CODES: - Drone Records

MUSIC for the INNER 

EXPANSION, EC-STASIS, ELEVATION ! 

NEWSLIST DRONE RECORDS 

- SEPTEMBER 2006 - 

- VINYLS – CASSETTES – CDRs – DVDs - CDs – PRINTMEDIA – 

PLEASE STATE PRICES WITH YOUR ORDER TO AVOID DELAYS 

BITTE IMMER PREISE MIT ANGEBEN ! ALL PRICES IN EURO !! 

NEW LISTED STUFF HAS A STAR ( * ) IN THE FIRST LINE 

0. AVAILABLE LABEL–RELEASES DRONE 

RECORDS / SUBSTANTIA INNOMINATA 

The following DRONEs and SUBs are currently available: 

DRONE RECORDS 7”-SERIES FIRST EDITIONS (price € 6.50 each) 

DR-66: CISFINITUM – VS (Curve/Curse) (Russia; the legendary post- 

Industrial group from Moscow with two stirring dark ambient pieces) 

comes in handmade wool-cover !! last copies 

DR-73: SMOOTH QUALITY EXCREMENT Epitaph 3 (USA; excellent 

esoteric & ritualistic vibes from this URE THRALL-collaborateur now 

living in New York City.....) 

DR-74: TZESNE Huffduff (Spain; mysterious sounds derived from 

radio-transmissions, the imaginary soundtrack to a II.WW submarinecommunication) 

DR-75: IN MEDITARIUM Mare Internum (Ukraine; esoteric innercosmic 

/ mother-womb drones, pre-symbolic surroundings attracting 

your unconscious) 

DR-76: THO-SO-AA Dying Reveal (Germany; dark hypnotic noise 

drones which sucks you into something) 

DR-77: LUNAR ABYSS QUARTET Brusnika (Russia; ethno ambient 

Industrial with a shamanistic & hallucinogenic aura from this rising star 

from the St. Petersburg scene!) 

DR-78: CLOSING THE ETERNITY Northern Lights Ambience 

(Russia; siberian cosmic ambience with a drift to objectless spaces, 

using northern lights sounds) 

DR-79: AALFANG MIT PFERDEKOPF Fragment 36 (Germany: 

experimental drone-ambience with high dynamics and philosophic 

approach) 

DR-80: RYN Whistle and Ill Come to You (U.K.; power-drones based 

on field recordings to flood you mind away) 

DR-81: WÄLDCHENGARTEN – The Leech (Danmark; heavy gravity 

dark drones) 

DR-82: PETER WRIGHT – Air Guitar (New Zealand / U.K.; obscure & 

lovely guitar explorations, daydream-mantras ) 

DR-83: HELICE PIED – Conduit No. 2 (Greece; ex NIXILX.NIJILX – 

exciting newcomer with a new sound approach. hologram-drones) 

DRONE RECORDS 7”-SERIES SECOND EDITIONS (price € 6.00) 

DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; 

outerworlds brain-wave-music, monotonous and hypnotizing loops & 

rhythms) 

DR-29: AMON – Aura (Italy; haunting & shimmering magique as 

coming from an ancient culture) 

DR-33: ALIO DIE – The Way of Fire (Italy; this music tries to reveal 

the mystery that lies in nature. A deep and calmful voyage into the heart 

of nature) 

DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones 

with a special touch from this newcomer from North-Germany) 

DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive 

sub bass undertones that evoke feelings of total transcendence and 

grandeur) 

DR-42: REYNOLS – 10.000 Chickens Symphony (Argentina; this 

obscure outfit from Buenos Aires works on the sound of – at least – 

10.000 chickens – an amazing & mindblowing field recording - 

experiment!) 

DR-46: REUTOFF – Reutraum IV (Russia; vinyl-debut for this trio from 

Moscow – a mixture of rhythmic industrial with dark & depressed 

ambient tunes, made in the heart of the decay) 

DR-50: ULTRASOUND – Death comes from the left 

(Netherlands/USA; very emotional guitar drones at its best, this is pure 

yearning transfered into sounds..) 

SUBSTANTIA INNOMINATA (price € 12.00 each) 

SUB-01: DANIEL MENCHE - Radiant Blood 10" brown-black 

vinyl. ed. of 500, artwork Robert Schalinski (COLUMN ONE) 

SUB-02: ASIA NOVA - Magnamnemonicon 10" red-white / pink 

vinyl, artwork by Ure Thrall 

SUB-03: NOISE-MAKER'S FIFES - Zona Incerta 10" insect-sounds! 

two different vinyl-colours, artwork by Mars Wellink (VANCE ORCH) 

SUB-04: CISFINITUM – Devotio 10” sacral church-bell sounds, 

white vinyl, artwork by TILMANN BENNINGHAUS 

1. VINYLS 

AF URSIN – Murrille LP (La Scie Doree, 2002 / 2006) [re-ed. 60 

copies] € 23.50 

Es wurden nochmal 60 Stück von dieser schönen LP nachgepresst – 

leider teuer ! 

„Das ehemalige NOISE MAKERS FIFES – Mitglied mit erstem Album 

(nach der exzellenten Single für RUND UM DEN WATZANN und der 

Weihnachtssingle auf Meeuw), auf der es z.T. wilder zugeht, eine 

Mischung aus improvisiertem Jazz-Noise mit vielen akustischen 

Instrumenten (BIOTA going wild?), strukturierteren Stücken mit viel 

Energie und Abwechslung, und minimalen obskur-Exkursionen, die 

jeder Beschreibung spotten (Gesänge, Geräusche, Glockenspiel) 

C. HEEMANN soll beim mischen ausgeholfen haben. 

Außergewöhnliche Platte. 

Ex NMF – member with first extraordinary solo-LP, melting improvised 

jazz-noise, more structured pieces with lots of acoustic instruments and 

obscure minimal excursions.” [DroneRec info 2003] 

“Introverted minimal experimental music with rhythmic krautdrones and 

noisy eruptions. Multitracked recordings of different acoustic 

instruments (string,percussion,wind) and voice. Part of the mixing was 

done by Christoph Heemann.” [press release] - La Scie Dorée. Edition 

of 500. 

* ALIO DIE – Under an holy Ritual LP (Small Voices SVV004, 

2006) € 13.50 

Wiederveröffentlichung der ersten ALIO DIE-CD von 1992 in einer 

schönen Vinyl-Edition !! 

“First time on vinyl this amazing Alio Die masterpiece..., a milestone of 

ritual ambient music!!! "Under an Holy Ritual" was his first CD, released 

on his label Hic Sunt Leones in 1992 and re-released on Projekt in 

1993, was received with international acclaim. 

"Natural and acoustic sounds and selected noises, electronically treated 

and reworked, are integrated in a meditative and spiritual context that 

often, in the feeling, becomes close to a prayer. Visible static, this music 

is rich of hidden sounds, layers of elements to discover at each 

listening. Alio Die's music, in the consciousness space that creates, it's 

a melting of technology and mysticism, like a new ritual with echoes of a 

medieval time, deep and grounded in introspection." 

Ghostly incantations from the void, subtly shifting frequencies and 

moods... Stefano Musso has menaged to resurrect unsettling sounds 

from a pre-Middle Ages epoch and merge them into a pastiche of 

gripping, evocative pastures. One might be prone to labelling Alio Die 

as quasi-active ambient music, but that has become a word so bandied 

around these days that in this case the meaning far from concise. Alio 

Die presents in his first seminal work, his personal interpretation of 

atmospherical music... 

Stefano Musso studied art and electronics in his home town of Milan, 

Italy, and began performing ambient, electro-acoustic music under the 

name Alio Die in 1989. Characterized by evocative acoustic sounds 

manipulated and tendered electronically, Alio Die's work builds intimate 

soundscapes tied to the mystery and majesty of life and nature. His first 

CD "Under an Holy Ritual", released on his label Hic Sunt Leones in 

1992 and re-released on Projekt in 1993, was received with 

international acclaim. He subsequently released more than 25 CDs, and 

collaborated with many well-known artists such as Robert Rich, Vidna 

Obmana, Mathias Grassow, Nick Parkin, Yannick Dauby, Amelia Cuni, 

Raffaele Serra, Ora, Antonio Testa.” [label info]

* ALIO DIE – Aurea Hora 10” (Small Voices SVV007, 2006) [lim. 

400] € 12.50 

Zwei neue ALIO DIE – Stücke auf dieser 10”, wie sie entrückt 

meditativer kaum sein könnten... ganz sanft und doch mit vielen 

interessanten Sounds gespickt, breiten sich magische Drones repetitiv 

aus, betäubend wie schweres Perfüm... 

“SmallVoices proudly presents the new ALIO DIE work entitled "AUREA 

HORA". Two exclusive tracks of evocative magmatic soundscapes in 

the typical atemporal Alio Die aim. The two completely new recordings 

(with drones, loops, zither and integrated radionoises from an old 

Valvular model) are similar to early Alio Die experiments or one of his 

best albums "Sol Niger". Catching atmospheres will bring you 

in Stefano's magic world, which is an oneiric, dreaming journey to the 

inner self satisfaction...” [label description] 

* ALIO DIE – Under an holy Ritual & Aurea Hora LP & 10” ART 

BOX SET (Small Voices SVV004/007, 2006) [lim. 100] € 45.00 

Collector’s item! Gibt es eigentlich nur direkt via mailorder von SMALL 

VOICES: Beide neuen Alio Die-Vinyle in einer bedruckten, schweren 

Plexi-Glass-Hülle, das Vinyl in clear! Nummeriert auf 100. Wir konnten 

einige davon ergattern und sie nun zum gleichen Preis wie SV 

anbieten! 

“format: special plexiglas box - limited numbered edition 100 copies - 

both records in clear vinyl. This is a very special release that includes 

the two ALIO DIE issues on SmallVoices: the reissue of his fantastic 

masterpiece "Under an Holy Ritual" (SVV004), very well known ritual 

ambient music milestone on 12" LP and the totally new and exclusive 

Alio Die studio work titled "Aurea Hora" (SVV007) released on vinyl 10". 

Both vinyls (here in clear wax) are enclosed in an amazing and 

special de-luxe plexiglas Box Set. The release is limited to 100 handnumbered 

copies only..., so please hurry up! First come, first serve!“ 

[label info] 

* Oren AMBARCHI & SCOTT HORSCROFT / HADO HO – 19 Guitars 

/ Sonic Wave 2002 Stereo Action 12” (Textile Records Vynile 

Serie 05, 2006) [lim. 600] € 9.00 

Endlich geht es in der Textile-12”-Serie (echte 45rpm’ler) weiter, mit 

dieser feinen Arbeit von OREN AMBARCHI auf einer Seite, wo seine 

sirrenden & repetitiv angeschlagenen Gitarrenschnipsel von SCOTT 

HORSCROFT verarbeitet werden, hier verbinden sich treibend-trancigpsychedelische 

Sounds mit meditativen Flächen. HADO HO steht eher 

in der Tradition von japanischem Impro-Noise, seine Klangattacken 

wirken seltsam verlangsamt, wie MERZBOW in Zeitlupe. 

“Textile is proud to announce the fourth installment in its split 12 series, 

Oren ambarchi / Hado Ho.' Oren ambarchi & Scott Horscroft. 'Oren 

ambarchi is an electronic guitarist and percussionist with longstanding 

interests in transcending conventional instrumental approaches. Born in 

Sydney in 1969, he has been performing live since 1986. His recent 

solo releases Triste (Southern Lord, USA), and Grape from the Estate 

(Touch UK) have transcended the guitar into a zone of alien beauty and 

sonic impossibilities to critical acclaim. His work focuses mainly on the 

exploration of the guitar, 're-routing the instrument into a zone of alien 

abstraction where it's no longer easily identifiable as itself. Instead, it's a 

laboratory for extended sonic investigation'. (The Wire, UK). Oren 

ambarchi has collaborated with SUNN 0))) on their recently completed 

BLACK ONE and hast just completed a world tour playing guitar with 

the band together with Greg Anderson, Stephen O'Malley, Attila Csihar 

and Tos Nieuwenhuizen.' 

HADO-HO is Takehito Nakazato, of DUB SONIC & DUBNESIA. 

'Takehito Nakazato is a sound fetichist, influenced by an earlier 

generation of Japanese noise musicians as much as by old school 

electronics pioneers. Hado-Ho's sound is solely based on noises and 

sound manipulations such as feedback noises, bad cable connections, 

loud mic tapping, electric hum, feedback squeals. Takehito Nakazato is 

not as frantic as the traditional noise acts - Masonna, Merzbow etc, but 

there are points of reference in terms of sound manipulation and 

extreme frequency variations. Takehito Nakazato appears on Sonic 

Plate, Meme, Zero Gravity and Improvised music from Japan.' [label 

infos] 

* ANGELS OF LIGHT – New Mother do-LP (Important Records 

IMPREC056, 2006) [lim. 500] € 26.00 

Die erste CD, erschienen 1999, jetzt als lim. Vinyl Re-issue erhältlich! 

“The debut release from M. GIRA’s (SWANS) ANGELS OF LIGHT. A 

mix of powerful, complex and imaginative American songwriting that 

moves from country melancholy to raspy blues to dark and psychotic 

narrative grooves, all delivered with gently plucked layers of acoustic 

and electric guitars that slowly unravel into psychedelic folk lullabies. 

Limited edition pressing of 500 copies.“ [label info] 

* AY-O & EMMETT WILLIAMS – Fluxus Song # 2 / Meditations 1 

LP (Slowscan Editions Vol.13) [lim. 150] € 29.00 

Collectors Item / Art-Release on the dutch label SLOWSCAN, 

specialised on (re)-releasing rare- & live-material from SoundArt- 

Composers. As a re-release of a rare MC, this contains on A-Side: 

“Fluxus Song# 2” (1996), 18 min., for George Maciunas (with real 

organic noises it seems), on B-Side two versions of “Meditations1” with 

dadaistic sound-poetry recorded live 1994 in Kassel & Berlin. Delicious 

senseless stuff. Comes in neon-coloured cover, numbered ed. of 150., 

red vinyl. 

BEEQUEEN - Ownliness LP & 7” (Moloko+PLUS053, 2002) [lim. 

300 copies] € 18.00 

„Limitierte Vinyl-Version des neuen BQ – Albums mit dem schönen 

Titel. Unerwarteter Richtungswechsel für BEEQUEEN: wesentlich 

songorientierter, von beruhigter, wenig verbitterter Melancholie geprägt, 

geht teilweise schon eher in Richtung BRUNNEN. Droney Ambient- 

Pop mit dubbigen Elementen, Synths, Gitarren, Cello, Samples, field 

Recordings.. auf der Bonus-Single schöne submarine Remixes von 

ROEL MEELKOP. A new direction for BEEQUEEN on this album: 

much more song-oriented than before, creating a quiet and relaxed 

melancholy, reminds partly on old BRUNNEN-stuff, droney ambient-pop 

with dub-elements... This is the limited vinyl version with bonus 7” 

containing submarine remixes by ROEL MEELKOP. Also available as 

CD.” [Drone Rec. info 2002] 

BACK IN STOCK LAST COPIES, WITH THE BONUS EP !! 

* BLACK OX ORKESTAR – Nisht Azoy LP (Constellation 

Records CST038-2, 2006) € 17.00 

Zweites Album des kanadischen Ensembles, die Klezmer- & 

osteuropäische Musik mit neueren alternativen Musikformen 

verschmelzen (wobei der traditionelle/ folkloristische Anteil aber klar 

überwiegt) , und dabei so emotional & authentisch klingen daß es 

sehnsüchtige Herzen sofort in den Bann schlägt... das Quartett besteht 

aus THIERRY AMAR von GODSPEED YOU BLACK EMPOROR, 

GABRIEL LEVINE von SACKVILLE und JESSICA MOSS sowie 

SCOTT LEVINE GILMORE von A SILVER MT.ZION, alle lyrics sind 

diesmal im Beiblatt abgedruckt (auf englisch & französisch, gesungen 

wird auf Jiddisch), die Coverartwork ist wie immer bei Constellation 

superb ! „..Das auf ihrem zweiten Album erzielte, mit ausschließlich 

akustischen Instrumenten umgesetzte Ergebnis klingt dabei so zeitlos 

wie fesselnd. Melancholisch, aber nicht schwermütig oder gar 

depressiv, vielseitig, aber nie beliebig und vor allem: lebendig!“ [Ulf 

Imwiehe / OX-Fanzine] 

“The latest from this Montreal quartet who explore their common Jewish 

heritage for sounds that can speak to them today. Mixing pre-war 

Jewish and non-Jewish music from Eastern Europe and the Balkans 

with their own musical backgrounds in out-jazz, punk, and weird folk, 

the band takes the strangeness and beauty of the older music and 

translates them into new forms. Percussion, harsh sounds, dynamics, 

and sonic and lyrical explorations all get thrown in the mix.” [label info] 

* BROKEN PENIS ORCHESTRA – Testicle Difficulties LP (Nihilist 

Records NIHIL 34, 2005) [ed. of 300] € 13.50 

Das BROKEN PENIS ORCHESTRA hält die Fahne des collagierten 

Klang-DADAismus weiter steil phallisch nach oben, sie sind die zur Zeit 

vielleicht extremste und beste „weird Collagen“-Gruppe... man kann 

sich diese Platte nicht anhören, ohne mindestens 10 mal 

ernstzunehmende Hirnausfälle zu erleiden, da macht die Ratio einfach 

schlapp. Weirdeste Musik, found sounds, Sprachbeiträge und 

Geräusche möglichst abartigster Art werden in abstrusester Weise 

zusammengepfercht.... für Fans von NEGATIVLAND, PEOPLE LIKE 

US, MIXED BAND PHILANTROPIST, die das alles gerne noch ne Ecke 

wahnsinniger hätten, aber auch für Leute, die humorvolle & zugleich 

sehr krasse experimentelle Musik mögen. Wiederveröffentlichung einer 

limitierten CDR von 2004. 

“Thats right, The BPO's acclaimed 'Testicle Difficulties' release has 

been reissued to 12" vinyl, (originally released on PsychoChrist 

Productions as a CDR in an edition of 100). This new version was 

released on Nihilist Records in an edition of 300 copies on 152gm black 

vinyl with a brand new intro and outro. 

Dick Flick and the cracked peni players have done it again, mind 

blowing sample-lishous melodies to whip the soul and drive you insane. 

This is musick for the ADD impaired. Surreal sound scapes of terror and 

humour call out to you from beyond space and time...sure to make you 

laugh, cry, or just plain smash something! Cum see what all the fuss is 

about...” [label info] 

* BRUNNEN – The Beekeeper’s Dream LP (Beta-Lactam Ring 

Records mt076a, 2006) € 17.00 

Eine Art Retrospektive von der BEEQUEEN-Hälfte mit seinen 

melancholisch-süssen, folk-angehauchten Homerecording-Ambient- 

Songs… einiges davon ist wohl bereits auf anderen Formaten 

schonmal erschienen, aber vieles scheint auch neues Material zu sein.

Diese limitierte Vinyl-Version ist auch gleichzeit Teil 3 der RECORDS 

ARE NOT FOR BAKING – Serie, die es im Abo auch mit Bonus pic-12“ 

gibt ! 

“Brunnen reveals that part of Beequeen's Freek Kinkelaar which is the 

strange wandering minstrel/alchemist (half-orc cleric with a +2 mace). If 

only more records were so cogently perplexing. A slightly cinematically 

arranged, quasi-psychedelic little dear of a hushed pop song opens the 

album. Freek's vocals sublimate in a pleasant whisper, not unlike 

(ahem) a quieter Yo La Tengo song. Freek, perhaps true to his name, 

does not hesitate to then very, very slowly weave together a spacious 

tone poem whose initial notes live counties apart, concocting an outré 

sort of high lonesome that might sonically drift across the same sort of 

plain as Wenders' Paris, Texas does visually. Kinkelaar's vocal delivery 

tugs at shirt tails ala Just Drifting era Psychic TV balladry or 

introspective LPD. Subtly amplified guitars chime quietly against slo-mo 

keyboards, occasional samples, tablas and air. An understated rave-up 

of Trust In Me from The Jungle Book is a nice exclamation point. A 

musical sandwich, really, with the outer psychedelic pop buns keeping 

the avant-garde middle meat warm.” [label info] 

* John CALE & Terry RILEY – Church of Anthrax LP (Columbia C 

30131, 1971) € 14.00 

Wieder erhältlich auf Vinyl im Original-Design, die legendäre 

Zusammenarbeit des VELVET UNDERGROUND-Begründers mit dem 

kalifornischen Minimal-Music Komposer TERRY RILEY! 

“When an avant-garde minimalist composer and an experimental rock 

musician meet to make a record, you'd expect the album to be as 

drone-heavy as possible. Unlike Tony Conrad's meeting with Faust in 

1972, this album is surprisingly jazzy, but definitely not the kind of jazzfusion 

you'd expect from Miles Davis, Weather Report or Soft Machine, 

although Church of Anthrax at times allows comparisons with the latter 

band's third album. A heavy street-smart feel carries the nine-minute 

title track with its rumbling bassline and skittering drums setting a heavy 

basis for a melange of colourful keyboards and serpent-like 

mesmerizing saxes and (later) tortured, yet subdued droning atonal 

guitars. "The Hall Of Mirrors In The Palace Of Versailles" follows and it 

appears to be a sedater affair, more in line with Terry Riley's work, the 

interplay between piano and soprano sax is blissful. "The Soul of 

Patrick Lee" is pure John Cale track which, if Cale hadn't left the 

Velvets in 1968, wouldn't have sounded out of place on Velvet 

Underground's third, or even fourth album, the only track with vocals 

too. "March Ides" is possibly the closest thing on this album to jazzfusion, 

and quite idiosyncratic at that: pounding semi-ragtime piano sets 

the basis for the song and mingles with more skittering drumwork, 

creating thus a quirky 11-minute improvisation. "The Protégé" is among 

the shortest tracks on this album, but it also seems the most repetitive, 

until the false sense of security is chased away by a burst of violent 

feedback that concludes Church Of Anthrax.“ [Stereomouse] 

* CAMPINGSEX – “1914” + “unreleased live LP” do-LP (Vinyl- 

On-Demand VOD.29, 2006) [lim. 500] € 20.00 

“The legendary, limited and highly collectable pre-Mutter material from 

'85, plus a bonus LP with previously unreleased Campingsex material, 

plus a selection of various live-material." (label info] 

* CHATHAM, RHYS – An Angel moves to fast to see LP (Table of 

the Elements TOELP802, 2006) € 16.50 

Komposition von 1989 für 100 (!) Gitarren, Bass und Drums in 5 Teilen. 

Polyphone Gitarren-Schwärme, ein rockig-symphonisches Grundgerüst, 

majestätisch, monumental, einnehmend, entrückt.... erinnert an GLENN 

BRANCA und SONIC YOUTH... besonders gefallen uns die 

rhythmuslosen amorphen Sektionen (I, IV), selten wurden schönere & 

komplexere Gitarren-Drones auf Platte gepresst ! 

