemusik kom til Danmark [When Modern Dance MusicCame to Denmark]. Hellerup: E. Moseholm, 2010. 247 p. ISBN 978-87-993793-0-9.Movin, Lars. Captain Beefheart. København: Bebop, 2009. 252 p. (En Bebop-monografi) ISBN978-87-7973-418-0.Movin, Lars. Downtown: En New York-krønike [Downtown: A New York Chronicle]. København:Information, 2010. 688 p. ISBN 978-87-7514-291-0.Mukupa, Karen; Rasmus Poulsen. Natasja. København: Politiken, 2010. 399 p. ISBN 978-87-567-8920-2.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

24 of 149Music in Advertising: Commercial Sounds in Media Communication and Other Settings. Editedby Nicolai Graakjær and Christian Jantzen. Aalborg: Aalborg University Press, 2009. 304 p.ISBN 978-87-7307-965-2.Musik og drama: Pædagogisk arbejde med forskellige målgrupper [Music and Drama:Pedagogical Work with Different Target Groups]. Redaktør: Anne Bloch; redaktør: MichaelSundorph. Frederiksværk: Nautilus, 2011. 341 p. ISBN 978-87-90924-86-7.Musikalsk byvandring: 34 klassiske komponister i 1800-tallets København [A Musical WalkingTour: 34 Classical Composers in 18 th Century Copenhagen]. By Mogens Wenzel Andrease [etal.]. Valby: Borgen, 2009. 253 p. ISBN 978-87-21-03361-3.Musikfaget i undervisning og uddannelse: Status og perspektiv 2010 [Music in Teaching andEducation: Status and Perspectives, 2010]. Frede V. Nielsen (red.). København: Faglig EnhedMusikpædagogik, Danmarks Pædagogiske Universitetsskole, 2010. 183 p.(Musikpædagogiske Studier, DPU, 2). ISBN 978-87-7430-175-2.Also published online: http://oldwww.dpu.dk/everest/Publications/Nyheder/2010/20101028110625/CurrentVersion/Statusrapport%20final.pdfNadia, Mia; Jens Nielsen. Skolekoncerter i Danmark: En undersøgelser udført for StatensKunstråds Musikudvalg [School Concerts in Denmark: An Investigation for the Music Boardof the State Art Council]. København: CBS, 2010. 188 p.Online publication.URL: http://www.kunst.dk/fileadmin/user_upload/dokumenter/Kunstraadet/Skolekoncerter_i_Danmark.pdfNielsen, Bendt Viinholt. Omkring Rued Langgaards ”Første symfoni [On Rued Langgaard’s “FirstSymphony”]. Esbjerg: VMK, 2010. 30 p. (PUFF, 16/10). ISBN 978-87-89919-20-1.Also published online: http://www.smks.dk/fileadmin/filer/Udgivelser/PUFF/PUFF-16-Viinholt_samlet.pdfNielsen, Jens-Emil. Pigtrådsmusik: Dansk rock 1960–1966 [Noisy Pop Music: Danish Rock Music1960–1966]. Frederiksberg: Her & Nu, 2011. 117 p. ISBN 978-87-90184-66-7.Nielsen, Jens-Emil. Rock’n’roll: Musik eller galskab? Dansk rock 1956–1960 [Rock’n’Roll: Musicor Madness? Danish Rock Music 1956–1960]. Frederiksberg: Her & Nu, 2010. 65 p. ISBN978-87-90184-63-6.Nørdam, Bruno. Karen Jønsson: Hvorfor er lykken så lunefuld? [Karen Jønsson: Why Is HappinessSo Capricious?]. [no place given]: Eget forlag, i kommission hos Underskoven, 2009. 256 p.ISBN 978-87-990237-1-4.Nordic Jazz Conference (8th, 2009, Aalborg University). Conference Report: 8th Nordic JazzConference, 25th–27th August 2009, Aalborg Universitet. Thomas A. Jakobsen, ed. Aalborg:Center for Dansk Jazzhistorie, 2009. 184 p. ISBN 978-87-993531-0-1.Inclues contributions in Danish and English.Also published online: http://www.jazzconference.net/archive/2009/index_files/8th_njc_conference_report.pdfNørgård, Per. Tilbageblik: Undervejs: Artikler 1956–2009 [Retrospect: On the Way: Articles,1956–2009]. København: Wilhelm Hansen, 2009. 354 p. ISBN 978-87-598-1801-5.Overgaard, Jakob Thorkild. Improvised Music: Essays and Interviews. Copenhagen: EditionWilhelm Hansen, 2011. 174 p. ISBN 978-87-598-2255-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

25 of 149Parly, Nila. Vocal Victories: Wagner’s Female Characters from Senta to Kundry. København:Museum Tusculanum, 2011. 431 p. ISBN 978-87-635-0771-4.Petersen, Bjørn. “Advances in Music and Speech Perception after Cochlear Implantation”. 2011.130 p.Ph.D. thesis: Aarhus Universitet.Pop og Passion, U2 med danske ører: Interviews med fans og eksperter: Baggrund, diskografi,koncertfotos [Pop and Passion, U2 with Danish Ears: Interviews with Fans and Experts:Background, Discography, Concert Photos]. Medforfatter: Thomas Brunstrøm … [et al.].København: Byens forlag, 2010. 148 p. ISBN 978-87-992951-2-8.Poulsen, Jan. Something rotten: punk i Danmark: Maleri, musik og litteratur [Something Rotten:Punk in Denmark: Painting, Music and Literature]. København: Gyldendal, 2010. 416 p. ISBN978-87-02-08288-3.Preisler, Ebbe. Om lidt er sangen klar: Den danske lejlighedssang fra Kingo til Rap [The Song WillBe Ready in a Moment: Danish Occasional Songs from Kingo to Rap]. Knebel: ForlagetVistoft, 2011. 432 p. ISBN 978-87-87734-70-7.RAIME (Research Alliance of Institutes for Music Education). Research Unit Music Education,Department of Curriculum Research. Proceedings of the Tenth International Symposium.Sven-Erik Holgersen and Frede V. Nielsen (eds.). Copenhagen: The Danish School ofEducation, Aarhus University, 2010. 304 p. (Musikpædagogiske Studier, DPU, 3).Online publication.URL: http://oldwww.dpu.dk/Everest/Publications/Om%20DPU%5CInstitutter%5CInstitut%20for%20didaktik%5Cmusikp%C3%A6dagogik/20110111163335/CurrentVersion/RAIME%209.pdf?RequestRepaired=trueRasmussen, Karl Aage. Musik i det tyvende århundrede: En fortælling [Music in the TwentiethCentury: A Story]. København: Gyldendal, 2011. 367 p. ISBN 978-87-02-08231-9.Rasmussen, Karl Aage. Tilnærmelser til Gustav Mahler [Approaches to Gustav Mahler].København: Gyldendal, 2011. 203 p. ISBN 978-87-02-11551-2.Reynolds, Anne-Marie. Carl Nielsen’s Voice: His Songs in Context. Copenhagen: The Royal Libraryand Museum Tusculanum Press, 2010. 371 p. (Danish Humanist Texts and Studies, 38). ISBN978-87-635-2598-5.Roed, Susan Skovborg. Gustav Mahler: Gennem mørke til lys [Gustav Mahler: Through Darknessto Light]. Vordingborg: Attika, 2011. 127 p. ISBN 978-87-7528-799-4.Rørbæk, Lars. Rarebookings’ Rare Records of Scandinavia. Århus: Clemens, 2009- . v. 1- .Vol.1: Rare Danish Rock Albums, 1958–1977. ISBN 978-87-990945-2-3.Ruxanda, Maria Magdalena. “Towards Efficient Music Similarity Search, Ranking, andRecommendation”. 2009. 157 p.Ph.D. thesis: Aalborg University.Ryom, Peter. J.S. Bachs kirkekantater: forkyndelse i ord og toner [Johann Sebastian Bach’sChurch Cantatas: Preaching in Words and Music]. Herlev: Andantino, 2009. 240 p. ISBN 978-87-92037-03-9.Sandholt, M. Kirsten. Musik i Trinitatis: Mennesker, stemmer og instrumenter [Music at TrinityChurch, Copenhagen: People, Voices and Instruments]. København: Trinitatis Kirke, 2009. 78p. ISBN 978-87-993156-0-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

26 of 149Sangild, Torben. Objektiv sensibilitet: Om følelser, sansning og objektivitet i nyere kunst ogmusik [Objective Sensibility: On Feelings, Sense Perception, and Objectivity in ContemporaryArt and Music]. København: Multivers, 2010. 245 p. ISBN 978-87-7917-112-1.Sass, Ulrik. Remee. København: People’s Press, 2010. 309 p. ISBN 978-87-7055-757-3.Schlenkert, Helge. Musiklivet i den danske guldalder [Musical Life in the Danish Golden Age].Herlev: Edition Karpen, 2011. 323 p. ISBN 978-87-993615-0-2.Schneider, Magnus Tessing. Mozart og hans venner: Om Luigi Bassi og uropførelsen af ”DonGiovanni” [Mozart and His Friends: Luigi Bassi and the First Performance of “Don Giovanni”].Esbjerg: Vestjysk Musikkonservatorium, 2009. 31 p. (PUFF, 14-09). ISBN 978-87-89919-05-8.Also published online: http://www.smks.dk/fileadmin/filer/Udgivelser/PUFF/PUFF14Schneider_samlet.pdfSchwantes, Melody. “Music Therapy’s Effects on Mexican Migrant Farmworkers’ Levels ofDepression, Anxiety, and Social Isolation: A Mixed Methods Randomized Control TrialUtilizing Participatory Action Research”. 425 p.Ph.D. thesis: Aalborg University.URL: http://vbn.aau.dk/files/57708387/28559_schwantes_thesis.pdfSigurdardottir, Margret Sigrun. Dependently Independent: Co-Existence of Institutional Logics inthe Recorded Music Industry. Frederiksberg: Copenhagen Business School, 2010. 215 p.(Ph.D. series, ISSN 0906-6934; 3). ISBN 978-87-593-8412-1.Ph.D. thesis: Handelshøjskolen i København.Also available online: http://openarchive.cbs.dk/bitstream/handle/10398/7992/ Margr%C3%A9t_Sigr%C3%BAn_Sigurdardottir.pdf?sequence=1Sørensen, Inger. Horneman: En kunstnerslægt [Horneman: A Family of Artists]. København:Museum Tusculanum, 2011. 397 p. ISBN 978-87-635-3740-7.Sørensen, Inger. Musikalische Beziehungen zwischen Dänemark und Sachsen: Dresdner inKopenhagen, Kopenhagener in Dresden. Berlin: Königliche Dänische Botschaft, 2009. 24 p.Sørensen, Jesper, Alle dage er som søndag: En dansk bog om Morrissey [All Days Are LikeSundays: A Danish Book about Morrissey]. København: Rosenkilde, 2009. 287 p. ISBN: 987-87-91303-52-4Steensen, Steen Chr. Stadsmusikant og symfoniker: Aarhus Symfoniorkester 75 år, 1935–2010[Town Musician and Symphonist: The Aarhus Symphony Orchestra, 75 Years, 1935–2010].Århus: Hovedland, 2010. 235 p. ISBN 978-87-7070-159-4.Stølen, Marianne. The Story of “Den Røde”, a Danish-American Songbook: A Century of IdentityFormation in Songbook Use. København: Vartov, 2010. 345 p. ISBN 978-87-87389-33-4.Studia musicologica regionis Balticae [Musicological Studies of the Baltic Region].Herausgegeben von Ole Kongsted København: Capella Hafniensis and Det KongeligeBibliotek, 2011. 304 p. (Capella Hafniensis Editions. Serie S, 1). ISBN 978-87-994281-0-6.Includes contributions in Danish, English, German, and Swedish.Troelsgård, Christian. Byzantine Neumes: A New Introduction to Middle Byzantine MusicalNotation. Copenhagen: Museum Tusculanum, 2011. 142 p. (Monumenta musicaebyzantinae, 9). ISBN 978-87-635-3158-0.Vandsø, Anette. “Musik og udsigelse” [Music and Ennunciation]. 2010. 272 p.Ph.D. thesis: Aarhus Universitet.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

27 of 149Villarreal, Eduardo Adrian Garza. “Cognitive and Emotional Processing of Music and Its Effect onPain”. 2011. 170 p.Ph.D. thesis: Aarhus University.Wium, Per. Beatles for alle [Beatles for All]. København: Books on Demand, 2010. 125 p. ISBN978-87-7691-750-0.ESTONIAEesti vinüülplaatide diskograafia 1954–2010 [Discography of Estonian Vinyl Records 1954–2010]. Koostajad Katre Riisalu [et al.]. Tallinn: Eesti Rahvusraamatukogu, 2011. 331 p. ISBN978-9949-413-26-3.Green, Melody; David Hazardiga. Ei mingeid kompromisse: Keith Greeni elulugu [NoCompromise: The Life Story of Keith Green]. Tõlkinud Hubert Jakobs, laulusõnad seadnud EloToodo.Tallinn: Charismata Ministries, 2011. 389 p. (Usukangelased). ISBN 978-9949-9175-0-1.Translaton of: No Compromise: The Life Story of Keith Green (Rev. and expanded ed. Eugene,Or.: Harvest House, 2000)Kaljuste, Heino. Heino Kaljuste artiklite kogumik [Compilation of Articles by Heino Kaljuste].Koostanud Ene Kangron. Tallinn: Eesti Muusika- ja Teatriakadeemia, 2011. 453 p. ISBN 978-9949-9034-3-6.Kikerpuu, Kustas. See saatana salakaval muusika [That Cunning Music of the Devil]. Tallinn:Varrak, 2011. 295 p. ISBN 978-9985-3-2331-1.Laretei, Käbi. Peotäis mulda, lapike maad [A Handful of Soil, a Piece of the Land]. Tallinn: EestiPäevaleht: Akadeemia, 2010. 200 p. (Eesti mälu, 40). ISBN 978-9949-452-49-1.Lee, Krii. Bänd Cämp: Loomingulisuse arendamine läbi muusika, 2008–2011 [Bänd Cämp:Developing Creativity through Music, 2008–2011]. Tallinn: Loogiline, 2011. 205 p. ISBN 978-9949-21-890-5.MacDonald, Bruno. Rock, kõik on seotud: Rock’n’roll’i ajaloo teedekaart [Rock Connections: TheComplete Road Map of Rock ‘n’ Roll]. Inglise keelest tõlkinud Andrus Maran. Tallinn: Varrak,2011. 288 p. ISBN 978-9985-3-2314-4.Translation of: Rock Connections: The Complete Road Map of Rock ‘n’ Roll (New York, NY:Collins Design, 2010)Mäeots, Vello. RAMipalavik: Rammipoiste purj(u)etamisi laulumere lainetel [RAM Fever: RAM Boys’Sailing/Tippling on the Sea of Song]. Tallinn: V. Mäeots, 2011. ISBN 978-9949-30-014-3.Marttila, Reet. Valik fakte Eesti muusikaloost, 1170–1525 [A Selection of Facts about the Historyof Estonian Music, 1170–1525]. Tallinn: Tranquillo, 2011. 26 p. ISBN 978-9949-30-021-1.Noorte laulu- ja tantsupeod [The Youth Song and Dance Festivals in Estonia]. Koostajad: AngelaArraste ... [et al.]; toimetanud: Esta Harm, Kaie Tanner Tallinn: Menu Kirjastus, 2011. 263 p.ISBN 978-9949-470-33-4.Normet, Leo. Symfonii Sibeliusa = Симфонии Сибелиуса [The Symphonies of Sibelius]. RedaktorMart KHumal. Tallinn: Aleksandra, 2011. 304 p. ISBN 978-9949-9130-0-8.Thesis: Moskovskaia gosudarstvennaia konservatoriia im. P.I. Chaĭkovskogo, 1969.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

28 of 149Ojamaa, Triinu. 60 aastat eesti koorilaulu multikultuurses Torontos [60 Years of Estonian ChoralSinging in Multicultural Toronto]. Tartu: Eesti Kirjandusmuuseumi Teaduskirjastus, 2011. 398p. ISBN 978-9949-446-84-1.Ots, Aavo. Õppides ja õpetades: Kaunist orkestrikõla otsimas. [Learning and Teaching: A Searchfor Beautiful Sounds from the Orchestra]. Tallinn: Aavo Otsa Muusikastuudio, 2011. 104 p.ISBN 978-9949-9050-6-5.Res musica: Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja Teatriakadeemia muusikateaduseosakonna aastaraamat [Res musica: Yearbook of the Estonian Musicological Society andEstonian Academy of Music and Theater]. Tallinn: Eesti Muusika- ja Teatriakadeemia, 2009-no. 1- . annual. ISSN 1736-8553.Roots, Olav. Reisid suurde muusikasse: Olav Roots: Kirjad, päevikud, mälestused. [Journeys toGreat Music: Olav Roots: Letters, Diaries, Memoirs]. Tallinn: Eesti Teatri- jaMuusikamuuseum, 2011. 201 p. ISBN 978-9949-9071-3-7.Signorini, Alfonso. Maria Callas: Liiga uhke, liiga õrn. [Maria Callas: Too Proud, Too Fragile].Tallinn: Ersen, 2011. 293 p. ISBN 978-9949-25-075-2.Translation of: Troppo fiera, troppo fragile (Milano: Mondadori, 2007)Tali, Piret. Voldemar Kuslap: Minu muinaslugu muusikas [Voldemar Kuslap: My Fairytale inMusic]. Tallinn: Tänapäev, 2011. 263 p. ISBN 978-9949-27-080-4.Tamm, Saari. Vaike Uibopuu: Neiulaul ja naistelaul [Vaike Uibopuu: Maiden Song and WomanSong]. Tallinn: Eesti Naislaulu Selts, 2010. 143 p. ISBN 978-9949-21-476-1.Treier, Märt. Anne Erm: Hiliskevad [Anne Erm: Late Spring]. Tallinn: Ajakirjade Kirjastus, 2011.246 p. ISBN 978-9949-476-26-8.Viisimaa, Teesi. Vello Viisimaa: Lauldes vihmas [Vello Viisimaa: Singing in the Rain]. Tallinn:Tänapäev, 2011. 230 p. ISBN 978-9949-27-118-4.FINLANDAaltonen, Honey. Cisse Häkkinen. Helsinki: Johnny Kniga, 2011. 288 p. ISBN 978-951-0-38138-0.Aho, Marko; Risto Blomster. Jokamiehen perinteenkeruuopas [Everyone’s Heritage-GatheringGuide]. Helsinki: Kansanmusiikin ja -tanssin edistämiskeskus: 2011. 11 p. (Kansanmusiikkiinstituutinjulkaisuja, ISSN 0355-9270; 70). ISBN 978-951-9268-47-7.Alanko, Ismo. Sanat [Words]. Helsinki: Johnny Kniga, 2011. 448 p. ISBN 978-951-0-37161-9.Annila, Tapani. Korkeimman kaikuja ja laulujen lajit [Echoes from the Highest and the Types ofSongs]. Akaassa: Tapani Annila, 2011. 107 p. ISBN 978-952-92-8715-4.Anttila, Miikka. The Innocent Pleasure: A Study of Luther’s Theology of Music. Turenki: MiikkaAnttila, 2011. 233 p. ISBN 978-952-92-8870-0.Dissertation: Helsingin yliopisto.Björkholm, Johanna. Immateriellt kulturarv som begrepp och process: folkloristiska perspektivpå kulturarv i Finlands svenskbygder med folkmusik som exempel [Intangible CulturalHeritage as Concept and Process: Folkloristic Approaches to Cultural Heritage in Swedish-Speaking Finland with Traditional Music as an Example]. Åbo: Åbo Akademis förlag; 2011. p.355. ISBN 978-951-765-588-0.Dissertation: Åbo Akademi.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

29 of 149Also available online.http://www.doria.fi/bitstream/handle/10024/69672/bjorkholm_johanna.pdf?sequence=1.Includes summary in EnglishBjörklid, Kalle. Jenni Vartiainen: Tomuisella tiellä [Jenni Vartiainen: On the Dusty Road]. Kuvatekstit:Jenni Vartiainen. Helsinki: HMC Publishing, 2011. 171 p. ISBN 978-952-67044-6-3.Blake, Mark. Is this the real life? Queen: Rockin kuninkaalliset [Is This the Real Life? Queen: RockRoyals]. Suomentanut Joel Kontro. Helsingissä: Otava, 2011. 462 p. ISBN 978-951-1-25408-9.Translation of: Is This the Real Life? (London: Aurum, 2010)Brander, Torsten. Suomen suurin tenori Peter Lindroos [Peter Lindroos, The Greatest Tenor inFinland]. Riihimäki: Suomen Beniamino Gigli -seura, 2011. 1 v. (410 p.) + 2 CDs. ISBN 978-952-92-9061-1.Includes summary in Italian and Swedish.Peter Lindroos’ audiovisual bibliography: p. 288-323.Carr, Ian. Miles Davis: Muusikon elämä [Miles Davis: A Musician’s Life]. Suomentaneet JukkaJääskeläinen, J. Pekka Mäkelä. Helsinki: Like, 2011. 607 p. ISBN 978-952-01-0599-0.Translation of: Miles Davis: The Definitive Biography (Rev. ed., London: HarperCollins, 1999)Ciccone, Christopher; Wendy Leigh. Siskoni on Madonna [Life with Madonna]. SuomentanutJera Hänninen. Helsinki: Helsinki-kirjat, 2011. 341 p. ISBN 978-952-5874-81-5.Translation of: Life with My Sister Madonna (London: Simon & Schuster, 2008)Dahlblom, Kari. Keski-Suomen kantele [Kantele in Central Finland]. Äänekoski: Kari ja TuulaDahlblom, 2011. 297 p. ISBN 978-952-92-9447-3.Eerola, Aulikki. Soiva L. Onerva [About L. Onerva]. Helsinki: Sibelius-Akatemia, 2011. (ESTjulkaisusarja,ISSN 1237-4229; 17). 217 p. ISBN 978-952-5531-40-4.Thesis: Sibelius-Akatemia; includes abstract in English.Includes a list of Onerva’s works.Eglinton, Mark; Katri Tenhola. James Hetfield: Peto Metallican ovella [James Hetfield: The Wolfat Metallica’s Door]. Englannin kielestä kääntänyt Katri Tenhola. Helsinki: Minerva, 2011. 238p. ISBN 978-952-492-509-9.Translation of: James Hetfield: The Wolf at Metallica’s Door (Church Stretton: IndependentMusic, 2010)Fagerholm, John; Jaakko Riihimaa. Albert Järvinen. Helsinki: Johnny Kniga, 2011. 444 p. ISBN978-951-0-38361-2.Farren, Mick. Gene Vincent: Race with the Devil. Suomentanut Tarja Lipponen. Helsinki: JohnnyKniga, 2011. 206 p. ISBN 978-951-0-35557-2.In Finnish.Translation of: Gene Vincent: There’s One in Every Town (London: Do-Not Press, 2004)Finnish Works for Accordion. Compiled by Veli Kujala; edited by Jari Eskola; translation: DavidHacksto. Helsinki: Finnish Music Information Centre Fimic, 2011. 18 p. ISBN 978-952-5076-77-6.Translation of: Suomalaisia teoksia harmonikalle.Goodman, Lizzy. Lady Gaga: Tyyli-ikoni [Lady Gaga: Extreme Style]. Suomennos: Katri Tenhola.Helsinki: Minerva, 2011. 144 p. ISBN 978-952-492-487-0.Translation of: Lady Gaga: Extreme Style (London: HarperCollinsPublishers, 2010)Gumbel, Dietrich. Cosmomusik. Vaasa: Lotus Books, 2011. 36 p. ISBN 978-952-5318-35-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

30 of 149Gumbel, Dietrich; Ritva Abao. Cosmomusiikki [Cosmo Music]. Suomennos: Ritva Abao. Vaasa:Lootus-kirja, 2011. 32 p. ISBN 978-952-5318-33-3.Hagar, Sammy; Joel Selvin. Red: Sensuroimaton rock-elämäni [Red: My Uncensored Life in Rock].Kääntänyt Asko Alanen. Espoo: Paasilinna, 2011. 280 p. ISBN 978-952-5856-38-5.Translation of: Red, My Uncensored Life in Rock (New York: !t Books, 2011)Hallikainen, Jouko. Töh Torniprothers: Karaokeopas [The Tower Brothers: Guide to Karaoke].Kuvitus: Hannu “Hanski” Härkönen. Savonlinna: Torni-Tuotanto Hallikainen, 2011. 34 p. ISBN978-952-67531-0-2.Hämäläinen, Tuukka. “Kirosäkeet”: 20 uuden suomirockin sanoittajaa [“Kirosäkeet”: 20 Lyrisistsin New Finnish Rock]. Piirrokset: Lassi Lehmusvuori. Hamina: Idiootti, 2011. 357 p. ISBN 978-952-5860-05-4.Harri, Jopi. St. Petersburg Court Chant and the Tradition of Eastern Slavic Church Singing. Turku:University of Turku, 2011. 441 p. (Turun yliopiston julkaisuja, ISSN 0082-6987; 340). ISBN978-951-29-4863-5.Dissertation: Turun yliopisto, 2012.Also available online. http://ecmr.fi/Scanned_Books_etc/AnnalesB340Harri.pdfHeatley, Michael; Deke Leonard. Elvis. Suomennos: Pasi Rakas Jääskeläinen. Helsinki:Gummerus, 2011. 192 p. ISBN 978-951-20-8605-4.Translation of: Elvis (New York: Chartwell Books, 2011)Heikkilä, Johannes; Hannu Virtanen. “Pilven piirtä myöten”: Suomietnon synty [“Welcome toOur Tables”: The Birth of Finnish Ethnic Music]. Helsinki: Suomalaisen Kirjallisuuden Seura,2011. (Suomalaisen Kirjallisuuden Seuran toimituksia, ISSN 0355-1768; 1334). 368 p. ISBN978-952-222-303-6.Hietamäki, Katariina; Laila Honkanen. Eero Erkkilä: Arpa lankesi minulle [Eero Erkkilä: The LotFell to Me]. Helsinki: Heikki Hernesmaa Consulting, 2011. 313 p. ISBN 978-952-92-9165-6.Holmila, Paula. Musiikkitalo = Musikhuset i Helsingfors = Helsinki Music Centre. Valokuvat.Photos: Arno de la Chapelle. Helsinki: Kirjapaja, 2011. 127 p. ISBN 978-952-247-216-8.Ikävalko, Reijo. Topi Sorsakoski: Kulkukoira [Topi Sorsakoski: Stray Dog]. 2. uud. p. Helsinki:Gummerus, 2011. 306 p. ISBN 978-951-20-8799-0.Ilomäki, Lotta. In Search of Musicianship: A Practitioner-Research Project on Pianists’ Aural-Skills Education. Helsinki: Sibelius Academy, 2011. 329 p. (Studia musica, ISSN 0788-3757;45). ISBN 978-952-5959-04-8.Dissertation: Sibelius-Akatemia.Jackson, Laura. Jon Bon Jovi. Englannin kielestä kääntäneet Jere Saarainen ja Katri Tenhola.Helsinki: Minerva, 2011. 263 p. ISBN 978-952-492-511-2.Translation of: Jon Bon Jovi (London: Portrait, 2002)Jäppilä, Leena. Pieni kantaattikirja: J.S. Bachista: Unista ja tiheästä todellisuudesta [LittleCantata Book about J. S. Bach: Dreams and Dense Reality]. Helsinki: Kansanvalistusseura,2011. 231 p. ISBN 978-951-9140-61-2.Järviö, Päivi. Laulajan sprezzatura: Fenomenologinen tutkimus italialaisen varhaisbarokinmusiikin laulaen puhumisesta [A Singer’s Sprezzatura: A Phenomenological Study onSpeaking in Tones of Italian Early Baroque Music]. Jyväskylä: Suomen musiikkitieteellinenseura, 2011. 359 p. (Acta musicologica Fennica, ISSN 0587-2448; 29). ISBN 978-951-98479-7-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

31 of 149Dissertation : Sibelius-akatemia.Also available online. http://tampub.uta.fi/bitstream/handle/10024/66791/978-951-44-8551-0.pdfJazz: koko tarina [Jazz: The Complete Story]. Bob Allen ... [et al.]; kirjoittanut Julia Rolf ja JyrkiKangas; esipuhe: John Scofield; kääntäjä: Seija Kukkonen. Helsinki: Readme.fi, 2011. 536 p.ISBN 978-952-220-358-8.Translation of: Jazz: The Complete Story (London: Flame Tree, 2007)Jouste, Marko. Tullâčalmaaš kirdâččij, “tulisilmillä lenteli”: Inarinsaamelainen 1900-luvun alunmusiikkikulttuuri paikallisen perinteen ja ympäröivien kulttuurien vuorovaikutuksessa[Tullâčalmaaš kirdâččij, “The One Who Flew with the Fire-Eyes”: Aanaar Sami Music Cultureas Interaction of the Local Tradition and Neighboring Cultures in the Beginning of the 20thCentury]. Marko Jouste. Tampere: Tampere University Press, 2011. (Acta UniversitatisTamperensis, ISSN 1455-1616; 1650). 273 p. ISBN 978-951-44-8550-3 (nid.).Dissertation : Tampereen yliopisto.Also available online. http://acta.uta.fi/pdf/978-951-44-8551-0.pdfJovanovic, Rob. Richey Edwardsin jäljillä [Tracking Richey Edwards]. Suomentanut K. Männistö.Helsinki: Like, 2011. 329 p. ISBN 978-952-01-0491-7.Translation of: A Version of Reason: In Search of Richey Edwards (London: Orion, 2009)Jukka Poika. Toimittaneet Kati Rajasaari, Jukka Rousu ja Kaj Lipponen. Helsinki: Johnny Kniga,cop. 2011. 374 p. ISBN 978-951-0-36895-4.Kangas, Pentti-Oskari. Onnellisen miehen tarinoita [A Happy Man’s Stories]. Piirrokset: HeikkiAro. Lahti: Positiivarit, 2011. 96 p. ISBN 978-952-5484-84-7.Kari Tapio: Sinivalkoinen ääni [Kari Tapio: Voice In Blue and White]. Toimitus: Juha Nikulainen.Helsinki: AXR Music, 2011. 132 p. ISBN 978-952-92-9509-8.Kaski, Tero; Pekka Vuorinen. Volcano Revisited: Kingston Dancehall Scene 1983. Helsinki: Eronen,2011. 203 p. ISBN 978-952-92-8643-0.Köhler, Stuart. Uusi ihana operetta [New, Lovely Operetta]. Uud. Laitos. Tuusula: Hipputeos,2011. 224 p. ISBN 978-952-5617-19-1.Koivisto, Juhani. Suurten tunteiden talo: kohtauksia Kansallisoopperan vuosisadalta 1911–2011[The House of Big Emotions: Scenes from the Century of Finnish National Opera, 1911–2011]. Helsinki: WSOY, 2011. 229 p. ISBN 978-951-0-37667-6.Koivuporras, Kirsi. Laulavat Lapinki lapset: Seitakuoro 50 vuotta [Also Lappland’s Children Sing:Seitakuoro 50 Years]. Rovaniemi: Seitakuoro, 2011. 88 p. ISBN 978-952-92-8307-1.Kokko, Rami. Hurmio! muistojen Ola [Ecstasy! Remembering Olavi Virta]. Alkusanat: Ossi Runne.Helsinki: Rami Kokko, 2011. 160 p. ISBN 978-952-92-9404-6.Kokko, Timo. Viipurin Sorvalista Rovaniemen markkinoille: Viihdetaiteilija Jorma Ikävalkon ura jaelämä [From Vyborg’s Sorval to the Rovaniemi Market: The Life and Career of EntertainerJorma Ikävalko]. Vantaa: Moreeni, 2011. 210 p. ISBN 978-952-254-017-1.Kovacs, Szilard. Az “Orgelbuchlein” mint az improvizáció iskolája [The Orgelbuchlein as a Schoolof Improvisation]. Jyväskylä: University of Jyväskylä, 2011. 293 p. ISBN 978-951-39-4326-4.Dissertation: Jyväskylän yliopisto.Also available online. https://jyx.jyu.fi/dspace/handle/123456789/27257© 2012 – International Association of Music Libraries; Fontes Artis Musicae

32 of 149Ksenia. Akatistos Jumalansynnyttäjälle konevitsalaisen ikonin kunniaksi [Akathist Hymn to theMother of God in Honor of the Konevitsa Icon]. Nuotitus: Juhani Matsi. Heinävesi: LintulanPyhän Kolminaisuuden luostari, 2011. 32 p. ISBN 978-952-67089-5-9.Kuusisto, Ilkka. Sävelten siivilä: Musiikillisia kohtaamisia [Music Filter: Musical Meetings].Muistiin merkinnyt ja muotoillut Jarmo Papinniemi. Helsingissä: Otava, 2011. 272 p. ISBN978-951-1-23016-8.Laulu kulttuurisena kommunikaationa = Song as Cultural Communication = Pesnâ kak sredstvokul’turnoj kommunikacii = Песня как средство культурной коммуникации. Proceedingsfrom the Runosong Academy Jubilee Seminar, 8–10 October 2010. Editors: Pekka Huttu-Hiltunen ... [et al.]; kääntäjät: Mirja Kemppinen, Vladimir Minejev, Riikka Nevalainen.Kuhmo: Juminkeko, 2011. 263 p. (Runolaulu-Akatemian julkaisuja, ISSN 2242-2455; 16);(Juminkeon julkaisuja, ISSN 2242-2447; 87). ISBN 978-952-5385-56-4.Includes contributions in English, Finnish, and Russian.Lehtinen, Lottaliina. Muusikon sopimusopas [Musicians Guide to Executing Contracts]. Helsinki:Tietosanoma, 2011. 232 p. ISBN 978-951-885-305-6.Leigh, Mickey; Legs McNeil. Veljeni Joey Ramone [My Brother Joey Ramone]. Suomentanut IlkkaSalmenpohja. Helsinki: Like, 2011. 455 p. ISBN 978-952-01-0551-8.Translation of: I Slept with Joey Ramone: A Family Memoir (New York: Simon & Schuster,2009)Luttinen, Rauno. 001-lupa soittaa: Turun Muusikot 1919– [001, Permission to Play: Musicians inTurku since 1919]. Turku: Turun Muusikot, 2011. 194 p. ISBN 978-952-92-9647-7.MacDonald, Bruno. Rock connections: Rock ‘n’ rollin täydellinen tiekartta [Rock Connections:The Complete Road Map of Rock ‘n’ Roll]. Esipuhe: Mick Rock; kääntäjä: Risto Latvala.Helsinki: Readme.fi, 2011. 288 p. ISBN 978-952-220-421-9.Translation of: Rock Connections: The Complete Road Map of Rock ‘n’ Roll (London: OmnibusPress, 2010)Majalahti, Michael, Hevisaurus keikkailee [Hevisaurus Performs Live]. Helsingissä: Otava, 2011.20 p. ISBN 978-951-1-25850-6.Mäkelä, Janne, Kansainvälisen populaarimusiikin historiaa [A History of International PopularMusic]. Helsinki: Suomen jazz & pop arkisto, 2011. 224 p. ISBN 978-952-67401-2-6.Also available online. ISBN 978-952-67401-3-3Marjala, Jari. Yy-kaa-koo-nee ramopunk! [One, Two, Three, Four, Ramopunk!]. Espoo: Paasilinna,2011. 504 p. ISBN 978-952-5856-27-9.Mårtenson, Lasse. Vågspel: Såsom jag vill minnas [Game of Chance: The Way I Want toRemember]. Nagu: Vrakplundrarförlaget, 2011. 214 p. ISBN 978-952-92-9515-9.Martin, Ricky. Ricky Martin. Suomentanut Kirsi Luoma. Helsinki: Like, 2011. 286 p. ISBN 978-952-01-0570-9.Translation of: Me (New York: New American Library, 2010)McIver, Joel. To live is to die: Metallican Cliff Burtonin tarina [To Live Is to Die: The Life ofMetallica’s Cliff Burton]. Suomentanut Sami Heino. Helsinki: Like, 2011. 285 p. ISBN 978-952-01-0544-0.Translation of: To Live Is to Die: The Life and Death of Metallica's Cliff Burton (London:Jawbone Press, 2009)© 2012 – International Association of Music Libraries; Fontes Artis Musicae

33 of 149Merikanto-symposium (2011, Kuopio). Merikanto-symposium. Toimittanut Jan Lehtola. Kuopio:Sibelius-akatemia, Kuopion osasto 2011. 155 p. (Kirkkomusiikin osaston julkaisuja, ISSN0787-7838; 35). ISBN 978-952-5959-06-2.Mudrian, Albert; John Peel. Choosing Death. Suomentanut Ilkka Salmenpohja. 2. p. Helsinki:Like, 2011. 363 p. (Like-pokkari). ISBN 978-952-01-0594-5.In Finnish.Translation of: Choosing Death: The Improbable History of Death Metal & Grindcore (LosAngeles, CA: Feral House, 2004)Mustaine, Dave; Joe Layden. Mustaine: Heavy metal muistelmat [Mustaine: Heavy MetalMemoirs]. Suomentanut Asko Alanen. Espoo: Paasilinna, 2011. 360 p. ISBN 978-952-5856-25-5.Nevalainen, Petri. Joviaali ilmiö: Tuntematon Mikko Alatalo [Jovial Phenomenon: The UnknownMikko Alatalo]. Helsinki: Helsinki-kirjat, 2011. 280 p. ISBN 978-952-5874-27-3.Nyman, Jake. Tähtisumua: Unohtumattomia sävelmiä menneestä ajasta [Stardust:Unforgettable Melodies from Times Gone By]. Helsinki: Gummerus, 2011. 328 p. ISBN 978-951-20-8363-3.Oksanen, Sofi. Liian lyhyt hame: Kertomuksia keittiöstä: laululyriikkaa [Too Short a Skirt: Storiesfrom the Kitchen: Song Lyrics]. Helsinki: Bonnier kirjat, 2011. 78 p. ISBN 978-952-256-060-5.Osbourne, Ozzy; Chris Ayres. Tohtori Ozzyn omituiset ohjeet [Dr. Ozzy’s Bizarre Instructions].Suomentanut Ilkka Salmenpohja. Helsinki: Like, 2011. 275 p. ISBN 978-952-01-0647-8.Translation of: Trust Me, I’m Dr. Ozzy (New York: Grand Central Pub., 2011)Osbourne, Ozzy; Dave Thompson. Ozzy Osbourne omin sanoin [Ozzy Osbourne in His OwnWords]. Helsinki: Minerva, 2011. 174 p. ISBN 978-952-492-448-1.Translation of: The Wit and Wisdom of Ozzy Osbourne (Iola, Wis.: Krause, 2010)Österman, Nalle. Härmägeddön: Vuoteni suomirockissa [Armageddon: My Year in Finnish Rock].Helsinki: Like, 2011. 304 p. ISBN 978-952-01-0586-0.Pajamo, Reijo. Joululaulujen kertomaa [Christmas Song Tales]. Helsinki: Repale-Kustannus, 2011.239 p. ISBN 979-0-55001-255-4.Paleface. Rappiotaidetta: Suomiräpin tekijät [Decadent Art: Makers of Finnish Rap]. Helsinki:Like, 2011. 251 p. ISBN 978-952-01-0655-3.Discography: p. 233-249.Pareyon, Gabriel. On Musical Self-Similarity: Intersemiosis as Synecdoche and Analogy. Imatra:International Semiotics Institute at Imatra; 2011. 552 p. (Acta semiotica Fennica, ISSN 1235-497X; 39); (Approaches to Musical Semiotics, ISSN 1458-4921; 13). ISBN 978-952-5431-32-2.Dissertation: Helsingin yliopisto.Also available online.https://tuhat.halvi.helsinki.fi/portal/files/15216101/Pareyon_Dissertation.pdfPasanen, Eeva-Liisa. Kuorolaulua kampukselta [Choir Singing from Campus]. Joensuu: Joensuunyliopiston kuoro, 2011. 96 p. ISBN 978-952-92-6395-0.Pietikäinen, Maija. Laulu ja amor mundi [Singing and amor mundi]. Tutkimus laulusta eräänämaailmasta huolehtimisen perusaktiviteettina. Jyväskylä: Jyväskylän yliopisto, 2011. 193 p.(Jyväskylä Studies in Education, Psychology, and Social Research, ISSN 0075-4625; 418). ISBN978-951-39-4379-0.Dissertation: Jyväskylän yliopisto; includes abstract in English.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

34 of 149Also available online.https://jyx.jyu.fi/dspace/bitstream/handle/123456789/36641/9789513943851.pdf?sequence=1Pitkänen, Silja; Ville-Juhani Sutinen. Värssyjä sieltä ja täältä: Hiski Salomaan elämä ja laulut[Verses from Here and There: The Life and Songs of Hiski Salomaa]. Helsinki: Teos, 2011. 397p. ISBN 978-951-851-304-2.Pöyhönen, Markku O. Muusikon tietämisen tavat: Moniälykkyys, hiljainen tieto ja musiikinesittämisen taito korkeakoulun instrumenttituntien näkökulmasta [Musicians’ Ways ofKnowing: Multiple Intelligences, Tacit Knowledge, and the Art of Performing from thePerspective of College-Level Instrument Lessons]. Jyväskylä: Jyväskylän yliopisto, 2011. 256p. (Jyväskylä Studies in Humanities, ISSN 1459-4323; 164). ISBN 978-951-39-4515-2.Dissertation: Jyväskylän yliopisto.Also available online. https://jyx.jyu.fi/dspace/handle/123456789/36973Pulkkinen, J.P. Pieni kaistale maata: Neljäkymmentä vuotta, kolmekymmentä biisiä [A Little Strip ofLand: Forty Years, Thirty Songs]. Helsinki: Teos, 2011. 174 p. ISBN 978-951-851-335-6.Punkanen, Marko. Improvisational Music Therapy and Perception of Emotions in Music byPeople with Depression. Jyväskylä: University of Jyväskylä, 2011. 60 p. (Jyväskylä Studies inHumanities, ISSN 1459-4323; 153). ISBN 978-951-39-4295-3.Dissertation: Jyväskylän yliopisto.Also available online. https://jyx.jyu.fi/dspace/handle/123456789/27199Radiopuhelimet. Toimittaneet Juha Hurme ja J.A. Mäki. Helsinki: Like, 2011. 239 p. ISBN 978-952-01-0684-3.Rahkonen, Margit. Pianisten Alie Lindberg: En åländsk och europeisk musikprofil på 1800-talet[The Pianist Alie Lindgerg: An Älandic and European Music Profile from the 18 th Century].Översättning: Mats Lillhannus. Mariehamn: Kulturföreningen Katrina, 2011. 238 p. ISBN 978-952-5705-37-9.Translation of: Alie Lindberg: suomalaisen pianistin taiteilijaura 1800-luvulla (Helsinki:Sibelius-Akatemia, 2004)Räisänen, Juhani, Sormina: A New Musical Instrument. Helsinki: Aalto University School of Artand Design, 2011. 242 p. (Aalto University Publication Series, ISSN 1799-4934; 51/2011).ISBN 978-952-60-4159-9.Dissertation: Aalto-yliopiston taideteollinen korkeakoulu.Rantala, Iiro. Nyt sen voi jo kertoa [You Can Tell It Now]. Helsinki: Teos, 2011. 385 p. ISBN 978-951-851-193-2.Rantanen, Ilpo; Olli Lindholm. Likaiset legendat: 30 vuotta Yötä [Dirty Legends: 30 Years of Yö].Helsinki: Siltala, 2011. 287 p. ISBN 978-952-234-072-6.Discography: p. 270-278.Ratliff, Ben. Coltrane: Erään soundin tarina [Coltrane: The Story of a Sound]. Suomentanut ArtoHäilä. Helsinki: Like, 2011. 281 p. ISBN 978-952-01-0446-7.Translation of: Coltrane: The Story of a Sound (New York: Farrar, Straus and Giroux, 2007)Red Hot Chili Peppers; Brendan Mullen. Red Hot Chili Peppers: Omin sanoin ja kuvin [Red HotChili Peppers: In Their Own Words and Pictures]. Suomentanut K. Männistö. Helsinki: Like,2011. 245 p. ISBN 978-952-01-0567-9.Translation of: Red Hot Chili Peppers: An Oral/Visual History (New York: It Books, 2010)© 2012 – International Association of Music Libraries; Fontes Artis Musicae

35 of 149Ruismäki, Heikki; Antti Juvonen. Searching for a Better Life through Arts and Skills: ResearchResults, Visions, and Conclusions. Helsinki: University of Helsinki, 2011. 249 p. (Tutkimuksia,Helsingin yliopisto, käyttäytymistieteellinen tiedekunta, opettajankoulutuslaitos [ResearchReport, University of Helsinki, Faculty of Behavioural Sciences, Department of TeacherEducation], ISSN 1799-2508; 329). ISBN 978-952-10-6853-9.Also available online.https://helda.helsinki.fi/bitstream/handle/10138/28076/Searching_for_a_better_life.pdf?sequence=2Saijonmaa, Arja. Nuori alaston nainen: Mikis ja mina [Young Naked Woman: Mikis and Me].Suomentanut Tuula Syvänperä. Helsingissä: Otava, 2011. 447 p. ISBN 978-951-1-25221-4.Translation of: En ung naken kvinna. (Stockholm: Pocketförlaget, 2012)Särkämö, Teppo. Music in the Recovering Brain. Helsinki: University of Helsinki, 2011. 80 p.(Studies in Psychology, University of Helsinki, Institute of Behavioural Sciences, ISSN 1798-842X; 76). ISBN 978-952-10-6831-7.Dissertation: Helsingin yliopisto.Also available online. https://helda.helsinki.fi/bitstream/handle/10138/24940/musicint.pdf?sequence=1Segerståhl, Sinikka. Vaggvisor i Kvevlax: Språkliga strukturer och konstruktioner [Lullabies inKvevlax: Linguistic Structures and Constructions]. Sinikka Segerståhl. Helsingfors: Finska,finskugriska och nordiska institutionen, Helsingfors universitet, 2011. 352 p. (NordicaHelsingiensia, ISSN 1795-4428; 24); (Dialektforskning, 3). ISBN 978-952-10-6777-8.Dissertation: Helsingin yliopisto.Online publication. https://helda.helsinki.fi/handle/10138/24849Sen piti olla normikeikka. [It Was Supposed to Be a Normal Gig]. Toimittaneet Sovijärvi [et al.].Kirkkonummi: Paasilinna, 2010- . v. 1- . Vol. 2: 2011. ISBN 978-952-5856-34-7.Seppälä, Raimo. Tulenheimot: Urkujentekijöitä ja yhteiskunnan rakentajia [The Tulenheimo Family:Organ and Society Builders]. Helsingissä: Otava, 2011. 320 p. ISBN 978-951-1-25473-7.Sommelon säkeitä: Runolaulu-Akatemian seminaarijulkaisu 2009–2010 [The Verses of Sommelo:Seminar Papers from the Rune Song Academy, 2009–2010]. Toimittaneet Pekka Huttu-Hiltunen ... [et al.]; kääntäjät: Mirja Kemppinen, Vladimir Midejev. Kuhmo: Juminkeko, 2011.103 p. (Juminkeon julkaisuja, ISSN 2242-2447; 86); (Runolaulu-Akatemian julkaisuja, ISSN2242-2455; 15). ISBN 978-952-5385-55-7.Sorjonen, Olli. Ilosaarirock: 40 vuotta tarinoita [Ilosaari Rock: Stories of 40 Years]. Julkaisija:Joensuun popmuusikot ry; päätoimittaja: Olli Sorjonen. Joensuu: Joensuun popmuusikot,2011. 93 p. ISBN 978-952-92-9164-9.Sounes, Howard. Paul McCartney. Suomentanut Sami Heino. Helsingissä: Otava, 2011. 655 p.ISBN 978-951-1-23741-9.Translation of: Fab: An Intimate Life of Paul McCartney (London: HarperCollins, 2010)Still, Johanna. Musikalisk lärandemiljö: Planerade musikaktiviteter med småbarn i daghem [TheMusical Learning Environment: Planned Musical Activities with Young Children in DayNurseries]. Åbo: Åbo Akademis förlag, 2011. 320 p. ISBN 978-951-765-600-9.Dissertation : Åbo Akademi.Also available online.http://www.doria.fi/bitstream/handle/10024/72436/still_johanna.pdf?sequence=2© 2012 – International Association of Music Libraries; Fontes Artis Musicae

36 of 149Suklaasydän, tinakuoret: Jazziskelmä Suomessa 1956–1963 [Chocolate Heart, Tin Shells: Jazz-Pop in Finland, 1956–1963]. Ari Poutiainen ja Risto Kukkonen (toim.). Helsinki: Suomen jazz& pop arkisto, 2011. 256 p. ISBN 978-952-67401-1-9.Sutcliffe, Phil. AC/DC, High-voltage rock ‘n’ roll: Kuvitettu bändihistoria: Koko ura [AC/DC, High-Voltage Rock ‘n’ Roll: Illustrated Band History: The Entire Career]. Ja avustajat Robert Alford[et al.]; suomentanut Marko Saarinen. Helsinki: Minerva, 2011. 223 p. ISBN 9789524925167.Translation of: AC/DC (Minneapolis: Voyageur Press, 2010.Taide, tiede, tulkinta: Kirjoituksia A. O. Väisäsestä [Art, Science, Interpretation: Writings AboutA. O. Väisänen]. Toimittaneet Ulla Piela, Seppo Knuuttila ja Risto Blomster. Helsinki:Suomalaisen Kirjallisuuden Seura, 2011. 340 p. (Kalevalaseuran vuosikirja, ISSN 0355-0311;90). ISBN 978-952-222-311-1.Talka, Anu. Lauluveljeys meitä nyt yhdistää: Lappeenrannan seudun Veteraanikuoro 25 vuotta[We Now Combine Songs of Brotherhood: 25 Years of Veteran Choir Singers fromLappeenranta District]. Lappeenranta: Lappeenrannan seudun Veteraanikuoro, 2011. 64 p.ISBN 978-952-92-8733-8.Taylor, Corey. Seitsemän kuolemansyntiä: Ratkaisu ikuiseen dilemmaan: Onko ihminen syntyjäänpaha vai tuleeko hänestä sellainen ympäristön vaikutuksesta [The Seven Deadly Sins:Settling the Argument between Born Bad and Damaged Good]. Suomentanut Juha Ahokas.Helsinki: Like, 2011. 233 p. ISBN 978-952-01-0646-1.Translation of: The Seven Deadly Sins (London: Ebury, 2011)Tikka, Marko; Toivo Tamminen. Tanssiorkesteri Dallape: Suomijatsin legenda 1925–2010 [TheDallapé Dance Orchestra: Finnish Jazz Legend, 1925–2010]. Helsinki: SuomalaisenKirjallisuuden Seura, 2011. 320 p. (Suomalaisen Kirjallisuuden Seuran toimituksia, ISSN0355-1768; 1302). ISBN 978-952-222-252-7.Török, Agnes. “Mint az folyó viz mellett termőszep fa”: Huszár Gál 1560-as enekeskönyve:himnuszok, canticumok es parafrázisok = “Tree Planted by Streams of Water”: The Hymnalof Gallus Huszár of 1560: Hymns, Canticles, and Paraphrases. Jyväskylä: Jyväskylän yliopisto,2011. 261 p. ISBN 978-951-39-4246-5.Dissertation: Jyväskylän yliopisto.Also available online. https://jyx.jyu.fi/dspace/handle/123456789/27121Tuomola, Pauliina. Waltari: Suomimetallin pion eerit [Waltari: The Pioneers of Finnish HeavyMetal]. Helsinki: Like, 2011. 384 p. ISBN 978-952-01-0624-9.Uimonen, Heikki. Radiomusiikin rakennemuutos: Kaupallisten radioiden musiikki 1985–2005[Structural Changes in Radio Music: Music in Commercial Radio, 1985–2005]. HeikkiUimonen. Tampere: Tampere University Press, 2011. 248 p. ISBN 978-951-44-8300-4.Uimonen, Pirjo. Sadan vuoden sävelet: Joensuun Mieslaulajat 1911–2011 [Tunes from aHundred Years: Joensuun Mieslaulajat 1911–2011]. Joensuu: Joensuun Mieslaulajat, 2011.288 p. ISBN 978-952-92-8465-8.Vaismaa, Kalle; Pekka Simojoki. Seitsemän silmäniskua [Seven Winks]. Helsinki: SuomenLähetysseura, 2011. 253 p. ISBN 978-951-624-406-1.Valtonen, Mato. Rakkaani alkoholi [My Darling Alcohol]. Helsinki: Tammi, 2011. 191 p. ISBN 978-951-31-6236-8.Väntänen, Ari. Michael Monroe. Helsinki: Like, 2011. 512 p. ISBN 978-952-01-0528-0.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

37 of 149Vekkeli, Pirkko. Kristiina Halkola: Jos rakastat [Kristiina Halkola: If You Love]. Helsinki: Minerva,2011. 252 p. ISBN 978-952-492-534-1.Vento, Mikko. Festarit omin silmin [Music Festivals in One’s Own Eyes]. Punkaharju: Kirja-Pakari,2011. 184 p. ISBN 978-952-67576-0-5.Vinokur, Denis, Von Hertzen Brothers: Lähikuvissa [The Von Hertzen Brothers: In Close-Ups].Helsinki: Johnny Kniga, 2011. 136 p. ISBN 978-951-0-36071-2.Virtanen, Jukka. Omat ja käännetyt [Own and Translated]. Toimittanut Ilkka Talasranta. Espoo:Paasilinna, 2011. 362 p. ISBN 978-952-5856-39-2.Song lyrics.Wuori-Tabermann, Tuija. Carola: Sydämeen jäi soimaan blues [Carola: Blues Is Still Playing in MyHeart]. Helsinki: HMC Publishing, 2011. 219 p. ISBN 978-952-67044-5-6.Zeranska-Gebert, Grazyna; Teuvo Lampinen. Parlando Musiikkisanakirja [Parlando MusicDictionary]. Helsinki: Gaudeamus Helsinki University Press, 2011. 417 p. ISBN 978-952-495-206-4.FRANCEActes du colloque Pauline Viardot, une voix féminine dans l’Europe des arts. Réunis et présentéspar Michèle Friang. Paris: Association A l’écoute d’Augusta Holmès et de Pauline Viardot,2011. 121 p.Symposium held 23 October 2010, Conservatoire international de musique de Paris.Akimova, Irina. Pierre Souvtchinsky: Parcours d’un Russe hors frontière. Paris: L’Harmattan,2011. (Univers musical). 371 p. ISBN 978-2-296-54756-8. €33.50.Andrieu, Michaël. Réinvestir la musique: Autour de la reprise musicale et de ses effets aucinéma. Paris: L’Harmattan, 2011. (Univers musical). 228 p. ISBN 978-2-296-14015-8. €21.50.Ars musica septentrionalis: De l’interprétation du patrimoine musical à l’historiographie.Barbara Haggh & Frédéric Billiet, dir. Paris: Presses de l’université Paris-Sorbonne, 2011. 262p. (Musique-écritures. Études). ISBN 978-2-84050-600-3. €22.00.Bacache-Beauvarlet, Maya; Marc Bourreau; François Moreau. Portrait des musiciens à l’heuredu numérique. Paris: Editions Rue d’Ulm, 2011. 92 p. (Collection du CEPREMAP). ISBN 978-2-7288-0454-2. €7.Bailhache, Patrice; Antonia Soulez; Céline Vautrin. Helmholtz: Du son à la musique. Paris: J. Vrin,2011 (Mathesis). 253 p. ISBN 978-2-7116-2337-2. €28.00.Becker, Howard S.; Robert R. Faulkner. Qu’est-ce qu’on joue maintenant?: Le répertoire de jazzen action. Paris: La Découverte, 2011. 298 p. ISBN 978-2-7071-6638-8. €21.00.Translation of: Do You Know? The Jazz Repertoire in Action (Chicago: University of ChicagoPress, 2009)Bélissa, Marc. Haendel en son temps. Paris: Ellipses, 2011. 431 p. (Biographies et mytheshistoriques). 78-2-7298-6453-8. €24.00.Bellaïche, Raoul. Aznavour: “Non, je n’ai rien oublié”. Paris: L’Archipel, 2011. 327 p. ISBN 978-2-8098-0540-6. €19.95.Bergerot, Franck. Le jazz dans tous ses états: Histoire, styles, foyers, grandes figures. Paris:Larousse, 2011. 287 p. (Comprendre, reconnaître). ISBN 2-03-585642-5. €27.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

38 of 149Berlioz, Hector. Les grotesques de la musique. Préface de Gérard Condé. Lyon: Symétrie, 2011.252 p. ISBN 978-2-914373-77-7. €9.80.Bert, Jean-François. L’édition musicale: Guide pratique du droit d’auteur et de la gestion desoeuvres. 3e éd. mise à jour et augmentée. Paris: IRMA, Centre d’information et deressources pour les musiques actuelles, 2011. 220 p. (Métiers de la musique). ISBN 978-2-916668-31-4. €35.00.Besingrand, Franck. Louis Vierne. Paris: Bleu nuit, 2011. (Collection Horizons, ISSN 1769-2571;28). 176 p. ISBN 978-2-35884-018-7. €20.00.Boissière, Anne. La pensée musicale de Theodor W. Adorno: L’épique et le temps. Paris:Beauchesne, 2011. (Prétentaine). 216 p. ISBN 978-2-7010-1567-5. €23.00.Bonnaure, Jacques. Massenet. Arles: Actes Sud, 2011. 183 p. (Classica). ISBN 978-2-330-00217-6. €18.00.Boudinet, Gilles. Il était une fois la musique, les mots et d’autres cris: L’impossible dialogue deMoïse et Pan. Paris: L’Harmattan, 2011. 238 p. (CollectionSciences de l’éducation musicale).ISBN 978-2-296-54720-9. €22.00.Musique et globalisation: Musicologie-ethnomusicologie. Actes du colloque “Musique etglobalisation”, Montpellier 3, Université Paul Valéry, octobre 2008. Sous la direction deJacques Bouët, Makis Solomos. Paris: L’Harmattan, 2011. (Musique-Philosophie) 286 p. ISBN978-2-296-55050-6. €28.00.Bouissou, Sylvie. Crimes, cataclysmes et maléfices dans l’opéra baroque en France. Paris:Minerve, 2011. 302 p. (Musique ouverte). ISBN 978-2-86931-128-2. €25.00.Bourhis, Michelle. La musique de chambre à Nantes entre les deux guerres. Paris: L’Harmattan,2011. (Musiques et champ social). 335 p. ISBN 978-2-296-55495-5. €32.00.Bourion, Sylveline. Le style de Claude Debussy: Duplication, répétition et dualité dans lesstratégies de composition. Paris: Vrin, 2011. (Musicologies, ISSN 2114-169X). ISBN 978-2-7116-2370-9. €48.00.Bourrier-Reynaud, Michel; Colette Bourrier-Reynaud. Point d’orgue à manivelle exceptionnel àVillars-sur-Var. Nice: Association culturelle Lou Savel, 2011. 76 p. ISBN 2-95-10630-0-8.€15.00.Brendel, Alfred. Réflexions faites. Traduit de l’allemand par Dominique Miermont et BrigitteVergne. Nouvelle édition révisée par Chara Iacovidou. Paris: Buchet-Chastel; Libella, 2011.238 p. (Musique). ISBN 978-2-283-02530-7. €17.00.Translation of: Nachdenken über Musik (München: R. Piper, 1977); originally published as:Musical Thoughts and Afterthoughts (Princeton, N.J.: Princeton University Press, 1976).Bronner, François. La Schiassetti: Jacquemont, Rossini, Stendhal, une saison parisienne auThéâtre-Italien, 1824–1826. Paris: Hermann, 2011. (Collection Points d’orgue). 389 p. ISBN978-2-7056-8017-6. €30.00.Brosse, Jean-Patrice. Le clavecin du Roi Soleil. Paris: Bleu nuit éd., 2011. 176 p. (Horizons, ISSN1769-2571; 24). ISBN 978-2-35884-013-2. €20.00.Buch, Esteban. L’affaire “Bomarzo”: Opéra, perversion et dictature. Traduit de l’espagnol parl’auteur. Paris: EHESS, 2011. 237 p. (Cas de figure; 19). 978-2-7132-2291-7. €18.00.Translation of: The “Bomarzo affair”: Opera, perversión y dictadura (Buenos Aires: A.Hidalgo, 2003).© 2012 – International Association of Music Libraries; Fontes Artis Musicae

39 of 149Cambon, Jérôme. Les trompettes de la République: Harmonies et fanfares en Anjou sous laTroisième République. Rennes: Presses universitaires de Rennes, 2011. 337 p. (Histoire).ISBN 978-2-7535-1265-8.Cantagrel, Gilles. J.-S. Bach: Passions, messes et motets. Paris: Fayard, 2011. 420 p. ISBN 978-2-213-66302-9. €25.00.Charles, Daniel. Le temps de la voix. Paris: Hermann, 2011. 305 p. (Le Bel aujourd’hui). ISBN 978-2-7056-8046-6. €32.00.Chatard, Jean. Les marins: Chants des équipages. La Rochelle: La Découvrance, 2011. 280 p.ISBN 978-2-84265-701-7. €22.90.Clément, Jean-Yves. Franz Liszt ou la dispersion magnifique. Paris: Actes Sud, 2011. (Classica).209 p. ISBN 978-2-7427-9523-9. €18.00.Clément, Philippe. Ivry Gitlis: L’homme du violon. Grenoble: P. Clément, 2011. 300 p. ISBN 978-2-7466-3516-6. €22.00.Cœurdevey, Annie. Josquin Desprez: De l’abstraction à l’expression. Paris: Cité de la musique,2011. 157 p. (Analyse et esthétique, ISSN 1778-4557). ISBN 978-2-914147-52-1. €20.00.Color: Marc-André Dalbavie. Dossier réalisé sous la direction de Cécile Reynaud. Montrouge:Centre national de documentation pédagogique, 2011. 56 p. (Baccalauréat musique, ISSN1770-8281).Constant, Pierre. Violon solo: La musique de Jean Genet. Paris: Editions de l’Amandier, 2011. 365p. ISBN 978-2-35516-146-9. €20.00.Corduban, Mihaela. Le premier livre du “Clavier bien tempéré” de Jean-Sébastien Bach:rhétorique et sémiologie. Sampzon: Delatour France, 2011. 140 p. (Musique-Recherches,ISSN 2107-6529). ISBN 978-2-7521-0115-0. €25.00.Corps dansant, corps glorieux: Musique, danses et fêtes de cour en Europe au temps d’Henri IVet de Louis XIII. Textes réunis et présentés par Marie-Bernadette Dufourcet & Anne Surgers.Pessac: Presses univertsitaires de Bordeaux, 2011. (Les Cahiers d’ARTES, ISSN 1955-0839, 7).364 p. ISBN 978-2-86781-711-3.Le corps et la musique. Sous la direction de Henry Tramier et Jean-Pierre Roll. Aix-en-Provence:Presses universitaires de Provence, 2011. 175 p. (Confluent des Sciences). ISBN 978-2-85399-794-2.Davis, Stephen. Hammer of the gods: La saga Led Zeppelin. Marseille: Le Mot et le Reste, 2011.442 p. (Attitudes). ISBN 978-2-36054-031-0. €26.00.Translation of: Hammer of the Gods: The Led Zeppelin Saga (New York: W. Morrow, 1985).Decourt, Aurélie. Une famille de musiciens au XXe siècle: La famille Alain. Paris: Hermann, 2011.173 p. (Collection Points d’orgue). ISBN 978-2-7056-8038-1. €20.00.Delaune, Benoît. Captain Beefheart and His Magic Band(s). Marseille: Le Mot et le reste, 2011.150 p. (Formes). ISBN 978-2-36054-021-1. €16.00.Démier, Philippe. Le parcours du compositeur: Cartographie d’un imaginaire. Paris: L’Harmattan,2011. (Collection Sémiotique et philosophie de la musique). 219 p. ISBN 978-2-296-54455-0.€22.00.Denizeau, Gérard. Guide de la musique: Une initiation par les œuvres. Paris: Larousse, 2011. 255p. (Comprendre, connaître). ISBN 978-203-586122-1. €27.00.Denizeau, Gérard. Les véristes. Paris: Bleu nuit, 2011 176 p. (Collection Horizons, 29). ISBN 978-2-35884-017-0. €20.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

40 of 149Dicale, Bertrand. Les chansons qui ont tout changé. Paris: Fayard, 2011. 345 p. ISBN 978-2-213-66291-6. €16.90.Dicale, Bertrand. Juliette Greco, une vie en liberté. Paris: Perrin, 2011. 746 p. (Collection Tempus,386). ISBN 978-2-262-03397-2. €12.00.Dictionnaire de la musique. Sous la direction de Marc Vignal. Nouvelle éd. Paris: Larousse, 2011.1516 p. (In extenso). ISBN 978-2-03-586059-0. €26.00Dous, Jean-Paul. Rameau: Un musicien philosophe au siècle des Lumières. Paris: L’Harmattan,2011. 228 p. (Univers musical). ISBN 978-2-296-54321-8. €21.50.Dupont, Maÿlis. Le bel: Bach ou Boulez, des oeuvres à faire. Paris: les Éd. du Cerf, 2011. 234 p.(Passages, ISSN 0298-9972). ISBN 978-2-204-09246-3. €30.00.Edison Denisov: Compositeur de la lumière. Actes de la Journée Edison Denisov, Paris, 9 avril2009. Sous la direction de Ekaterina Kouprovskaia-Bruggeman. Paris: Centre dedocumentation de la musique contemporaine, 2011. 146 p. ISBN 978-2-916738-05-5.€12.00.Eléments d’esthétique musicale: Notions, formes et styles en musique. Sous la direction deChristian Accaoui. Arles: Actes Sud; Paris Cité de la musique, 2011. 789 p. ISBN 978-2-7427-9601-4. €39. 00.Ferraty, Franck. Francis Poulenc à son piano: Un clavier bien fantasmé. Paris: L’Harmattan, 2011.377 p. (Univers musical). ISBN 978-2-296-13722-6. €34.00.Fertier, André. Musicothérapie: Fantasmes et réalités. Paris: L’Harmattan, 2011. 178 p. (Art etthérapie). ISBN 978-2-296-55508-2. €17.00.Forestier, Richard. Tout savoir sur la musicothérapie: L’art-thérapie à dominante musicale.Lausanne: Favre, 2011. 349 p. ISBN 978-2-8289-1230-7. €23.00.La formation des enseignants en musique: État de la recherche et vision des formateurs. Sous ladirection de François Joliat. Paris: L’Harmattan, 2011. 245 p. (Sciences de l’éducationmusicale). ISBN 978-2-296-56314-8. €24.50.Proceedings of the 1 er Colloque international sur la professionnalisation de la formation desenseignants, Bienne, 30 June–2 July 2010.Fouillac, Elsa. Âge tendre dans les coulisses: Histoire d’un phénomène. Paris: Editions du Rocher,2011. 231 p. ISBN 978-2-268-07049-0. €18.00.Frippiat, Marianne. Janáček opéras: Mode d’emploi. Paris: Avant-scène opéra, 2011. 175 p.(Mode d’emploi). ISBN 978-2-84385-273-2. €25.00Galliari, Alain. Franz Liszt et l’espérance du bon. Paris: Fayard, 2011 297 p. ISBN 978-2-213-66198-8. €22.00.Galpérine, Alexis. Carlos Roqué Alsina: Entretiens, témoignages, documents. Sampzon: DelatourFrance, 2011. 317 p. ISBN 978-2-7521-0111-2. €19.00.Galpérine, Aléxis. Le dernier cantor de Moravie: Otto Albert Tichỳ (1890-1973). Sampzon:Delatour France, 2011. 171 p. (Organ prestige, ISSN 2102-6696). ISBN 978-2-7521-0109-9.Garant, Dominic. Tristan Murail: Les objets sonores complexes. Paris: L’Harmattan, 2011.(Univers musical). ISBN 9782747501811.George Sand critique, une autorité paradoxale. Sous la direction de Olivier Bara et ChristinePlanté. Saint-Etienne: Publications de l’Université de Saint-Etienne, 2011. 260 p. (Le XIXesiècle en représentations). ISBN 978-2-86272-579-6. €18.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

41 of 149Gildas, Louis. Langue et chansons de nos grands-pères en Limousin. Romorantin: Ed. CPE, 2011.160 p. (Mémoire du patrimoine oral limousin). ISBN 978-2-84503-844-8. €22.00.Giner, Bruno. Survivre et mourir en musique dans les camps nazis. Paris: Berg Internationaléditeurs, 2011. 190 p. (Collection Détours). ISBN 978-2-917191-39-2. €19.00.Godefroid, Philippe. Richard Wagner, 1813–2013: Quelle Allemagne désirons-nous? Paris:L’Harmattan, 2011. 588 p. (Univers musical). ISBN 978-2-296-14020-2. €47.00.Godefroid, Philippe. Richard Wagner, l’ecclésiaste antisémite: Être wagnérien en 2013? Paris:L’Harmattan, 2011. 247 p. (Univers musical). ISBN 978-2-296-56504-3. €26.00.Gosselin, Guy. La symphonie dans la cité: Lille au XIXe siècle, avec cinq cahiers d’illustrations.Paris: Vrin, 2011. 504 p. (Musicologies, ISSN 2114-169X). ISBN 978-2-7116-2404-1. €48.00.Groleau, Jean-Jacques. Rachmaninov. Arles: Actes Sud, 2011. 197 p. (Classica). ISBN 978-2-7427-9654-0. €18.00.Guide de la musique de la Renaissance. Sous la direction de Françoise Ferrand. Paris: Fayard,2011. (Les indispensables de la musique). 1 v. (1235 p). + Erratum-addendum (16 p). ISBN978-2-213-60638-5. €39.00.Guillon, Roland. L’empreinte de Parker, Gillespie et Ellington sur je jazz des années 1950–1960.Paris: L’Harmattan, 2011. 140 p. (Univers musical). ISBN 978-2-296-55192-3. €13.50.Le haïku en France: poésie et musique. sous la direction de Jérôme Thélot et Lionel Verdier.Paris: Kimé, 2011. 313 p. (Les Cahiers de Marge, 8). ISBN 978-2-84174-562-3. €28.00.Proceedings of symposium held at l’Université de Lyon, 4-6 March 2010.Halay, Benjamin. Michel Petrucciani. Paris: D. Carpentier, 2011. 285 p. ISBN 978-2-84167-713-9.€19.90.Honorin, Emmanuelle. Astor Piazzolla: Le tango de la démesure. Paris: Editions Demi-Lune,2011. 208 p. (Collection Voix du monde). ISBN 978-2-917112-12-0. €15.00.Houdy, Pierick. Quelles clefs pour mes notes? Château-Gontier: Aedam musicae, 2011. 262 p.(Collection Musiques du XXe siecle). ISBN 978-2-919046-02-7. €25.00.L’institution musicale. Sous la direction de Jean-Michel Bardez, Jean-Marie Donegani, DamienMahiet et Bruno Moysan. Sampzon: Delatour France, 2011. 154 p. (Musique/Pouvoir). ISBN978-2-7521-0088-7. €18.00.Les intéractions entre musique et théâtre. Ouvrage collectif sous la direction de Guy Freixe etBertrand Porot. Montpellier: L’Entretemps, 2011. 255 p. (Les points dans les poches). ISBN978-2-35539-136-1. €15.50.Jacobs, Rémi; Jacques Lanfranchi. Brassens: Les trompettes de la renommée. Paris: L’Archipel,2011. 203 p. ISBN 978-2-8098-0472-0. €17.95.John Williams: Un alchimiste musical à Hollywood. Sous la direction de Alexandre Tylski. Paris:L’Harmattan, 2011. 218 p. (Univers musical). ISBN 978-2-296-54807-7.Kaltenecker, Martin. L’oreille divisée: Les discours sur l’écoute musicale aux XVIIIe et XIXe siècles.Paris: Editions MF, 2011. 453 p. (Répercussions). ISBN 978-2-915794-52-6. €24.00.Kintzler, Catherine. Jean-Philippe Rameau: Splendeur et naufrage de l’esthétique du plaisir àl’âge classique. 3e éd. revue et augmentée. Paris: Minerve, 2011. 238 p. (Musique ouverte).ISBN 978-2-86931-129-9. €23.00.Kurt Weill et la France. Documents choisis et annotés par Roland Bélicha. Paris: Au net, 2011.183 p. ISBN 978-2-9522673-2-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

42 of 149Lacavalerie, Xavier. Moussorgski. Arles: Actes Sud, 2011. (Classica). 175 p. ISBN 978-2-7427-9926-8. €18.00.Langue, musique, identit. Actes du colloque tenu à Poitiers du 21 au 23 novembre 2007. Sous ladirection de Jeremy Price, Licia Bagini, Marlène Belly. Paris: Publibook, 2011. 251 p.(Sciences humaines et sociales. Ethnologie, ISSN 1950-6856). ISBN 978-2-7483-7063-8.€25.00.Larroque, Patrice. English rhythm and blues. Nice: Ed. Bénévent, 2011. 243 p. ISBN 978-2-7563-19827. €18.50.In French.Le Diagon-Jacquin, Laurence. Liszt: Guide pratique du mélomane. Paris: Hermann, 2011.(Collection Point d’orgues). 394 p. ISBN 978-2-7056-8039-8. €32.00.Le Diagon-Jacquin, Laurence. Liszt en Bourgogne. Dijon: Editions universitaires de Dijon, 2011.(Sociétés, ISSN 1628-5409). 167 p. ISBN 978-2-915611-95-3. €20.00.Lenfant, Serge. Il était une fois la country music: La country music par ceux qui l’on faite. Cosne-Cours-sur-Loire: Dictionnaires d’aujourd’hui, 2011. 382 p. ISBN 978-2-913110-14-4. €34.90.Leoš Janáček: Création et culture européenne. Actes du colloque international, Paris, Sorbonne,3-5 avril 2008. Sous la direction de Bernard Banoun, Lenka Stránská, Jean-Jacques Velly.Paris: L’Harmattan, 2011. 295 p. (Univers musical). ISBN 978-2-296-56376-6.Locatelli, Aude. Jazz belles-lettres: Approche comparatiste des rapports du jazz et de lalittérature. Paris: Classiques Garnier, 2011. 218 p. (Perspectives comparatistes. SérieLittératures et musique, 12). ISBN 978-2-8124-0352-1. €29.00.Lonjon, Bernard. Nuit et chansons: Les chanteurs français face à la Seconde guerre mondiale.Editions du moment, 2011. 253 p. ISBN 978-2-35417-094-3. €17.95.Looten, Christophe. Dans la tête de Richard Wagner: Archéologie d’un génie. Paris: Fayard,2011. 1108 p. ISBN 978-2-213-66243-5. €38.Lyon, James. Leoš Janáček, Jean Sibelius, Ralph Vaughan Williams: Un cheminement communvers les sources. Paris: Beauchesne, 2011. (Le miroir des savants). 718 p. ISBN 978-2-7010-1595-8. €79.00.Mamczarz, Irène. Le théâtre Barberini et les fastes de l’opéra romain (1632–1656). Paris:Editions de la Soviété internationale d’histoire comparée du théâtre, de l’opéra et du ballet,2011. (Théâtre européen, opéra, ballet, 10). 209 p. ISBN 978-2-9532700-1-6. €39.00.Mamy, Sylvie. Antonio Vivaldi. Paris: Fayard, 2011. 864 p. ISBN 978-2-213-63761-7. €35.00.Manières de faire des sons. Sous la direction de Antonia Soulez, Horacio Vaggione. Paris:l’Harmattan, 2011. 280 p. (Collection Musique-philosophie). ISBN 978-2-296-12959-7.€25.00.Massip, Catherine; Gérard D. Khoury. William Christie et les Arts florissants: 30 années enimages. Marseille: Images en manœuvres, 2011. 176 p. ISBN 978-2-84995-192-7. €45.00.Meyer, Leonard B. Emotion et signification en musique. Traduit de l’anglais (États-Unis) parCatherine Delaruelle. Paris: Actes Sud, 2011. 342 p. ISBN 978-2-7427-8550-6. €29.00.Translation of: Emotion and Meaning in Music (Chicago: University of Chicago Press, 1956)Molkhou, Jean-Michel. Les grands violonistes du XXe siècle. Paris: Buchet-Chastel; Libella, 2011- .v. 1- . (Série Les grands interpretes); (Collection Musique (Editions Buchet/Chastel))Vol. 1: De Kreisler à Kremer, 1875–1947. ISBN 978-2-283-02508-6.Moments musicaux. Entretiens avec Sophie Lannes. Paris: Editions du Linteau, 2011- . v. 1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

43 of 149Vol. 1: Julien Green, Carlo Maria Giulini, Seiji Ozawa, Riccardo Muti, Jeffrey Tate, DanielBarenboïm, Arthur Oldham, Rolf Liebermann, Massimo Bogianckino, Pier Luigi Pizzi. ISBN978-2-910342-66-1.Montandon, Frédérique. Les enfants et la musique: Visions de parents sur une activitéextrascolaire. Paris: L’Harmattan, 2011. (Nouvelles pédagogies). 220 p. ISBN 978-2-296-54547-2. €22.00.Morel, Justin; Souleymane Keita. Bembeya jazz national: Cinquante ans après, la légendecontinu. Paris: L’Harmattan, 2011. 154 p. ISBN 978-2-296-55398-9. €14.50.Musique, corps, âme. Textes de Christian Merlin, Jean-Paul Despax, Bernard Sève ... [et al.].Paris: Cité de la musique, 2011. 122 p. ISBN 978-2-914147-53-8. €19.00.Musique et arts plastiques: La traduction d’un art par l’autre: principes théoriques et démarchescréatrices. Sous la direction de Michèle Barbe. Paris: L’Harmattan, 2011. 430 p. (L’universesthétique). . ISBN 978-2-296-56162-5. €38.00.Musiques et danses dans l’Antiquité. Actes du colloque international de Brest 29-11 [i.e. 30]septembre 2006, Université de Bretagne occidentale. Sous la direction de Marie-HélèneDelavaud-Roux. Rennes: Presses universitaires de Rennes. (Histoire. Histoire ancienne). 324p. ISBN 978-2-7535-1281-8. €18.00.Opéra et fantastique. Actes du colloque international, Rennes, 25–27 mars 2009. Sous ladirection de Hervé Lacombe et Timothée Picard. Rennes: Presses universitaires de Rennes,2011. 428 p. (Le spectaculaire). ISBN 978-2-7535-1324-2. €22.00.Pacquier, Alain. Le retour des caravelles: Voyage au cœur du baroque d’Amérique latine. Paris:Fayard, 2011. 329 p. (Les chemins de la musique). ISBN 978-2-213-65553-6. €22.Pape, Virginie. Les musiques de la vie. Paris: O. Jacob, 2011. 174 p. ISBN 978-2-7381-2641-2.€22.90.Perera, Orlando. Vivaldi: La cinquième saison. Paris: Naïve, 2011. 255 p. ISBN 978-2-35021-244-9. €2500.Perspectives actuelles de la recherche en éducation musicale. Colloque tenu à l’IUFM d’Aix-en-Provence, 27–28 novembre 2009. Sous la direction de Jean-Luc Leroy et Pascal Terrien.Paris: L’Harmattan, 2011. (Sciences de l’édication musicale). 288 p. ISBN 978-2-296-54210-5.€28.00.Piaf, Edith. Mon amour bleu: Lettres inédites. Préface de Cécile Guilbert. Paris: Grasset, 2011.197 p. ISBN 978-2-286-06797-7. €17.00.Pirenne, Christophe. Une histoire musicale du rock. Paris: Fayard, 2011. 796 p. ISBN 978-2-213-62430-3. €29.90.Penesco, Anne. Proust et le violon intérieur. Paris: les Éd. du Cerf. 177 p. (Cerf littérature). ISBN978-2-204-09405-4. €18.00.Pire, Alain. Anthropologie du rock psychédélique anglais: Contre-culture, drogues et musiques.Rosières-en-Haye: Camion blanc, 2011. 815 p. ISBN 978-2-35779-103-9. €38.00.Poldiaeva, Elena. Le message de Nicolas Obouhow: Reconstruction d’une biographie (1892-1954). Traduit du russe par Michèle Kahn. Paris: Van de Velde, 2011. 406 p. (Les maîtres demusique). ISBN 978-2-85868-394-9. €9.29.Translation of: Poslanie Nikolaia Obukhova = Послание Николая Обухова (Berlin:Osteuropa-Förderung, 2006)© 2012 – International Association of Music Libraries; Fontes Artis Musicae

44 of 149Polytonalités. préface de Danièle Pistone. Sous la direction de Philippe Malhaire. Paris:L’Harmattan, 2011. 263 p. (L’univers esthétique). ISBN 978-2-296-56156-4. €24.00.Poulenc, Francis. J’écris ce qui me chante. Textes et entretiens réunis, présentés et annotés parNicolas Southon. Paris: Fayard, 2011. 979 p. ISBN 978-2-213-63670-2. €32.00.Propositions pour une historiographie critique de la création musicale après 1945. Textes réunispar Anne-Sylvie Barthel-Calvet. Metz: Centre de Recherche universitaire lorrain d’histoire,2011. 238 p. (Centre régional universitaire lorrain d’histoire, Site de Metz, 41). ISBN 8-85730-048-4.Putter, Eric de. Bergers, guerriers et musiciens: La musique dans la trifonctionnalité et latrifonctionnalité dans la Bible. Paris: Delatour, 2011. 254 p. (Collection Pensée musicale,ISSN 2105-908X). ISBN 978-2-7521-0094-8. €20.00.Réda, Jacques. Autobiographie du jazz. Accompagnée de plus de cent-cinquante solistes. Paris:Climats, 2011. 360 p. ISBN 978-2-08-124880-9. €23.00.Réda, Jacques. Le grand orchestre. Paris: Gallimard, 2011. 116 p. (L’un et l’autre). ISBN 978-2-07-013396-3. €16.50.Biography of Duke Ellington.Rémy, Pierre-Jean. Karajan: La biographie. Paris: O. Jacob, 2011. 574 p. (Poches, ISSN 1621-0654; 289). ISBN 978-2-7381-2636-8. €10.50.Rodière, Marie-Jeanne. La méthode Rodière, ou, Construire sa voix pour disparaître dans l’être.Gordes: le Relié, 2011. 214 p. ISBN 978-2-35490-53-3. €15.00.Rose, Frédérique. Patois et chansons de nos grands-pères des terroirs de l’Orléanais: Beauce,Blaisois, Gâtinais, Val de Loire, Vendômois. Romorantin: Éd. CPE, 2011. 159 p. (Mémoire dupatrimoine oral orléanais). ISBN 978-2-84503-842-4. €22.00.Rouet, Pascale; Christophe Marchand. Enquêtes sur la sacré dans la musique d’aujourd’hui:Hommes, oeuvres, horizons. Sampzon: Delatour France, 2011. 296 p. ISBN 978-2-7521-0112-9.€22.00Rudent, Catherine. L’album de chansons: Entre processus social et œuvre musicale. Paris: H.Champion, 2011. 274 p. (Collection Musique-musicologie, ISSN 0398-2599; 42). ISBN 978-2-7453-2279-1.Rudolph, Luc. La valse dans tous ses états: Petite histoire de la valse et de ses compositeurs dansle monde. Paris: L’Harmattan, 2011. 326 p. (Univers musical). ISBN 978-2-296-55467-2.Sauvat, Catherine. Le pianiste voyageur: Louis Moreau Gottschalk, 1829–1869. Paris: Payot,2011. 171 p. ISBN 978-2-228-90652-4. €16.00.Schloezer, Boris de. Comprendre la musique: Contributions à La nouvelle revue française et à Larevue musicale (1921–1956). Rennes: Presses universitaires de Rennes, 2011. 435 p.(Aesthetica). ISBN 978-2-7535-1343-3. €22.00.Schnapper, Laure. Henri Herz, magnat du piano: La vie musicale en France au XIXème siècle,1815–1870. Paris: Éd. de l’École des hautes études en sciences sociales, 2011. 318 p. (Entemps & lieux, ISSN 1962-7505; 23). ISBN 978-2-7132-2279-5. €24.00.Serre, Solveig. L’Opéra de Paris, 1749–1790: Politique culturelle au temps des Lumières. SolveigSerre. Paris: CNRS éd., impr. 2011. 304 p. (Sciences de la musique. Série Étude). ISBN 978-2-271-06815-6. €25.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

45 of 149Servière, Antonin. Jean Sibélius: Le style dans l’œuvre symphonique. Sampzon: Delatour France,2011. 319 p. (Collection Pensée musicale, ISSN 2105-908X). ISBN 978-2-7521-0092-4.€28.00.Simon, Yannick. Jules Pasdeloup et les origines du concert populaire. Lyon: Symétrie, 2011. 277p. (Symétrie recherche. Série Histoire du concert). ISBN 978-2-914373-78-4. €45.00.Spampinato, Francesco. Debussy, poète des eaux: Métaphorisation et corporéité dansl’expérience musicale. Préface de Bernard Vecchione. Paris: L’Harmattan, 2011. 257 p.(Collection Arts & sciences de l’art). ISBN 978-2-296-13662-5. €24.50.Stoléru, Lionel. Une écoute du romantisme. Paris: L’Harmattan, 2011. 317 p. ISBN 978-2296551046. €25.00.Sur l’aile de ces vers: L’écriture et l’opéra. Journée d’études du 9 avril 2010, séminaires 2009–2010, Université Paris 8, Institut national d’histoire de l’art. Sous la direction de CamilloFaverzani. Saint Denis: Université Paris 8-Vincennes-Saint-Denis, 2011. 379 p. (Travaux etdocuments, 50). ISBN 978-2-911860-50-0. €10.00.Theodorakis, Mikis; Yorgos Archimandritis. Mikis Théodorakis par lui-même. Traduit du grec parAnne-Laure Brisac et Florence Lozet. Arles: Actes Sud, 2011. 233 p. (Lettres grecques). ISBN978-2-7427-9496-6.Translation of: Se prōto prósōpo: Mikis Theodōrákis = Σε πρώτο πρόσωπο: ΜίκηςΘεοδωράκης (Athens: Ellinika Grammata, 2007)Thibault, Matthieu. La trilogie Bowie-Eno: Influence de l’Allemagne et de Brian Eno sur lesalbums de David Bowie entre 1976 et 1979. Rosières-en-Haye: Camion blanc, 2011. 291 p.ISBN 978-2-35779-122-0.Vançon, Raphaële. Enseigner la musique: Un défi. Préface d’Henry Fourès. Paris: L’Harmattan,2011. 172 p. (Logiques sociales). ISBN 978-2-296-55505-1.Vançon, Raphaële. Musicien amateur ou professionnel? La construction identitaire musicienne.Paris: L’Harmattan, 2011. 242 p. (Logiques sociales; série études culturelles). ISBN 978-2-296-54782-7.Vassal, Jacques. Brassens, homme libre. Paris: Le Cherche midi, 2011. 633 p. ISBN 978-2-7491-1859-8.Voltaire à l’opéra: Études. Réunies par François Jacob. Paris: Classiques Garnier, 2011. 244 p.(L’Europe des Lumières, ISSN 2104-6395; 7). ISBN 978-2-8124-0221-0. €36.00.“Wagner m’a tué !” Les enjeux de la musique en 25 citations. Ouvrage collectif sous la directiond’Élisabeth Brisson. Paris: Ellipses, 2011. 312 p. ISBN 978-2-7298-6323-4. €19.50.Weinmann, Peter. Jean-Baptiste Micot, inventeur: De l’orphéon organisé aux orgues de table.Montpellier: A la coquille, 2011. 103 p. ISBN 978-2-9539463-0-7.Werck, Isabelle. Franz Liszt. Paris: Bleu nuit, cop. 2011. 176 p. (Horizons). ISBN 978-2-35884-014-9.Xue, Kun. Le voyage en Europe de l’orphelin de la maison de Zhao: Une approche comparée del’art lyrique chinois et occidental. Langres: D. Guéniot, 2011 191 p. (Musique et musicologie).ISBN 978-2-87825-499-0.GERMANY© 2012 – International Association of Music Libraries; Fontes Artis Musicae

46 of 149Appel, Bernhard R. Robert Schumanns “Album für die Jugend”: Einführung und Kommentar.Mainz: Schott, 2010. 319 p. (Studienbuch Musik). ISBN 978-3-7957-8746-2. €29.95.Appleford, Steve. Rolling Stones: Die Storys zu allen Songs. Übers.: Martin Baltes ... [et al.].Hamburg: Edel Germany, 2011. 383 p. (Edel: Rockbuch). ISBN 978-3-8419-0060-9. €19.95.Translation of: The Rolling Stones: It’s Only Rock ‘n’ Roll: The Stories behind Every Song(Zürich: Edition Olms, 1997).Aria: Eine Festschrift für Wolfgang Ruf. Hrsg. von Wolfgang Hirschmann im Auftr. der AbteilungMusikwissenschaft des Instituts für Musik der Martin-Luther-Universität Halle-Wittenbergund der Georg-Friedrich-Händel-Gesellschaft e.V. Hildesheim: Olms, 2011. 802 p. (Studienund Materialien zur Musikwissenschaft, 65). ISBN 978-3-487-14711-6. €78.00.Includes contributions in English and German.Árni Björnsson. Island und der “Ring des Nibelungen”: Richard Wagner, Eddas und Sagas. Bonn:Bouvier, 2011. 250 p. ISBN 978-3-416-03322-0. €24.90.The Art of Pop Video: Pop Video. Museum für Angewandte Kunst, Köln; TelevisorTroika. Veranst.:TelevisorTroika GmbH. Hrsg. Michael P. Aust, Daniel Kothenschulte. Texte Michael P. Aust.Übers. Colin Boone. Berlin: Distanz, 2011. 1 v. (224 p.) + 1 DVD. ISBN 978-3-942405-31-7.€34.90.In German and English.Arthur Sullivan. Hrsg. von Ulrich Tadday. München: Ed. Text+Kritik, 2011. 114 p. (Musik-Konzepte, H. 151). ISBN 978-3-86916-103-7. €19.80.Aschauer, Mario. Handbuch Clavier-Schulen: 32 deutsche Lehrwerke des 18. Jahrhunderts imÜberblick. Kassel: Bärenreiter, 2011. 275 p. ISBN 978-3-7618-2212-8. €39.95.Originally, doctoral dissertation: Universität Wien, 2008, with title: “DeutschsprachigeClavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts”.Aspekte der Haydn-Rezeption. Beiträge der gleichnamigen Tagung vom 20. bis 22. November2009 in Salzburg. Institut für Musikalische Rezeptions- und Interpretationsgeschichte.Joachim Brügge, Ulrich Leisinger (Hg.). Freiburg, Br.: Rombach, 2011. 299 p. (RombachWissenschaften, Reihe Klang-Reden, 6). ISBN 978-3-7930-9657-3. €38.00.Auf dem “Trödelmarkt der Träume”: Der Komponist Wilfried Hiller. Medienkom-bination: GunterReiß. Mainz: Schott. 2011. 1 v. (270 p.) + 1 CD. ISBN 978-3-7957-0753-8. €29.99.“Aus einem Totenhaus”: Leoš Janáeks letzte Oper. Hrsg. von Ulrich Lenz und Stefan Weiss. Hannover: Wehrhahn, 2011. 158 p. ISBN978-3-86525-185-5. €19.80.Babbe, Annkatrin. “Ein Orchester, wie es bisher in Europa noch nicht gesehen und gehörtworden war”: Das “Erste Europäische Damenorchester” von Josephine Amann-Weinlich. Miteinem Vorwort von Freia Hoffmann und zwei biographischen Artikeln von VolkerTimmermann. Oldenburg: BISVerlag der Carl-von-Ossietzky-Univ., 2011. 89 p. (Schriftenreihedes Sophie-Drinker-Instituts, 8). ISBN 978-3-8142-2230-1. €10.00.Bach, Johann Christoph Friedrich. Briefe und Dokumente. Hrsg. von Ulrich Leisinger. Hildesheim:Olms, 2011. 544 p. (Leipziger Beiträge zur Bach-Forschung, 9). ISBN 978-3-487-14337-8.€49.80.Beinroth, Fritz. Da stritten sich die Geister: Reflexionen zu musikästhetischen Auffassungen inder DDR. Aachen: Shaker, 2011. 199 p. (Berichte aus der Musikwissenschaft). ISBN 978-3-8322-9793. €24.80.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

47 of 149Bellamy, Olivier. Martha Argerich: Die Löwin am Klavier. Aus dem Franz. von Susanne vanVolxem. Dt. Erstausg., München: Bertelsmann, 2011. 287 p. (Edition Elke Heidenreich). ISBN978-3-570-58023-3. €19.95.Translation of: Martha Argerich: L’enfant et les sortilèges (Paris: Buchet/Chastel, 2010).Benzing, Ursula. “Oper ohne Worte”? Versuch einer Bestimmung von Standort undSelbstverständnis des heutigen Musiktheaters. Kassel: Euregioverl, 2011. 377 p. ISBN 978-3-933617-43-9. €37.00.Berends, Christof. Klänge der Bronzezeit: Musikarchäologische Studien über bronzezeitlicheHortfunde Mitteldeutschlands. Aus der Abteilung für Ur- und Frühgeschichtliche Archäologieder Universität Münster. Bonn: Habelt. (Universitätsforschungen zur prähistorischenArchäologie, 187). ISBN 978-3-7749-3702-4. €49.00.Bergener, Fabian. Die Ouvertüren Robert Schumanns. Hildesheim: Olms, 2011. 260 p. (Studienund Materialien zur Musikwissenschaft, 62). ISBN 978-3-487-14540-2. €38.00.Originally, doctoral dissertation.Berlioz’ “Troyens” und Halévys “Juive” im Spiegel der Grand Opéra. Staatsoper Stuttgart. Hrsg.von Xavier Zuber. Stuttgart: Steiner, 2011. 142 p. (Musikwissenschaft). ISBN 978-3-515-09859-5. €22.00.Beziehungszauber: Johannes Brahms: Widmungen, Werke, Weggefährten. Eine Ausstellung desBrahms-Instituts an der Musikhochschule Lübeck, 29. April–29. Oktober 2011. WolfgangSandberger und Stefan Weymar. München: Ed. Text+Kritik im Richard-Boorberg-Verlag,2011. 79 p. (Veröffentlichungen des Brahms-Instituts an der Musikhochschule Lübeck, 5).ISBN 978-3-86916-154-9. €19.90.Bock, Michael Linus. Das Blechblasregister in Richard Wagners “Ring des Nibelungen”. Hamburg:Kova, 2011. 420 p. (Schriftenreihe Studien zur Musikwissenschaft, 22). ISBN 978-3-8300-5539-6.€98.00.Originally, doctoral dissertation: Universität Wien, 2008.Bollmann, Ralph. “Walküre” in Detmold: Eine Entdeckungsreise durch die deutsche Provinz.Stuttgart: Klett-Cotta, 2011. 285 p. ISBN 978-3-608-94621-5. €19.95.Bolt, Rodney. Lorenzo Da Ponte: Mozarts Librettist und sein Aufbruch in die Neue Welt. Aus demEngl. von Martin Pfeiffer. Berlin: Berlin-Verlag, 2011. 559 p. ISBN 978-3-8270-0795-7.€32.00.Translation of: Lorenzo Da Ponte: The Adventures of Mozart’s Librettist in the Old and NewWorlds (London: Bloomsbury, 2006).Böning, Holger. Der Musiker und Komponist Johann Mattheson als Hamburger Publizist: Studiezu den Anfangen der Moralischen Wochenschriften und der deutschen Musikpublizistik.Bremen: Ed. Lumiere, 2011. 523 p. (Presse und Geschichte. Neue Beiträge, 50). ISBN 978-3-934686-75-5. €44.80.Bontrup, Heiner. Die Ernst-Höllerhagen-Story: Ein Jazzmusiker zwischen National-sozialismusund Wirtschaftswunder; mit Diskographie 1934–1955; Wiederent-deckung einer Swing-Legende. Wuppertal: NordPark, 2011. 182 p. ISBN 978-3-935421-42-3.Brackett, Nathan. Rocksongs! Highlights, Stars, Storys. Hrsg. von Valeria Manferto De Fabianis.Ubers.: Barbara Häusler. Wiesbaden: White-Star-Verlag, 2011. 270 p. ISBN 978-3-86726-175-3. €39.95.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

48 of 149Translation of: Legendary Rock Songs (Vercelli, Italia: White Star, 2011).Breidenstein, Helmut. Mozarts Tempo-System: Ein Handbuch für die professionelle Praxis. Alleautograph bezeichneten Tempi in 420 Gruppen von Stücken gleicher Charakteristik mit 392kommentierten Notenbeispielen und allen relevanten Quellentexten.Tutzing: Schneider,2011. 379 p. ISBN 978-3-86296-028-6. €85.00.Includes errata sheet.Broecking, Christian. Respekt! die Geschichte der Fire Music. Berlin: Verbrecher-Verlag, 2011.475 p. ISBN 978-3-940426-67-3. €18.00.Büsser, Martin. Music is my boyfriend: Texte 1990–2010. Mainz: Ventil-Verlag, 2011. 255 p. ISBN978-3-931555-45-0. €14.90.Bunke, Carolin. Zur Faust-Rezeption in der Musik des 19. Jahrhunderts: Goethes Dichtung unddie Kompositionen von Hector Berlioz, Richard Wagner und Franz Liszt. Freiburg, Br:Rombach, 2011. 445 p. (Rombach Wissenschaften, Reihe Litterae, 178). ISBN 978-3-7930-9645-0. €72.00.Originally, doctoral dissertation: Universität Freiburg (Breisgau), 2009.Burkowitz, Peter K.. Die Welt des Klangs: Musik auf dem Weg vom Künstler zum Hörer = TheWorld of Sound: Music on Its Way from the Performer to the Listener. Berlin: Schiele &Schön, 2011. 1 v. (400 p.) + 1 DVD. ISBN 978-3-7949-0794-6. €49.90.Burns, Jeffrey. The Music of Psalms, Proverbs and Job in the Hebrew Bible: A Revised Theory ofMusical Accents in the Hebrew Bible. General Analysis, Bibliography, Table of Contents. Ed.by David Bers and Stephen Tree. Wiesbaden: Harrassowitz, 2011. 1 v. (163 p.) + 1 CD. ISBN978-3-447-06191-9. €68.00.Busch, Hermann J. Zur französischen Orgelmusik des 19. und 20. Jahrhunderts: Ein Handbuch.Mit Beitr. von Gerhard Blum. Aus dem Nachlass des Verfassers hrsg. von Michael Heinemannund Sibylle Schwantag. Bonn: Butz, MusikVerlag, 2011. 371 p. (Studien zur Orgelmusik, 4).ISBN 978-3-928412-12-4. €19.00.Carl Dahlhaus und die Musikwissenschaft: Werk, Wirkung, Aktualität. Hrsg. von HermannDanuser. Schliengen/Markgräflerland: Ed. Argus, 2011. 439 p. ISBN 978-3-931264-76-5.€49.00.Carol, Márius; José Carreras. Aus vollem Herzen: Über das Geschenk des Lebens und die Kraftder Musik. Aus dem Span. von Karl A. Klewer. München: Siedler, 2011. 301 p. ISBN 978-3-88680-979-0. €19.99.Translation of: A Viva Voz: Unas memorias de Josep Carreras (Barcelona: Plaza & JanésEditores, 2011).Cash, John Carter. Mein Vater Johnny Cash: Die Biografie mit unveröffentlichten Fotografien,Gedichten & Songtexten: Übers. aus dem Engl. von Werner Roller und Claire Roth. München:Knesebeck, 2011. 158 p. ISBN 978-3-86873-397-6. €39.95.Translation of: House of Cash: The Legacies of My Father, Johnny Cash (San Rafael, CA:Insight Editions, 2011).Chaĭkovskiĭ, Modest Ilích. Das Leben Peter Iljitsch Tschaikowskys. In zwei Bänden. Aus demRuss. übers. von Paul Juon. Neuausg. des Erstdr. Moskau, Leipzig, Jurgenson, 1900–1903 vonAlexander Erhard und Thomas Kohlhase. Mainz: Schott. 2011. 2 v. (Čajkovskij-Studien, 13).ISBN 978-3-7957-0778-1. €54.95.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

49 of 149Translation of: Zhizn´ Petra Ilícha Chaikovskogo [Жизнь Петра Ильича Чайковского](Moskva: Sobstvennost´ izdatelia P. IUrgensona, 1900–03).Chorleitung: Vom Konzept zum Konzert. Simon Halsey mit Wiebke Roloff. Mainz: Schott, 2011. 1v. (272 p.) + 2 DVDs. (Schott Master Class). ISBN 978-3-7957-0755-2. €39.95.Christée, Jeanne. Violintechnik: Historische Schulen und Methoden von heute. Mainz: SchottMusic, 2011. 217 p. (Studienbuch Musik). ISBN 978-3-7957-0745- 3. €17.99.The Clash: Strummer, Jones, Simonon, Headon; das offizielle Bandbuch. Aus dem Engl. vonVioleta Topalova. Red.: Thomas Brill. München: Heyne, 2011. 408 p. (Heyne Hardcore). ISBN978-3-453-67594-0. €16.99.Translation of: The Clash: Strummer, Jones, Simonon, Headon (New York: Grand Central Pub.,2008).Dammann, Susanne. Charakteristik und Formprozess: Einheit und Vielfalt in den mittleren undspäten Symphonien Antonín Dvoráks. Hildesheim: Olms, 2011. 240 p. ISBN 978-3-487-14577-8. €48.00.Das Händel-Lexikon: Mit 772 Stichwörtern, 36 Notenbeispielen sowie einem Werkverzeichnisund einer Chronik. Hrsg. von Hans Joachim Marx in Verbindung mit Manuel Gervink undSteffen Voss. Laaber: Laaber, 2011. 825 p. (Das Händel-Handbuch, 6). ISBN 978-3-89007-552-5. €118.00.Daus, Anna. Der digitale Musikkonsument: Eine empirische Analyse des Musikkaufprozesses imdigitalen Zeitalter. Hamburg: Diplomica-Verlag, 2011. 149 p. ISBN 978-3-8428-6309-5.€48.00.A Deeper Understanding of All Music: Wolfgang Suppan zum 75. Geburtstag. Gerd Grupe (Hg.).Aachen: Shaker, 2010. 314 p. (Grazer Beiträge zur Ethnomusikologie, 23). ISBN 978-3-8322-9646-9. €49.80.Dialoge und Resonanzen: Musikgeschichte zwischen den Kulturen; Theo Hirsbrunner zum 80.Geburtstag. Hrsg. von Ivana Rentsch, Walter Klay und Arne Stollberg. Munchen: Ed.Text+Kritik, 2011. 365 p. ISBN 978-3-86916-105-1. €30.00.“Diess herrliche, imponirende Instrument”: Die Orgel im Zeitalter Felix Mendelssohn Bartholdys.Dieser Band entstand im Rahmen des Kooperationsprojekts “Bach, Mendelssohn,Schumann” der Leipziger Komponistenhäuser Bach-Archiv, Mendelssohn-Haus undSchumann-Haus. Anselm Hartinger, Christoph Wolff, Peter Wollny, Hrsg. Wiesbaden:Breitkopf & Härtel, 2011. 1 v. (423 p.) + 1 CD. (Beiträge zur Geschichte der Bach-Rezeption,3). ISBN 978-3-7651-0441-1. €36.00.CD contains: Sonate d-Moll über “O Haupt voll Blut und Wunden” nach dem autographenFragment Felix Mendelssohn Bartholdys.Dieterich Buxtehude: Text, Kontext, Rezeption. Bericht über das Symposion an derMusikhochschule Lübeck, 10.–12. Mai 2007. Im Auftr. der Musikhochschule Lübeck, hrsg.von Wolfgang Sandberger und Volker Scherliess. Kassel: Bärenreiter, 2011. 312 p. ISBN 978-3-7618-2168-8. €39.95.Dittrich, Marie-Agnes. Musikalische Formen: 20 Möglichkeiten, die man kennen sollte. Kassel:Bärenreiter, 2011. 96 p. ISBN 978-3-7618-1949-4. €9.95.Dokumente zur Musik des 20. Jahrhunderts. Helga de la Motte-Haber ... [et al.] (Hg.) Laaber:Laaber. (Handbuch der Musik im 20. Jahrhundert, 14). 2011.Vol. 1. ISBN 978-3-89007-750-5. €68.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

50 of 149Vol. 2. ISBN 978-3-89007-756-7. €88.00.Dömling, Wolfgang. Franz Liszt. München: Beck, 2011. 112 p. (Beck’sche Reihe, 2711; Wissen).ISBN 978-3-406-61195-7. €8.95.Dompke, Christoph. Unterhaltungsmusik und NS-Verfolgung. Neumünster: Von Bockel, 2010.393 p. (Musik im “Dritten Reich” und im Exil, 15). ISBN 978-3-932696-80-0. €48.00.Originally, doctoral dissertation: Universität Hamburg, 2009.Dörfel, Michael. Jazz und Literatur in der DDR: Eine Untersuchung ausgewählter Beispiele.München: AVM, 2011. 117 p. ISBN 978-3-86924-013-8. €34.90.Drees, Stefan. Körper, Medien, Musik: Körperdiskurse in der Musik nach 1950. Orig.-Ausg.Hofheim: Wolke, 2011. 168 p. graph. ISBN 978-3-936000-89-4. €19.00.Dümling, Albrecht: Die verschwundenen Musiker: Jüdische Flüchtlinge in Australien. Köln:Böhlau, 2011. 444 p. ISBN 978-3-412-20666-6. €49.90.Eberl-Ruf, Kathrin. Daniel Gottlob Türk: Ein städtischer Musiker im ausgehenden 18.Jahrhundert. Beeskow: Ortus-MusikVerlag, 2011. 426 p. (Ortus-Studien, 8). ISBN 978-3-937788-21-0. €49.50.Eberlein, Roland. Die Geschichte der Orgel. Köln: Siebenquart, 2011. 536 p. (Veröffentlichungender Walcker-Stiftung für Orgelwissenschaft-liche Forschung, 17). ISBN 978-3-941224-01-8.€89.00.Ebert, Maximilian. Zwischen Sein und Nicht-Sein: Zur Formdiskussion von György Ligetis“Atmosphères” und deren (an)ästhetischen Interpretationsmöglichkeiten. Saarbrücken: Pfau,2011. 88 p. ISBN 978-3-89727-453-2. €15.00.Eggers, Katrin. Ludwig Wittgenstein als Musikphilosoph. Orig.-Ausg. Freiburg, Br.: Alber, 2011.295 p. (MusikPhilosophie, 2). ISBN 978-3-495-48449-4. €39.00.Originally, doctoral dissertation: Hochschule für Musik, Theater und Medien Hannover,2010.Endepols, Michael. Bob Dylan von A bis Z. Stuttgart: Reclam, 2011. 164 p. (Reclam-Taschenbuch,20225). ISBN 978-3-15-020225-8. €8.95.Erichsen, Jørgen. Friedrich Kuhlau: Ein deutscher Musiker in Kopenhagen: Eine Biographie nachzeitgenössischen Dokumenten. Aus dem Dän. übers. von Marie Louise Reitberger. UnterMitarb. von Sonja Schmitt. Hildesheim: Olms, 2011. 416 p. ISBN 978-3-487-14541-9. €39.80.List of Kuhlau’s compositions: p. 383–397.Esterbauer, Erik. Eine Zone des Klangs und der Stille: Luigi Nonos“Orchesterstück 2°”, “No haycaminos, hay que caminar... Andrej Tarkowskij”. Würzburg: Königshausen & Neumann, 2011.191 p. (Salzburger Stier, 3). ISBN 978-3-8260-4368-0. €29.80.Ewerhart, Rudolf. Die Orgel- und Claviermacher Senft in Koblenz und Augsburg. Tutzing:Schneider, 2011. 418 p. ISBN 978-3-86296-014-9.Fehling, Reinhard. “Septem verba”: Ein Oratorium des Signore Pergolese. Essen: Verlag Die BlaueEule, 2011. 385 p. (Musikwissenschaft, Musikpädagogik in der Blauen Eule, 100). ISBN 978-3-89924-326-0. €46.00.Originally, doctoral dissertation: Technische Universität Dortmund, 2011.Feidman, Giora; Minka Wolters. Du gehst, du sprichst, du singst, du tanzt: Erinnerungen.München: Pattloch, 2011. 285 p. ISBN 978-3-629-02284-4. €19.99.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

51 of 149Festschrift Hellmut Federhofer zum 100. Geburtstag. Hrsg. von Axel Beer. Tutzing: Schneider,2011 Umfang/Format. 565 p. (Mainzer Studien zur Musikwissenschaft, 45). ISBN 978-3-86296-022-4. €90.00.Includes contributions in English, French, and German.Fischer, Hans Eberhard. Klänge von Violinen in weiblicher Hand: Violinspielerinnen und ihreMeisterinstrumente. Magdeburg: Sich, 2011. 342 p. ISBN 978-3-942503-00-6.Floros, Constantin. Anton Bruckner: The Man and the Work. Transl. by Ernest Bernhardt-Kabisch.Frankfurt, M.: Lang, 2011. 232 p. ISBN 978-3-631-61439-6. €39.80.Translation of: Anton Bruckner: Persönlichkeit und Werk (Hamburg: EuropäischeVerlagsanstalt 2004).Floros, Constantin. The Origins of Western Notation. Rev. and transl. by Neil Moran. With areport on “The Reception of the Universale Neumenkunde, 1970–2010” by Neil Moran.Frankfurt, M.: Lang, 2011. 405 p. Noten. ISBN 978-3-631-61559-1. €64.80.Translation and revision of: Universale Neumenkunde (Kassel: Bärenreiter, 1970).Franz Liszt: Die Jahre in Rom und Tivoli; 1839; 1861–1886: Ernst Burger. Mainz: Schott, 2010. 1 v.(229 p.) + 1 CD. ISBN 978-3-7957-0715-6. €49.95.CD contains performances of works by Liszt by Alfred Brendel.Freitag, Thomas. Udo Lindenberg und der Osten. Berlin: Neues Leben, 2011. 143 p. ISBN 978-3-355-01788-6. €14.95.Freytag, Martina. Chorleitung effizient und lebensnah. Kassel: Bosse, 2011. 128 p. ISBN 978-3-7649-2806-3. €19.95Fryderyk Chopin: Sein und Werk = Fryderyk Chopin: Being and Work. Elżbieta Szczurko, TadeuszGuz (Hrsg.). Frankfurt, M.: Lang, 2010. 584 p. (Ars musica, 1). ISBN 978-3-631-60622-3.€79.80.Gadient, Lorenz. Takt und Pendelschlag: Quellentexte zur musikalischen Tempomessung des 17.bis 19. Jahrhunderts neu betrachtet. München: MusikVerlag Katzbichler, 2010. 203 p.(Musikwissenschaftliche Schriften, 45). ISBN 978-3-87397-348-0. €48.00.Das Gedächtnis der Struktur: Der Komponist Pierre Boulez. Symposion, 19. September 2009, AlteOper Frankfurt am Main. Hrsg. Hans-Klaus Jungheinrich. Mainz: Schott Music, 2010. 126 p.(Edition neue Zeitschrift für Musik). ISBN 978-3-7957-0734-7. €16.95.Gellen, Adam. Brahms und Ungarn: Biographische, rezeptionsgeschichtliche, quellenkritischeund analytische Studien. Tutzing: Schneider, 2011. 730 p. ISBN 978-3-86296-019-4. €85.00.Originally, doctoral dissertation: Universität Heidelberg, 2009.Gemessene Interpretation: computergestützte Aufführungsanalyse im Kreuzverhör derDisziplinen. Herausgegeben von Heinz von Loesch und Stefan Weinzierl. Mainz: Schott, 2011.1 v. (315 p.) + 1 CD-ROM. (Klang und Begriff, 4). ISBN 978-3-7957-0771-2.Includes contributions in English and German.Geschichte der Kirchenmusik. In 4 Bänden. Hrsg. von Wolfgang Hochstein und ChristophKrummacher. Laaber: Laaber-Verlag, 2011- . (Enzyklopädie der Kirchenmusik)Vol. 1: Von den Anfängen bis zum Reformationsjahrhundert. ISBN 978-3-89007-751-2.€98.00.Gestalteter Klang, gestalteter Sinn: Orientierungsstrategien in Musik und Religion im Wandelder Zeit. Herausgegeben von Ingolf U. Dalferth und Stefan Berg. Leipzig: EvangelischeVerlagsanstalt, 2011. 231 p. ISBN 978-3-374-02826-9. €38.00.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

52 of 149Glossa maior in Institutionem musicam Boethii [Major Glosses of the De institutione musica ofBoethius]. Edd. Michael Bernhard et Calvin M. Bower. München: Beck, 1994- . v. 1- .(Veröffentlichungen der Musikhistorischen Kommission, Bayerische Akademie derWissenschaften, 10- ).Vol. 4: Kommentar- und Registerband. 2011. ISBN 978-3-7696-6005-0. €24.50.Götte, Ulli. Weltsprache Rhythmus: Gestalt und Funktion in der Musik des Abendlandes undaußereuropäischer Kulturen. Wilhelmshaven: Noetzel, 2011. 252 p. (MusikpädagogischeBibliothek, 42). ISBN 978-3-7959-0930-7. €35.00.Gustav Mahler: Interpretationen seiner Werke. Herausgegeben von Peter Revers und OliverKorte. Laaber: Laaber Verlag, 2011. 2 v. ISBN 978-3-89007-045-2. €178.00.Haffner, Herbert. His Master’s Voice: Die Geschichte der Schallplatte. Berlin: Parthas, 2011. 208p. ISBN 978-3-86964-046-4. ISBN 3-86964-046-4. €19.90.Han, Insook. Interkulturalität in der neuen Musik Koreas: Integration und Hybridität in der Musikvon Isang Yun und Byungki Hwang. Hamburg: Kovac, 2011. 287 p. ISBN 978-3-8300-6103-8.Originally, doctoral dissertation, Universität Graz, 2009.Händels “Messiah”: Zum Verhältnis von Aufklärung, Religion und Wissen im 18. Jahrhundert.Martin-Luther-Universität Halle-Wittenberg, Interdisziplinäres Zentrum für die Erforschungder Europäischen Aufklärung. Hrsg. von Wolfgang Hirschmann. Halle (Saale): Mitteldt.Verlag, 2011. 95 p. (Kleine Schriften des IZEA, 3). ISBN 978-3-89812-848-3. €10.00.Härtling, Peter. Liebste Fenchel! Das Leben der Fanny Mendelssohn-Hensel erzählt in Etüden undIntermezzi. Köln: Kiepenheuer & Witsch, 2011. 375 p. ISBN 978-3-462-04312-9. €19.99.Henle, Victor. Richard Wagners Wörter. Berlin: Keyser, 2011. 288 p. ISBN 978-3-86886-019-1.€24.90.Hennenberg, Fritz. Orff-Studien. Leipzig: Engelsdorfer Verlag, 2011. 226 p. ISBN 978-3-86268-452-6. €12.00.Hensel, Daniel. Wilhelm Friedemann Bach: Epigone und Originalgenie, verquere Erscheinungoder großer Komponist? Stuttgart: Ibidem-Verlag, 2011. 255 p. ISBN 978-3-8382-0178-8.€22.00.Heymann, Werner Richard.“Liebling, mein Herz lässt dich grüßen”: Der erfolgreichste Komponistder UFA-Zeit erinnert sich. Hubert Ortkemper (Hrsg.). Mainz: Schott, 2011. 1 v. (368 p.) + 1CD. ISBN 978-3-7957-0751-4. €22.95.List of W R. Heymann’s works: p. 343- 349.Hilmes, Oliver. Franz Liszt: Biographie eines Superstars. München: Siedler, 2011. 431 p. Noten.ISBN 978-3-88680-947-9. €24.99.Hinrichsen, Hans-Joachim. Franz Schubert. München: Beck, 2011. 128 p. ISBN 978-3-406-62135-2. €8.95.Höink, Dominik. Die Rezeption der Kirchenmusik Anton Bruckners: Genese, Tradition undInstrumentalisierung des Vergleichs mit Giovanni Pierluigi da Palestrina. Göttingen: V & RUnipress, 2011. 421 p. (Abhandlungen zur Musikgeschichte, 22). ISBN 978-3-89971-601-6.€53.90.Originally, doctoral dissertation: Universität Münster (Westfalen), 2009.Hope, Daniel. Toi, toi, toi! Pannen und Katastrophen in der Musik. Mit Zeichnungen von F. W.Bernstein. Reinbek bei Hamburg: Rowohlt, 2011. 191 p. ISBN 978-3-498-03013-1. €17.95.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

53 of 149Hörraume öffnen, Spielräume gestalten: Konzerte für Kinder. Hrsg. von Ernst Klaus Schneider ...[et al.]. Regensburg: ConBrio-Verlag-Ges., 2011. 253 p. ISBN 978-3-940768-29-2. €34.90.Hust, Christoph. “Gründlich und mit Geschmack gesezt”: Untersuchungen zur Sinfonie im“nördlichen Deutschland” um 1790. Göttingen: Hainholz, 2011. 693 p. (HainholzMusikwissenschaft, 17). ISBN 978-3-86988-212-3. €92.00.Originally, Habilitationsschrift: Universität Mainz.“Ieglicher sang sein eigen ticht”: Germanistische und musikwissenschaftliche Beiträge zumdeutschen Lied im Mittelalter. Hrsg. Von Christoph März ... [et al.]. Wiesbaden: Reichert,2011. 207 p. (Elementa musicae, 4). ISBN 978-3-89500-360-8.Im Klang der Wirklichkeit: Musik und Theologie; Martin Petzoldt zum 65. Geburtstag. Hrsg. vonNorbert Bolin und Markus Franz. Leipzig: Evangelische Verlag-Anstalt, 2011. 544 p. Noten.ISBN 978-3-374-02859-7. €38.00.Inszenierung durch Musik: Der Komponist als Regisseur: Liber amicorum für Silke Leopold. Hrsg.von Dorothea Redepenning und Joachim Steinheuer. Kassel: Bärenreiter, 2011. 376 p. ISBN978-3-7618-2196-1. €49.95.International Council for Traditional Music. Study Group on Folk Musical Instruments.International Meeting (18th, 2011, Stubieke Toplice, Croatia). Studia instrumentorummusicae popularis (new series). Edited by Gisa Jähnichen. Münster: MV Wissenschaft, 2011.1 v. (342 p.) + 1 DVD-ROM. (Edition Octopus). ISBN 978-3-86991-411-4. €30.00.Inventar und Werkverzeichnis: Ordnung und Zählung als Faktoren der Rezeptionsgeschichte.Thomas Hochradner, Dominik Reinhardt (Hg.). Freiburg, Br.: Rombach, 2011. 326 p.(Rombach Wissenschaften. Reihe Klang-Reden, 7). ISBN 978-3- 7930-9658-0. €42.00.Isabel Mundry. Hrsg. von Ulrich Tadday. München: Ed. Text+Kritik, 2011. 197 p. Noten. (Musik-Konzepte, Sonderband; N.F., 2011). ISBN 978-3-86916-157-0. €26.00.Jacke, Andreas. David Bowie: Station to station: Borderline-Motive eines Popstars. Gießen:Psychosozial-Verlag, 2011. 280 p. (Imago). ISBN 978-3-8379-2078-9. €29.90.Janácek, Leos. Vollständige Harmonielehre. Übers. und komm. von Kerstin Lücker. Berlin: Frank& Timme, 2011. 517 p. ISBN 978-3-86596-321-5. €59.80.Translation of: Úplná nauka o harmonii (Brno: A. Píša,1920)Jestremski, Margret. Hugo-Wolf-Werkverzeichnis (HWW): Thematisch-chronologischesVerzeichnis der musikalischen Werke Hugo Wolfs. Kassel: Bärenreiter, 2011. 698 p.(Catalogus musicus, 19). ISBN 978-3-7618-1989-0. €198.00.Jewanski, Jörg. Portrait Gitarre: Kultur, Praxis, Repertoire, Interpreten. Kassel: Bärenreiter, 2011.153 p. ISBN 978-3-7618-1843-5. € 27.95.Jira, Martin. Die Entwicklung der dodekaphonen Harmonik Arnold Schönbergs aus der Sichtseiner Harmonielehre. Köln: Dohr, 2010. 293 p. ISBN 978-3-936655-75-9. €49.80.Originally HabilitationsschriftJohann Matthesons und Lorenz Christoph Mizlers Konzeptionen musikalischer Wissenschaft: “Deeruditione musica” (1732) und “Dissertatio quod musica scientia sit et pars eruditionisphilosophicae” (1734/1736). Mit Übersetzungen und Kommentaren. Karsten Mackensenund Oliver Wiener (Hrsg.). Mainz: Are-Ed., 2011. 143 p. (Structura & experientia musicae, 2).ISBN 978-3-924522-35-3. €28.50.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

54 of 149Johannes Brahms und Anton Bruckner im Spiegel der Musiktheorie. Bericht über dasinternationale Symposion St. Florian 2008. Christoph Hust (Hrsg.). Göttingen: Hainholz,2011. 293 p. (Hainholz Musikwissenschaft, 16). ISBN 978-3-86988-215-4. €55.00.Includes contributions in English and German.Jungblut, Christian. Kompositorische Schubertrezeption in der zweiten Hälfte des 20.Jahrhunderts. Würzburg: Königshausen & Neumann, 2011. 274 p. ISBN 978-3-8260-4506-6.€39.80.Originally, doctoral dissertation: Staatliche Hochschule für Musik und Darstellende KunstMannheim, 2010.Jungmann, Irmgard. Kalter Krieg in der Musik: Eine Geschichte deutsch-deutscherMusikideologien. Köln: Böhlau-Verlag, 2011. 182 p. ISBN 978-3-412-20761-8. €29.90.Kerrigan, Aylish Eileen. Arnold Schoenberg’s Opus 15: “Das Buch der hängenden Gärten” inContext: The Singer’s Perspective. Frankfurt am Main: Lang, 2011. 210 p. ISBN 978-3-631-60085-6. €44.00Originally, doctoral dissertation: Dundalk Institute of Technology, 2009.Kienzle, Ulrike. Giuseppe Sinopoli: Komponist, Dirigent, Archäologe. Würzburg: Königshausen &Neumann, 2011- . v. 1- .Vol. 1: Lebenswege. 2011. ISBN 978-3-8260-4585-1. €68.00.Kimura, Sachiko. Johann Sebastian Bachs Choraltextkantaten: kompositorische Struktur undStellung im Kantatenwerk. Kassel: Bärenreiter, 2011. 258 p. (Bochumer Arbeiten zurMusikwissenschaft, 6) (Bärenreiter-Hochschulschriften). ISBN 978-3-7618-1737-7. €34.95.Originally, doctoral dissertation: Universität Bochum, 1999.Klangfarbe: Vergleichend-systematische und musikhistorische Perspektiven. AugustSchmidhofer, Stefan Jena (Hrsg.). Frankfurt: Lang, 2011. 1 v. (347 p.) + 1 DVD-ROM.(Vergleichende Musikwissenschaft, 6). ISBN 978-3-631-60663-6. €56.80.Knaus, Kordula. Männer als Ammen: Frauen als Liebhaber: Cross-gender-Casting in der Oper1600–1800. Stuttgart: Steiner, 2011. 260 p. (Archiv für Musikwissenschaft. Beihefte, 69).ISBN 978-3-515-09908-0. €48.00.Originally, Habilitationsschrift: Universität Graz, 2010.Knigge, Jens: Modellbasierte Entwicklung und Analyse von Testaufgaben zur Erfassung derKompetenz “Musik wahrnehmen und kontextualisieren”. Berlin: Lit, 2011. 322 p. (EmpirischeForschung zur Musikpädagogik, 2). ISBN 978-3-643-11204-0. €29.90.Originally, doctoral dissertation: Universität Bremen, 2010.Kongressbericht Gluck auf dem Theater. Nürnberg, 7.–10. März 2008. Hrsg. von DanielBrandenburg und Martina Hochreiter. Kassel: Bärenreiter, 2011. 343 p. (Gluck-Studien, 6).ISBN 978-3-7618-2223-4. €46.95.Includes contributions in English, French, and German.Koschwitz, Nils. Eine Musikschule als Heilsbringer für die deutsche Musik und Nation? EineEinführung in Richard Wagners Bericht an Seine Majestät den König Ludwig II. von Bayernüber eine in München zu errichtende deutsche Musikschule und die Konservatoriumsdiskussionum 1865. Frankfurt, M.: Lang, 2011. 137 p. (Beiträge zur europäischenMusikgeschichte, 16). ISBN 978-3-631-61764-9. €26.80.Krämer, Oliver. Strukturbilder, Sinnbilder, Weltbilder: Visualisierung als Hilfe beim Erleben undVerstehen von Musik. Augsburg: Wißner, 2011. 205 p. ISBN 978-3-89639-655-6. €29.80.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