"By the late 1980s, Rhys Chatham was chafing against the logistical 

and financial constraints imposed upon him in the States; in his mind 

was a vast, unprecedented sound. Moving permanently from New York 

to Paris, Chatham began composing his masterpiece, a piece for one 

hundred electric guitars, electric bass and drums. The result, An Angel 

Moves Too Fast to See, is one of the most extraordinary works in the 

minimalist canon, one that demonstrates the majesty inherent in 

Chatham's amplified imagination. Now widely available for the first time, 

this lavish CD presents this sonic revolution in all its glory, and cements 

Chatham's reputation as a monolithic figure astride both rock and 

classical musics." [label description] 

* CHATHAM, RHYS – Die Donnergötter do-LP (Table of the 

Elements TOELP801, 2006) € 20.00 

“Diese Zusammenstellung enthält das Beste von CHATHAMS Werken 

der Periode zwischen dem berüchtigten "Guitar Trio" (1977), dem 

ungestümen bläserlastigen "Massacre On MacDougal Street" (1982) 

und dem rasanten, euphorischen Meisterwerk, "Die Donnergötter" 

(1986). Das Gatefold-Cover (LP-Version) und das 32 seitige Booklet 

(liegt der CD bei) beinhaltet seltene Fotos und einige Beiträge von 

CHATHAM, TONY CONRAD und SONIC YOUTH's LEE RONALDO. 

Nun, weitestgehend erstmals erhältlich dokumentieren diese Tracks 

lebhaft diese gloreichen Jahre im Leben einer Stadt, eines Milieus in 

welchem das Rohe, Gehobene und Tanzbare ineinander aufgingen und 

eine neue Ära des Rock geboren wurde. 

"Rhys Chatham altered the DNA of rock. The New York-born composer 

began as a classically-trained prodigy, but by 1975, Chatham was 

fusing the overtone-drenched minimalism of John Cale and Tony 

Conrad with the relentless, elemental fury of the Ramones. It was an 

inspired amalgamation -- the textural intricacies of the avant-garde 

colliding with the visceral punch of electric guitar-slinging punk rock -- 

and with it Chatham created a new type of urban music. Raucous and 

ecstatic, this sound energized the downtown New York scene 

throughout the late 1970s and early 1980s, prefigured the No Wave 

movement and cast a huge influence over the subsequent work of 

Chatham's many protegees, including Glenn Branca and future 

members of Sonic Youth. This release contains all of Chatham's best 

work of the period, from the notorious 'Guitar Trio' (1977) and the 

tumultuous, brass-based 'Massacre on MacDougal Street' (1982), to the 

soaring, euphoric masterpiece, 'Die Donnergotter' (1986). The 

accompanying 32-page book features rare photos plus essays by 

Chatham, Tony Conrad and Sonic Youth's Lee Ranaldo, as well as 

artwork by famed visual artist Robert Longo. Now widely available for 

the first time, these tracks vividly document those glorious years in the 

life of a city and a milieu in which the raw, the sophisticated and the 

danceable merged, and a new era of rock was born." [press release] 

* CHRISTIANSEN, HENNING – Symphony Natura Op. 170 LP 

(Slowscan Editions Vol. 21, 2006) [ed. of 300] € 33.00 



Composers. SYMPHONY NATURA OP.170 is a 45min piece from 1985 

using lots of animal-sounds with low-fi charme, combining this with 

instrumental music at times. Obscure to say the least. 

Comes with A4-booklet with a kind of score for the composition. 

* CISFINITUM – Devotio 10” (Substantia Innominata SUB-04, 

2006) [ed. of 500] € 12.00 

Das Projekt CISFINITUM von Evgueny Voronovsky gehört für uns zu 

den momentan besten russischen experimentell-atmosphärischen / 

Drone / Post-Industrial - Acts, weshalb die Einladung zur neuen 

SUBSTANTIA INNOMINATA–Reihe nach dem phänomenalen Konzert 

im Bremer Dom (November 2005) sich fast zwangsläufig ergab. 

Bereits im Namen CISFINITUM steckt die Auseindersetzung mit dem 

Nicht-Mehr-Erfassbaren, DEVOTIO verweist klanglich mit 

monumentalen Kirchenglocken-Drones auf sakrale Sphären des 

Transzendenten, nicht mehr Hinterfragbaren.... kommt auf weissem 

Vinyl und eine fantastische Artwork des Berliner Artworkers TILMANN 

BENNINGHAUS . “Hinter CISFINITUM steckt Evgueny Voronovsky, ein 

ausgebildeter Violinist, der neben konkreten und instrumentellen 

Klangquellen auch alte sowjetische Synthesizer in neuem Kontext 

benutzt (wie auf der letzten CD-Veröffentlichung „BEZDNA“ 

[Monochrome Vision]), z.B. den legendären ANS. CISFINITUM 

(=„Jenseits des Endlichen“) ist ein Text (1930) & Begriff des russischen 

Dichters Daniil Charms, der für die „Logik der unendlichen Nicht- 

Existenz“steht: das was hinter dem Verstandesmässigem liegt. Die 

Endlichkeit der logischen Welt wird durch die Logik selbst 

nachgewiesen. ’ Das Cisfinitum zerstört die Postulate eines nach dem 

anderen. Das entzieht jeder Grundlage ihren Halt. Das zweifelt alles an. 

Das raubt einem sein Vermögen. Das hat kein Heiligtum, keine Moral, 

keine Tugenden. Das Cisfinitum ist brutal.’ [Michail Demidov]“ [Drone 

Records / REM-info 2005] 

The fourth volume in our new series comes from one of the currently 

best projects of the russian experimental-atmospheric / drone / postindustrial-scene. 

Main force behind CISFINITUM we find Evgueny 

Voronovsky, an educated violinist from Moscow. 

CISFINITUM is a notion by russian poet & writer DANIIL CHARMS, 

meaning the „logic of the infinite non-existence“, that „something“ that is 

beyond all rational things. 

DEVOTIO uses monumental bell-sounds that build complex 

overlappings & hypnotic drone-waves in various layers, dissolving into 

pure vibrations. To us It sounds like a journey into the heart of the 

sacral, pointing at a sphere of transcendence where all questions end. 

Or begin again. Comes on white vinyl and with great artwork by Berlinbased 

artworker TILMANN BENNINGHAUS. 

* CONTROL – World of Lies LP (Freak Animal Records FA-EP- 

015, 2006) [ed of 275] € 12.00 

“Debute 12" vinyl finally out! After many praised CD releases and 

couple 7"s, Control delivers you their debut full length vinyl. "World Of 

Lies" follows already trademark style developed on past albums, but 

with always something new. "World Of Lies" is more more of political

nature, and contains some tracks with louder vocals than in most of the 

past releases. c. 45 minutes playingtime contains heavy death-industrial 

/ modern power electronics what you can't confuse to works of other 

artists. Comes in silkscreened covers with insert including all lyrics“ 

[label info] 

* Philip CORNER – Piano Work LP (Slowscan Editions Vol. 10) 

[lim. 300] € 29.00 



Composers. PIANO WORK is a live-recording of piano-NOISES with 

unknown recording-date. Ed. of 300, blue vinyl. 

* CURRENT 93 / OM – Inerrant rays of infallible sun (Blackship 

Shrinebuilder) 10” (Neurot Rec. NR043, 2006) € 10.50 

“This extremely limited 10" collects tracks from Current 93 and Om (ex- 

Sleep) in deluxe packaging. Current 93 were founded by David Tibet 

and the late Jhonn Balance of Coil in 1982. Over the last 24 years they 

have pursued their own unique hallucinatory patripassianist vision 

through numerous records, books, concerts and paintings. Om is a two 

member band featuring Al Cisneros (bass/vocals) and Chris Hakius 

(drums), both founding members of legendary doom pioneers Sleep. 

This is a limited vinyl release, once they're gone, they are gone for 

good.” [label info] 

„...OM provide a trademark hypnotic mantra while Current 93 throw a 

curveball with an entirely unexpected piece that is heavier and sludgier 

than the vast majority of the Current 93 back catalogue.“ [Brainwashed] 

* DER BEKANNTE POST-INDUSTRIELLE TROMPETER (D.B.P.I.T.) / 

FEINE TRINKERS BEI PINKELS DAHEIM (F.T.B.P.D.) – Stille Nacht 

/ Dark King 7“ (White Rabbit Records WRR006, 2005) [ed. of 

299 copies] € 7.50 

Als Schwester-Release zur doppel-mini-CD erschien diese split 7“ der 

beiden Projekte mit den wahnwitzigen (und sehr ähnlich aussehenden) 

Kürzeln! Ähnlich wahnwitzig ist die völlig durchgeknallte & wirklich 

abgespacete Cover-Version von STILLE NACHT, die DER BEKANNTE 

POST-INDUSTRIELLE TROMPETER hier beigesteuert hat, während 

das Stück DARK KING von FEINE TRINKERS eher eine 

melancholisch-verstörenden Charakter hat... Nummerierte Auflage. 

“White Rabbit Records is proud to announce this joint release by two of 

the most intriguing names in the world of music; the Der Bekannte Post- 

Industrielle Trompeter (the famous post-industrial trumpetplayer) 

and the Feine Trinkers Bei Pinkels Daheim (fine drinkers at snobs 

home). This single features tracks, such as DBPIT’s Silent Night and 

FTBPD’s dark king, which were particularly for this Christmas season, 

and will absolutely introduce new fire to this winter’s candlelight. 

Silent Night, a particularly outstanding piece, has all the eerie 

atmosphere of a David Lynch Noel; while the music of "Der Bekannte" 

emerges as a brilliant lesson in the proper use of a trumpet! dark king is 

an experience in gazing through the eclectic eyepiece of an industrial 

kaleidoscope: a multi-layered sound-collage resounding with textured 

drones and penetrating rhythms, fused together in a unique 

(x)MASterpiece. A single you shouldn’t miss for this Xmas season, and 

a taste of what the New Year promises to bring! "Frohes Fest!" with 

bugs and toads under the christmas tree. numbered 299 piece 

(WRR06)” [press release] 

* DEATHPROD – 6-track 10” (Rune Grammofon REP2053, 2006) 

€ 22.00 

Fabelhaft designte, limitierte und leider teure 10” von unserem 

Lieblingsprojekt auf RUNE mit diversen Remixen ! 

“This is Norwegian producer and sonic manipulator Helge Sten's fourth 

release on Rune Grammofon. Sten has been an important player since 

the beginning of this label: as a member of Supersilent he was part of 

the very first release in January 1998, and later the same year he and 

Biosphere remixed Arne Nordheim's electronic works. A consummate 

producer, and former member of rock group Motorpsycho, Sten has 

since cemented his position as master sonic sculptor. Another stunning, 

beautifully-packaged deluxe limited edition vinyl release from Rune 

Grammofon. This is a single vinyl 10" in a pitch-black gatefold sleeve. 

And the music? Five Deathprod remixes of other artists, some of them 

difficult to find, one of them never before released, plus "Deerstalker," 

previously only available on Rune Grammofon's Money Will Ruin 

Everything compilation. The original artists being remixed are: Nils 

Petter Molvær, Cloroform, Murcof and Larsen -- but this is all prime 

Deathprod. Printed in 1000 copies only and bound to become a 

collector's item, this is also an extremely rare occasion of Deathprod on 

vinyl and a must-have complement to the Deathprod box set. He has 

produced Arve Henriksen, Food, Susanna and the Magical Orchestra 

and The White Birch, as well as a number of artists for other labels, 

including Motorpsycho, Jaga Jazzist and Hope Sandoval.” [label info] 

* DISKAHOLICS – Live in Japan Vol. 1 LP (Load Records 

load086, 2006) [ed. of 750] € 12.50 

DISKAHOLICS = JIM O’ROURKE, MATS GUSTAFSSON, THURSTON 

MOORE! Live-Impro Japan 2002 ! Noise-Jazz ! 

"Documenting a 2002 sojourn to Japan that featured some slathering 

improv between Jim O'Rourke (synthi, noise), Mats Gustafsson (sax, 

noise), and Thurston Moore (guitar, noise). Although the purpose of the 

visit might have been to find bagloads of righteous collector-styled 

records, this recording flops onto the sidewalk with some of that old 

salted slug action you know -- deep breaths with a deadly spasm. The 

sounds here really get electro-acoustic in the same vein as leather 

elbowed warriors like Toop and Henri, but with scrappy crappy 

horizontal huddle of minds flowing with the JUICE! Really an inspired 

record that brings each player's pedigree upfront. This is a hot-wired 

jazz, really free blowing and joyous, but not so obvious you'll feel like 

the second time around. You're a grown up now, listen to grown up 

music. Step up to the bar!" [label info] 

* DUNCAN, JOHN / M. LE DONNE-BHENNET // TOM MARIONI – 

Auftauchen LP (Slowscan Editions Vol. 19, 2005) [lim. 99] 

€ 45.00 



Composers. On this LP we find one very early JOHN DUNCAN-track 

called “MAYDAY” from 1983 (10 min.) using raw radiowave-sounds, 

speech experiments by MICHAEL LE DONNE-BHENNET (1980), and 

the whole B-side is filled with a great minimal rhythmic piece by TOM 

MARIONI (“Drum Brushing (on sand paper)” from 1978. 

We don’t know if this is a re-release of an older re-release or has to be 

put together randomly, as there’s no info given from the label. 

Numbered edition of only 99 copies and high price unavoidable!! 

* EARTH – Extra-Capsular Extractions LP (Sub Pop, 2006) € 12.00 

„Das erste was sie gemacht haben, gabs damals (anno 91) als EP über 

Sub Pop, neben dem Kopf Carlson und Harwell am Bass hier noch Joe 

Preston (Ex Melvins) am 2. Bass und Percussion. Einige Songs sind 

später auf der "sunn amps & smashed guitars" wieder aufgetaucht. 

Grossartiger Doom, im besten Melvins Style, wurde nur noch getoppt 

durch den Meilenstein "earth 2". Rerelease des Vinyls auf Sub Pop!“ 

[Flight 13] Re-release, originally released 10/1991 ! 

* EARTH – Earth 2 do-LP (Sub Pop, 2006) € 12.50 

„Boah - unglaublich, dagegen machten Sleep aufgeweckten Pop, und 

selbst die Melvins haben das damals "weird" genannt; will sagen die 

zwei Jungs haben anno 92 nur mit Bass und Schlagzeug ultra-deepen, 

-doomigen, -slow, -low Rock gemacht und wollten Black Sab. wieder 

auferstehen lassen, nur viel langsamer. Drei Songs in 70 Minuten. 

Alkohol? Drogen? Braucht ihr nicht mehr. Auch gut geeignet als 

Placebo für Schlafgestörte. Ein Meilenstein in Sachen Doom, Drone 

u.a.“ [Flight 13] Re-release, originally released 01/1993 ! 

* EARTH – Phase 3 do-LP (Sub Pop, 2006) € 12.50 

Re-release, originally released 1995! 

* EARTH – Pentastar – In the style of the demons (Sub Pop, 2006) 

€ 12.50 

Re-release, originally released 1996! 

Sämtliche wichtigen Werke der Guitar-Drone-Doom-Metal Begründer 

sind wieder auf Vinyl erhältlich !! 

* E.G. OBLIQUE GRAPH – Complete Oblique do-LP (Vinyl-On- 

Demand VOD.31, 2006) [lim. 500] € 20.00 

VINYL-ON-DEMAND gräbt wieder das rarste & unbekannteste aus! 

Hinter E.G. OBLIQUE GRAPH verbergen sich frühe, kuriose 

Aufnahmen von BRYN JONES aka MUSLIMGAUZE, das ist z.T. 

Sequenzer-artige Synth-Elektronik die eher an TANGERINE DREAM 

erinnert als an spätere MUSLIMGAUZE - aber auch experimentellere 

Stücke mit Rhyhtmus-Box & Echo-Sounds, wie sie für die damalige

Industrial-Hometaper-Szene typisch waren, und auch schon eher MG- 

typische Sprachsamples mit z.T. eher treibenden Rhythmen, 

fliessenden Klangmuster & backwards-Experimenten tauchen auf.... 

Gatefold-Cover. 

“Early Works '82-'84, these are the pre-Muslimgauze works of Bryn 

Jones. These are mostly taken from cassette-only releases, originally 

released by Kinematograph Tapes. It also features all the tracks from 

his first 7" release, Triptych, from 1982. "Bryn Jones and his very first 

tape-recordings under the name E.G. Oblique Graph, now for the first 

time on LP." [label info] 

* ENGLISH, LAWRENCE / RICHARD FRANCIS – 

LERFAUSNZNWWSD12006 / LERFAUSNZNWSD22006 7” 

(Midstreams / Room40, 2006) [lim.100] € 9.00 

Rare New Zealand-pressing of this collaborative effort with our beloved 

RICHARD FRANCIS (ESO STEEL) , slowly moving drones and soft 

crackling rushes, concrete rumbling noises of an organic & direct feel. 

* ESPLENDOR GEOMETRICO – Early Recordings 3 x LP-Box 

(Vinyl-On-Demand VOD.27, 2006) [lim. 500] € 52.00 

Das ganz frühe Material der einflussreichen spanischen Industrial- 

Combo, Vorreiter von Industrial-Techno und rhyhtmic noise. Enthalten 

sind die rauhen, nach typischen tape-homerecording klingenden 

Aufnahmen ihres ersten Demos & Tapes, der ersten LP & 7“, sowie 

unveröffentlichte Bonus-Tracks und ein live-Mitschnitt von 1986! 

“Typically deluxe heavy-duty box from VOD. Esplendor were an early 

rhythmic industrial group from Spain, active in the early 80s. Edition of 

500 copies. "Incl. their first tape (EG-1), their first LP (El Acero del 

Partido). As well as 2 rare tracks of the first version of EG-1 (100 

copies), that has not been included in the usual version + the three 

tracks of the first single 'Necrosis en la polla' + two more tracks from 

1980 called 'Horno Fundidor' and 'Unidad de Control' of the first demo 

tape of the band, that included 'Moscu esta helado.' These tracks were 

included in the old cassette EG 1980-81. The last of the 6 sides is an 

unreleased live performance in Andujar in 1986." [label info] 

* FEAR FALLS BURNING – The Amplifier Drone LP (Tonefloat / 

Ikon tfi001, 2006) [lim. 500] € 18.00 

Second Vinyl-album by ex VIDNA OBMANA Dirk Serries, which sounds 

somehow like the meeting point of SUNN O))) and AIDAN BAKER or 

old ULTRA MILKMAIDS, completed with real heavy riffs, always 

drenched in some kind of feedback-ocean.... a mighty meditation. 

“lp pressed on white vinyl, limited to 500 copies, with postcard. 

tonefloat is proud to announce a joint tonefloat/ikon vinyl release of the 

amplifier drone, a release to celebrate fear falls burning's upcoming 

spring tour. heavier and a good deal darker than the recent c release 

the carnival of ourselves. the amplifier drone has been recorded in 

collaboration with blues guitarist paul van den berg.” [label info] 

* Robert FILLIOU – Greetings from ‘L’ We are all green LP 

(Slowscan Editions Vol.12) [lim. 150] € 29.00 



Composers. This LP contains 50 minutes of a sound-poetry happening 

recorded Nov. 1977 in New York. ROBERT FILLIOU was a french 

Fluxus-artist who died in 1987. 

* FRANCIS, RICHARD / ANTHONY GUERRA / MATTIN / JOEL 

STERN – live 10 March 2004 Auckland NZ 7” (CMR 13, 2006) 

[ed. of 250] € 8.00 

Lovely collaboration recorded in Auckland, New Zealand, strange 

whistles & feedbacks in the background, vinyl-crackles and hummings, 

sort of machine-rumblings, hisses, well we don’t know really... 

Four people working with field recordings, computer, electric guitar, 

computer feedback & electronics and they don’t produce abrasive noise 

at all, but subtile non-categorizable concrete atmospherics. 

* GELSOMINA – same 7” (Freak Animal Records FA-EP-017, 

2006) [ed. of 275 copies] € 6.00 

Limitierte 7” auf dem finnischen harsh-noise Kult-Label von einem 

neuen finnischen Projekt, ein reinster Sägezahn-Feedback-Sturm der 

Hirn & Herz freibläst und öffnet für neue Empindungen. 

“Debute 7" release from praised Finnish harsh noise artist. Taking more 

simple WALL OF NOISE method on this release. Strong and ultra 

heavy distortion walls with few layers of ear torturing details.” [label info] 

* GROWING – Color Wheel do-LP (Troublemanunlimited.com, 

2006) € 18.00 

“Color Wheel amazes, with a sonic dexterity unmatched in drone-metal 

or any other music for that matter. On their 4th proper full-length, 

GROWING have gallantly ventured into uncharted territory, where 

sheets of noise meld with metallic noodling and blissfully numbing 

drones, displaying their penchant for exploratory electronic 

manipulations that move at the speed of the sun. If you're planning a 

trip to space, it’d be smart to throw this in with your protein-pack." 

[Saheer Umar (Tokion Magazine)] 

„More now than ever before, Growing's music begs for total immersion.“ 

[Dusted Mag.] 

* GRUNT – Dead Beauty 7” (Freak Animal Records FA-EP-016, 

2006) [ed. of 275 copies] € 6.00 

“Most violent p.e. assault of Grunt lately. No random harsh noise this 

time, just vocal dominated extreme electronics. Two over 7 minutes 

long tracks and covers + couple inserts with all the lyrics, information / 

artwork.” [label info] 

* HAARE – Sacred Mushroom Clouds 7” (Freak Animal 

Records FA-EP-20, 2006) [ed. of 270] € 6.00 

Limitierte 7” auf dem finnischen harsh noise Kult-Label FREAK 

ANIMAL. HAARE präsentiert hier absolut trashig-dumpfen feedback & 

guitar-drone-noise, der einlullend und psychedelisch nach einiger Zeit 

fast so etwas wie einen Singsang produziert... 

”two heavy droning pieces with guitars and noise. Organic and lo-fi 

sound. Released in co-operation with Kult Of Nihilow label. 270 copies 

pressed!“ [label info] 

* HANGED UP – Kicker in Tow LP (Constellation Records CST- 

022-1, 2002) € 13.50 

Zweites Album mit mitreissendem Avant-Rock, sehr perkussiv, kraftvoll, 

hypnotisch, mit starkem Violia-Einsatz; Folk- & Punk/Indie-Einflüsse 

werden sehr erfolgreich miteinander verschmolzen... 