55 of 149Originally, doctoral dissertation: Universität der Künste Berlin, 2007.Kraut, Peter. Kunstmusik, Sounddesign und Popkultur: Zugänge zur zeitgenössischen Musik.Saarbrücken: Pfau, 2011. 176 p. ISBN 978-3-89727-463-1. €15.00.Kreuels, Hans-Udo. Schuberts “Winterreise”: Ein Wegweiser zum Verständnis und zurInterpretation; die “Winterreise” von Wilhelm Müller und Franz Schubert. Frankfurt amMain: Lang, 2011.258 p. ISBN 978-3-631-61881-3. €39.80.Die Kunst des Überwinterns: Musik und Literatur um 1968. Hrsg. von Jörn Peter Hiekel. Köln:Böhlau, 2011. 142 p. ISBN 978-3-412-20650-5. €29.90.Laut und leise: Der Gebrauch von Stimme und Klang in historischen Kulturen. Erika Meyer-Dietrich (Hg.). Bielefeld: Transcript, 2011. 217 p. (Mainzer historische Kulturwissen-schaften,7) €29.80.Lee, Sun Young. Studien zur Kirchenmusik von Carl Philipp Emanuel Bach (1714–1788).Frankfurt, M.: Lang, 2011. 244 p. (Europäische Hochschulschriften. Reihe 36,Musikwissenschaft, 264). ISBN 978-3-631-61148-7. €46.80.Originally, doctoral dissertation: Universität München, 2008.Lee, Younjung. “XII Burlesken für Klavier” (1832/33): Untersuchungen zu einem unveröffentlichtgebliebenen Zyklus Robert Schumanns. Kassel: Bosse, 2011. 204 p. (Kölner Beitrage zurMusikwissenschaft, 15). ISBN 978-3-7649-2715-8. €34.95.Originally, doctoral dissertation: Universität Köln, 2008.Leonhardt, Jürgen. Wege, Umwege und Abwege: Antike und Oper in der 1. Hälfte des 20.Jahrhunderts. Stuttgart: Steiner, 2011. 127 p. (Musikwissenschaft). ISBN 978-3-515-09928-8.€32.00.Lettgen, Daniel. “... und hat zu retten keine Kraft.”: Die Melancholie der Musik. Mainz: Schott,2010. 589 p. (Schott-Campus). ISBN 978-3-7957-0698-2. €59.95.Levin, Walter; Robert Spruytenburg. Das LaSalle-Quartett: Gespräche mit Walter Levin. 1 v. (428p.) + 1 CD-ROM. München: Ed. Text+Kritik. ISBN 978-3-86916-102-0. €45.00.Levitin, Daniel J. Die Welt in sechs Songs: Warum Musik uns zum Menschen macht. Aus demAmerikanische von Susanne Röckel. München: C. Bertelsmann, 2011. 335 p. ISBN 978-3-570-58020-2. €22.99.Translation of: The World in Six Songs. How the Musical Brain Created Human Nature (NewYork: Dutton, 2008).Lippegaus, Karl. John Coltrane: Biographie. Hamburg: Edel Germany, 2011. 317 p. (Edel: Vita).ISBN 978-3-8419-0069-2. €29.95.Lütteken, Laurenz. Musik der Renaissance: Imagination und Wirklichkeit einer kulturellen Praxis.Kassel: Bärenreiter, 2011. 241 p. ISBN 978-3-7618-2056-8.lrich. Wege zum Musizieren: Methoden im Instrumental- und Vokalunterricht. Mainz: Schott,2011. 304 p. (Studienbuch Musik). ISBN 978-3-7957-8750-9. €24.99.Marcus, Greil. When That Rough God Goes Riding: Über Van Morrison. Köln: Kiepenheuer &Witsch, 2011. 220 p. ISBN 978-3-462-04364-8. €8.99.Translation of: When That Rough God Goes Riding: Listening to Van Morrison (New York:PublicAffairs, 2010).Markworth, Tino. Bob Dylan. Reinbek: Rowohlt-Taschenbuch-Verlag, 2011. 156 p. ISBN 978-3-499-50560-7. €8.99.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

56 of 149Matros, Norbert. Theorie der Tonhöhen-Intervalle. Frankfurt am Main: Lang, 2011. 128 p. ISBN978-3-631-63008-2. €24.80.Maurice Ravel. Herausgegeben von Ulrich Tadday. München: Ed. Text+Kritik, 2011. 129 p.(Musik-Konzepte, H. 154). ISBN 978-3-86916-156-3. €24.00.“Max Reger: Accordarbeiter”: Max Reger in den Sammlungen der Bayerischen StaatsbibliothekMünchen und des Max-Reger-Instituts Karlsruhe. Ausstellung in der BayerischenStaatsbibliothek vom 21. Januar bis 6. März 2011; Erstausgabe von 39 Briefen an HerzogGeorg II. von Sachsen-Meiningen. Hrsg. Von der Bayerischen Staatsbibliothek und dem Max-Reger-Institut/Elsa-Reger-Stiftung. Autorin: Susanne Popp. Red.: Ingrid Rückert und ReinerNägele. München: Henle, 2011. 143 p. ISBN 978-3-87328-129-5. €39.00.Mazzola, Guerino; Joomi Park; Florian Thalmann. Musical Creativity: Strategies and Tools inComposition and Improvisation. Berlin: Springer, 2011. 337 p. (Computational MusicScience). ISBN 978-3-642-24516-9. €74.85.McIver, Joel. Metallicas Cliff Burton: Leben und Tod einer Legende; To Live Is to Die. Übers.: MarcHalupczok. Vorw. von Kirk Hammett. Berlin: IP-Verlag Jeske, Mader, 2011. 253 p. ISBN 978-3-931624-66-8.Translation of: To Live Is to Die: The Life and Death of Metallica’s Cliff Burton (London:Jawbone Press, 2009).MCM 2011 (2011, Paris, France). Mathematics and Computation in Music. Third InternationalConference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings, edited by CarlosAgon, Moreno Andreatta, Gerard Assayag. Berlin: Springer, 2011. 373 p. (Lecture Notes inComputer Science; 6726: Lecture Notes in Artificial Intelligence). €57.78.Meili, Jürg Martin. Kunst als Brücke zwischen den Kulturen: Afro-amerikanische Musik im Lichtder schwarzen Bürgerrechtsbewegung. Bielefeld: Transcript, 2011. 316 p. (Kultur und sozialePraxis). ISBN 978-3-8376-1732-0. €32.80.Originally, doctoral dissertation: Universität Zürich, 2010.Mendelssohn Bartholdy, Felix. Sämtliche Briefe. Auf Basis der von Rudolf Elvers angelegtenSammlung herausgegeben von Helmut Loos und Wilhelm Seidel; Wissenschaftlicher Beirat,Wolfgang Dinglinger ... [et al.]. Kassel: Bärenreiter, 2008- . v. 1- . ISBN 978-3-7618-2300-2.Vol. 4: August 1834 bis Juni 1836. 2011. ISBN 978-3-7618-2304-0. €149.00.Mendelssohn und das Rheinland. Bericht über das Internationale Symposium Koblenz 29.–31.10.2009. Herausgegeben von Petra Weber-Bockholdt. Paderborn: Fink, 2011. 243 p.(Studien zur Musik, 18). ISBN 978-3-7705-51170. €29.90.Michael Praetorius: Vermittler europäischer Musiktraditionen um 1600. Hrsg. von SusanneRode-Breymann und Arne Spohr. Hildesheim: Olms, 2011. 261 p. (Ligaturen, 5). ISBN 978-3-487-14542-6. €39.80.Includes contributions in German and English.Mind the gap! Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Hrsg.von Marion Saxer. Saarbrücken: Pfau, 2011. 160 p. (Schriften der fgnm, 1). ISBN 978-3-89727-459-4. €30.00.Includes contributions in English and German.Model, Agnes Dorothea. Der sainete lírico: Funktionsanalytische Betrachtungen einer Gattungunterhaltenden Musiktheaters; Annäherungen an seine Produktion, Rezeption und© 2012 – International Association of Music Libraries; Fontes Artis Musicae

57 of 149Distribution im Madrid der Restaurationszeit. Berlin: Logos-Verlag, 2011. 416 p. ISBN 978-3-8325-2760-0. €48.50.Originally, doctoral dissertation: Humboldt-Universität zu Berlin, 2010.Mojzysz, Zenon. “Cleofide”: Dramma per musica von Johann Adolf Hasse: Untersuchung derEntstehungsgeschichte. Stuttgart: Carus-Verlag, 2011. 120 p. (Hasse-Studien, Sonderreihe,2). ISBN 978-3-89948-143-3. €29.95.Moser, Edda. Ersungenes Glück: Erinnerungen und Gespräche. Aufgezeichnet von Thomas Voigt.Leipzig: Henschel, 2011. 176 p. ISBN 978-3-89487-671-5. €19.90.Mücke, Panja. Musikalischer Film, Musikalisches Theater: Medienwechsel und szenische Collagebei Kurt Weill. Münster: Waxmann, 2011. 262 p. (Veröffentlichungen der Kurt-Weill-Gesellschaft Dessau, 7). ISBN 978-3-8309-2142-4. €29.90.Originally, Habilitationsschrift: Universität Marburg, 2008.Music Inside and Outside the School. Airi Liimets, Marit Mäesalu (eds.). Frankfurt, M.: Lang,2011. 504 p. (Baltische Studien zur Erziehungs- und Sozialwissenschaft, 21). ISBN 978-3-631-60933-0. €73.80.Musica: Geistliche und weltliche Musik des Mittelalters. Hrsg. von Vera Minazzi unter Mitarb.von Cesarino Ruini. Aus dem Ital., Engl. und Franz. übers. von Yvonne El Saman. Mit Beitr.von Giacomo Baroffio. Freiburg, Br.: Herder, 2011. 288 p. ISBN 978-3-451-32416-1. €88.00.Translation of: Atlante storico della musica nel medioevo (Milano: Jaca Book, 2011).Musical Life in Germany: Structure, Facts and Figures. Editorial office: Stephan Schulmeistrat,Margot Wallscheid; translation, J. Bradford Robinson. Bonn: German Music Council, 2011.370 p. ISBN 978-3-940768-24-7.Also available online: http://www.miz.org/musical-life-ingermany/download/Musical_Life_in_Germany.pdfDie Musik der Nacht: Musik, Malerei, Liturgie, Literatur. Vorträge des Symposiums im Rahmendes Musikfests Stuttgart 2010. Red.: Michael Gassmann. Kassel: Bärenreiter, 2011. 167 p.(Schriftenreihe; Internationale Bachakademie Stuttgart, 16). ISBN 978-3-7618-2239-5.€29.95.Musik, Kultur, Wissenschaft. Hartmut Möller, Martin Schröder (Hrsg.). Essen: Verlag Die BlaueEule, 2011. 259 p. (Rostocker Schriften zur Musikwissenschaft und Musikpädagogik, 1). ISBN978-3-89924-307-9. €29.00.Musik in der Geschichte: Zwischen Funktion und Autonomie. Inga Mai Groote (Hrsg.). München:Utz, 2011. 167 p. (Münchner Kontaktstudium Geschichte, 13). ISBN 978-3-8316-4016-4.€24.80.Musik & Gewalt: Aggressive Tendenzen in musikalischen Jugendkulturen. Gabriele Hofmann(Hg.). Augsburg: Wißner, 2011. 141 p. ISBN 978-3-89639-823-9. €19.80.Musik und Popularität: Aspekte zu einer Kulturgeschichte zwischen 1500 und heute. SabineMeine, Nina Noeske (Hrsg.). Münster: Waxmann, 2011. 248 p. (Populäre Kultur und Musik,2). ISBN 978-3-8309-2263-6. €29.90.Musikselektion zur Identitätsstiftung und Emotionsmodulation. Göttingen: Hogrefe, 2011. 248 p.(Musikpsychologie, 21). ISBN 978-3-8017-2387-3. €39.95.Musik-Stadt: Traditionen und Perspektiven urbaner Musikkulturen. Bericht über den XIV.Internationalen Kongress der Gesellschaft für Musikforschung vom 28. September bis 3.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

58 of 149Oktober 2008 am Institut für Musikwissenschaft der Universität Leipzig. Hrsg. von HelmutLoos. Leipzig: Schröder, 2011- .Vol. 1: Traditionen städtischer Musikgeschichte in Mittel- und Osteuropa. ISBN 978-3-926196-58-3. €65.00.Vol. 2: Musik als Agens urbaner Lebenswelten: Musiksoziologische, musikethnologische undorganologische Perspektiven. ISBN 978-3-926196-59-0. €40.00.Vol. 3: Musik in Leipzig, Wien und anderen Städten im 19. und 20. Jahrhundert. ISBN 978-3-926196-60-6. €55.00.Musikalische Handlungsräume im Wandel: Christoph Graupner in Darmstadt zwischen Oper undSinfonie. Ursula Kramer (Hrsg.). Mainz: Schott, 2011. 375 p. (Beiträge zur mittelrheinischenMusikgeschichte, 42); (Schott Musikwissenschaft). ISBN 978-3-7957-0744-6. €59.95.Mutschelknauss, Eduard. Bach-Interpretationen, Nationalsozialismus: Perspektivenwandel inder Rezeption Johann Sebastian Bachs. Frankfurt, M.: Lang, 2011. 540 p. ISBN 978-3-631-62193-6. €84.80.Originally, doctoral dissertation: Universität Dresden, 2010.Nemcov, Jaša; Hermann Simon. Louis Lewandowski: “Liebe macht das Lied unsterblich!”. Berlin:Hentrich & Hentrich, 2011. 63 p. ISBN 978-3-942271-38-7. €6.90.Neue Musik in Bewegung: Musik- und Tanztheater heute. Hrsg. von Jorn Peter Hiekel. Mainz:Schott, 2011. 227 p. (Veröffentlichungen des Instituts für Neue Musik und Musikerziehung,Darmstadt, 51). ISBN 978-3-7957- 1841-1. €34.95.Neuenfels, Hans. Wie viel Musik braucht der Mensch? Über Oper und Komponisten. München:Pantheon, 2011. 255 p. ISBN 978-3-570-55153-0. €14.99.Nies, Christel. Entdeckt und aufgeführt. Kassel: Kassel Univ. Press, 2010. 299 p. (Komponistinnenund ihr Werk, 4). ISBN 978-3- 89958-942-9. €17.00.Normierung und Pluralisierung: Struktur und Funktion der Motette im 15. Jahrhundert. Hrsg. vonLaurenz Lütteken. Unter Mitarb. von Inga Mai Groote. Kassel: Bärenreiter, 2011. 155 p.(Jahrbuch für Renaissancemusik, 9, 2010). ISBN 978-3-7618-2240-1. €39.95.Ortuno-Stühring, Daniel. Musik als Bekenntnis: Christus-Oratorien im 19. Jahrhundert. Laaber:Laaber-Verlag, 2011. 399 p. (Weimarer Liszt-Studien, 6). ISBN 978-3-89007-343-9. €64.00.Originally, doctoral dissertation: Hochschule für Musik Franz Liszt Weimar, 2009.Oswald von Wolkenstein: Die Rezeption eines internationalen Liedrepertoires im deutschenSprachbereich um 1400. Mit einer Ed. elf ausgewählter Lieder. Christian Berger (Hg.).Freiburg, Br.: Rombach, 2011. 210 p. (Rombach Wissenschaften, Reihe Voces, 14). ISBN 978-3-7930-9646-7. €48.00.Includes contributions in German and English.Otten, Jürgen. Fazíl Say: Pianist, Komponist, Weltbürger. Leipzig: Henschel, 2011. 167 p. ISBN978-3-89487-708-8. €19.90.Papachristopoulos, Ioannis. Beziehungen zwischen den drei Subkategorien der heirmologischenGesänge-Hauptgattung in der griechischen Kirchenmusik: Verdeutlicht am Fall eines imdritten Echos vertonten und durch das analytische Notationssystem transkribiertendreifachen Melos’ aus dem 18. und 19. Jahrhundert. Frankfurt, M.: Lang. 151 p. ISBN 978-3-631-62023-6. €29.80.Parzer, Michael. Der gute Musikgeschmack: Zur sozialen Praxis ästhetischer Bewertung in derPopularkultur. Frankfurt am Main: Lang, 2011. 265 p. ISBN 978-3-631-61895-0. €24.90.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

59 of 149“Per ben vestir la virtuosa”: Die Oper des 18. und frühen 19. Jahrhunderts im Spannungsfeldzwischen Komponisten und Sängern. Hrsg. von Daniel Brandenburg und Thomas Seedorf.Schliengen: Ed. Argus, 2011. 257 p. (Forum Musikwissenschaft, 6). ISBN 978-3-931264-56-7.€38.00.Includes contributions in English, French, German, and Italian.Perrakis, Manos. Nietzsches Musikästhetik der Affekte. Freiburg, Br.: Alber, 2011. 160 p.(MusikPhilosophie, 1). ISBN 978-3-495-48448-7. €24.00.Originally, doctoral dissertation: Humboldt-Universität zu Berlin, 2009.Petras, Ole. Wie Popmusik bedeutet: Eine synchrone Beschreibung popmusikalischerZeichenverwendun. Bielefeld: Transcript, 2011. 00 p. ISBN 978-3-8376-1658-3. €31.80.Pfitzner, Hindemith, Frankfurt und die Moderne. Akten des Symposions Frankfurt am Main, 27.–28. Juni 2009. Hrsg. von Rolf Tybout. Tutzing: Schneider, 2011. 223 p. (Mitteilungen derHans-Pfitzner-Gesellschaft. N.F., H. 71). ISBN 978-3-86296-030-9. €24.00.Populäre Musik, mediale Musik? Transdisziplinäre Beiträge zu den Medien der populären Musik.Christofer Jost ... [et al.] (Hrsg.). Baden-Baden: Nomos, Ed. Fischer, 2011. 248 p.(Schriftenreihe “Short Cuts-Cross Media”, 3). ISBN 978-3-8329-6719-2 €29.00.Pröll, Martina. I keep my cool: Rebekka Bakken, musikalisches Schaffen und künstlerischesWirken. Frankfurt am Main: Lang, 2011. 131 p. ISBN 978-3-631-61970-4 €24.80.Reicha, Anton. Ecrits inédits et oubliés = Unbekannte und unveröffentlichte Schriften.Hildesheim: Olms, 2011- . v. 1- . (Musikwissenschaftliche Publikationen, 35).Vol. 1: Autobiographie, articles et premiers écrits théoriques. ISBN 978-3-487-14627-0.€48.00.Reichardt, Hendrik. Plädoyer für die symphonische Blasmusik: Paul Hindemiths “Konzertmusikfür Blasorchester” op. 41 und seine “Symphony in B flat for Concert Band”. Saarbrücken:Pfau, 2011. 93 p. ISBN 978-3-89727-434-1. €17.00.Reisloh, Jens. Deutschsprachige Popmusik: Zwischen Morgenrot und Hundekot: Von denAnfängen um 1970 bis ins 21. Jahrhundert; Grundlagenwerk; Neues Deutsches Lied (NDL).Münster: Telos-Verlag Seim, Verlag für Kulturwiss., 2011. 503 p. ISBN 978-3-933060-34-1.€39.00.Repertoire international des sources musicales: RISM = International Inventory of MusicalSources = Internationales Quellenlexikon der Musik. Serie A/I, Einzeldrucke vor 1800;Datenbank auf CD-ROM = Individual Prints before 1800; Database on CD-ROM. Kassel:Bärenreiter, 2011. 1 CD-ROM + 1 booklet. ISBN 978-3-7618-9502-3. €445.00. “Additionalcopies for libraries available at a reduced price upon request” (publisher’s Web site).Reynolds, Anthony. Leonard Cohen: Ein außergewöhnliches Leben. Dt. Übers.: Marion Ahl. Dt.Erstausg. Berlin: Bosworth-Ed., 2011. 352 p. ISBN 978-3-86543-649-8. €24.95.Translation of: Leonard Cohen: A Remarkable Life (London: Omnibus Press, 2010).Richard Wagners “Der Ring des Nibelungen”: Europäische Traditionen und Paradigmen. EinePublikation der Europäischen Musiktheater-Akademie (EMA). Hrsg. von Isolde Schmid-Reiter. In Zusammenarbeit mit der Wiener Staatsoper und dem Institut für Theater-, FilmundMedienwissenschaft an der Universität Wien. Mit Beitr. von Udo Bermbach.Regensburg: ConBrio-Verlag-Ges., 2010. 255 p. (Schriften der Europäischen Musiktheater-Akademie, 8). ISBN 978-3-940768-16-2. €24.00.Includes contributions in English and German.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

60 of 149Rinderle, Peter. Musik, Emotionen und Ethik. Freiburg, Br.: Alber, 2011. 296 p.(MusikPhilosophie, 3). ISBN 978-3-495-48450-0. €32.00.Riot Grrrl revisted: Die Geschichte und Gegenwart einer feministischen Bewegung. Katja Peglow,Jonas Engelmann (Hg.). Mainz: Ventil-Verlag, 2011. 197 p. ISBN 978-3-931555-47-4. €16.90.Robert Schumann: Persönlichkeit, Werk und Wirkung. Bericht über die InternationaleMusikwissenschaftliche Konferenz vom 22. bis 24. April 2010 in Leipzig. Hrsg. von HelmutLoos. Leipzig: Schröder, 2011. 497 p. ISBN 978-3-926196-57-6.Includes contributions in English and German.Rode-Breymann, Susanne. Musiktheater eines Kaiserpaars: Wien 1677 bis 1705. Hildesheim:Olms, 2010. 458 p. ISBN 978-3-487-14474-0. €58.00.Rosendorfer, Herbert. Richard Wagner für Fortgeschrittene. München: Dt. Taschenbuch-Verlag,2011. 238 p. ISBN 978-3-423-14004-1. €9.90.Rothkamm, Jörg. Ballettmusik im 19. und 20. Jahrhundert: Dramaturgie einer Gattung. Mainz:Schott, 2011. 380 p. (Schott Musikwissenschaft). ISBN 978-3-7957-0775-0. €59.95.Originally, Habilitationsschrift (Mannheim) with title: “Ballettmusik im 19. und 20.Jahrhundert. Quellen, Analyse, Gattung, Szene, Choreographie, Dramaturgie”.Salmen, Walter. “Nu pin ich worden alde ...”: Begegnungen und Verweigerungen im Leben einesMusikwissenschaftlers. Hildesheim: Olms. 368 p. (Lebensberichte, Zeitgeschichte). ISBN 978-3-487-08506-7. €24.80.Saulnier, Daniel. Gregorianischer Choral: Grundlagen und Praxis. Übers. von KatharinaHauschild. Sankt Ottilien: EOS, 2011. 123 p. ISBN 978-3-8306-7486-3. €19.95.Translation of: Le chant grégorien (Nouv. éd. Corr. Solesmes: Solesmes, 2003).Schäfer, Frank. Talking Metal: Headbanger und Wackengänger; die Szene packt aus! Berlin:Schwarzkopf & Schwarzkopf, 2011. 268 p. ISBN 978-3-86265-075-0. €14.95.Schlüter, Ann-Helena. “Die Goldberg-Variationen” von Johann Sebastian Bach in derBearbeitung von Josef Rheinberger und Max Reger: Eine Vergleichsstudie. Hamburg:Diplomica-Verlag, 2011. 192 p. ISBN 978-3-8428-6345-3. €48.00.Schrader, Thomas. “Was kein Ohr gehört hat”: Eine Untersuchung der Musik Messiaens ausmusikwissenschaftlicher und theologischer Sicht. Augsburg: Wisner, 2011. 235 p.(Collectanea musicologica, 15). ISBN 978-3-89639-826-0. €29.80.Schrammek, Bernhard. Die Musikwelt der Klassik. Kassel: Bärenreiter, 2011. 288 p. ISBN 978-3-7618-1784-1. €26.95.Schröder, Julia H. Cage and Cunningham collaboration: In- und Interdependenz von Musik undTanz. Hofheim: Wolke V., 2011. 399 p. ISBN 978-3-936000-54-2. €44.00.Schuller, Alexander. Back to black: Amy Winehouse und ihr viel zu kurzes Leben. München:Goldmann, 2011. 222 p. (Goldmann, 15730). ISBN 978-3-442-15730-3. €12.99.Schumann-Briefedition. Hrsg. vom Robert- Schumann-Haus Zwickau. Köln: Dohr. ISBN 978-3-86846-000-1.Ser. 2. Freundes- und Künstlerbriefwechsel.Vol. 14: Briefwechsel Clara Schumanns mit Mathilde Wendt und Malwine Jungius sowieGustav Wendt. 2011. ISBN 978-3-86846-025-4. €69.80.Ser. 3. Verlegerbriefwechsel.Vol. 2: Briefwechsel Robert und Clara Schumanns mit Leipziger Verlegern. 2011. ISBN 978-3-86846-036-0. €69.80.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

61 of 149Selbstreflexion in der Musik-Wissenschaft: Referate des Kölner Symposions 2007. Hrsg. vonWolfram Steinbeck in Verbindung mit Christoph von Blumröder und Julio Mendívil. Kassel:Bosse, 2011. 211 p. (Kölner Beitrage zur Musikwissenschaft, 16). ISBN 978-3-7649-2716-5.€34.95.Sinfonie als Bekenntnis. Zürcher Festspiel- Symposium 2010. Laurenz Lütteken (Hrsg.). Kassel:Bärenreiter, 2011. 138 p. (Zürcher Festspiel-Symposien, 3). ISBN 978-3-7618-2153-4. €26.95.Smrž, Jiří: Symphonic Stalinism: Claiming Russian Musical Classics for the New Soviet Listener,1932–1953. Berlin: Lit, 2011. 187 p. ISBN 978-3-643-10448-9. €29.90.Spielpraxis der Saiteninstrumente in der Romantik. Bericht des Symposiums in Bern, 18.–19.November 2006. Hrsg. von Claudio Bacciagaluppi. Schliengen: Ed. Argus, 2011. 191 p.(Musikforschung der Hochschule der Künste Bern, 3). ISBN 978-3-931264-83-3. €29.00.Includes contributions in English and German.Stegemann, Michael. Franz Liszt: Genie im Abseits. München: Piper, 2011. 524 p. ISBN 978-3-492-05429-4 €26.99.Steigerwald, Pia. “An Tasten”: Studien zur Klaviermusik von Mauricio Kagel. Hofheim: Wolke,2011. 324 p. (Sinefonia, 15). ISBN 978-3-936000-75-7. €38.00.Originally, doctoral dissertation: Universität München.Steinhilber, Alexander. Die Musikhandschrift F. K. Mus. 76/II. Abt. der Fürst Thurn und TaxisHofbibliothek Regensburg: Eine wenig beachtete Quelle zur Musik des frühprotestantischenGottesdienstes. Göttingen: V&R Unipress, 2011. 600 p. (Abhandlungen zur Musikgeschichte,23). ISBN 978-3-89971-638-2. €80.90.Originally, doctoral dissertation: Freie Universität Berlin, 2010.Steinke, Tim. Oper nach Wagner: Formale Strategien im europäischen Musiktheater des frühen20. Jahrhunderts. Kassel: Bärenreiter, 2011. 331 p. ISBN 978-3-7618-2195-4. €54.00.Originally, doctoral dissertation: Universität Hamburg, 2009.Storch, Christian. Der Komponist als Autor: Alfred Schnittkes Klavierkonzerte. Köln: Böhlau, 2011.288 p. (Schriftenreihe der Hochschule für Musik Franz Liszt Weimar, 8). ISBN 978-3-412-20762-5. €39.90.Originally, doctoral dissertation: Hochschule für Musik Franz Liszt Weimar, 2009.Suk, Joon-hye. Analytische Untersuchung der Quartetti No. 2, No. 3 und No. 4 von GiacintoScelsi. Berlin: Univ.-Verlag der TU, 2011. 243 p. Noten. ISBN 978-3-7983-2364-3. €12.90.Originally, doctoral dissertation: Technische Universität Berlin, 2011.Systematic Musicology: Empirical and Theoretical Studies. Albrecht Schneider, Arne vonRuschkowski (eds.). Frankfurt, M.: Lang, 2011. 317 p. (Hamburger Jahrbuch fürMusikwissenschaft, 28). ISBN 978-3-631-63553-7. €53.90.Telemann und die Kirchenmusik. Bericht über die internationale wissenschaftliche Konferenz,Magdeburg, 15. bis 17. März 2006, anlässlich der 18. Magdeburger Telemann-Festtage. Hrsg.von Carsten Lange und Brit Reipsch. Hildesheim: Olms, 2011. 460 p. (Telemann-Konferenzberichte, 16). ISBN 978-3-487-14546-4. €68.00.Texte zur Musikästhetik. Hrsg. von Frieder von Ammon und Elisabeth Böhm. Stuttgart: Reclam,2011. 359 p. ISBN 978-3-15-018881-1. €11.80.Thema Nr. 1: Sex und populäre Musik. Dietrich Helms, Thomas Phleps (Hg.). Bielefeld: Transcript,2011. 231 p. (Beiträge zur Populärmusikforschung, 37). ISBN 978-3-8376-1571-5. €21.80.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

62 of 149Thematisch-chronologisches Verzeichnis der Werke Max Regers und ihrer Quellen: Reger-Werk-Verzeichnis; (RWV). Im Auftrag des Max-Reger-Instituts; herausgegeben von Susanne Poppin Zusammenarbeit mit Alexander Becker ... [et al.]. München: Henle, 2011. 2 v. ISBN 978-3-87328-123-3. €365.00.Thießies, Frank: Rock & Metal: Die Chronik des Krachs. Königswinter: Heel, 2011. 400 p. ISBN978-3-86852-460-4. €24.99.Thrasybulos G. Georgiades: (1907–1977); Rhythmus, Sprache, Musik. Bericht über dasmusikwissenschaftliche Symposium zum 100. Geburtstag in München, 1.–2. November2007. Mit der Erstpubl. von Georgiades’ Schrift Musik im Altertum. Hrsg. von Hartmut Schickund Alexander Erhard. Tutzing: Schneider, 2011. 189 p. (Münchner Veröffentlichungen zurMusikgeschichte, 70). ISBN 978-3-86296-029-3. €39.00.Includes contributions in English and German.Tischendorf, Klaus. Norbert Burgmüller: Thematisch-bibliographisches Werkverzeich-nis. UnterMitw. von Tobias Koch. Hrsg. in Zusammenarbeit mit der Norbert-Burgmüller-GesellschaftDüsseldorf. Köln: Dohr, 2011. 224 p. ISBN 978-3-936655-63-6. €49.80.Traditio Iohannis Hollandrini [The Tradition of John of Holland]. Bayerische Akademie derWissenschaften. Herausgegeben von Michael Bernhard und Elżbieta Witkowska-Zaremba.München: Beck, 2010- . v. 1- . (Veröffent-lichungen der Musikhistorischen Kommission,Bayerische Akademie der Wissenschaften, 19–21).In English, German, and Latin.Vol. 3: Die Traktate IV–VIII = The Treatises IV–VIII. 2011. ISBN 978-3-7696-6013-5. €49.50.Trautwein, Wolfgang. Werner Richard Heymann: Berlin, Hollywood und kein Zurück. Berlin:Hentrich und Hentrich Verlag Berlin, 2011. 79 p. ISBN 978-3-942271-37-0. €8.90.Trummer, Manuel. Sympathy for the Devil? Transformationen und Erscheinungsformen derTraditionsfigur Teufel in der Rockmusik. Münster: Waxmann, 2011. 408 p. ISBN 978-3-8309-2575-0. €34.90.Originally, doctoral dissertation, Universität Regensburg, 2011.Übertönte Geschichten: Musikkultur in Weimar. Hrsg. von Hellmut Th. Seemann und ThorstenValk. Göttingen: Wallstein-Verlag, 2011. 369 p. (Jahrbuch, Klassik Stiftung Weimar, 2011).ISBN 978-3-8353-0876-3. €25.00.Vogel, Johanna. Musik als Medium in der sozialen Arbeit: Kinder fördern. Wiesbaden: Reichert,2011. 123 p. (Zeitpunkt Musik); (Forum Zeitpunkt). ISBN 978-3-89500-810-8. €19.90.Vom Sentographen zur Gänsehautkamera: Entwicklungsgeschichte und Systematikelektronischer Interfaces in der Musikpsychologie: Reinhard Kopiez ... [et al.]. Marburg:Tectum-Verlag, 2011. 207 p. (Wissenschaftliche Beiträge aus dem Tectum-Verlag. ReiheMusikwissenschaft, 4). ISBN 978-3-8288-2621-2. €29.90.Wagner, Richard. Sämtliche Briefe. Hrsg. von der Richard-Wagner-Stiftung Bayreuth. Ed.-LeitungWerner Breig. Wiesbaden: Breitkopf & Härtel, 1967- . v. 1- .Vol. 19: Briefe des Jahres 1867. 2011. ISBN 978-3-7651-0419-0. €51.00.Waigel, Simone. Klarinettenspiel und Klangästhetik: Stimmideale des 18., 19. und beginnenden20. Jahrhunderts und ihr Bezug zum Klarinettenklang in deutschsprachigen Gebieten.Augsburg: Wisner, 2011. 198 p. (Collectanea musicologica, 13). ISBN 978-3-89639-762-1.€29.80.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

63 of 149Wald-Fuhrmann, Melanie. “Ein Mittel wider sich selbst”: Melancholie in der Instrumentalmusikum 1800. Kassel: Bärenreiter, 2010. 519 p. ISBN 978-3-7618-2197-8. €59.00.Walter, Meinrad. Johann Sebastian Bach: Johannespassion: Eine musikalisch-theologischeEinführung. Stuttgart: Carus-Verlag, 2011. 280 p. ISBN 978-3-89948-156-3. €29.90.“Wann geht der nächste Schwan?” Aspekte einer Kulturgeschichte des Wunders: Ein Symposionin Bayreuth. Bayreuther Festspiele. Clemens Risi ... [et al.] (Hg.). Leipzig: Henschel, 2011. 256p. ISBN 978-3-89487-709-5. €19.90.Was bleibt? 100 Jahre Neue Musik. Hrsg. von Andreas Meyer. Mainz: Schott, 2011. 221 p. ISBN978-3-7957-0754-5. €29.95.“Was mir die Engel erzählen…”: Mahlers traumhafte Gegenwelten. Hrsg. von Ute Jung-Kaiserund Matthias Kruse. Hildesheim: Olms, 2011. 297 p. (Wegzeichen Musik, 6). ISBN 978-3-487-14595-2. €48.00.Weiss, Miriam. “To make a lady out of jazz”: Die Jazzrezeption im Werk Erwin Schulhoffs.Neumünster: Von Bockel, 2011. 458 p. ISBN 978-3-932696-81-7. €48.00.Originally, doctoral dissertation: Universität Heidelberg, 2008.Werktreue: Was ist Werk, was Treue? Gerhard Brunner, Sarah Zalfen (Hrsg.). München:Oldenbourg, 2011. 224 p. ISBN978-3-486-70667-3. €29.80.Werr, Sebastian. Geschichte des Fagotts. Augsburg: Wißner, 2011. 269 p. ISBN 978-3-89639-774-4. €44.80.West meets east: Musik im interkulturellen Dialog. Alenka Barber-Kersovan, Hrsg. Frankfurt amMain: Lang, 2011. 256 p. ISBN 978-3-631-61262-0. €46.80.Wicke, Peter. Rock und Pop: Von Elvis Presley bis Lady Gaga. München: C. H. Beck, 2011. 128 p.ISBN 978-3-406-62131-4. €8.95.Wickel, Hans Hermann; Theo Hartogh. Praxishandbuch Musizieren im Alter: Projekte undInitiativen. Mainz: Schott, 2011. 336 p. ISBN 978-3-7957-8747-9. €29.95.Wickström, David-Emil. “Okna otkroi!” “Open the Windows!” Transcultural Flows and IdentityPolitics in the St. Petersburg Popular Music Scene. With a foreword by Yngvar B. Steinholt.Stuttgart: Ibidem-Verlag, 2011. 340 p. (Soviet and Post-Soviet Politics and Society, 101). ISBN978-3-8382-0100-9. €39.90.Willnauer, Franz. Gustav Mahler: Die Hamburger Jahre. Hamburg: Hoffmann und Campe, 2011.127 p. ISBN 978-3-455-50196-4. €12.00.Wolf, Daphne. Bamarische Musik: Yodaya-Lieder im historisch-kulturellen Kontext Myanmars.Berlin: Regiospectra-Verlag 2010. 1 v. (149 p.) + 1 CD. ISBN 978-3-940132-20-8.€24.90.Wolf, Rebecca. Friedrich Kaufmanns Trompeterautomat: Ein musikalisches Experiment um 1810.Stuttgart: Steiner, 2011. 242 p. (Archiv für Musikwissenschaft, Beihefte, 68). ISBN 978-3-515-09381-1. €48.00.Originally, doctoral dissertation: Universität Wien, 2008.Wolpe, Stefan. Das Ganze ist überall: Vorträge über Musik 1940–1962. Hrsg. von ThomasPhleps. Saarbrücken: Pfau, 2011. 185 p. (Quellentexte zur Musik des 20. Jahrhunderts, 7,2).ISBN 978-3-89727-443-3. €25.00.Includes contributions in English and German.Zasimova, Anna V. Georges Catoire: Seine Musik, sein Leben, seine Ausstrahlung. Berlin: Kuhn,2011. 412 p. (Studia slavica musicologica, 49). ISBN 978-3-936637-22-9. €59.95.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

64 of 149Originally, doctoral dissertation: Staatliche Hochschule für Musik Karlsruhe, 2010.Ziane, Alexandra: Amor divino, Amor profano: Liebe in geistlicher Musik und bildender Kunst inRom um 1600. Paderborn: Schöningh, 2011. 1 v. (430 p.) + 1 CD-ROM. (Beiträge zurGeschichte der Kirchenmusik, 16). ISBN 978-3-506-77049-3. €59.00.Originally, doctoral dissertation: Universität Heidelberg, 2007.Zieliński, Tadeusz A. Bartók: Leben und Werk. Aus dem Polnischen ubertragen von BrunoHeinrich. Mainz: Schott, 2011. 403 p. ISBN 978-3-254-08417-0. €14.99.Translation of: Bartók (Krakow: Polskie Wydawn. Muzyczne,1969).Zur Aufführungspraxis von Musik der Klassik. XXXVI. wissenschaftliche Arbeitstagung,Michaelstein, 23. bis 25. Mai 2008. Hrsg. von Boje E. Hans Schmuhl in Verbindung mit UteOmonsky. Augsburg: Wißner, 2011. 384 p. (Michaelsteiner Konferenzberichte, 76). ISBN 978-3-89639-808-6. €45.80.Includes contributions in English and German.Zwischen “U” und “E”: Grenzüberschreitungen in der Musik nach 1950. Friedrich Geiger, FrankHentschel (Hrsg.). Frankfurt, M.: Lang, 2011. 207 p. (Hamburger Jahrbuch fürMusikwissenschaft, 27). ISBN 978-3-631-61732-8. €28.50.Includes contributions in English and German.GHANAAgordoh, Alexander Akorlie. The Development of Church Music in Ghana. Accra: SundelServices, 2011. 195 p. ISBN 978-9-988817-11-4.GREECEArchimandritēs, Giōrgos; Mikis Theodorakis. Mikēs Theodōrakēs: Hē zōē mou = ΜίκηςΘεοδωράκης: Η ζωή μου [Mikis Theodorakis: My Life]. Athēna: Patakēs, 2011. 291 p. ISBN978-960-16-4341-0.Christopoulou, Valia. Katalogos ergōn Giōrgou Sisilianou = Κατάλογος έργων ΓιώργουΣισιλιάνου [Catalogue of the Works of George Sisilianos]. Athēna: Papagrēgoriou–Nakas,2011. 157 p. ISBN 978-960-7554-70-3.Ho Dēmētrēs Mētropoulos kai to Ōdeion Athēnōn: To chroniko kai ta tekmēria = Ο ΔημήτρηςΜητρόπουλος και το Ωδείον Αθηνών: Το χρονικό και τα τεκμήρια [Dimitri Mitropoulos andthe Athens Conservatory: The Chronicle and the Evidence]. Epimeleia, Arēs Garouphalēs,Charēs Xanthoudakēs. Kerkyra: Ionio Panepistēmio, 2011. 251 p. ISBN 978-960-86801-8-0.Foulias, Iōannēs. Hoi dyo sonates gia piano tou Dēmētrē Mētropoulou: Apo ton hysteroromantismo stēn Ethnikē Scholē = Οι δύο σονάτες για πιάνο του Δημήτρη Μητρόπουλου:Από τον ύστερο ρομαντισμό στην Εθνική Σχολή Μουσικής [The Two Piano Sonatas of DimitriMitropoulos: From Late Romanticism to the National School]. Athēna: Papagrēgoriou–Nakas, 2011. 405 p. ISBN 978-960-7554-71-0.Giannopoulos, Emmanouēl St. Theōrētikes hypēchēseis kai mousikes klimakes Grēgoriou touPrōtopsaltou = Θεωρητικές υπηχήσεις και μουσικές κλίμακες Γρηγορίου του Πρωτοψάλτου[Theoretical Method and Musical Modes of Gregorios Byzantios Protopsaltes]. Thessalonikē:University Studio Press, 2011. 164 p. ISBN 978-960-12-2028-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

65 of 149Grēgoriou, Michalēs. Mousikē antilēpsē kai dēmiourgia = Μουσική αντίληψη και δημιουργία[Musical Perception and Creation]. Athēna: Nephelē, 2011. 448 p. ISBN 978-960-211-990-7.Kessler-Kakoulidē, Lucia. Therapeutikē rythmikē = Θεραπευτική ρυθμική [RhythmicTherapeutics]. Athēna: Fagotto, 2011. 211 p. ISBN 978-960-6685-41-5.Kofteros, Dēmētrēs V. Mytilēnio santouri: Skopoi kai choroi apo tē Lesvo = Μυτιληνιό σαντούρι:Σκοποί και χοροί από τη Λέσβο = Santouri of Lesvos: Tunes and Dances of Lesvos. 2. ekd.Mytilēnē: Aiolida, 2011. 1 v. (63 p.) + 1 DVD-ROM. ISBN 978-960-99898-0-0.Kontogeōrgiou, Antōnēs. Hē dieuthynsē chorōdias = Η διεύθυνση χορωδίας [ChoralConducting]. Athēna: Papagrēgoriou–Nakas, 2011. 242 p. ISBN 978-960-7554-69-7.Logothetēs, Giōrgos. Mikēs Theodōrakēs: thrēskeia mou einai hē Ellada = Μίκης Θεοδωράκης:Θρησκεία μου είναι η Ελλάδα [Mikis Theodorakis: Greece is My Religion]. Athēna: Angyra,2011. 259p. ISBN 978-960-422-981-9.Mamalēs, Nikolaos. Hē historia tēs operas stēn Eurōpē kata ton 17o aiōna: apo ton Monteverdihōs ton Persel = Η ιστορία της όπερας στην Ευρώπη κατά τον 17ο αιώνα: Από τονΜοντεβέρντι ως τον Πέρσελ [A History of Opera in Europe during the 17th Century: FromMonteverdi to Purcell]. Athēna: Gutenberg-Giōrgos kai Kōstas Dardanos, 2011. 492 p. ISBN978-960-01-1285-6.Melingopoulou, Maria-Emma. Eisagōgē stēn technē tēs chorōdiakēs praxēs = Εισαγωγή στηντέχνη της χορωδιακής πράξης [Introduction to the Art of Choral Practice]. Athēna:Papagrēgoriou–Nakas, 2011. 167 p. ISBN 978-960-7554-68-0.Mēnakakēs, Dēmētrēs. Vasikē theōria tēs mousikēs = Βασική θεωρία της μουσικής [Basic Theoryof Music]. Athēna: Papagrēgoriou–Nakas, 2011. 247 p. ISBN 978-960-7554-74-1.Mikroutsikos, Thanos; Odysseas Ioannou. Ho Thanos ki ho Mikroutsikos: mia autoviographiamesa apo 24 synantēseis = Ο Θάνος κι ο Μικρούτσικος: Μια αυτοβιογραφία μέσα από 24συναντήσεις [Thanos and Mikroutsikos: An Autobiography through 24 Meetings]. Athēna:Patakēs, 2011. 453 p. ISBN 978-960-16-4297-0.Mitropoulos, Dimitri. Hē gnōsē tēs phormas: autographes sēmeiōseis tou Dēmētrē Mētropouloustē morphologia tēs mousikēs = Η γνώση της φόρμας: αυτόγραφες σημειώσεις του ΔημήτρηΜητρόπουλου στη μορφολογία της μουσικής = Dimitri Mitropoulos’ Lecture Notes on MusicForm. Research, scientific editing: Demetrius Iatridis, Nicholaos Zervas, Nektarios Antoniou.Athēna: Ekdotikos Oikos Livanēs, 2011. 127 p. ISBN 978-960-14-2456-9.Ntaloukas, Manōlēs. To vivlio tōn hērōōn tou tromou = Το βιβλίο των ηρώων του τρόμου [TheBook for the Heroes of Terror]. Athēna: Oxy, 2011. 204 p. ISBN 978-960-436-342-1.Biography of Pavlos Sidiropoulos and Yola Anagnostopoulou.Papaspēlios, Kōstas. Zal Iakōvidēs: Tha zēsō eleuthero pouli = Ζακ Ιακωβίδης: Θα ζήσω ελεύθεροπουλί [Zack Iakovides: I’ll Live Free like a Bird]. Athēna: Empeiria Ekdotikē, 2011. 151 p. ISBN978-960-417-321-1.Sakellaridēs, Giōrgos. Hodēgos diapolitismikēs mousikēs ekpaideusēs = Οδηγός διαπολιτισμικήςμουσικής εκπαίδευσης [Guide to Cross-Cultural Music Education]. Athēna: Pedio, 2011. 144p. ISBN 978-960-9405-73-7.Sarrēs, Dēmētrēs. Anakyklōmenē mousikē = Ανακυκλωμένη μουσική [Recycled Music]. Athēna:Fagotto, 2011. 64 p. ISBN 978-960-6685-42-2.Sisilianos, Giōrgos. Gia tē mousikē = Για τη μουσική [On Music]. Athēna: Mouseio Benakē,Kentro Ellēnikēs Mousikēs, 2011. 446 p. ISBN 978-960-476-097-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

66 of 149Spyridōn-Philiskos Samaras, epeteiakos tomos gia ta 150 chronia apo tē gennēsē tou =Σπυρίδων-Φιλίσκος Σαμάρας, Επετειακός τόμος για τα 150 χρόνια από τη γέννησή του[Spyridon-Filiskos Samaras: Anniversary Volume on the 150th Anniversary of His Birth].Charēs Xanthoudakēs [et al.]. Kerkyra: Philarmonikē Hetaireia Kerkyras, 2011. 156 p. ISBN978-960-99715-1-5.Trechlēs, Vlassēs. To archaiko chamogelo tou Manou Chatzidaki = Το αρχαϊκό χαμόγελο τουΜάνου Χατζιδάκι [The Archaic Smile of Manos Hadjidakis]. Athēna: Odos Panos, 2011. 141p. ISBN 978-960-477-059-5.Treis epoches, tesseris epeteioi: Pergolesi, Chopin, Schumann, Barber = Τρεις εποχές, τέσσεριςεπέτειοι: Pergolesi, Chopin, Schumann, Barber [Three Periods, Four Anniversaries: Pergolesi,Chopin, Schumann, Barber]. Epimeleia Giōrgos Sakallieros, Iōannēs Foulias. Athēna: Ethnikokai Kapodistriako Panepistēmio Athēnōn, 2011. 310 p. ISBN 978-960-466-103-9.Tsokanē, Charikleia. Mousikē mania: Stis aparches tou Vakchikou enthousiasmou = Μουσικήμανία: Στις απαρχές του Βακχικού ενθουσιασμού [Music Mania: The Beginnings of BacchicEnthusiasm]. Athēna: Alexandreia, 2011. 253 p. ISBN 978-960-221-487-9.Tsouchlos, Nikos. Technē tōn aisthēmatōn kai tōn synkinēseōn: Mousikoi ektelestes stēGermania tou Diafōtismou 1750–1800 = Τέχνη των αισθημάτων και των συγκινήσεων:Μουσικοί εκτελεστές στη Γερμανία του Διαφωτισμού: 1750–1800 [The Art of Feelings andEmotions: Performing Musicians during the Enlightenment Period in Germany, 1750–1800].Athēna: Gavriēlidēs, 2011. 454 p. ISBN 978-960-336-642-3.GREENLANDBerthelsen, Per. Sume: en grønlandsk rocklegende [Sume: A Greenland Rock Legend]. Nuussuaq:Milik, 2010. 97 p. ISBN 978-87-91359-85-9.Also published as Sume: rockertarnermikkut tusaamasarsuit. ISBN 978-87-91359-84-2.HONG KONGDai, Wei = 戴微 . Zhongguo yin yue wen hua jian shi = 中國音樂文化簡史 [A Brief History ofChinese Musical Culture]. Xianggang di 1 ban. Xianggang: Xianggang zhong he chu ban youxian gong si, 2011. 213 p. (Wen shi Zhongguo, Wen hua jian shi = 文史中國 . 文化簡史 ).ISBN 9789881511829.Ewen, Leung = 梁裔泓 ; Liang, Yihong. Cong li lun kan chuang zuo: Liu xing qu pu qu yi shu jingxuan. 從理論看創作 : 流行曲譜曲藝術精選 = A Treasury of the Art of Pop MusicComposition: A View from Theory to Creation. Xianggang: Hong tou zi you xian gong si (Qingsen wen hua), 2011. 291 p. ISBN 9789888122493.Huang, Zhihua = 黄志華 ; Zhu Yaowei = 朱耀偉 . Xianggang ge ci ba shi tan = 香港歌詞八十談[80 talks about Hong Kong Lyrics]. Chu ban. Xianggang: Hui zhi chu ban you xian gong si,2011. 388 p. ISBN 9789881961952.Liang, Bojian = 梁栢堅 . Lei ci = 雷詞 [Canton Popular Music Lyrics]. Chu ban. Xianggang: Tianxing zhe chu ban you xian gong si, 2011. 223 p. (Yi ge ge = 一格格 , 16). ISBN9789881979278.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

67 of 149Liu, Jianrong = 劉建榮 ; Shao, Yongyan = 邵泳鋋 . Liu shi fu xiao tan yue ju: Yue ju tou jia LiuJianrong tan yue ju sheng huo yu qu tan = [Casual Talk about Cantonese Opera by MasterLiu: Dialogues about Life and Things in Cantonese Opera]. Chu ban. Xianggang: Ju mingzheng tang, 2011. 156 p. ISBN 9789881887146.Liu, Zhiming = 劉志明 . Xian dai sheng yue yu jiao hui = 現代聖樂與教會 = Modern SacredMusic and the Catholic Church. Chu ban. Xianggang: Gong jiao zhen li xue hui, 2011. 336 p.ISBN 9789628909629.Zhai, Haoran = 翟浩然 . Guang yu ying de ji ti hui yi = 光與影的集體回憶 [The CollectiveMemory of Lights and Shadows]. Chu ban. Xianggang: Ming bao zhou kan, 2011. 175 p.(《明周》叢書系列 “Ming zhou” cong shu xi lie). ISBN 9789881911346.Zhang, Shuo = 張爍 . Zhongguo dian shi ju yin yue jing dian xun li = 中國電視劇音樂經典巡禮[A Classical Tour of the Music of Chinese Television Sitcoms]. Di 1 ban. Xianggang: Chenzhong shu ju, 2011. 294 p. ISBN 9789881953964.Zhu, Yaowei = 朱耀偉 ; Liang, Weishi = 梁偉詩 . Hou jiu qi Xianggang yue yu liu xing ge ci yan jiu= 後九七香港粤語流行歌詞研究 [The Lyrics of the Popular Music of Canton since 1997].Chu ban. Xianggang: Liang guang wen hua you xian gong si, 2011. 302 p. ISBN9789881990709.HUNGARYBudapesti Mahler Ünnep 2011 = Budapest Mahler Fest 2011. Szerk. Körner Gábor. Közread. aBudapesti Fesztiválzenekar Alapítvány. Budapest: Budapesti Fesztiválzenekar Alapítvány,2011. 104 p. ISBN 978-963-88977-1-8.Chopin, Schumann, Erkel: Tanulmánykötet [Chopin, Schumann, Erkel: A Collection of Essays].Szerk. Dombi Józsefné. Kiad. SZTE JGYPK Művészeti Intézet Ének-zene Tanszék. Szeged: SZTEJGYPK Műv. Int. Ének-zene Tansz., 2011. 151 p. ISBN 978-963-9927-42-1.Csomó, Orsolya. The Manuscript 541 of the Bibliothèque Mazarine, Paris: The Processional ofChalons-en-Champagne. Közread. az MTA Zenetudományi Intézet. Budapest: MTA ZTI, 2010.254 p. ISBN 978-963-88451-9-1.Dohnányi, Ernő. Dohnányi Ernő családi levelei [Family Letters of Ernő Dohnányi]. Összeáll.Kelemen Éva. Közread. az Országos Széchényi Könyvtár, MTA Zenetudományi Intézet.Budapest: OSZK: Gondolat: MTA ZTI, 2011. 1 v. (327 p.) + 1 CD. ISBN 978-963-200-594-2.Eckhardt, Mária. Franz Liszt, 1811–1886: Hungarian and European. Budapest: Liszt FerencMemorial Museum and Research Centre, 2011. 31 p. ISBN 978-963-08-2211-4.Erdélyi, Hajnal. Emlékkönyv az Operaház óvóhelyéről [Album from the Air-Raid Shelter of theOpera House]. Budapest: Corvina, 2011. 136 p. ISBN 978-963-13-6015-8.Fleming, Renée. A belső hang: egy énekes születik [The Inner Voice: A Singer Is Born]. Ford.Várkonyi László. Közread. a Magyar Állami Operaház. Budapest: M. Áll. Operaház, 2011. 263p. ISBN 978-963-08-1353-2.Translation of: The Inner Voice: The Making of a Singer (New York: Viking, 2004).Gál, József. Szombathelyi koncertek [Concerts in Szombathely]. Szombathely: Genius SavariensisAlapítvány, 2011. 226 p. (Genius loci, ISSN 1587-7043). ISBN 978-963-87414-7-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

68 of 149Gál, Róbert. A szenvedély muzsikája: Kálmán Imre [Music of Passion: Imre Kálmán]. Budapest:Rózsavölgyi, 2011. 1 v. (319 p.) + 1 CD. ISBN 978-615-5062-04-9.Génie oblige! A budapesti Liszt Ferenc Emlékmúzeum kincsei [Genius Obliges! Treasures fromthe Liszt Ferenc Memorial Museum in Budapest]. Szerk. Eckhardt Mária. Közread. a LisztFerenc Zeneművészeti Egyetem. Budapest: Liszt F. Zeneműv. Egy., 2011. 277 p. ISBN 978-963-227-301-3.Hajnóczy, Csaba. Hangkultúra [Sound-Culture]. Közread. a Moholy-Nagy Művészeti Egyetem.Budapest: Mome, 2011. 97 p. ISBN 978-963-7164-96-5.Hoppál, Mihály. Folklór és emlékezet [Folklore and Remembrance]. Közread. az Európai FolklórIntézet. Budapest: EFI, 2011. 220 p. ISBN 978-963-88799-9-8.Juhász, Előd; Miklósa, Erika. Kiskunhalastól a világhírig: Miklósa Erikával beszélget Juhász Előd[World Famous from Kiskunhalas: Előd Juhász Talks with Erika Miklósa]. Budapest: Kairosz,2011. 117 p. (Magyarnak lenni, ISSN 1787-1735; 87). ISBN 978-963-662-488-0.Kaczián, János. Liszt Ferenc és Augusz Antal barátsága [The Friendship of Franz Liszt and AntalAugusz]. Kiad. Szekszárd Önkormányzata. Szekszárd: Önkormányzat, 2011. 159 p. ISBN 978-963-88458-1-8.Képes magyar zenetörténet [An Illustrated History of Hungarian Music]. Szerk. Kárpáti János.Írták Batta András ... [et al.]. 2. átd., bőv. kiad. Budapest: Rózsavölgyi, 2011. 1 v. (320 p.) + 2CDs. ISBN 978-615-5062-02-5.Kocsis, Zoltán; Juhász Előd. Kocsis Zoltán beszélgetéseink tükrében: 40 év interjúi [Zoltán Kocsisas Reflected in Our Conversations: 40 Years of Interviews]. Budapest: Nap Kiadó, 2011. 189p. (Álarcok, ISSN 1217-534X). ISBN 978-963-9658-60-8.Kocsis, Zoltán; Simon Erika. Zene, zene, zene. [Music, Music, Music]. Budapest: Kairosz, 2011.105 p. ISBN 978-963-662-418-7.Kroó, György. Zenei panoráma: Kroó György írásai az “Élet és Irodalomban”, 1964–1996 [MusicalPanorama: Writings by György Kroó in “Élet és Irodalom”, 1964–1996]. Összegyűjt. ésközread. Várkonyi Tamás. Budapest: Klasszikus és Jazz Nonprofit Kft., 2011. 446 p.(Gramofon könyvek, ISSN 2060-0453). ISBN 978-963-86157-8-7.Liszt Ferenc és a “czigány zene” = Franz Liszt and “Gypsy Music”. A kiállítást rend. és a katalógustírta Szuhay Péter, Pálóczy Krisztina. Budapest: Néprajzi Múzeum., 2011. 80 p.(Kamarakiállítások, ISSN 1587-7647; 17). ISBN 978-963-9540-66-8.Catalog of the exhibition held at the Néprajzi Múzeum, Budapest, 18 March–29 August2011.Liszt Ferenc és Szekszárd [Franz Liszt and Szekszárd]. Szerk. Lovas Csilla. Szekszárd: Wosinsky M.M. Múz., 2011. 19 p. (Szekszárdi füzetek, ISSN 1789-8927; 4). ISBN 978-963-7209-35-2.Liszt Ferenc Gedenkmuseum, Liszt Ferenc Musikakademie, Budapest: Katalog der StändigenAusstellung. Zsgest. und hrsg. von Mária Eckhardt. Budapest: Liszt Ferenc Musikakademie,2011. 107 p. ISBN 978-963-7181-47-4.Marosi, László. Két évszázad katonazenéje Magyarországon: A magyarországi katonazenetörténete, katonakarmesterek, 1741–1945 [Two Centuries of Military Music in Hungary: TheHistory of Hungarian Military Music and Military Bandmasters: 1741–1945]. Budapest: EMB,2011. 242 p. ISBN 978-963-330-757-1.Originally published: 1994.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

69 of 149Music in Hungary: An Illustrated History. Written by András Batta ... [et al.]. Edited by JánosKárpáti. Translated by Bernard Adams. Budapest: Rózsavölgyi, 2011. 1 v. (320 p.) + 2 CDs.ISBN 978-615-5062-01-8.Translation of: Kepes magyar zenetörtenet (Budapest: Rozsavölgyi, 2004)Poschné Valus, Piroska. Dalkincsünk, zenei örökségünk [Our Treasured Songs and Our MusicalHeritage]. Budapest: Szerző, 2011. 326 p. ISBN 978-963-08-0977-1.Retkes, Attila. Géniuszok és mesteremberek: Zenetörténeti írások [Geniuses and Craftsmen:Studies in Music]. Budapest: Klasszikus és Jazz Nonprofit Kft., 2011. 173 p. (Gramofonkönyvek, ISSN 2060-0453). ISBN 978-963-86157-7-0.Sachs, Harvey. A kilencedik: Beethoven és a világ 1824-ben [The “Ninth”: Beethoven and theWorld in 1824]. Ford. Szűcs Zoltán. Budapest: General Press, 2011. 255 p. ISBN 978-963-643-300-0.Translation of: The “Ninth” (New York: Random House, 2010).Sass, Sylvia. Az angyalok bűvöletében [Under the Spell of Angels]. Budapest: Ursus Libris, 2011.136 p. ISBN 978-963-9718-40-1.Semmelweis, Tibor. A hegedűszakértő: tanulmány [The Violin Expert: A Study]. Budapest:Szerző, 2011. 238 p. ISBN 978-963-88351-1-6.Szabó, Sándor. A zene metafizikája [The Metaphysics of Music]. Budapest: Püski, 2011. 198 p.ISBN 978-963-302-054-8.Szamosujvári, Laura. A Győri Leánykar története, 1958–2009 [The History of Gyor Women’sChoir, 1958–2009]. 2. bőv., jav. KIAD. Győr: Universitas-Győr Nonprofit Kft., 2011. 166 p.ISBN 978-963-9819-61-0.Szilágyi András. Liszt Ferenc személyisége [The Personality of Franz Liszt]. Budapest: GarboKiadó, 2011. 336 p. ISBN 978-615-5007-09-5.Vivat, crescat, floreat!: A Bartók Béla Nemzetközi Kórusverseny ötven éve: (1961–2011) [Vivat,crescat, floreat! Fifty Years of the International Béla Bartók Choir Competition]. Szerk. ésösszeáll. Balogh József. Debrecen: Főnix Rendezvényszervező Nonprofit Kft., 2011. 87 p.ICELANDHaukur Ágústsson. Ferill til frama: ævisaga Björgvins Guðmundssonar tónskálds [Progress toFame: Biography of Composer Björgvin Guðmundsson]. Akureyri: Ásprent, 2011. 160 p. ISBN978-9979-7091-0-7 (invalid) .Includes summary in English.Viðar Hreinsson. Bjarni Þorsteinsson: Eldhugi við ysta haf [Bjarni Þorsteinsson: A Passionate Manon the Edge of the Outermost Ocean]. Reykjavík: Veröld 2011. 498 p. ISBN 978-9935-440-05-1.IRELANDCampbell, Sean. “Irish Blood, English Heart”: Second-Generation Irish Musicians in England.Cork: Cork University Press, 2011. 260 p. ISBN 978-1-85918-461-5.Companion to Irish Traditional Music. Edited by Fintan Vallely. 2nd ed., substantially rev. &expanded. Cork: Cork University Press, 2011. 832 p. ISBN 978-1-85918-450-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

70 of 149Dwyer, Benjamin. Constellations: The Life and Music of John Buckley. Dublin: Carysfort Press,2011. 223 p. ISBN 978-1-904505-52-5.Gallagher, Miriam. Green Rain: Irish Composers on Stage. Dublin: Mirage, 2011. 190 p. ISBN 978-0-9538200-3-0.Graham, Len. Joe Holmes: Here I Am amongst You: Songs, Music and Traditions of an Ulsterman.Dublin: Four Courts Press, 2010. 328 p. ISBN 978-1-84682-251-3.Lynott, Philomena; Jackie Hayden. My Boy: The Full Story of Philip Lynott & the Family He NeverKnew. Rev. ed. Dublin: Hot Press Books, 2011. 249 p. ISBN 978-0-9553419-5-3.MacQuaile, Brendan. March Away, My Brothers: Irish Soldiers and Their Music in the Great War.Dublin: Londubh Books, 2011. 125 p. ISBN 978-1-907535-24-6.Mullaney-Dignam, Karol. Music and Dancing at Castletown, Co. Kildare, 1759–1821. Dublin:Four Courts Press, 2011. 62 p. (Maynooth Studies in Local History, 98). ISBN 978-1-84682-296-4.Ó Beaglaoich, Breanndán; Niamh Ni Bhaoill. Ceol Duibhneach: Ceol agus ceoltóirí ó ChorcaDhuibhne = Music and Musicians from West Kerry. Baile an Mhuilinn, An Daingean, Co.Chiarraí: Sibéal Teo, 2009. 1 v. (50 p.) + 2 CDs.Rowley, Eddie. Our Joe: Joe Dolan by the People Who Knew Him Best. Dublin: O'Brien Press,2011. 348 p. ISBN 978-1-84717-275-4.Thurston, Tim. Gloria: An Introduction to 1000 Years of European Sacred Music. Dublin:Associated Editions, 2011. 1 v. (63 p.) + 1 CD. ISBN 978-1-906429-18-8.ITALYAlessandro Rolla (1754–1841): Un caposcuola dell’arte violinistica lombarda. [Alessandro Rolla(1754–1841): A Leader of the Lombard School of Violin Playing]. A cura di MariateresaDellaborra. Lucca: Libreria musicale italiana, 2011 (Strumenti della ricerca musicale, 15). 402p. ISBN 978-88-7096-622-0.Andrej Tarkovskij e la musica [Andrej Tarkovskij and Music]. A cura di Roberto Calabretto. Lucca:Libreria musicale italiana, 2011 (Quaderni di Musica/realtà, 58). 309 p. ISBN 978-88-7096-623-7.Arienta, Sonia. Opera: Paesaggi sonori, visivi, abitati: Ambientazioni, drammaturgia del suono epersonaggi nel melodramma italiano dell’Ottocento. [Opera: Soundscapes, Visual Areas:Environments, Sound Dramaturgy, and Characters in Italian Opera of the NineteenthCentury]. Lucca: Libreria musicale italiana, 2011 (Quaderni di Musica/realtà, 59). 440 p. ISBN978-88-7096-639-8.Arte e storia a Milano: Chiese mariane nella periferia dalle origini al XIX secolo. [Art and Historyin Milan: Marian Churches on the Periphery from the Beginnings to the 19 th Century]. A curadi Paola Cerami, Benno Scharf. Lucca: Libreria musicale italiana, 2011 (Quaderni ambrosiani.Studi e ricerche, 3). 81 p. ISBN 978-88-7096-619-0.Arte e storia di Milano: Le chiese della periferia milanese. [Art and History of Milan: TheChurches on the Periphery of Milan]. A cura di Paola Cerami, Roberto Gariboldi e BennoScharf. Lucca: Libreria musicale italiana, 2011. 87 p. (Quaderni ambrosiani, 4). ISBN 978-88-7096-659-6.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

71 of 149Arturo Toscanini: Il direttore d’orchestra e l’artista mediatico [Arturo Toscanini: The Conductorand the Media Artist]. A cura di Marco Capra e Ivano Cavallini. Lucca: Libreria musicaleitaliana, 2011. 333 p. ISBN 978-88-7096-630-5.Aster, Misha. L’orchestra del Reich: I Berliner Philarmoniker e il Nazionalsocialismo. [TheOrchestra in the Third Reich: The Berlin Philharmonic and National Socialism]. Varese:Zecchini, 2011. 340 p. (Novecento, 1). ISBN 978-88-6540-012-8.Baia Curioni, Stefano. Mercanti dell’opera: Storie di Casa Ricordi. [Opera Merchants: Stories ofHouse of Ricordi]. Milano: Il Saggiatore, 2011. 228 p. (La cultura, 754). ISBN 978-88-42817-550.Balbi e il suo tempo [Balbi and His Time]. Atti del Convegno internazionale di studi, Feltre, 4Giugno 2005. A cura di Alberto Da Ros e Stefano Lorenzetti. Lucca: Libreria musicale italiana,2011. 87 p. ISBN 978-88-7096-650-3.Ballabio, Luciano; Giorgio Fabbri; Francesco Senese. Come un’orchestra: Fare musica insiemeper crescere insieme. [Like an Orchestra: Making Music Together to Grow Up Together].Milano: Franco Angeli, 2010. 229 p. ISBN 978-88-56831-450.Barandoni, Stefano; Paola Raffaelli. L’archivio musicale della Chiesa conventuale dei cavalieri diSanto Stefano di Pisa: Storia e catalogo. [The Musical Archive of the Monastery Church ofthe Knights of Saint Stephen in Pisa: History and Catalog]. Lucca: Libreria musicale italiana,2010. (Studi musicali toscani, 3). 315 p. ISBN 978-88-7096-103-4.Bauer-Lechner, Natalie. Mahleriana: diario di un’amicizia. [Mahleriana: Diary of a Friendship].Milano: Il Saggiatore, 2011. 312 p. (La cultura, 736). ISBN 978-88-428-1730-7.Translation of: Gustav Mahler in den Erinnerungen (Hamburg: K.D. Wagner, 1984)Beghelli, Marco; Raffaele Talmelli. Ermafrodite armoniche: Il contralto nell’Ottocento. [HarmonicHermaphrodites: The Contralto in the Nineteenth Century]. Varese: Zecchini, 2011. 216 p.(Personaggi della musica, 7). ISBN 978-88-6540-011-1.Bertoli, Bruno. Cinque pezzi sacri: Testi poetici dell’oratorio sacro in Metastasio, Handel, Haydn.[Five Sacred Pieces: Poetic Texts of the Sacred Oratorio in Metastasio, Handel, Haydn].Firenze: Olschki, 2010. 166 p. (Studi di musica veneta, 29). ISBN 978-88-22260-215.Boghetich, Adele. Gustav Mahler e il mondo incantato del Wunderhorn. [Gustav Mahler and theEnchanted World of Wunderhorn]. Bari: Florestano, 2010. 388 p. (Ipotesi di studio, 4). ISBN978-88-95840-284.Campanella, Michele. Il mio Liszt: Considerazioni di un interprete [My Liszt: Observations of aPerformer]. Milano: Bompiani, 2011. 268 p. (Tascabili Bompiani, 429). ISBN 978-88-45267-079.La canzone napoletana: Le musiche e i loro contest [The Neopolitan Song: The Musicians andTheir Challenge]. Atti del convegno, Napoli, Casa Murolo-Palazzo Maddaloni, 4-5 giugno. Acura di Enrico Careri e Anita Pesce. Lucca: Libreria musicale italiana, 2011 126 p. (Quadernidel Centro Studi Canzone Napoletana, 1). ISBN 978-88-7096-661-9.Caporaletti, Vincenzo. Jelly Roll Morton, La old quadrille e “Tiger rag”: Una revisionestoriografica. [Jelly Roll Morton, the Old Quadrille, and “Tiger Rag”: A HistoriographicReview]. Lucca: Libreria musicale italiana, 2011. 104 p. (Grooves, 1). ISBN 978-88-7096-627-5.Cerocchi, Marco. Funzioni semantiche e metatestuali della musica in Dante, Petrarca eBoccaccio. [Semantic and Metatextual Functions of Music in Dante, Petrarca, and© 2012 – International Association of Music Libraries; Fontes Artis Musicae

72 of 149Boccaccio]. Firenze: Olschki, 2010. 160 p. (Biblioteca dell’Archivum romanicum. Ser. 1, Storia,letteratura, paleografia, 373). ISBN 978-88-22259-912.Cesa, Alberto. Con la ghironda in spalla: Il lungo viaggio musicale di un suonatorecontrocorrente: Spunti, racconti, appunti e contrappunti ... dagli anni Sessanta a oggi [Withthe Hurdy-Gurdy on His Shoulder: The Long Music Journey of a Player against the Current:Ideas, Stories, Notes, and Counterpoints from the Sixties to Today]. Udine: Nota, 2011. 1 v.(223 p.) + 2 CDs. (CD book, 555). ISBN 978-88-6163-066-6.Il ciel non soffre inganni: Attorno al “Demetrio” di Mysliveček, “il boemo”. [The Sky Does NotSuffer from Delusions: About “Demetrio” by Mysliveček, ‘the Bohemian’]. A cura diMariateresa Dellaborra. Lucca: Libreria musicale italiana, 2011. 169 p. (Strumenti dellaricerca musicale, 17). ISBN 978-88-7096-664-0.Cole, Janie. Music, Spectacle, and Cultural Brokerage in Early Modern Italy: MichelangeloBuonarroti, il giovane. Firenze: Olschki, 2011. 2 v. in 788 p. (Fondazione Carlo Marchi,Quaderni, 44). ISBN 978-88-22259-899.Corbacchini, Lara; Lorenzo Donati. Appesi a un fil di voce: Percorsi creativi alla scoperta delsuono, della voce, del canto e del teatro musicale. [Hanging on a Thread of the Voice:Creative Ways to Discover the Sound of the Voice, Song, and Musical Theater]. Pisa: Ets,2011. 1 v. (104 p.) + 1 CD. (Musica e didattica, 8). 978-88-4672-838-8.Cosimi, Enrico. Manuale di musica elettronica: Teoria e tecnica dei sintetizzatori. [Handbook ofElectronic Music: Theory and Technique of Synthesizers]. Milano: Tecniche nuove, 2011.1100 p. (Audio e musica). ISBN 978-88-48125-130.D’Agnese, Luigi; Giovanni Giuriati. Mascarà mascarà me ‘na fatto ‘nnamurà: Le tarantelle e icanti di Montemarano [Mascarà mascarà me ‘na fatto ‘nnamurà: Tarantellas and Songs ofMontemarano]. Udine: Nota, 2011. 1 v. (134 p.) + 2 CDs. (Geos CD book, 565). ISBN 978-88-6163-070-3.Dregni, Michael. Django: Vita e musica di una leggenda zingara. [Django: Life and Music of aGypsy Legend]. Torino: EDT, 2011. 448 p. (Biblioteca di cultura musicale. EDT/Siena jazz, 4).ISBN 978-88-6040-817-4.Durante, Elio; Anna Martellotti. “Giovinetta peregrina”: La vera storia di Laura Peperara eTorquato Tasso. [“Giovinetta peregrina”: The True History of Laura Peperara and TorquatoTasso]. Firenze: Olschki, 2010. 352 p. (Biblioteca dell’Archivium Romanicum). ISBN 978-88-22259-813.Fedele Fenaroli, il didatta e il compositore [Fedele Fenaroli, Teacher and Composer]. Atti delconvegno nazionale, Lanciano, 15–16 novembre 2008.A cura di Gianfranco Miscia. Lucca:Libreria musicale italiana, 2011 (Strumenti della ricerca musicale, 16). 315 p. ISBN 978-88-7096-654-1.Feliciani, Luciano. Aaron Copland: Pioniere della musica americana. [Aaron Copland: Pioneer ofAmerican Music]. Varese, Zecchini, 2011. 210 p. (Personaggi della musica, 8). ISBN 978-88-6540-016-6.Gagliardi, Maurizio. Sulle ali di un grande vascello: Idee e percorsi storico-musicali per laformazione di base. [On the Wings of a Great Ship: Historical-Musical Ideas for BasicInstruction]. Lucca: Libreria musicale italiana, 2011. 123 p. ISBN 978-88-7096-636-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

73 of 149Gambaro, Daniele. Ottorino Respighi: Un’idea di modernità del Novecento. [Ottorino Respighi:An Idea of Modernity in the Twentieth Century]. Varese: Zecchini, 2011. 246 p. (Personaggidella musica, 9). ISBN 978-88-6540-017-3.George Sand: La musica e i musicisti romantici [George Sand: Romantic Music and Musicians].Atti della giornata di studi, Latina, 21 settembre 2007. A cura di Marioantonietta Caroprese.Lucca: Libreria musicale italiana, 2010. 197 p. ISBN 88-7096-5991-9.Giani, Maurizio. Johannes Brahms. Palermo: L’epos, 2011. (Autori & interpreti 1850–1950, 13).641 p. ISBN 978-88-8302-425-2.Giglio, Consuelo. Franco Oppo: Nuova musica dalla Sardegna. [Franco Oppo: New Music fromSardinia]. Palermo: L’epos, 2011. (Harmonia mundi, 9). 288 p. ISBN 978-88-8302-447-4.Giust, Anna. “Ivan Susanin” di Catterino Cavos: Un’opera russa prima dell’opera russa. [CatterinoCavos’s “Ivan Susanin”: A Russian Opera before Russian Opera]. Torino: EDT, 2011. 412 p.(Tesi, 14). ISBN 978-88-6040-779-5.Grondona, Marco. Gli appunti di Puccini per “Tosca”: Un commento. [Puccini’s Sketches for“Tosca”: A Commentary]. Lucca: Libreria musicale italiana, 2011. 206 p. ISBN 978-88-7096-653-4.Gulino, Maria Giovanna. Liszt, dopo una lettura di Dante: “…quanti dolci pensier, quanto disiomenò costoro al doloroso passo!” [Liszt after Reading Dante: “... What sweetest thoughts,what green and young desire, led these two lovers to this sorry pass!”]. Lucca: Libreriamusicale italiana, 2011 (Akademos). 99 p. ISBN 978-88-7096-645-9.L’insegnamento come scienza: Ricerche sulla didattica della musica. [Teaching as a Science:Research on the Teaching of Music]. A cura di Mario Baroni. Lucca: Libreria musicale italiana,2010. (Manuali d’analisi e teoria musicale, 3). 148 p. ISBN 978-88-7096-563-6.Macchiarella, Ignazio. Tre voci per pensare il mondo: Pratiche polifoniche confraternali inCorsica. [Three Voices to Think about the World: Poliphonic Practices of Confraternies inCorsica]. Torino: EDT, 2011. (Il campo, 2). ISBN 978-88-6163-071-0.Mahler, Gustav; Richard Strauss. Il cammino parallelo: Lettere 1888–1911. [The Parallel Path:Letters 1888–1911]. Milano: Archinto, 2011. 144 p. ISBN 978-88-7768-576-6.Marruchi, Giovanni. Cavriglia e le sue filarmoniche: Musica e territorio. [Cavriglia and Its Bands:Music and Territory]. Firenze: Sarnus, 2011. 600 p. ISBN 978-88-563-0056-7. €35.00Montanari, Claudio. Il campanile e lo spettacolo. [The Bell and the Show]. Lucca: Libreriamusicale italiana, 2011. (Alia musica. 16). 1 v. (28 p.) + 1 DVD. ISBN 978-88-7096-646-6.Montenz, Nicola. “Parsifal” e l’incantatore: Ludwig e Richard Wagner. [“Parsifal” and theCharmer: Ludwig and Richard Wagner]. Milano: Archinto, 2011. 200 p. (Il colore della vita).ISBN 978-88-7768-562-9.Mozart family. Tutte le lettere di Mozart: Epistolario completo della famiglia Mozart 1755–1791[All the Mozart Letters: Complete Correspondence of the Mozart Family, 1755–1791]. A curadi M. Murara. Varese: Zecchini, 2011. 3 v. in 1892 p. ISBN 978-88-6540-014-2.Nissola, Gianfranco. Miles Davis, principe delle tenebre. [Miles Davis, Prince of Darkness]. Pisa:ETS, 2010. 250 p. ISBN 978-88-4672-732-9.Orselli, Cesare. Pietro Mascagni. Palermo: L’epos, 2011 (Autori & interpreti 1850-1950, 11). 522p. ISBN 978-88-8302-400-9.Palermo, Paola; Giulia Pecis Cavagna. La cappella musicale di Santa Maria Maggiore a Bergamodal 1675 al 1810. [The Musical Chapel of Santa Maria Maggiore in Bergamo from 1675 to© 2012 – International Association of Music Libraries; Fontes Artis Musicae

74 of 1491810]. Lucca: Libreria musicale italiana, 2011 (Studi sulla storia della musica in Lombardia, 5)(Studies on Italian music, 6). 526 p. ISBN 978-2-503-51033-0.Piazzoni, Irene. La musica leggera in Italia dal dopoguerra agli anni del “boom”: Cultura,consumo, costume. [Popular Music in Italy from the Postwar Period to the Economic BoomYears: Culture, Consumption, Custom]. Milano: L’ornitorinco, 2011. 604 p. (Biblioteca storica,5). ISBN 978-88-6400-024-4.Presenza storica di Luigi Nono. [Historical Presence of Luigi Nono]. A cura di Angela Ida DeBenedictis, con la collaborazione di Laura Zattra. Lucca: Libreria musicale italiana, 2011(Quaderni di Musica/realtà, 60). 271 p. ISBN 978-88-7096-625-1.Primignani, Massimo. Fryderyk Chopin. Palermo: L’epos, 2011 (L’amoroso canto, 11). 245 p. ISBN978-88-8302-433-7.Riboni, Marco. Mauro Giuliani. Palermo: L’Epos, 2011. 527 p. (L’amoroso canto, 10). ISBN 978-88-8302-414-6.Rodolfi, Sauro. La famiglia Dell’Alpa: Una stirpe di organari padani del Quattrocento. [TheDell’Alpa Family: A Descent of Organists from the Po Valley in the Fifteenth Century].Firenze: Olschki, 2011. 281 p. (Historiae Musicae Cultores, 120). ISBN 978-88-222-6080-2.Ruberti, Giorgio. Il verismo musicale [Musical Realism]. Lucca: Libreria musicale italiana, 2011.281 p. ISBN 978-88-7096-658-9.Saglietti, Benedetta. Beethoven, ritratti e immagini: Uno studio sull’iconografia Beethoven,Portraits and Images: A Study of Beethoven Iconography]. Torino: EDT 2011. 208 p. (Tesi,13). ISBN 978-88-6040-362-9.Seminario di filologia musicale (5 th , 2006, Cremona, Italy). Quinto seminario di filologiamusicale: Mozart 2006 [Fifth Workshop on Music Philology: Mozart 2006]. A cura diGiuseppe Fornari. Pisa: Ets, 2011. 270 p. (Diverse voci, 10). ISBN 978-88-4672-522-6.Serra, Carlo. La voce e lo spazio: Per un’estetica della voce. [The Voice and Space: Towards anAesthetic of the Voice]. Milano: Il Saggiatore, 2011. 299 p. ISBN 978-88-428-1514-3.Somigli, Paolo. La Schola fiorentina [The Florentine School]. Firenze: Nardini, 2011. 1 v. (159 p.)+ 1 CD. (Musica d’arte a Firenze). ISBN 978-88-404-2708-9.Storia della danza italiana: Dalle origini ai giorni nostri. [History of Dance in Italy: From ItsOrigins to the Present Day]. A cura di Josè Sasportes. Torino: EDT, 2011. 408 p. (Biblioteca dicultura musicale). ISBN 978-88-6040-752-8.Tasti neri tasti bianchi: Pianoforte, organo e attività musicale in Italia nel XIX e XX secolo. [BlackKeys White Keys: Piano, Organ, and Musical Activity in Italy in the 19 th and 20 th Centuries]. Acura di Anelide Nascimbene e Marco Ruggeri. Lucca: Libreria musicale italiana, 2011. 440 p.ISBN 978-88-7096-652-7.Visentini, Olga. Berlioz e il suo tempo [Berlioz and His Time]. Lucca: Libreria musicale italiana,2010. 2 v. (Musica ragionata, 19). ISBN 978-88-7096-593-3.“Vucchella” e altre romanze: Gabriele D’Annunzio e Francesco Paolo Tosti: Catalogo della mostra.[“Vucchella” and Other Romances: Gabriele D’Annunzio and Francesco Paolo Tosti: Catalog ofthe Exhibit]. A cura di L. Arbace. Pescara: ZIP, 2011. 96 p. ISBN 978-88-97131-03-8.Exhibit: 19 September 2010–9 January 2011.Zancan, Antonietta. L’aspetto storico nella didattica della musica: Verifica sperimentale di unpercorso nella scuola media. [The Historical Aspect in the Teaching of Music: Experimental© 2012 – International Association of Music Libraries; Fontes Artis Musicae

75 of 149Verification of a Route in the Middle School]. Torino: EDT, 2010. 190 p. (Tesi, 12). ISBN 978-88-6040-517-3.JAPANAfinisu bunka zaidan 20-nen no ayumi: Ōkesutora no hatten o negatte 1988–2008 = アフィニス文化財団 20 年の歩み――オーケストラの発展を願って 1988–2008 [The Twenty-YearHistory of the Affinis Arts Foundation: Hoping for the Development of Orchestras, 1988–2008]. Tōkyō: Afinisu Bunka Zaidan, 2011. 221 p.Ajia no popyurā ongaku: Gurōbaru to rōkaru no sōkoku = アジアのポピュラー音楽 ――グローバルとローカルの相克 [Popular Music in Asia: The Conflict between the Global and theLocal]. Inoue Takako, hencho. Tōkyō: Keisō Shobō, 2010. 220, 39 p. (Ongaku bunka no genzai= 音楽文化の現在 [Contemporary Music Culture], 4). ISBN 978-4-326-69864-6.Bunka-gakujutsu kikan ni okeru dejitaru ākaibu tō no un'ei ni kansuru chōsa kenkyū = 文化・学術機関におけるデジタルアーカイブ等の運営に関する調査研究 [Survey of the Operation ofDigital Archives in Cultural and Academic Institutions]. Kyōto: (Kabushiki Gaisha) Shī DhīAi/Communication Design Institute, 2010. 29 p.Chōki, Seiji = 長木誠司 . Sengo no ongaku: Geijutsu ongaku no poritikusu to poetikusu = 戦後の音楽 ―― 芸術音楽のポリティクスとポエティクス [Music after World War II: The Politics andPoetics of Art Music]. Tōkyō: Sakuhinsha, 2010. 517, 18 p. ISBN 978-4-86182-304-6.Eiga no naka no koten geinō = 映画のなかの古典芸能 [Classical Perform-ing Arts in Film].Kamiyama, Akira; Kodama, Ryūichi, hen. Tōkyō: Shinwasha, 2010. 305 p. (Nihon eigashisōsho = 日本映画史叢書 [Japanese Film History Series], 13). ISBN 978-4-86405-014-2.Gao, Jing = 高婙 . Kindai Chūgoku ni okeru ongaku kyōiku shishhō no seiritsu: Ryūnichi chishikijinto Nippon no shōka = 近代中国における音楽教育思想の成立 ―― 留日知識人と日本の唱歌 [The Development of a Theory of Music Education in Modern China: The IntellectualsWho Resided in Japan and Japanese Shōka]. Tōkyō: Keiō Gijuku Daigaku Shuppankai, 2010.397, 9 p. ISBN 978-4-7664-1721-0.Gekijō kūkan e no izanai: Doramachikku Shiatā no tanoshimi = 劇場空間への誘い―― ドラマチック・シアターの楽しみ [Invitation to a Theatrical Space: The Pleasure of DramaticTheaters]. Nihon kenchiku gakkai, hen. Tōkyō: Kagoshima Shuppan, 2010. 259 p. ISBN 978-4-306-04547-7.Inamori zaidan. Inamori zaidan 2009 (Dai 25 kai): Kyōtoshō to joseikin = 稲盛財団 2009 ( 第 25回 )―― 京都賞と助成金 [Inamori Foundation 2009 (25th): The Inamori Foundation KyōtoPrizes and Inamori Grants]. Kyōto: Inamori Zaidan, 2009. 401 p. ISBN 978-4-900663-25-1.Inoue, Sayuri = 井上さゆり. Biruma koten kayō ni okeru janru keisei = ビルマ古典歌謡におけるジャンル形成 . [The Formation of Genre in Burmese Classical Song]. Ōsaka: Ōsaka DaigakuShuppankai, 2011. 375 p. ISBN 978-4-87259-380-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

76 of 149Isaka, Hiroshi; Nishimura, Akira = 井阪紘、西村朗 . Ongaku no umareru toki: Sakkyoku to ensōno genba = 音楽の生まれるとき―― 作曲と演奏の現場 [When Music Is Born: The Sites ofComposing and Performing]. Tōkyō: Shunjūsha, 2010. 259 p. ISBN 978-4-393-93544-6.Ishibashi, Jun = 石橋純 . Chūnanbei no ongaku: Uta, odori, shukuen o ikiru hitobito = 中南米の音楽 ―― 歌・踊り・祝宴を生きる人々 [The Music of Central and South America: PeopleLiving Songs, Dances, and Fiestas]. Shohan. Tōkyō: Tōkyōdō Shuppan, 2010. 260 p. ISBN 978-4-490-20667-8.Kabuki ongaku ensōka meikan--Shōwa 20nen kara gendai made: Nagauta/narimono/takemoto= 歌舞伎音楽演奏家名鑑 ―― 昭和二十年から現代まで―― 長唄・鳴物・竹本 [Directoryof Kabuki Musicians from Shōwa 20 (1945) to the Present: Nagauta, Narimono, andTakemoto]. Tōkyō: Dentō Kabuki Hozonkai, 2010. 327 p.Kabuki tōjō jinbutsu jiten = 歌舞伎登場人物事典 [Dictionary of Kabuki Characters]. KawatakeToshio kanshū; Furuido Hideo hen. Tōkyō: Hakusuisha, 2010. 937, 138 p. ISBN 978-4-560-08071-9.Kindai kabuki nenpyō Nagoyahen = 近代歌舞伎年表名古屋篇第 [A Chronology of ModernKabuki: Nagoya]. Tōkyō: Yagi Shoten, 2007- . v. 1- .Vol. 4: Meiji 32nen-meiji 35nen = 明治 32 年 ~ 明治 35 年 [Meiji 32 (1899) to Meiji 35(1902)]. 2010. ISBN 978-4-8406-9238-0.Kindai Nippon ni okeru ongaku/geinō no saikentō = 近代日本における音楽・芸能の再検討 [A Re-Examination of Music and Other Performing Arts in Modern Japan]. Gotō Shizuo hen. Kyōto:Kyōto Shiritsu Geijutsu Daigaku Nihon Dentō Ongaku Kenkyū Sentā, 2010. 201 p. (Kyōto shiritsugeijutsu daigaku nihon dentō ongaku kenkyū sentā kenkyū hōkoku = 京都市立芸術大学日本伝統音楽研究センター研究報告 [Kyōto City University of Arts Research Centre for JapaneseTraditional Music, Research report], 5). ISBN 978-4-9904141-6-0.Kō, Mamoru = 高護 . Kayōkyoku: Jidai o irodotta uta tachi = 歌謡曲 ―― 時代を彩った歌たち[Kayōkyoku: Songs That Highlighted the Time]. Tōkyō: Iwanami Shoten, 2011. 233 p.(Iwanami shinsho: Shin-aka-ban = 岩波新書新赤版 [Iwanami shinsho: New Red Edition],1295). ISBN 978-4-00-431295-6.Kobayashi, Atsushi = 小林淳 . Gojira no ongaku: Ifukube Akira, Satō Masaru, Miyauchi Kunio,Manabe Riichirō no hibiki to sono jidai = ゴジラの音楽 ―― 伊福部昭、佐藤勝、宮内國郎、眞鍋理一郎の響きとその時代 [The Music of Godzilla: The Sounds and the Eras of IFUKUBEAkira, SATŌ Masaru, MIYAUCHI Kunio, and MANABE Riichirō]. Tōkyō: Sakuhinsha, 2010. 467p. ISBN 978-4-86182-299-5.Kokuritsu gekijō chōsa yōseibu chōsa shiryōka, hen. = 国立劇場調査養成部調査資料課編 .Kokuritsu Gekijō jōen shiryōshū = 国立劇場上演資料集 [Collection of Materials on thePerformances at the National Theater]. Tōkyō: Nihon Geijutsu Bunka Shinkōkai.Vol. 535. 2010.Vol. 536. 2010.Vol. 537. 2010.Vol. 538. 2010.Vol. 539. 2010.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

77 of 149Vol. 540. 2010.Vol. 541. 2010.Vol. 542. 2010.Vol. 543. 2010.Vol. 544. 2010.Vol. 545. 2010.Vol. 546. 2010.Kyōdō kenkyū: Kishū Tokugawa-ke denrai gakki korekushon no kenkyū = 共同研究 : 紀州徳川家伝来楽器コレクションの研究 [Joint Research: A Study of the Collection of MusicalInstruments Originally in the Kishū TOKUGAWA Family]. Takakuwa, Izumi; Hidaka, Kaori, hen.Chiba: Kokuritsu Rekishi Minzoku Hakubutsukan, 2011. 213 p. (Kokuritsu Rekishi MinzokuHakubutsukan Kenkyū Hōkoku = 国立歴史民俗博物館研究報告 [Bulletin of the NationalMuseum of Japanese History], 166).Minzoku geinō ni okeru kagura no shosō = 民俗芸能における神楽の諸相 [Aspects of Kagura inFolk Performing Arts]. Kikkawa, Shūhei, hen. Kyōto: Kyōto Shiritsu Geijutsu Daigaku NihonDentō Ongaku Kenkyū Sentā, 2009. 169 p. (Kyōto shiritsu geijutsu daigaku Nihon dentōongaku kenkyū sentā kenkyū hōkoku = 京都市立芸術大学日本伝統音楽研究センター研究報告 [Kyōto City University of Arts Research Center for Japanese Traditional Music,Research Report], 4). ISBN 978-4-9904141-3-9.Miwa, Masahiro = 三輪眞弘 . Miwa Masahiro ongaku geijutsu: Zenshikō 1998–2010 = 三輪眞弘音楽藝術 ―― 全思考一九九八 - 二〇一〇 [The Musical Art of MIWA Masahiro: HisComplete Writings, 1998–2010]. Tōkyō: Arutesupaburisshingu/Artes Publishing, 2010. 253 p.ISBN 978-4-903951-34-8.Musashino ongaku daigaku. Gakki hakubutsukan. = 武蔵野音楽大学楽器博物館 . Musashinoongaku daigaku Gakki hakubutsukan mokurou = 武蔵野音楽大学楽器博物館目録[Catalogue of the Museum of Musical Instruments at the Musashino Academia Musicae].Tōkyō: Musashino Ongaku Daigaku, 1969- . v. 1- .Vol. 8. 2010.Nippon no sakkyoku 2000–2009 = 日本の作曲 2000–2009 [Musical Compositions in Japan,2000–2009]. Katayama Morihide, hoka. Tōkyō: Kōeki Zaidan Hōjin Santorī GeijutsuZaidan/Arutesu Paburisshingu (Hatsubai), 2011. 119 p. ISBN 978-4-903951-42-3.Nishio, Tetsuo; Horiuchi, Masaki; Mizuno, Nobuo = 西尾哲夫、堀内正樹、水野信男 . Arabu nootobunka: Gurōbaru komyunikēshon e no izanai = アラブの音文化 ――グローバル・コミュニケーションへのいざない [Arab Sound Culture: An Invitation to Global Communication].Tōkyō: Sutairu Nōto/Style Note, 2010. 303 p. ISBN 978-4-903238-41-8.Nō, kyōgen jiten = 能・狂言事典 [Dictionary of Nō and Kyōgen]. Henshū iin Nishino Haruo, HataHisashi. Shinpan. Tōkyō: Heibonsha, 2011. 609 p. ISBN 978-4-903238-41-8.Nōgakushi nenpyō kinseihen gekan = 能楽史年表近世編下 [Chronological Table of theHistory of Nōgaku (Nō and Kyōgen)]. Suzuki Masando, hen. Shohan. Tōkyō: TōkyōdōShuppan, 2008–2010. 3 v.Vol. 3: Early Modern Period. 2010. ISBN 978-4-490-20671-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

78 of 149Omata, Kikuo = 小俣喜久雄 . Shodai Miyakodayū Icchū no jōruri: Ongyoku ni ikita moto jūshoku= 初代都太夫一中の浄瑠璃 ―― 音曲に生きた元住職 [Jōruri of Miyakodayū Icchū I: TheFormer Buddhist Priest Who Lived for His Music]. Tōkyō: Shintensha, 2010. 159 p.(Shintensha shinsho = 親典社新書 , 48). ISBN 978-4-7879-6148-8.Omote, Akira = 表章 . Nōgaku kenkyū kōgiroku: 60-nen no sokuseki o kaerimitsutsu = 能楽研究講義録 ―― 六十年の足跡を顧みつつ [Lecture Notes on Nōgaku (Nō and Kyōgen): LookingBack over the Past 60 Years]. Shohan. Tōkyō: Kasama Shoin, 2010. 318, 9 p. ISBN 978-4-305-70521-1.Ōsawa shiryō purojekuto, hen. = 大澤資料プロジェクト編 . Hōmu songu kara piano kyōsōkyokumade = ホームソングからピアノ協奏曲まで [From Home Songs to Piano Concertos]. Kōbe:Ōsawa Shiryō Purojekuto, 2009. 18 p.Oto no mangekyō: Ongakugaku ronsō = 音の万華鏡 ―― 音楽学論叢 [A Kaleido-scope ofSounds: Collected Essays in Musicology]. Fujii Tomoaki; Iwai Masahiro, hen. Tōkyō: IwataShoin, 2010. 465 p. ISBN 978-4-87294-629-1.PMF-20 Years (PMF 20 shūnen kinenshi) = PMF, 20 Years (PMF 20 周年記念誌 ) [PublicationCommemorating PMF’s 20th Anniversary]. Tōkyō: Zaidan Hōjin Pashifikku MyūjikkuFesutibaru Soshiki Iinkai, 2009. 214 p.Ryūkyū Okinawa geinōshi nenpyō koryūkyū-kindai hen = 琉球・沖縄芸能史年表古琉球 ‐ 近代篇[Chronological Table of Performing Arts in Ryūkyū and Okinawa: From Ancient Ryūkyū to theModern Period]. Henshū Ryūkyū Okinawa Geinōshi Nenpyō Sakusei Kenkyūkai. Naha:Kokuritsu Gekijō Okinawa Unei Zaidan, 2010. 1290 p.Sakai, Shin'ichi = 境新一 . Āto purodūsu no genba = アート・プロデュースの現場 [The Site of ArtProduction]. Tōkyō: Ronsōsha, 2010. 279 p. ISBN 978-4-10-326411-8.Sano, Hitomi = 佐野仁美 . Dobyusshī ni miserareta Nihonjin: Furansu inshōha ongaku to kindainihon. = ドビュッシーに魅せられた日本人 ――フランス印象派音楽と近代日本 = Les japonaisenchantés par Debussy. Kyōto: Shōwadō, 2010. 218, 35 p. ISBN 978-4-8122-0944-8.Takeuchi, Kikuo = 竹内喜久雄 . Gitā to deatta Nihonjin tachi: Kindai Nihon no seiyō ongaku juyōshi,gitā to deatta Nihonjintachi = ギターと出会った日本人たち―― 近代日本の西洋音楽受容史[The Japanese Who Encountered the Guitar: A History of the Reception of Western Music inModern Japan]. Tōkyō: Yamaha Myūjikku Media/Yamaha Music Media, 2011. 190 p. ISBN 978-4-636-85310-0.Terauchi, Naoko = 寺内直子 . Gagaku o kiku: Hibiki no niwa e no sasoi = 雅楽を聴く―― 響きの庭への誘い [Listening to Gagaku: An Invitation to the Garden of Sounds]. Tōkyō: IwanamiShoten, 2011. 207 p. ( 岩波新書 . 新赤版 = Iwanami shinsho. Shin akaban [New Red Edition],1302). ISBN 978-4-00-431302-1.Tonoshita, Tatsuya = 戸ノ下達也 “Kokuminka” o shōwa shita jidai: Shōwa no taishū kayō =「国民歌」を唱和した時代 ―― 昭和の大衆歌謡 [When Kokuminka Were Sung: Popular Songsof the Shōwa Era]. Tōkyō: Yoshikawa Kōbunkan, 2010. 216 p. (Rekishi bunka raiburarī = 歴史文化ライブラリー [Historical and Cultural Library], 302). ISBN 978-4-642-05702-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

79 of 149Tsuzuki, Masaaki = 都築政昭 Kurosawa Akira: Zensakuhin to zenshōgai = 黒澤明 ―― 全作品と全生涯 [KUROSAWA Akira: The Complete Works and His Life]. Tōkyō: Tōkyō Shoseki, 2010.491 p. ISBN 978-4-487-80434-4.Filmography: p. 460-470, 486-491.Chronological list of the author’s works: p. 472-485.Yagawa, Mitsunori = 矢川光則 . Umi o wataru hibaku piano = 海をわたる被爆ピアノ [TheBombed Piano Crossing the Ocean]. Tōkyō: Kōdansha, 2010. 143 p. (Yononaka e no tobira =世の中への扉 [The Door to the World]). ISBN 978-4-06-216351-4.Yamaji, Kōzō = 山路興造 . Kinsei geinō no taidō. = 近世芸能の胎動 [The Beginning of thePerforming Arts Movement in Early Modern Japan]. Shohan. Tōkyō: Yagi Shoten, 2010. 417p. ISBN 978-4-8406-9674-6.KENYACulture, Performance & Identity: Paths of Communication in Kenya. Edited by Kimani Njogu.Nairobi: Twaweza Communications, 2008. 196 p. (Art, Culture & Society, 2). ISBN 978-9-966724-41-0.Songs and Politics in Eastern Africa. Edited by Kimani Njogu and Hervé Maupeu. Dar es Salaam:Mkuki na Nyota Publishers, 2007. 401 p. ISBN 978-9-987449-42-2.Includes contributions in English and French.MALAWILwanda, John Lloyd Chipembere. Music, Culture, and Orature: Reading the Malawi PublicSphere, 1949–2006. Zomba: Kachere, 2008. 146 p. (Kachere Books, 35). ISBN 978-9-990887-33-4.MEXICOAlegre González, Lizette. El Toro encalado: La flauta de mirliton entre los nahuas de la huastecahidalguense [The Whitewashed Bull: The Mirliton among the Nahua of Hidalgo Huasteca].Pachuca: Universidad Autónoma del Estado de Hidalgo, 2009. 39 p. (Cuadernos de latradicion, 7). ISBN 978-607-482-032-4.Aymes, Roberto. Panorama del Jazz en México durante el siglo XX [A Survey of Jazz in Mexico inthe 20th Century]. Proemio y notas Fernando Diez de Urdanivia. México: LUZAM, 2009. 174p. (Biblioteca musical minima, 1). ISBN 978-607-00-1828-2.Banda Sinfónica del estado de Veracruz: Historia y tradición musical [The Symphony Orchestraof Veracruz: History and Musical Tradition]. Xalapa, Veracruz: Veracruz, Gobierno del Estado:Banda sinfónica del Gobierno del estado, 2010. 1 v. (175 p.) + 1 CD.CD has title: Sones jarochos.Brennan, Juan Arturo. Pentagrama de letras [The Musical Staff of Literature]. México, D. F.:CONACULTA, 2009. 585 p. (Periodismo Cultural). ISBN 978-970-35-1349-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

80 of 149Carlos Gómez, Víctor Manuel. Manuel M. Ponce: El nacionalismo [Manuel M. Ponce: TheNationalist]. Aguascalientes, México: Instituto Cultural de Aguascalientes, 2010. 75 p. ISBN978-607-7585-21-3.Chacha Antele, Jacinto; Alfredo Delgado Calderón; Alvaro Alcántara López. Veracruz: Cuna delson jarocho [Veracruz: Cradle of the Jarocho Sones]. Veracruz, Ver.: Tenaris Tamsa, 2010. 1 v.(159 p.) + 1 CD. ISBN 978-607-7874-15-7.Cornelio Chaparro, Jaime Enrique. El universo musical matlatzinca [The Musical Universe of theMatlatzinca Indians]. México: Universidad Autónoma del Estado de México, Facultad deCiencias Politicas y Sociales: Miguel Angel Porrúa, 2010. 180 p. (Antropologia y Etnologia).ISBN 978-607-401-284-2.Cunas, ramas y encuentros sonoros: Doce ensayos sobre el patrimonio musical de México [Cribs,Branches, and Musical Games: Twelve Essays on the Musical Heritage of Mexico]. FernandoHijar Sanchez, coordinador. México: CONACULTA. 2009. 318 p. ISBN 978-607-455-233-1.Díaz Santana, Luis. Tradición musical en Zacatecas (1850–1930): Una historia sociocultural[Musical Tradition in Zacatecas (1850–1930): A Socio-Cultural History]. Zacatecas, México:Instituto Zacatecano de Cultura “Ramón López Velarde”, 2009. 167 p. ISBN 978-968-5789-52-3.Discanto (Jalapa Enriquez, Mexico). Discanto: Ensayos de investigación musical [Discanto: Essaysin Musical Research]. Xalapa, Veracruz, México: Universidad Veracruzana, 2005- . v. 1- . ISBN978-968-834-699-0 (v. 1); ISBN 978-607-7605-11-9 (v. 2)Papers from the Seminario de Historia y Educacion organized by the UniversidadMichoacana de San Nicolas de Hidalgo and the Universidad de Guanajuato.Domínguez Prieto, Olivia. Trovadores posmodernos: Músicos en el Sistema de TransporteColectivo Metro [Postmodern Troubadours: Musicians in the Public Metro TransportationSystem]. México, D.F.: UNAM, Coordinación de estudios de Posgrado, 2010. 378 p.(Coleccion Posgrado, 39). ISBN 978-607-02-1451-6.Entre la historia y la educación: Episodios, pasajes y reflexiones [[Between History andEducation: Episodes, Passages, and Reflections]. Coordinadoras: Cirila Cervera Delgado yAdriana Pineda Soto. México: Universidad de Guanajuato: Universidad Michoacana de SanNicolás de Hidalgo, 2011. 198 p. ISBN 978-607-424-272-0.Escobar Ledesma, Agustín. Con la música a otra parte: Migración e identidad en la líricaqueretana [With the Music Elsewhere: Migration and Identity in the Lírica Songs ofQueretana]. México: FONCA-CONACULTA, 2010. 265 p. ISBN 978-607-00-3201-1.Escobedo Nava, Federico. Compositores de Nayarit [Nayarit Composers]. Nayarit, México:Asociación de autores y Compositores de Nayarit, 2009. 182 p.Expresiones musicales del Occidente de México [Folk Music of Western Mexico]. Daniel ErnestoGutiérrez Rojas, coordinador. Morelia, Mich., México: Morevallado Editores, 2011. 300 p.Fernández Christlieb, Pablo. Filosofía de las canciones que salen en el radio [The Philosophy ofthe Songs Played on the Radio]. Monterrey, México: Ediciones Intempestivas, 2011. 121 p.Flores Mercado, Georgina. Identidades del viento: Música tradicional de viento e identidadp’urepecha [Identities of Wind: Traditional Wind Music and P’urepecha Identity]. México:Juan Pablos: Universidad Autonómica del Estado de México, 2009. 207 p. ISBN9786077700173.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

81 of 149Garcia Mora, Carlos; Julian Martinez Vasquez; Catalina Rodriguez Lazcano. Soy del barrio deSantiago: Pirékwecha Tatá Benítueri Charápani anápu = Pirecuas de Tatá Benito del pueblode Charapan [I Am from the Neighborhood of Santiago: Pirecuas from Tata Benito’s Villageof Charapan]. México, D. F. Instituto Nacional de Antropología e Historia, 2010. 1 v. (132 p.)+ 1 CD. (Testimonio musical de México, 52). ISBN 978-607-484-129-9.García Renart, María. Recorrido por el blanco y negro de la música [A Tour of the Black andWhite of Music]. Cuernavaca, Mor.: Luzam, 2010. 167 p. (Biblioteca musical minima, 5).ISBN 978-607-00-3615-6.Gómez-Ullate García de León, Martín. Las vueltas de la petenera: Breve reseña de un géneromusical trasfronterizo [The Turns of the Petenera: A Brief Review of a MusicalTransboundary Genre]. Pachuca, Hidalgo, México: Universidad Autónoma del Estado deHidalgo, 2009. 40 p. (Cuadernos de la tradición, 3). ISBN 978-607-482-011-9.González, Eduardo. Sa! Visiones del vallenato regiomontano [Sa! Images of the Vallenato inMonterrey]. Exposicion fotografica. Monterrey, México: Universidad Autonoma de NuevoLeón, Colegio Civil Centro Cultural Universitario, 2011. 1 v.Catalog of the exhibition held April 2011 at the Sala Acristalada Norte of the Colegio CivilCentro Cultural Universitario (CCCCU), Monterrey, Nuevo Leon.González, Raúl Eduardo. Cancionero tradicional de la tierra caliente de Michoacán [TheTraditional Songs of the Lowlands of Michoacán]. Morelia, Michoacán, México: UniversidadMichoacana de San Nicolás de Hidalgo, Programa de Desarrollo Cultural de Tierra Caliente,2009- . v. 1- . ISBN 978-607-424-045-0.Guerrero Rubio Najera, Luis; Faustino Villalobos Rodriguez. Nonoava tierra de música: Un estilochihuahuense [Nonoava, Land of Music: A Style of Chihuahua]. Ciudad Juárez: Luis GuerreroRubio Nájera, 2009. 145 p.Gutiérrez Ramírez. Roberto. Cantos religiosos en los Altos de Jalisco [Religious Songs from theHighlands of Jalisco]. Guadalajara, Jalisco, México: Universidad de Guadalajara, CentroUniversitario de arte, Arquitectura y Diseño, Dirección y Humanidades, 2009. 156 p. ISBN9786074501506.Hesketh, Jessica Gottfried; Ricardo Téllez Girón López. Tras los pasos de Roberto Tellez GirónOlace [In the Footsteps of Roberto Tellez Giron Olace]. México: Secretaría de Cultura delEstado de Puebla, Dirección de Música, 2010. 1 v. (347 p.) + 1 CD-ROM.Himno Nacional Mexicano: Su historia [The National Anthem of Mexico: Its History]. México:Miguel Ángel Porrúa; Cámara de Diputados, LXI Legislatura, 2010. 177 p. ISBN 978-607-401-354-2.Juan Gutiérrez de Padilla en la Época Palafoxiana [Juan Gutierrez de Padilla in the Time ofPalafox]. Gustavo Mauleon Rodriguez (coordinator). Puebla, México: Secretaría de Cultura:Múseo Mexicano, 2010. 1 v. (255 p.) + 1 CD.Includes contributions in Spanish and one in English.Kohl, Randall. Escritos de un naufrago habitual: Ensayos sobre el son jarocho y otros temasetnomusicológicos [Writings of a Habitual Castaway: Essays on the Jarocho Sones and OtherEthnomusicological Themes]. Xalapa, Veracruz: Universidad Veracruzana, 2010. 143 p.(Ensayo). ISBN 978-607-502-026-6.Leefmans, María Eugenia. Felipe y su música: Cuéntame de Felipe Villanueva [Felipe and HisMusic: Tell Me about Felipe Villanueva]. Carlos Alberto Badillo Cruz, ilustración; Eva María© 2012 – International Association of Music Libraries; Fontes Artis Musicae

82 of 149Zuk, interpretación musical. México: Gobierno del Estado de México, 2009. 1 v. (61 p.) + 1CD. (Biblioteca mexiquense del bicentenario. Cubo de luz). ISBN 978-970-826-098-5.León y Rico. Jorge. La industria musical y los derechos de autor [The Music Industry andCopyright]. México: Editorial Porrúa: Universidad Anáhuac, 2009. ISBN 978-607-09-0177-5.López Cano, Margarita. Ópera y vida cotidiana en la Puebla imperial [Opera and Daily Life inImperial Puebla]. Puebla, México: Secretaría de Cultura del Gobierno del Estado de Puebla,2010. 158 p. (Coleccion Bicentenario 2010)Marroquín Narváez, Graciela Mirna; Patricia Ivonne Cavazos Guerrero. La música prehispánica ysu iconología [Pre-Hispanic Music and Its Iconology]. Monterrey, N. L.: UniversidadAutónoma de Nuevo León, Facultad de Música, 2009. 86 p. ISBN 978-607-433-241-4.Martínez Torres, José; Antonio Durán Ruíz. El Rey en Acala: La historia verdadera de José AlfredoJiménez en Chiapas [The King in Acala: The True Story of José Alfredo Jiménez in Chiapas].México, D.F.: Editorial Terracota, 2010. 102 p. (La Escritura Invisible, 26). ISBN 978-607-7616-45-0.Martínez Villareal, Raúl. Memoria musical de México [Musical Memories of Mexico]. Monterrey,México: Universidad Autónoma de Nuevo León, 2011. (Ancla de tiempo). ISBN 978-607-433-566-8.Mercado Villalobos, Alejandro. Los músicos morelianos y sus espacios de actuación, 1889–1911[Moreliano Musicians and Performance Spaces, 1889–1911]. Morelia: Gobierno del Estadode Michoacán, 2009. 123 p. ISBN 978-607-424-043-6.Mier Suárez, Rosalba. Un Quijote de la música, Ignacio Mier Arriaga: El movimiento musical enMorelia, 1897–1972 [A Musical Quixote, Ignacio Mier Arriaga: The Musical Movement inMorelia, 1897–1972]. Morelia, Mich.: Universidad Michoacana de San Nicolás de Hidalgo,2011. 167 p. ISBN 978-607-424-129-7.Miranda, Ricardo. José Rolón: Músico [Jose Rolon: Musician]. Guadalajara, Jalisco, México:Secretaría de Cultura Jalisco: Ayuntamiento de Zapotlán El Grande: Ayuntamiento deGuadalajara: Instituto Cultural Ignacio Dávila Garibi: editorial Amete, 2009. 114 p.(Creadores Artsticos de Jalisco, 2). ISBN 978-970-624-609-7.Montalvo Torres, Ariel. Salsa con sabor a xalapeños: Una historia social de la salsa en Xalapa[Xalapeño-Flavored Sauce: A Social History of Salsa in Xalapa]. Xalapa, Veracruz, México:Universidad Veracruzana. 2008. 195 p. (Biblioteca veracruzana). ISBN 978-607-7605-16-4.Morales de la Mora, María Enriqueta. La Escuela de Música de Guadalajara, 1952–2004:Preludio y desarrollo de una institución jalisciense de la música académica [The GuadalajaraSchool of Music, 1952–2004: Prelude and Development of a Jalisco Institution of AcademicMusic]. Guadalajara, Jal., México, 2010. 156 p. ISBN 978-970-764-971-2.Moreno Gamboa, Olivia. Una cultura en movimiento: La prensa musical de la ciudad de México(1866–1910) [A Culture in Motion: The Musical Press in Mexico City (1866–1910)]. México,D.F.: UNAM, Facultad de Filosofía y Letras, Instituto Nacional de Antropología e Historia,2009. 148 p. (Coleccion Seminarios). ISBN 978-607-02-0443-2.Muriel, Josefina; Luis Lledias. La música en las instituciones femeninas novohispanas [Music inFemale Institutions in New Spain]. México, D. F.: UNAM, Instituto de InvestigacionesHistóricas del Claustro de Sor Juana, 2009. 1 v. (593 p.) + 1 CD. ISBN 978-607-20-0346-0.Música de la Independencia a la Revolución = Music from the Independence to the Revolution.Dirección general, Alberto Ruy Sánchez Lacy, Margarita de Orellana; traducción al Inglés,© 2012 – International Association of Music Libraries; Fontes Artis Musicae

83 of 149Clara Marín, Quentin Pope, Michelle Suderman. México: Artes de México y del Mundo,2010. 1 v. (80 p.) + 1 CD. (Artes de México, ISSN 0300-4953; 97, marzo 2010). ISBN 978-607-461-053-6.La música en México: Panorama del siglo XX [Music in Mexico: An Overview of the 20thCentury]. Aurelio Tello (coordinator). México, D. F.: Fondo de Cultura Económica: ConsejoNacional para la Cultura y las Artes, 2010. 757 p. ISBN 978-607-455-332-1.Música y catedral: nuevos enfoques, viejas temáticas [Music and Cathedral: New Approaches,Old Themes]. Jesús Alfaro Cruz y Raúl Torres Medina, coordinadores. México: UniversidadAutónoma de la Ciudad de México, 2010. México: Universidad Autónoma de la Ciudad deMéxico. 2010. 140 p. ISBN 978-607-00-3629-3.Nesme, Nayelí. María Grever: Reflexiones sobre su obra [María Grever: Reflections on HerWorks]. Guadalajara: Editorial Universitaria, 2009. 181 p. ISBN 978-607-450-126-1.Peña Doria, Olga Martha. La dramaturgia femenina y el corrido mexicano teatralizado [FeminineDramaturgy and the Theatrical Mexican Corrido]. Monterrey, Nuevo León: UniversidadAutonoma de Nuevo Leon, 2010. 151 p. (Senderos); (Coleccion de los centenarios). ISBN978-607-433-443-2.Peniche Peniche, Jorge A. Breve ensayo sobre la bomba yucateca: Bombas, coplas, jotas yrecitados (analogias y comentarios) [A Brief Essay on the Yucatan Bomba: Bombas, Coplas,Jotas, and Recitados (Comparisons and Commentary)]. 5ª ed. Mérida, Yucatán, México:Manlio, 2009. 62 p.Pérez Sabido, Luis. Diccionario de la Canción Popular de Yucatán [Dictionary of Popular Songs ofYucatan]. Mérida, Yucatán, México: Gobierno del estado de Yucatán, 2010. 455 p. ISBN 978-607-7824-24-4.Pérez-Tamayo, Ruya. Un viaje con la música [A Voyage with Music]. Ed. Rosa Campos de la Rosa.México, D.F. El Colegio Nacional, 2010. 149 p. ISBN 978-607-7630-71-5.Ramírez Pimienta, Juan Carlos. Cantar a los narcos [Songs to the Narcos]. México, D. F.: Temasde hoy, 2011. 247 p. ISBN 978-607-07-0720-9.Ramos Aguirre, Francisco. Mujeres de armas tomar: Canciones y soldaderas de la RevoluciónMexicana [Women Who Take Up Arms: Songs and Camp Followers of the MexicanRevolution]. Ciudad Victoria, Tamaulipas, México: Comisión Organizadora para laConmemoración en Tamaulipas del Bicentenario de la Independencia y Centenario de laRevolucion Mexicana, 2010. 154 p. (Coleccion Centenarios (Ciudad Victoria, Tamaulipas,Mexico), 15). ISBN 978-607-7785-15-6. .Rodríguez Erdmann, Francisco Javier. La Capilla Musical de la catedral de Valladolid-Morelia delMexico nenotao: Estudio del periodo de 1821 hasta 1870 (del interinato (Soberana JuntaProvisional Gubernativa), 1er Imperio, 1era República, 2ndo Imperio de los primeros años dela República restaurada) [The Cathedral Choir of the Cathedral of Valladolid, Morelia ofMexico Reborn: A Study of the Period 1821 to 1870 (the Interim (Sovereign ProvisionalGoverning Council), 1st Empire, 1st Republic, 2nd Empire in the Early Years of theRestoration)]. Morelia, México: F. J. Rodríguez-Erdmann, 2009. 201 p. ISBN 978-607-424-048-1.Roubina, Evguenia. Obras instrumentales de José Manuel Delgado y José Francisco Delgado yFuentes [The Instrumental Works of José Manuel Delgado and Jose Francisco Delgado yFuentes]. México, D.F.: Eón, Academia Mexicana de Ciencias, Artes, Tecnología y© 2012 – International Association of Music Libraries; Fontes Artis Musicae

84 of 149Humanidades, 2009. 378 p. (Joyas musicales de la Catedral de Valladolid-Morelia);(Coleccion Anima mundi, 5). ISBN 978-607-7519-37-9.Salgado Ruelas, Silvia. Libros de coros conservados en la Biblioteca Nacional de México [ChoirBooks in the Custody of the National Library of Mexico]. México: Apoyo al Desarrollo deArchivos y Bibliotecas de México, Fundación Alfredo Harp Helú, 2009. 1 v. (301 p.) + 1 CD-ROM. ISBN 978-607-416-138-0.Sánchez Vargas, Florencia Leticia. “Los espacios formativos de la escuela Nacional de Música:1929–1979” [Classrooms in the National Conservatory of Music]. México, 2010. 228 p.Thesis (Ph.D): Universidad Nacional Autonoma de México, Facultad de Filosofía y Letras.URL: https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxyZXZpc3RhY29ub2NpbWllbnRvZ2xvYmFsfGd4OjI1ODU1NTY5MjVkNTZi.Tello, Aurelio. Orquesta de Cámara de Bellas Artes: 50 años en un itinerario sonoro [The FineArts Chamber Orchestra: 50 Years on a Musical Path]. México, D.F.: Instituto Nacional deBellas Artes, 2009. 1 v. (229 p.) + 1 CD. ISBN 978-970-802-055-8.Terán Díaz Landa, María del Rocío. La Familia Escobar: En legado de música sonorense [TheEscobar Family: A Legacy of Music in Sonora]. Hermosillo, Sonora, México: InstitutoSonorense de Cultura, 2010. 181 p. (Biblioteca mexicana (Consejo Nacional para la Cultura ylas Artes (Mexico). Serie Historia y antropologia). ISBN 978-607-7598-21-3.Torres Medina, Raúl Heliodoro. “La capilla de música de la Catedral de México durante lasegunda mitad del siglo XVII” [The Musical Chapel of the Cathedral of Mexico during theSecond Half of the 17th Century]. México, 2010. 319 p.Thesis (Ph.D): Universidad Nacional Autonoma de México, Facultad de Filosofía y Letras.Turrent Díaz, María de Lourdes. “Rito, música y poder en el espacio de la CatedralMetropolitana: México 1790–1810” [Rites, Music, and Authority inside the MetropolitanCathedral: Mexico 1790–1810]. México, 2011. 400 p.Thesis (Ph.D): Universidad Nacional Autonoma de México, Facultad de Filosofía y Letras.Valenzuela Arce, José Manuel. Jefe de jefes: Corridos y narcocultura en México [Boss of Bosses:Corridos and Narco Culture in Mexico]. 3a ed. Tijuana, B. C.: El Colegio de la Frontera Norte,2010. 270 p. ISBN 978-607-479-034-4.…Y la música se volvió mexicana […and the Music Became Mexican]. México: Instituto Nacionalde Antropología e Historia, 2010. 299 p. (Testimonio Musical de México, 51). ISBN9786074541282.THE NETHERLANDS50 jaar Wagnergenootschap Nederland, 1961–2011 [50 Years of the Netherlands WagnerSociety, 1961–2001]. Samengest. door een redactiecommissie: Fred Blei ... [et al.].Amsterdam: Wagnergenootschap Nederland, 2011. 427 p. ISBN 978-90-816903-1-7.Austronesian Soundscapes: Performing Arts in Oceania and Southeast Asia. Edited by BirgitAbels. Amsterdam: Amsterdam University Press, 2011. 336 p. (IIAS PublicationsSeries. Edited volumes, 4). ISBN 978-90-8964-085-7.Cok, Kathryn Meriel. “Basso Continuo Sources from the Dutch Republic c.1620–c.1790.” 2011.207 p.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