“Hangedup explodes on this follow-up to last year's critically-acclaimed 

debut (cst016). With Kicker in Tow, they prove themselves one of the 

most powerful, hypnotic and relentless duos currently mining the 

subterrain of avant rock. Gen Heistek's amplified viola is a propulsive 

blend of drones & doublestops, while Eric Craven's drumming spurts & 

hisses like an ornate, early-industrial steam engine. Both players also 

bring some brilliant free & improvisational explorations to the table, 

always with a raw, restless punk rock heart. These are work songs, fight 

songs, songs brimming with life & shot through with melodic influences 

drawn from folk traditions." [label description] 

„Hangedup is a duo featuring Gen Heistek on viola and Eric Craven on 

drums and percussion. The duo's compositions range from dark pop 

instrumentals with a hailstorm of viola notes, to meditations on the 

various tones embedded in different types of percussion. When Craven 

is caught behind the trap kit his drumming is extremely forceful and 

acute, and propels the duo like an oversized freight train. The last track 

"Broken Reel" is a romantic drift into folk-like melodies layered by 

Heistek's viola. Throughout the whole record these two musicians offer 

a seductive contrast to one another.“ [FakeJazz] 

* HANGED UP – Clatter for Control LP (Constellation Records 

CST-034-1, ) € 16.50 

„Das dritte über die volle Distanz Album des Drums & Viola Duos 

Hangedup, bestehend aus Gen Heistek (Pest 5000, Sachville) und Eric 

Craven (Shortwave, Sachville). 10 Tracks voll von picky Loops, 

Verzerrten Drones, getrieben von schweren pollyrhythmischen 

Percussions voller Dynamik. Beides, krachiger und melodischer als 

alles andere was die Band bisher gespielt hat.“ [Unrock.de] 

"This is the third full length by the viola and drums duo of Montréal's 

Hangedup, who've been mesmerising audiences, while pushing the 

boundaries of what a bow and a pair of drumsticks can conjure, since 

1999. Gen's bi−amplified viola rig, linked to a live audio looper, creates 

an astounding vortex of jigs, reels & air raid drones, pummelled along 

by some of the heaviest polyrhythmic skinbeating we've ever heard. An 

unbelievably beautfbeautifult that finds the band utterly on fire, 

swooping & slamming around with varying degrees of controlled chaos. 

Both noisier & more melodic than anything they've yet put to tape, 

Hangedup raise their compositional & improvisational bars on Clatter 

For Control." [label info]

* HANSEN, AL – Joseph Beuys Stuka Dive Bomber Pieces & other 

stories LP (Slowscan Editions Vol. 20, 2006) [ed. of 300] € 29.00 



Composers. This new LP contains obscure Fluxus- & Sound-Poetry 

stuff from AL HANSEN: “Balloni Brothers Balloon Work” (1987), 

“Joseph Beuys Stuka Divebomber Piece” (1987), “Car Bibbe” 

(1958/1959!), and “The Futuristic Chattanooga Choo Choo in the 

Mongolian desert” (1889! but performed later with JANET KRAMER). 

Blue Vinyl, edition of 300. 

* HELICE PIED – Conduit No. 2 7” (Drone Records DR-83, 2006) 

[ed. of 300] € 6.50 

Aus den hochgelobten NIXILX.NIJILX wurde HELICE PIED und dies ist 

die erste Veröffentlichung vom neuen ‚Hologram-Drone’-Star aus 

Athen! Alle Elemente der Veröffentlichung (Klangquellen, Coverartwork, 

Inlay-Diagramm, Gravur) sind komplex symbolhaft miteinander 

verbunden & aufeinander bezogen und bilden ein Gesamtkunstwerk. 

„HELICE PIED is a newcomer from Athens, Greece, who had a few 

outstanding releases before under the nom de plume NIXILX.NIJILX, 

but for this very first vinyl release a new project-name was chosen. 

#Conduit No.2# is a perfect example of sensibly spun experimental 

drone, floating waves with metallic tinkling-sounds slowly approaching 

and disappearing again, soft white noise-swooshes circulating widely 

around an invisible center... sound-sources are hardly recognizable 

(coming from concrete sounds of churchbells and e-guitar), the 

atmosphere rising is one of quietness & meditation, able to transcend 

your mind. All words & symbols HELICE PIED uses (see inlay & coverstructure 

& endgroove) have a strong structural and inter-related 

meaning...Filed under: hologram-drones. WHITE VINYL. BLACK 

COVERS WITH HANDPAINTED GOLDEN COCK & CHURCH BELLS 

ON IT & FEW COVERS ARE SPRAYED TOTALLY GOLDEN WITH 

BLACK INK & FINGERPRINTS” [label description] 

* JENNIFER GENTLE – Sacramento Session / 5 of 3 LP (A Silent 

Place ASP03, 2006) [ed. of 650 copies] € 15.00 

Absolutely spaced-out acid/psych-rock sounds on one side, and a very 

experimental B-Side that totally mutates the basic material into a 

cosmic roaring low-fi trip... 

“A combination of a jam session recorded on KDVS radio in Davis, 

California during JENNIFER GENTLE’s North American tour, along with 

a studio manipulation performed at home in Padova, Italy. A hypnotic 

improvisation delivered relaxed and easy. Packaged in deluxe fold-out 

sleeves. 

“Portland/Oregon-Sacramento/California: 580 miles. One of the longest 

trip for the first Jennifer Gentle North American tour. They play at the 

Academy of Fools, a sort of garage converted as an Art Gallery: a big 

open space, low ceiling, completely empty, walls without anything, no 

stage, no audio system, just a microphone. It seams the beginning of a 

bad night, on the contrary due to the wonderful view and the beautiful 

Californian Sun, or just for themselves and their fans, the Jennifer 

Gentle decided to play anyway; not their usual repertory to much noisy 

but just an improvisation made by their instinct. The result was a hypno 

jam session, relaxed, honeiric. The day after Jennifer Gentle play at the 

Davis KDVS radio, where they propose and records the same jam of 

the previous night, which became the “Sacramento Session”. 

Back to home, working on Marco’s improvisations with different sounds, 

manipulated, mixed and remixed, they found the specular image from a 

distorted mirror of the “Sacramento Session”: “5 of 3” is the perfect B 

side, the balance and overturn of that Californian night. 

We would like also to remark you that "Sacramento Session / 5 of 3" is 

not the Jennifer Gentle new studio album, but is instead a combo of a 

jam session together with a studio manipulation. 

Packaging in a de-luxe and elegant fold-out cover. The vinyl is coloured 

as solid red; the first 100 copies as black vinyl.” [label info] 

* JESU – Silver mLP (Conspiracy Records core032, 2006) 

€ 13.00 

Vier neue tracks von JUSTIN BROADRICKs für Furore sorgenden 

neuen Band, Metal-Drone-Core mit echtem Pop-Appeal & Harmonien 

die einen nicht kalt lassen, Aquarius Records nennt das “Industrial Indie 

Pop” ! Limitierte Vinyl-Version, sehr edel designed! 

“180 gram vinyl. the Silver EP is an electro-psychedelic symphony born 

of the pastoral majesty found around Broadrick’s country home near the 

English/Welsh border. An icy-sweet combination of tidal guitar 

resonance and sweeping electronic atmosphere, the four epic tracks 

within comprise a panoramic snapshot of Broadrick’s stunning sonic 

prowess. Or, as our man himself puts it: “It’s perfect for drifting off and 

smoking too much dope.” [label info] 

“....A record that is both soft and sweetly melodic, but thick and heavy 

and blown out is a rare beast indeed. And now that we hear the 

Codeine in Jesu, we're even more sold. For our money, Codeine left a 

gaping hole when they called it quits, slowcore or moperock or 

whatever continued to move forward but never with the same intensity 

or emotion, until now perhaps. The final track is the strangest. A sort of 

M83 / Jesus And Mary Chain style effects laden bliss out, with loads of 

swooshing backwards loops, shimmery stretches of light as air 

vaporous guitar, and even a super chunky Godfleshy break part way 

through. Awesome. The best industrial dirge jangle indie bliss slowcore 

doom pop ep ever??“ [Aquarius Records] 

* Joe JONES – Meditations 18.2 LP (Slowscan Editions Vol. 15, 

2001) [lim. 150 copies] € 29.00 



Composers. This LP documents a 55 min. recording of a performance 

that happened in Middelburg, Netherlands, in November 1989, where 

he seemed to present different kinds of his music machines at once. 

Really nice complex repetitive noises coming from everywhere, very 

hypnotic! With informative inlay and on white vinly, lim. 150 copies. 

* Jonathan KANE – February LP (Table of the Elements 

88Radium, 2006) € 14.00 

Vinyl-Version des Album mit einer Komposition von RHYS CHATHAM! 

„Jonathan Kane ist nicht nur als Mitbegründer der Noiserock-Ikonen 

SWANS, als Hintergrund-Donner der Gitarrenarmeen von Rhys 

Chatham und den Ausflügen ins Rockterrain mit La Monte Young eine 

Legende in Downtown New York, sondern ist auch ganz einfach einer 

der heftigsten Drummer auf dem gesamten Planeten. "February" ist 

Kanes erste Soloplatte und schafft es, das Gehirn mit SWANS-Style- 

Prügel zu erschüttern, Chathams dichte Gitarrenschichten zu 

adaptieren (besonders in der ausgelassenen Version von Chathams 

berühmt-berüchtigtem "Guitar Trio") und den Drive der 70s Krautrocker 

NEU einzufangen, um sich von da aus kopfüber in den Blues zu 

stürzen. Denn was immer sich auch dazwischen schiebt, Kane bleibt 

ein Bluesmann der ersten Stunden. Unter dem dezibellastigen Bombast 

der fünf Instrumentaltracks auf "February" schießt er 

gitarrengetriebenen Minimalismus in den Blues und den Blues in 

gitarrengepowerten Maximalismus. Cruisen wir mit Jonathan Kane den 

mentalen Highway 61 hinunter...“ 

“JONATHAN KANE is a Downtown NYC legend--as cofounder of the 

no-wave behemoth SWANS, and the rhythmic thunder behind the 

massed-guitar armies of RHYS CHATHAM and LA MONTE YOUNG-and 

one of the hardest-hitting drummers on the planet. With February, 

his first solo record, Kane summons Swans' concussive wallop, 

Chatham's dense guitar strata (Kane even manages a rollicking version 

of Chatham's notorious "Guitar Trio"), and the perpetual propulsion of 

‘70s krautrockers Neu, then steers it all head-on into the blues. Make no 

mistake about it: Kane is a bluesman, and beneath the high-decible 

bombast of these five instrumentals, he's powering guitar-driven 

minimalism into the blues, and the blues into guitar-driven harmonic 

maximalism.” [label press release] 

* Allan KAPROW – Courtesy LP (one-sided) (Slowscan Editions 

Vol. 11) [lim. 150] € 29.00 



Composers. This record contains a piece by the American performance 

artist-father and inventor of the “Happening”, ALLAN KAPROW on one 

side, recorded live at “Close Radio” June 22, 1977, KPFK Radio Los 

Angeles, hosted by JOHN DUNCAN. 16 minutes of telephone-rings and 

repeated speechs, confusing & absurd stuff. ALLAN KAPROW died 

recently on April 5, 2006. Edition of 150 on orange vinyl. 

* KARINA ESP VS. TRADEMARK TM – split lathe-cut 7” (Evelyn 

Records eve14 / TM-Industries TM IND SP-1, 2003) [lim. 60] 

€ 8.50 

4-track EP by these two british experimental guitar-drone / electronic 

projects (from Bainton and London), meditative distortion drifts & 

repetitive low-fi electronic patterns, quite charming stuff, all recorded 

2001. Very few here, sold out at the label. 

„Karina ESP have been blissfully caressing guitar strings and creating 

gorgeous bedroom-droneworks a la early FSA for some time now on 

compilation cds and self-issued tapes and this is their first outing on 

vinyl (well sort of vinyl). Trademark are rather different and rather 

good too - bedroom electronics - a simple and repetitive analogue 

fuzzed-up synth sound' – [Boa Melody Bar] 

* LA STPO (Societe des Timides a la Parade des Oiseaux) – 

Tranches de temps jete LP (Beta-Lactam Ring Records mt074a, 

2006) [lim. 325 copies] € 17.00 

Für jeden Recommended Records- und „AvantRock“-Fan ein MUSS, 

das neue Album dieser ungewöhnlichen Band, die auf französisch 

singen, sprechen und schreien und musikalisch fast schon theatralisch 

zu nennende „Szenen“ entwerfen, die irgendwo zwischen

Geräuschmusik, Filmmusik & Experimental-Rock liegen.... wobei jedes 

Stück bis ins kleinste Detail ausgearbeit ist ! 

Nicht nur höchst kurzweilig, sondern auch anspruchsvoll und ästhetisch 

tönen diese Aufnahmen, die bereits im Jahre 2000 gemacht wurden... 

Dies die limitierte Vinyl-Version.... 

“Ed. of 325 copies. Vol. 3 of Records are not for Baking In the midst of 

the world's fascination with so-called Electroclash, leave it to the old 

school to really show what post-punk is really about, while 

simultaneously turning the concept on its fractured head. LA STPO has 

the finesse and invention and the je ne c'est quoi to massage its victims 

into a quiet trance, only to pummel them seconds later. Slices Of Throw 

Time is like a Van Der Graaf arc between the bombast of Blurt/Ex/Dog 

Faced Hermans/Contortions/Birthday Party and the subtle, avantcomposerly 

moments of Henry Cow/This Heat/Univers Zero/Faust. The 

punchy rhythm section, abetted by the squawky horns, makes for a 

music to which one can truly contort. LA STPO's musical muscle, 

however, is always backed up by solid jazz/classical informed chops 

that can and will chop any lesser outfit into nothing more than a pile of 

over-loud rock and roll dust. LA STPO infuses their punk with dynamics 

of both volume and texture, producing a slightly zeuhl flavoured post 

rock, which should, by all rights, land Slices Of Throw Time on many a 

critic's year end top 10 list. We all know this will not likely happen, but 

hopefully there is enough room in YOUR top ten list for rock that both 

rocks and explores.” [label info] 

* Andrew LILES – The Dying Submariner ( Amalgamation, Codicil 

and Appendix) LP (Beta-Lactam Ring Records mt110b, 2006) 

[lim. 150] € 26.00 

Jetzt kommt die Abteilung: Wir machen die Sammler verrückt ! Diese 

LP ist NICHT identisch mit der CD gleichen Titels! Sondern stellt einen 

äussert gelungene Remix der CD-Grundversion da, erscheint dunkler & 

sphärisch-verträumter, Eindrücke einer fast surrealistischen Einsamkeit 

machen sich breit.... tolle Platte mit einfachen Mitteln kreiert, leider 

teuer. 

“Edition of 150 numbered copies. This vinyl edition features a very 

different reworking of the CD edition with new artwork. Leviathan low 

end growls belch a hazy pitch into the sea, rendering daylight useless to 

penetrate the unknown depths. Andrew's concerto for piano and reverb 

conjures many spirits, including that of wrathful Poseidon. The piece (in 

4 movements) also conjures the spirit of nothingness. A sense of 

complete loneliness prevails in the echoey death throes. The faint scent 

of forebears fascinated with watery graves and abandon lingers from 

the wake of such pieces as Gavin Bryars’ The Sinking Of The Titanic 

and many of Harold Budd's early works, though Liles’ fitful concerto 

paints his submariner's demise more as a dissonant, prolonged struggle 

than as a melodic, majestic descent. Spatially, the work tends to build 

into shifting layers similar to Charlemagne Palestine, Henry Cowell's 

clusters or La Monte Young's Well Tuned Piano (though Andrew's work 

is not based on a microtonal system). The ringing resonances 

sometimes fan out as distinct harmonic phrases, and sometimes the 

notes simply propagate and clash with the reverb creating ripples of 

pure metallic sound, even to the point where the piano's strings melt 

into the sculptural, welling up more like tidal pools alongside Bertoia 

and Dumitrescu. A beautifully disturbing wet suit suite of sonic sound.” 

[label description] 

* MACRONYMPHA - Diseased Erotica 7” (Freak Animal Records 

EP-018, 2006) [ed. of 270] € 6.00 

Limited 7” on the finnish harsh noise cult-label, female sighs drowning 

in thunderstorm-noise, really sick sex-noise. 

”two intense cut-up noise tracks of harsh electronics and junk and sex 

moaning Macronympha is well known for. 270 copies pressed!” [label 

info] 

* MNEM – No Cosmic Ox 7” (Negative Foundation, 2006) [ed. 

of 500] € 5.50 

Fourth release on NEGATIVE FOUNDATION, the MNEM-label. MNEM 

music sounds so basic, so raw, so “old” in a way, its raw ambient-noise 

full of strange mysterious details.... 

“It was conceived using reel-to-reel tape recordings and loops, 

microphones, pedals, and 8-track mixing.” [label info] 

* MNORTHAM – Condensation 7” (Povertech Industries artifact 

three, 1996) € 6.00 

Re-found few copies of MICHAEL NORTHAMS very first vinyl-release! 

„Erste Single von Michael Northam aus Texas, der mit selbstgebauten 

Instrumenten (z.B. "Tubeviolin", "prepared autoharp") obskure und 

feinambiente Klänge erzeugt. Auf Seite 'the remains of a monument' 

arbeitet er mit CO CASPAR aus Berlin zusammen.. Tip!” [old Drone 

info] 

* MONOLAKE – Alaska Melting 12” (Monolake 20, 2006) € 8.00 

“Is there no stopping Robert Henke? Featuring his finest material since 

the seminal "Fragile/Static" twelve back in '99, Alaska Melting deploys 

two brand new Monolake killers following the tried and tesed metallic 

techno template - but somehow with enough of a shift of emphasis to 

keep things fresh and predictably crushing. The production here really 

is almost unfathomable - crisp, airy and yet incredibly heavy, with 

'Alaska' deploying a regimented bassline that could almost underpin 

dubstep with its rugged convulsions, while 'Melting' opens up into a vast 

display of effortlessly intricate 4/4 variations that make techno sound 

perfectly pristine. In other words - another essential twelve from one of 

the finest Techno producers of the last decade - a must buy.“ [Boomkat] 

* MOORMAN, CHARLOTTE / NAM JUNE PAIK – TV Cello do-LP 

(Alga Marghen alga19, 2006) [ed. of 200] € 38.00 

SoundArt-Platte mit einem Mitschnitt einer Performance aus New York 

City, vom Nov. 23, 1971: die Cellistin CHARLOTTE MOORMAN (die 

noch 1967 verhaftet wurde weil sie sich bei einer Performance “oben 

ohne” präsentierte) und die Videokunst-Legende NAM JUNE PAIK sind 

bei der Durchführung von “TV CELLO” zu hören: TV-Geräte werden 

übereinander gestapelt bis sie die Form eines Cellos annehmen, 

welche dann von MOORMAN mit einem Bogen “bespielt” wird, 

woraufhin auf den Bildschirmen Bilder von ihr und anderen Cellospielenden 

Musikern erscheinen. Bei dieser Performance waren so 

illustre Gäste wie YOKO ONO und JOHN LENNON zugegen, 

man hört rumpelnde Sounds, sprechende / performende Leute und 

typische Galerie-background-noises. 

“A documentation of Charlotte Moorman activities as a performer is 

generally available only on the iconographic level in various catalogues 

which documents the crucial intersection with the work of nam june paik 

or the association with events connected to the Fluxus movement. One 

of Charlotte Moorman's more substantial merits is having consciously 

reversed the traditional role of the virtuoso performer on her own 

instrument, uncovering by this overturning one of the most authentic 

keys for comprehending the aesthetics of experimental music. It was 

properly the natural spontaneity in this attitude to fascinate Paik and to 

have decreed her indispesable capacity as a performer, thus giving rise 

to the reasons animating their fecund and symbiotic collaboration. Cello 

Anthology is a collection of documents (sonic and photographic) as well 

as original texts and testimonies, made available for the first time in a 

unitary form by Alga Marghen. One of the CDs included in the edition, 

currently in a final process of realisation, will offer an in situ recording of 

the famous TV Cello, realised in September 1982 during the three days 

inaugurating the Paik retrospective at the Museum of Contemporary Art 

in Chicago. The 2LP edition presented here introduces to a different 

version of the same piece, conceived by Paik for Moorman as a living 

sculpture: the Concerto for TV Cello and Video Tapes historical World 

Premiere, recorded at Galeria Bonino, New York City, 1971. More 

rough and primitive than the masterpiece recorded in 1982 in Chicago, 

these uncompromisingly obscure original recordings will not be included 

in the forthcoming 4CD anthology.' 2LP set in gatefold cover 

reproducing photos of Charlotte Moorman with John Lennon and Yoko 

Ono playing the TV Cello at Galeria Bonino 1971 vernissage. Private 

edition limited to 200 copies.“ [label info] 

* NICOLE 12 – Braces 7” (Freak Animal Records FA-EP-015, 

2006) [ed. of 275 copies] € 6.00 

Limited 7” one finlands harsh-noise cult-label, obsessed and dark 

abrasive cynical industrial. 

“Return of the most hated and at the same time most praised project 

under banner of Freak Animal. 4 tracks, c. 15 minutes of playing time. 

Sweet full color covers, including couple inserts with some of the lyrics 

and more artwork.” [label info] 

* NITSCH, HERMANN – Day 3 of “Orgien Mysterien Theater” 1998 

LP & CD-R (Cortical Foundation CORTI 018.2) [lim.500] € 32.00 

"Packaged in 12" deluxe gatefold sleeve with 12" full-color printed innersleeves. 

Day 3 of Vienna Aktionist Hermann Nitsch's magnum opus 

total experience in a 6 Day excess, a Baccanalian rite that is sub-titled 

the Orgies Mysteries Theater. Two separate editions exist for Day 3 in a 

12" Gatefold Jacket. Part two of this edition includes a 220 Gram Vinyl 

pressing of the Finale of Day 3. The second CD is a CD-ROM Cinepak 

movie compatible with the Windows media player and Quicktime: 220 

Gram Vinyl. DMM Quality Pressing. Limited Edition 500 copies." [label 

info] 

* NOCTURNAL EMISSIONS – Nightscapes LP (Small Voices 

SVV003, 2006) [ed. of 555 copies] € 14.00 

Überraschendes Comeback, NIGHTSCAPES tönt so sanft & ambient 

wie kein N.E.-Album zuvor, wallende und melodische Ambience.... 

“NIGHTSCAPES is probably one of the purest and most refined record 

made by Mr. Nigel Ayers as Nocturnal Emissions. First of all we have to 

consider that N.E. is an ultra vicennial project which can challeng the

test of time without any trouble. And something of the past remains 

playing this brand new album. In these seven suites (about fourthytwo 

minutes) we found sacred atavistic rituals, celtic resonances and natural 

hypnotic mantras, which are bringing the listener through an aural 

journey, till to the roots of Sound. The first part of the album can be 

compared to his masterpiece STONEFACE and SPIRITFLESH, which 

are more ethereal, atmospherical with beautiful natural sounds... The 

second part is more ritual and hypnotic with sacral atmospheres..., and 

it would be compared to N.E. album like BLASPHEMOUS 

RUMOURS and CATHEDRAL. Elegant full colour jacket + insert. 

Limited hand-numbered edition of 555 copies in blue coloured vinyl!!!” 


* NORTHAUNT / VINTERRIKET – split 7” (Blackmoon Rec BMR 

EP 001, 2005) [lim. 500] € 5.50 

Eiskalte Winter-Ambience von VINTERRIKET, grummelnd-windige 

dark-ambient soundscapes von NORTHAUNT, einsam und trauernd... 

Sehr stimmige 7” auf dem VINTERRIKET-Label... 