85 of 149Dissertation: Rijksuniversiteit te Leiden.Craenen, Paul. “Gecomponeerde uitvoerders: Het musicerende lichaam vanuit compositorischperspectief” [Composed Performers: The Body Making Music from a Composer’sPerspective]. 2011. 270 p.Dissertation: Rijksuniversiteit te Leiden.Dijk, Hans van; Carine Alders. 100 jaar Genootschap Nederlandse Componisten, 1911–2011 [100Years of the Society of Dutch Composers, 1911–2011]. Zutphen: Walburg Pers, 2011. 160 p.ISBN 978-90-5730-771-3.Eikelboom, Arie. Hymnologie: Een geschiedenis van de strofische zang in de westerse christelijkekerk. [Hymnology: A History of the Strophic Song in Western Christian Church]. Hague: HuizeSchuyt, 2011. 4 v.Vol. 1: De ontwikkelingen tot aan de reformatie [Developments to the Reformation]. ISBN978-90-816827-1-8.Vol. 2: De reformatie en de liederen van Luther [The Reformation and the Songs by Luther].ISBN 978-90-816827-2-5.Vol. 3: Liederen van volgelingen van Luther en liederen van Zwingli [Songs by Followers ofLuther and Songs by Zwingli]. ISBN 978-90-816827-0-1.Vol. 4: Calvijn en de kerkzang [Calvin and Church Singing]. ISBN 978-90-816827-3-2.Elders, Willem. Josquin des Prez en zijn muzikale nalatenschap [Josquin des Prez and His MusicalLegacy]. Hilversum: Verloren, 2011. 256 p. (Middeleeuwse studies en bronnen, ISSN 0929-9726; 133). ISBN 978-90-8704-232-5.Groenewegen, Jeroen. “The Performance of Identity in Chinese Popular Music”. 2011. 267 p.Dissertation: Rijksuniversiteit te Leiden.Henssen, Ralph Johan Gerard . “Trompetters en tamboers in de Zeeuwse zeevaart ten tijde vande Republiek: Plichten en praktijken” [Trumpeters and Drummers in Zeeland Shipping at theTime of the Dutch Republic: Duties and Practices]. 2011. 357 p.Dissertation: Rijksuniversiteit te Utrecht. ISBN 978-90-9025785-3.Hucbald: Een almanak der Studievereniging Hucbald. Lustrum almanak SV Hucbald 2010–2011[Hucbald: An Almanac of the Society for Musicology Students, Hucbald: Jubilee AlmanacHucbald 2010–2011]. Utrecht: Studievereniging Hucbald, 2011. 216 p.Jansen, Bastiaan. “Where Credit Is Due: Cultural Practices of Recorded Music.” 2011. 204 p.Dissertation: Universiteit van Amsterdam; URL: http://dare.uva.nl/record/366831.Jas, Eric. De Leidse Koorboeken: Een ongehoorde schat [The Leiden Choir Books: An UnheardTreasure]. Zoetermeer: Boekencentrum, 2011. 88 p. ISBN 978-90-239-2589-7.Mak van Dijk, Henk; Carl Nix. Wajang foxtrot: Indië in klank en beeld [Wajang Foxtrot: The DutchEast Indies in Sound and Image]. Schiedam: Scriptum Art, 2011. 1 v. (157 p.) + 1 CD. ISBN978-90-5594-784-3.Mulder, Etty. De Sirenen zwegen: Psychoanalyse, mythe & kunst [The Sirens Were Silent:Psychoanalysis, Myth, and Art]. Amsterdam: Sjibbolet, 2011. 80 p. (Oratio, 1) ISBN 978-94-91110-01-6.Onderzoek naar muziek in het voortgezet onderwijs [An Investigation of Music in SecondaryEducation]. Melissa Bremmer ... [et al.]. Amsterdam: Amsterdamse Hogeschool voor deKunsten, 2011. 128 p. ISBN 978-90-802303-0-9.Oskamp, Jacqueline. Onder stroom: Geschiedenis van de elektronische muziek in Nederland© 2012 – International Association of Music Libraries; Fontes Artis Musicae

86 of 149[Charged: A History of Electronic Music in The Netherlands]. Amsterdam: Ambo, 2011. 251p. ISBN 978-90-263-2324-9.Pijper Willem. Het papieren gevaar: Verzamelde geschriften (1917–1947) [The Paper Danger:Collected Writings (1917–1947)]. Bijeengebracht, ingel. en geann. door Arthur van Dijk; red.:Odilia Vermeulen & Ton Braas. Utrecht: Koninklijke Vereniging voor NederlandseMuziekgeschiedenis, 2011. 3 v. ISBN 978-90-6375-217-0.Podiumpeiler: Een monitor voor podiumkunsten en muziekindustrie in Nederland [AssessingHalls: A Monitor for the Performing Arts and the Music Industry in The Netherlands]. Nadinevan den Berg ... [et al.]; met medew. van Everard van der Marck ... [et al.]. Nijmegen: VOCUitgevers, 2011. 127 p. ISBN 978-90-79812-58-5.Schaefer, Rebecca. Measuring the Mind’s Ear: EEG of Music Imagery. 2011. 175 p. Nijmegen: UBNijmegen, 2011. (Donders series, 67). ISBN 978-94-91027-11-6.Dissertation: Radboud Universiteit Nijmegen.Schouten, Frans. De zangkunst van Johannes Martinus Messchaert (1857–1922) [The Singing ofJohannes Martinus Messchaert (1857–1922)]. Utrecht: Koninklijke Vereniging voorNederlandse Muziekgeschiedenis, 2011. 75 p. (Focus, 7). ISBN 978-90-6375-220-0.Toet, Barend. Keihard & swingend: De jongensjaren van muziekkrant “Oor” [Full Blast &Swinging: The First Years of the Music Newspaper Ear]. Amsterdam: Boekerij, 2011. 283 p.ISBN 978-90-225-5514-9.Van Mengelberg tot meezing-Mattheus: Klassieke muziekcultuur in Nederland [FromMengelberg to the “St. Matthew Passion” from Scratch: The Culture of Classical Music in TheNetherlands]. Emile Wennekes ... [et al.]). Amsterdam: Athenaeum-Polak & Van Gennep,2011. 229 p. ISBN 978-90-253-6719-0.Verbei, Wim. Boom’s Blues: Muziek, journalistiek en vriendschap in oorlogstijd [Boom’s Blues:Music, Journalism, and Friendship in Wartime]. Haarlem: In de Knipscheer, 2011. 283 p.ISBN 978-90-6265-667-7.Vis, Georgius. Een Friezin vol muziek: Aafke Komter-Kuipers (1876–1943) [A Frisian Woman Fullof Music: Aafke Komter-Kuipers (1876–1943)]. Ljouwert Leeuwarden: Afûk, 2011. 1 v. (151p.) + 1 CD. (Musica Frisica, 5); (Fryske Akademy (Series), 1050). ISBN 978-90-6273-868-7.Wereldberoemde klanken: het Schnitgerorgel in de Der Aa-kerk te Groningen en zijnvoorgangers [World-Famous Sounds: The Schnitger Organ in the Der Aa Church inGroningen and Its Predecessors]. Edited by Jan R. Luth. Zutphen: Walburg Pers, 2011. 287 p.(Nederlandse orgelmonografieen, ISSN 1879-3762; 11). ISBN 978-90-5730-775-1.Wind. Thiemo. Jacob van Eyck and the Others: Dutch Solo Repertory for Recorder in the GoldenAge. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2011. 753 p.(Muziekhistorische monografieen, 21). ISBN 978-90-6375-219-4.NEW ZEALANDAvery, Ken. Where are the Camels? Wellington: Clare Avery, 2010. 146 p. ISBN 978-1-877561-59-7.Biography.Caldwell, Doug. My Life in the Key of Jazz. Christchurch: Christchurch Polytechnic Institute ofTechnology, 2010. 210 p. ISBN 978-0-908668-74-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

87 of 149Chunn, Mike; Jeremy Chunn; Barney Chunn. I’m with the Band: How to Make a Career inPopular Music in New Zealand. Cambridge: Hurricane Press, 2011. 192 p. ISBN 978-0-9864684-6-9.Goodall, Evered H. Melody Fingers and Dancing Feet. Nelson: E.H. Goodall, 2009. 254 p. ISBN9780473155025.Home, Land and Sea: Situating Music in Aotearoa New Zealand. Edited by Glenda Keam andTony Mitchell. Rosedale: Pearson, 2011. ISBN 978-0-473-15502-5.Jarvis, Bruce; Josh Easby. Live: Gigs That Rocked New Zealand. Auckland: Hurricane Press, 2010.287 p. ISBN 978-0-9864522-6-0.Lilburn, Douglas. A Search for Tradition & a Search for a Language. Wellington: LilburnResidence Trust, 2011. 112 p. ISBN 978-0-473-18379-0.Moffat, Kirstine. Piano Forte: Stories and Soundscapes from Colonial New Zealand. Dunedin:Otago University Press, 2011. 275 p. ISBN 978-1-877372-79-7.Tonks, Joy. The NZSO National Youth Orchestra: Fifty Years and Beyond. Wellington: VictoriaUniversity Press, 2011. 314 p. ISBN 978-0-86473-609-3.NIGERIAAlvan Journal of Music and Humanities: AJOMAH. Owerri, Imo State: Dept. of Music, AlvanIkoku Federal College of Education, 2009- . v. 1, no. 1- . irregular. ISSN 2388-3642.RUSSIAAleksandr Nemtin: zhizn´ i tvorchestvo = Александр Немтин: жизнь и творчество [AlexanderNemtin: Life and Works]. K 75-letiu so dlia rozhleniia kompozitora. Red.-sost. А. Nemtina.Moskva: Probel-2000, 2011. 62 p. ISBN 978-5-98604-263-3.Alekseev-Boret K skiĭ, A.A. Nikolaĭ Ivanovich Zaremba = Николай Иванович Заремба. Nauchnyĭred. i konsul´tant: Ė.-S.S. Barutcheva. Sankt-Peterburg: Beresta, 2011. 251 p. ISBN 978-5-905225-32-1.Bobrik, Olesia. Venskoe izdatel´stvo “Universal Edition” i muzykanty iz sovetskoĭ Rossii: istoriiasotrudinchestva v 1920-30-e gody = Венское издательство “Universal Edition” имузыканты из советской России: история сотрудничества в 1920-30-е годы [TheViennese Publisher Universal Edition and Musicians from Soviet Russia: A History ofCooperation in the 1920s and 1930s]. Sankt-Peterburg: Izd. im. N.I. Novikova, 2011. 471 p.ISBN 978-5-87991-090-2.Dot K senko, Vitaliĭ R. Istoriia muzyki Latinskoĭ Ameriki XVI–XX vekov = История музыкиЛатинской Америки XVI–XX веков. [The Music of Latin America from the 16 th to the 20 thCentury]. Институт Латинской Америки РАН. Moskva: Muzyka, 2010. 367 p. ISBN 978-5-7140-1201-3.Dubinin, Nikolaĭ Alekseevich. Zapiski skripichnogo mastera = Записки скрипичного мастера [AViolin Maker’s Notes]. Moskva: Izdatel´skiĭ dom MISiS, 2010. 323 p. ISBN 978-5-87623-210-6.Feĭertag, Vladimir. Istoriia dzhazovogo ispolnitel´stva v Rossii = История джазовогоисполнительства в России [The History of Jazz Performance in Russia]. Sankt-Peterburg:Skifiia, 2010. 295 p. ISBN 978-5-903463-41-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

88 of 149Fortunatov, IU.A. (IUriĭ Aleksandrovich). Lekt â sii po istorii orkestrovykh stilei: Vospominaniia oIU.A. Fortunatove = Лекции по истории оркестровых стилей: Воспоминания о Ю.А.Фортунатове. [Lectures on the History of Orchestral Styles: Memoires of IU.A. Fortunatov].Sost., rasshifrovka teksta lekt K siĭ, primech. E. I. Gordinoĭ; red. E.I. Gordina, O.V. Loseva. 2. izd.,ispr., dop. Moskva: Moskovskaia gos. konservatoriia imeni P.I. Chaĭkovskogo, 2010. 382 p.ISBN 978-5-89598-237-2.Golos chelovecheskiĭ: K stoletiiu so dnia rozhdeniia Vlentiny Dzhozefovny Konen (1909–1991)Vospominaniia, pis´ma, statí = Голос человеческий: К столетию со дня рожденияВалентины Джозефовны Конен (1909–1991): воспоминания, письма, статьи. [TheHuman Voice: The Centenary of the Birth of Valentina Dzhozefovny Konen (1909–1991)].Sostaviteli: Z.B. Kartasheva, M.A. Saponov, E.L. Feĭnberg. Moskva: Moskovskaia gos.konservatoriia imeni P.I. Chaĭkovskogo, 2011. 319 p. ISBN 978-5-89598-245-7.Gurevich, Evgeniia L´vovna. Muzeĭ imeni N.G. Rubinshteĭna: K 100-letiiu so dlia osnovaniia i 20-letiiu so dlia vozrozhdeniia = Гуревич Евгения Львовна. Музей имени Н.Г. Рубинштейна: к100-летию со дня основания и 20-летию со дня возрождения [N.G. Rubinstein Museum:The 100th Anniversary of the Founding and the 20th Anniversary of the Revival]. Моskvа:Nauchno-izdatel´skiĭ t K sentr “Moskovskaia konservatoriia”, 2012. 72 p. ISBN 978-5-89598-266-2.Ivanov, Alekseĭ. Vpechatleniia zhizni: dnevniki = Впечатления жизни: дневники [Impressions ofLife: The Diaries]. Sostavitel´, Zoia Nikolaevna SHliakhova. Moskva: Golos-Press, 2010. 623 p.ISBN 978-5-7117-0122-4.Igor´ Bezrodnyĭ: iskusstvo, mysli, obraz = Игорь Безродный: искусство, мысли, образ [IgorBezrodny: Art, Thought, Image]. Sostaviteli: M. Tampere-Bezrodnaia ... [et al.]. Moskva:Deka-VS, 2010. 320 p. (Portret muzykanta). ISBN 978-5-901951-37-8.K 200-letiiu so dlia rozhdeniia SHopena i SHumana: sbornik stateĭ = К 200-летию со днярождения Шопена и Шумана: сборник статей [On the 200 th Anniversary of Chopin andSchumann: Essays]. Redaktor sostavitel´ N.A. Braginskaia. Sankt-Peterburg: Izd-voPolitekhnicheskogo un-ta, 2011. 316 p. ISBN 978-5-7422-2999-5.Khanina, L.B. (Liliia Borisovna). Opernyĭ teatr Dzhan Karlo Menotti = Оперный театр ДжанКарло Менотти [The Opera Theater of Gian Carlo Menotti]. Moskva: Kompozitor, 2011. 242p. (V prilozhenni: Spisok oper Menotti i ikh soderzhanie). ISBN 978-5-4254-0032-1.Kokoreva, Liudmila Mikhaĭlovna. Klod Debiussi: issledovanie = Клод Дебюсси: исследование[Claude Debussy: Research]. Moskva: Muzyka, 2010. 495 p. ISBN 978-5-7140-1206-8.Kommunikat â sii v iskusstve i nauke: sbornik materialov 11i konferent â sii iz t â sikla “Grigorévskikhchteniĭ” = Коммуникации в искусстве и науке: сборник материалов 11й конференции изцикла “Григорьевских чтений” [Communication in Art and Science: Essays from the 11 thConference in the Series “Grigorev Readings”]. Posviashchaetsia 80-letiiu so dlia rokhdeniiaV. IU. Grigoréva; otv. red.: Vladimir Evstegneevich Eremeev [et al.]. Moskva: Moskovskiĭgumanitarnyĭ universitet, 2010. 215 p. ISBN 978-5-98079-632-7.Kompozitory “vtorogo riada” v istoriko-kul´turnom prot â sesse: sbornik statei = Композиторы“второго ряда” в историко культурном процессе: сборник статей. [Second RankComposers in the History of Culture]. Redaktor-sostavitel´, A.M. T_Suker. Moskva:Kompozitor, 2010. 327 p. (Russkie i zarubezhnye kompozitory XVI-XX vekov). ISBN 978-5-4254-0005-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

89 of 149Based on papers from the International Research Conference organized by the Rostov S.V.Rachmaninoff Conservatory, April 2009.Konstantinovskie chteniia (9 th , 2009, Saint Petersburg, Russia). Konstantinovskie chteniia, 2009:K 150-letiiu so dnia osnovaniia Russkogo Muzykalńogo Obshchestva = Константиновскиечтения 2009, к 150-летию со дня основания Русского Музыкального Общества [TheKonstantinovsky Readings, 2009: The 150 th Anniversary of the Founding of the RussianMusical Society]. Sbornik materialov nauchnoĭ konferent K sii 21–22 oktiabria 2009 g.Sostavitel´ i redaktor I.F. Bezuglova. Sankt-Peterburg: Rossiĭskaia nat K sionalńaia biblioteka,2010. 248 p. ISBN 978-5-8192-0376-7.Kravchun, P.N. (Pavel Nikolaevich). Organy liuteranskoi t â serkvi sv. Petra v Sankt-Peterburge =Органы лютеранской церкви св. Петра в Санкт-Петербурге [The Organs of the LutheranChurch of St. Peter in St. Petersburg]. Sankt-Peterburg: Rosa mira, 2011. 120 p. ISBN 978-5-91844-028-5.Levashev, E. M. (Evgeniĭ Mikhaĭlovich); N.I. (Nadezhda Ivanovna) Teterina. Istorizmkhudozhestvennogo myshleniia M.P. Musorgskogo = Историзм художественногомышления M.П. Мусоргского [M.P. Musorgsky’s Artistic Thinking: A Historical Approach].Moskva: Pamiatniki istoricheskoĭ mysli, 2011. 744 p. ISBN 978-5-88451-289-4.Lobanova, M. (Marina). Nikolai Andreevich Roslavet â s i kul´tura ego vremeni = НиколайАндреевич Рославец и культура его времени [Nikolay Andreyevich Roslavets and theCulture of His Time]. Moskva: Petroglif, 2011. 383 p. (Pis´mena vremeni). ISBN 978-5-98712-059-0.Lists of Roslavets’ works: p. 350–356.Martynov, V.I. (Vladimir Ivanovich). Kazus Vita Nova = Казус Vita Nova [The Case of Vita Nova].Moskva: Klassika-XXI, 2010. 157 p. (Prilozhenie; Kniga pisem). ISBN 978-5-89817-306-7.Mogilevskaia, Liia Abramovna. Za kulisami opery: zapiski kont â sertmeistera = За кулисамиоперы: записки концертмейстера [Behind the Opera Curtain: Notes of an Accompanist].Moskva: Мuzykа, 2010. 1 v. (283 p.) + 1 DVD. ISBN 978-5-7140-1187-0.Moshkov, Kirill Vladimirovich. Bliuz: Vvedenie v istoriiu = Блюз: Введение в историю [Blues: AnIntroduction to the History]. Sankt-Peterburg: Lan´, 2010. 376 p. (Planeta muzyki). ISBN 978-5-8114-1098-9.Olovianishnikov, N.I. (Nikolaĭ Ivanovich). Istoriia kolokolov i kolokololiteĭnogo iskusstva =История колоколов и колокололитейного искусства [The History of Bells and the Art ofBellcasting]. 5. izd., ispr. Moskva: Russkaia Panorama, 2010. 515 p. (Vozvrashchennoenasledie; Pamiatniki istoricheskoĭ mysli). ISBN 978-5-93165-268-9.Organnaia shkola Peterburgskoĭ konservatorvatorii: Katalog vystavki = Органная школаПетербургской консерватории: каталог выставки [The Saint Petersburg ConservatoryOrgan School: Exhibition Catalogue]. Sost. E.V. Goncharova, IU.N. Semёnov. Sankt-Peterburg:Izd-vo Politekhincheskogo un-ta, 2011. 82 p. ISBN 978-5-7422-3019-9.Pichugin, P.A. (Pavel Alekseevich). Argentinskoe tango = Аргентинское танго [The ArgentinianTango]. Moskva: Мuzykа, 2010. 262 p. ISBN 978-5-7140-1179-5.Includes 24 tangos: p. 195–262, and lyrics in Spanish and Russian.Pliasovа, Marina. Detstvo pod znakom muzyki: dialogi ob odarennosti = Детство под знакоммузыки: диалоги об одаренности [Childhood under the Sign of Music: Dialogues ofGiftedness]. Moskva: Klassikа-XXI, 2010. 285 p. ISBN 978-5-89817-307-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

90 of 149Poniatovskiĭ, Stanislav Petrovich. Orkestr grafa A. D. Sheremeteva: obshchedosupnye kont â serty =Оркестр графа А.Д. Шереметева: общедоступные концерты. [The Orchestra of CountA.D. Sheremetev: Public Concerts]. Moskva: Мuzykа, 2011. 205 p. ISBN 978-5-7140-1224-2.Privet Moskve: K 200-letiiu velikogo romansista i pesennika Aleksandra Ivanovicha Diubiuka =Привет Москве: К 200-летию великого романсиста и песенника Александра ИвановичаДюбюка [Hello Russia: The 200th Anniversary of the Romance and Song ComposerAlexander Dubuque]. Sostaviteli: M.D. Artamonov, A.A. Pashkevich. Moskva: Planetа, 2012.91 p. ISBN 978-5-903162-22-2.Prokoviev, Sergey; Serge Koussevitzky. Sergei Prokofév, Sergei Kusevit â skii: perepiska, 1910–1953 = Сергей Прокофьев: Сергей Кусевицкий: Переписка 1910–1953 [Sergey Prokofiev,Serge Koussevitzky: Correspondence, 1910–1953]. Podgotovka teksta i kommentarii, ViktorIUzefovich. Moskva: Дека-ВС, 2011. 531 p. (Prilozhenie; annotirovannyĭ imennoĭ ukazatel´).ISBN 978-5-901951-28-6.Rech´ i muzyka v tradit â sionnykh muzykalńykh kul´turakh = Речь и музыка в традиционныхмузыкальных культурах [Speech and Music in Traditional Musical Cultures]. Sostavitel´redaktor,Z.A. Imamutdinova. Moskva: Muzizdat, 2011. 395 p. ISBN 978-5-904082-12-3.Preface, annotations, and data on authors also in English; 2 articles translated from Englishinto Russian.Tarasov, L; I. Konstantinova. Arturo Toskannini, velnikiĭ maestro = Артуро Тосканини, великиймаэстро [Arturo Toscanini, the Great Maestro]. Sankt-Peterburg: Lan´, 2011. 606 p. (Planetamuzyki); (Mir kultury, istorii i filosofii). ISBN 978-5-8114-1171-9.Tulikova, A.S. (Alisa Serafimovna). Dom sta roialeĭ-Ogareva, 13: Sbornik vospominaniĭ o Domekompozitorov v Moskve = Дом ста роялей Огарева, 13: Сборник воспоминаний о Домекомпозиторов в Москве [The House of Hundred Grand Pianos at 13 Ogarev Street:Memoirs of the Moscow House of Composers]. Moskva: TONChU, 2010. 637 p.(Moskovskaia kniga). ISBN 978-5-91215-048-7.Vanechkina, I.L. (Irina Leonidovna); B.M. (Bulat Makhmudovich) Galeev. “Poėma ognia”:kont â sept â siia svetomuzykalńogo sinteza A.N. Skriabina = “Поэма огня”: концепциясветомузыкального синтеза А.Н. Скрябина [“Poem of Fire”: A.N. Scriabin’s Concept ofLight and Music Synthesis]. 2e izd., pererab. i dop. Kazan´: Izdvo Kazanskogo unta, 2010. 351p. ISBN 978-5-85401-135-8.Includes summary and table of contents in English.Vash Andreĭ Petrov: kompozitor v vostpminaniiakh sovremennikov = Ваш Андрей Петров:композитор в воспоминаниях современников [Your Andrey Petrov: The Composer in theMemoirs of Contemporaries]. Avtor-sostavitel´, Oleg Serdobol´skiĭ. Sankt-Peterburg: Izd-voIvana Limbakha, 2010. 378 p. ISBN 978-5-89059-146-3.Vederinkova, M.A. Russkie tant â sovshchiki i baletmeistery v kontekste kul´tury RusskogoZarubezhía (1917–1939 gg.): biographicheskii ėnt â siklopedicheskii slovar´ = Русскиетанцовщики и балетмейстеры в контексте культуры Русского Зарубежья: (1917–1939gg.): биографический энциклопедический словарь [Russian Dancers and Choreographersin the Context of Russian Culture Abroad (1917–1939): Encyclopedic Dictionary]. Moskva:Ėkon-Inform, 2011. 154 p. ISBN 978-5-9506-0785-1.Zaĭt K seva, Тatiana A. Tvorcheskie uroki M.A. Balakireva: Pianism, dirizhirovanie, pedagogika =Творческие уроки M.А. Балакирева: пианизм, дирижирование, педагогика [M.A.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

91 of 149Balakirev’s Lessons in Creativity: Pianism, Conducting, Pedagogy]. Issledovatel´skie ocherki.Sankt-Peterburg: Kompozitor, 2012. 493 p. ISBN 979-5-7379-0498-1.SERBIABaker, Catherine. Zvuci granice: Popularna muzika, rat i nacionalizam u Hrvatskoj posle 1991[Sounds of the Borderland; Popular Music, War and Nationalism in Croatia]. S engl. preveliIgor Cvijanović i Alen Bešlić. Beograd: Biblioteka XX vek: Knjižara Krug, 2011. 344 p.(Biblioteka XX vek, 197), ISBN 978-86-7562-101-0.Translation of: Sounds of the Borderland: Popular Music, War, and Nationalism inCroatia (Farnham: Ashgate, 2010).Blam, Mihailo. Jazz u Srbiji, 1927–1944 [Jazz in Serbia, 1927–1944]. Beograd: Stubovi kulture,2011. 1 v. (177 p.) + 1 CD-ROM. ISBN 978-86-7979-350-8.Dejanac, Dušan. Običaji Srba u severnom Banatu = Обичаји Срба у северном Банату[Traditions of the Serbs in Northern Banat]. Kikinda: Istorijsko-zavičajno društvo “Kinđa”,2011. 423 p. (Edicija Duh mesta). ISBN 978-86-85213-08-3.Fraser, Alan. O umeću sviranja klavira: Nov pristup veštini sviranja klavira [The Craft of PianoPlaying: A New Approach to Piano Technique]. Prevod s engleskog Branislava Babić.Beograd: Clio, 2011. 399 p. (Ars musica). ISBN 978-86-7102-403-7Translation of: The Craft of Piano Playing: A New Approach to Piano Technique (Lanham,Md.: Scarecrow Press, 2003).Jakovljević, Rastko. World Music u Srbiji: Tradicije, poreklo, razvoj = World Music у Србији:традиције, порекло, развој [World Music in Serbia: Traditions, Origins, Development].Beograd: Muzička omladina Srbije, 2011. 1 v. (99 p.) + 1 CD-ROM. ISBN 978-86-903859-6-6.Janković, Aleksandar S. Dug i krivudav put: Bitlsi kao kulturni artefakt [The Long and WindingRoad: The Beatles as a Cultural Phenomenon]. 2. izd. Beograd: Red Box, 2011. 219 p. ISBN978-86-86599-08-7.Knežević, Stanislav. Iz muzičke prošlosti Sombora [From the Musical Past of Sombor]. Sombor:Gradska biblioteka ‘Karlo Bijelicki’, Gradski muzej, 2011. 148 p. ISBN 978-86-81749-27-2.Konferencia muzikológov a hudobných odborníkov (6 th , 2010, Nový Sad). Slovenská hudba voVojvodine 2010: Zborník prác 6. konferencie muzikológov a hudobných odborníkov, NovýSad, 11. decembra 2010: Inovačné metódy v hudobnej pedagogike [Slovak Music inVojvodina 2010: Proceedings of the 6 th Conference for Musicologists and MusicProfessionals, Novi Sad, 11 December 2010: Innovative Methods in Music Pedagogy].Editorka Milina Sklabinská; preklad z češtiny Alena Suchomelová. Nový Sad: Národnostnárada slovenskej národnostnej menšiny v Srbsku: Ústav pre kultúru vojvodinských Slovákov,2011. 91 p. ISBN 978-86-87947-04-7.Partly with parallel text in Serbian (Cyrillic) and Slovak.Krajačić, Gordana. Muzički zapisi [Musical Recordings]. Beograd: G. Krajačić, 2011. 277 p. ISBN978-86-902813-7-4.Levitin, Daniel J. Muzika i mozak: Zašto volimo muziku [Music and the Brain: Why We LoveMusic]. Prevod sa engleskog Vladica Rakić. Novi Sad: Psihopolis institut, 2011. 349 p. ISBN978-86-86653-66-6.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

92 of 149Translation of: This is Your Brain on Music: The Science of Human Obsession (New York, N.Y.:Dutton, 2006).Ligeti Balint, Marija. Pančevačka klavirska muzika [The Piano Music of Panchevo]. Pančevo: MaliNemo, 2011. 155 p. (Biblioteka Hrestomatija). ISBN 978-86-7972-065-8.Međunarodni naučni skup Srpski jezik, književnost, umetnost (5 th , 2010, Kragujevac). Zbornikradova sa V međunarodnog naučnog skupa održanog na Filološko- umetničkom fakultetu uKragujevcu, (29–30. X 2010) = Зборник радова са V међународног научног скупаодржаног на Филолошко-уметничком факултету у Крагујевцу, (29–30. X 2010) [SerbianLanguage, Literature, and Art: Proceedings of the 5 th International Scientific Meeting inKragujevac, (29–30. X 2010)]. Kragujevac: Filološko-umetnički fakultet: Skupština grada,2011- . v. 1- .Vol. 3: Žensko pismo: Srpska muzika u evropskom kontekstu = Женско писмо: српскамузика у европском контексту [Women’s Writings: Serbian Music in the EuropeanContext]. ISBN 978-86-85991-37-0.Melodije i fotografija: tematski zbornik radova posvećen Vladimiru Đorđeviću = Мелодије ифотографија: тематски зборник радова освећен Владимиру Ђорђевићу [Melodies andPhotographs: Thematic Collection of Essays Dedicated to Vladimir Djordjevi]. Urednik Dragan Stojmenović. Bor: Narodna biblioteka, 2011. 75 p. ISBN 978-86-84061-15-9.Mićević, Kolja. Lirska istorija muzike: Od Pitagore do Baha = Лирска историја музике: одПитагоре до Баха [A Lyrical History of Music: From Pythagoras to Bach]. Beograd: Službeniglasnik, 2011. 4 v. (Biblioteka Umetnost i kultura. Edicija En musica!). ISBN 978-86-519-0784-8 (v. 1); ISBN 978-86-519-1056-5 (v. 2); ISBN 978-86-519-1074-9 (v. 3); ISBN 978-86-519-1075-6 (v. 4).Miladinović Prica, Ivana. Od buke do tišine: Poetika ranog stvaralaštva Džona Kejdža [FromNoise to Silence: The Poetics of John Cage’s Early Work]. Beograd: Fakultet muzičkeumetnosti, Katedra za muzikologiju, 2011. 147 p. (Muzikološke studije. Interpretacije: lesbeaux excentriques, 5/2011). ISBN 978-86-88619-09-7.Milanović, Dragan. Harmonika u umetničkoj muzici u Srbiji = Хармоника у уметничкој музици уСрбији [The Accordion in Serbian Classical Music]. Vrnjačka Banja: Scientific and TechnicalCenter for Intellectual Property, 2011. 136 p. ISBN 978-86-6075-021-3.Milosavljević, Smiljka. Identitetska pozicioniranja Džona Zorna [John Zorn’s Identities]. Beograd:Fakultet muzičke umetnosti, 2011. 157 p. (Muzikološke studije. Interpretacije: les beauxexcentriques, 6/2011). ISBN 978-86-88619-05-9.Miškov, Milovan. Srpsko crkveno pevačko društvo u Bašaidu, 1885–1991 = Српско црквенопевачко друштво у Башаиду, 1885–1991 [The Serbian Church Choral Society in Bashaid,1885–1991]. Bašaid: Srpska pravoslavna crkvena opština, 2011. 1 v. (77 p.) + 1 CD-ROM.ISBN 978-86-85085-94-9.Od zlata gudalo: monografija Vlastimira Pavlovića Carevca = Од злата гудало: монографијаВластимира Павловића Царевца. [The Golden Fiddle Bow: A Book about Vlastimir PavlovićCarevac]. Priredili Nikola Rackov, Branko Belobrk, Ivo Cenerić. Beograd: Zavod za udžbenike,2011. 1 v. (386 p.) + 1 CD-ROM. ISBN 978-86-17-17279-2.Omladinska alternativna pop kultura u YU od 1977. do 1984. god: Epizoda Beograd: Post punk,fanzini, andergraund strip, alternativni video, performans, DIY, foto = Youth Alternative andPop Culture in Yugoslavia from 1977 to 1984: The Belgrade Chapter: Post-Punk, Fanzines,© 2012 – International Association of Music Libraries; Fontes Artis Musicae

93 of 149Underground Comix, Alternative Video, Performance, DIY, Photo. Muzej istorije Jugoslavije(Muzej 25. Maj), Beograd, 17. 12. 2011–15. 01. 2012. God = Museum of Yugoslav History(May 25 th Museum), Belgrade, December 17, 2011–January 15, 2012. Autori tekstovaMarina Martić ... [et al.]; prevod Steve Agnew. Beograd: Muzej istorije Jugoslavije, 2011. 48p. ISBN 978-86-84811-15-0.Parezanović, Kristina. Oblasni paralelizmi: Reprodukcija i opažanje u solfeđu = Обласнипаралелизми: репродукција и опажање у солфеђу [Parallel Fields: Reproduction andPerception in Solfeggio]. Kragujevac: Filološko-umetnički fakultet, 2011. 187 p. (BibliotekaPraktitkum). ISBN 978-86-85991-33-2.Petković, Ivana. Pozno stvaralaštvo Kloda Debisija: Istine o francuskom mitu [The Late Works ofClaude Debussy: “Truths” about the French Myth]. Beograd: Fakultet muzičke umetnosti,Katedra za muzikologiju, 2011. 129 p. (Muzikološke studije. Interpretacije: les beauxexcentriques, 1/2011). ISBN 978-86-88619-07-3.Radeta, Igor. Semiotička analiza narativa u ciklusu “Gaspard de la Nuit” Morisa Ravela [SemioticAnalysis of the Narrative in the Cycle Gaspard de la Nuit by Maurice Ravel]. Beograd:Fakultet muzičke umetnosti, Katedra za muzikologiju, 2011. 128 p. (Muzikološke studije.Interpretacije: les beaux excentriques, 2/2011). ISBN 978-86-88619-08-0.Radinović, Sanja. Oblik i reč: Zakonomernosti melopoetskog oblikovanja srpskih narodnihpesama kao osnova za metodologiju formalne analize = Облик и реч: закономерностимелопоетског обликовања српских народних песама као основа за методологијуформалне анализе [Form and Word: the Laws of Melopoetic Shaping of Serbian Folk Songsas a Basis for the Methodology of Formal Analysis]. Beograd: Fakultet muzičke umetnosti,2011. 445 p. (Etnomuzikološke studije. Disertacije = Ethnomusicological Studies.Dissertations, 3/2011). ISBN 978-86-6051-083-1.Rakočević, Selena. Igre plesnih struktura: Tradicionalna igra i muzika za igru Srba u Banatu usvetlu uzajamnih uticaja [Interweaving Dance Structures: Traditional Dance and DanceMusic of the Banat Serbs as Reflected in their Mutual Relationship]. Beograd: Fakultetmuzičke umetnosti, 2011. 622 p. (Etnomuzikološke studije. Disertacije; sv. 2/2011 =Ethnomusicological Studies. Dissertations, 2/2011). ISBN 978-86-88619-00-4.Raković, Aleksandar. Rokenrol u Jugoslaviji 1956–1968: Izazov socijalističkom društvu =Рокенрол у Југославији, 1956–1968: Изазов социјалистичком друштву [Rock and Roll inYugoslavia 1956–1968: A Challenge to the Socialist Society]. Beograd: Arhipelag, 2011. 621p. (Biblioteka Vreme i priča). ISBN 978-86-523-0023-5.Roganović, Gordana. Tradicionalna muzička i igračka praksa Vojvodine zimskog dela godine odprvih pomena do danas: Prilog proučavanju tradicionalne muzičke prakse Vojvodine =Традиционална музичка и играчка пракса Војводине зимског дела године од првихпомена до данас: прилог проучавању традиционалне музичке праксе Војводине[Traditional Music and Dance of the Winter Period in Vojvodina from Its Beginnings toToday: A Contribution to the Study of Traditional Music Practice in Vojvodina]. Bečej:Proleter, 2011. 79 p. ISBN 978-86-84819-53-8.Simić, Zorica. Gusle: iz Etnološke zbirke Narodnog muzeja Kruševac = Гусле: из Етнолошкезбирке Народног музеја, Крушевац [Gusle: From the Ethnology Collection of the NationalMuseum in Krusevac]. Kruševac: Narodni muzej, 2011. 16 p. ISBN 978-86-84669-68-3.Exhibition catalogue.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

94 of 149Srbija: muzički i igrački dijalekti = Србија: музички и играчки дијалекти [Serbia: Music andDance Genres]. Urednik Dimitrije O. Golemović. Beograd: Fakultet muzičke umetnosti, 2011.218 p. ISBN 978-86-88619-02-8.Srećković, Biljana. Modernistički projekat Pjera Šefera: Od ispitivanja radiofonije do muzičkihistraživanja [The Modernistic Project of Pierre Schaffer: From Radiophonics to MusicalResearch]. Beograd: Fakultet muzičke umetnosti, 2011. 183 p. (Muzikološke studije.Interpretacije: les beaux excentriques, 4/2011). ISBN 978-86-88619-04-2.Stojković, Milica. Bila sam svedok: Muzička produkcija RTB: 1976–1992 = Била сам сведок:Музичка продукција РТБ, 1976–1992 [I Was a Witness: Musical Production of RTB, 1976–1992]. Beograd: RDU Radio.televizije Srbije, Centar za istraživanje javnog mnjenja, programai auditorijuma, Izdavačka delatnost, 2011. 269 p. (Edicija Posebna izdanja, Radio-televizijaSrbije). ISBN 978-86-6195-006-3.Studeničke besede: Odabrana predavanja sa Letnjih duhovnih akademija = Студеничке беседе:одабрана предавања са Летњих духовних академија [Studenica’s Sermons: SelectedLectures from the Summer Spiritual Academies]. Urednik Snežana Nikolajević. Beograd:Muzička omladina Srbije, 2011. 1 v. (126 p.) + 1 DVD-ROM. ISBN 978-86-903859-5-9.Turnić Đorđić, Nataša. Pozorište Erika Satija: život kao teatar i muzika za scenu (1891–1914)[Théâtre d’Erik Satie: Life as Theater and Music for the Stage (1891–1914)]. Beograd:Fakultet muzičke umetnosti, Katedra za muzikologiju, 2011. 163 p. (Muzikološke studije.Interpretacije: les beaux excentriques, 3/2011). ISBN 978-86-88619-06-6.SOUTH AFRICACronjé, Carel F. So jy dink jy wil ‘n ster wees: Die waarheid en ander liegstories: Die verhaal vanLouis van Wyk, musiekpromotor en kunstenaarbestuurder [So You Think You Want to Become aStar: The Truth and Other Lies: The Story of Louis Van Wyk, Music Promoter and ArtisticManager]. Pretoria: Music Profile Management, 2008. 260 p. ISBN 978-0-981417-70-7.Du Toit, Jannie. Onderweg: ‘N musiekstorie van 40 jaar [On the Way: A Music Story of 40 Years].Matieland: African Sun Media, 2011. 160 p. ISBN 978-1-919985-43-5.For Future Generations: Hugh Tracey and the International Library of African Music. Edited byDiane Thram. Grahamstown: International Library of African Music, 2010. 1 v. (104 p.) + 1CD. ISBN 978-1-920355-96-8.Henderson, Guy. Crazy World: A Tribute to Lucky Dube. Pietermaritzburg: Shuter & Shooter,2007. 232 p. ISBN 978-0-796035-17-2.Lucia, Christine. Music Notation: A South African Guide. Pretoria: Unisa Press, 2011. 1 v. (318 p.)+ 1 CD. ISBN 978-1-868885-68-8.Monsoon, Jon. Stars, Bars & Guitars: A Journey in South African Music. Cape Town: Struik, 2008.158 p. ISBN 978-1-770075-02-3.SPAIN25 años de ópera en España: Autores españoles. 1986–2010: Ópera contemporánea española.Memoria informativa e ilustrada [25 Years of Opera in Spain: Spanish Authors. 1986–2010:Spanish Contemporary Opera; an Informative and Illustrated History]. Direccion, Antonio© 2012 – International Association of Music Libraries; Fontes Artis Musicae

95 of 149Alvarez Canibano; documentacion, Cristina Marcos Patino y Pilar Gutiérrez. Dorado Madrid:Centro de Documentación de Música y Danza, 2011. 1 DVD.Abarza Baumenn, Marcos. Historia y concepto del black metal [History and Concept of BlackMetal]. Llinars del Vallès (Barcelona): Quarentena, 2011. 318 p. ISBN 978-84-15191-20-9.Agueria Cueva, Fernando. Historia de la educación musical en la España contemporánea: Unestudio de política legislativa [History of Music Education in Contemporary Spain: A Study ofLegislative Policy]. Gijón: F Agüeria, 2011. 292 p. ISBN 978-84-615-4164-5.Alberich Artal, Enric. Harmonia I: Textos de Música moderna [Harmonia I: Texts of ModernMusic]. Barcelona: DINSIC, 2009. 247 p. ISBN 978-84-96753-22-8.Alcover Alcodori I, Francisco; Rafael Lafuente Avedillo. La música y los instrumentos desde elBarroco hasta el siglo XX [Music and Instruments from the Baroque to the 20 th Century].Valencia: Uma, 2011. 719 p. ISBN 978-84-96468-14-6.Alfonso, Armando. Recuerdos de dos vidas de músico (Javier Alfonso, Armando Alfonso)[Memories of the Lives of Two Musician (Javier Alfonso, Armando Alfonso)]. Daganzo(Madrid): Alpuerto, 2011. 411 p. ISBN 978-84-381-0451-4.Alier, Roger. Historias de la historia de la ópera: La otra cara del género lírico a través de lasanécdotas y curiosidades de sus protagonistas [Tales from the History of Opera: The OtherSide of the Lyric Genre through Anecdotes and Curiosities of Its Practitioners]. Teià(Barcelona): Ma Non Troppo, 2011. 237 p. (Música). ISBN 978-84-15256-06-9.Alonso Pérez-Ávila, Beatriz. Flamenco-jazz o jazz-flamenco: Un género entre la realidad y laestrategia publicitaria [Flamenco-Jazz or Jazz-Flamenco: A Genre between Reality andAdvertising Strategy]. Don Benito: Editorial Edita, 2010. 1 CD-ROM (17 p.). ISBN 978-84-9952-686-7.Alonso Pérez-Ávila, Beatriz. La música islandesa: Entre la modernidad y el folklore [IcelandicMusic: Between Modernity and Folklore]. Don Benito: Editorial Edita, 2010. 1 CD-ROM (34p.). ISBN 978-84-9952-687-4.Alonso Ruiz Ruiz, Amelia. La voz humana [The Human Voice]. Madrid: Visión Libros, 2011. 99 p.ISBN 978-84-9008-137-2.Arija Soutu, María Rosa. Reveriano Soutullo Otero, el alma lírica de la música gallega: Vida yobra [Reveriano Soutullo Otero, the Lyric Soul of Galician Music: Life and Works].Pontevedra: Diputación de Pontevedra, Editorial, 2011. 420 p.Bacicalupe, Carlos. Carmelo Larrea (1907–1980): Compositor de boleros universales [CarmeloLarrea (1907–1980): Composer of Universal Boleros]. Bilbao: BBK, 2010. 162 p. (Bizkaikogaiak = Temas vizcaínos, 427-428). ISBN 978-84-8056-301-7.Bajén García, Luis Miguel. Músicas de la tierra: Melodías, bailes y músicos populares en laprovincia de Zaragoza: Archivo de la Tradición Oral [Music of the Land: Melodies, Dances, andFolk Musicians in the Province of Zaragoza: Oral Tradition Archive]. Zaragoza: DiputaciónProvincial de Zaragoza, Cultura y Patrimonio, 2010. 28 p. ISBN 978-84-9703-296-4.Ballester Martínez, José. La metodología de Joaquín Achúcarro: Su aportación al desarrollo de lapedagogía planística en España [The Methodology of Joaquin Achucarro: His Contributionto the Development of Piano Pedagogy in Spain]. Murcia: DM, 2011. 112 p. ISBN 978-84-8425-968-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

96 of 149Balsera Gómez Gómez, Francisco J. Inteligencia emocional y enseñanza de la música [EmotionalIntelligence and the Teaching of Music]. Barcelona: DINSIC, 2010. 163 p. (Materiales depedagogía musical). ISBN 978-84-96753-31-0.Banda de Música de Sober: Un século e medio de historia [The Sober Orchestra: A Century-anda-Halfof History]. Textos, Paula Vázquez Verao [et al.]. Sober, Lugo: Asociación CulturalBanda de Música de Sober, 2011. 93 p.Baño, Fernando. La antitécnica: La impostación vocal: Ópera, teatro musical, jazz, música ligeray agrupaciones corales [The Anti-Technical: Voice Placement: Opera, Musical Theater, Jazz,Light Music, and Choral Groups]. Barcelona: F Bañó, 2010. Barcelona, Solegraf. 231 p. ISBN978-84-381-0388-3.Bartells-Suermondt, Anya. Cigala: Garganta de arena [Cigala: Throat of Sand]. Barcelona:Madrid: Lunwerg, 2011. 342 p. ISBN 978-84-9785-752-9.Mostly illustrations.Benavides, Ana. Gerardo Diego y la música [Gerardo Diego and Music]. Santander: EdicionesUniversidad Cantabria, 2011. 321 p. ISBN 978-84-8102-606-1.Benavides, Ana. El piano en España: Desde su introducción hasta Joaquín Turina [The Piano inSpain: From Its Introduction to Joaquin Turina]. Prólogo de Andrés Ruiz Tarazona. Boadilladel Monte (Madrid): Bassus, 2011. 213 p. ISBN 978-84-938270-2-1.Bencivellí, Silvia. Por qué nos gusta la música: Oído, emoción, evolución [Why We Like Music:Hearing, Emotion, Evolution]. Barcelona: Roca, 2011. 219 p. (Divulgación). ISBN 978-84-9918-362-6.Benezon, Rolando O. Musicoterapia: De la teoría a la práctica [Music Therapy: From Theory toPractice]. Barcelona: Paidós, 2011. 357 p. (Psicología, psiquiatría, psicoterapia, 249). ISBN978-84-493-0936-6.Benguerell Xavier. Notes de la meva vida: Memòries 1931–2009 [Notes from My Life: Memoirs,1931–2009]. Barcelona: Boileau, 2011. 118 p.Bosque, Carlos A Del. Ni rebeldes ni sin causa: El rock and roll en el cine (1956–1959) [Neither aRebel nor without a Cause: Rock and Roll in the Movies (1956–1959)]. Llinars del Vallès(Barcelona): Quarentena, 2011. 112 p. ISBN 978-84-15191-17-9.Cachinero Zagalaz, Juan. Innovaciones melódico-armónicas en la improvisación jazzística: Unrecorrido a través de “Body and Soul”, 1935–1945 [Melodic and Harmonic Innovations inJazz Improvisation: A Journey through Body and Soul, 1935–1945]. Jaén: Universidad deJaén, Servicio de Publicaciones, 2011. 1 CD-ROM. ISBN 978-84-8439-597-3.Doctoral thesis: Universidad de Jaén; includes summary in Spanish and English.Calvo-Manzano, María Rosa. El arpa en la obra de Héctor Villa-Lobos: Estudio crítico [The Harpin the Works of Heitor Villa-Lobos: A Critical Study]. Madrid: ARLU, 2011. 41 p. (Coleccion “Elarpa”, opera omnia). ISBN 978-84-615-0603-3.Calvo-Manzano, María Rosa. El arpa en la obra de Joaquín Turina: Estudio crítico [The Harp inthe Works of Joaquin Turina: A Critical Study]. Madrid: ARLU, 2011. 49 p. (Coleccion “Elarpa”, opera omnia). ISBN 978-84-615-0604-0.Camafeita, Olga M. Dicionario da Música popular en Galicia [Dictionary of Popular Music inGalicia]. Cangas do Morrazo Pontevedra: Morgante, 2010. 219 p. (Mudanzas, 15). ISBN9788493781651.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

97 of 149Canals Surís, Manuel. El jazz: Sus elementos estéticos [Jazz: Its Aesthetic Elements]. Barcelona:Ediciones de la Ametista, 2011. 88 p. ISBN 978-84-936838-1-8.Canton Ferrer, Cristian; Raquel Tovar Abad. Jaime Nunó, un sanjuanense en América [JaimeNuno: A San Juanese in America]. Barcelona: Fundació Casa Amèrica Catalunya, 2010. 217 p.(KM 13.774). ISBN 978-84-85736-55-3.Translation of: Jaume Nunó: Un santjoaní a América (Barcelona: Casa America Catalunya,2010)Canton Ferrer, Cristian. Vida i obra de Luis G. Jordà (1869–1951): El músic de les Masies de Rodaque va triomfar a Mèxic, [Life and Works of Luis G. Jordá (1869–1951): The Musician fromMasies de Roda Who Thrived in Mexico]. Amb la col·laboració en la recerca de Marta MarlyMallol. Les Masies de Roda: Ajuntament de Les Masies de Roda, 2010. 1 v. (227 p.) + 1 CD-ROM. ISBN 978-84-606-5055-3.Capdepón Verdú, Paulino. La música en Irún en el siglo XIX: La capilla de música de la Iglesia deSanta María del Juncal [Music in Irun in the 19 th Century: The Musical Chapel of the Churchof Santa Maria del Juncal]. Irún: Archivo Municipal, 2011. 658 p. (Irún tiene historia, 10).ISBN 978-84-606-5373-8.Carbonell Beviá, José Ramón. Refranero de la Música: Temático [Quotations about Music:Thematic]. San Vicente del Raspeig: J.R Carbonell, 2011. 460 p. ISBN 978-84-614-9936-6.Cardona Linares, Antonio; J. Deborah Kalmar. Vida y obra de Patricia Stokoe: Creadora de laexpresión corporal-danza [Life and Work of Patricia Stokoe: Creator of Dance as BodyLanguage]. Sevilla: Wanceulen, 2011. 279 p. ISBN 9788499932309.Carol, Màrius. Josep Carreras: Memorias a viva voz [José Carreras: Memories Out Loud].Barcelona: Plaza & Janés, 2011. 329 p. ISBN 978-84-01-39095-1.Carrillo Guzmán, Mercedes del Carmen. Introducción a la dramaturgia musical [Introduction toMusical Dramaturgy]. Murcia: Editum, 2011. 126 p. ISBN 978-84-8371-495-9.Carta blanca a Osvaldo Golijov [“Carte blanche” to Osvaldo Golijov]. Textos, Joan AntónCararach [et al.]. Madrid: Orquesta y Coro Nacionales de España. 2011. 201 p. (ColecciónOCNE, 14). ISBN 978-84-87075-59-9.Casals, Pablo. Reflexions: Pensaments íntims i personals [Reflections: Intimate and PersonalThoughts]. Recollits par Albert E. Kahn Traducció de Rosa Queralt. Barcelona: Antoni Bosch,2011. 319 p. ISBN 978-84-95348-81-4.Translation of: Joys and Sorrows; Reflections (New York: Simon and Schuster, 1970)Castillo Jiménez, Ángela. La ornamentación en la música vocal renacentista desde la perspectivade Giovanni Luca Conforto [Ornamentation in Renaissance Vocal Music from the Perspectiveof Giovanni Luca Conforto]. El Ejido: Circulo Rojo, 2010. 271 p. (Coleccion Docencia, 17).ISBN 978-84-15143-35-2.Clasificación sistemática de libros de música, partituras y grabaciones sonoras [SystematicClassification of Music Books, Scores, and Sound Recordings]. Grupo de trabajo de EUDOM.Pozuelo de Alarcón: Asociación Española de Documentación Musical, 2010. 94 p.(Cuadernos (Asociacion Espanola de Documentacion Musical), 3). ISBN 978-84-934932-2-6.Colección Doctor “honoris causa”, Zubin Mehta [The Zubin Mehta Honorary DoctorateCollection]. Paraninfo de la Universitat Politècnica de València, 24 de mayo de 2008.Valencia: Universitat Politècnica de València, Área de Protocolo, 2011. 1 v. (109 p.) + 1 DVD-Vídeo. ISBN 9788469415511.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

98 of 149Congreso Faustino Santalices (Ourense, 2011). Ciencia da gaita, consciencia da zanfona:Tradición musical galega [Science of the Bagpipe, Consciousness of the Hurdy Gurdy: AGalician Musical Tradition]. Vicente Cástor Castro y Félix Castro Vicente (coords.). Ourense:Difusora de Letras, Artes e Ideas, 2011. 239 p. ISBN 9788492958108.Coro Morán, Ernesto. Cultura musical en tiempos de guerra: Los conciertos organizados por elControl de Espectáculos Públicos de Gijón (enero–octubre de 1937) [Musical Culture inWartime: The Concerts Organized by the Gijón Public Performances Authority (January–October 1937)]. Gijón: Ateneo Obrero de Gijón, 2011. 47 p. (Folletos del Ateneo, 2ª época,26). ISBN 9788487958830.Cortès i Mir, Francesc. Història de la Música a Catalunya [History of Music in Catalonia].Barcelona: Base, 2011. 241 p. (Col·lecció Base històrica, 73). ISBN 978-84-15267-00-3.Creación musical, cultura popular y construcción nacional en la España contemporánea [MusicalCreation, Popular Culture, and Nation Building in Contemporary Spain]. Celsa Alonso, JulioArce, Teresa Fraile [et al.]. Madrid: ICCMU, 2010. 347 p. (Música hispana. Textos. Estudios,16). ISBN 978-84-89457-45-4.Cruces de caminos: Intercambios musicales y artísticos en la Europa de la primera mitad delsiglo XX [Crossroads: Musical and Artistic Exchanges in Europe in the First Half of the 20 thCentury]. Gemma Pérez Zalduondo y María Isabel Cabrera García (coords.). Granada:Editorial Universidad de Granada, 2010. 498 p. ISBN 978-84-338-5185-7.Includes contributions in French, Italian, and Spanish.Cruz Rodríguez, Javier. Salamanca histórico-cultural en la transición del siglo XVI al XVII: Músicay otros elementos en la visita que realizó Felipe III en el año 1600 [A Cultural History ofSalamanca from the 16 th to the 18 th Century: Music and Other Factors in the Visit of Philip IIIin 1600]. Salamanca: Ediciones Universidad de Salamanca, 2011. 1 CD-ROM (1,012 p.).(Colección Vítor, 291). ISBN 978-84-78001-03-3.Includes summary in Spanish and English.De parto a omega: 10 anos de improvisación libre [From Birth to Omega: 10 Years of FreeImprovisation] Textos, Llorenç Barber [et al.]; tradució ao galego, Xron, Mcortés. A Coruña:Chévere, 2011. 137 p. (Ultratextos documenta).Text in Gallician and Castillian.El debate sobre la ópera italiana y Wagner: El debate entre Joaquín Marsillach Lleonart yAntonio Fargas Soler [The Debate on Italian Opera and Wagner: The Debate betweenJoaquin Marsillach Lleonart and Antonio Fargas Soler]. Ramón Bau [et al.]. Barcelona:Associació Wagneriana de Barcelona, 2011. 164 p.Una década de la Joven Orquesta Sinfónica “Ciudad de Salamanca” [A Decade of the “City ofSalamanca” Youth Symphony Orchestra]. Salamanca: Fundación Salamanca Ciudad deCultura, 2011. 51 p.Delclòs Casas, Jordi. La dimensión terapéutica de la Música en el sufismo [The TherapeuticDimension of Music in Sufism]. Madrid: Mandala, 2011. 466 p. ISBN 978-84-83520299-8Desarrollo integral y educación musical [Integrated Development and Music Education].Contenidos, María Elena Riaño, Natalia González y Sonsoles Guerra. Santander: FundaciónBotín, 2011. 3 v. ISBN 978-84-96655-43-0.Día de la Universidad: Acto académico de investidura de Agustín González García de Acilu comodoctor “honoris causa”: Pamplona, 8 de abril de 2011 [University Day: Academic Ceremony© 2012 – International Association of Music Libraries; Fontes Artis Musicae

99 of 149of Investiture of Agustín González Garcia Acilu as Doctor “honoris causa”, Pamplona, April 8,2011]. Pamplona: UPNA, 2011. 31 p.Diccionario de punk y hardcore: (España y Latinoamérica) [Dictionary of Punk and Hardcore:(Spain and Latin America)]. Coord. por Zona de Obras. Madrid: Fundación Autor, 2011. 296p. (Música). ISBN 978-84-8048-838-9.Diez años de Primavera Sound según Paco y Manolo, 2001–2010 = Ten Years of Primavera Soundaccording to Paco & Manolo, 2001–2010. Textos, Gabi Ruiz y Santi Carrillo; traducción, SoniaHarris. Barcelona: Primavera Sound, 2011. 163 p. ISBN 978-84-614-9857-4.Ens calen cançons d’ará: Retrospectiva sobre la nova cançó a 50 anys vista [We Need SongsNow: Retrospective on the Nova Cançó over 50 Years]. Javier de Castro (ed.); Francesc Pi dela Serra, Xevi Planas, Fermí Puig [et al.]. Lleida: Edicions de la Universitat de Lleida, 2010.195 p. (Espai/temps, 57). ISBN 978-84-8409-371-8.España, Rafael de. La pantalla lírica: El cine va a la ópera [The Lyrical Screen: Cinema Goes tothe Opera]. Badajoz: Diputación de Badajoz, Departamento de Publicaciones; FestivalIbérico de Cine, 2011. 514 p. ISBN 978-84-7796-204-5.Fernández Vicedo, Francisco José. El clarinete en España: Historia y repertorio hasta el siglo XX[The Clarinet in Spain: History and Repertoire to the 20 th Century]. Granada: Editorial de laUniversidad de Granada, 2011. 1 CD-ROM (757, 122 p.). ISBN 978-84-69401-76-7.Doctoral thesis: Universidad de Granada.Fernández Vidal, Carme. Técnicas compositivas antitonales: Estudio de tres tratados decontrapunto [Anti-Tonal Compositional Techniques: A Study of Three CounterpointTreatises]. Valencia: Piles, 2010. 251 p. ISBN 978-84-96814-61-5.Forma y tiempos de la Música [Form and Tempo in Music.] Eugenio Trías, José Sierra, SimhaArom [et al.]; Francisco Jarauta (editor). Santander: Fundación Botín, 2011. 357 p.(Cuadernos de la Fundación Botín, 18). ISBN 978-84-96655-89-8.Frei José de Vaquedano e o seu tempo (1642–1711) [Father José Vaquedano and His Time(1642–1711)]. Textos, Carlos Villanueva y José López-Calo. Santiago de Compostela: Museodo Pobo Galego, 2011. 97 p. ISBN 978-84-88508-48-5.Frutos, Luis de. Tangología [Tango-ology]. Sevilla: Elefantus Books, 2011. 370 p. (La lírica en eltango). ISBN 978-84-939032-0-6.Galbis García, Vicente; Hilari García Gásquez. Catàleg de la producció musical de Salvador Giner[Catalogue of the Musical Work of Salvador Giner]. València: Fundació General de la Universitatde València, Patronat d’Activitats Musicals, 2010. 100 p. ISBN 978-84-370-7961-5.Galofré, Francesca. El comerç de les editorials de Música catalanes l’any 2010 [Catalan TradePublishers of Music in 2010]. Barcelona: Gremi d’Editors de Catalunya, Comissió d’Editors deMúsica Gremi d’Editorials de Música de Catalunya, 2011. 47 p.García Gil, Desirée. Las canciones líricas de Frederic Mompou dentro de la evolución del géneroen España y Francia durante la primera mitad del siglo XX [The Lyric Songs of FrédéricMompou in the Developement of the Genre in Spain and France during the First Half of the20 th Century]. Granada: Editorial de la Universidad de Granada, 2011. 1 CD-ROM (371 p.).ISBN 978-84-694-0181-1.Doctoral thesis: Universidad de Granada.García Gil, Luis. Javier Ruibal: Más al sur de la quimera [Javier Ruibal: Further South of theChimera]. Cádiz: Mayi, 2011. 303 p. ISBN 978-84-938483-4-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