“Long awaited Split 7". Now released under Blackmoon Records 

BMR EP 001. "Dark, cold, melancholic and timeless synth- 

soundscapes A tribute to the dark side of nature..." Expect coldest 

Ambient Art! handnumbered inlay limited 500 copies!” [label info] 

Playing Time 13:22 

* Fabio ORSI – Osci LP (Small Voices SVV006, 2006) [lim. 320 

copies] € 14.00 

Italienischer Newcomer auf SMALL VOICES mit einer von Nostalgie 

und Melancholie durchdrungenen Drone/Ambient-Produktion, field 

recordings und traditionelles Folk-Material wird z.T. loopig verwebt mit 

Gitarren- & Synth-Klängen, 3 nostalgische Postkarten runden das 

verträumt-nostalgische Bild ab... für Atmo-Melancholiker. 

“SmallVoices is happy to present a new Italian promising artist: Fabio 

Orsi. 'Osci' is a two long tracks album (remixed by Gianluca 

Becuzzi/Kinetix) of ambient drone music, field recordings and 

experimental melancholic soundcapes... Using processed folk music 

parts (taken during folkloristic festivals, typical of the Apulian folk 

tradition), Fabio creates a dreaming atmosphere crossing between balls 

and bellows, silence and spirituality, everyday life: at home, in a church, 

in the countryside, at the small-town feast. All these sounds mixed and 

processed through digital machines: an encounter between modernism 

and tradition. Image a sort of mixture between Alio Die's ambient works, 

William Basinski's melancholia, Phil Niblock's experimentalism. 

Fabio Orsi plays: guitars, samples, field recordings, laptop. 

The black heavy weight vinyl was packaged in an elegant sleeve and 

including 3 postcards.” [label info] 

“Osci is a deep hole into the ground of the loved/hated traditional 

music. It is a snatch with the past, watching it from unusual perspective, 

with deforming lens under coloured lights. Osci never meets "Art", it is 

something like a hack. As the sickle relates about the man, but it's 

completely unconcerned with their destiny. He speaks the speech of 

crickets and ants. Time no exist. Telephone are not used to ring and the 

bees are assembling a "flying saucers" with the elements of an old 

washing machine. Telephone doesn't know how to ring and voices are 

gliding in to the dark from mouths full of soil and cheap beer, talking 

about obscene love proposals. Under the Sun we reverse a big stone 

and the name of a girl crawls out, into the grass. Someone picks up it 

from the ground, and put it on the neck as an amulet. Violin's strings 

clasp the heart in an August night. Flames itching the flesh with pain. 

Finally our body shows infinite chances. Inside and outside. Every 

single pore is a hole. Inside is outside. A blink. We would like to shake 

the skin from bodies, jumping in the fire. A blink. Then we leave by car, 

disappearing on dusty roads. Sentenced to a slow craziness. All the 

rumours pushing under the scab. Where the streets are swelling as the 

veins and the buildings are collapsing, we plant a microphone, cold as a 

needle.” [liner notes] 

* PALESTINE, CHARLEMAGNE – Old souls wearing new cloths 

LP (Slowscan Editions Vol. 16, 2003) [lim. 323] € 29.00 



Composers. This one contains a live-recording by dutch radio VPRO 

from a concert that happened on October 7, 2001, in ‘s-Hertogenbosch. 

45 min playtime, the grandmaster of ‘stuffed animal minimalism’ 

enchants with e-piano & organ & voice. Lim. 323 copies on red vinyl. 

* PANASONIC – Muuntaja / Murtaja 12” (Sähkä Rec. 7, 1993) 

€ 9.50 

Die allererste Panasonic 12” von 1993, wieder erhältlich!!! Minimal 

rhythmisch hämmernd und äusserst kraftvoll, noises & drones verteilen 

sich im Klangfeld, Off-beats verwirrnen, der Sog ist unaufhaltsam... 

“Panasonic, who would later lose the A as Pan Sonic to avoid nasty 

legal proceedings from a certain consumer-electricals manufacturer, are 

something of a legend worldwide. Famed for incredibly noisy live shows 

and sickeningly destructive albums such as Kulma, Aaltopiiri and more 

recently the fantastic Kesto 4cd set; this 12” was their first step into the 

music world. Originally released in 1993 and out of press almost 

immediately, it is a music fan’s wet dream to see this become available 

once more. Two immense tracks of distorted 808 kick drums and 

slightly spannered electrical sounds with that crucial feedback which 

was to become Pan Sonic’s trademark. This was not only an important 

step for the band, but also for electronic music as it ushered in the dawn 

of something new and amazingly influential. Essential.“ [Boomkat] 

* PRAXINOSCOPE – same pic-LP (A Silent Place ASP08, 2006) 

[lim. 500] € 15.00 

“Praxinoscope is a new project which sees the duo Roberto Opalio 

(one-half of My Cat Is An Alien) and Ramona Ponzini (close 

collaborator of the Italian space-brothers). While in the debut album as 

Painting Petals On Planet Ghost (out in early September 2005 on Time- 

Lag Records) Ramona will focus on her Japanese vocals alongside 

both brothers' acoustic tunes, here she plays little Japanese 

percussions and wind chimes, creating a resonant texture over 

Roberto's alien wordless vocals and space electronics. The material 

comes from a whole session recorded in a mysterious location of the 

Western Alps, directly transferred to cd using neither overdubs nor 

outtakes, practice which the Opalio bros have made us addicted to. For 

the entire lenght of its 40 minutes, the piece will stifle you the breath 

because of its so pure essence and intimate mood; a mystic, suffocated 

chant reminding the silence of ancient rituals, the ultimate exorcism to 

avert the Infinite Pain. Limited edition of 500 copies only as vinyl picture 

disc 12" LP with psychedelic artwork!” [label info] 

“…..This project traverses a similar terrain as MCIAA, but is perhaps 

closer to Roberto's brilliant solo album, "Chants From Isolated Ghosts". 

Opalio's vocals star here, taking the limelight and thriving inside it. 

Effects drench his voice making it something truly not of this world. 

These lunar oceans of sound are magnificent and totally enthralling. It's 

as though he's a cosmonaut trapped inside a glass box, unable to travel 

the reaches of space. Such confinement derails your mind and Opalio 

sounds like a person struggling against himself. At times, hearing this is 

almost too much - there's simultaneous discomfort and exorcism 

happening and you can't quite focus intently on either. You are a 

passive player in this exercise, lost in the crevices Opalio and Ponzini 

create. I cannot discount Ponzini's contributions to this 40 minute piece, 

either. While it may seem minimal on the surface, her various 

"Japanese percussions" (mostly chromatics, cymbals, and the like) add 

a great deal of needed texture to counterbalance Opalio's haunted 

wails. It is reminiscent of the way Finnish master, Keijo, works in a lot of 

percussive elements to his tracks. And it has the same effect. 

Praxinoscope is a great new project from the always wonderful My Cat 

is an Alien. This is one of Opax's finest releases. Bringing to mind the 

vocal transcendence of the Skaters, Praxinoscope are proof that you 

don't need any instruments to make amazing sounds. This is wonderful, 

wonderful music” [Brad Rose, FOXY DIGITALIS] 

* RATKJE, MAJA – Stalker pic-LP (Important Records 

IMPREC092, 2006) [lim. 500] € 16.00 

MAJA S. RATKJE ist wohl zur Zeit DIE weibliche Vorzeige-Performerin 

im impro / harsh noise-Bereich. Auf STALKER finden sich bester 

radikaler Collagen-Noise, aber auch sehr ruhige, spannende 

Abschnitte, die fast elektro-akustische Ausmasse annehmen.... 

“This vinyl only picture disc release is limited to only 500 copies 

worldwide. Renowned international composer Maja Ratkje is a founding 

member in two of Norway's most respected improvisational units - 

Spunk & Fe-Mail. While her solo work on the Rune Grammofon release 

Voice is without the electronic and instrumental elements of Spunk and 

Fe-Mail, Stalker finds Maja merging elements of her other projects into 

her solo endeavors. Ranging from furious to tender, Stalker was 

recorded in Paris and at various live dates around Europe. This live 

material was then brought back to a studio in Norway and laboriously 

editited for release. Like much of Ratkje's work Stalker flawlessly 

contrasts these two disctinct emotional and audio extremes. While 

Stalker is influenced by the hardest Japanese noise it is also a quiet 

emotional drift based around Bertold Brecht's story of a girl who has 

drowned and is floating down a river while her body slowly dissolves 

leaving only her hair to remain. With this dichotomy hanging in limbo 

Ratkje fills in the blanks with her signature compositional attention to 

detail and balance. ' I play with the material and it talks back to me. It's 

a game between the boundaries of total control and total anarchy. I try 

to include some of both.' Maja Ratkje“ [label info] 

* SCHAEFER, JANEK – Location Stories do-7” (Stichting Mixer 

M7.08/9, 2006) [ed. of 300] € 13.00 

Die schöne 7“-Reihe auf MIXER wird fortgesetzt mit einer Doppel- 

Single von JANEK SCHAEFER: Anrufbeantworternachrichten aus 

Minneapolis, Ziegenglocken aus Südspanien, und eine 

Regenwaldsymphonie & Wordassoziationen vom Amazonas, vielfältiger

gehts kaum, kleine & durchaus witzige & hintersinnige Bewusstseins- 

und Phantasiereisen, für jeden field-recording Fan ein Muss ! 

“Janek Schaefer has gained a reputation when it comes to 

fieldrecording-based soundworks. Using his sonic surroundings, 

manipulated or not, Schaefer comes up with unique and intimate 

results. ‘Location Stories’ is another collection of found-sound stories, 

that Stichting Mixer is proud of to release. 

Side A Minneapolis Office Max Messages > 1.45min 

A collage of the messages I found left on the display model of a mini 

digital dictaphone bought at a Branch of Office Max in Minneapolis. In a 

condensed period of time we get to hear many different cultures and 

stereotypes interacting with the technology uninterrupted by the 

presence of sales staff. The track concludes with a voice from my car 

radio, as I tested it in the car park outside, talking about innovation and 

technology. 

Side B Field Recording > 6.00min 

This is the unedited recording of a huge field of silent goats in the 

village of Villanueva de la Concepcion, south Spain. They were all 

wearing goat bells and didn't bleat once. The result is a random 

cacophony of bells. A very pure ‘field recording’ composition. 

Side C: Amazon Word Game [beginning] side 1 > 7.41min 

Side D: Amazon Word Game [ending] side 2 > 7.40min 

A recording made in the heart of The Amazon Rain Forest, where a 

Brazilian guide, two English tourists and a German tourist, are lying in 

hammocks at dusk, in a camp made from palm leaves, playing a ‘word 

association’ game. The language differences make an entertaining and 

intimate play of language in the middle of the ambient sounds of the 

virgin rainforest.” [credits] 

“....This new double 7" (and if understood well, the final new Stichting 

Mixer release in some time to come) deals with field recordings, but of 

three different natures. On side A we hear messages left on a mini 

digital dictaphone that Schaeffer bought. It was the display model so it 

went through many hands, and many people tried the machine, leaving 

their messages on. Quite a hilarious piece of found sound. The b-side is 

a pure field recording of goats wearing bells. The funny thing is that 

these goats are all silent, so the only thing we hear is the sound of the 

bells, which sound like a thick mass of chinese bell chimes plus some 

more obscured sounds, part of the recording. On the other 7" we have 

two recordings made in the Amazon Rain Forest, where a Brazilian 

guide, two English tourists and a German tourist are playing a 'word 

association' game. Of course the Rain Forest makes a lot of noise, bird 

and insect calls. Of course with three different native languages on 

board it's not easy to do this, so there is some amount of confusion 

among the players. It's a very nice idea and with the Rain Forest 

sounds its also a beautiful ambient recordings, but perhaps the fifteen 

minutes spread over 2 sides of a 7" is a bit too much. However, 

Schaeffer tells three great, three different stories.” [FdW, Vital Weekly] 

* Ramon SENDER – Desert Ambulance LP (Locust Music locust 

70, 2006) [lim. 500] € 16.50 

Zwei Stücke vom noch fast unentdeckten Elektronik / Experimental- 

Sound Pionier RAMON SENDER, Weggefährte von PAULINE 

OLIVEROS & MORTON SUBOTNICK: Das Tape-Stück “Kore” (1962) 

mit elektronischen Sinus-Ton-Kaskaden, Loops und Phasenverschiebungen, 

“Desert Ambulance” (1964, für & mit PAULINE 

OLIVEROS) mischt musikalische & cut-up found-sounds und ihre live 

dazu eingespielten instrumentellen Akkordeon-Klänge in stetig auf- und 

abwallender Bewegung und Dynamik. Nummerierte Auflage 500 Stück. 

“ ‘A vehicle of mercy sent out into the wasteland of academic modern 

music’ [Ramon Sender] : 'Here we have a gem for fans of early 

electronic music, sound art, & fluxus antics. Desert Ambulance is 

another dip into the playfully enigmatic tom foolery of senor Sender 

following last year's acclaimed droner Worldfood. Kore' (1962, 

dedicated to his daughter Xaverie, 1955-1989) is another classic 

unearthing of squiggly & eerie tape manipulation cut in the small attic 

studio Ramon put together at the Tape Music Center in 1962. Side B is 

the long anticipated release of his best known work - 1964's Desert 

Ambulance - composed for Pauline Oliveiros. Strictly limited edition 

vinyl only release with hand pasted covers boasting a still from Tony 

Martin's visual abstract projections from the Desert Ambulance 

performance.” [label info] 

* SKIN AREA – Muzak from your local Crematory 10” (Rev / Vega 

Records RVR003, 2005) [ed. of 300] € 15.00 

Very rare 10“, lim. 300, very few in stock ! “their debut album "new skin" 

was released 2002, and where an noise journey through the 

bodysystem, with an final track that just left us wanting more and with 

their great tracks on the split with irm and on segerhuva´s compilation 

"sweatness will overcome", we demanded more... on this ep skin area 

delivered their most organic drone-noise pieces ever, screeching 

cymbals and low rumbled guitars, pure analog.” [label info] 

* SOUND_00 / IVERSEN - same 7” (Dirty Demos DIRTY7, 

2005) [ed. of 500] € 6.00 

Klasse 4-track Single auf neuem britischen Label, sehr 

abwechslungsreiche experimental ambience / noise zwischen subtilen 

Eis-Sounds und aggressiverem Post-Industrial & Collagen-Lärm, immer 

spannend arrangiert. 

“Antonio and Jan-M collaborate here for a debut release of theirs and 

ours, creating four moody, abrasive, electronic sound experiments 

collected here in a nice 7" vinyl format." [label info] 

“oooh lets check this 7" by Sound_00 and Iversen. Well, if you've ever 

wanted a record with minimal, spacious recordings from the depths of 

hell, in Siberia, then the 1st side of this record is for you. Like Satan's 

breath curling through a crumbling church at 3 o’clock in the morning. 

Or it could be at the wrong speed. Sinister. More lovely fetid noise from 

Iversen. Scorched cortex industrial ambience. Someone dragging 

heavy sheets of cold steel through the soft mush formerly known as 

your brain. With power electronics fascinating me increasingly in these 

dark days of the insipid generic indie cack, I'd say if you like thought 

provoking sound & post music then give this inspired wax a try. “ 

[Norman Records] 

* STAHLWERK 9 – 212 12 x 7”-BOX (Steinklang Industries, 

2006) [lim. 212 copies] € 99.00 

„12 farbige 7”es in einer wunderschönen Holzbox mit bedruckter 

Kupferplatte und einem Falt-Inlay - lim.>212< / Steinklang 

Die Musik handelt von der französischen Revolution 1789 und die 12 

Singles sind gefärbt wie die 3 Farben der französischen National- 

Flagge. Jede 7” steht für einen Monat des neuen französischen 

Revolutionären Kalenders, der vor 212 Jahren, am 22.September 1792, 

mit der Zeitrechnung begann. Die Musik klingt ähnlich wie die bekannte 

“Oradour” CD; düster-Heroische Klanglandschaften aus einer dunklen 

Zeit mit fein eingesetzten Samples und Stimmen.“ 

“wooden box with printed copper plate on top containing 12 coloured 

7"es and a fold-inlay - lim.>212< / Steinklang 

the music is about the French Revolution in 1789 and the 7"es are 

coloured like the french national flag. each 7" stands for one month of 

the new revolutionary calendar wich started 212 years ago on 

22.Sept.1792. Sounds not unlike the famousOradour CD; heroic and 

dark soundscapes from a dark age with fine samples and a few vocals.” 

[label info] 

* STL – Rain Interpretations LP (Something Records ST VINYL 

01) € 9.00 

Erster Vinyl-Release dieses Bad Harzburger Labels: A-Seite: 

Rhythmisch-pulsierende Grundlage, erodierende Noises von Gewitter & 

Regen darüber, auf der B-Seite ein reines field recording-Stück. 

“This is the first Vinyl release on Something Records. It is a deep 

Journey into Sound. Rain is the fundamental inspiration on that longplay 

12". Natural recordings mixed with scientific sound research - 

Multilayered spheres with down under bassbeats. Atmospheric 

structures combined with rolling thunderclaps. The track "rainwalker" 

has an outstanding soundspectrum and is different to most common 

productions. The six loops contains something for the dancefloor 

aswell. On the downside there is a 22 minutes long fieldrecording of 

thunderstorms and rain samples. On Rain interpretations, the artist 

created a magic record that gives you the image of a "musical 

landscape.” STL is known from other releases like that outstanding 

perlon13 split ep with Ricardo Villalobos & Dandy Jack. With Rain 

Interpretations he continues his mission and goes even deeper! This is 

something for your ear to create visions in your mind " [website info] 

* STROM.EC – Dogs of total order LP (Freak Animal Records FA- 

LP-023, 2006) [ed. of 275 copies] € 12.00 

“Already legendary long sold out debute CD of Strom.ec now fully remastered, 

sometimes with even significant changes. I dare to say 

Strom.ec is one of the names who was able to create classic of modern 

power electronics already with its debute release. Varied tracks with 

genious constructions, sometimes aggressive and violent electronics, 

sometimes crushing well assembled industrial rhythms, without falling 

into dancefloor category. Strong vocals and well used samples in most 

of tracks. LP version comes with 16 page A4 booklet with lyrics and 

new artwork ! Essential !“ [label description] 

TSUNODA, TOSHIYA / JUSTIN BENNET – Cleavage of Acoustics / 

Cacerolada LP (Stichting Mixer MLP03, 2004) [lim. 300] € 11.00 

Nr. 3 in der Mixer Split LP Reihe ! JUSTIN BENNET hat einem 

Protestmarsch in Barcelona gegen den Irak-Krieg im März 2003 

beigewohnt, eine unglaubliche detailreicher Soundkulissensumpf aus 

Sirenen, Autohupen, Perkussion, Pfeifen & Gegröhl. T. TSUNODA 

arbeitet diesmal nicht mit reinen field recordings, sondern lässt 

Sinuswellen auf konkretes Material treffen, was zu knisterndresonanzbildenden 

Effekten und merkwürdigen „small sounds“ führt. 

Tolle Geräuschmusikplatte !

“Both Justin Bennett and Toshiya Tsunoda have gained a reputation 

when it comes to fieldrecording-based soundworks. Using their sonic 

surroundings as the startingpoint for their work, both are unique in 

approach and result. "Cacerolada" is based on a noise-protest against 

the Iraq-war, recorded in Barcelona. It wakes up and dies out as any 

day does, gradually moving along all kinds of sonic occurrences in 

between. Compared to Tsunoda's, Bennett's work comes from a more 

contemplative approach, outlining to his listener the beauty, absurdness 

or musicality of the everyday soundtrack he's living in. Originally these 

protests served a highly political goal, to record them and treat these 

recordings as a piece, is what made "Cacerolada" into a sound-object, 

to be listened to with different ears. This is the core of Bennett's work. 

Using hardly any processing-tools (Bennett composes with the raw 

building-blocks he records), these environmental-pieces are very much 

like documents, with specific artistic or aesthetical qualities. He hunts 

for certain scenes or situations and captures moments in time that 

contain a specific type of gesture he is looking for. The reference to 

daily life might be very much upfront, though Bennett's work is much 

more than a highly associative collection of recorded sounds. His 

recordings easily keep up as complete compositions with a strong 

musical form, taking the listener beyond what is heard at first sight and 

this is exactly where the strength in Bennett's work as a composer and 

sound-artist lies. These works show a delicate timespam, organically 

interpolating from scene to scene. The so familiar sounding material 

constructs and underlines compositional shape and development, 

adding a rare compositional richness to environmental-soundworks. 

Tsunoda's "Cleavage of Acoustics" stands in close relation to previous 

works in which he tries to integrate somewhat technical concepts into 

the everyday beauty of singing birds and chirping crickets. Tsunoda 

adds to the body of these compositions of the public domain, as Justin 

Bennett does, but takes a different route to get there. He experiments to 

find out the musical relevance of technicality for natural sounds and 

forces a symbiosis between the two. The results still contain the 

associative character and organic development so typical for 

environmental recordings, but have a new, more abstract, mimicry. The 

sometime subtle, sometimes clashing, but always interesting 

interference between these two worlds, is what gives Tsunoda's work a 

very unique twist. It can exist as a completely autonomous entity while 

grafted upon the soundmaterial we all know so well. Tsunoda, like 

Bennett, makes us hear our surrounding acoustic reality in a different 

way. Not by fencing off certain parts of it, as Bennett does, but through 

simple yet very effective technical interventions, making it's appearance 

shift a bit or two. 

"When listening to field recordings, I am always surprised by the 

richness of it's acoustics. Vibrations echoe from various places, in 

mixed complexity, changing constantly over time. In some way, it looks 

like stratum. I would like to sharply cleave the stratum to see the 

surface of the crevice. This work shows the audibility of sound 

vibrations through an uncommon process. I tried to cut off the source 

(field recording) material using a gate device and sine-waves. In each 

track, specific sine-waves have been mixed with the source-material. 

In this work, I regard the sine-wave as the standard speed signal for the 

source. This has made any alternation within the audio signal 

detectable for the gate device. The linear audio signal (monoral) is cut 

horizontally into the advance direction, turning it into two signals. The 

amplitude of the alternating current has a separated + and - side, with 0 

volt as base for the gate device. This split signal is simultaneously 

reproduced through the right- and left- channel of stereophonic audio 

equipment. Try mixing these 2 channels. The waveform is almost 

restored to it's original form, giving a peculiar result compared to the 

separated signal playback." [press release] 

BACK IN STOCK LAST COPIES ! 

* VAN LUIJK, TIMO & KRIS VANDERSTRAETEN – High Noon (Duo 

Improvisations) LP (La Scie Doree 305, 2006) [lim. 250] € 21.00 

TIMO VAN LUIJK aka AF URSIN (und ehemaliges Mitglied der 

inzwischen legendären NOISE-MAKER’S FIFES) zeigt sich hier einmal 

von einer ganz anderen Seite, im Verbund mit dem Schlagzeuger KRIS 

VANDERSTRAETEN.... sehr geräuschhafte Improvisationen mit 

diverser Perkussion und kaum erahnbaren Streichinstrumenten und 

anderem, “pure” & konkrete Geräuschmusik zwischen An- und 

Entspannung.... kommt im Bronze-Siebdruck-Cover. 

“LP from Timo van Luijk and improvising jazz drummer Kris 

Vanderstraeten. Spaced out improvised music, mainly acoustic and with 

a strong percussive touch. First album in their 10 year collaboration. 

LP on white vinyl with a silkscreened cover by Kris Vanderstraeten. 

Edition of 250 copies. Released by La Scie Dorée.” [label info] 

* Esther VENROOY – Shift Coordinate Points LP (Entr’acte 30, 

2006) [ed. of 300] € 13.00 

Schon mit “To shape volumes, repeat“ (CD, Robo Records] war diese 

belgische Komponistin aufgefallen, jetzt erscheint diese sehr 

konzeptuelle Soundart-Platte als erste LP-Veröffentlichung auf dem 

britischen ENTR’ACTE, die ominöse Spionage-Radiodurchsagen als 

Soundquellen benutzt. 

“Composed and produced by Esther Venrooy in 2005. Commissioned 

by Happy New Ears with the kind support of the Flemish community. In 

1997, British maverick label Irdial-Discs collected a selection of socalled 

‘numbers stations’ or ‘spy stations’ recordings under the title The 

Conet Project. This plays like a ‘best of’ of more than 30 years’ worth of 

secret radio and contains fragments of American, German, Swedish 

and Russian transmissions. Belgian composer Esther Venrooy was 

given permission to work with the material and for the occasion of the 

celebration of 75 years of Belgian radio created a highly personal 

interpretation of the medium’s secret history. Using manipulated sound 

and collage techniques she manages to distill an abstract poetry of 

sounds and thereby succeeds in extracting some meaning out of these 

hermetic transmissions.K9 moved back into the combat area ‹ Standing 

now in the Chineseyouth sent the resistance message jolting clicking 

tilting through the pinball machine ‹ Enemy plans exploded in a burst of 

rapidcalculations ‹ Clicking in punch cards of redirected orders ‹ 

Crackling shortwave static ‹ Word falling ‹ Photo falling ‹ Break through 

in Grey Room Pinball led streets Free doorways “ [label description] 

“About nine years ago, Irdial Records released a four CD 'The Conet 

Project', collecting sounds from number stations, or spy stations: 

transmissions found on radio waves of various secret services. A great 

and no doubt worrying work, if you understand the consequences of it, 

but also a wealth of great sound. I believe it is not allowed to use these 

sounds at will (I forget what the fuzz was all about, but somebody got 

sued for sampling some of it), but Esther Venrooy asked and got 

permission to use the material to create a sound piece for Belgium 

radio, which existed seventy-five years. If one is familiar with the 

original 'Conet Project' recordings, then it's easy to spot all the original 

voices ('five - three - two - zero - five'), but Venrooy knows her classics 

in music, especially that of musique concrete: the sudden shifts in 

sounds, the gentle gliding electronic tones, but also incorporating a little 

melody at the beginning of the second side. There is nothing really 

frightening about these voices anymore, they are isolated from the 

original context, and placed in this new, abstract picture, where they 

become voices of the unknown. They no longer have their original 

meaning, but rather a new one. This is a more than excellent record, 

and by far the best work by Venrooy to date.” [FdW / Vital Weekly] 

* VISIONS – Celestial Sphere 10” (Angle Records A.R.10.02, 

2006) [lim. 270 copies] € 12.50 

Dass “dark ambient” auch auf Vinyl funktioniert, beweist dieses 10” 

Vinyl des kanadischen Projekts; mächtige kosmisch-schwarze 

Klangvisionen mit meterhoch hallenden Effekt-Partikeln, die 

aufgewirbelt werden wie kosmischer Staub... 

“Visions, or the thousand and one perspectives of the intersidereal 

infinite, transposed into sounds conjuring spherical images. 

Frédéric Arbour, with his Visions project, released the ‘’Lapse’’ cd in 

2005 on his own label Cyclic Law, and this album stands out as one of 

our faves of that year in terms of ambient music. So it’s not surprising 

that we were enchanted by the 2 unreleased tracks Visions submitted to 

us towards the end of that same year, and that we decided to make a 

10’’ maxi with those tracks. 

The sound themes and perspectives proposed within the 2 tracks are 

numerous, and they harmonize in a sublimely complex and thoughtful 

way. The main backdrop is composed of dark synthetic layers which 

stretch towards the infinite, and which welcome gradually, among 

others, sound motifs that are acoustically generated and that echo each 

other, reinforcing the effect of sound vortex into which the listener is 

dragged. Ethereal melodies accentuate the epic character of this 

odyssey into the unfathomable interstellar immensity. A release which 

will appeal to fans of dark-ambient, of course, but which will also delight 

fans of atmospheric music in general!” [label info] 

* VOLCANO THE BEAR – Classic Erasmus Fusion do-LP & 7” 

(Beta-Lactam Ring Records mt092b, 2006) [lim. 400] € 30.00 

Was soll man zu dem britischen Quartett VOLCANO THE BEAR noch 

sagen? Wer auf der Suche nach überraschender & neuer, (noch) nicht 

klassifizierbarer Musik ist, die nicht am Computer entsteht, muss hier 

einfach mal reinhören!! Ihre Musik mit Einflüssen aus Folk, Drone, 

Avant-Rock & Impro-Jazz ist nicht nur oft irgendwie “weird” und 

verquer, sondern weist auch streckenweise grosse harmonische & 

elegante Schönheit auf... wie immer ist vokales Material omni-präsent! 

Kommt im edlen Gatefold-Cover mit adäquater Artwork, lim. 400.... und 

wir haben einige Exemplare der Mailorder-only Version mit bonus 7” 

ergattern können!! Wenn diese ausverkauft ist, gibts nur noch die 

standard do-LP. 

“.... zeigt Antifolk flippernd zwischen Didgeridoo und Handy, 

Daumenklavier und elektrischer Störung, als Folklore des Absurden, die 

es fertig bringt, in raffinierter Unschuld zerebralen Goldstaub 

aufzuwirbeln..” [Bad Alchemy # 51]

„...Describing Volcano the Bear's music is about as difficult as 

identifying the instruments. The quartet's arsenal of gear is 

transcendant of time and space, culled from different cultures and 

different eras, from classically orchestral woodwinds (albeit sometimes 

just blowing through the mouthpiece) to African thumb piano, helicopter 

sounds, thunderstorm and rain and running water, medieval squeeze 

boxes, squeak toys, chirping or crying bird sounds, and Asian stringed 

things. While improvisation has been integral to the band's 

development, Volcano the Bear can always be counted on very coldcalculated 

and composed songs appearing on their official studio 

albums. Their arrangement is loose but never wanky or show-offey. 

Perhaps it's this lack of soloing and pretention that has kept them from 

appropriate recognition by some of the major experimental media in 

favor for a whole "free folk"/"weird rock"/"new weird America" 

obsession.“ [Brainwashed] 

“Edition of 400 copies. 2XLP on heavy 180 gram wax and heavy duty 

gatefold sleeve and bonus mailorder only 7". VTB have crafted a 

strange geometry in their musique concrete between celestial duck 

honks and what sounds like a flood in the living room, there are more 

than a few occasions of heads cocked at the speaker in mundus 

caninus. Of course, this bodes well for humans, too. Augmented by all 

the dog friendly moments is a double album of sprawling musical 

invention. Record one births gently into a lo-fi-adelic Comus-like saline 

that even might even win over the Devendra crowd, if the Devendra 

crowd had ingested just a little too much mushroom tea on that day and 

left their ironic trucker hats at the door. Song becomes fever dream and 

then pitches into a barren place of low estate and low chanting whose 

Residents might well be Eskimos. With typical minimalist pageantry, 

VTB mutate from piece to piece, punctuating along the way with 

surprise sounds that the aforementioned dogs love so well; the kinds of 

quirks that make Nurse With Wound and P16.D4 records such fun 

listens. VTB spin some very melodious tales, which are subliminally 

hooky, after a fashion. Spiritual and surreal are sisters. Quiet ritualism 

queues with dadaistic and with progressive harmonies, together on the 

same fractured, out world, sing-along journey. And that's just record 

one. Record two crawls slowly from the echoey ooze, grows legs and 

then presents as a different and, in many ways, more dramatic creature. 

A long, shifting organ drone becomes a deeply psychedelic statement 

that bleats loud and strong like an acid bleached Spiral Insana or a 

sneaky This Heat.” [label info] 

* VON HAUSSWOLFF, CM – Operations of Spirit Communication 

7” (Die Stadt DS31A, 2006) [ed. of 500] € 8.00 

Die späte Begleit-Single zur LP.... 

“Two unreleased tracks recorded in 2006. This 7 inch is meant as a 

companion release to the repress of DS31. It comes in a full colour 

sleeve reproducing the original artwork of the LP. 500 copies on clear 

vinyl.” [label info] 

* VON HAUSSWOLFF, CM – Operations of Spirit Communication 

LP (Die Stadt DS31, 2000/2006) [ed. of 500] € 15.00 

Kleine Nachpressung dieser gesuchten LP, basierend auf Electronic 

Voice Phenomena ! 

“Sehr meditatives neues Album des ex-PHAUSS und RADIUM-label 

Betreibers aus Stockholm, langanhaltende & dicke statische Drones 

werden hier erschaffen, in die sich geisterhafte elektronische Effekte 

mischen..."The entire piece on this vinyl only release is dedicated to the 

research of Friedrich Jürgenson a swedish artist and researcher who 

recorded 'the voices of the dead' from the radio with his tape-recorder." 

[Drone Records info 2001] 

“Small repress of the classic album from 2000 which is partly based on 

(and also dedicated to) the work of Friedrich Jurgenson who recorded 

the «voices of the dead». Gatefold cover. Clear vinyl. 300 copies.” [label 

info] 

* WÄLDCHENGARTEN – The Leech 7” (Drone Records DR-81, 

2006) [ed. of 300] € 6.50 

Erstes Vinyl für das dänische Duo, die hier ihre besondere Version von 

noisig-organischen Schwerkraft-drone ausbreiten, Sounds die mit 

dunkler magnetischer Anziehungskraft ausgestattet zu sein scheinen... 

„WÄLDCHENGARTEN is a danish duo from Aarhus that could be best 

described as “noise ambient” or “raw / harsh drone” in what they do. 

After some already very promising releases (i.e. a CD in the Desolation 

House-series of Relapse Recs) this is their very first vinyl. Their music 

on #The Leech# is very raw and filled with tiny noisy outbursts, at the 

same time ultra-sluggish & powerful. Low whistling feedback & pure 

electronic whirl-tones are omnipresent, everything seems to gradually 

sink to an alien center of heavy gravity like an organic entity that is 

slowly sucking energy while everything around is pulsating and 

rumbling in menacing cascades... this is dark, but its a darkness of 

sheer beauty. Filed under: heavy-gravity drones. DARK VIOLET VINYL. 

BLACK COVERS WITH SILVER SILK-SCREEN PRINT.” [label 

description] 

* WALLS, BRENDAN – Outposts LP (DOM Bartwuchs 07, 2006) 

[ed. of 300] € 18.50 

Neuer Release des australischen Experimental-Drone-Atmosphärikers ! 

“.... Sehr düster illustriert mit nächtlichen Landschaftsbildern, breiten 

sich dröhnminimalistische Klanglandschaften hin. Man kann sie in der 

Dunkelheit nur ahnen, eine horizontlos gähnende Abwesenheit von 

Raum und Kontur, schlafende Steinwüste in einer mondlosen Nacht. 

Bis man sich allmählich einfühlt in diese Beinahestille, die sich selbst 

ein sanftes Wiegenlied summt, mit weichem Gedonge in der bebenden 

Finsternis. MIRROR und MONOS sind in ähnliche Dreamscapes 

eingetaucht, solch gedämpft rumorende, grollende Dröhnwelten aus 

Umbra. Raum und Zeit verschwinden im dem letzten Tageslicht, Klang 

und Melancholie beherrschen die Nacht.” [Bad Alchemy #51] 

"Brendan Walls' first release as a solo artist since his 2002 Cassiafistula 

CD (Idea Records). Brendan has been active in the Australian music 

scene for over 10 years and has also worked with Oren Ambarchi, Greg 

Turkington, Mirror, Daisuke Suzuki and others. In its two parts that 

cover an LP side each, Outposts creates a dream-like motion from 

distant drones of vaguely defined shape towards totally disembodied 

sound. The question of what is creating the sounds the listener is 

perceiving becomes more and more oblivious in the course of listening. 

Outposts is also the first release on the DOM Bartwuchs label since the 

1994 TNB/Organum Wreck LP and is now being pressed in an edition 

of 300 copies." [label description] 

* WERKBUND – Weit draussen LP (Walter Ulbricht Schallfolien 

WULP026, 2006) [ed. of 500] € 17.50 

“This is the first new full-length in over six years by the mysterious 

Werkbund, who were one of the leading lights of German industrial and 

experimental music in the late eighties and early nineties. Werkbund 

are so mysterious that I’m not even sure whether to refer to 

them/him/her as singular or plural, so I shall play it safe and soldier on 

in the plural. Weit Draussen, which is slang that translates roughly as 

“Out There,” finds Werkbund exploring familiarly dark musical territory. 

The record opens with a gently repeating, asymmetrical pattern of 

organ tones, which, after a time descend abruptly into near chaos, as 

sounds cascade like a waterfall before settling down and allowing the 

initial pulses to return. In the pieces that follow, Werkbund draws you 

deep into such alien environments and noisy, shimmering spaces. The 

final track, “Grau das Meer, schwarz die Inseln,” (Green is the Sea, 

Black is the Island) which fills the album’s second side is a particularly 

evocative and engrossing soundscape. The piece emerges at a snail’s 

pace out of near silence, as Werkbund carves out a echoing, cavernous 

space, populated and punctuated by murmuring voices and burbling 

water, and whose near calm is periodically all but swept away by 

rumbling, tidal surges of sound. In the past, the peculiar metallic liquidity 

of Werkbund’s electronics has led to much speculation that Asmus 

Tietchens must somehow be involved, but, ultimately, their starkly epic 

soundscapes are rather different from much of Tietchens’ varied work. 

In any case, Weit Draussen lives up to its name and is truly far out in 

the best sense of the term.” [Rare Frequency] 

* WHITMAN, KEITH FULLERTON – Antithesis LP (Kranky 

KRANK064, 2004) € 14.00 

„Antithesis (Kranky, 2004), a mini-album again credited to Keith 

Fullerton Whitman, collects four unreleased pieces composed between 

1994 and 2002: the droning trance of Twin Guitar Rhodes Viola Drone 

(1994), the beehive nebula of Obelisk (1997), the minimalist undulations 

of Rhodes Viola Multiple (1995), the guitar psychedelia a` la early Pink 

Floyd of Schnee (2002).“ [Scaruffi com] 

"An LP-only release of material from Keith Fullerton Whitman's archives 

that doesn't fit aesthetically with his upcoming Multiples studio album. 

The theme for the album is 'ensemble works', that is a combination of 

instruments played by Whitman himself with no computer interaction. 

Each piece was recorded in one of the different apartments Whitman 

has rented since he lived in Boston." [label info] 

* WOLF EYES – The Driller 12“ (Sub Pop Records SP 721, 2006) 

€ 9.50 

Zwei klasse „grinding ambient noise“-tracks, schwelend und rauh, mit 

dehumanisierten Vocals und ultra-slowen Riffs & entsprechend 

schleppender Perkussion. Düster und deformiert, eben: bohrend! 

Dark & deformed grinding industrial ambience, on one side with dehumanized 

„vocals“.. great stuff that reminds on early raw Industrialgroups. 

* Peter WRIGHT – Air Guitar 7“ (Drone Records DR-82, 2006) 

[ed. of 300] € 6.50 

Neuseeländischer Gitarren-Drone pur vom Wahl-Londoner PETER 

WRIGHT, Musik wie ein Tagtraum, der mit delikaten Obertönen & 

Resonanzräumen aromatisiert ist...

„Welcome to the Dance of Overtones! New Zealand's PETER WRIGHT 

(residing for some time in London, UK) has raised a reputation over the 

last few years with his music built mainly by guitar & field recordings. 

This 3-piece EP #Air Guitar# consists of little fluxion-mantras, made by 

waving guitar-overtones & sounds of air & water, with little additional 

sounds of daily room-noises. Ultra-minimal & harmonic, but with a 

certain raw directness & concreteness that creates a unique 

atmosphere, these wonderful over-tonic vibrations & sounds seem to 

tell little stories or daydream-phantasies... Filed under: Guitar-Mantra 

drones. BEAUTIFUL STENCIL-COLOURED SLEEVES (ORANGE / 

WHITE / BLACK). ORANGE VINYL & ORANGE INLAYS” [label 

description] 

1.1. VINYL COMPILATIONS 

* FLUXUS ANTHOLOGY VOL.1 do-LP (Slowscan Editions Vol. 

17A, 2004) [lim. 350] € 36.50 

Lim./numb. 350 re-release of parts of the Fluxus Anthology 8 x MC-box, 

with EMMETT WILLIAMS, JOE JONES, AL HANSEN, AY-O, etc.. 

material ranging from 1960 up to 1998. Gatefold cover. 

* NO NEW YORK LP (Lilith Rec. , 2005) € 16.50 

Lim. Vinyl-version of this re-release of the cult avant-punk sampler !! 

“One of the brightest and most famous projects of the entire punk/new 

wave scene, No New York was released in 1978 on Island's sub-label 

Antilles and became a total cult in the indie scene. Featuring some of 

the most incredible rule breaking bands of the underground New York 

art and music scene, the project - strongly pursued by Brian Eno - is a 

genuine snapshot of the massively creative NY scene, from which 

innumerable trends started and became part of the modern pop music 

as we know it. Influential, powerful and ground breaking, this collection 

features four of the top icon shattering Gotham City's no-wavers like 

James Chance, (CONTORTIONS), Arto Lindsay and Ikue Mori (DNA), 

Lydia Lunch (TEENAGE JESUS) and Sumner Crane (MARS). If you 

missed the original it's time to get your hands on this reissue. The CD 

digipack version includes a detailed booklet.“ [Label info] 

NOT ABLE TO ORGANIZE do-10” (Multi National Disaster 

Records MNDR 2002) [lim. 399 copies] € 16.50 

”Noise is the only phenomenon that will NEVER be commercialised” 

behaupten RECTAL SURGERY in ihrem Manifest zu dieser do-10” 

Compilation. In der Tat gibt es 25 Jahre nach der ersten Industrial- 

Welle immer noch Compilations wie diese in Kleinstauflagen und D.I.Y- 

Manier! Zu finden sind hier gesellschaftskritische, kulturpessimistische 

und apokalyptisch ausgerichtete Noise-Projekte aus deutschsprachigen 

Landen.. 

Industrial and power electronics-Compilation on a german label giving a 

good survey about the german industrial underground at this time: 

DIKTAT, AXON NEURON/VAGWA, ASCHE, IRIKARAH, DL, ARS 

MORIENDI (old track from 1990), SRP, RECTAL SURGERY, 

WUTANES HEER, TOLE ACHE. “Destroy some structure in your life, 

produce & consume noise 24hrs daily.” 

BETTER PRICED NOW ! 

* UNTIL HUMAN VOICES. WAKE US AND W E DROWN 5 x 10”- 

Box (Rune Grammofon RLP 2050, 2006) € 75.00 

Sammler-Edition zur 50igsten Veröffentlichung des erfolgreichen 

norwegischen Labels ! Fünf 10“-Platten in eigenen Covern, 16 seitiges 

Beiheft, Box, lim. 1000. 

“the label rune grammofon celebrates 50 releases with this collection of 

19 tracks from their catalog, showing the variation of music they have 

put out since their first release in january 1998. this committed, 

consistent label seeks to document the development of the most 

creative and adventurous young norwegian talent within the areas of 

electronica, improvisation, ambient, free music and most things inbetween 

and beyond, promoting a scene that is finally getting the 

international recognition it deserves. this compilation spans the timeless 

melancholia of fartein valen, the pioneering electronic music of arne 

nordheim, the magical pop diamonds of susanna and the magical 

orchestra to the restless youth improv that is moha!, taking in some 

traditional music, free rock, jazz, ambient, contemporary experiments 

and various shades of electronica along the way. some are 

cornerstones in the catalog, but this is not a "best-of" collection -- this 

compilation seeks to show the different aspects of rune grammofon 

while still displaying each record's common theme or base. there are 

five 10" vinyl records, all in their own sleeve with an exclusive kim 

hiorthøy design, as well as a 16-page catalog, also specially designed 

by kim that includes a descriptive overview of the first 50 rune 

grammofon releases. all come in a nice cardboard box, also designed 

by kim. being limited to 1000 copies, this is bound to be a collector's 

item in no time, not only because of the limited aspect but also because 

of the fantastic design work at show, quite possibly the best record 

design work kim has ever done” [label info] 

* VERFASSUNG LP (Hörbar Hamburg, 2005) [ed. of 300] 

€ 13.00 

Erste „offizielle“ Compilation des HÖRBAR e.V. aus Hamburg! 

Enthält 14 Stücke der Mitglieder, die das grosse Spektrum der 

derzeitigen experimentellen Musik fast abdecken, von dröhnminimalistischen 

Sphären über cut-up & Collagen, musique concrete 

und Impro bis zu post-industriellem Noise, mit Y-TON-G (ex PARA 

NOISE TERMINAL) und TBC sind auch zwei Drone Records-Vertreter 

dabei, aber auch sonst durchweg hochklassiges Material von u.a. 

EVAPORI, [HYPH]; AUDIBLE PAIN, INCITE, GREGORY BÜTTNER, 

SONATA REC und natürlich darf ASMUS TIETCHENS nicht fehlen. 

“On the newly released vinyl LP "Verfassung" (German for "state" or 

"constitution") 14 electronic tracks by 14 musicians and projects can be 

heard. The music includes all styles of experimental electronic music: 

minimal to noise, musique concrète, improv, cut-ups and collages. 

The record not only shows the current state of the experimental music 

scene in Hamburg, despite the different individual approaches and 

styles it creates a musical flow, offering a diverse and exciting listening 

experience. All musicians on the record are members of the "Hoerbar" 

(German for "audible" and "listening bar"). For over 10 years it has been 

an important meeting point for producers and consumers of 

experimental music in Hamburg, Germany. Once a week a lively 

exchange between composers, musicians, labels and collectors takes 

place. Once a month local and international musicians are invited to the 

"Unüberhörbar" concert (German for "unignorable"), among the guests 

have been Jim O’Rourke, Hafler Trio, Keith Rowe, People Like Us and 

many others.” [label info] 

"the audible VERFASSUNG of our loosely organized group of 

producers [called HOERBAR] is being reflected by this audio document, 

which is representative but cannot be complete.some children, 

grandchildren and great-grandchildren of those courageous explorers of 

electroacoustic music continued walking on analogue and digital paths, 

avoiding the academic castles of compulsion and the sweat-moistened 

dancepalaces, being driven by furious excitement to add something 

personal to the pool of established aesthetic strategies. knowing that 

the wheel cannot be reinvented is not a cause for resignation or for 

becoming Epigones, but made us develope our ambitions to learn from 

historic achievements so that we can walk upon new roads and even 

stray with our heads up. so, the electroacoustic VERFASSUNG 

[constitution / condition / circumstance / state of mind] compiled by 

hoerbar hamburg manifests the whole spectrum between the righteous 

ponderer‘s efforts and the unconcerned homo ludens‘ arabesques. we 

will go on." [Asmus Tietchens] 

“Ah the classic format of compilation LP, with booklet. It looks retro, 

very 80s like, but it's 2006. The Hörbar in Hamburg is an organisation 

that puts on concerts, mainly in the B-Movie cinema. Hörbar is mainly 

run by musicians, who work as volunteers, doing the sound, the bar and 

the door. Every week they meet up and do something. Now Hörbar also 

acts as a label, and this compilation is the first release. Of course it 

features music from the people that make up the Hörbar organization. 