100 of 149García Laborda, José María. La Sociedad Filarmónica de Madrid: (1901–1936): (Contextohistórico y valoración del repertorio) [The Philharmonic Society of Madrid (1901–1936)(Historical Context and Review of the Repertory)]. Vigo: Academia del Hispanismo, 2011.185 p. (Biblioteca de Investigacion y Patrimonio Musical, Serie Francisco Salinas, 1). ISBN978-84-15175-13-1.García Martín, Judith Helvia. Música religiosa en la Castilla rural de los siglos XVIII y XIX: Lacapilla de Música de la Iglesia de los Santos Juanes de Nava del Rey (1700–1890) [ReligiousMusic in Rural Castile in the 18 th and 19 th Centuries: The Musical Chapel of the Church ofSaints John of Nava del Rey (1700–1890)]. Salamanca: Ediciones Universidad de Salamanca,2011. 1 CD-ROM. (Colección Vítor, 293). ISBN 978-84-74818-77-2.Doctoral thesis: Universidad de Salamanca; includes summary in Castillian and English.García Martínez, Rafael. Evaluación de las estrategias metacognitivas en el aprendizaje decontenidos musicales y su relación con el rendimiento académico musical [Assessment ofMetacognitive Strategies in Learning Music Content and Its Relationship to AcademicMusical Performance]. València: Universitat de València, Servei de Publicacions, 2011. 1 CD-ROM (429 p.). ISBN 978-84-370-8074-1.Doctoral thesis: Universitat de Valencia.Gaspar, Ramón José; Patxi Mendiburu Belzunegui. Francisco de Val: Vida, poesía y música[Francisco de Val: Life, Poetry, and Music]. Zaragoza: Diputación de Zaragoza, 2011. 1 v. (128p.) + 1 CD.Gericó Trilla, Joaquín. Lepoldo Magenti: Vida y obra [Lepoldo Magenti: Life and Works]. Valencia:Editorial Universidad Politècnica de València, 2011. 246 p. ISBN 978-84-8363-720-3.Gil-Orozco Roda, Luis; Rosalia Gil-Orozco; Marcial Garcia. El guitarrista Gil-Orozco: El artista, elhombre y su tiempo [The Guitarist Gil-Orozco: The Artist, the Man, and His Time]. Paterna:Goaprint, 2011. 334 p. ISBN 978-84-937004-3-0.Gisbert Cortes, Juan Javier. Consuelo Colomer: Una vida en el teclado (semblaza biográfica)[Consuelo Colomer: A Life at the Keyboard (Biographical Sketch)]. Alcoy: Ayuntamiento deAlcoy, Xarxa de Biblioteque Municipals, 2011. 261 p. ISBN 978-84-89136-70-0.Gómez de Caso Estrada, Mariano. Amalio Cuenca: Un riazano universal [Amalio Cuenca: AUniversal Man from Riaza (Segovia)]. Segovia: M. Gómez de Caso, 2011. 55 p.Heterotopias sonoras: III encuentros musicales en la Universidad de Jaén [Sound Heterotopies:III Musical Encounters at the University of Jaén]. Editoras, Mª Virginia Sánchez López,Mercedes Castillo Ferreira y María del Coral Morales Villar. Jaen: Universidad de Jaén,Vicerrectorado de Extensión Universitaria, Deportes y Proyección Institucional, 2011. 137 p.ISBN 978-84-8439-599-7.Hibridando el saber: Investigar sobre comunicación y música: Jornadas de investigación doctoralsobre comunicación y Música [Hybridizing Knowledge: Research in Communication andMusic: Conference on Doctoral Research in Communication and Music]. Miguel de Aguilera,Ana María Sedeño, Eddy Borges (coordinadores). Málaga: SPICUM, 2010. 1 CD-ROM (204p.). ISBN 978-84-9747-325-5.Conference of 7 June 2010.In_des_ar: Investigar desde el arte [In_des_ar: Research in Art]. Vicente Calvo Fernández y FélixLabrador Arroyo (eds.). Madrid: Dykinson, 2011. 263 p. ISBN 978-84-9982-816-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

101 of 149Iniesta Masmano, Rosa. Interactuando sin miedo [Interacting without Fear]. Valencia: Rivera,2011. 353 p. (Coleccion Música e interacciones, 28); (Coleccion Rivera Editores, 28). ISBN978-84-92825-08-0.Inventaris musicals valencians [Catalogue of Valencian Music]. Vicent Ros i Pérez [et al.]. Sueca,Valencia: Regidoria de Publicacions, Ajuntament de Sueca, 2011- . v. 1- .Vol. 1: Sueca.Investigar en los dominios de la música [Research in the Realm of Music]. Román de la Calle yMaría Luisa Martínez (coordinadores editoriales). Valencia: Real Academia de Bellas Artes deSan Carlos, 2011. 263 p. ISBN 978-84-93878-80-1.Isaac Albéniz: Un camprodoní universal [Isaac Albeniz: A Universal Camprodonian].Camprodon[?]: Ayuntamiento de Camprodon[?], 2009. 15 p.Iturbe, Borja. Religión y Música actual [Religion and Modern Music]. Boadilla del Monte(Madrid): PPC, 2011. 156 p. (Educar práctico). ISBN 978-84-288-2371-5.Jiménez Cavallé, Pedro. Ramón Garay (1761–1823): Un clásico, autor de 10 sinfonías [RamónGaray (1761–1823): Classisist, Composer of Ten Symphonies]. Jaén: Publicaciones de laUniversidad de Jaén: 2011. 588 p. ISBN 978-84-8439-615-4.Jiménez Cavallé, Pedro. El órgano en la Catedral de Jaén: Organistas y organeros [The Organ ofthe Jaen Cathedral: Organists and Organ Builders]. Jaén: Fundación Caja Rural de Jaén, 2011.519 p. (Cathedralis Ecclesia, 2). ISBN 978-84-614-5961-2.Jornadas de estudio John McLaughlin [Seminar on John McLaughlin]. Leo Brouwer, WalterKolosky, Marco Anderson. Coordinacion, prologo y edicion, Luis M. Medina Canalejo;colaboracion en la coordinacion y moderacion de la mesa redonda, Raúl Mannola. Cordoba:IMAE Gran Teatro Ediciones de La Posada, 2011. 70 p. (Nombres propios de la guitarra, 9).ISBN 978-84-89409-79-8.Labajo Valdés, Joaquina. Sin contar la música: Ruinas, sueños y encuentros en la Europa deMaría Zambrano [Without Mentionning the Music: Ruins, Dreams, and Meetings in theEurope of María Zambrano]. Madrid: Endymion, 2011. 376 p. (Endymion ensayo). ISBN 978-84-7731-513-1.Leturia, José Antonio. Orígenes, ritmos y controversias de la Música criolla del Perú y poemasmodernos [Origens, Rhythms, and Controversies in Creole Music of Peru and ModernPoetry]. Madrid: Cultiva, 2010. 329 p. (Colección Básica, 92). ISBN 978-84-9923-398-7.Libermann, Arnoldo. Kadish por Gustav Mahler: Viaje, zozobra y trascendencia de un judío errante[Kaddish for Gustav Mahler: Travel, Anxiety, and Importance of a Wandering Jew]. ColladoVillalba (Madrid): Sefarad, 2011. 126 p. (Con otras voces, 8). ISBN 978-84-87765-26-1.Lindt, Lawrence. Historias curiosas del jazz: Un recorrido por las anécdotas de la historia del jazz[Strange Stories of Jazz: A History of Jazz in Anecdotes]. Teià (Barcelona): Ma Non Troppo,2011. 239 p. ISBN 978-84-15256-18-2.López Castro, Armando. Poetas españoles ante la Música [Spanish Poets before the Music].León: Universidad de León, Área de Publicaciones, 2011. 451 p. ISBN 978-84-9773-574-2.López León, Ricardo Norberto. La educación musical escolar (6–12 años) en Puerto Rico: Unestudio desde la perspectiva de los maestros de Música = School Music Education (6–12Years) in Puerto Rico: An Study from the Music Teachers Perspective [sic]. Granada: Editorialde la Universidad de Granada, 2011. 1 CD-ROM (447 p.).Doctoral Thesis: Universidad de Granada; in Spanish, with summary in English.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

102 of 149Manuel Quiroga: Da gloria ó esquecemento [Manuel Quiroga: From Glory to Obscurity]. Museode Pontevedra, sexto edificio, do 15 de novembro de 2011 ó 15 de xaneiro de 2012. Textos,Carlos Cambeiro Alís [et al.]. Pontevedra: Museo de Pontevedra, 2011. 252 p. ISBN 978-84-95632-53-1.Exhibition catalogue.Marco, Tomás. Xavier Benguerel: Una trayectoria compositiva [Xavier Benguerel: ACompositional Trajectory]. Madrid: ICCMU, 2011. 199 p. (Música hispana. Textos. Biografías,20). ISBN 978-84-89457-47-8.Martínez Sánchez, Jesús. Cervezas, chicas y rockabilly: Historia del rock ‘n’ roll en España [Beer,Girls, and Rockabilly: History of Rock ‘n’ Roll in Spain]. Llinars del Vallès (Barcelona):Quarentena, 2011. 271 p. ISBN 978-84-15191-30-8.Medina, Ángel. Los atributos del capón: Imagen histórica de los cantores castrados en España[The Attributes of the Castrato: Historical Panorama of Castrati in Spain]. 3ª ed. aum.Madrid: ICCMU, 2011. 189 p. (Música hispana. Textos Estudios, 4). ISBN 84-89547-46-1.Mestres Quaderny, Josep Maria. La Música y la ciencia en progreso [Music and Science inProgress]. Tarragona: Arola, 2011. 172 p. (Assaig (Arola Editors). Castella). ISBN 978-84-15248-33-0.Mestres Quaderny, Josep Maria. Vida i obra de Robert Gerhard [Life and Work of RobertGerhard]. Traducció al castellà, Marcel Germain, traducció a l’anglès, Aaron Feder.Barcelona: C_RG, 2011. 295 p. (Col·lecció Música a Catalunya, 1). ISBN 978-84-615-0940-9.Text in Catalan, English, and Spanish.Moreno Moreno, Berta. Felipe Gorriti: Compositor, maestro de capilla y organista [Felipe Gorriti:Composer, Master of the Chapel, and Organist]. Pamplona: Gobierno de Navarra,Departamento de Cultura, Turismo y Relaciones Institucionales, 2011. 1 v. (375 p.) + 1 CD + 1CD-ROM. ISBN 978-84-235-3287-2.CD-ROM includes a thematic catalog of Gorriti’s works.Motatu Steurer, Gheorghe. El mestre Josep Vila i Amorós: Una vida dedicada a la Música coral[Maestro Josep Vila i Amorós: A Life Dedicated to Choral Music]. Barcelona: G. Motatu,2010. 97 p.Mujer versus música: Itinerancias, incertidumbres y lunas [Woman versus Music: Roaming,Uncertainties, and Moons]. Rosa Iniesta Masmano (ed.). Valencia: Rivera, 2011. 449 p.(Coleccion Músicae interacciones); (Coleccion Rivera Editores, 27). ISBN 978-84-92825-09-7.La Música como pre-texto: Antología de textos literarios [Music as a Pre-Text: Anthology ofLiterary Texts]. Antonio García Montalbán (recop.). Castelló de la Plana: ConservatoriSuperior de Música de Castelló, 2011. 71 p. (Publicacions, Conservatori Superior de Músicade Castello, 35). ISBN 9788496814769.Música de tecla en los monasterios femeninos y conventos de España, Portugal y las Américas[Keyboard Music in Female Monasteries and Convents in Spain, Portugal, and the Americas].Luisa Morales (ed.). Almería: LEAL, 2011. 293 p. (Series FIMTE). ISBN 978-84-61515-17-2.Navarro, Fernando. Acordes rotos: Retazos eternos de la Música norteamericana [BrokenChords: Unforgetable Snippets of American Music]. Barcelona: 66 rpm, 2011. 220 p.(Música). ISBN 978-84-939524-1-9.Nieves Sánchez, Manuela; Joaquín Rayego Gutiérrez; Francisco Manuel Soriano Ramírez. Músicay literatura en Francisco Rodríguez Marín [Music and Literature in Francisco Rodriguez© 2012 – International Association of Music Libraries; Fontes Artis Musicae

103 of 149Marin]. Tomares (Sevilla): Asociación Andaluza de Profesores de Español “Elio Antonio deNebrija”, 2011. 99 p. (Monografías. Literatura, 6). ISBN 978-84-88842-20-6.Noya, Francisco Javier. Armonía universal: Música, globalización cultural y política internacional[Universal Harmony: Music, Cultural Globalization, and International Politics]. Madrid:Biblioteca Nueva, 2011. 670 p. (Colección Sociología de la música, 2). ISBN 978-84-9940-172-0.Nuevas aportaciones al conocimiento y estudio del Sacro Monte: IV centenario fundacional(1610–2010) [New Contributions to the Understanding and Study of the Sacro Monte: 4thCentennary of Its Founding (1610–2010)]. María Julieta Vega, García-Ferrer, María LuisaGarcía Valverde y Antonio LÓPEZ Carmona (coords.) Granada: Fundación Euroárabe, 2011.269 p. ISBN 978-84-615-3942-0.Includes contributions in French and Spanish; appendix of documents in Arabic, English, andSpanish.Oliveras i Ribalta Montserrat. L’activitat musical a Artés durant el segle XX [The Arts in Musicduring the 20 th Century]. Artés: Ajuntament d’Artés; Manresa Centre d’Estudis del Bages,2011. 156 p. (Temes d’Artés, 4). ISBN 978-84-87618-97-0.Text in Arabic, English, and Spanish.Omega: Historia oral del álbum que unió a Enrique Morente, Lagartija Nick, Leonard Cohen yFederico García Lorca [Omega: Oral History of the Album That United Enrique Morente,Lizard Nick, Leonard Cohen, and Federico Garcia Lorca]. Editores, Bruno Galindo, con lacolaboración de Víctor Lenore. Madrid: Lengua de Trapo, 2011. 183 p. (Cara B, 1). ISBN 978-84-8381-102-3.Orquesta Filarmónica de Málaga: 20º aniversario, 1991–2011: Málaga, del 2 al 26 de febrero de2011 [The Malaga Philharmonic Orchestra: 20 th Anniversary, 1991–2011: Malaga, February2–26, 2011]. Fotografías, Mariano Pozo, Mª José Miranda. Málaga: Oreille Comunicación,2011. 144 p. ISBN 978-84-936446-6-6.Ossa, Marco Antonio de la. La Música en la Guerra Civil Española [Music in the Spanish CivilWar]. Madrid: Sociedad Española de Musicología; Cuenca Ediciones de la Universidad deCastilla-La Mancha, 2011. 410 p. (Colección Coediciones/UCLM, 109). ISBN 978-84-86878-20-7.Palacios, Fernando. Hablar de escuchar: Algunas reflexiones sobre Música y educación musical[Speaking of Listening: Some Thoughts on Music and Music Education]. Vitoria-Gasteiz:AgrupArte, 2011. 213 p. (Colección Música, arte y proceso, 14). ISBN 978-84-95423-63-4.Pedrell, Felipe. Tomás Luis de Victoria, abulense: Biografía, bibliografía, significado estético detodas sus obras de arte polifónico-religioso [Tomas Luis de Victoria from Avila: Biography,Bibliography, Aesthetic Meaning of His Works Representing the Art of Sacred Polyphony].Valladolid: Maxtor, 2011. 207 p. (Biblioteca Villar). ISBN 978-84-9001-023-5.Reproduction of the edition, Valencia: Manuel Villar, 1918.Pérez Colodrero, Consuelo. Francisco Cuenca Benet (1872–1943) y su aportación a la culturaandaluza [Francisco Cuenca Benet (1872–1943) and His Contribution to the Culture ofAndalucia]. Granada: Editorial de la Universidad de Granada, 2011. 1 CD-ROM (753 p.). ISBN978-84-69436-15-8.Doctoral thesis: Universidad de Granada.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

104 of 149Pérez Conejo, María Teresa. La Música como desarrollo de la persona [Music as PersonalDevelopment]. Don Benito: Editorial Edita, 2011. 1 CD-ROM. ISBN 978-84-9997-197-1.Pia, Roberto. Musica et “Scolica enchiriadis”: I titoli, attribuzione dell’opera esua datazione, leedizioni e i codici, le fonti letterarie e gli insegnamenti musicali [Music and the ScolicaEnchiriadis: Titles, the Authorship of the Work, Dating, Editions and Manuscripts, LiterarySources, and Music Lessons]. El Ejido: Círculo Rojo, 2011. 119 p. ISBN 9788499913285.Polifonía y canto coral de Carral [Polyphony and Choral Singing in Carral]. Antonio Irañeta Tomás(coord.). Alicante[?]: [no publisher given], 2011. 132 p.Polo Pujadas, Magda. La Música de los sentimientos: Filosofía de la Música de la Ilustración[Music of Feelings: Philosophy of Music of the Enlightenment]. Murcia: Editum, 2011. 151 p.(Editum artes). ISBN 978-84-8371-690-8.Polo Pujadas, Magda. Filosofía de la Música del futuro: Encuentros y desencuentros entreNietzsche, Wagner y Hanslick [Philosophy of the Music of the Future: Differences betweenNietzsche, Wagner, and Hanslick]. Zaragoza: Prensas Universitarias de Zaragoza, 2011. 119 p.(Colección Humanidades, 91). ISBN 978-84-15274-07-0.La radio musical: Géneros y formatos en constante evolución [Music on the Radio: EvolvingGenres and Formats]. Mario Alacudia Borreguero, Sara Ruiz Gómez (Coords.). Madrid: CEUEdiciones, 2011. 68 p. (Documento de trabajo Cuadernos de comunicación audiovisual ynuevas tecnologías, 3). ISBN 978-84-92989-50-8.Ramos Ahijado, Sonsoles. La Catedral de Ávila como institución musical durante la segundamitad del siglo XVII [The Cathedral of Avila as a Musical Institution in the Second Half of the17 th Century]. Salamanca: Ediciones Universidad de Salamanca; 2011. 1 CD-ROM (376, 556p.). (Colección Vítor, 296). ISBN 978-84-9012-027-9.Doctoral thesis: Universidad de Salamanca; includes summary in Spanish and English.Ramos Ahijado, Sonsoles. Contenidos musicales en las actas del Cabildo Catedralicio de Áviladurante el magisterio de Juan Bonet de Paredes (1682–1684) [Musical Contents in theProceedings of the Cathedral Chapter of Avila during the Tenure of Juan Bonet de Paredes(1682–1684)]. Madrid: Cultiva, D-L- 2009. 2 v. (Colección Estudios, 113, 115). ISBN 978-84-9923-154-9.Ramos Ahijado, Sonsoles. El magisterio de Alfonso Vaz de Acosta en la Catedral de Ávila [TheTeaching Mastery of Alfonso Vaz de Acosta in the Cathedral of Avila]. Madrid: Bubok, 2011.378 p. ISBN 978-84-9981-799-6.Ramos, Alejandro. La discografía canaria del siglo XX: Catálogo comentado de la discografíamoderna editada en Canarias desde 1962 a 1999 [A 20 th Century Canarian Discography:Annotated Catalog of Contemporary Sound Recordings Published in the Canary Islands from1962 to 1999]. Taco (Tenerife): Lágrimas y Rabia, 2010. 233 p. (Los 80 pasan factura). ISBN978-92-1-008283-9Reig, Jordi. La Música tradicional valenciana: Una aproximació etnomusicològica [TraditionalValencian Music: An Ethnomusicological Approach]. Valencia: Institut Valencià de la Música,2011. 570 p. (Clau tradicional, 2). ISBN 978-84-482-5567-1.Reina, Emilio. Un siglo de Música en Zaragoza (1885–1985) [A Century of Music in Zaragoza(1885–1985)]. Zaragoza: Institucion ‘Fernando el Catolico’, 2011. 462 p. (Coleccion Estudios(Institucion Fernando el Catolico); Historia). ISBN 978-84-9911-159-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

105 of 149Ruano Segovia, Sara. La mujer en la música del Romanticismo [Woman in the Music of theRomantic Period]. Almería: Tutorial Formación, 2011. 124 p. ISBN 978-84-9962-778-6.Salido Olivares, María Rosa. Percepciones del profesorado de educación musical sobre elalumnado hipoacúsico de los colegios de Educación Infantil y Primaria = Perception of MusicEducation Teachers with Hearing Impaired Students in Nursery and Primary SchoolClassrooms. Granada: Editorial de la Universidad de Granada, 2011. 1 CD-ROM (781 p.). ISBN978-84-69413-05-0.Doctoral thesis: Universidad de Granada; in Spanish.Solemne investidura com a doctora Honoris Causa de la senyora Montserrat Caballé; Discurs depresentació del profesor Xosé Aviñoa [Solemn Investiture as Doctor “Honoris causa” ofMadam Montserrat Caballé; Presentation Speech by Professor Xosé Aviñoa]. Barcelona:Publicacions i Edicions de la Universitat de Barcelona, 2011. 83 p.Soler, Josep. “Música Enchiriadis”: Una última mirada [Musica Enchiriadis: A Last Look]. Madrid:Scherzo, 2011. 525 p. ISBN 978-84-614-7257-4.Soler, Josep. Música y ética [Music and Ethics]. Zaragoza: Libros del Innombrable, 2011. 219 p.ISBN 978-84-92759-42-2.Solsona Berges, Fernando; Roberto Loras Villalonga. Francisco Cuesta y su obra para piano[Francisco Cuesta and His Piano Works]. Valencia: Editorial Universitat Politècnica deValència, 2010. 196 p. ISBN 978-84-8363-560-5.Suárez García, José Ignacio. La recepción de la obra wagneriana en el Madrid decimonónico [TheReception of Wagner’s Works in 19 th -Century Madrid]. Oviedo: Biblioteca de la Universidadde Oviedo, 2011. 1 CD-ROM (1,995 p.). ISBN 978-84-69455-77-7.Doctoral thesis: Universidad de Oviedo.Tàrrega, Jordi. Shock rock: Sexo, asesinatos y teatro [Shock Rock: Sex, Murder, and Theater].Llinars del Vallès (Barcelona): Quarentena, 2011. 422 p. ISBN 978-84-15191-18-6.Tócala otra vez, Oscar: Un recorrido por la historia de la Música de Hollywood a través de susnominados y premiados [Play It Again, Oscar: A Journey through the History of the Music ofHollywood through Its Oscar Nominees and Winners]. Ricardo Esteban (ed.). Madrid: Ilarión,2011. 192 p. ISBN 978-84-938572-8-8.Tomás Luis de Victoria, 1611–2011: Homenaje en el IV centenario de su muerte [Tomas Luis deVictoria, 1611–2011: A Tribute on the 400th Anniversary of His Death]. Ana Sabe Andreu,coordinadora; Beatriz Ares Garcia [et al.]. Avila: Institucion Gran Duque de Alba, 2011. 452p. ISBN 978-84-15038-27-6.Traver, Paula. El ruido como recurso expresivo en la composición musical [Noise as an ExpressiveResource in Musical Composition]. Valencia: Piles, 2011. 63 p. ISBN 978-84-96814-73-8.Ureña Delgado, Manuel. Antecedentes e historia de la Banda Municipal de Música de Córdoba(1856–1986) [Background and History of the Municipal Orchestra of Cordoba (1856–1986)].Almería: Tutorial Formación, 2011. 94 p. ISBN 978-84-9962-335-1.Valiño, Xavier. A censura na producción fonográfica da Música pop durante o Franquismo[Censorship in the Production of Recordings of Pop Music during the Regime of Franco].Santiago de Compostela: Universidade de Santiago de Compostela; Servizo de Publicacións eIntercambio Científico, 2011. 1 CD-ROM (504 p.). ISBN 978-84-98875-91-1.Doctoral thesis: Universidad de Santiago de Compostela.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

106 of 149Vallés Chordá, Andrés. Música en Sevilla en el siglo XIX: Ópera, Música instrumental ysociedades filarmónicas (1800–1871) [Music in Seville in the 19 th Century: Opera,Instrumental Music, and Philharmonic Societies (1800–1871)]. Sevilla: ICAS, Departamentode Publicaciones, 2010. 198 p. (Biblioteca de temas sevillanos, 78). ISBN 978-84-92417-36-0.Villafuerte, Paco. Una voz de Córdoba: Autobiografía: 50 años de una vida dedicada cantar enpúblico [A Voice of Cordoba: Autobiography: 50 Years of a Life Spent Singing in Public].Córdoba: F. Villafuerte, 2011. 245 p. ISBN 978-84-615-3927-7.Visiones del “Quijote” en la Música del siglo XX [Depictions and Settings of “Don Quixote” in 20 thCentury Music]. Begoña Lolo (ed). Alcalá de Henares: Centro de Estudios Cervantinos, 2010.865 p. (Cervantes y la música, 2). ISBN 978-84-96408-79-1.Zimbaldo, Daniel. Aproximación a la Música de Luigi Dallapiccola [An Approach to the Music ofLuigi Dallapiccola]. Sant Cugat: Arpegio, 2011. 123 p. ISBN 978-84-93826-13-0.TAIWAN99 nian liu xing yin yue chan ye diao cha bao gao = 99 年流行音樂產業調查報告 = 2010Taiwan Pop Music Survey. Zhang, Chongren = 張崇仁 . Di 1 ban. Taibei shi: Xing zheng yuanxin wen ju, 2011.1 v. (172 p.) + 1 CD. ISBN 978-986-03-1261-4.Cai, Xinxin = 蔡欣欣 . Taiwan xi qu jing guan = 臺灣戲曲景觀 [An Overview of Taiwanese FolkDramas]. Chu ban. Taibei shi: Guo jia chu ban she, 2011. 540 p. (Guo jia xi qu yan jiu congshu = 國家戲曲研究叢 , 60). ISBN 978-957-36-1256-8.Cao, Yongkun = 曹永坤 . Yu tian lai dui yin: Cao Yongkun yin yue yu yin xiang wen ji = 與天籟對飲 : 曹永坤音樂與音響文集 = Heavenly Rhapsody: A Selection of Tsao Yung-Kun’s Essays onMusic and Acoustics. Chu ban. 2 v. (648 p.). Taibei: Taibei yi shu da xue, 2011. ISBN 978-986-02-9497-2.Chen, Zhongzhao = 陳忠照 . Qin yun qing yin ye yue ren: Taiwan guang fu hi qi de yin yue ren ChenQingyin = 琴韻輕吟一樂人 : 台灣光復時期的音樂人陳清銀 [The Post-World War II TaiwanMusician Chen Qingyin]. Chu ban. Taibei shi: Xiu wei zi xun ke ji, 2011. 200 p. (Mei xue yi shu lei= 美學藝術類 , PH0042); (Yi shu show = 藝術 show, 1). ISBN 978-986-221-761-0.Gariyi, Ji Hong = 旮日羿吉宏 . Tailuge zu bu luo shi yu ji yi yue wu zhuan ji = 太魯閣族部落史與祭儀樂舞傳記 [The History, Music, and Dance of the Rituals of the Tailuge Tribe]. Chu ban.Taibei shi: Shan hai wen hua, 2011. 399 p. (Shan hai cong shu. Zu qun = 山海叢書 . 族群 , 1).ISBN 978-986-6245-18-3.Guo, Xinming = 郭信明 . 30 nian lai Taiwan chang pian zai zuo shen me? = 30 年來台灣唱片在做什麼 ? [What Have Taiwanese Music Recordings Been Doing These Past 30 Years?]. Chuban. Taibei Shi: Bo ke si chu ban shi ye wang, 2011. 205 p. (Taiwan liu xing yin yue xi lie = 台灣流行音樂系列 , 1). ISBN 978-986-6589-44-7.Huang, Yupei = 黃玉珮 ; Lin Jinyou = 林進祐 . Yin yue jiao cai jiao fa = 音樂教材教法 [MusicTeaching Methods]. Chu ban. Taibei shi: Wu nan tu shu chu ban gu fen you xian gong si,2011. 253 p. ISBN 978-957-11-6324-6.Li, Guojun = 李國俊 ; Hong Qiongfang = 洪瓊芳 . Yu xiao sheng he: Nan guan qi su Cai Tianmusheng ming shi = 玉簫聲和 : 南管耆宿蔡添木生命史 [A Study of Chinese Flute Music: The© 2012 – International Association of Music Libraries; Fontes Artis Musicae

107 of 149Life of Nan Guan Master Cai Tianmu]. Chu ban. Yilan xian Wujie xiang: Guo li Taiwan chuantong yi shu zong chu chou bei chu, 2011. 1 v. (251 p.) + 1 DVD. ISBN 978-986-02-9737-9.Li, Lianquan = 李連權 . Ying shi chan ye qu shi yan jiu diao cha bao gao, 2009: Dian shi, dian yingji liu xing yin yue = 影視產業趨勢硏究調查報告 , 2009: 電視、電影及流行音樂 [ResearchSurvey Report on the Audio and Visual Industries, 2009: Television, Movies, and PopularMusic]. Di 1 ban. Taibei shi: Xin wen ju, 2011. 104 p. ISBN 978-986-02-7984-9.Lin, Hengzhe = 林衡哲 . Wo de shi dai yi jing lai lin: Xi fang yin yue ju ren Mahler = 我的時代已經來臨 : 西方音樂巨人馬勒 [My Era Has Come: The Western Musical Giant Mahler]. Chu ban.Taibei shi: Yuan liu, 2011. 327 p. (Lu du yu sen lin cong shu = 綠蠹魚森林叢書 , YCL62). ISBN978-957-32-6864-2.Lu, Chuikuan = 呂錘寬 . Bei guan yin yue = 北管音樂 [Bei Guan Music]. Chu ban. Taizhongshi: Chen xing, 2011. 332 p. (Zhanghua xue cong shu = 彰化學叢書 , 34). ISBN 978-986-177-523-4.Lu, Chuikuan = 呂錘寬 . Nan guan yin yue = 南管音樂 [Nan Guan Music]. Chu ban. Taizhong shi:Chen xing, 2011. 296 p. (Zhanghua xue cong shu = 彰化學叢書 , 35). ISBN 978-986-177-522-7.Ma, Renzhong = 馬任重 . Du she jiao lian de Taiwan liu xing yin yue jiang zuo = 毒舌教練的台灣流行音樂講座 [A Seminar on Taiwanese Popular Music]. Chu ban. Xinbei shi: Zuo an wenhua, 2011.199 p. (Zuo an sheng huo = 左岸生活 , 155). ISBN 978-986-6723-55-1.Taiwan yin yue zhong xin = 臺灣音樂中心 ; Su, Guizhi = 蘇桂枝 ; Zhang Chanjuan = 張嬋娟 .Taiwan yin yue zhong xin li nian yan jiu cheng guo jian jie (1990–2010) = 臺灣音樂中心歷年研究成果簡介 (1990–2010) = A Concise History of the TMC Survey from 1900–2010. Chuban. Yilan xian: Guo li Taiwan chuan tong yi shu zong chu chou bei chu, 2011. 155 p. ISBN978-986-03-1031-3.Tian, Qing = 田青 . Fo jiao yin yue de hua hua: Tian Qing yin yue xue yan jiu wen ji = 佛教音樂的華化 : 田青音樂學研究文集 [Making Buddhist Music Chinese: A Collection of MusicologicalEssays]. Chu ban. Xinbei Shi: Xiang hai wen hua shi ye you xian gong si, 2011. 2 v. (Ren jianyou tan = 人間優曇 ). ISBN 978-986-6458-42-2 (set)Zeng, Yufen = 曾毓芬 . Saideke yu Tailuge zu de ge yue ji xing xi tong yan jiu = 賽德克族與太魯閣族的歌樂卽興系統硏究 = An Improvisational Study on the Vocal Music of Seediq Tribe &Truku Tribe. Chu ban. Taibei shi: Nan tian, 2011.709 p. ISBN 978-957-638-741-8.TURKEYAk, Ahmet Şahin. Türk Din Musikisi: Cami ve Tekke Musikisi [Turk Religious Music: Mosque andMevlevi Tekke Music].Ankara: Akçağ Yayınları, 2011. 287 p. (Sanat arastırmaları, 5). ISBN 978-975-338-927-3.Akbar, Anjelika. İçimdeki Türkiyem [Turkey Inside Me]. Istanbul: Türkiye İş Bankası KültürYayınları, 2010. 279 p. ISBN 978-605-360-071-8.Ayan, Dursun. Béla Bartók’un Türk Halk Müziği Derlemeleri Üzerine Çalışmalar [A Study of BélaBartók’s Arrangements of Turkish Folk Music]. Istanbul: Kitabevi, 2011. 72 p. (Kitabevi, 461).ISBN 978-605-5397-04-3.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

108 of 149Güldoğan, Vedat. Diyarbakır Müziği ve Folkloru [Music and Folklore of Diyarbakır]. Ankara:Kripto Basım Yayın, 2011. 448 p. ISBN 978-605-4125-46-3.Güntekin, Mehmet. Nevzad Atlığ’ın Tanıklığında, Tanıklarıyla Türkiye’de Musikisinin Yakın Tarihi-1 [Nevzad Atlığ’s Witness to the Recent History of Music in Turkey]. Istanbul: 21 Asır, 2012- .v. 1- . ISBN 978-605-4357-06-2.Güray, Cenk. Bin Yılın Mirası Makamı Var Eden Döngü: Advar Geleneği [The Presence of aThousand-Year Heritage in Maqam Music: Music Theory Tradition]. Istanbul: Pan Yayıncılık,2012. 154 p. ISBN 978-605-4518-16-6.Kaçar, Gülçin Yahya. Klasik Türk Musikisi Güftelerinde Osmanlıca Kelime ve Terkibler [OttomanWords and Rhymes in Turkish Classical Art Music]. Ankara: Maya Akademi, 2012. 532 p. ISBN978-605-4515-13-4.Kalenderoğlu, İhsan. Sovyet Dönemi Türkmen Folklorü [Turkmen Folklore during the SovietPeriod]. Ankara: Kurgan Edebiyat Yayınları, 2011. 344 p. ISBN 978-9-75-267267-3.Kanal, Derman; Ayşe Erdiner. Sinema, Televizyon ve Müzik Eserleri Alanında Sözleşme Örnekleri[Sample Copyright Agreements in the Art Works of Film, Television, and Music in Turkey].Istanbul: Legal Yayıncılık, 2010. 188 p. (Hukuk kitapları dizisi, 134). ISBN 978-6-054-35411-5.Kartal, Emirhan. Türk Müziği Enstrumanlarının Frekans Aralıkları [Frequency Ratios of TurkishMusical Instruments]. Istanbul: Özgür Yayınları, 2012. 240 p. ISBN 978-975-447-306-3.Kütükçü, Tamer. Radyoculuk Geleneğimiz ve Türk Musikisi [Radio Broadcasting History andTurkish Art Music]. Istanbul: Ötüken Neşriyat, 2012. 286 p. ISBN 978-975-437-888-7.Küçüköncü, H. Yılmaz. Genel Müzik Kültürü Öğretimi [Music Appreciation Education]. Ankara:EflatunYayınevi, 2010. 144 p. ISBN 978-6-054-33447-6.Memadaliyev, Rafayel M.; Babek Kurbanov.Çağdaş Sanat Eğitiminin Sorunları: Müzik Eğitimi ve İcracılığı [Problems in ContemporaryArts Education: Music Pedagogy and Performance]. Ankara: Ajans Güler, 2011. 224 p. ISBN978-605-88093-1-4.Önen, Ufuk; Teoman Pasinlioğlu. Synthesizer Teknolojileri ve Programlama: GeçmiştenGünümüze Popüler Sentez Teknikleri [Synthesizer Technologies and Programming: PopularSynthesizer Techniques from the Past to the Present]. Istanbul: Çitlembik Yayınları, 2011.216 p. ISBN 978-9944-424-83-7.Öngören, Gürsel. Türk Fikir ve Sanat Eserleri Hukuku Açısından Müzik Eserleri [Musical Works inthe Context of Turkish Intellectual Property Rights Issues]. Istanbul: Öngören Hukuk Yayınları,2010. 469 p. ISBN 978-975-01-6461-3.Özbek, Meral. Popüler Kültür ve Orhan Gencebay Arabeski [Popular Culture and Arabesk Musicof Orhan Gencebay]. Istanbul: İletişim Yayınları, 2010. 368 p. ISBN 978-975-470-195-1.Pan Yayıncılık’ın 25. Kuruluş yılı hatırası: 25 Yıla 25 Besteci [In Recognition of Pan Publishing’s25th Year of Establishment: 25 Years, 25 Composers]. Istanbul: Pan Yayıncılık, 2012. 51 p.ISBN 978-605-4518-13-5.Popescu-Judetz, Eugenia. Beyond the Glory of the Sultans: Cantemir’s View of the TurksIstanbul: Pan Yayıncılık, 2010. 196 p. (Gri yayın dizisi, 72). ISBN 978-9944-396-86-8.Popescu-Judetz, Eugenia. Three Comparative Essays on Turkish Music. Istanbul: Pan Yayıncılık,2010. 179 p. ISBN 978-9944-396-87-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

109 of 149Grosser-Rilke, Anna. Avrupa Saraylarından Yıldız’a İstanbul’da Bir Hoş Sada [A Pleasant Soundfrom the European Courts to the Yıldız Palace in Istanbul]. Ceviren Deniz Banoğlu. Istanbul:Türkiye İş Bankası Yayınları, 2009. 315 p. ISBN 978-9944-88-662-8.Translation of: Nie verwehte Klange: Lebenserinnerungen aus acht Jahrzehnten (Leipzig: O.Beyer, 1937)Salgar, Fatih. Dede Efendi: Hayatı, Sanatı, Eserleri [Dede Efendi: Life, Art, Works]. Istanbul:Ötüken Neşriyat, 2010. 279 p. ISBN 9-754-37174-1.Salgar, Fatih. Hacı Arif Bey: Hayatı, Sanatı, Eserleri [Hacı Arif Bey: Life, Art, Works]. Istanbul:Ötüken Neşriyat, 2011. 392 p.ISBN 978-975-437-839-9.Sanlıkol, Mehmet Ali. Çalıcı Mehterler [Military Music]. Istanbul: Yapı Kredi Yayınları, 2011. 1 v.(128 p.) + 1 CD. ISBN 978-975-08-2076-2.Şakir, Ziya. Bir Harem Bestekarı Sadullah Ağa [A Harem Composer in the Ottoman Court:Sadullah Ağa]. Istanbul: Akıl Fikir Yayınları, 2010. 90 p. ISBN 978-605-5530-00-6.Tanrıkorur, Cinuçen. Osmanlı Dönemi Türk Musikisi [Traditional Turkish Music in the OttomanPeriod]. Istanbul: Dergah Yayınları, 2011. 211 p. ISBN 978-975-6611-60-9.Uğurlu, Nurer. Aşk Türkülerimiz: Folklor ve Etnografya [Our Love Songs: Folklore andEthnography]. Istanbul: Örgün Yayınevi, 2009. 736 p. ISBN 978-975-7651-81-9.Uysal, Sermet Sami. Baki Kalan Bu Kubbede Türk Sanat Musıkisinin Altın Yılları [The Golden Ageof Turkish Art Music in This Eternal Universe]. Istanbul: Timaş Yayınları, 2011. 504 p. ISBN978-605-114-695-9.Vural, Feyzan G. İslamiyet’ten Önce Türklerde Kültür ve Müzik: Hun, Kök Türk ve Uygur Devletleri[Culture and Music of the Turks in the Pre-Islamic Era: Hun, Göktürk, and Uyghur Regions].Konya: Çizgi Kitabevi, 2011. 260 p. ISBN 978-605-4451-73-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

111 of 149Buchner, Georg. Wozzeck. New ed. Richmond: Overture Pub., 2011. 112 p. (Opera Guides, 42).ISBN 978-0-7145-4443-4.Libretto in German and English.Berry, Helen. The Castrato and His Wife. Oxford: Oxford University Press, 2011. 312 p. ISBN 978-0-19-956981-6.Bigio, Robert. Rudall, Rose, & Carte: The Art of the Flute in Britain. London: Tony Bingham, 2011.316 p. ISBN 978-0-946113-09-5.Bowden, Will. We’re in the Band. Guildford: Grosvenor House Pub., 2011. 304 p. ISBN 978-1-90-810523-3.Bradley, Angela. Musical Relations. Sandy: Bright Pen, 2011. 179 p. ISBN 978-0-75-521344-3.Brannigan, Paul. This Is a Call: The Life and Times of Dave Grohl. London: HarperCollins, 2011.388 p. ISBN 978-0-00-739121-9.Britton, Alan John. Uncle Art. Milton Keynes: AuthorHouse, 2010. 209 p. ISBN 978-1-45-208388-9.Brown, Allan. Nileism: The Strange Course of the Blue Nile. Edinburgh: Polygon, 2011. 270 p.ISBN 978-1-84-697185-3.Brown, Jake. Iron Maiden: In the Studio: The Stories behind Every Album. London: John Blake,2011. 235 p. ISBN 978-1-84-358348-6.Bublé, Michael. Onstage, Offstage. Photography and creative direction by Dean Freeman.London: Transworld, 2011. 79 p., 224 p. of plates. ISBN 978-0-59-306753-6.Buchanan, Roderick. Legacy. London: Imperial War Museum, 2011. 2 v. ISBN 978-1-90-489780-4(set).Exhibition held 6th May 2011 to 7th August 2011.Vol. 1: Black Skull Corps of Fife & Drum.Vol. 2: Parkhead Republican Flute Band.Bundy, Michael. Prophets without Honour: The Forgotten Melodies of Widor, Vierne, andTournemire. Leicester: Matador, 2011. 439 p. ISBN 978-1-84-876704-1.Burrows, Terry. Guitar Family Trees: The History of the World’s Most Iconic Guitars. Foreword byZakk Wylde. London: Apple, 2011. 256 p. ISBN 978-1-84-543423-6.Cabus, Steve. Mylene Farmer: The Single File. Guildford: Grosvenor House Pub., 2011. 358 p.ISBN 978-1-90-810578-3.Caine, Aidan. It’s Only Rock ‘n’ Roll, but I Like It! Cambridge: Pegasus, 2011. 171 p. (PegasusPaperback). ISBN 978-1-90-349055-6.Campbell, Jeannie. Highland Bagpipe Makers. 2nd ed. Scotland[?]: J. Campbell[?], 2011. 268 p.Campbell, Margaret. The Great Cellists. London: Faber, 2011. 277 p. ISBN 978-0-57-127800-8.Campbell, Margaret. The Great Violinists. New ed. London: Faber, 2011. 330 p. ISBN 978-0-57-127744-5.Cardwell, Bruce. Noteworthy. Bridgend: Seren, 2011. 144 p. ISBN 978-1-85-411540-9.Caro, Dan. The Gift of Fire: How I Made Adversity Work for Me. Foreword by Wayne W. Dyer.London: Hay House, 2010. 169 p. ISBN 978-1-84-850289-5.Chadwick, Simon. Gestures: Harp Technique from Old Irish, Welsh, & Scottish Tradition. St.Andrews: Early Gaelic Harp Info, 2011. 94 p.Chandler, Eric. Praising Baptists: Singing in a Bath Church 1752–1919. Bath: Open HousePublications, 2010. 62 p.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

112 of 149Clark, Suzannah. Analyzing Schubert. Cambridge: Cambridge University Press, 2011. 290 p. ISBN978-0-52-184867-1.Conrad, Peter. Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries. London: Thames &Hudson, 2011. 384 p. ISBN 978-0-50-051593-8.Coverdale, David. Classic Rock Presents Whitesnake. London: Future Publishing, 2011. 1 v. ISBN978-1-85-870380-0.Curtis, Gordon D. W. A Provincial Organ Builder in Victorian England: William Sweetland of Bath.Farnham: Ashgate, 2011. 307 p. (Music in 19th-Century Britain). ISBN 978-1-40-941752-1.Daniels, Neil. Don’t Stop Believin’: The Untold Story of Journey. London: Omnibus Press, 2011.255 p. ISBN 978-1-84-938657-9.Darby, Ray. HMV Pop Complete UK 78 RPM Catalogue. Gloucester: Just78’s, 2010. 65 p. (Just78’sRecord Catalogue, 21). ISBN 978-0-95-433837-4.Darby, Ray. HMV Pop UK 78 RPM Record Price Guide 2010. Gloucester: Just78’s, 2010. 17 p.(Price Guide, 21). ISBN 978-0-95-433838-1.Heatley, Michael. Dave Grohl: Nothing to Lose. Rev. and updated. London: Titan, 2011. 296 p.ISBN 978-0-85-768597-1.Davis, Kingsley. Flip the Script: A Photographer’s Music Diary. London: Kingsley Davis, 2010. 77p. ISBN 978-0-95-672670-4.Portraits of musicians.Dawson, Giles. Schola Cantorum of Oxford: The First 50 Years. Oxford[?]: Schola Cantorum ofOxford[?], 2011[?]. 51 p.Death of a Polaroid: A Manics Family Album. Contributors Nicky Wire ... [et al.]. London: Faberand Faber, 2011. 298 p. ISBN 978-0-57-127852-7.Photographs.Deville, Susan. Cantabile con brio: Celebrating 50 Years of London Concert Choir: 1960–2010.Edited by Alan Huw Smith. Coates: Thameshead Press, 2011. 159 p. ISBN 978-0-95-682900-9.Diana, Barbara. Benjamin Britten’s “Holy Theatre”: From Opera-Oratorio to Theatre-Parable.London: Travis & Emery Music Bookshop, 2011. 261 p. ISBN 978-1-84-955118-2.Dillon-Malone, Aubrey. Still Rockin’: Tom Jones: A Biography. Talybont, Ceredigion: Y Lolfa, 2010.143 p. ISBN 978-1-84-771164-9.Dowley, Tim. Christian Music: A Global History. Oxford: Lion, 2011. 263 p. ISBN 978-0-74-595324-3.Downes, Stephen. Hans Werner Henze: “Tristan“ (1973). Farnham: Ashgate, 2011. 1 v. (142 p.) +1 CD-ROM. (Landmarks in Music since 1950). ISBN 978-0-75-466655-4.Doyle, Tom. The Glamour Chase: The Maverick Life of Billy MacKenzie. Rev. ed. Edinburgh:Polygon, 2011. 277 p. ISBN 978-1-84-697209-6.Du Noyer, Paul. John Lennon: The Stories behind Every Song, 1970–1980. Rev. and updated ed.London: Carlton, 2010. 175 p. (Stories behind the Songs). ISBN 978-1-84-732665-2.Duggan, Audrey. A Sense of Occasion: Mendelssohn in Birmingham, 1846 & 1847. Rev. &expanded ed. Studley: Brewin Books, 2011. 102 p. ISBN 978-1-85-858449-2.Dylan at Play. Edited by Nick Smart and Nina Goss. Newcastle: Cambridge Scholars, 2011. 190 p.ISBN 978-1-44-382974-8.The Early Music Yearbook & Performers Directory. Hebden Bridge: Ruxbury Publications for TheNational Early Music Association, 2009- . v. 1- . ISSN 2046-7168.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

113 of 149Easlea, Daryl. Beyonce: Crazy in Love: The Beyonce Knowles Biography. London: Omnibus, 2011.211 p. ISBN 978-1-84-938874-0.Edinburgh University Collection of Historic Musical Instruments. Historic Musical Instruments inthe Edinburgh University Collection: Catalogue of the Edinburgh University Collection ofHistoric Musical Instruments. Edinburgh: The Collection, 1990- . v. 1- .Vol. 2, part E, fascicle i: Oboes. 2nd ed. ISBN 978-0-90-763569-7.Vol 2, part F, fascicle ii: Saxophones. 2nd ed., 2010. ISBN 978-0-90-763566-6.Vol. 2, part H, fascicle ix: Althorns, Tenor Horns, and Baritones. 3rd ed. 2010. ISBN 978-0-90-763565-9.Vol. 2, part H, fascicle x: Euphoniums and Tubas. 3rd ed. 2011. ISBN 978-0-90-763567-3.Vol. 2, part I: Free Reed Instruments and Musical Glasses. 2011. ISBN 978-0-90-763568-0.Epstein, Daniel Mark. The Ballad of Bob Dylan: A Portrait. London: Souvenir, 2011. 496 p. ISBN978-0-28-563900-3.Escrivan Rincon, Julio d’. Music Technology. Cambridge: Cambridge University Press, 2011. 215p. (Cambridge Introductions to Music). ISBN 978-1-10-700080-3.Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne.Edited by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell, 2011. 422 p. (Studies inMedieval and Renaissance Music, 11). ISBN 978-1-84-383619-3.Evans, Mike. The Beatles. Sywell: Igloo Books, 2011. 1 v. (304 p.) + 1 calendar. ISBN 978-0-85-780183-8.Fahy, Michaella; Hannah Telfer. Dartford Music. Dartford: College Books, 2011. 28 p. ISBN 978-1-90-750210-1.Guidebook.Fearn, R.W. Restoring Old Violins. Leeds: Woodland Press, 2006–2010. 2 v. ISBN 978-0-95-280393-5 (v. 1); ISBN 978-0-95-280396-6 (v. 2)Feinstein, Barry. Real Moments: Bob Dylan. Special ed. Guildford: Genesis Publications, 2009. 1v. (159 p.) + 1 sheet of photographs. ISBN 978-1-90-566213-5.Fernandes, Sujatha. Close to the Edge: In Search of the Global Hip Hop Generation. London:Verso, 2011. 204 p. ISBN 978-1-84-467741-2.Ferrier, Kathleen. Letters and Diaries of Kathleen Ferrier. Rev. ed. Edited by Christopher Fifield.Woodbridge: Boydell, 2011. 489 p. ISBN 978-1-84-383091-7.Forster, N. K.; Dave Best. Between the Ideal and the Possible. Newcastle upon Tyne: NKForsterGuitars, 2011. 136 p. ISBN 978-1-84-825084-0.Foster, Beryl. Literally Grieg: Complete Texts to All Edvard Grieg’s Songs and Choral Music withLiteral English Translations. St. Albans: RJW Enterprises, 2011. 113 p. ISBN 978-1-84-825084-0.Frances Gorick, 1910–2007: Reflections. Edited and compiled by Marjorie Wardle and ElaineKoster. Hockley: 4edge Ltd., [200-?]. 112 p.Frary, Reginald. You Can’t Keep a Good Tune Down, No Matter How Hard the Choir Tries.London: Canterbury Press Norwich, 2011. 130 p. ISBN 978-1-84-825084-0.Gannon, John; Kevin Roach. The Beatles: Living in the Eye of the Hurricane. Liverpool: LiverpoolAuthors, 2011. 109 p. ISBN 978-0-9564527-8-8.GarageBand: The Ultimate Guide. Editor: Ben Rogerson. Bath: Future, 2011. 1 v. (115 p.) + 1DVD-ROM. ISBN 978-1-85-870361-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

114 of 149Gentry, Peter W. Methodism and “Messiah”: Reflections on John and Charles Wesley, the EarlyMethodists, and George Frederic Handel’s Great Oratorio. Sheffield: Wesley Fellowship,2011. 14 p. (Occasional Paper, 20). ISBN 978-0-86-071652-5.Gibson, Sandra. Ain’t Bad for a Pink! The Life of Bluesman Pete ‘Snakey Jake’ Johnson. Leicester:Matador, 2011. 353 p. ISBN 978-1-84876-665-5.Glen, Allan. Stuart Adamson: In a Big Country. Foreword by James Dean Bradfield. Edinburgh:Polygon, 2011. 228 p. ISBN 978-1-84697-191-4.Goddard, Grant. Kiss FM: From Radical Radio to Big Business: The Inside Story of a LondonPirate Radio Station’s Path to Success. Croydon: Radio Books, 2011. 527 p. ISBN 978-0-95-649631-7.Govan, Chloe. Katy Perry: A Life of Fireworks. London: Omnibus, 2011. 181 p. ISBN 978-1-78-038074-2.Gray, Linda Esther. Dame Eva Turner: A Singer. New Malden: Green Oak Pub., 2011. 1 v. (400 p.)+ 1 CD-ROM. ISBN 978-0-95-555052-2.Gray, Nicholas. Improvisation and Composition in Balinese Gender Wayang: Music of theMoving Shadows. Farnham, Surrey: Ashgate, 2011. 1 v. (276 p.) + 1 CD. (SOAS MusicologySeries). ISBN 978-1-40-941832-0.György Ligeti: Of Foreign Lands and Strange Sounds. Edited by Louise Duchesneau and WolfgangMarx. Woodbridge: Boydell Press, 2011. 298 p. ISBN 978-1-84-383550-9.Haines, Luke. Post Everything: Outsider Rock and Roll 1997–2005. London: William Heinemann,2011. 239 p. ISBN 978-0-43-402009-6.Halstead, Craig. Donna Summer: For the Record. Craig Halstead. Gamlingay: Authors OnLine,2011. 297 p. ISBN 978-0-75-520665-0.Hardy, Peter. Different Country, Same State: On the Road with James Blunt. London: HeadlineReview, 2011. 372 p. ISBN 978-0-75-531995-4.Harper, Adam. “Heaven Is Real”: John Maus and the Truth of Pop. London: Precinct, 2011. 64 p.ISBN 978-0-95-695240-0.Harrison, Ann. Music, the Business: The Essential Guide to the Law and the Deals. Fully rev. andupdated 5th ed. London: Virgin, 2011. 398 p. ISBN 978-0-75-353958-3.Harrison, Keith. The Ultimate Phonograph Cylinder Handbook. Wells next the Sea: City ofLondon Phonograph and Gramophone Society, 2010. 1 v. (56 p.) + 1 CD-ROM. (CLPGSReference Series, 6). ISBN 978-0-90-088303-3.Hasted, Nick. The Story of the Kinks: You Really Got Me. London: Omnibus, 2011. 307 p. ISBN978-1-84-938660-9.Hatherley, Owen. Uncommon: An Essay on Pulp. Winchester: Zero Books, 2011. 133 p. ISBN 978-1-84-694877-0.Hawkins, Stan; Sarah Niblock. Prince: The Making of a Pop Music Phenomenon. Farnham,Surrey: Ashgate, 2011. 195 p. (Ashgate Popular and Folk Music Series). ISBN 978-0-75-466876-3.Haynes, Lyndon. This Functional Family: From Inner City to Centre Stage. Brighton: Book Guild,2011. 177 p. ISBN 978-1-84-624578-7.Hearn, Marcus. The Jimi Hendrix Experience. Edited by Marcus Hearn; designed by James King.London: Titan Books, 2011. 160 p. ISBN 978-0-85-768555-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

115 of 149Heatley, Michael. At This Moment: The Story of Michael Buble. London: Omnibus, 2011. 180 p.ISBN 978-1-84-938978-5.Heatley, Michael; Drew Heatley. Kings of Leon: Sex on Fire. Fully revised and updated. London:Titan Books, 2011. 208 p. ISBN 978-0-85-768717-3.Helm, Russell Buddy. Drumming the Spirit to Life. 2nd ed. Stafford: Megalithica Books, 2011. 144p. ISBN 978-1-90-571351-6.Henley, Darren; Tim Lihoreau. The A-Z of Classic FM Music: The Perfect Companion to the Worldof Classical Music. Foreword by Alex James. London: Reader’s Digest, 2011. 192 p. ISBN 978-1-78-020003-3.Herbert-Caesari, Edgar F. The Alchemy of Voice. London: Alma Caesari-Gramatke and RolfGramatke, 2011. 250 p. ISBN 978-0-95-455881-9.Herbert, Emily. Lady Gaga: Queen of Pop. London: John Blake, 2011. 281 p. ISBN 978-1-84-358400-1.Herbert, Ruth. Everyday Music Listening: Absorption, Dissociation, and Trancing. Farnham:Ashgate, 2011. 234 p. ISBN 978-1-40-942125-2.Hewitt, Paolo. ‘Scuse Me While I Kiss the Sky: 50 Moments That Changed Music. London:Quercus, 2011. 272 p. ISBN 978-0-85-738503-1.Heylin, Clinton. No More Sad Refrains: The Life and Times of Sandy Denny. New ed. London:Omnibus, 2011. 299 p. ISBN 978-1-84-938698-2.Hill, Tony. The Palace and the Punks. Jacksdale: Northern Lights Lit, 2011. 245 p. ISBN 978-0-95-684090-5.Hill, Vince; Nick Charles. Another Hill to Climb. New Romney: Bank House Books, 2010. 142 p.ISBN 978-1-90-440879-6.Hillier, Jim; Douglas Pye. 100 Film Musicals. London: BFI, 2011. 279 p. (BFI Screen Guides). ISBN978-1-84-457379-0.Hince, Peter. Queen Unseen: My Life with the Greatest Rock Band of the 20 th Century. London:John Blake, 2011. 323 p. ISBN 978-1-84-358748-4.Hopkins, Antony. The Concertgoer’s Companion. London: Travis & Emery, 2011. 2 v. ISBN 978-1-84-955024-6 (v. 1); ISBN 978-1-84-955026-0 (v. 2)Hujic, Lida. The First to Know: How Hipsters and Mavericks Shape the Zeitgeist. London: BubblePub., 2010. 407 p. ISBN 978-0-95-662580-9.Hunter, James. The Kelvingrove Organ: A Short History. Glasgow: Culture and Sport Glasgow(Glasgow Museums), 2011. 1 v. (16 p.) + 1 CD. ISBN 978-0-90-275295-5.Invisible Man. A Pop Revolution: The Transatlantic Music Scene, 1965 to 1969. Coleraine: GW,2011. 305 p. ISBN 978-0-95-627253-9.Jackson, Jennifer. Giacomo Meyerbeer: Reputation without Cause? A Composer and His Critic.Newcastle upon Tyne: Cambridge Scholars, 2011. 300 p. ISBN 978-1-44-382968-7.James, Siân. Siân James. Pwllheli: Gwasg Gwynedd, 2011. 198 p. (Cyfres y cewri, 34). ISBN 978-0-86-074272-2.Jenkins, Kathryn; Rhidian Griffiths. Redefining the Hymn: The Performative Context. With anextended introduction by Rhidian Griffiths. Lancaster: Hymn Society of Great Britain &Ireland, 2010[?]. 30 p. (The Hymn Society of Great Britain & Ireland Occasional Paper, 3rdSer., 4). ISBN 978-1-90-701803-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

116 of 149Johnson, Timothy A. John Adams’s “Nixon in China”: Musical Analysis, Historical and PoliticalPerspectives. Farnham: Ashgate, 2011. 278 p. ISBN 978-1-40-942682-0.Jones, Hollin. Propellerhead Reason 5: Tips and Tricks. Merton: PC, 2011. 217 p. ISBN 978-1-90-600520-7.Jones, Lesley-Ann. Freddie Mercury: The Definitive Biography. London: Hodder & Stoughton,2011. 374 p. ISBN 978-1-44-473367-9.Jones, Mark. Transacord: Sounds of Steam and Other Transports of Delight. Bristol[?]: RecordPress, 2011. 1 v. (106 p.) + 1 CD. (Great British Record Labels, 3); (Light Engine Series, 3).ISBN 978-0-95-635313-9.Kaija Saariaho: Visions, Narratives, Dialogues. Edited by Tim Howell, Jon Hargreaves, andMichael Rofe. Farnham: Ashgate, 2011. 225 p. ISBN 978-1-40-942116-0.Karhausen, Lucien. The Bleeding of Mozart: A Medical Glance on His Life, Illnesses, andPersonality. Foreword by H.C. Robbins Landon. Dartford: Xlibris Corporation, 2011. 759 p.ISBN 978-1-45-685077-7.Katz, David. Jimmy Cliff. Oxford: Macmillan, 2011. 262 p. (Caribbean Lives). ISBN 978-1-90-495596-2.Kelly, Thomas Forrest. The Sources of Beneventan Chant. Farnham: Ashgate Variorum, 2011. 1 v.(various pagings). (Variorum Collected Studies Series, CS980). ISBN 978-1-40-940530-6.Kennedy, J. B. The Musical Structure of Plato’s “Dialogues”. Durham: Acumen, 2011. 318 p. ISBN978-1-84-465266-2.Kenny, Dianna T. The Psychology of Music Performance Anxiety. Oxford: Oxford University Press,2011. 365 p. ISBN 978-0-19-958614-1.King, Olivia. Michael Buble: Crazy Life. London: Orion, 2011. 143 p. ISBN 978-1-40-914033-7.Kinney, Phyllis. Welsh Traditional Music. Cardiff: University of Wales Press in association withCymdeithas Alawon Gwerin Cymru, 2011. 289 p. ISBN 978-0-70-832357-1.Kisliuk, Michelle Robin. Seize the Dance! BaAka Musical Life and the Ethnography ofPerformance. Oxford: Oxford University Press, 2011[?]. 241 p. ISBN 978-0-19-530869-3.Lafferty, Julie. Doughty Deeds of Musical Valour: One Hundred Years of Southend MusicalFestival, 1911–2011. Southend-on-Sea: Julie Lafferty, 2011. 172 p. ISBN 978-0-95-694000-1.Lambe, Stephen. Citizens of Hope and Glory: The Story of Progressive Rock. Stroud: Amberley,2011. 192 p. ISBN 978-1-84-868190-3.Lebrecht, Norman. Why Mahler? How One Man and Ten Symphonies Changed the World.London: Faber and Faber, 2011. 362 p. ISBN 978-0-57-126079-9.Leigh, Spencer. The Beatles in Hamburg: The Stories, the Scene, and How It All Began.London[?]: Omnibus Press, 2011. 125 p. ISBN 978-1-78-038126-8.Leon, Donna. Handel’s Bestiary: In Search of Animals in Handel’s Operas. Illustrated by MichaelSowa. London: William Heinemann, 2011. 1 v. (139 p.) + 1 CD. ISBN 978-0-43-402152-9.Leppard, Raymond. Music Made Me. Leicester: Matador, 2010. 215 p. ISBN 978-1-84-876632-7.Levinson, Jerrold. Music, Art, and Metaphysics: Essays in Philosophical Aesthetics. New ed.Oxford: Oxford University Press, 2011. 419 p. ISBN 978-0-19-959663-8.Lewison, Janet. An African Childhood. Kew: Grant Lewison, 2011. 103 p. ISBN 978-0-95-688790-0.Lim, Hayoung A. Developmental Speech-Language Training through Music for Children withAutism Spectrum Disorders: Theory and Clinical Application. Foreword by Karen Miller.London: Jessica Kingsley, 2011. 204 p. ISBN 978-1-84-905849-0.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