The good thing is that it holds many musicians I never heard of, such as 

Pizza Ni Ni, Renoise, Margitt Holzt, Guy Saldanha and Ebinger, sitting 

next to somewhat more known locals such as Evapori, Gregory 

Buettner, Sonata Rec, [Hyph-], TBC, Incite and Y-Ton-G. Of course the 

biggest star from Hamburg, Asmus Tietchens, is also present, with the 

most silent and reduced piece of the lot. What can be noticed that there 

is a fair amount of noise material on this record, such as TBC, Guy 

Saldanha and Audible Pain. Margitt Holzt and Incite represent the 

rhythm side of this bunch, whereas Tietchens has his own followers 

such as Gregory Buettner and some seem to follow their own track, 

such as the curious piece by Ebinger (who he?). Evapori and Sonata 

Rec play pieces that are a cross over between the world of Tietchens 

and the underworld of noise. The most curious piece is by Pizza Ni Ni, 

entitled 'E', it seems just the one time strumming of an E chord on the 

guitar. A booklet describes the pieces and has a bunch of nice quotes. 

Limited to 300 copies - that is the final trick from the 80s, make a few 

and create a rarity!” [FdW / Vital Weekly] 

Address: http://www.hoerbar-ev.de 

* YOKOMONO 02 LP (Staalplaat, 2005) € 12.50 

Second part of the YOKOMONO – series ! 

Again 110 loops on this record, 55 by Staalplaat Soundsystem, the rest 

was made by: Anton Nikilae, Carl Michael von Hausswolff, 

Charlemagne Palestine, Christian Fennesz, fm3, Ignaz Schick !! clear 

vinyl and looks realy arTy !

2. CASSETTES 

sorry, no new entries ! 

3. CDRs 

* AMK - ps. Heddenfield do-mCD-R & object (Recordings for the 

Summer rfts nr. 160, 2006) [ed. of 32 copies] € 15.00 

Hyper-obskures, total unförmiges “Objekt-Cover”: ein bestempeltes 

Taschentuch (inkl. 2 mcdrs) hängt mit Bindfaden an einem Gips-artig 

aussehenden, schmalen viereckigen Objekt. Die Musik von AMK ist 

nicht weniger ungewöhnlich, stammt auch sie von selbstgebauten 

“Vinyl-Objekten”, die sich repetitiv überlagernde “found-sound” Noise- 

Orakel erzeugen, kleinste Schnipsel von Uralt-Platten kreisen trashend 

im Raum..... 

“I start discription with gx jupitter-larsens own words: A.M.K. uses, as 

his only sound source, the montage. his montages are flexi-discs that 

he cuts up and recombines and then plays on regular turntables. even 

his CD releases sound just like broken records. A.M.K. started to cut up 

readymade flexi-discs in 1986. eleven years later he would start to 

record and release his own limited-edition flexi-discs for the sole 

purpose of montaging them. (exerpt from NOISE AND THE NOISIAN 

by gx jupitter-larsen) 

I don’t want say more, gx’ text is a good exemple for how AMK work. 

this 2 small cdrs contain 10 tracks with different characters. 

both cds are in small white paper with stamps and tie to a different-size 

white painted object made from cardboard and sheet of cloth. sizes 

ranging from 35x6 to 17x4 centimetre. no label-informations, only the 

tracklist and AMK stamped. edition of 32” [label descriptions] 

* ANOFELE & LOGOPLASM – Gravescapes mCD-R (AFE 

Records afe071mcd, 2006) € 8.50 

Für field recording-Fans höchst empfehlenswert: Zwei italienische 

Projekte mit Aufnahmen aus einem unterirdischen Kloster-Tunnel, der 

mit Steinen, Stöckern & Knochen übersät war… auf der mini-Cd 

befinden sich drei Stücke, je eines mit den Bearbeitungen von 

ANOFELE und LOGOPLASM, und einmal die Originalaufnahmen. 

Geheimnisumwitterte Geräusch-Trips voller steiniger Details… 

“We are happiest to bring you this collaboration between Anofele 

(Adriano Scerna, better known as one half of the italian experimental 

duo Kar) and Logoplasm (Paolo Ippoliti and Laura Lovreglio from 

Ariccia, Rome) which comes in the form of a 3" MiniCD-R. 

Logoplasm didn't release any music at all during the last few years, so 

we are particularly glad to be part of their return to the scene, and we're 

truly hoping that this won't remain an isolated episode. 

"Gravescapes" is a very particular release whose origins starts back in 

2003 during a week-end in springtime, when Adriano, Paolo and Laura 

got almost lost in the woods of Central Italy, after a visit to a local 

theravada buddist monastery. 

As they were walking around the monastery, at some point the trees 

disclosed the ruins of what instantly appeared like an abandoned 

graveyard bearing the signs of an awful lot of time and almost 

completely overgrown with weeds. 

Underneath the graveyard they soon discovered a short subterranean 

tunnel. The tunnel was slightly illuminated by the piercing sunlight and 

their curiosity won over unrational fears, so they decided to explore it. 

Inside the tunnel they found a few open loculi which contained small 

heaps of human bones. More bones were spreaded on the ground 

along with stones, sticks, branches, etc. 

They took some recordings with two portable MiniDisc machines, using 

their discoveries as the main sound sources. Such recordings were 

subsequently manipulated and assembled using computer technology 

and softwares, and turned into "Gravescapes". 

"Gravescape One" is Anofele's rendition of the original recordings, 

which is presented as "Gravescape Two". "Gravescape Three" is 

Logoplasm's take on the same source material.” [label info] 

* ARABELLA’S PARADE – Static infinite CD-R (Evelyn Records 

eve02, 2000) € 7.00 

Very early release on UK’s Evelyn Records, a label with a similar 

approach as Drone Records. ARABELLA’S PARADISE works with 

radio-waves and creates a kind of low-fi shredder-ambience, very pure 

and bony noises… absolutely last copies ! 

“pure, untreated radio waves recorded between 1995 and 1999 in 

various parts around england. forms a brief document to the infinite 

range of harmonics that exist in the atmosphere, and includes dense 

white noise, blank drones, minimal ethereal static and morse 

messaging.” [label info] 

* ARABELLA’S PARADE – Evelyn Ambient Series Vol. 1 CD-R 

(Evelyn Records eve03, 2000) € 8.00 

Very early release on EVELYN, two very quiet and meditative waving 

tracks made without computer or synths... 

“bowed string composition, low-end bass rumble and rainstorm/voice 

recordings, with added delay pedal and guitar by karina ESP.” [label 

info] 

* BAKER, AIDAN – Traumerei CD-R (Evelyn Records eve27, 2005) 

€ 8.00 

Ungewohnte Instrumentierung auf dieser CDR für AIDAN BAKER, denn 

neben E- und Bassgitarre kommen auch Flöte, Violine und 

Konzertgitarre zum Einsatz. Auf fünf Stücken modifiziert BAKER 

klanglich als auch in der Titelgebung das „Traum“ – Thema, mit ganz 

unterschiedlichen Ergebnissen, von sanften ambient & loops bis hin zu 

gefährlich anschwellenden Monumental-Drones. Einer seiner besten 

CDRs bisher, leider gibt’s auch davon nur wenige…. 

“In this release, the always prolific Baker changed a bit of method as 

the five tracks of "Traumerei" are each played on a different instrument 

replacing the usual haze of electric guitar drones, here represented only 

by the title track. "Reve" superimposes slow flute melodies with a 

sapient choice of dynamics, recalling ancient rituals and amorphous 

ectoplasmic entities. The more mechanical character of "Reversion" for 

acoustic guitar is followed by a towering monster of low-frequenciescum-distortion 

in a pretty atypical bass piece called "Trauma". Aidan 

saves the best for last: "Reveiller" sees him manipulating a violin with 

masterful sensitiveness in a series of glissando layers and string plucks 

which form the basement of the album's best track, a cross of eastern 

trance and luminous contemplations. "Traumerei" closes the show 

Baker-style, its gentle guitar arpeggios and sinuous looping developing 

into cathedrals of clouds and strangled cries for help.” [Evelyn Records] 

* BAKER, AIDAN – Dog Fox Gone to Ground CD-R (AFE 

Records afe077lcd, 2006) [lim. 100] € 12.00 

Auch “Dog Fox” basiert auf fein gewebten, langsam wellenden Endlos- 

Delay Gitarren-Klängen, meditativ und ruhig wie ein Traum-Ozean... 

eine warme Hypnose... ganze hohe einzelne Töne tänzeln im Klang- 

Perfum... kommt mit sehr schönem full-colour cover. 

“Canadian artist Aidan Baker is probably one of the most prolific 

experimental musicians around, exploring the deconstructive sonic 

possibilities of the electric guitar as a primary sound source, creating 

music that ranges from experimental to post-rock to contemporary 

classical. Since year 2000 he had an impressive number of releases 

spreaded worldwide through various well-known and respected labels: 

S'agita Recordings, Mystery Sea, Taâlem, Le Cri de la Harpe, Drone 

Records, Die Stadt and many others, including his own Arcolepsy 

Records. "Dog Fox Gone to Ground" is Aidan Baker's first release on 

Afe. It was entirely and spontaneously composed, performed and 

recorded in mid 2005 using only acoustic guitar and real time effects, it 

doesn't contain any overdubs or other studio tricks. 

This fifty minutes work is divided in five parts lasting from seven to 

fourteen minutes each. "Dog Fox One" starts with sparse pluckings that 

get denser along the way as notes are multiplicated by delay. In the 

meantime a low drone slowly rises from the background bringing in 

some tension. "Dog Fox Two" begins as a classic guitar track where 

gentle arpeggios and phrases are joined by looped effects and long 

sustained notes that gently fade into "Dog Fox Three". 

The third part of "Dog Fox Gone to Ground" is constructed on simple 

but very effective guitar loops and is a very nice example of the 

evocative mood of the whole disc. More and more delicate sequences 

are added to the mix until we reach "Dog Fox Four", a long experiment 

based on reiterated notes and background drones, noises and 

distortions. Clocking in at fourteen minutes, "Dog Fox Five" is the 

longest track of the disc. Its minimal guitar loops and drones create a 

subdued peaceful microworld which explodes in highly pitched bowed 

notes at the end. A wonderful closing number for a very good guitarbased 

experimental album.” [label info] 

* BARDOSENETICCUBE – Bad Heaven CD-R (Ostroga OTR-006, 

2006) [lim. 222] € 10.00 

Dunkel und äusserst sakral, mehrstimmige Kirchenchoräle versinken im 

Drone-Morast, Glockenmantras, Stimmen, industrielle Soundeffekte... 

wieder drone-ambient in ekstatischter Form !! 

“Dark drone ambient, dedicated to the theme of Russian orthodox 

church. Choirs, bell ringing and meditative drones. Limited to 222 

copies in full-colour sleeves. Cover is a reproduction of an icon found in 

the deserted village near the Ural. Inserts - burnt images of oppressive 

sky over the doms of Russian churches - photos made by Noises Of 

Russia.” [Zhelezobeton] 

* BIANCHI, MAURIZIO (MB) & SIEGMAR FRICKE – Endokraniosis 

CD-R (TIBProd tibcd65, 2006) [lim. 150] € 9.00 

Der schon seit den 80er Jahren in der experimentellen Tape-Szene 

aktive SIEGMAR FRICKE (als BESTATTUNGSINSTITUT und mit 

D.S.I.P., etc.) ist zurück und hat mit M.B. einen Soundtrack zur 

klinischen Welt von chirurgischen Medizinmaschinen, Magnetresonanztomographien 

& Bakterienbefall kreiert, zusammengesetzt aus

adiologischen Elektrowellen, Röntgensounds und anderen 

Originalsounds aus dem Klinikalltag…. das Gebräu besteht aus 

langgezogenen Drones, klinisch-kühlen Sounds, tiefen Pulsationen im 

Untergrund und ist von einnehmender Sterilität…. ein angemessen und 

überzeugend umgesetztes Konzept, welches die Atmosphäre westliche 

Apparate-Medizin verdichtet. Ca. 65 Minuten, 4 tracks. 

“THE RECONCILING FLUIDIFICATION OF THIS CLOTTED AND 

RAREFIED "ENDOKRANIOSIS", CONCEIVED AND REALIZED 

DURING THE SURGICAL HALF OF 2005, IS PROFANING THE RIGID 

STOICISM OF OUR ENDOSCOPIC WICKEDNESS. TO 

RECONSTITUTE AN EDUCATION ORTHODROMY,THE 

NEUROPATHIC INTERFERENCE WEAKENS THE CLINICAL 

FANATICISM, WHILE A DICHROMATIC DECONTAMINATION 

ACCUSTOMS THE AGORAPHOBIC ATOMICITY. THE CAPTIOUS 

DYSPHORA GURGLES IN THE OPPOSABLE CIRCUMSPECTION TO 

PROPOSE THE RECALCITRANT ERYTHROSIS.ITS 

EXTRAORDINARILY VEHEMENT AND VULCANIZING, BECAUSE ITS 

MUTANT MANIPULATION HAS BEEN CELEBRATED ON THE 

CONTRADICTORY BLASTOGENESIS. ANOTHER ALTRUISTIC 

CARCINOMATOUS SICKNESS? OR IS IT SIMPLY A RUDIMENTAL 

OSCILLATION IN THE MAJESTIC VIROLOGY?” [preface by MB] 

* BIG CITY ORCHESTRA – Airre CD-R (Entr’acte 27, 2005) 

€ 11.00 

BCO (named here “Big City Orchestrairre”) are back again with another 

surprising release, for the amazing new british label ENTR’ACTE. 

Unusual instrumental sounds & loops (lots of guitar sounds), found 

music & radio-material, quasi-rhythmic structures, something like an 

oriental touch, every piece is different – and there are a lot! Oscillating 

between dark atmospheres, odd “somethings” and a mind-expanding 

“funnyness”… Again very original, almost undescribable, BCO continue 

to excite us !! 

* BJERGA / IVERSEN – Collaborations do-mCDR (1000+1 Tilt 

Recordings, 2004) € 6.00 

Das norwegische Duo von ANDERS BJERGA (auch aktiv als FIBO 

TRESPO und mit seinem Label HUMBUG) und JAN-M. IVERSEN (er 

betreibt das DIY-Label TIBPROD) veröffentlichen zur Zeit viele “kleine” 

CD-Rs auf diversen Underground-Labels weltweit. Diese zwei mcdr in 

selbstgemachter Hülle enthalten exzellente, dunkel-atmosphärische 

Noise-Improvisationen, erodierende Dronescapes & field recording- 

Einmischungen.... etwas obskur & weird und immer mit Hang zum 

Ungewöhnlichen.. 

“bjerga (Fibo Trespo) and iversen (Tibprod) from Norway, join ideas and 

forces. their collaboration results in 4 tracks of harsh droning with dense 

and full textures” [label info] 

* BJERGA / IVERSEN – White lights from the deep north CD-R 

(Paha Porvari Records prec004, 2005) € 7.00 

Great one-tracker (ca. 35 minutes) with finest experimental ambience 

(rec. Nov. 2004) from this creative duo, using electronics, amplified 

objects & effects in an improvisational way. On a new sublabel from 

NANINANI. Full-colour cover. Probably a tiny edition again, so act fast if 

you’re interested ! 

* BJERGA / IVERSEN – Dragging words out of a stone CD-R 

(Gold Soundz GS44 / Tibprod TIB#68, 2006) [lim. 47] € 6.00 

Tour-Benefit CDR for their European Tour March 2006. This is low-fi 

mechanical-feedbackin’ & vibrating atmo-noise with a kind of “New 

Zealand”-feeling. Only 47 made, numbered ed., oversized cover. 

* BJERGA / IVERSEN – Earth Pit CD-R (Barl Fire Rec. BF011, 

2006) [lim. 100] € 6.00 

Rarer Release des kreativen Duos, wenige da ! 

“After their six volume "Lighthouse Tapes" series the Norwegian 

noise/drone duo Bjerga/Iversen head inland to offer up this mudspattered 

sonic dichotomy that blurs the boundaries between what is 

considered organic- and machine-driven music. Metallic squeal, 

electronic collages and earthy drones sit side by side and find their coresonant 

frequencies lending "Earth Pit" a life-pulse to its soiled and 

rusted tones. "Earth Pit" comes housed in vinyl slipcases with coverart 

featuring the mudpools at Rotorua New Zealand by Richard Seaman, 

and is limited to 100 copies.” [label description] 

* BLACKHUMOUR / GX JUPITTER-LARSEN - Xylowelle CD-R 

(Recordings for the Summer rfts nr. 151, 2006) [lim. 86 object 

cover] € 10.00 

Überraschende Split-CDR der Voice-Only-Tape-Legende 

BLACKHUMOUR und dem Radikal-Perfomer GX aka HATERS. 

Ein sehr kurzes, typisches BLACKHUMOUR-Sprach-Cutup-Stück am 

Anfang (es bleibt unklar ob das neues Material ist oder etwas aus dem 

Archiv), danach minimales elektronisches Fräsen, welches sich in 

loopiger Bewegung ins Hörfeld summt.... ultra-minimal, kein noise, aber 

disturbing as anything! Kommt im Brottüten-Müll-Cover, each one 

unique! 

“....Each of the packages contains a found object from the street or 

empty places, all collect over the last +5 years (friends of mine know 

what I mean! never planned for this release, but I like that I don’t use it 

for other art or releases. in each paperbag is for example a old and 

fucked up: tin can, piece of dirty rubber, plastic or cloth, or just old 

paper. Both, the object and the paperbag are wrapped in plastic bag. 

The cdr is outside on the plasticbag. 

blackhumour is playing a +3minutes track called: xylowave, gx jupitterlarsen 

following with: xylowelle in over 50 minutes. very unique stuff 

from a soundpoet and a boy who build his own world to look through! 

For everyone who don’t know much about blackhumour, here is a selfdiscription 

from Frazer Hall/blackhumour: 

the blackhumour audio project had its beginnings in early 1982 with the 

first few experiments i was doing on my teac 4-track reel-to-reel 

recorder. the resulting early pieces were not so good, but some of the 

pieces which were done with my then audio-partner, somebody else, 

were successful. two of these pieces, 'murder', and 'trade and 

commerce', are included in the retrospective of early bh work, radical 

positive (banned productions). this release also shows the evolution of 

the blackhumour approach away from treatment/effects techniques of 

any kind, such as equalization, reverberation. flanging, echo, etc., and 

the choice made by blackhumour to use as its sole sound-construction 

source the use of 'found-object' human voice only, with the exclusion of 

such tape techniques as speed-masking (speeding up or slowing down 

the sound of the voice) or back-masking (the notorious technique of 

playing the voices backwards). since 'snakes in an atheist's grave 

(1984), NO blackhumour piece has used anything other than found 

object (spoken) human voice and editing techniques. (since 1986, 

digital editing has been included, thanks to inexpensive digital 

sampling.)I wanted the sound source to be absolutely basic. the human 

voice speaking was about as basic as i could get. The rationale being 

that we are constantly hearing speech, whether it is from others, or 

simply the sound of our own voices in our ears.” [label info] 

* BLACK SUN PRODUCTIONS – Musick for Porn Vol.2 CD-R 

(Anarcocks.com ANACDR02, 2005) [lim. 100] € 15.00 

Rare VÖ auf dem Black Sun–eigenen Label, als Soundtrack zu 

homosexuellen Praktiken gedacht ! Wenige Kopien da! 

"What really comes across is that no matter how extreme the practice or 

how peripheral it is to many people, there is no denying the potency of 

the male sexual urge expressed between two men. Within the musick 

there is an obvious, strong current of near tantric fucking but more than 

that there is a celebration of the sacred, the touching of the holy within 

while getting deep down and dirty. 

It's musick for the Church Of Body. There is a powerful technotic, 

entrancing pulse that runs through the session dancing between the 

sacred and the profane. Sometimes there is a strong tribalistic rhythm, 

at others a granular flicker of the taste of electrickery." 

[Darius Akashic, Crooked Stylus] 

Massimo and Pierce are best known (unjustly) as members of the late 

Coil’s live touring outfit during 2002. As the semi-naked, bloodied and 

washed-out Ghost Boys, their iconic and deeply physical on-stage 

presence is rooted in the world of Coil and their fans, and their 

increasingly individual and eclectic output has both suffered and 

profited from the connection. Listening to Musick for Porn Volume 2 (or 

indeed, Volume 1), however, reveals a much darker sexuality than their 

mentors' beaten path. 

This release has dungeonesque, dark gothic sweeps just like the first 

volume, but appears to be a leaner, prettier beast. Volume 2 relies more 

heavily on ribcage rhythms than the dislodged electronic moods of its 

predecessor. The Neubauten beat of “Boot Boys” explores the idea of 

rhythmic panning, the whole track underpinned with a hooded drone as 

is shunts left to right. This song’s bondage bells give fetishist 

visualizations to the duo's already clear need and sexual thrust. 

The almost flinch-causing slaps on “The Hole” take that one step 

further, wrapping the tempo in secluded moans and exhalations. The 

bubbling, electric thread that trickles throughout adds to the feeling that 

flesh and sex are merely feet away from the mic, and therefore, your 

speakers. The empty reverb conjures images of a church, or a cell, 

drawing obvious analogies between this couple’s personal relationship 

and physical love. 

Most of the music here mines strata of shady murmuring drones and 

almost combative drums, hovering on the edge of frantic release. Like 

some form of pagan ceremonial music, these rebounding beats build 

into little looping, twisting prayers. “Another Ride” has a little oriental 

twangy insistent hook, while “The Bathtub” is infused with sweetly 

dropping diamond tears of water, yet under both lies a fleshy metal 

looping cartilage of unpleasant sound. 

The conclusion of most ‘male orientated’ pornography is pretty obvious, 

but Massimo & Pierce end this journey slightly differently. “Final 

Coum/Another Mohawk” is an inverse aubade, welcoming in the

mystery of the dark instead of the comfort of dawn with orgasmic moans 

and eerie 1980s synth hooks. It patters to an end in clipped beats with 

Pierce’s nursery rhyme vocals and Massimo’s deeper croon still 

echoing against the walls.” [Scott McKeating DUSTED MAGAZINE] 

* BRADLEY, PAUL & CRIA CUERVOS – Moraines CD-R (Twenty 

Hertz TH012 / Sileat 01, 2006) [lim. 150] € 14.00 

Der geologische Begriff Moränen (die Schuttablagerungen von 

Gletschern) wird hier lebensgeschichtlich verstanden und musikalisch 

umgesetzt, auf dieser ersten Collaboration von CRIA CUERVOS 

(bereits aufgefallen durch cdrs auf taalem, mystery sea & immanence 

records) und PAUL BRADLEY. Man meint ins Innere von 

Zeitlupenbewegungen von Erosion & Gestein hineinhorchen zu können, 

die auditiven Sinne scheinen sich magisch zu weiten... 

“British based Paul Bradley and Italian based Cría Cuervos (aka 

Eugenio Maggi) collaborate here to produce a work that like the title 

suggests, is heard to shift, crack and erode over time. Glacial drones 

melt to liquid and degrade to static leaving behind it the debris of our 

lives, the stones and boulders that weighed us down but where what 

made us strong, till, in the end we are all just dust. 

A co-release between the artist’s respective labels Twenty Hertz and 

Sileat, 'Moraines' comes in an initial edition of 150 copies with colour 

printed artwork and full colour disc print in a vinyl sleeve.“ [label info] 

* BUMSTEINAS, ARTURAS / ANTANAS JASENKA - Johnny, One 

Note Drone and Polydrone Tone/ Sonic Machine CD-R (Cohort 

Records CRCD 116, 2006) [lim. 100] € 9.00 

„Der dritte Split-Release des Labels Cohort Records vereint zwei 

gegensätzliche Umgangsweisen mit geräuschhaften Klängen. Arturas 

Bumsteinas, litauischer Sound und Visual Artist, hat dem 

Cocktailschlager aus der guten alten Zeit der Atombombe einen 

Grunddrone, fieserweise nervend auf einem Kanal, zugedichtet. Aus 

dem Song wird nichts derweil sich vom Grunddrone aus alles Weitere 

ergibt. Polydronisch werden nach und nach unterschiedliche 

Frequenzen zueinander gestellt. Durch Variation der Dichte und Tiefe 

bzw. Höhe der Töne und einem dabei sparsamen Umgang mit 

Möglichkeiten, entstehen entschlackte Soundscapes, die klingen als 

hätte sie tatsächlich jemand „gemacht“. Der Musiker als Verursacher 

der Klänge rückt andeutungsweise in den Vordergrund. Dieses aus den 

im Hintergrund der Musik knarrenden Schritten eines Menschen im 

Wartesaal zu schließen, mag vorschnell sein. Nein, tatsächlich führt der 

Verweis geradewegs zum ersten Album der New Blockaders. Eine 

nähere Verwandtschaft zu den englischen Bruitisten kann der russische 

Komponist Antanas Jasenka mit seinem Beitrag nachweisen. Doch sind 

seine neun „Sonics“ zum Teil beherrscht vom Drang nach Melodie, so 

dass die kaputten Geräuschpartikel zum Ornament gerinnen. Das ist 

aber nicht Schade, denn es gibt dem Ganzen eine Schönheit, die im 

Verlauf der Stücke der Erhabenheit des Häßlichen oft genug weichen 

wird. 

The third split-release from Cohort Records contains two different forms 

of treating sonic sounds. Arturas Bumsteinas, Lithuanian sound und 

visual artist, took a musicpiece from the good old times of atom bomb 

and added a one note drone. The song ends but the drone goes up. 

Part for part several drones from different frequencies are following. 

Through variations of density of the drones and an economically 

treatment of the material these soundscapes become very clear. Behind 

the droning sheets there are steps to hear of someone walking around, 

or is it the musician himself? Then, maybe, you could think of it as a 

reference to the „Changez Les Blockeurs“ LP of the New Blockaders. 

But for sure the Russian composer Antanas Jasenka seems more 

related to the fields of bruitism. His nine pieces, called „Sonics“, are 

showing the opposite to Arturas Bumsteinas hypnotic exercises. 

Caused by use of different electronical devices his music is shattering 

and rumbling around some fragments of melodies. A loosely playing 

with noise electronics, ugly and sublime at the same time. Comes 

packaged in art paper sleeves - limited to 100 copies.” [Peter 

Schlewinski / Drone Records] 

“the third split release featuring the drone of Arturas Bumsteinas and 

the sonic experimentation of Antanas Jasenka - comes packaged in art 

paper covers in vinyl sleeves - limited to 100 copies” [label info] 

* CLOSING THE ETERNITY – same CD-R (Closing The 

Eternity, 2001) € 7.00 

Unlimited edition of the first (?) CTE–album, formerly released on now 

de-funct. Fight Muzik-label ! 

„Neues dark ambient project aus Ekaterinburg mit einem sehr schönen 

Debut – dunkle subliminale drones treffen auf sphärische, sich 

überlagernd obertonige Klangwellen, mitunter tauchen leichte 

pulsierende Abgründe auf... sehr sehr minimal und ruhig. das geht 

TIEF rein ins Herz des Unbewußten.... Wir sind begeistert von diesen 

drei tracks und hätten uns nur gewünscht, daß die CDR länger 

dauert.... 

A new dark ambient project from Ekaterinburg, Russia, with a very nice 

debut-CDR – gloomy subliminal drones meet spheric overtunic 

soundwaves, sometimes added by pulsating abysses .. very very 

minimal and quiet, this points deeply into the heart of the unconscious. 

Deeply recommended!” [Drone Records description 2003] 

* COMBATIVE ALIGNMENT – Everlasting Sun (expanded version) 

CD-R (Avatar 01, 2006) € 10.50 

Re-Release of the deleted 10” with bonus material ! 

“First release on a new label from Leipzig, mystic dark ambient spheres 

and orchestral sadness with subliminal messages in between. Creates 

an atmosphere of alien cosmic areas, not unlike INADE or LUSTMORD. 

Well done debut, recommended.“ [old Drone Rec. info] 

* DISSECTING TABLE – Zettaizetsumei CD-R (Multi National 

Disaster Records MNDR 2020, 2006) [lim. 75 spec. ed. leather 

cover] € 16.00 

We got few copies of this lim. leather-cover edition! 

“ A 4 Track CD-R with a 46:36 minutes running time . 

4 new japanoise tracks by this wellknown japanoise artist . 

All 4 Tracks composed by Ichiro Tsuji in 2005, released as UPD Org. 

010 and sold out now . 

The european edition will be available at 31st of march 2006 and comes 

only in an edition of 75 copies , the CD-R is housed in a special 

darkgreen full leather bag with envelopecover around and insert , the 

leather bag was created and manufactured by Watty in December 2005 

All copies are handnumbered!” [label info] 

* DRONAEMENT – Ezoterick Muzick CD-R (AFE Records 

afe085lcd, 2006) [ed. of 150] € 13.00 

Finally a new full album by DRONAEMENT with NEW material, very 

“positive” drone-vibrations & field-recording-reworkings with excursions 

to trancy tribal-rhythm-pieces, full of mystic feelings and close to the 

mystery of existence, the title is more than appropriate... 

“Dronæment is active since 1997 and is the main musical project of 

Marcus Obst who lives in the South area of what once was East 

Germany. After a few amazing tape albums he joined the Drone 

Records serie with the "Wassermond" 7", which was based on a 

collaboration with Jim De Jong, followed soon by a split LP with The 

Infant Cycle (Jim De Jong again....). Since then he released some 

marvellous albums on Dachstuhl, Nauze [Muzick], Mystery Sea, Le Cri 

De La Harpe and Field Muzik. Everyone with an even small interest in 

Drone / Experimental music should immediately put their hands on 

them. After the wonderful "Yr" (released with the help of our friends at 

Blade Records) and "Allein... Unter Menschen" (a remastered CD-R 

version of one of his early tapes), this is the third Dronæment album 

released by Afe. Needless to say that we're very proud about this. 

"Ezoterick Muzick" was inspired by repeated listenings of indian 

traditional music and is a successful attempt at creating meditative / 

relaxing ambient music...” [label info] 

* DWELLING LACUNA – Bordel do-CDR (Gro§stadtrecorder 

DOCD 1/2006) € 13.50 

Finally a new work of Colognes best kept secret! BORDEL sounds quite 

unwieldy to us, as DWELLING LACUNA try to go new ways, where 

silence and ultra-reduced sound-objects play a role.... using drums, 

bass, effects, backtapes, they awoke an ultra-dense and suspenseful 

atmosphere, with singled outbursts of near-noise, but everythings 

always kept in slow-motion & nocturnal repetitive, the sounds have 

something low-fi, nostalgic, which is quite unique..... 

* ESPLENDOR GEOMETRICO – Live in Belgium CD-R 

(Geometrik eg-cdr01, 2006) [lim. 250] € 14.00 

The rhythmic-Industrial legends from Spain, live 1996 ! 

„GEOMETRIK introduces this limited series with three different 

Esplendor Geométrico concerts recorded digitally, with very good sound 

quality, presented in an special cardboard packaging numbered (limited 

to 250 copies each). Most of the tracks contained are unreleased or 

very different versions from the originals. The distribution of these 

editions will be very limited due to the short number of copies. TRACK 

LIST (LIVE IN BELGIUM): 1- ¡ Al Asalto !, 2- Nuevo Frente, 3- El Acero 

del Partido (vocal version), 4- Ultima III, 5- Who´s That Señorita? (live 

version), 6- Balearic Rhythms (live version), 7-Rotor (live version), 8- 

Ciudad Eléctrica, 9- Arizona Sin Fín (58 minutes)“ [label info] 

* ESPLENDOR GEOMETRICO – Live in Prague CD-R (Geometrik 

eg-cdr02, 2006) [lim. 250] € 14.00 






very different versions from the originals. The distribution of these


LIST (LIVE IN PRAGUE): 1- Entrégate, 2- ¿Qué hora es ahora?, 3- El 

Empuje del Desarrollo Técnico (live version), 4- Who´s That Señorita?, 

5- Tiempo Libre (live version), 6- Confort, 7- Dame un Beso, 8- 

Elektrozavod, 9- Rotor (live version), 10-11- Ultima II. (56 minutes)“ 

[label info] 

* ESPLENDOR GEOMETRICO – Live in Warengen CD-R 

(Geometrik eg-cdr03, 2006) [lim. 250] € 14.00 






very different versions from the originals. The distribution of these 


LIST (LIVE IN WARENGEN): 1- ¡Al Asalto!, 2. Nuevo Frente, 3- El 

Acero del Partido (vocal versión), 4-Villa Esplendor/Ultima, 5-Who´s 

That Señorita?, 6-7- Balearic Rhythms (live versión), 8-Rotor (live 

versión), 9- Ciudad Eléctrica, 10- Arizona 1962. (62 minutes)“ [label 

info] 

* FEU FOLLET – Toi et le son CD-R (Einzeleinheit, 2006) € 8.00 

Zwei sehr feine ambient-drone Stücke von diesem neuen deutschen 

Projekt (aus Münster), erinnert an sanftere Drone-Acts wie MIRROR, 

COLECLOUGH, BRADLEY, sehr wellend-loopig und phasereffektiert.... 

kommt in einem Waschlappen-Cover (no joke!) 

To discover! 

“Debut album by the Einzeleinheit-founder. Tobias Fischer and Mirko 

Uhlig met for the first time while preparing for two live performances of 

Mirko’s project Aalfang mit Pferdekopf. During these sessions, Tobias 

was introduced to the works of Mirror and Nurse with Wound for the first 

time, flipping a switch in him. Shortly after, he started his own journey 

into the cosmos of dulcet electronics and the magic of overtones – 

always on the outlook of creating something entirely his own. “toi et le 

son” is the first result of his work: Two long drones take listeners into a 

world, where there is no more understanding in an intellectual sense, 

but only wave after wave of gentle sound softly engulfing you. While the 

title track floats by like a warm wind that opens up the cloudy sky to let 

the sun shine through, “Larme d’Heike” moves from a cold and frozen 

opening to an ascendig and strangely consoling finale. On tranqulity’s 

eternal ocean, this is a ripple on the surface.” [Label info] 

* GABIN, VIVIAN - No Love, No Structure, No Hope For All CDR 

(Tosom 020, 2006) [ed. of 150] € 10.00 

“... Im knurschigen Lo-Fi, immer wieder mit monotonen, unscharfen 

Beats und unterirdischem Rumoren umkreist der No-Love-No-Hope- 

Soundtrack spätindustriale Zustände mit einem halb melancholischen, 

halb sarkastischen Kommentar aus perkussiven, repetitiven 

Düsterklang. Tonbandschlaufen, um sich dran aufzuhängen und dieser 

schnöden Welt im Tod noch was zu Scheißen und zum Abschied die 

Zunge rauszustrecken..” [Bad Alchemy #50] 

“AUDIO-CDR, 11 TRACKS WITH 48 MINUTES RUNNING TIME 

COMES IN A5 CARDBOARD SLEEVE 

LIMITED AND NUMBERED EDITION OF 150 COPIES 

It's done and it's happen... no love for you, no structures for anybody, 

no hope for nobody. Vivian Gabin the musical love to the genious of 

madness, George A. Romero.. 11 pieces, full of dark sounds with 

ambient and industrial moments.” [label description 

* GIESELA – Rot mCD-R (Field Muzick fm.m 001, 2006) [ed. of 

50] € 6.00 

A new name on the label of Marcus Obst (DRONAEMENT) is 

GIESALA, a project with a fake-identity weaving together mellow drones 

and more concrete sounds to a very melancholic and nostalgic musical 

phantasy... worth to discover ! 

„Giesela webt wie Stoff, gefundene Töne mit Geräusch zu einem 

Teppich der Zeit. Es sind Schlaflieder, Familienportraits und 

Überraschungen, die uns auf diesem Tonträger erwarten. 

Giesela weaves a carpet of time from the noises and tones she finds - 

as if these were made of cloth. You can expect lullabies, family portraits 

and some surprises on this record. 4 pieces of serene and almost 

sacral music - with the exception of piece number three, which is of 

almost breathtaking concreteness.“[label info] 

* GOEM / FDW – Reasons pt. 4 maxi-CDR (1000+1 Tilt, 2005) 

€ 5.00 

Nice 3 track CDR issued for the “Masynergy Diy Festival” in Athens, 

March 2005. Pulsating, looping, quasi-rhythmic electronics, and a very 

interesting drum-percussion-loop piece…. 

* HAERETICI 7074 – Haeretici, Schismatici, Excommunicati CD-R 

(Some Place Else SPECDR06037, 2006) € 6.50 

Document of a live show which took place in Tampere, Finland, January 

2006, by this project of OVRO and NIKO SKORPIO: Loops, dark 

drones, strange digi-noises, deformed voices, all strange & surreal… 

infiltrating & sinking in your subsconsciousness…. Hard to say what it 

really is… 

“Hæretici 7o74 is a duo of Ovro and Niko Skorpio. Joining forces, the 

artists bring together the more meditative and ritualistic elements of 

their solo works, blending it to something completely new. 

Recognizable, but distinct. Hæretici 7o74 concentrates on live 

performances, enjoying the organic and interactive feel of playing live, 

with its often surprising turns and twists. 

Haeretici, Schismatici, Excommunicati is the band's first release, and 

contains the recording of the group's live performance at club Syntesia 

in Tampere, Finland in January 2006. Here, deep dark ambient 

soundscapes meet creeping rhythms and ecstatic oriental vibes. This is 

musical heresy, where the alchemical potential of not playing by the 

rules or expectations comes abloom. Purists, clinging on to their 

cherished dogmas in the dust of their crumbling temples, will be itching 

to burn these heretics alive.” [label info] 

* HUM – Inner Navigation CD-R (Mystery Sea MS30, 2006) [lim. 

100] € 12.00 

Zarte und massige Oberton-Drones, amorph und ozeanisch, grenzen- 

und objektlos, wind- und wellenartig, reine Vibrationen und Klänge; da 

fällt es schwer, NICHT in esoterisch klingende Floskeln zu verfallen, 

denn HUMs Musik wirkt auf uns wie eine direkte Umsetzung der 

primären, prä-symbolischen Energie, die jedes Lebewesen und letztlich 

jeder Partikel inne hat.. 

" inner navigation in back flow through the open mouth of darkness to 

Great Point where primary light becomes seen and where the eternity is 

found. " - Chistov Dmitry, December 2005 

”Russian sound alchemist Chistov Dmitry of the Moscow region, feeds 

his aural obsessions with his immediate environment as well as the 

deep psyche...Letting a certain sense of urban deliquescence & the 

beauty of ambient decay corrode his compositions, but also probably 

inspired by the founder & essential fluxes animating Nature, he 

succeeds in sculpting mantric tones with a very own character and 

dynamics... These pieces are casted in permeating movements acting 

like close metaphors of primary pulsions & feelings... 

To cover their large palette, Dmitry has so far operated under many 

names denoting different approaches (SPHOGHA, NIGREDO, 

MIKOSTERION, SMALL TOWN ZOMBIE, & above all HUM...)... 

Passionate & extremely meticulous, he released most of his works in 

private editions under his own imprints (SPHOGHA, A DATURA 

LANDSCAPES...) For Mystery Sea, Dmitry uses his main HUM 

identity... Hum is a vehicle for making low continuous vibrating sounds 

often based on a specific sensation explored in its multiple variations... 

So, "inner navigation" is about what blooms under your skin, that 

unnameable flow which underlies every breath, a search for isolating 

impulses & conductions... 

"inner navigation" is a meandering journey through the layers of 

Unconsciousness, gradual erosion, stasis, and ultimately loss... 

going there beyond, at the heart of a reflection itself where a sheer 

emotion surges, like a sudden enlightening open sky... 

"inner navigation" is following the unknown river of our masked soul, 

reaching for supreme acuity...” [label info] 

* INFANT CYCLE / ARC – Unrelated Work Tapes / Raw Circle (The 

Ceiling CEIL030, 2006) [ed. of 80] € 6.00 

INFANT CYCLE zusammen mit ARC, einem eher in Bandkontext 

funktionierenden Projekt mit AIDAN BAKER. INFANT CYCLE 

präsentiert ein sehr schönes “experimental ambience”-Stück auf “Seite 

1” mit tollen gong-artigen Sounds, während ARC hell schimmernde 

Guitar-Loop-Mantras mit vielen Schichten entwirft.... ein kleines Juwel, 

diese mCDR !! 

“The most recent project embarked upon by The Ceiling is a series of 

split mini-CDRs (originally intended as a series of a 7"s, which remains 

in the artwork), between The Infant Cycle and other artists in the 

southern Ontario region of Canada, working mainly in the arena of 

CDRs, MP3s, and less in larger-circulation formats. The series intends 

to bring together artists working outside existing genres and subgenres, 

working in areas of their own. The intent is to unify the series with a 

sense of adventure and challenge, and not necessarily a stylistic 

consistency. The series is also intended to function somewhat as a sort 

of newspaper, a snapshot of where each project is at the time of issue. 

The series can be viewed as sidebar releases by the artists- perhaps a 

progress report. 

THE INFANT CYCLE has been in operation since 1992, producing 

numerous CDRs, CDs, vinyl, cassette and MP3 releases, alongside 

many compilation appearances for labels all over the planet. The Infant 

Cycle creates eccentric sound-worlds from disparate strands of 

instrumental phrases, field recordings, and everything in between; 

composition mixing with improvisation, influenced by happy accidents

and technical failures. The piece contained is a mixing of previously 

recorded tracks, rethinking the past and foreshadowing future releases. 

ARC is a Toronto group comprising Aidan Baker, Richard Baker and 

Christopher Kukiel, and in the past few years have created numerous 

evocative soundscapes flowing from the rudiments of percussion and 

guitar. Most of their music is created live in real time: discreet elements 

are introduced in loops, guitar cascades meshing with gradually shifting 

polyrhythms. Their "side" is an early take of material recorded live, that 

was later worked on in the studio for their "The Circle Is Not Round" CD 

on Italy's Small Voices label. 

All releases in the Periodical series are "budget" priced releases of 80 

copies only.” [label description] 

* IONOSPHERE – Sliced Matter CD-R (Avatar 02, 2006) € 10.50 

Re-Release of the deleted 10”, comes in DVD Box with bonus-material! 

“Futuristic dark ambient? Second release for this new label from 

Leipzig, Germany. As with COMBATIVE ALIGNMENT, IONOSPHERE 

points into dark ambient spheres and creates a futurist cold atmosphere 

with robotic voices, slow quasi-rhythmic rumblings, and deep gong- & 

synthdrones in the air.. we have no info about IONOSPHERE except 

that it’s somehow linked with the label-owner.” [old Drone Rec info] 

* IVERSEN, JAN-M. – Singles CD-R (Tibprod tibcd66, 2006) 

€ 6.00 

Das norwegischer Explorer-Weblabel TIBPROD wird von JAN-M. 

IVERSEN betrieben, der zur Generation neuer unabhängiger 

„Networker“ gehört - seine Welt besteht aus digitalen Medien und 

‚freien’ MP3-Releases. Auf SINGLES zeigen 24 Stücke das ganze 

Spektrum seines « experimental drone« - Sounds auf: alien ambience, 

minimale GeräuschKonturen, digitale Verfremdungen, sphärischsehnsuchtsvolle 

Flächen...... Widersprüchliches wird vereint. Die tracks 

hier sind oft bisher nur als MP3-Singles erschienen, Titelnamen 

entstehen durch Übernahme von nicht-verstehbaren Phrasen aus 

SPAM-mails. JAN IVERSEN entführt augenzwinkernd in eine autonome 

Zone freier Experimentierfreudigkeit, obskur und verwunschen, wie 

geschaffen um neue Erfahrungen mit SOUND zu machen.... 

* I:WOUND – Quit India maxi-CD-R (Absurd # 61, 2006) [lim. 77] 

€ 7.50 

Maxi-CDR with a long tracker full of intelligently mixed field-recordings, 

found radio sounds, drones, spoken voices from India, etc… an electroacoustic 

experimental collage that transports very intensely the 

atmosphere of the recorded places & situations.... 

“ 'hi nicolas here's one very condensed 19 minute soundscape and tour 

de force through last year's chaotic events, this piece was conceived 

live in zlín, cz as part of the monolake tour with origami galaktika, 10/05 

and re-recorded in the amberlodge 11/05.' or at least this what i was 

told from sascha when he send me the master to this totally stunning 

i:wound cdr ep. we've been discussing for long bout a possible i:wound 

release and wanted it to be something special, something that could 

possibly remind to both of us cool moments... well for sascha turned to 

remind some killer tour moments, for absurd turned to be a dream that 

hadn't materialized for long... have a release out and hand the copies to 

the pal himself in person... something that happened last april in berlin 

& will always make absurd remember all the insane process before, 

during & after the trip. i love it so much that seriously am thinking of 

high time i did a trip to india... thank you sascha!!! 