117 of 149Lundberg, Mattias. Tonus peregrinus: The History of a Psalm-Tone and Its Use in PolyphonicMusic. Farnham: Ashgate, 2011. 273 p. ISBN 978-1-40-940786-7.Lusensky, Jakob. Sounds like Branding: Use the Power of Music to Turn Customers into Fans.London: Bloomsbury, 2011. 162 p. ISBN 978-1-40-815143-3.Maeterlinck, Maurice. Pelleas & Melisande. Claude Debussy. New ed. Richmond: Overture Pub.,2011. 95 p. (Opera Guides, 9). ISBN 978-0-71-454413-7.Libretto in French and English.Maizlish, J. Wild Weeds: Selected Lyrics 2000–2010. London: Leighton Grove Press, 2011. 25 p.ISBN 978-0-95-642031-2.The Mammoth Book of Bob Dylan. Edited by Sean Egan. London: Robinson, 2011. 518 p. ISBN978-1-84-901466-3.Martyn, Beverley. Sweet Honesty: The Beverley Martyn Story. Guildford: Grosvenor House Pub.,2011. 119 p. ISBN 978-1-90-721188-1.Matheopoulos, Helena. Fashion Designers at the Opera. London: Thames & Hudson, 2011. 191p. ISBN 978-0-50-051576-1.McGregor, Jackie. They Can’t Take That Away from Me. Bedlinog: Accent, 2011. 22, 202 p. ISBN978-1-90-772696-5.McIntyre, Freda. What Was That Dance? 5: (Over 1900 Dances in the English Tradition). List.Great Yarmouth: F. McIntyre, 2010. 1 v. (various pagings).McIntyre, Freda. What Was That Dance? 4: (Over 2000 Dances in the English Tradition). List.Great Yarmouth: F. McIntyre, 2007. 1 v. (various pagings).McIver, Joel. Overkill: The Untold Story of Motörhead. London: Omnibus, 2011. 242 p. ISBN 978-1-84-938619-7.McIver, Joel. Sabbath Bloody Sabbath. Updated ed. London: Omnibus, 2011. 402 p. ISBN 978-1-84-938970-9.McLeod, Ken. We Are the Champions: The Politics of Sports and Popular Music. Farnham:Ashgate, 2011. 257 p. (Ashgate Popular and Folk Music Series). ISBN 978-1-40-940864-2.Meade, Bazil; Jan Greenough. A Boy, a Journey, a Dream: The Story of Bazil Meade and theLondon Community Gospel Choir. Oxford: Monarch Books, 2011. 176 p. ISBN 978-1-85-424998-2.Meilhac, Henri; Philippe Gille. Manon. Jules Massenet. New ed. Richmond: Overture Pub., 2011.112 p. (Opera Guides, 25). ISBN 978-0-71-454426-7.Libretto in English and French.Miles, Barry. In the Seventies: Adventures in the Counter-Culture. London: Serpent’s Tail, 2011.264 p. ISBN 978-1-84-668690-0.Miller, Eric B. Bio-Guided Music Therapy: A Practitioner’s Guide to the Clinical Integration ofMusic and Biofeedback. London: Jessica Kingsley, 2011. 256 p. ISBN 978-1-84-905844-5.Miller, Janice. Fashion and Music. Oxford: Berg, 2011. 189 p. ISBN 978-1-84-788414-5.Mixing: The Ultimate Guide. From the makers of Computer Music. Bath: Future, 2010. 1 v. (163p.) + 1 DVD. ISBN 978-1-85-870360-2.Monro, Michele. The Singer’s Singer: The Life and Music of Matt Monro. London: Titan, 2011.788 p. ISBN 978-0-85-768561-2.Montgomery, Alice. Katy Perry: The Unofficial Biography. London: Michael Joseph, 2011. 269 p.ISBN 978-0-71-815825-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

118 of 149Morris, Robert C. A Life in Choral Singing. London: BM Pub., 2011. 77 p. ISBN 978-0-95-620082-2.Murungi, John. African Musical Aesthetics. Newcastle: Cambridge Scholars, 2011. 249 p. ISBN978-1-44-382927-4.Music and Modernism, c. 1849–1950. Edited by Charlotte de Mille. Newcastle: CambridgeScholars, 2011. 343 p. ISBN 978-1-44-382696-9.Music and the Renaissance: Renaissance, Reformation, and Counter-Reformation. Edited byPhilippe Vendrix. Farnham: Ashgate, 2011. 574 p. (A Library of Essays on RenaissanceMusic). ISBN 978-0-75-462928-3.Includes contributions in English, French, and German.Music Therapy and Parent-Infant Bonding. Edited by Jane Edwards. Oxford: Oxford UniversityPress, 2011. 212 p. ISBN 978-0-19-958051-4.The Music Trade in Georgian England. Edited by Michael Kassler. Farnham: Ashgate, 2011. 560p. ISBN 978-0-75-466065-1.Musical Instruments in the Ashmolean Museum: The Complete Collection. Berkhamstead:Oxford Musical Instrument Publications LLP, 2011. 384 p. ISBN 978-0-95-676790-5.Mustaine, Dave; Joseph Layden. Mustaine: A Life in Metal. London: HarperCollinsEntertainment, 2011. 369 p. ISBN 978-0-00-732410-1.Newsome, Roy. The Best of Brass: A Life’s Journey with Bands. Brighouse: Kirklees Music,2010[?]. 236 p. ISBN 978-0-95-672820-3.Nicolson, Dave. Jet Harris: In Spite of Everything. 1st ed. York: Music Mentor, 2011. 203 p. ISBN978-0-95-626792-4.The Nolans: Survivors: A Powerful Story of Secrets, Betrayal, Love, and Hope. London: Pan, 2011.367 p. ISBN 978-0-33-053146-7.Nye, Edward. Mime, Music, and Drama on the Eighteenth-Century Stage: The Ballet d’action.Cambridge: Cambridge University Press, 2011. 326 p. ISBN 978-1-10-700549-5.Odeniran, Isaac. The Commercial Sense Project. Peterborough: Fastprint Pub., 2011. 47 p. ISBN978-1-84-426969-3.Oliver, Sarah. Rihanna: The Only Girl in the World. London: John Blake, 2011. 277 p ISBN 978-1-84-358423-0.Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Edited by PamelaKarantonis and Dylan Robinson. Farnham: Ashgate, 2011. 357 p. (Ashgate InterdisciplinaryStudies in Opera). ISBN 978-0-75-466989-0.Pardini, Domenico Luigi. Alfredo Catalani: Composer of Lucca. With firsthand accounts ofCatalani by Giovanni Baptista Nappi and Raffaello Barbiera; edited, annotated andintroduced by David Chandler; translated by Valentina Relton. Norwich: Durrant Pub., 2011.153 p. ISBN 978-1-90-594629-7.Parker, Alan G.; Mick O’Shea. Young Flesh Required: Growing Up with the Sex Pistols. London:Soundcheck, 2011. 320 p. ISBN 978-0-95-664201-1.Parri, Annette Bryn. Annette: Bywyd ar ddu a gwyn [Annette: Life on Black and White]. Talybont:Y Lolfa, 2010. 192 p. ISBN 978-1-84-771277-6.Pearl Jam Twenty. Foreword and additional interviews by Cameron Crowe. London: Atlantic,2011. 384 p. ISBN 978-1-84-887493-0.Chiefly illustrations.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

119 of 149Popular Music and Human Rights. Farnham, Surrey: Ashgate, 2011. 2 v. (Ashgate Popular andFolk Music Series). ISBN 978-1-40-943757-4 (set); ISBN 978-0-75-466852-7 (v. 1); ISBN 978-0-75-466853-4 (v. 2).Pegg, Nicholas. The Complete David Bowie. Expanded and updated 6th ed. 1st Titan ed. London:Titan, 2011. 736 p. ISBN 978-0-85-768290-1.The Penguin Guide to the 1000 Finest Classical Recordings: The Must Have CDs and DVDs. IvanMarch ... [et al.]. London: Penguin Books, 2011. 409 p. ISBN 978-0-24-195525-3.Peter Grimes; Gloriana. Benjamin Britten. New ed. Richmond: Overture Pub., 2011. 128 p.(Opera Guides, 24). ISBN 978-0-71-454425-0.Librettos in English by Montagu Slater and William Plomer, respectively.The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror.Edited by Joseph P. Fisher and Brian Flota. Farnham, Surrey, England: Ashgate Pub., 2011.211 p. (Ashgate Popular and Folk Music Series). ISBN 978-1-40-942784-1.Pop Music and Easy Listening. Edited by Stan Hawkins. Farnham: Ashgate, 2011. 523 p. (TheLibrary of Essays on Popular Music). ISBN 978-0-75-462952-8.Pope, Mal. Old Enough to Know Better. Talybont, Ceredigion: Y Lolfa, 2010. 192 p. ISBN 978-1-84-771291-2.Power, Martin. Hot Wired Guitar: The Life of Jeff Beck. London: Omnibus, 2011. 487 p. ISBN 978-1-84-938869-6.Pushkin, Aleksandr Sergeevich. Boris Godunov. Modest Mussorgsky. New ed. Richmond:Overture Pub., 2011. 112 p. (Opera Guides, 11). ISBN 9780714544151.Libretto in English and Russian.Pwyll ap Siôn; Iwan Llewelyn-Jones. Composing Contemporary Music: A Student’s Guide.Aberystwyth: CAA, Aberystwyth University, 2011 ISBN 978-0-71-454415-1. 1 v. (102 p.) + 1CD.Pwyll ap Siôn; Iwan Llewelyn-Jones. Cyfansoddi cerddoriaeth gyfoes: canllaw i fyfyrwyr[Composing Contemporary Music: A Student’s Guide]. Golygwyd gan: Fflur Pughe.Aberystwyth: Canolfan Astudiaethau Addysg, 2011. 1 vol. (102 p.) + 1 CD. ISBN 978-1-84-521406-7.Railton, Diane; Paul Watson. Music Video and the Politics of Representation. Edinburgh:Edinburgh University Press, 2011. 176 p. ISBN 978-0-74-863322-7.Ray Charles: Yes Indeed! Photographs by Joe Adams; editors, Robby Elson & Sally Millard.Guildford: Genesis Publications, 2009. 1 v. (152 p.) + 1 booklet. ISBN 978-1-90-566208-1.Redner, Gregg. Deleuze and Film Music: Building a Methodological Bridge between Film Theoryand Music. Bristol: Intellect, 2011. 194 p. ISBN 978-1-84-150370-7.Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. Edited byThomas Bossius, Andreas Hager, & Keith Kahn-Harris. London: I.B. Tauris, 2011. 192 p.(Library of Modern Religion, 18). ISBN 978-1-84-885809-1.Rennert, Jonathan. Music, Musicians, and Organs of St Michael’s Cornhill. London: St Michael’sCornhill, 2010. 54 p. ISBN 978-0-95-670090-2.Reproduced Sound 2010: Performing Arts Venue: Balancing the Design: 17–19 November 2010Cardiff. St. Albans: Institute of Acoustics, 2010. 1 CD-ROM. ISBN 978-1-90-691304-5.Conference proceedings.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

120 of 149Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. 1st American ed. London:Faber, 2011. 458 p. ISBN 978-0-57-123208-6.Richards, Keith; James Fox. Life. London: Phoenix, 2011. 630 p. ISBN 978-0-75-382661-4.Ricks, Christopher. Dylan’s Visions of Sin. Edinburgh: Canongate, 2011. 517 p. ISBN 978-0-85-786201-3.Rieger, Eva. Richard Wagner’s Women. Woodbridge: Boydell, 2011. 239 p. ISBN 978-1-84-383685-8.Riley, Tim. Lennon: The Man, the Myth, the Music: The Definitive Life. London: Virgin, 2011. 765p. ISBN 978-0-75-354019-0.Rimmer, Dave. Like Punk Never Happened: Culture Club and the New Pop. New ed. London:Faber, 2011. 191 p. (Faber Finds). ISBN 978-0-57-128026-1.Rojek, Chris. Pop Music, Pop Culture. Cambridge: Polity, 2011. 237 p. ISBN 978-0-74-564263-5.Rylatt, Keith. Groovesville USA: The Detroit Soul & R&B Index. Worthing: Stuart Russell, 2010.320 p. ISBN 978-0-95-677350-0.Schatzberg, Jerry. Thin Wild Mercury: Touching Dylan’s Edge: Dylan by Schatzberg. Edited byOliver Craske, Robby Elson. Guildford, Surrey: Genesis, 2006. 1 v. (294 p.) + 1 sheet. ISBN978-0-90-435199-6.Chiefly illustratons.Schleifer, Ronald. Modernism and Popular Music. Cambridge: Cambridge University Press, 2011.233 p. ISBN 978-1-10-700505-1.Scott, Paul. Robbie & Gary: It’s Complicated: The Unauthorized Biography. London: Sidgwick &Jackson, 2011. 330 p. ISBN 978-0-28-307147-8.Sheffield, Harold. The Memoirs of Harold Sheffield. Bicester: Bound Biographies, 2011. 262 p.ISBN 978-1-90-517846-9.Sherring, Brian. Music & Praise in the Life of the Believer. Reading: Open Bible Trust, 2011. 52 p.ISBN 978-1-90-285988-0.Shryane, Jennifer. Blixa Bargeld and Einstürzende Neubauten: Experimental Music: Evading Do-Re-Mi. Farnham: Ashgate, 2011. 253 p. (Ashgate Popular and Folk Music Series). ISBN 978-1-40-942156-6.Silkman, Ty. Bob Dylan: Alias Anything You Please. London: Titan Books, 2011. 175 p. ISBN 978-0-85-768556-8.Skola, Tessa. Bare: A Cabaret’s Dancer’s Life. Great Britain: T. Skola, 2009. 285 p. ISBN 978-0-95-677881-9.Smith, Helen. There’s a Place for Us: The Musical Theatre Works of Leonard Bernstein. Farnham:Ashgate, 2011. 300 p. ISBN 978-1-40-941169-7.The Sociology of Music. London: Routledge, 2010. 216 p. (International Library of Sociology. TheSociology of Culture). ISBN 978-0-41-560572-4.Soffredini, Alfredo; Giuseppe Depanis. The First Lives of Alfredo Catalani. Edited, annotated, andintroduced by David Chandler; translated by Ornella Trevisan, Richard M. Berrong, & GiuliaMartino. Norwich: Durrant Pub., 2011. 163 p. ISBN 978-1-90-594625-9.Sounes, Howard. Fab: An Intimate Life of Paul McCartney. London: Harper, 2011. 600 p. ISBN978-0-00-729319-3.Spiceworld: The Exhibition. Description text by Liz West; photography by Ben Barker.Huddersfield: Kroma, 2011. 99 p. ISBN 978-0-95-676850-6.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

121 of 149Spurling, John. A Book of Liszts: Variations on the Theme of Franz Liszt. Greenford: Seagull,2011. 229 p. ISBN 978-1-90-649794-1.Stevens, Lewis. An Unforgettable Woman: The Life and Times of Rosa Newmarch. Leicester:Matador, 2011. 339 p. ISBN 978-1-84-876670-9.Stevens, Meic. Hunangofiant. Rhan 3, Maŝ o ‘mâ [Autobiography. Vol. 3, Out of Here]. GydagAnnes Gruffydd. Talybont: Y Lolfa, 2011. 169 p. ISBN 978-1-84-771324-7.Sutherland, Jonathan; Diane Canwell. Pocket Guide to Gilbert and Sullivan. Barnsley: RememberWhen, 2011. 186 p. ISBN 978-1-84-468103-7.Stothard, Celia Frances. Celia Sings. London: Typography Workshop, 2011. 1 v. (80 p.) + 1 CD-ROM. ISBN 978-0-95-693060-6.Strong, Catherine. Grunge: Music and Memory. Farnham, Surrey: Ashgate, 2011. 179 p.(Ashgate Popular and Folk Music Series). ISBN 978-1-40-942376-8.Synths: The Ultimate Guide. Bath: Future Publishing, 2010. 1 v. (163 p.)+ 1 DVD-ROM. ISBN 978-1-85-870415-9).Taboo. Fallin’ Up: My Story. London: Simon & Schuster, 2011. 325 p. ISBN 978-1-43-919206-1.Talbot, Michael. The Vivaldi Compendium. Woodbridge: Boydell, 2011. 258 p. ISBN 978-1-84-383670-4.Tayler, Ted. We’d Like to Do a Number Now. Bath: Cepai Books, 2011. 320 p. ISBN 978-1-90-801609-6.Taylor, Benedict. Mendelssohn, Time, and Memory: The Romantic Conception of Cyclic Form.Cambridge: Cambridge University Press, 2011. 303 p. ISBN 978-1-10-700578-5.Tedman, Ray. Led Zeppelin. London: Titan Books, 2011. 176 p. ISBN 978-0-85-768596-4.Thompson, Dave. Wheels out of Gear: 2-Tone, The Specials, and a World in Flame. London:Soundcheck, 2011. 216 p. ISBN 978-0-95-664202-8.Tinker, Chris. Mixed Messages: Youth Magazine Discourse, and Sociocultural Shifts in “Salut lescopains” (1962–1976). Oxford: Peter Lang, 2010. 193 p. ISBN 978-3-03-911905-9.Togden, Doc. An Odd Boy. Bristol: Aro Books Worldwide, 2011- . v. 1- . ISBN 978-1-89-818520-8.Tost, Tony. American Recordings. London: Continuum, 2011. 202 p. (33⅓). ISBN 978-1-44-117461-1.Vaughan Williams, Ralph. Dear Müller-Hartmann: Letters from Ralph Vaughan Williams toRobert Müller-Hartmann. Edited by Steven K. White. England: Steven K. White, 2009. 195 p.ISBN 978-0-57-801631-3.Ventura, David. Film Music in Focus. 2nd ed. London: Rhinegold Education, 2010. 105 p. ISBN978-1-90-744708-2.Voicework in Music Therapy: Research and Practice. Edited by Felicity Baker and Sylka Uhlig;foreword by Diane Austin. London: Jessica Kingsley, 2011. 367 p. ISBN 978-1-84-905165-1.Watkins, Holly. Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann toArnold Schoenberg. Cambridge: Cambridge University Press, 2011. 335 p. (New Perspectivesin Music History and Criticism). ISBN 978-1-10-701091-8.Weiland, Scott; David Ritz. Not Dead and Not for Sale: The Earthling Papers: A Memoir.Edinburgh: Canongate, 2011. 238 p. ISBN 978-1-84-195990-0.Wells, Simon. Butterfly on a Wheel: The Great Rolling Stones Drugs Bust. London: Omnibus,2011. 320 p. ISBN 978-1-84-938995-2.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

122 of 149Wener, Louise. Just for One Day: Adventures in Britpop. London: Ebury, 2011. 312 p. ISBN 978-0-09-193652-5.Whitall, Susan. Fever: Little Willie John: A Fast Life, Mysterious Death, and the Birth of Soul.London: Titan, 2011. 214 p. ISBN 978-0-85-768137-9.White, Andy. 21st Century Troubadour. Andy White. Belfast: Lagan Press, 2009. 1 v. (320 p.) + 1CD-ROM. ISBN 978-1-90-465272-4.Whyton, Tony. Jazz. Edited by Tony Whyton. Farnham: Ashgate, 2011. 538 p. (The Library ofEssays on Popular Music). ISBN 978-0-75-462951-1.Wilentz, Sean. Bob Dylan in America. London: Vintage, 2011. 390 p. ISBN 978-0-09-954929-1.Wilson, Brian; Peter Blake. That Lucky Old Sun. Interviews, Harvey Kubernik, Nick Roylance;photographs, Guy Webster ... [et al.]. Genesis limited fine ed. Guildford, Surrey: Genesis,2009. 1 v. (54 p.) + 3 sheets of music + 12 sheets of plates + 1 CD. ISBN 978-1-90-566212-8.Wilson, Conrad. Forty Years On: The Story of Perth’s Festival of the Arts. Perth: Perth Festival ofthe Arts, 2011. 88 p. ISBN 978-0-95-606208-6.Wishart, Trevor. Encounters in the Republic of Heaven: All the Colours of Speech. York: Orpheusthe Pantomine Ltd., 2010. 1 v. (63 p.) + 1 CD-ROM. ISBN 978-0-95-103132-2.Wollenberg, Susan. Schubert’s Fingerprints: Studies in the Instrumental Works. Farnham, Surrey:Ashgate, 2011. 317 p. ISBN 978-1-40-942122-1.Yarm, Mark. Everybody Loves Our Town: A History of Grunge. London: Faber, 2011. 567 p. ISBN978-0-57-124986-2.Zwirn, Gerry. Stranded Stories from the Operas. Illustrations by Tricia. London: Travis & EmeryMusic Bookshop, 2010. 202 p. ISBN 978-1-84-955094-9.UNITED STATESA-Life for Music: Music and Computer Models of Living Systems. Eduardo Reck Miranda, editor.Middleton, WI: A-R Editions, 2011. 1 v. (301 p.) + 1 CD. (The Computer Music and DigitalAudio Series, 24). ISBN 978-0-89-579673-8.Aberback, Brian. Black Sabbath: Pioneers of Heavy Metal. Berkeley Heights, NJ: Enslow, 2011.112 p. (Rebels of Rock). ISBN 978-0-76-603379-5.Abrams, Dennis. Eminem. New York: Checkmark Books, 2008. 103 p. (Hip-Hop Stars). ISBN 978-0-79-109728-1.Adler, Thomas A. Bean Blossom: The Brown County Jamboree and Bill Monroe’s BluegrassFestivals. Urbana, IL: University of Illinois Press, 2011. 239 p. (Music in American Life). ISBN978-0-25-203615-6.Ake, David Andrew. Jazz Matters: Sound, Place and Time since Bebop. Berkeley: University ofCalifornia Press, 2010. 199 p. ISBN 978-0-52-026688-9.Alden, Jane. Songs, Scribes and Society: The History and Reception of the Loire ValleyChansonniers. New York: Oxford University Press, 2010. 283 p. (The New Cultural History ofMusic). ISBN 978-0-19-538152-8.Allen, Milton. Music, Artistry and Education: A Journey towards Musical Growth andEnlightenment. Galesville, MD: Meredith Music; Milwaukee, WI:, 2011. 181 p. ISBN 978-1-57-463117-3.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

123 of 149Allen, Paul. Artist Management for the Music Business. 2d ed. Amsterdam; Boston, MA: FocalPress, 2011. 279 p. ISBN 978-0-24-081501-5.Allen, Ray. Gone to the Country: The New Lost City Ramblers and the Folk Music Revival. Urbana:University of Illinois Press, 2010. 309 p. (Music in American Life). ISBN 978-0-25-203560-9.Alternative Approaches in Music Education: Case Studies from the Field. Edited by Ann C.Clements. Lanham, MD: Rowman & Littlefield Education, 2010. 313 p. ISBN 978-1-60-709855-3.Alvin Lucier: A Celebration. With an introduction by Michael S. Roth; essays by Nicolas Collinsand Ronald Kuivila and an interview with Andrea Miller-Keller and Alvin Lucier. Middletown,CT: Wesleyan University Press, 2011. 48 p. ISBN 978-0-81-957279-0.Ambrosiana at Harvard: New Sources of Milanese Chant. Edited by Thomas Forrest Kelly andMatthew Mugmon. Cambridge, MA: Houghton Library of the Harvard College Library, 2010.172 p. (Houghton Library Studies, 3). ISBN 978-0-98-188580-3.Analytical and Cross-Cultural Studies in World Music. Edited by Michael Tenzer and John Roeder.New York: Oxford University Press, 2011. 461 p. ISBN 978-0-19-538458-1.Anastasi, William. The Cage Dialogues: A Memoir. Edited by Aaron Levy. Philadelphia, PA:Slought Books, 2011. 119 p. (Contemporary Artist Series, 6). ISBN 978-1-93-699401-4.Anderson, Peter J. Rebetiko Row: A History of Rebetiko Music. Bloomington, IN: Xlibris, 2011. 90p. ISBN 978-1-45-359810-8.The Anthology of Rap. Edited by Adam Bradley, Andrew DuBois. New Haven: Yale UniversityPress, 2011. 867 p. ISBN 978-0-30-014190-0.Antokoletz, Elliott; Paolo Susanni. Béla Bartók: A Research and Information Guide. 3d ed. NewYork: Routledge, 2011. 488 p. (Routledge Music Bibliographies). ISBN 978-0-41-599523-8.Archuleta, David; Monica Haim. Chords of Strength: A Memoir of Soul, Song and the Power ofPerseverance. New York: New American Library, 2010. 248 p. ISBN 978-0-45-123018-8.Armbruster, Kurt E. Before Seattle Rocked: A City and Its Music. Seattle: University ofWashington Press, 2011. 374 p. ISBN 978-0-29-599113-9.Ashley, Robert. Perfect Lives: An Opera. Champaign: Dalkey Archive Press, 2011. 187 p. ISBN978-1-56-478684-5.Libretto; also includes selections from a series of talks at the Center for ContemporaryMusic, Mills College, 1989.Aswell, Tom. Louisiana Rocks! The True Genesis of Rock & Roll. Gretna, LA: Pelican Pub. Co.,2010. 500 p. ISBN 978-1-58-980677-1.Atkinson, Brian T. I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt.College Station: Texas A&M University Press, 2012. 250 p. (John and Robin Dickson Series inTexas Music). ISBN 978-1-60-344526-9.Augustyn, Heather. Ska: An Oral History. Jefferson, NC: McFarland, 2010. 208 p. ISBN 978-0-78-646040-3.The “Austin Chronicle” Music Anthology. Edited by Austin Powell and Doug Freeman. Austin:University of Texas Press, 2011. 314 p. (Jack and Doris Smothers Series in Texas History, Lifeand Culture, 28). ISBN 978-0-29-272270-5.Bacon, Ernst. Notes on the Piano. New introduction by Sara Davis Buechner. Mineola, NY: DoverPublications, 2011. 167 p. (Dover Books on Music and Music History). ISBN 978-0-48-648366-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

124 of 149Badura-Skoda, Eva; Paul Badura-Skoda. Interpreting Mozart: The Performance of His PianoPieces and Other Compositions. 2d ed. New York: Routledge, 2010. 1 v. (474 p.) + 1 CD. ISBN978-0-41-597750-0.Bakan, Michael B. World Music: Traditions and Transformations. 2d ed. New York: McGraw-Hill,2012. 377 p. ISBN 978-0-07-352664-5.Baker, Geoffrey. Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana. Durham,NC: Duke University Press, 2011. 410 p. (Refiguring American Music). ISBN 978-0-82-234940-2.Baker, Ginger; Ginette Baker. Ginger Baker, Hellraiser: The Autobiography of the World’sGreatest Drummer. London: J. Blake, 2010. 291 p. ISBN 978-1-84-454966-5.Balance: European Hardcore Music. Tom Barry; photography by Sophia Schorr-Kon. New York:Mark Batty Publisher, 2011. 160 p. ISBN 978-1-93-561336-7.Baron, John H. Chamber Music: A Research and Information Guide. 3d ed. New York: Routledge,2010. 780 p. (Routledge Music Bibliographies). ISBN 978-0-41-599418-7.Basile, Salvatore. Fifth Avenue Famous: The Extraordinary Story of Music at St. Patrick’sCathedral. New York: Fordham University Press, 2010. 354 p. ISBN 978-0-82-323187-4.Bates, Eliot. Music in Turkey: Experiencing Music, Expressing Culture. New York: OxfordUniversity Press, 2011. 1 v. (129 p.) + 1 CD. (Global Music Series). ISBN 978-0-19-539414-6.Battiste, Harold; Karen Celestin. Unfinished Blues: Memories of a New Orleans Music Man. NewOrleans, LA: The Historic New Orleans Collection, 2010. 196 p. ISBN 978-0-91-786055-3.Beal, Amy C. Carla Bley. Urbana: University of Illinois Press, 2011. 113 p. (American Composers).ISBN 978-0-25-203636-1.Beisswenger, Drew. North American Fiddle Music: A Research and Information Guide. New York:Routledge, 2011. 535 p. (Routledge Music Bibliographies). ISBN 978-0-41-599454-5.Belafonte, Harry; Michael Shnayerson. My Song: A Memoir. New York: Alfred A. Knopf, 2011.469 p. ISBN 978-0-30-727226-3.Benamou, Marc. Rasa: Affect and Intuition in Javanese Musical Aesthetics. New York: OxfordUniversity Press, 2010. 298 p. (AMS Studies in Music). ISBN 978-0-19-518943-8.Benham, John L. Music Advocacy: Moving from Survival to Vision. Lanham, MD: Rowman &Littlefield Education, 2011. 212 p. ISBN 978-1-60-709780-8.Benzecry, Claudio E. The Opera Fanatic: Ethnography of an Obsession. Chicago, IL: University ofChicago Press, 2011. 246 p. ISBN 978-0-22-604340-1.Berkman, Franya J. Monument Eternal: The Music of Alice Coltrane. Middletown, CT: WesleyanUniversity Press, 2010. 132 p. (Music/Culture). ISBN 978-0-81-956924-0.Berrier, Ralph. If Trouble Don’t Kill Me: A Family’s Story of Brotherhood, War, and Bluegrass.New York: Crown, 2010. 292 p. ISBN 978-0-30-746306-7.Berresford, Mark. That’s Got ‘Em! The Life and Music of Wilbur C. Sweatman. Jackson:University Press of Mississippi, 2010. 230 p. (American Made Music Series). ISBN 978-1-60-473099-9.Berson, Misha. Something’s Coming, Something Good: “West Side Story” and the AmericanImagination. Milwaukee, WI: Applause Theatre & Cinema Books, 2011. 279 p. ISBN 978-1-55-783766-0.Blanco, Alvin. The Wu-Tang Clan and RZA: A Trip through Hip Hop’s 36 Chambers. Santa Barbara,CA: Praeger, 2011. 254 p. (Hip Hop in America). ISBN 978-0-31-338442-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

125 of 149Bloustien, Gerry; Margaret Peters. Youth, Music and Creative Cultures: Playing for Life. NewYork: Palgrave Macmillan, 2011. 296 p. ISBN 978-0-23-020058-6.Blue, Al W. Race Records and the Posters of the Era 1900–1927. United States: Al W. Blue,2011- . v. 1- . ISBN 978-1-46-111318-8.Blumenfeld, Robert. Blumenfeld’s Dictionary of Musical Theater: Opera, Operetta, MusicalComedy. New York: Limelight Editions, 2010. 399 p. ISBN 978-0-87-910372-9.Blumenthal, Bob; John Abbott. Saxophone Colossus: A Portrait of Sonny Rollins. New York:Abrams, 2010. 160 p. ISBN 978-0-81-099615-1.Bocelli Andrea; Consuelo Bixio Hackney. The Music of Silence. English-language ed., new ed.Milwaukee, WI: Amadeus Press, 2011. 315 p. ISBN 978-1-57-467197-1.Translation of: Musica del silenzio (Milano: Mondadori, 1999)Bohlman, Philip Vilas. Focus: Music, Nationalism, and the Making of the New Europe. 2d ed.New York: Routledge, 2011. 1 v. (317 p.) + 1 CD. ISBN 978-0-41-596063-2.Bonds, Mark Evan. A History of Music in Western Culture. 3d ed. Upper Saddle River, NJ:Prentice Hall, 2010. 649. ISBN 978-0-20-564531-2.Bordman, Gerald Martin; Richard Norton. American Musical Theatre: A Chronicle. 4th ed. NewYork: Oxford University Press, 2010. 1017 p. ISBN 978-0-19-972970-8.Bordowitz, Hank. Billy Joel: The Life and Times of an Angry Young Man. Rev. and updated ed.Milwaukee, WI: Backbeat Books, 2011. 336 p. ISBN 978-1-61-713005-2.Boykan, Martin. The Power of the Moment: Essays on the Western Music Canon. Hillsdale, NY:Pendragon Press, 2011. 107 p. (Harmonologia: Studies in Music Theory, 16) ISBN 978-1-57-647164-7.Boynton, Susan. Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain. New York: Oxford University Press, 2011. 208 p. (Currents in Latin Americanand Iberian Music). ISBN 978-0-19-975459-5.Brabazon, Tara. Popular Music: To Pics, Trends & Trajectories. Los Angeles, CA: Sage, 2012. 287p. ISBN 978-1-84-787435-1.Brazilian Popular Music and Citizenship. Edited by Idelber Avelar and Christopher Dunn.Durham,NC: Duke University Press, 2011. 364 p. ISBN 978-0-82-234884-9.Breivik, Magnar. Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and PaulHindemith. Hillsdale, NY: Pendragon Press, 2011. 417 p. (Interplay; Music in InterdisciplinaryDialogue, 8). ISBN 978-1-57-647170-8.Brill, Mark. Music of Latin America and the Caribbean. Boston: Prentice Hall, 2011. 402 p. ISBN978-0-13-183944-1.Brinkman, Shannon; Eve Abrams. Preservation Hall. Baton Rouge: Louisiana State UniversityPress, 2011. 129 p. ISBN 978-0-80-713726-0.Brown, Jake. Prince in the Studio: 1975–1995. Phoenix, AZ: Colossus Books, 2010. 218 p. ISBN978-0-97-909766-9.Brown, Marshall. The Tooth That Nibbles at the Soul: Essays on Music and Poetry. Seattle:University of Washington Press, 2010. 374 p. (Literary Conjugations). ISBN 978-0-29-599005-7.Browne, David. Fire and Rain: The Beatles, Simon & Garfunkel, James Taylor, CSNY, and the LostStory of 1970. Cambridge, MA: Da Capo Press, 2011. 369 p. ISBN 978-0-30-681850-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

126 of 149Broyles, Michael. Beethoven in America. Bloomington: Indiana University Press, 2011. 418 p.ISBN 978-0-25-335704-5.Bruhn, Siglind Frank Martin’s Musical Reflections on Death. Hillsdale, NY: Pendragon Press,2011. 299 p. (Dimension & Diversity; Studies in 20th-Century Music, 11). ISBN 978-1-57-647194-4.Bruss, Kelley Deegan. Ira Sankey: Singing the Gospel. Greenville, SC: Journeyforth, 2010. 149 p.ISBN 978-1-60-682107-7.Buckley, Ann; Cynthia J. Cyrus. Music, Dance and Society: Medieval and Renaissance Studies inMemory of Ingrid G. Brainard. Kalamazoo, MI: Medieval Institute Publications, 2011. 357 p.ISBN 978-1-58-044166-7.Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Edited by KendraPreston Leonard. Lanham, MD: Scarecrow Press, 2011. 308 p. ISBN 978-0-81-086945-5.Burch-Pesses, Michael. Canadian Band Music: A Qualitative Guide to Canadian Composers andTheir Works for Band. Galesville, MD: Meredith Music Publications, 2008. 179 p. ISBN 978-1-57-463087-9.Burk, James Mackds. A Charles Ives Omnibus. Selected, compiled, and annotated by James MackBurk; edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008. 1011 p.(Monographs & Bibliographies in American Music, 18). ISBN 978-1-57-647119-7.Burst of Breath: Indigenous Ritual Wind Instruments in Lowland South America. Edited byJonathan D. Hill & Jean-Pierre Chaumeil. Lincoln: University of Nebraska Press, 2011. 433 p.ISBN 978-0-80-322092-8.Bute, Daniela. Development of Music Education in Romania since 1989: How DemocratizationTransforms the Teachers’ Curriculum. Lewiston, NY: Edwin Mellen Press, 2010. 333 p. ISBN978-0-77-341328-3.Campbell, Don G.; Alex Doman. Healing at the Speed of Sound: How What We Hear TransformsOur Brains and Our Lives. New York: Hudson Street Press, 2011. 263 p. ISBN 978-1-59-463082-8.Canarina, John. The New York Philharmonic: From Bernstein to Maazel. New York: AmadeusPress, 2010. 482 p. ISBN 978-1-57-467188-9.Cardall, Paul. Before My Heart Stops: A Memoir. Salt Lake City, UT: Shadow Mountain, 2010. 290p. ISBN 978-1-60-641818-5.Carlisle, Belinda. Lips Unsealed: A Memoir. New York: Crown, 2010. 265 p. ISBN 978-0-30-746349-4.Case, George. Out of Our Heads: Rock ‘n’ Roll before the Drugs Wore Off. New York: BackbeatBooks, 2010. 266 p. ISBN 978-0-87-930967-1.Cash, Rosanne. Composed: A Memoir. New York: Viking, 2010. 245 p. ISBN 978-0-67-002196-3.Castro, Christi-Anne. Musical Renderings of the Philippine Nation. New York: Oxford UniversityPress, 2011. 234 p. (The New Cultural History of Music). ISBN 978-0-19-974640-8.Cavicchi, Daniel. Listening and Longing: Music Lovers in the Age of Barnum. Middletown, CT:Wesleyan University Press, 2011. 256 p. (Music/Culture). ISBN 978-0-81-957161-8.Cawthra, Benjamin. Blue Notes in Black and White: Photography and Jazz. Chicago, IL: Universityof Chicago Press, 2011. 345 p. ISBN 978-0-22-609875-3.Chapman, Marshall. They Came to Nashville. Nashville, TN: Country Music Foundation Press:Vanderbilt University Press, 2010. 282 p. ISBN 978-0-82-651735-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

127 of 149Charnas, Dan. The Big Payback: The History of the Business of Hip-Hop. New York: NewAmerican Library, 2010. 660 p. ISBN 978-0-45-122929-8.Chrome, Cheetah. Cheetah Chrome: A Dead Boy’s Tale: From the Front Lines of Punk Rock.Minneapolis, MN: Voyageur Press, 2010. 368 p. ISBN 978-0-76-033773-8.Cizmic, Maria. Performing Pain: Music and Trauma in Eastern Europe. Oxford; New York: OxfordUniversity Press, 2012. 233 p. ISBN 978-0-19-973460-3.Clark, James. Connecticut’s Fife & Drum Tradition. Middletown, CT: Wesleyan University Press,2011. 165 p. (A Driftless Connecticut Series Book). ISBN 978-0-81-957141-0.Clavin, Thomas. That Old Black Magic: Louis Prima, Keely Smith and the Golden Age of LasVegas. Chicago, IL: Chicago Review Press, 2010. 227 p. ISBN 978-1-55-652821-7.The Cultural Study of Music: A Critical Introduction. Edited by Martin Clayton, Trevor Herbert,Richard Middleton. 2d ed. New York: Routledge, 2012. 455 p. ISBN 978-0-41-588190-6.Clendinning, Jane Piper; Elizabeth West Marvin. The Musician’s Guide to Theory and Analysis. 2ded. New York: W.W. Norton, 2011. 1 v. (839, A1-111 p.) + 1 DVD. ISBN 978-0-39-393081-8.Cohodas, Nadine. Princess Noire: The Tumultuous Reign of Nina Simone. New York: PantheonBooks, 2010. 449 p. ISBN 978-0-37-542401-4.Cole, Natalie. Love Brought Me Back: A Journey of Loss and Gain. New York: Simon & Schuster,2010. 165 p. ISBN 978-1-45-160605-8.Collins, Caron L. Messengers of Music: The Legacy of Julia E. Crane. Charlotte, NC: InformationAge Pub., 2011. 127 p. ISBN 978-1-61-735563-9.Collins, Judy. Sweet Judy Blue Eyes: My Life in Music. New York: Crown Archetype, 2011. 354 p.,ISBN 978-0-30-771734-4.Cooper, Susan. The Magic Maker: A Portrait of John Langstaff, Creator of the Christmas Revels.Somerville, MA: Candlewick Press, 2011. 193 p. ISBN 978-0-76-365040-7.Cornbread and Cuchifritos: Ethnic Identity Politics, Transnationalization, and Transculturation inAmerican Urban Popular Music. Edited by Wilfried Raussert and Michelle Habell-Pallan.Tempe, AZ: Bilingual Press, 2011. 283 p. (Inter-American Studies: Cultures, Societies, History= Estudios interamericanos: culturas, sociedades, historia, 2). ISBN 978-3-86-821265-5.Cornelius, Steven; Mary Natvig. Music: A Social Experience. Upper Saddle River, NJ: Pearson,2012. 245 p. ISBN 978-0-13-601750-9.The Culture of AIDS in Africa: Hope and Healing in Music and the Arts. Edited by Gregory Barzand Judah M. Cohen. New York: Oxford University Press, 2011. 500 p. ISBN 978-0-19-974447-3.Cusic, Don. The Cowboy in Country Music: An Historical Survey with Artist Profiles. Jefferson, NC:McFarland, 2011. ISBN 978-0-78-646314-5.Davies, Hunter. The Beatles. New York: W.W. Norton, 2010. 408 p. ISBN 978-0-39-333874-4.Previously published as 2nd rev. ed., 1996; with a new introduction.De Ferranti, Hugh. The Last Biwa Singer: A Blind Musician in History, Imagination andPerformance. Ithaca, NY: East Asia Program, Cornell University, 2009. 320 p. (Cornell EastAsia Series, 143). ISBN 978-1-93-394713-6.Dekaney, Elisa Macedo; Deborah Alane Cunningham. Travel On and On: InterdisciplinaryLessons on the Music of World Cultures. Lanham, MD: Rowman & Littlefield Education, 2011.71 p. ISBN 978-1-60-709310-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

128 of 149DeNeefe, Jane. Rocket City Rock & Soul: Huntsville Musicians Remember the 1960s. Charleston,SC: History Press, 2011. 126 p. ISBN 978-1-60-949370-7.DeRogatis, Jim; Greg Kot. The Beatles vs. the Rolling Stones: Sound Opinions on the Great Rock‘n’ Roll Rivalry. Minneapolis, MN: Voyageur Press, 2010. 191 p. ISBN 978-0-76-033813-1.Coltrane on Coltrane: The John Coltrane Interviews. Edited by Chris DeVito. Chicago, IL: ChicagoReview Press, 2010. 396 p. ISBN 978-1-56-976287-5.DeVoto, Mark. Schubert’s Great C Major: Biography of a Symphony. Hillsdale, NY: PendragonPress, 2011. 126 p. (Monographs in Musicology, 15). ISBN 978-1-57-647201-9.Dicaire, David. The Folk Music Revival, 1958–1970: Biographies of Fifty Performers and otherInfluential People. Jefferson, NC: McFarland & Co., 2011. 314 p. ISBN 978-0-78-646352-7.Diettrich, Brian; Jane Freeman Moulin; Michael Hugh Webb. Music in Pacific Island Cultures:Experiencing Music, Expressing Culture. New York: Oxford University Press, 2011. 1 v. (195p.) + 1 CD. (Global Music Series).ISBN 978-0-19-973340-8.Dietz, Dan. Off Broadway Musicals, 1910–2007: Casts, Credits, Songs, Critical Reception, andPerformance Data of More than 1,800 Shows. Jefferson, NC: McFarland & Co., 2010. 648 p.ISBN 978-0-78-643399-5.Disciplining the Arts: Teaching Entrepreneurship in Context. Edited by Gary D. Beckman. Lanham,MD: Rowman & Littlefield Education, 2011. 184 p. ISBN 978-1-60-709199-8.Discover Jazz. Edited by John Edward Hasse, Tad Lathrop. Boston, MA: Pearson Education, 2012.368 p. ISBN 978-0-13-602637-2.Divine Inspiration: Music and Islam in Indonesia. Co-editors David D. Harnish, Anne K.Rasmussen. New York: Oxford University Press, 2011. 383 p. ISBN 978-0-19-538541-0.Donnelly, Stephen E. The Beatles Discography: A Chronological Guide to Their Music. Denver,CO: Outskirts Press, 2011- . v. 1- .Vol. 1: The 60’s. ISBN 978-1-43-276979-6Doughty, Mike. The Book of Drugs: A Memoir. Boston, MA: Da Capo Press, 2012. 252 p. ISBN978-0-30-681877-6.Draper, Jack A. Forró and Redemptive Regionalism from the Brazilian Northeast: Popular Musicin a Culture of Migration. New York: Lang, 2010. 216 p. (Latin America, 18). ISBN 978-1-43-311076-4.Dressler, John Clay. William Alwyn: A Research and Information Guide. New York: Routledge,2012. 317 p. (Routledge Music Bibliographies). ISBN 978-0-41-588605-5.Dugan, Eleanor. The Films of Jeanette MacDonald and Nelson Eddy. Rev. ed. San Francisco, CA.:Grand Cyrus Press, 2011. 634 p. ISBN 978-0-97-909945-8.Dunbar, Julie C. Women, Music, Culture: An Introduction. New York: Routledge, 2011. 1 v. (379p.) + 1 CD. ISBN 978-0-41-587562-2.Dyer, Richard. Nino Rota: Music, Film, and Feeling. New York: Palgrave Macmillan on behalf ofthe British Film Institute, 2010. 226 p. ISBN 978-1-84-457210-6.Eddy, Chuck. Rock and Roll Always Forgets: A Quarter Century of Music Criticism. Durham, NC:Duke University Press, 2011. 335 p. ISBN 978-0-82-234996-9.Elliott, Robert L. Our World, Our Music. Dubuque, IA: Kendall Hunt, 2010. 266 p. ISBN 978-0-75-756723-0.Elvis Presley’s Memphis. Battle Ground, WA: Pediment Pub., 2010. 176 p. ISBN 978-1-59-725258-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

129 of 149Epstein, Daniel Mark. The Ballad of Bob Dylan: A Portrait. New York: HarperCollins, 2011. 496 p.ISBN 978-0-06-180732-9.Evanier, David. All the Things You Are: The Life of Tony Bennett. Hoboken, NJ: John Wiley & Sons,2011. 346 p. ISBN 978-0-47-052065-9.Everett, William A. The Musical: A Research and Information Guide. 2d ed. New York: Routledge,2011. 315 p. (Routledge Music Bibliographies). ISBN 978-0-41-599421-7.Farley, Charles. Soul of the Man: Bobby ‘Blue’ Bland. Jackson: University Press of Mississippi,2011. 320 p. (American Made Music Series). ISBN 978-1-60-473919-0.Fassler, Margot Elsbeth. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. 2d ed. Notre Dame, IN: University of Notre Dame Press, 2011. 487 p. ISBN978-0-26-802889-3.Feder, Georg. Music Philology: An Introduction to Musical Textual Criticism, Hermeneutics, andEditorial Technique. Hillsdale, NY: Pendragon Press, 2011. 195 p. (Monographs inMusicology, 14). ISBN 978-1-57-647113-5.Translation of: Musikphilologie: Eine Einfuhrung in die musikalische Textkritik, Hermeneutikund Editionstechnik (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987).Felder, Don; Wendy Holden. Heaven and Hell: My Life in the Eagles (1974–2001). Hoboken, NJ:John Wiley & Sons, 2008. 340 p. ISBN 978-0-47-028906-8.Fellers, Frederick P. The Metropolitan Opera on Record: A Discography of the CommercialRecordings. 2d ed. Lanham, MD: Scarecrow Press, 2010. 279 p. ISBN 978-0-81-087664-4.Fellezs, Kevin. Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion. Durham, NC: DukeUniversity Press, 2011. 299 p. (Refiguring American Music). ISBN 978-0-82-235030-9.Ferris, William R. Give My Poor Heart Ease: Voices of the Mississippi Blues. Chapel Hill:University of North Carolina Press, 2009. 1 v. (302 p.) + 1 CD + 1 DVD. (H. Eugene and LillianYoungs Lehman Series). ISBN 978-0-80-783325-4.Filichia, Peter. Broadway Musical MVPs, 1960–2010: The Most Valuable Players of the Past FiftySeasons. Milwaukee, WI: Applause Theatre & Cinema Books, 2011. 335 p. ISBN 978-1-61-774086-2.Fischer, Jens Malte. Gustav Mahler. New Haven, CT: Yale University Press, 2011. 766 p. ISBN 978-0-30-013444-5.Flanagan, Robert J. The Perilous Life of Symphony Orchestras: Artistic Triumphs and EconomicChallenges. New Haven, CT: Yale University Press, 2012. 224 p. ISBN 978-0-30-017193-8.Fleisher, Leon; Anne Midgette. My Nine Lives: A Memoir of Many Careers in Music. New York:Doubleday, 2010. 325 p. ISBN 978-0-38-552918-1.Florentius, de Faxolis. Book on Music. Cambridge, MA.: Harvard University Press, 2010. 340 p.(The I Tatti Renaissance Library, 43). ISBN 978-0-67-404943-7.Latin text and English translation on facing pages.Floros, Constantin. Anton Bruckner: The Man and the Work. Translated by Ernest Bernhardt-Kabisch. New York: Peter Lang, 2011. 232 p. ISBN 978-3-63-161439-6.Translation of: Anton Bruckner (Hamburg: Europaische Verlagsanstalt, 2004)# .Floros, Constantin. Johannes Brahms, Free But Alone: A Life for a Poetic Music. New York: PeterLang, 2010. 291 p. ISBN 978-3-63-161260-6.Translation of: Johannes Brahms, “frei aber einsam” (Zurich: Arche, 1997). # .© 2012 – International Association of Music Libraries; Fontes Artis Musicae

130 of 149Floros, Constantin. The Origins of Western Notation. Revised and translated by Neil Moran witha report on The Reception of the Universale Neumenkunde, 1970–2010. New York: PeterLang, 2011. 405 p. ISBN 978-3-63-161559-1.Translation of: Universale Neumenkunde (Kassel-Wilhelmshöhe, Barenreiter-Verl., 1970).Floyd, James Michael. Composers in the Classroom: A Bio-Bibliography of Composers atConservatories, Colleges, and Universities in the United States. Lanham, MD: ScarecrowPress, 2011. 340 p. ISBN 978-0-81-087775-7.Flying Saucers Rock ‘n’ Roll: Conversations with Unjustly Obscure Rock ‘n’ Soul Eccentrics. JakeAusten, editor. Durham, NC: Duke University Press, 2011. 290 p. (Refiguring AmericanMusic). ISBN 978-0-82-234837-5.Forney, Kristine; Joseph Machlis. The Enjoyment of Music: An Introduction to PerceptiveListening. 11th ed. New York: W. W. Norton, 2011. 595, 59 p. ISBN 978-0-39-393520-2.Fowles, Paul. A Concise History of Rock Music. Pacific, MO: Bill’s Music Shelf, 2009. 370 p. ISBN978-0-78-666643-0.Fox, Charles. Killing Me Softly: My Life in Music. Lanham. MD: Scarecrow Press, 2010. 293 p.ISBN 978-0-81-086991-2.Franklin, Benjamin. Commentaries on Jazz Musicians and Jazz Songs: A History of Jazz inRetrospect. Lewiston, NY: E. Mellen Press, 2011. 607 p. ISBN 978-0-77-341528-7.Franklin, Peter. Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores.New York: Oxford University Press, 2011. 191 p. (The Oxford Music/Media Series). ISBN 978-0-19-538345-4.Frehley, Ace; Joseph Layden; John Ostrosky. No Regrets: A Rock ‘n’ Roll Memoir. 1st GalleryBooks hardcover ed. New York: Gallery Books, 2011. 305 p. ISBN 978-1-45-161394-0.Friedmann, Jonathan L. Music, Theology and Worship: Selected Writings, 1841–1896. Jefferson,NC: McFarland, 2011. 213 p. ISBN 978-0-78-646461-6.Fuente, Eduardo de la. Twentieth Century Music and the Question of Modernity. New York:Routledge, 2011. 182 p. (Routledge Advances in Sociology, 54). ISBN 978-0-41-596208-7.Gabrielsson, Alf. Strong Experiences with Music: Music Is Much More than Just Music. Translatedby Rod Bradbury. English ed. New York: Oxford University Press, 2011. 492 p. ISBN 978-0-19-969522-5.Translation of: Starka musikupplevelser: musik är mycket mer än bara musik (Hedemora:Gidlund, 2008).Gallo, Denise P. Gioachino Rossini: A Research and Information Guide. 2d ed. New York:Routledge, 2010. 385 p. (Routledge Music Bibliographies). ISBN 978-0-41-599457-6.Gamble, Stephen; William C. Lynch. Dennis Brain: A Life in Music. Denton: University of NorthTexas Press, 2011. 384 p. (North Texas Lives of Musicians Series, 7). ISBN 978-1-57-441307-6.Garebian, Keith. The Making of “Cabaret”. 2d ed. New York: Oxford University Press, 2011. 232p. ISBN 978-0-19-973249-4.Garofalo, Reebee. Rockin’ Out: Popular Music in the USA. 5th ed. Upper Saddle River, NJ:Pearson/Prentice Hall, 2011. 536 p. ISBN 978-0-20-576378-8.Garramuño, Florencia. Primitive Modernities: Tango, Samba, and Nation. Translated by AnnaKazumi Stahl. Stanford, CA: Stanford University Press, 2011. 200 p. ISBN 978-0-80-476249-6.Translation of: Modernidades primitivas: Tango, samba y nación (Buenos Aires: Fondo deCultura Economica de Argentina, 2007).© 2012 – International Association of Music Libraries; Fontes Artis Musicae

131 of 149Garrett, Leah. A Knight at the Opera: Heine, Wagner, Herzl, Peretz, and the Legacy of der“Tannhäuser”. West Lafayette, IN: Purdue University Press, 2011. 147 p. (ShofarSupplements in Jewish Studies). ISBN 978-1-55-753601-3.Gibson, Benoît. The Instrumental Music of Iannis Xenakis: Theory, Practice, Self-Borrowing.Hillsdale, NY: Pendragon Press, 2011. 231 p. (Iannis Xenakis Series, 3). ISBN 978-1-57-647161-6.Girdlestone, Cuthbert Morton. Mozart & His Piano Concertos. With a new Introduction by SaraDavis Buechner. Mineola, NY: Dover Publications, 2011. 509 p. ISBN 978-0-48-648365-8.Corrected republication of 2nd (1958) edition.Godbey, Marty. Crowe on the Banjo: The Music Life of J.D. Crowe. Urbana: University of IllinoisPress, 2011. 232 p. (Music in American Life). ISBN 978-0-25-207825-5.Goddard, Simon. Mozipedia: The Encyclopedia of Morrissey and the Smiths. New York: Penguin,2010. 532 p. ISBN 978-0-45-229667-1.Godt, Irving. Marianna Martines: A Woman Composer in the Vienna of Mozart and Haydn.Rochester, NY: University of Rochester Press, 2010. 299 p. (Eastman Studies in Music). ISBN978-1-58-046351-5.Goldsby, Robin Meloy. Waltz of the Asparagus People: The Further Adventures of Piano Girl.United States: Bass Lion, 2011. 264 p. ISBN 978-1-45-647754-7.Goldsworthy, Anna. Piano Lessons: A Memoir. New York: St. Martin’s Press, 2010. 243 p. ISBN978-0-31-264628-8.Golus, Carrie. Russell Simmons: From Def Jam to Super Rich. Minneapolis, MN: Twenty-FirstCentury Books, 2012. 112 p. ISBN 978-0-76-138157-0.Gordon-Seifert, Catherine. Music and the Language of Love: Seventeenth-Century French Airs.Bloomington: Indiana University Press, 2011. 390 p. (Music and the Early ModernImagination). ISBN 978-0-25-335461-7.Graham-Jones, Ian. The Life and Music of Alice Mary Smith (1839–1884), a Woman Composer ofthe Victorian Era: A Critical Assessment of Her Achievement. Lewiston, NY: Edwin MellenPress, 2010. 179 p. ISBN 978-0-77-341383-2.Gray, Marcus. Route 19 Revisited: The Clash and London Calling. New York: Soft Skull Press,2010. 532 p. ISBN 978-1-59-376293-3.Greco, Nicholas P. “Only if You Are Really Interested”: Celebrity, Gender, Desire, and the World ofMorrissey. Jefferson, NC: McFarland, 2011. 218 p. ISBN 978-0-78-646274-2.Greenfield, Robert. The Last Sultan: The Life and Times of Ahmet Ertegun. New York: Simon &Schuster, 2011. 431 p. ISBN 978-1-41-655838-5.Greenspan, Charlotte. Pick Yourself Up: Dorothy Fields and the American Musical. New York:Oxford University Press, 2010. 298 p. (Broadway Legacies). ISBN 978-0-19-511110-1.Gregory, E. David. The Late Victorian Folksong Revival: The Persistence of English Melody, 1878–1903. Lanham, MD: Scarecrow Press, 2010. 583 p. ISBN 978-0-81-086988-2.Gridley, Mark C. Jazz Styles: History and Analysis. 11th ed. Boston, MA: Pearson, 2012. 513 p.ISBN 978-0-20-503683-7.Gruhn, George; Walter Carter. Gruhn’s Guide to Vintage Guitars: An Identification Guide forAmerican Fretted Instruments. 3d ed., updated and expanded. New York: Backbeat Books,2010. 649 p. ISBN 978-0-87-930980-0.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

132 of 149Grushkin, Paul. Dead Letters: The Very Best Grateful Dead Fan Mail. Minneapolis, MN: VoyageurPress, 2011. 208 p. ISBN 978-0-76-033854-4.Guion, David M. A History of the Trombone. Lanham, MD: Scarecrow Press, 2010. 251 p.(American Wind Band Series, 1). ISBN 978-0-81-087445-9.Gunther, Leon. The Physics of Music and Color. New York: Springer, 2012. 540 p. ISBN 978-1-46-140556-6.HaCohen, Ruth. The Music Libel against the Jews. New Haven, CT: Yale University Press, 2011.507 p. ISBN 978-0-30-016778-8.Hall, Patricia. Berg’s “Wozzeck”. New York: Oxford University Press, 2011. 211 p. (Studies inMusical Genesis, Structure and Interpretation). ISBN 978-0-19-534261-1.Harrison, Thomas. Music of the 1980s. Santa Barbara, CA: Greenwood, 2011. 186 p. (AmericanHisory through Music). ISBN 978-0-31-336599-7.Harrison, Thomas. Music of the 1990s. Santa Barbara, CA: Greenwood, 2011. 182 p. (AmericanHistory through Music). ISBN 978-0-31-337942-0.Hartman, Kent. The Wrecking Crew: The Inside Story of Rock and Roll’s Best-Kept Secret. NewYork: St. Martin’s Press, 2012. 292 p. ISBN 978-0-31-261974-9.Hartse, Joel Heng. Sects, Love, and Rock & Roll: My Life on Record. Eugene, OR: Cascade Books,2010. 187 p. (Experiences in Evangelicalism). ISBN 978-1-60-899327-7.Haydn and His Contemporaries. Selected papers from the joint conference of the Society forEighteenth-century Music and the Haydn Society of North America, Claremont, CA, 29February–2 March, 2008. Edited by Sterling Murray. Ann Arbor, MI: Steglein Pub., 2011. 225p. ISBN 978-0-98-198502-2.Haymes, Edward. Wagner’s “Ring” in 1848: New Translations of the Nibelung Myth andSiegfried’s Death. Rochester, NY: Camden House, 2010. 199 p. (Studies in German Literature,Linguistics and Culture). ISBN 978-1-57-113379-3.Heatley, Michael; Frank Hopkinson. The Girl in the Song: The True Stories Behind 50 RockClassics. Chicago, IL: Chicago Review Press, 2011. 144 p. ISBN 978-1-56-976530-2.Hebblethwaite, Benjamin. Vodou Songs in Haitian Creole and English. Philadelphia, PA: TempleUniversity Press, 2012. 366 p. ISBN 978-1-43-990601-9.Hecht, Stuart J. Transposing Broadway: Jews, Assimilation and the American Musical. New York:Palgrave Macmillan, 2011. 240 p. (Palgrave Studies in Theatre and Performance History).ISBN 978-0-23-011327-5.Heller-Roazen, Daniel. The Fifth Hammer: Pythagoras and the Disharmony of the World. NewYork: Zone Books, 2011. 191 p. ISBN 978-1-93-540816-1.Hermes, Will. Love Goes to Buildings on Fire: Five Years in New York That Changed MusicForever. New York: Faber and Faber, 2011. 368 p. ISBN 978-0-86-547980-7.Hershorn, Tad. Norman Granz: The Man Who Used Jazz for Justice. Berkeley: University ofCalifornia Press, 2011. 470 p. ISBN 978-0-52-026782-4.Herzig, Monika. David Baker: A Legacy in Music. Bloomington: Indiana University Press, 2011.ISBN 978-0-25-335657-4.Hess, Lisa M. Learning in a Musical Key: Insight for Theology in Performative Mode. Eugene, OR:Pickwick Publications, 2011. 236 p. (Princeton Theological Monograph Series, 169). ISBN978-1-60-899697-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

133 of 149Hickman, Roger. Miklós Rózsa’s “Ben-Hur”: A Film Score Guide. Lanham, MD: Scarecrow Press,2011. 158 p. (Scarecrow Film Score Guides, 10). ISBN 978-0-81-088100-6.Higgins, Kathleen Marie. The Music of Our Lives. New ed. Lanham, MD: Lexington Books, 2011.241 p. ISBN 978-0-73-912085-9.Hodge, Daniel White. The Soul of Hip Hop: Rims, Timbs, and a Cultural Theology. DownersGrove, IL: IVP Books, 2010. 250 p. ISBN 978-0-83-083732-8.Hodges, Donald A.; David C. Sebald. Music in the Human Experience: An Introduction to MusicPsychology. New York: Routledge, 2011. 1 v. (439 p.) + 1 CD-ROM. ISBN 978-0-41-588185-2.Hodgson, Jay. Understanding Records: A Field Guide to Recording Practice. New York:Continuum, 2010. 252 p. ISBN 978-1-44-116950-1.Holbrook, Morris B. Music, Movies, Meanings, and Markets: Cinemajazzamatazz. New York:Routledge, 2011. 382 p. (Routledge Interpretive Marketing Research, 14). ISBN 978-0-41-589313-8.Holden, Raymond. Richard Strauss: A Musical Life. New Haven, CT: Yale University Press, 2011.316 p. ISBN 978-0-30-012642-6.The Hollywood Film Music Reader. Edited by Mervyn Cooke. Oxford; New York: OxfordUniversity Press, 2010. 382 p. ISBN 978-0-19-533118-9.Honigberg, Steven. Leonard Rose, America’s Golden Age, and Its First Cellist. Silver Springs, MD:Beckham Publications, 2010. 501 p. ISBN 978-0-98-238767-2.Honing, Henkjan. Musical Cognition: A Science of Listening. Piscataway, NJ: TransactionPublishers, 2011. 150 p. ISBN 978-1-41-284228-0.Hopkins, Craig L. Stevie Ray Vaughan: Day By Day, Night after Night. New York: Backbeat Books,2010-2011. 2 v.Vol. 2: His Final Years, 1983–1990. 2011. ISBN 978-1-61-774022-0.Horlacher, Gretchen Grace. Building Blocks: Repetition and Continuity in the Music of Stravinsky.New York: Oxford University Press, 2011. 220 p. ISBN 978-0-19-537086-7.Horowitz, Mark Eden. Sondheim on Music: Minor Details and Major Decisions. 2d ed. Lanham,MD: Scarecrow Press, 2010. 568 p. ISBN 978-0-81-087436-7.Horstman, Dorothy; Fritzi Horstman. America’s Best Loved Country Songs: An Encyclopedia ofMore than 3,000 Classics through the 1980s. Jefferson, NC: McFarland, 2010. 321p. ISBN978-0-78-644994-1.House, Roger. Blue Smoke: The Recorded Journey of Big Bill Broonzy. Baton Rouge: LouisianaState University Press, 2010. 255 p. ISBN 978-0-80-713720-8.Huismann, Mary Christison. Gustav Holst: A Research and Information Guide. New York:Routledge, 2011. 259 p. (Routledge Music Bibliographies). ISBN 978-0-41-599525-2.Hull, Geoffrey P.; Thomas W. Hutchison; Richard Strasser. The Music Business and RecordingIndustry: Delivering Music in the 21st Century. 3d ed. New York: Routledge, 2011. 370 p.ISBN 978-0-41-587560-8.Inaba, Mitsutoshi. Willie Dixon: Preacher of the Blues. Lanham, MD: Scarecrow Press, 2011. 445p. (African American Cultural Theory and Heritage). ISBN 978-0-81-086993-6.Iommi, Tony; T.J. Lammers. Iron Man: My Journey through Heaven and Hell with Black Sabbath.Cambridge, MA: Da Capo Press, 2011. 383 p. ISBN 978-0-30-681955-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

134 of 149Isacoff, Stuart. A Natural History of the Piano: The Instrument, the Music, the Musicians, fromMozart to Modern Jazz and Everything in Between. New York: Alfred A. Knopf, 2011. 361 p.ISBN 978-0-30-726637-8.J.S. Bach and the Oratorio Tradition. Edited by Daniel R. Melamed. Urbana, IL: University ofIllinois Press, 2011. 152 p. (Bach Perspectives, 8). ISBN 978-0-25-203584-5.Jacobsen, Thomas W. Traditional New Orleans Jazz: Conversations with the Men Who Make theMusic. Baton Rouge: Louisiana State University Press, 2011. 244 p. ISBN 978-0-80-713779-6.Jacobson, John. Double Dreams: Living A Life of Glee, Harmony, and Oh Yes–Jazz Hands!Milwaukee, WI: Hal Leonard, 2011. 144 p. ISBN 978-1-45-840669-9.Jaffe, Kenneth. Solo Vocal Works on Jewish Themes: A Bibliography of Jewish Composers.Lanham, MD: Scarecrow Press, 2011. 436 p. ISBN 978-0-81-086135-0.James Levine: 40 Years at the Metropolitan Opera. Milwaukee, WI: Amadeus Press, 2011. 229 p.ISBN 978-1-57-467196-4.James, Nancy C. In Your Mercy, Lord, You Called Me: A Sung Prayer of the Christian Tradition.Lewiston, NY: Edwin Mellen Press, 2010. 104 p. (History of Christian Hymnody, 2). ISBN 978-0-77-343630-5.Jay Z. Decoded. New York: Spiegel & Grau, 2010. 317 p. ISBN 978-1-40-006892-0.Jeansonne, Glen; David Luhrssen; Dan Sokolovic. Elvis Presley, Reluctant Rebel: His Life and OurTimes. Santa Barbara, CA: Praeger, 2011. 232 p. ISBN 978-0-31-335904-0.Jenkins, Paul O. Richard Dyer-Bennet: The Last Minstrel. Jackson: University Press of Mississippi,2010. 181 p. (American Made Music Series). ISBN 978-1-60-473360-0.Jessup, David. Benny Goodman: A Supplemental Discography. Lanham, MD: The ScarecrowPress, 2010. 353 p. (Studies in Jazz, 62). ISBN 978-0-81-087685-9.Jobim, Helena. Antonio Carlos Jobim: An Illuminated Man. Translated from the Portuguese byDario Borim, Jr. Montclair, NJ: Hal Leonard, 2011. 287 p. ISBN 978-1-61-780343-7.Translation of: Antonio Carlos Jobim: um homem iluminado (Rio de Janeiro, RJ, Brasil: EditoraNova Fronteira, 1996).John Cage: Music, Philosophy, and Intention, 1933–1950. Edited by David W. Patterson. NewYork: Routledge, 2009. 279 p. (Studies in Contemporary Music and Culture, 3). ISBN 978-0-41-599667-9.John Coltrane and Black America’s Quest for Freedom: Spirituality and the Music. Edited byLeonard L. Brown. New York: Oxford University Press, 2010. 235 p. ISBN 978-0-19-532853-0.The John Marsh Journals: The Life and Times of a Gentleman Composer (1752–1828). Edited,introduced, and annotated by Brian Robins. Rev. ed. Hillsdale, NY: Pendragon Press, 2011- .v. 1- . (Sociology of Music, 9A). ISBN 978-1-57-647173-9.Jones, Georgette; Patsi Bale Cox. The Three of Us: Growing Up with Tammy and George. 1stAtria Books hardcover ed. New York: Atria Books, 2011. 296 p. ISBN 978-1-43-919857-5.Jones, Roben. Memphis Boys: The Story of American Studios. Jackson: University Press ofMississippi, 2010. 409 p. (American Made Music Series). ISBN 978-1-60-473401-0.Jorgensen, Estelle. Pictures of Music Education. Bloomington: Indiana University Press, 2011.354 p. (Counterpoints; Music and Education). ISBN 978-0-25-335612-3.Jorritsma, Marie R. Sonic Spaces of the Karoo: The Sacred Music of a South African ColouredCommunity. Philadelphia, PA: Temple University Press, 2011. 201 p. (African Soundscapes).ISBN 978-1-43-990237-0.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

135 of 149Journal of Performing Arts Leadership in Higher Education. Newport News, VA: ChristopherNewport University, 2010- . v. 1- . annual. ISSN 2151-2744.URL: http://jpalhe.cnu.edu.Kahn, Robert S. Beethoven and the “Grosse Fuge”: Music, Meaning, and Beethoven’s MostDifficult Work. Lanham, MD: Scarecrow Press, 2010. 170 p. ISBN 978-0-81-087418-3.Kamien, Roger. Music: An Appreciation. 10 th ed. New York: McGraw-Hill Higher Education, 2011.583 p. ISBN 978-0-07-802508-2.Kaufman, Will. Woody Guthrie, American Radical. Urbana: University of Illinois Press, 2011. 270p. (Music in American Life). ISBN 978-0-25-203602-6.Keene, James A. Giants of Music Education. Centennial, CO: Glenbridge Pub., 2010. 315 p. ISBN978-0-94-443568-7.Kehl, Roy F.; David R. Kirkland. The Official Guide to Steinway Pianos. Montclair, NJ: AmadeusPress, 2011. ISBN 978-1-57-467198-8.Keller, James M. Chamber Music: A Listener’s Guide. New York: Oxford University Press, 2011.494 p. ISBN 978-0-19-538253-2.Kent, Nick. Apathy for the Devil: A Seventies Memoir. Cambridge, MA: Da Capo Press., 2010. 408p. ISBN 978-0-30-681915-5.Kersh, Hoy. Suitcase Full of Dreams. Whitethorn, CA: Cozilove Enterprises, 2010. 137 p. ISBN978-0-98-231651-1.Keystone Korner: Portrait of a Jazz Club. Edited by Sascha Feinstein and Kathy Sloane.Bloomington: Indiana University Press, 2012. 221 p. ISBN 978-0-25-335691-8.Kijas, Anna E. Maria Szymanowska (1789–1831): A Bio-Bibliography. Lanham: Scarecrow Press,2010. 201 p. ISBN 978-0-81-087684-2.Killick, Andrew P. In Search of Korean Traditional Opera: Discourses of Ch‘anggǒk. Honolulu:University of Hawai‘i Press, 2010. 254 p. ISBN 978-0-82-483290-2.Kinder, Keith William. Prophetic Trumpets: Homage, Worship, and Celebration in the Wind BandMusic of Franz Liszt and Richard Wagner. Hillsdale, NY: Pendragon Press, 2010. 251 p. (FranzLiszt Studies Series, 11). ISBN 978-1-57-647151-7.King, Stephen A. I’m Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta.Jackson: University Press of Mississippi, 2011. 277 p. (American Made Music Series). ISBN978-1-61-703010-9.King, Terry. Gregor Piatigorsky: The Life and Career of the Virtuoso Cellist. Jefferson, NC:McFarland, 2010. 358 p. ISBN 978-0-78-644635-3.Klein, Jerry. Symphony Guild of Peoria: 60 Years of Support. United States: [no publisher given],2011. 39 p. ISBN 978-0-61-553877-8.Knight, John W. The Golden Age of Conductors. Galesville, MD: Meredith Music Publications,2010. 232 p. ISBN 978-1-57-463118-0.Kostka, Stefan M. Materials and Techniques of Post-Tonal Music. 4th ed. Boston, MA: Pearson,2012. 332 p. ISBN 978-0-20-579455-3.Kraftwerk: Music Non-Stop. Edited by Sean Albiez and David Pattie. New York: Continuum, 2011.244 p. ISBN 978-1-44-116507-7.Kubik, Gerhard. Theory of African Music. Chicago, IL: The University of Chicago Press, 2010. 2 v.+ 2 CDs. (Chicago Studies in Ethnomusicology). ISBN 978-0-22-645691-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

136 of 149Kwon, Donna Lee. Music in Korea: Experiencing Music, Expressing Culture. New York: OxfordUniversity Press, 2012. 1 v. (202 p.) + 1 CD. (Global Music Series). ISBN 978-0-19-536828-4.LaBarbara, Jim. Jim LaBarbara, the Music Professor: A Life Amplified through Radio & Rock ‘n’Roll. Milford, OH: Little Miami Pub. Co., 2011. 381 p. ISBN 978-1-93-225092-3.LaFaro-Fernandez, Helene. Jade Visions: The Life and Music of Scott Lafaro. Denton: Universityof North Texas Press, 2009. 322 p. (North Texas Lives of Musicians Series, 4). ISBN 978-1-57-441273-4.Laird, Paul R. The ”Chichester Psalms” of Leonard Bernstein. Hillsdale, NY: Pendragon Press,2010. 249 p. (CMS Sourcebooks in American Music, 4). ISBN 978-1-57-647152-4.Laird, Paul R. “Wicked”: A Musical Biography. Lanham, MD: Scarecrow Press, 2011. 341 p. ISBN978-0-81-087751-1.Langford, Jeffrey Alan. Evenings at the Opera: An Exploration of the Basic Repertoire.Milwaukee, WI: Amadeus Press, 2011. 376 p. ISBN 978-1-57-467187-2.Larson, Steve. Musical Forces: Motion, Metaphor, and Meaning in Music. Bloomington: IndianaUniversity Press, 2012. 369 p. (Musical Meaning & Interpretation). ISBN 978-0-25-335682-6.LaRue, Jan. Guidelines for Style Analysis. Expanded 2d ed. Sterling Heights, MI: Harmonie ParkPress, 2011. 1 v. (286 p.) + 1 CD-ROM. (Detroit Monographs in Musicology/Studies in Music,57). ISBN 978-0-89-990156-5.Leach, Elizabeth Eva. Guillaume de Machaut: Secretary, Poet, Musician. Ithaca, NY: CornellUniversity Press, 2011. 367 p. ISBN 978-0-80-144933-8.Learning, Teaching, and Musical Identity: Voices Across Cultures. Edited by Lucy Green.Bloomington: Indiana University Press, 2011. 319 p. (Counterpoints; Music and Education).ISBN 978-0-25-335603-1.Lebrecht, Norman. Why Mahler? How One Man and Ten Symphonies Changed Our World. NewYork: Pantheon Books, 2010. 326 p. ISBN 978-0-37-542381-9.Lesser, Wendy. Music for Silenced Voices: Shostakovich and His Fifteen Quartets. New Haven, CT:Yale University Press, 2011350 p. ISBN 978-0-30-016933-1.Levine, Gilbert. The Pope’s Maestro. San Francisco, CA: Jossey-Bass, 2010. 1 v. (407 p.) + 1 DVD.ISBN 978-0-47-049065-5.Lewis Hammond, Susan. The Madrigal: A Research and Information Guide. New York:Routledge, 2011. 356 p. (Routledge Musical Bibliographies). ISBN 978-0-41-580102-7.Lewis, James. Organs in the Land of Sunshine: Fifty-Two Years of Organs in Los Angeles, 1880–1932. Richmond, VA: OHS Press, 2009. 124 p. (OHS Monographs in American Organ History,4). ISBN 978-0-91-349932-0.Little, Jonathan David. Literary Sources of Nineteenth-Century Musical Orientalism: TheHypnotic Spell of the Exotic on Music of the Romantic Period. Lewiston, NY: Edwin MellenPress, 2011. 314 p. ISBN 978-0-77-341553-9.Lomax, Alan. Alan Lomax, Assistant in Charge: The Library of Congress Letters, 1935–1945.Edited by Ronald D. Cohen. Jackson: University Press of Mississippi, 2011. 414 p. (AmericanMade Music Series). ISBN 978-1-60-473800-1.Lovensheimer, Jim. “South Pacific”: Paradise Rewritten. New York: Oxford University Press,2010. 266 p. (Broadway Legacies). ISBN 978-0-19-537702-6.Lynn, Loretta; George Vecsey. Loretta Lynn: Coal Miner’s Daughter. New York: Vintage Books,2010. 206 p. ISBN 978-0-30-774123-3.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

137 of 149Lynskey, Dorian. 33 Revolutions per Minute: A History of Protest Songs, from Billie Holiday toGreen Day. New York: Ecco, 2011. 660 p. ISBN 978-0-06-167015-2.MacLeod, Dewar. Kids of the Black Hole: Punk Rock in Postsuburban California. Norman:University of Oklahoma Press, 2010. 177 p. ISBN 978-0-80-614041-4.Maconie, Robin. Musicologia: Musical Knowledge from Plato to John Cage. Lanham, MD:Scarecrow Press, 2010. 524 p. ISBN 978-0-81-087696-5.The Mahler Album. Gilbert Kaplan, editor. 2d ed., new, expanded. New York: Kaplan Foundation,2011. 335 p. ISBN 978-0-81-099833-9.Malone, Bill C. Music from the True Vine: Mike Seeger’s Life & Musical Journey. Chapel Hill:University of North Carolina Press, 2011. 235 p. ISBN 978-0-80-783510-4.Manley, Terry. Smokey: The Legendary Life of Iowa’s “Mr. Country Music”. Booneville, IA:Snowflake Enterprises, 2010. 320 p. ISBN 978-0-61-536255-7.Mannes, Elena. The Power of Music: Pioneering Discoveries in the New Science of Song. NewYork: Walker & Co., 2011. 263 p. ISBN 978-0-80-271996-6.Marcus, Greil. Bob Dylan: Writings 1968–2010. New York: PublicAffairs, 2010. 483 p. ISBN 978-1-58-648831-4.Marcus, Greil. The Doors: A Lifetime of Listening to Five Mean Years. New York: PublicAffairs,2011. 210 p. ISBN 978-1-58-648945-8.Marsh, Christopher W. Music and Society in Early Modern England. New York: CambridgeUniversity Press, 2010. 1 v. (609 p.) + 1 CD. ISBN 978-0-52-189832-4.Mårtensson, Anders; Jörgen Johansson. Local Heroes: The Asbury Park Music Scene. NewBrunswick, NJ: Rutgers University Press, 2008. 240 p. ISBN 978-0-81-354294-2.Translation of: Local heroes, Asbury Park, NJ (Kristianstad: Accent, 2005).# .Martin, George Whitney. Verdi in America: “Oberto” through “Rigoletto”. Rochester, NY:University of Rochester Press, 2011. 472 p. (Eastman Studies in Music, 86). ISBN 978-1-58-046388-1.Martin, Henry; Keith Waters. Jazz: The First 100 Years. 3d ed. Boston, MA: Cengage Learning,2012. 1 v. (419 p.) + 1 CD-ROM. ISBN 978-1-43-908333-8.Martin, Hugh. Hugh Martin: The Boy Next Door. Encinitas, CA: Trolley Press, 2010. 409 p. ISBN978-0-61-536507-7.Martinelli, Dario. Of Birds, Whales, and Other Musicians: An Introduction to Zoomusicology.Scranton, PA: University of Scranton Press, 2009. 243 p. (Approaches to Postmodernity, 3).ISBN 978-1-58-966187-5.Martino, Pat; Bill Mikowski. Here and Now! The Autobiography of Pat Martino. Milwaukee, WI:Backbeat Books, 2011. 192 p. ISBN 978-1-61-713027-4.Masino, Susan. Family Tradition: Three Generations of Hank Williams. Montclair, NJ: BackbeatBooks, 2011. 257 p. ISBN 978-1-61-713006-9.Masters, Jerry. Hanging from a Tree by My Knees: The Jerry Masters Story: Let It All Hang Out.Pearl, MS: Crossover Publications, 2010. 298 p. ISBN 978-0-98-196574-1.Mayer-Martin, Donna J.; Dorothy Keyser. Thematic Catalogue of Troubadour and TrouvèreMelodies. Hillsdale, NY: Pendragon Press, 2011. 739 p. (Thematic Catalogues in Music, 18).ISBN 978-0-91-872882-1.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

138 of 149McAdams, Charles A.; Richard H. Perry. The Tennessee Tech Tuba Ensemble and R. WinstonMorris: A 40th Anniversary Retrospective. Lanham, MD: Scarecrow Press, 2010. 206 p.(American Wind Band Series, 2). ISBN 978-0-81-087730-6.McBride, Jerry L. Douglas Moore: A Bio-Bibliography. Middleton, WI: A-R Editions, 2011. 658 p.(Music Library Association Index and Bibliography Series, 36). ISBN 978-0-89-579666-0.McClure, John S. Mashup Religion: Pop Music and Theological Invention. Waco, TX: BaylorUniversity Press, 2011. 240 p. ISBN 978-1-60-258357-3.McCutchan, Ann. Circular Breathing: Meditations from a Musical Life. Santa Fe, NM: SunstonePress, 2011. 156 p. ISBN 978-0-86-534749-6.McFarland, Jason J. Announcing the Feast: The Entrance Song in the Mass of the Roman Rite.Collegeville, MN: Liturgical Press, 2011. 313 p. ISBN 978-0-81-466261-8.McGuire, Doug. Music Business and Monkey Business. Bloomington, IN: AuthorHouse, 2010.311 p. ISBN 978-1-45-201145-5.McKee, Eric. Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in¾ Time. Bloomington: Indiana University Press, 2012. 262 p. (Musical Meaning andInterpretation). ISBN 978-0-25-335692-5.McVicker, Mary F. Women Composers of Classical Music: 369 Biographies from 1550 into the20th Century. Jefferson, NC: McFarland, 2011. 253 p. ISBN 978-0-78-644397-0.Meadows, Eddie S. Blues, Funk, Rhythm and Blues, Soul, Hip Hop, and Rap: A Research andInformation Guide. New York: Routledge, 2010. 388 p. (Routledge Music Bibliographies).ISBN 978-0-41-597319-9.MENC Handbook of Research on Music Learning. Edited by Richard Colwell, Peter Webster. NewYork: Oxford University Press, 2011. 2 v.Vol.1: Strategies ISBN 978-0-19-538667-7 .Vol. 2: Applications ISBN 978-0-19-975434-2 .Mesaros, Helen. Bravo fortissimo Glenn Gould: The Mind of a Canadian Virtuoso. Heritagespecial ed. Baltimore, MD: American Literary Press, 2008. 471 p. ISBN 978-1-56-167985-0.Metal Rules the Globe: Heavy Metal Music around the World. Jeremy Wallach, Harris M. Berger,and Paul D. Greene, editors. Durham, NC: Duke University Press, 2011. 381 p. ISBN 978-0-82-234716-3.Miller, Leta E. Music and Politics in San Francisco: From the 1906 Quake to the Second WorldWar. Berkeley: University of California Press, 2012. 365 p. (California Studies in 20th-CenturyMusic, 13). ISBN 978-0-52-026891-3.Miller, Sara Cedar. Strawberry Fields: Central Park’s Memorial to John Lennon. New York:Abrams, 2011. 95 p. ISBN 978-0-81-099786-8.Miller, Scott. Sex, Drugs, Rock & Roll, and Musicals. Boston, MA: Northeastern University Press,2011. 280 p. ISBN 978-1-55-553742-5.Miller, Terry E.; Andrew C. Shahriari. World Music: A Global Journey. 2d ed. New York:Routledge, 2009. 1 v. (558 p.) + 2 CDs. ISBN 978-0-41-598878-0.Mjos, Ole J. Music, Social Media, and Global Mobility: MySpace, Facebook, YouTube. New York:Routledge, 2012. 178 p. (Routledge Advances in Internationalizing Media Studies, 7). ISBN978-0-41-588274-3.Monderson, Frederick. Michael Jackson: The Apollo Memorial. Brooklyn, NY: SuMon Publishers,2010. 295 p. ISBN 978-0-61-533289-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

139 of 149Montague, Rebecca Smart. Bringing the World to Mississippi: The University of SouthernMississippi Symphony Orchestra, 1919–2010. Jackson: University Press of Mississippi, 2010.131 p. ISBN 978-1-61-703016-1.Morris, Carl; John Rostron. Sleeveface. New York: Artisan, 2008. 191 p. ISBN 978-1-57-965379-8.Mosaic: Journal of Music Research. Buffalo, NY: State University of New York, 2011- . v. 1- .annual.URL: http://mosaicjournal.org.Moskowitz, Marc L. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its CulturalConnotations. Honolulu: University of Hawai‘i Press, 2010. 165 p. ISBN 978-0-82-483369-5.Mould, Bob; Michael Azerrad. See A Little Light: The Trail of Rage and Melody. New York: Little,Brown and Co., 2011. 403 p. ISBN 978-0-31-604508-7.Muller, Carol Ann; Sathima Bea Benjamin. Musical Echoes: South African Women Thinking inJazz. Durham, NC: Duke University Press, 2011. 348 p. (Refiguring American Music). ISBN978-0-82-234891-7.Munro, Martin. Different Drummers: Rhythm, and Race in the Americas. Berkeley: University ofCalifornia Press, 2010. 280 p. (Music of the African Diaspora, 14). ISBN 978-0-52-026282-9.Music, American Made: Essays in Honor of John Graziano. Edited by John Koegel.SterlingHeights, MI: Harmonie Park Press, 2011. 733 p. (Detroit Monographs in Musicology/Studiesin Music, 58). ISBN 978-0-89-990157-2.Music and Conflict. Edited by John Morgan O’Connell and Salwa El-Shawan Castelo-Branco.Urbana: University of Illinois Press, 2010. 289 p. ISBN 978-0-25-203545-6.Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Edited byDavid Clarke, Eric Clarke. New York: Oxford University Press, 2011. 384 p. ISBN 978-0-19-955379-2.Music and Globalization: Critical Encounters. Edited by Bob W. White. Bloomington: IndianaUniversity Press, 2012. 233 p. (Tracking Globalization). ISBN 978-0-25-335712-0.Music at the Crossroads: Lives & Legacies of Baltimore Jazz. Edited by Mark Osteen & Frank J.Graziano; contributing editors Matthew Blackburn ... [et al.]. Baltimore, MD: ApprenticeHouse, 2010. 408 p. (Aperio Series; Loyola Humane Texts). ISBN 978-1-93-407452-7.Music Data Mining. Edited by Tao Li, Mitsunori Ogihara, George Tzanetakis. New York: Taylor &Francis, 2012. (Chapman & Hall/CRC Data Mining and Knowledge Discovery Series). ISBN978-1-43-983552-4.Music Education in the Middle Ages and the Renaissance. Edited by Russell E. Murray, Jr., SusanForscher Weiss, and Cynthia J. Cyrus. Bloomington: Indiana University Press, 2010. 406 p.(Publications of the Early Music Institute). ISBN 978-0-25-335486-0.Music in Television: Channels of Listening. Edited by James Deaville. New York: Routledge, 2011.238 p. (Routledge Music and Screen Media Series). ISBN 978-0-41-588135-7.Music in the Western: Notes from the Frontier. Edited by Kathryn Kalinak. New York: Routledge,2012. 237 p. (Routledge Music and Screen Media Series). ISBN 978-0-41-588226-2.Music, Performance and African Identities. Edited by Toyin Falola and Tyler Fleming.New York:Routledge, 2012. 346 p. (Routledge African Studies, 3) ISBN 978-0-41-588843-1.Mustaine, Dave; Joe Layden. Mustaine: A Heavy Metal Memoir. New York: It Books, 2010. 346 p.ISBN 978-0-06-171437-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

140 of 149Muxfeldt, Kristina. Vanishing Sensibilities: Schubert, Beethoven, Schumann. New York: OxfordUniversity Press, 2012. 241 p. ISBN 978-0-19-978242-0.Naden, Corinne J. The Golden Age of American Musical Theatre: 1943–1965. Lanham, MD:Scarecrow Press, 2011. 267 p. ISBN 978-0-81-087733-7.Nardolillo, Jo. The Canon of Violin Literature: A Performer’s Resource. Lanham, MD: ScarecrowPress, 2011. 217 p. (Music Finders). ISBN 978-0-81-087793-1.Nichols, Roger. Ravel. New Haven, CT: Yale University Press, 2011. 430 p. ISBN 978-0-30-010882-8.Norberg, John. Heartbeat of the University: 125 Years of Purdue Bands. West Lafayette, IN:Purdue University Press, 2011. 190 p. (The Founders Series). ISBN 978-1-55-753596-2.North, James H. Andre Kostelanetz on Records and on the Air: A Discography and Radio Log.Lanham, MD: Scarecrow Press, 2011. 387 p. ISBN 978-0-81-087732-0.Ochse, Orpha. Schoenstein & Co. Organs. Richmond, VA: OHS Press, 2008. 147 p. (OHSMonographs in American Organ History, 2). ISBN 978-0-91-349927-6.Okun, Milton; Richard Sparks. Along the Cherry Lane: Tales from the Life of Music IndustryLegend Milton Okun. Beverly Hills, CA: Classical Music to day, 2011. 304 p. ISBN 978-1-42-349949-7.Oliphant, Dave. KD: A Jazz Biography. San Antonio, TX: Wings Press, 2012. 193 p. ISBN 978-0-91-672795-6.Oppens, Kurt. Kurt Oppens on Music: An Aspen Legacy. Edited by Nancy G. Thomas and JaneVial Jaffe. Aspen, Colo.: Science/Art Press, 2009. 500 p. ISBN 978-0-61-530137-2.Ostendorf, Ann. Sounds American: National Identity and the Music Cultures of the LowerMississippi River Valley, 1800–1860. Athens: University of Georgia Press, 2011. 250 p. ISBN978-0-82-033976-4.The Oxford Handbook of Neo-Riemannian Music Theories. Edited by Edward Gollin andAlexander Rehding. New York: Oxford University Press, 2011. 605 p. (Oxford HandbooksSeries). ISBN 978-0-19-532133-3.The Oxford Handbook of the American Musical. Edited by Raymond Knapp, Mitchell Morris,Stacy Wolf. New York: Oxford University Press, 2011. 470 p. (Oxford Handbooks). ISBN 978-0-19-538594-6.The Oxford Handbook of the New Cultural History of Music. Edited by Jane F. Fulcher. New YorkCity: Oxford University Press, 2011. 586 p. ISBN 978-0-19-534186-7.Parker, Mara. String Quartets: A Research and Information Guide. 2d ed. London; New York:Routledge, 2011. 497 p. (Routledge Music Bibliographies). ISBN 978-0-41-599417-0.Pearl Jam. Pearl Jam Twenty. 1st Simon & Schuster hardcover ed. New York: Simon & Schuster,2011. 384 p. ISBN 978-1-43-916921-6.Pen, Ronald. I Wonder as I Wander: The Life of John Jacob Niles. Lexington: University Press ofKentucky, 2010. 371 p. ISBN 978-0-81-312597-8.Pendle, Karin; Melinda Boyd. Women in Music: A Research and Information Guide. 2d ed. NewYork: Routledge, 2010. 846 p. (Routledge Music Bibliographies). ISBN 978-0-41-599420-0.Peraino, Judith Ann. Giving Voice to Love: Song and Self-Expression from the Troubadours toGuillaume de Machaut. New York: Oxford University Press, 2011. 346 p. ISBN 978-0-19-975724-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

141 of 149Performing Xenakis. Translated, compiled, and edited by Sharon Kanach. Hillsdale, NY:Pendragon Press, 2010. 412 p. (Iannis Xenakis Series, 2). ISBN 978-1-57-647191-3.Perullo, Alex. Live from Dar Es Salaam: Popular Music and Tanzania’s Music Economy.Bloomington: Indiana University Press, 2011. 459 p. (African Expressive Cultures). ISBN 978-0-25-335605-5.Phillips, Edward R. Gabriel Fauré: A Research and Information Guide. 2d ed. New York:Routledge, 2011. 391 p. (Routledge Music Bibliographies). ISBN 978-0-41-599885-7.Piekut, Benjamin. Experimentalism Otherwise: The New York Avant-Garde and Its Limits.Berkeley: University of California Press, 2011. 283 p. (California Studies in 20th-CenturyMusic, 11). ISBN 978-0-52-026850-0.Pielke, Robert G. Rock Music in American Culture: The Sounds of Revolution. 2d ed. Jefferson,NC: McFarland, 2012. 255 p. ISBN 978-0-78-644865-4.Pinel, Stephen L. Organbuilding along the Erie and Chenango Canals: Alvinza and George N.Andrews of Utica, New York. Richmond, VA: OHS Press, 2010. 301 p. (OHS Monographs inAmerican Organ History, 1). ISBN 978-0-91-349930-6.Pinkham, Derek J. Milwaukee Jazz Profiles: Lives and Lessons of Musicians from the Cream City.Milwaukee, WI: Marquette University Press, 2010. 216 p. ISBN 978-0-87-462057-3.Platt, Heather. Johannes Brahms: A Research and Information Guide. 2d ed. New York:Routledge, 2011. 549 p. (Routledge Music Bibliographies). ISBN 978-0-41-599456-9.Poli, Roberto. The Secret Life of Musical Notation: Defying Interpretive Traditions. Milwaukee,WI: Amadeus Press, 2010. 254 p. ISBN 978-1-57-467184-1.Pop-Culture Pedagogy in the Music Classroom: Teaching Tools from American Idol to Youtube.Edited by Nicole Biamonte. Lanham, MD: Scarecrow Press, 2011. 344 p. ISBN 978-0-81-087736-8.Post, Jennifer C. Ethnomusicology: A Research and Information Guide. 2d ed. New York:Routledge, 2011. 462 p. (Routledge Music Bibliographies). ISBN 978-0-41-587977-4.Prodigy; Laura Checkoway. My Infamous Life: The Autobiography of Mobb Deep’s Prodigy. NewYork: Simon & Schuster, 2011. 308 p. ISBN 978-1-43-910318-0.Quist, Robert. The History of Modern Swedish Music: An Introduction to Nineteen Composers.Lewiston, NY: The Edwin Mellen Press, 2010. 402 p. ISBN 978-0-77-341290-3.Rabaka, Reiland. Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop FeministMovement. Lanham, MD: Lexington Books, 2011. 284 p. ISBN 978-0-73-916480-8.Rasmussen, Anne K. Women, the Recited Qur’an and Islamic Music in Indonesia. Berkeley:University of California Press, 2010. 312 p. ISBN 978-0-52-025548-7.The Secular Latin Motet in the Renaissance. Edited by Richard Rastall. Lewiston NY: EdwinMellen Press, 2010. 253 p. ISBN 978-0-77-341404-4.Ratcliffe, Philip R. Mississippi John Hurt: His Life, His Times, His Blues. Jackson: University Pressof Mississippi, 2011. 308 p. (American Made Music Series). ISBN 978-1-61-703008-6.Rauf, Don. Recording Industry. New York: Ferguson, 2010. 150 p. (Career Launcher). ISBN 978-0-81-607955-1.Rausch Andrew J. I Am Hip-Hop: Conversations on the Music and Culture. Lanham, MD:Scarecrow Press, 2011. 213 p. ISBN 978-0-81-087791-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

142 of 149Rayapati, Sangeetha. Vocal Settings of Rabindranath Tagore’s “Gitanjali” (Song Offerings):Fusing Western Art Song with Indian Mystical Poetry. Lewiston, NY: Edwin Mellen Press,2010. 127 p. ISBN 978-0-77-341405-1.Reading the Boss: Interdisciplinary Approaches to the Works of Bruce Springsteen. Edited byRoxanne Harde and Irwin Streight.Lanham, MD: Lexington Books, 2010. 303 p. ISBN 978-0-73-914535-7.Rethinking Debussy. Edited by Elliott Antokoletz, Marianne Wheeldon. New York: OxfordUniversity Press, 2011. 289 p. ISBN 978-0-19-975563-9.Rethinking Schumann. Edited by Roe-Min Kok and Laura Tunbridge. New York: Oxford UniversityPress, 2011. 471 p. ISBN 978-0-19-539385-9.Riccardi, Ricky. What A Wonderful World: The Magic of Louis Armstrong’s Later Years. New York:Pantheon Books, 2011. 369 p. ISBN 978-0-30-737844-6.Richardson, John. An Eye for Music: Popular Music and the Audiovisual Surreal. New York:Oxford University Press, 2012. 323 p. (The Oxford Music/Media Series) ISBN 978-0-19-536736-2.Riggs, Robert. Leon Kirchner: Composer, Performer, and Teacher. Rochester, NY: University ofRochester Press, 2010. 330 p. (Eastman Studies in Music, 78). ISBN 978-1-58-046343-0.Riley, Tim. Lennon: The Man, the Myth, the Music: The Definitive Life. New York: Hyperion, 2011.765 p., 24 p. Of plates. ISBN 978-1-40-132452-0.Rings, Steven. Tonality and Transformation. New York: Oxford University Press, 2011. 243 p.(Oxford Studies in Music Theory). ISBN 978-0-19-538427-7.Ro, Ronin. Prince: Inside the Music and the Masks. New York: St. Martin’s Press, 2011. 370 p.ISBN 978-0-31-238300-8.Robertson, David. W.C. Handy: The Life and Times of the Man Who Made the Blues. Tuscaloosa:University of Alabama Press, 2011. 286 p. ISBN 978-0-81-735696-5.Robinson, Mark A. Encyclopedia of Television Theme Songs. Jefferson, NC: McFarland, 2011. 199p. ISBN 978-0-78-646517-0.Rodgers, Nile. Le Freak: An Upside Down Story of Family, Disco, and Destiny. New York: Spiegel &Grau, 2011. 318 p. ISBN 978-0-38-552965-5.The Rolling Stones and Philosophy: It’s Just a Thought Away. Edited by Luke Dick and George A.Reisch. Chicago, IL: Open Court, 2011. 303 p. (Popular Culture and Philosophy, 64). ISBN978-0-81-269758-2.Romano, Will. Mountains Come Out of the Sky: The Illustrated History of Prog Rock. Milwaukee,WI: Backbeat Books, 2010. 246 p. ISBN 978-0-87-930991-6.Rommen, Timothy. Funky Nassau: Roots, Routes, and Representation in Bahamian PopularMusic. Berkeley: University of California Press, 2011. 310 p. (Music of the African Diaspora,15). ISBN 978-0-52-026568-4.Rose, Michael Alec. Audible Signs: Essays from a Musical Ground. New York: Continuum, 2010.176 p. ISBN 978-1-44-114326-6.Ross, Alex. Listen to This. New York: Farrar, Straus and Giroux, 2010. 364 p. ISBN 978-0-37-418774-3.The Science of String Instruments. Thomas D. Rossing, editor. New York: Springer, 2010. 470 p.ISBN 978-1-44-197109-8.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

143 of 149Rotella, Mark. “Amore”: The Story of Italian American Song. New York: Farrar, Straus and Giroux,2010. 300 p. ISBN 978-0-86-547698-1.Rothenberg, David J. The Flower of Paradise: Marian Devotion and Secular Song in Medievaland Renaissance Music. New York: Oxford University Press, 2011. 264 p. ISBN 978-0-19-539971-4.The Routledge Film Music Sourcebook. Edited by James Wierzbicki, Nathan Platte, and ColinRoust. New York: Routledge, 2012. 389 p. ISBN 978-0-41-588873-8.Rowley, Eddie. Our Joe: Joe Dolan by the People Who Knew Him Best. Dublin: O’Brien Press,2010. 286 p. ISBN 978-1-84-717219-8.Roy, William G. Reds, Whites and Blues: Social Movements, Folk Music, and Race in the UnitedStates. Princeton: Princeton University Press, 2010. 286 p. (Princeton Studies in CulturalSociology). ISBN 978-0-69-114363-7.Rudolf, Max; Malcolm Frager. Dear Max/Lieber Malcolm: The Rudolf/Frager Correspondence.Foreword by Leon Fleisher; introduction by Peter Serkin; annotation by Paul Ellison.Hillsdale, NY: Pendragon Press, 2010. 258 p. ISBN 978-1-57-647184-5.Rumph, Stephen C. Mozart and Enlightenment Semiotics. Berkeley: University of CaliforniaPress, 2012. 265 p. ISBN 978-0-52-026086-3.Runowicz, John Michael. Forever Doo-Wop: Race, Nostalgia, and Vocal Harmony. Amherst:University of Massachusetts Press, 2010. 190 p. (American Popular Music). ISBN 978-1-55-849824-2.Rush and Philosophy: Heart and Mind United. Edited by Jim Berti and Durrell Bowman.Chicago,IL: Open Court, 2011. 321 p. (Popular Culture and Philosophy, 57). ISBN 978-0-81-269716-2.Rutter, Paul. The Music Industry Handbook. New York: Routledge, 2011. 297 p. (Media Practice).ISBN 978-0-41-558680-1.Rybka, F. James. Bohuslav Martinů: The Compulsion to Compose. Lanham, MD: Scarecrow Press,2011. 374 p. ISBN 978-0-81-087761-0.Sachs, Harvey. The “Ninth”: Beethoven and the World in 1824. New York: Random House, 2010.225 p. ISBN 978-1-40-006077-1.Saffle, Michael. Richard Wagner: A Research and Information Guide. 2d ed. New York:Routledge, 2010. 461 p. (Routledge Music Bibliographies). ISBN 978-0-41-599840-6.Salifu, Abdulai. Politics and Ethnicity: Political Anthroponymy in Northern Ghana. Hauppauge,NY: Nova Science Publishers, 2011. 156 p. ISBN 978-1-61-122139-8.Native Tongues: An African Hip-Hop Reader. Edited by P. Khalil Saucier. Trenton, NJ: Africa WorldPress, 2011. 330 p. ISBN 978-1-59-221837-0.Savage, Jon. The England’s Dreaming Tapes. University of Minnesota Press, 2010. 744 p. ISBN978-0-81-667291-2.Schiff, David. The Ellington Century. Berkeley: University of California Press, 2012. 319 p. ISBN978-0-52-024587-7.Schmalfeldt, Janet. In the Process of Becoming: Analytic and Philosophical Perspectives on Formin Early Nineteenth-Century Music. New York: Oxford University Press, 2011. 333 p. (OxfordStudies in Music Theory). ISBN 978-0-19-509366-7.Schmelling, Michael. Atlanta: Hip Hop and the South. Photographs by Michael Schmelling; textby Kelefa Sanneh; interviews by Will Welch. San Francisco, CA: Chronicle Books, 2010. 224 p.ISBN 978-0-81-187277-5.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

144 of 149Schmidt, Randy. Little Girl Blue: The Life of Karen Carpenter. Chicago, IL: Chicago Review Press,2010. 351 p. ISBN 978-1-55-652976-4.Schuller, Gunther. Gunther Schuller: A Life in Pursuit of Music and Beauty. Rochester, NY:University of Rochester Press, 2011. 664 p. (Eastman Studies in Music). ISBN 978-1-58-046342-3.Schwartz-Kates, Deborah. Alberto Ginastera: A Research and Information Guide. New York:Routledge, 2010. 223 p. (Routledge Music Bibliographies). ISBN 978-0-41-597318-2.Sciannameo, Franco. Nino Rota’s “The Godfather” Trilogy: A Film Score Guide. Lanham, MD:Scarecrow Press, 2010. 193 p. (Scarecrow Film Score Guides, 9). ISBN 978-0-81-087711-5.Sciannameo, Franco. Phil Trajetta (1777–1854), Patriot, Musician, Immigrant: Commentary onHis Life and Work in Context. Hillsdale, NY: Pendragon Press, 2010. 321 p. (Monographs andBibliographies in American Music, 22). ISBN 978-1-57-647187-6.Seraphine, Daniel; Adam Mitchell. Street Player: My Chicago Story. Hoboken, NJ: John Wiley &Sons, 2011. 296 p. ISBN 978-0-47-041683-9.Sharp, Avery T.; James Michael Floyd. Choral Music: A Research and Information Guide. 2d ed.New York: Routledge, 2011. 377 p. (Routledge Music Bibliographies). ISBN 978-0-41-599419-4.Sharp, Ken. Starting Over: The Making of John Lennon and Yoko Ono’s Double Fantasy. NewYork: Gallery Books/VH1 Books, 2010. 262 p. ISBN 978-1-43-910300-5.Sheffield, Rob. Talking to Girls about Duran Duran: One Young Man’s Quest for True Love and aCooler Haircut. New York: Dutton, 2010. 274 p. ISBN 978-0-52-595156-8.Shelton, Robert. No Direction Home: The Life and Music of Bob Dylan. Rev. and updated ed.Milwaukee, WI: Backbeat Books, 2011. 359 p. ISBN 978-1-61-713012-0.Shipton, Alyn. Hi-de-ho: The Life of Cab Calloway. New York: Oxford University Press, 2010. 283p. ISBN 978-0-19-514153-5.Shoemaker, Henry W. North Pennsylvania Minstrelsy: As Sung in the Backwood Settlements,Hunting Cabins and Lumber Camps in Northern Pennsylvania, 1840–1910. University Park:Pennsylvania State University Press, 2011. 145 p. ISBN 978-0-27-104881-9.Shook, Brian A. Last Stop, Carnegie Hall: New York Philharmonic Trumpeter William Vacchiano.Denton: University of North Texas, 2011. 194 p. (North Texas Lives of Musicians Series, 6).ISBN 978-1-57-441306-9.Should Music Lyrics Be Censored? Beth Rosenthal, editor. Detroit, MI: Greenhaven Press, 2012.111 p. (At Issue). ISBN 978-0-73-775898-6.Silverman, Jonathan. Nine Choices: Johnny Cash and American Culture. Amherst: University ofMassachusetts Press, 2010. 278 p. ISBN 978-1-55-849827-3.Silverman, Kenneth. Begin Again: A Biography of John Cage. New York: Alfred A. Knopf, 2010.483 p. ISBN 978-1-40-004437-5.Simmons, Rick. Carolina Beach Music: The Classic Years. Charleston, SC: The History Press, 2011.388 p. ISBN 978-1-60-949214-4.Simone, Alina. You Must Go and Win. New York: Faber and Faber, 2011. 244 p. ISBN 978-0-86-547915-9.Sinatra, Barbara. Lady Blue Eyes: My Life with Frank Sinatra. New York: Crown Archetype, 2011.388 p. ISBN 978-0-30-738233-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

145 of 149Sing A New Song: Recovering Psalm Singing for the Twenty-First Century. Edited by Joel R. Beekeand Anthony T. Selvaggio. Grand Rapids, MI: Reformation Heritage Books, 2010. 196 p. ISBN978-1-60-178105-5.Sinnreich, Aram. Mashed Up: Music, Technology and the Rise of Configurable Culture. Amherst:University of Massachusetts Press, 2010. 241 p. (Science/Technology/Culture). ISBN 978-1-55-849829-7.Smith, Anne. The Performance of 16th-Century Music: Learning from the Theorists. New York:Oxford University Press, 2011. 244 p. ISBN 978-0-19-974262-2.Smith, Jacob. Spoken Word: Postwar American Phonograph Cultures. Berkeley: University ofCalifornia Press, 2011. 262 p. ISBN 978-0-52-026703-9.Snitzer, Herb. Glorious Days and Nights: A Jazz Memoir. Jackson: University Press of Mississippi,2011. 144 p. ISBN 978-1-60-473844-5.Sollers, Philippe. Mysterious Mozart. Translated and with an introduction by Armine KotinMortimer. Urbana: University of Illinois Press, 2010. 174 p. ISBN 978-0-25-203546-3.Translation of: Mystérieux Mozart (Paris: Plon, 2001).# .Sondheim, Stephen. Finishing the Hat: Collected Lyrics (1954–1981). With attendant comments,principles, heresies, grudges, whines, and anecdotes. New York: Knopf, 2010. 445 p. ISBN978-0-67-943907-3.Sondheim, Stephen. Look, I Made A Hat: Collected Lyrics (1981–2011). With attendantcomments, amplifications, dogmas, harangues, digressions, anecdotes, and miscellany. NewYork: Alfred A. Knopf, 2011. 453 p. ISBN 978-0-30-759341-2.Sosna, Marvin. Composer G. Tautenhahn: A Study. Pittsburgh, PA: Red Lead Press, 2011. 100 p.ISBN 978-1-43-496526-4.Sounding Out Pop: Analytical Essays in Popular Music. Edited by Mark Spicer and John Covach.Ann Arbor: University of Michigan Press, 2010. 265 p. (Tracking Pop). ISBN 978-0-47-211505-1.The Sounds of Our Offerings: Achieving Excellence in Church Music. Edited by Charlotte Kroeker.Herndon, VA: Alban Institute, 2011. 235 p. ISBN 978-1-56-699395-1.Sounes, Howard. Down the Highway: The Life of Bob Dylan. Updated ed. New York: Grove Press,2011. 566 p. ISBN 978-0-80-214552-9.Spin Greatest Hits: 25 Years of Heretics, Heroes and the New Rock ‘n’ Roll. Edited by Doug Brod.Hoboken, NJ: Wiley, 2010. 275 p. ISBN 978-0-47-063996-2.Spitz, Marc. Jagger: Rebel, Rocker, Rambler, Rogue. New York: Gotham Books, 2011. 310 p. ISBN978-1-59-240655-5.Spottswood, Richard K. Banjo on the Mountain: Wade Mainer’s First Hundred Years. Jackson:University Press of Mississippi, 2010. 134 p. (American Made Music Series). ISBN 978-1-60-473577-2.Stapert, Calvin. Handel’s “Messiah”: Comfort for God’s People. Grand Rapids, MI: William B.Eerdmans Pub., 2010. 173 p. (Calvin Institute of Christian Worship Liturgical Studies Series).ISBN 978-0-80-286587-8.Starr, Larry. George Gershwin. New Haven: Yale University Press, 2011. 194 p. (Yale BroadwayMasters). ISBN 978-0-30-011184-2.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

146 of 149Stenstadvold, Erik. An Annotated Bibliography of Guitar Methods, 1760–1860. Hillsdale, NY:Pendragon Press, 2010. 210 p. (Organologia: Musical Instruments and Performance Practice,4). ISBN 978-1-57-647185-2.Stern, Max. Bible & Music: Influences of the Old Testament on Western Music. Jersey City, NJ:KTAV Pub. House, 2011. 569 p. ISBN 978-1-60-280166-0.Stevens, Carolyn S. Japanese Popular Music: Culture, Authenticity, and Power. London; NewYork: Routledge, 2008. 184 p. (Media, Culture and Social Change in Asia Series, 9). ISBN 978-0-41-538057-7.Stige, Brynjulf; Leif Edvard Aarø. Invitation to Community Music Therapy. New York: Routledge,2012. 330 p. ISBN 978-0-41-589760-0.Stimeling, Travis D. Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin’sProgressive Country Music Scene. New York: Oxford University Press, 2011. 173 p. ISBN 978-0-19-974747-4.Stokes, Martin. The Republic of Love: Cultural Intimacy in Turkish Popular Music. Chicago, IL:University of Chicago Press, 2010. 219 p. ISBN 978-0-22-677505-0.Stolle, Roger. Hidden History of Mississippi Blues. Photography by Lou Bopp. Charleston, SC:History Press, 2011. 128 p. ISBN 978-1-60-949219-9.Stone, Robert L. Sacred Steel: Inside an African American Steel Guitar Tradition. Urbana:University of Illinois Press, 2010. 280 p. (Music in American Life). ISBN 978-0-25-203554-8.Stowe, David W. No Sympathy for the Devil: Christian Pop Music and the Transformation ofAmerican Evangelicalism. Chapel Hill: University of North Carolina Press, 2011. 291 p. ISBN978-0-80-783458-9.Straus, Joseph Nathan. Extraordinary Measures: Disability in Music. New York: Oxford UniversityPress, 2011. 212 p. ISBN 978-0-19-976645-1.Strings and Threads: A Celebration of the Work of Anne Draffkorn Kilmer. Edited by WolfgangHeimpel and Gabriella Frantz-Szabo.Winona Lake, IN: Eisenbrauns, 2011. 304 p. ISBN 978-1-57-506227-3.Stuessy, Joe; Scott David Lipscomb. Rock and Roll: Its History and Stylistic Development. 7th ed.Boston, MA: Pearson, 2013. 437 p. ISBN 978-0-20-524697-7.Sullivan, Blair. The Classical Analogy between Speech and Music and Its Transmission inCarolingian Music Theory. Tempe: Arizona Center for Medieval and Renaissance Studies,2011. 96 p. (Medieval and Renaissance Texts and Studies, 400). ISBN 978-0-86-698448-5.Swanson, Jim. Sports and All That Jazz: The Percy Hughes Story. Minneapolis, MN: Nodin Press,2011. 1 v. (142 p.) + 1 CD. ISBN 978-1-93-566631-8.Swenson, John. New Atlantis: Musicians Battle for the Survival of New Orleans. New York:Oxford University Press, 2011. 284 p. ISBN 978-0-19-975452-6.Talevski, Nick; Robert D. West. The Origins and Early History of Rock & Roll. Green, OH: GuardianExpress Media, 2010. 265 p. ISBN 978-0-98-005611-2.Teck, Katherine. Making Music for Modern Dance: Collaboration in the Formative Years of a NewAmerican Art. New York: Oxford University Press, 2011. 366 p. ISBN 978-0-19-974320-9.Terry, Clark; Gwen Terry. Clark: The Autobiography of Clark Terry. Berkeley: University ofCalifornia Press, 2011. 322 p. ISBN 978-0-52-026846-3.Thalía. Growing Stronger. New York: New American Library, 2011. 278 p. ISBN 978-0-45-123441-4.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

147 of 149That’s the Joint! The Hip-Hop Studies Reader. Edited by Murray Forman and Mark Anthony Neal.2d ed. New York: Routledge, 2012. 760 p. ISBN 978-0-41-587325-3.Thiam, Pascal Bokar. From Timbuktu to the Mississippi Delta: How West African Standards ofAesthetics Have Shaped the Music of the Delta Blues. San Diego, CA: Cognella, 2011. 160 p.ISBN 978-1-60-927861-8.Think Rock. Kevin J. H. Dettmar, creative editor. Boston: Pearson, 2011. 326 p. ISBN 978-0-20-577299-5.Tibbetts, John C. Schumann: A Chorus of Voices. New York: Amadeus Press, 2010. 1 v. (496 p.) +1 CD. ISBN 978-1-57-467185-8.Tillery, Gary. Working Class Mystic: A Spiritual Biography of George Harrison. Wheaton, IL: QuestBooks/Theosophical Pub. House, 2011. 201 p. ISBN 978-0-83-560900-5.Tischler, Alice. A Descriptive Bibliography of Art Music by Israeli Composers. Rev. & expanded ed.Sterling Heights, MI: Harmonie Park Press, 2011. 484 p. (Detroit Studies in MusicBibliography, 88). ISBN 978-0-89-990155-8.Tom Waits on Tom Waits: Interviews and Encounters. Edited by Paul Maher, Jr. Chicago, IL:Chicago Review Press, 2011. 466 p. ISBN 978-1-56-976312-4.Tompkins, Dave. How to Wreck A Nice Beach: The Vocoder from World War II to Hip-Hop: TheMachine Speaks. Brooklyn, NY: Melville House, 2010. 334 p. ISBN 978-1-93-363388-6.Toop, David. Sinister Resonance: The Mediumship of the Listener. New York: Continuum, 2010.256 p. ISBN 978-1-44-114972-5.Transnational Encounters: Music and Performance at the U.S.-Mexico Border. Edited byAlejandro L. Madrid. New York: Oxford University Press, 2011. 406 p. ISBN 978-0-19-973592-1.Treitler, Leo. Reflections on Musical Meaning and Its Representations. Bloomington: IndianaUniversity Press, 2011. 317 p. (Musical Meaning and Interpretation). ISBN 978-0-25-335632-1.Triarhou, Lazaros Constantinos. The Berlin Ophthalmologist Bernhard Pollack: NeurohistologyScholar and Devout Musician. Raleigh, NC: Lulu, 2011. 157 p. ISBN 978-1-25-715513-2.Trynka, Paul. David Bowie: Starman. New York: Little, Brown and Company, 2011. 530 p. ISBN978-0-31-603225-4.Tyler, Steven. Does the Noise in My Head Bother You? A Rock ‘n’ Roll Memoir. New York: EccoPress, 2011. 390 p. ISBN 978-0-06-176789-0.Tymoczko, Dmitri. A Geometry of Music: Harmony and Counterpoint in the Extended CommonPractice. New York: Oxford University Press, 2011. 450 p. (Oxford Studies in Music Theory).ISBN 978-0-19-533667-2.Ullery, Victoria L. The Band That Plays Rain Or Shine: The Story of the Dayton PhilharmonicConcert Band: The First Twenty-Five Years. Rev. ed. Dayton, OH: Whotkee R. WeYin Pub.,2011. 337 p. ISBN 978-0-61-528100-1.Unger, Melvin P. Historical Dictionary of Choral Music. Lanham, MD: Scarecrow Press, 2010. 555p. (Historical Dictionaries of Literature and the Arts, 40). ISBN 978-0-81-085751-3.Unmasking Ravel: New Perspectives on the Music. Edited by Peter Kaminsky. Rochester, NY:University of Rochester Press, 2011. 342 p. (Eastman Studies in Music, 84). ISBN 978-1-58-046337-9.Van Deusen, Nancy. The Cultural Context of Medieval Music. Santa Barbara, CA: Praeger, 2011.202 p. ISBN 978-0-27-599412-9.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

148 of 149Varga, Bálint András. Three Questions for Sixty-Five Composers. Rochester, NY: University ofRochester Press, 2011. 333 p. (Eastman Studies in Music, 85). ISBN 978-1-58-046379-9.Varwig, Bettina. Histories of Heinrich Schütz. New York: Cambridge University Press, 2011. 251 p.(Musical Performance and Reception). ISBN 978-0-52-119765-6.Vitalizing Music History Teaching. Edited by James R. Briscoe. Hillsdale, NY: Pendragon Press, 2010.202 p. (Monographs & Bibliographies in American Music, 20). ISBN 978-1-57-647162-3.Vogel, Joseph. Man in the Music: The Creative Life and Work of Michael Jackson. New York:Sterling, 2011. 306 p. ISBN 978-1-40-277938-1.Wagner, Jeff. Mean Deviation: Four Decades of Progressive Heavy Metal. Brooklyn, NY: BazillionPoints, 2010. 364 p. ISBN 978-0-97-961633-4.Wagner, Vivian. Fiddle: One Woman, Four Strings and 8,000 Miles of Music. New York: CitadelPress, 2010. 198 p. ISBN 978-0-80-653122-9.Walden, Edward. Beethoven’s Immortal Beloved: Solving the Mystery. Lanham, MD: ScarecrowPress, 2011. 145 p. ISBN 978-0-81-087773-3.Wall, Mick. Enter Night: A Biography of Metallica. New York: St. Martin’s Press, 2011. 470 p.ISBN 978-0-31-264989-0.Walsh, Brian J. Kicking at the Darkness: Bruce Cockburn and the Christian Imagination. GrandRapids, MI: Brazos Press, 2011. 217 p. ISBN 978-1-58-743253-8.Ward, Keith C. For the Parlor and the Concert Stage: A Guide to Recent Collections of AmericanPiano Music from the Classic and Romantic Era. Hillsdale, NY: Pendragon Press, 2010. 249 p.(Monographs & Bibliographies in American Music, 21). ISBN 978-1-57-647182-1.Warwick, Dionne. My Life As I See It: An Autobiography. New York: Atria Books, 2010. 290 p.ISBN 978-1-43-917134-9.Waters, Keith. The Studio Recordings of the Miles Davis Quintet, 1965–68. New York: OxfordUniversity Press, 2011. 302 p. (Oxford Studies in Recorded Jazz). ISBN 978-0-19-539383-5.Wates, Roye E. Mozart: An Introduction to the Music, the Man, and the Myths. Milwaukee, WI:Amadeus Press, 2010. 320 p. ISBN 978-1-57-467189-6.Watkins, Ralph Basui. Hip-Hop Redemption: Finding God in the Rhythm and the Rhyme. GrandRapids, MI: Baker Academic, 2011. 159 p. (Engaging Culture). ISBN 978-0-80-103311-7.Weaver, Mike; Colleen Hart. Sweat, Tears, and Jazz Hands: The Official History of Show Choirfrom Vaudeville to Glee. Montclair, NJ: Hal Leonard Books, 2011. 195 p. ISBN 978-1-55-783772-1.Weiland, Scott; David Ritz. Not Dead & Not for Sale. 1st Scribner hardcover ed. New York:Scribner, 2011. 238 p. ISBN 978-0-74-329716-5.Weintraub Andrew N. Dangdut Stories: A Social and Musical History of Indonesia’s Most PopularMusic. New York: Oxford University Press, 2010. 258 p. ISBN 978-0-19-539567-9.Wells, Elizabeth Anne. “West Side Story”: Cultural Perspectives on an American Musical.Lanham, MD: Scarecrow Press, 2011. 312 p. ISBN 978-0-81-087666-8.Wentzel, Wayne C. Samuel Barber: A Research and Information Guide. 2d ed. New York:Routledge, 2010. 466 p. (Routledge Music Bibliographies). ISBN 978-0-41-587558-5.Wetzel, Richard D. The Globalization of Music in History. New York: Routledge, 2012. 197 p.(Routledge Studies on History and Globalization). ISBN 978-0-41-587475-5.Wheaton, R. J. Portishead’s Dummy. New York: Continuum, 2011. 235 p. (33⅓). ISBN 978-1-44-119449-7.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

149 of 149Wheeler, Tom. The Dream Factory: Fender Custom Shop. Wilwaukee, WI: Hal Leonard, 2011. 591p. ISBN 978-1-42-343698-0.White, Miles. From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity. Urbana:University of Illinois Press, 2011. 163 p. (African American Music in Global Perspective). ISBN978-0-25-203662-0.Wierzbicki, James Eugene. Elliott Carter. Urbana: University of Illinois Press, 2011. 122 p.(American Composers). ISBN 978-0-25-203609-5.Williams, Bernie; Dave Gluck; Bob Thompson. Rhythms of the Game: The Link between Musicaland Athletic Performance. Milwaukee, WI: Hal Leonard Books, 2011. 203 p. ISBN 978-1-42-349947-3.Williams, Camilla; Stephanie Shonekan. The Life of Camilla Williams: African American ClassicalSinger and Opera Diva. Lewiston, NY: The Edwin Mellen Press, 2011. 274 p. ISBN 978-0-77-341483-9.Williams, Carolyn. Gilbert and Sullivan: Gender, Genre, Parody. New York: Columbia UniversityPress, 2011. 454 p. (Gender and Culture). ISBN 978-0-23-114804-7.Williams, Sean; Lillis Ó Laoire. Bright Star of the West: Joe Heaney, Irish Song-Man. New York:Oxford University Press, 2011. 250 p. (American Musicspheres). ISBN 978-0-19-532118-0.Women of Influence in Contemporary Music: Nine American Composers. Edited by Michael K.Slayton. Lanham, MD: Scarecrow Press, 2011. 478 p. ISBN 978-0-81-087742-9.Women of the Underground: Music Cultural Innovators Speak for Themselves. Edited by Zoravon Burden. San Francisco, CA: Manic D Press, 2010. 263 p. ISBN 978-1-93-314919-6.Woodstock. Louise I. Gerdes, editor. Detroit, MI: Greenhaven Press, 2012. 227 p. (Perspectiveson Modern World History). ISBN 978-0-73-775798-9.Yarm, Mark. Everybody Loves Our Town: An Oral History of Grunge. New York: Crown Archetype,2011. 567 p. ISBN 978-0-30-746443-9.Yearout, Joshua L. Wichita Jazz (and Vice) between the World Wars. Wichita: Rowfant Press,2010. 87 p. ISBN 978-1-92-973108-4.Younge, Paschal Yao. Music and Dance Traditions of Ghana: History, Performance and Teaching.Jefferson, NC: McFarland & Co., 2011. 448 p. ISBN 978-0-78-644992-7.URUGUAYMúsica/musicología y colonialismo = Music/ology and Colonialism. Omar Corrado [et al.];Coriún Aharonián, coordinador. Montevideo: Centro Nacional de Documentación MusicalLauro Ayestarán, 2011. 1 v. (327 p.) + 1 DVD. ISBN 9789974-36-184-3.In Spanish, with 2 articles in English.© 2012 – International Association of Music Libraries; Fontes Artis Musicae

Recent Publications in Music 2012 - IAML

Create successful ePaper yourself

Delete template?

Save as template?