"for gaya patel in her various manifestations - you could have had it so 

much better (conditional 2)" [Nicolas Malevitsis] 

„Since many years, I:Wound releases his colorful sound collages, 

incorporating many field recordings made on his travels, in this case a 

sound collage about India. Market place, tabla music, Bollywood movie, 

spoken word and sounds that aren't to be traced back that easily, this is 

a lively collage of sound, in which perhaps India isn't recognized that 

much (but perhaps I should visit India first, before saying that) and at 

just over nineteen minutes is also perhaps a bit short, but it's surely a 

fascinating aural journey.“ [Vital Weekly] 

* KALLABRIS – Off Mind CD-R (Entr’acte 26, 2006) € 10.00 

„Things happen. This is obviously wrong.“ Nach langer Sendepause 

eine weitere Kallabristische Exkurision in abseitige Bereiche! Schon die 

Verpackung (verschlossene Senftüte mit einer Art Zeitung darin die 

sowas wie philosophische Aphorismen bzw. logisch aufeinander 

aufbauende Widersprüche enthält) ist aussergewöhnlich genug, das 

akustische Sprach- und Musik-Material verwirrt und regt weiter an: 

verfremdetes endloses erkenntnistheoretisches Geschwurbel garniert 

mit seltsam halb-rhythmischen Mantra-Strukturen und ebenso seltenen 

Geräuschen.... wir sind begeistert vor so viel Geist im Nicht-Geistigen. 

Ein genialer Streich. 

“Kallabris’ scientific research has always been outstanding: their North 

Pole expedition, the chemistry of change that can be experienced in 

mocha, the ondadynamical theory as a clue for the explanation of 

mental phenomena -- just to mention a few, well-known highlights. This 

time, they go for the core of it all: epistemology covered with ontological 

speculations. The Apologia gives a rough, yet charmingly delivered 

sketch of the project -- impressions and reflections performed with an 

impressing beat. The Corpus Maior is a dance of condensed thought, a 

playful and enchanted rhythm that cheerfully leads to the Epilogus 

which, with its skeptical melancholy, makes plainly obvious how little is 

done when the answers are given. A tribute to quest, but in no means to 

discovery.” [label info] 

* KARINA ESP – Summer CD-R (Evelyn Records eve01, 2000) 

€ 8.00 

Absolutely last copies of this very first release from the british label. 

Fine mellow guitar drones & pickings, for fans of STARS OF THE LID, 

ULTRASOUND, etc… 

* KARINA ESP – Experimentalspaceproject CD-R (Evelyn Records 

eve06, 2001) € 8.00 

Recordings from 2000, early work of this british experimental droneproject, 

nearly 60 minutes material of low-fi deep echo-feedbacking & 

rumbling phaser-space-noises, mainly made by guitars… Raw and 

original. 

* KARINA ESP – Evelyn ambient series: volume 4 CD-R (Evelyn 

Records eve11, 2002) € 8.00 

Our favourite from KARINA ESP so far, two long pieces (60 min) with 

contemplative ambient-drones, pure acoustic waves & soft distortions & 

some recognizable guitar-tunes at the end.... 

“a warped guitar loop spinning randomly on its own axis dissolves into 

low-end dark ambient free-form guitar drones.” [label info] 

* KNUTSEN, ROY-ARNE – Silence maxi-CDR (Tosom 017, 2006) 

[ed. of 150] € 7.00 

Erste (?) Maxi-CD dieses norwegischen Ambience-Musikers, 

stehende Analog-Synth-Drone-Wellen und “small sounds”, alles ganz 

zart und erhebend meditativ... man denke an TESENDALO, 

ORNAMENT, KLOOD, .... 

“MCDR, 4 TRACKS WITH 22 MINUTES RUNNING TIME 

COMES IN GLOOSY CARDBOARD SLEEVE. LIMITED AND 

NUMBERED EDITION OF 150 COPIES 

TOSOM is proud to present this new ambient artist with his second 

release. And I'm sure we gonna hear often his name in the future. 

Roy-Arne comes from Norway and with "Silence" he presented four 

Tracks, influenced by his childhood... it must be a wonderful time... 

Very beautiful tracks, calm and quiet. Close your eyes and listen to this 

soundpictures, escape from everything and enjoy his music and let the 

sound takes you somewhere you wish to been.” [label description] 

* LUNATIK SOUND SYSTEM – Settle down CD-R (Something 

Records CD series 04) € 9.00 

New german dreamy and dark ambient-project in the way of OOPHOI 

and ALIO DIE, but also darker tunes reminding on AMON or INADE are 

appearing... very synthbased and carefully executed. 

11 tracks, 55 min playtime. 

“On this CD Lunatik Sound System created a nice mix of atmospheres, 

field recordings and ambient sounds. Dark drones and beautiful 

soundscapes far beyond space and time. Hypnotic waves of layered 

synth tones and smooth arranged textures. This release has a more 

human touch and contains some more musical compositions. It´s 

leading the listener into a fascinating world of sound with a lot of spirit 

and soul.” [label info] 

* MYSTIFIED – Reduced CD-R (Mystifiedmusic, 2006) € 7.00 

Neues US-Projekt mit sehr konkretem field recording-Fokus, viele 

Sprach-Elemente, mechanische Geräusche, seltsames Rauschen & 

Drones werden zu Collagen verarbeitet... auf 16 Stücken extrem 

variantenreich, Anklänge an DARREN TATE, ORA, ERIC LA CASA..... 

to discover for field recording lovers ! 

“Mystified is proud to announce the release of our cdr, "Reduced". 

"Reduced" is comprised of field recordings and collages of field 

recorded material. Like "South City Spring", the release covers many 

South Saint Louisan moods and modes, though it was created using 

newer, higher-quality equipment, and therefore is, mystified feels, a 

superior release. 

Listening to this cdr is like visiting mystified's apartment in South Saint 

Louis, with aural sensations both intentional and surprising. 

Reverberant glurp soundscapes, muted conversations, floating voices, 

mechanical drones. . . all and more are represented here. 

The cdr has sixteen tracks and clocks in at just over 53 minutes. It was 

professionally duplicated and features a full-color insert with art by 

Sandy Spreitz ( www.sandystudio.com ).” [mystified.com]

* NINTH DESERT – Black Session mCD-R (Taalem alm32, 2006) 

€ 5.00 

Endlich ein Wiederhören mit dem Franzosen CYRIL HERRY, der als 

EXOTOENDO aktiv war und inzwischen auch als Filmemacher tätig ist. 

Sein neues Projekt nennt sich NINTH DESERT, wo er eigenes altes 

Material mit neuen Aufnahmen verbindet und so einen HYPER- 

CHRONOS-Raum schafft, wo sich alt und neu befruchten und 

miteinander verschmelzen.... Die 20 minütige BLACK SESSION findet 

in gigantischen Hallräumen statt mit perkussiv anmutenden 

Geräuschen, Glocken/Metall-Sounds und chorartigen drones ... Not 

from this planet ! 

"black session" was created with two generations of sound material : 

sequences recorded between 1997 and 1999 by exotoendo (archived, 

never used or re-treated) and sources created between july and 

september 2005 by ninth desert. black session is a body made of 

different (mental) sound layers where the "past" material considers 

causing interference on the "present" one and, on the contrary, the 

present contaminates the past - or tries to assimilate it. the ninth desert 

project was created in september 2005 by cyril herry (Exotoendo 

founding member 1996-1999 and Lecanora) and basically works 

on the sound perceived as mental and temporal medium - a material 

subjected to infinite combinations and potentially neverending 

transformation.” [label info] 

* Marcus OBST – Trafic Tonalite mCD-R (Fieldmuzick fm.m02, 

2006) [ed. of 50] € 6.00 

First solo-release on his own label by MARCUS OBST aka 

DRONAEMENT in a tiny edition.... a mellow one-tracker of 20+ minutes. 

„This psychoactive acoustical survey sets out to explore, under which 

circumstances sounds and noises from the street cease to annoy.“ 

[label info] 

„The one piece that lasts twenty minutes uses street sounds, being fed 

into plugins, is of a slow and relaxing quality. Music to be played at a 

rather soft volume to create the right atmosphere for it. Slow and 

peaceful without much real development, but it's all together quite a 

nice release..“ [Fdw/Vital Weekly] 

* OOPHOI / TAU CETI – Algol maxi-CDR (Penumbra 024, 2006) 

€ 8.50 

Another collaboration by OOPHOI & TAU CETI, more pulsating as 

usually & filled with cosmic winds… a one-tracker of 22 minutes length, 

as usual in this special series with an oversized high quality full colour 

sleeve. 

* OOPHOI & L.E.M. – Trifida maxi-CDR (Penumbra 025, 2006) 

€ 8.50 

Two slowly pulsating pieces with organic echo-sounds by OOPHOI in 

collab with LUNAR EXCURSION MODULE. As nearly always, highclass 

esoteric ambience in the PENUMBRA-series. 

* OOPHOI & L.E.M. – Aludra maxi-CDR (Penumbra 026, 2006) 

€ 8.50 

Three pieces, filed under: far away-drones. Deep meditating windsounds, 

harrmonic and peaceful. 

* OOPHOI / TAU CETI – Australis maxi-CDR (Penumbra 027, 

2006) € 8.50 

One-tracker with another collaboration of these two spheric-searchers, 

this time recorded live in concert. Cold & clear magnetic sounds… 

* OOPHOI / TAU CETI – Borealis maxi-CDR (Penumbra 028, 

2006) € 8.50 

Kind of sister-release to “Australis”, another one-tracker (22+ minutes) 

with material recorded live in concert. Cold & clear magnetic sounddrones, 

strange entities seem to arise & live within this, ultra-slow & 

alien….really amongst their best works. 

* OOPHOI & L.E.M. – The Gates of Aldebaran maxi-CDR 

(Penumbra 030, 2006) € 8.50 

Einer unserer Lieblinge auf PENUMBRA bisher, ein hallumtoster Onetracker 

der bewegt & wellend & schwer in der Luft zu schweben scheint, 

wobei sich einzelne Klangstrahlen sich wuchtig ins Unendliche 

fortbewegen… 

One of our favourites on PENUMBRA so far, this one-tracker bathing in 

an ocean of reverb, sound-clouds that seem to undulate heavily in the 

air while single sonic rays are moving ad infinitum… 

L.E.M. stand for “Lunar Excursion Module”. 

* OOPHOI – Amnios CD-R (Umbra 051, 2006) € 12.00 

A beautiful dance of overtunes, sensitive melancholic cosmic space.. 

“Two tracks, "Liquos" and "Aquos", containing long drones and deep 

brainwaves for synths loops, singing bowls, ghost voices and 

percussions. 2 tracks” [label description] 

* OOPHOI – Signals from the Great Beyond – The Complete 

Recordings 3 x –CD-R (Umbra 053, 2006) [lim.100] € 30.00 

“2 years in the making, previously released as a single disc by american 

label Gears of Sand. This 3-discs set contains the complete recordings 

(3 hours) inspired by the "Crop Circles" enigma. Dark waves, cosmic 

winds, ominous tones and warped dreams. Special 13x18 packaging 

Limited edition of 100 pieces, with a color card for every track” [label 

info] 

* OOPHOI & PARADIN – Nocturnes CD-R (Umbra 056, 2006) 

€ 12.00 

Ghost-Music! So full of wind-sounds and nightshadow-drones, totally 

amorph entities, mesmerized voices & pulsations... Amazing 

collaboration between the two transcendental ambient-groups that fit 

perfectly together !! 

* OPION SOMNIUM – Aviary: Condemned CD-R (Opion 

Somnium, 2006) € 10.00 

Endlich etwas neues vom US-Projekt, diese live gemixte, vierteilige 

Sound-Installation vom Mai 2004 aus Albuquerque, New Mexico. 

Anders als bei bisherigen OPION-Veröffentlichungen liegen die 

sehnsüchtigen Melodien eher im Verborgenen, schälen sich durch 

endlose Drone-Nebel & -weiten... nur im 4.ten Stück taucht ein OPIONtypisches 

Piano auf... das ganze ist wieder getränkt von Sehnsucht 

und tiefer traurig-schöner Emotion.. 4 tracks, 51+ minutes 

Finally a new release of this US-project from New Mexico, a soundinstallation 

in four pieces with endless drone-yearnings, foggy & cloudy 

amorph settings... and lonely piano-tunes & bird-calls at the end... 

again a bath in deep emotions of sadness & beauty... 

* PLECO – same CD-R (Herecomeseveryone, 2006) [ed. of 

100] € 8.00 

Here comes.... something new ! PLECO is a US-project from 

Maplewood (MO) deeply drowned in obscure atmospheric alien 

surroundings. Soft drones & endless reverberations, surrealistic & more 

concrete sounds & repeated elements, voices arising from somewhere 

beyond, very organic, breathing, waving, ... Sound sources are hardly to 

recognize, this is not from this world ! Rather quiet & full of secrets, 

somehow harmonic underneath, for lovers of ZOVIET FRANCE, 

CRANIOCLAST, etc.. very much recommended ! 

* POTTER, COLIN – It was like this…. do-CDR (ICR Distribution 

ICR62, 2006) € 19.50 

Do-CDR Album of extracts from live-performances... great organic 

“breathing structures” stuff, field recordings integrated with tons of 

effects and mutilations... atmospheric and minimal, but never boring. 

„...just two hours of pure electronic music of a highly atmospheric and 

drone like nature. Disc one contains recent concert, while disc two has 

three older (1999 and 2000) cuts, which displays Potter's older love for 

incorporating rhythm into his work. This side is perhaps lesser known, 

since it's all drone these days, but if one is familiar with his work for 

Nurse With Wound, these mechanical rhythms shouldn't sound too 

strange. But here too, atmospherics play an important role, be it of a 

more nervous and hectic character. Great collection, and no doubt there 

is more where that came from.“ [FdW / Vital Weekly] 

* Edward RUCHALSKI – Having it out mCDR (Pseudo Arcana 

PA048) € 7.00 

Inspiriert von einem Gedicht von JANE KENYON, verzaubert EDWARD 

RUCHALSKI hier mit drei einnehmenden Drone-Stücken, die sehr voll 

& obertonsingend klingen... irgendwo tauchen im Mix zart verwebt 

Stimme, Zither & Percussionklänge auf..... das ganze scheint bereits als 

LP auf HUMBUG Records herausgekommen zu sein (Humbug 020), 

eine LP die wir leider verpasst haben.... sehr zu empfehlen, diese 

Aufnahmen! 

“Originally released as Side 1 of a limited edition LP of the same title on 

Humbug (who have already released the trks on side 2 on a previous 

disk), the 3 trks on this disk are a set inspired by Ruchalski's reading of 

Jane Kenyon's poem "Having It Out With Melancholy". With stunningly 

beautiful slow sad instrumentals (zither, guitar, voice) bearing witness to 

an evolving 'concrete' core, the music generates (as the title of the 

poem would suggest) that most poignant of 'art' inspired states; the 

static and dream like (imagined...) 'channeling' of the dark shrouded 

memories of another. Edward Ruchalski is based in the US.” [label info] 

* Edward RUCHALSKI – 4 Pieces (for acoustic guitar & field 

recordings) mCDR (Pseudo Arcana PA058) € 7.00 

Melancholic daydream-ambience, based on acoustic guitar-picklings 

and field recordings.... 

“Following on the heels of 'Having it Out' comes a new disk from 

Edward Ruchalski. '4 Pieces' is a much sparser affair, quietly crafted 

(as the title suggests) from select field recordings, and beautifully spare

acoustic guitar movements. Like sunlight through your window on the 

coldest day in winter, 4 Pieces is steeped in the beautiful and slow yet 

redemptive shimmer of Ruchalski's other works.” [label info] 

* SCION feat. URE THRALL – Hypnotize with Scion CD-R 

(Discorporeality Rec. # 16, 2006) € 10.00 

Im Gegensatz zu vielen anderen Releases des URE THRALL-Labels, 

welche auf älterem Archiv-Material basierten, handelt es sich hier um 

NEUES Material. SCION ist ein Trio wo sich verfremdete Sphären- 

Vocals, rhythmisch-pulsierende Sequenzer-beats und industrial-noises 

höchst atmosphärisch verbinden, nicht unähnlich ASIA NOVA oder 

URE THRALL solo also.... 

“SCION is a 3 person project performed live after several months 

rehearsal and preparation. I do the sampler programming and 

keyboards and e-bow, Mary does alien female vocals and Steve plays 

synth. I love this one-off project and may give it a second birth soon.” 

[Ure Thrall] 

* SHIFTS / VERTONEN – split CD-R (Cohort Records CRCD115, 

2006) [lim. 100] € 9.00 

Journeys into Hyper-space ! New CD in the Cohort-split series. Comes 

with nice cover. 

“The first one is a split as Shifts with Vertonen (it's not the first one) with 

a new part in his Vertonen series. I still don't know if the title of Shifts' 

series has anything to do with the artist name. Anyway, ,Vertonen 17' is 

a 26-minute ghost ride, full of echoing sounds, like an underground 

wind that rages through dark tunnels. There's even some cold muddy 

water dripping down in places. OK, so it's not so dark that I had to hide 

behind the couch, but it sure is isolationist, as they used to call it 10 

years ago. And very nice as well. The ,Six Layers To A Masquerade' by 

Vertonen (aka Blake Edwards) sound more loud and intense, all 

shimmering drones that are wavering through the room, though it rests 

a little more towards the end. The piece is separated into six "overlays", 

each carrying nicely overdone subtitles.” [label info] 

* SISTER LOOLOMIE / POLARIS – Out of Space mCDR (Abgurd 

Subdivision AB-14, 2005) [ed. 256 copies] € 7.00 

Kleiner Release, ganz gross ! SISTER LOOLOMIE und POLARIS teilen 

sich diese mCD mit jeweils etwa 10minütigen Stücken, durchtränkt von 

melancholisch-droniger Langsamkeit & sirrenden Klängen und 

Melodien (SISTER LOOLOMIE), während der POLARIS-track windigen 

dark ambient in den Äther haucht.... 

Absolutely recommended split release of these two russian projects!! 

“SL - side-project of EXIT IN GREY member - performs grainy Drone 

Ambient with rarefied sound & sentimental guitar melodies. Sometimes 

the "aural pressure" grows to the extreme, eating your brains out, 

dimming your reason... The music, which sounds alike is BAD SECTOR 

`Plasma`. P - another project of person behind Power Electronics 

SUDANSTRAIN - evolves with re-worked track from the year 2002: 

hollow low-frequency Drone Ambient with solar-wind whispers & 

bouncing signals from Outside.” [label info] 

* SMALL TOWN ZOMBIE – April Fragments CD-R (Datura 

Landscapes DATURA 7, 2006) [lim. 37] € 10.00 

Ein weiteres (Seiten?)-Projekt des emsigen DMITRY CHISTOV, besser 

bekannt als HUM ! Bei SMALL TOWN ZOMBIE bestehen alle 

Klangquellen aus „Stadtgeräuschen“, die verfremdet und effektiert 

werden. Finest mysterious deep drones and odd reverberations, ultraslow 

dronecore from this HUM-sideproject which comes in a tiny 

edition. 4 pieces, 73 minutes playtime. 

“Small Town Zombie is my project where sole sound source is city 

noise. This work was recorded on tapedeck in april 2005. Then i have 

made ultra small tape release. this CDR is re-worked version of tape. 

i made digital version at the request of Daniel Crokaert, he was a first 

listener of April Fragments tape, his comment below: 

‘….sharing the same qualities than "Stupefactions", and existing in the 

same sphere of aural stimulation, this came as a real surprise... it's 

really hard to believe this was only realized by using real time 

processed street sound... Frankly, it'd deserve much better than a 

simple tape release... drowned in the urban, catching the breath of the 

city and then respitting it in floating emanations, strange ghosts 

rewriting the book...’ Chalkdc / Mystery Sea) 

This is "picture" cdr in 5" calque sleeve with hand printed inlay, only 37 

copies (each numbered).Additional file is APRIL FRAGMENTS scan.” 

[Dmitry Chistov / HUM] 

* SOSTRAH TINNITUS – A Rain Water Stratum On The Sea CD-R 

(Mystery Sea MS22, 2005) [lim. 100] € 12.00 

Endlich erhältlich bei uns, der MYSTERY SEA–release des sehr guten 

italienischen Drone-Projekts. Ganz langsam zerrinnt die Zeit in den 

vibrierend-sanften Delay-Klangmassen, sehr amorph und kaum 

festzuhalten, gibt es doch ständige Veränderung & Transformation und 

manchmal scheinen so etwas wie (Unter)-Wassergeräusche 

aufzutauchen... Sehr plastischer Drone-Ambient der Sonderklasse, 7 

Stücke, genug überraschende und schöne Sounds.... 

“Much promising italian sound artist & painter Mario Costa has 2 

different projects under his belt... one under the name Sostrah Tinnitus 

offering a psychoactive & meditative side with natural drones & deep 

textures... the other, under the Tvmulvs Seraphim moniker, being a 

darker, more hermetic & urban excursion, but equally fascinating... 

For Mystery Sea, it's Sostrah Tinnitus who contributed some singular 

mesmerizing litany... Previously, Sostrah Tinnitus had a few self 

released CDRs, a couple of discs on Gianluigi Gasparetti/Oöphoi's 

UMBRA label ("Favo Di Fiele" & "Nebra") & a pair of others on another 

italian label called BEYOND PRODUCTIONS ("Les débris de l'été" & 

"L'odore Del Ramo Spezzato")... All these works were highly praised by 

reviewers... 

The MS opus "A Rain Water Stratum On The Sea" is a spark, 

a cascade of reverberating light on rippling waves, a telltale mirror... 

Along a timeless drip, mysterious streams irrigate our skin escorting our 

submersion within... "A Rain Water Stratum On The Sea" is a pearly 

pool of metamorphosis, the serene dance of elemental forces blending 

into a bracing flux, a crucible of dream concretions, an organic ballad of 

reminiscences, floating signs & providential beacons... Just bathe, 

breath the Life in Pick up the scent of the skimming moss, and drift 

away in the slow aqueous vibes...” [label description] 

* SPIRACLE – Ananta CD-R (Mystery Sea MS29, 2006) [lim. 100] 

€ 12.00 

Einige werden den inzwischen in der Schweiz ansässigen Japaner 

HITOSHI KOJO und sein kleines Kunstlabel OCTPIA schon kennen; als 

SPIRACLE produziert er hier einen einstündigen one-tracker von 

wallender, webender, wasser-rauschiger Qualität, der sich perfekt in 

das Labelprogramm einfügt... im Inneren des grossen Stromes, wo sich 

alles mit allem verbindet... 

“Hitoshi Kojo (b. 1969, Japan) has worked in various artistic branches 

such as music, painting, installation & performance, using both a 

traditional & contemporary methodology... Brought up with the influence 

of ancient asian culture, he exposed himself recently to Europe where 

he currently has his main activities, absorbing old myths & customs, & 

collaborating with other like-minded artists (mnortham [under the 

KODAMA moniker], John Grzinich, Nobu Kasahara, Loren Chasse to 

name but a few...). The theme of his projects often drift from scanning 

daily matters, trying to catch that elusive spark at the very core of a 

momentum... Hitoshi Kojo manages also his own label : OCTPIA, since 

2000... Several of his titles where created under the "spiracle" name, 

his main solo project)... For Mystery Sea, spiracle has weaved an 

original/special mix of a new piece entitled "ananta"... Listening to 

"ananta" is like inhaling a cloud of stars at twilight, drinking up all its 

creeping flow of energy... breathing like a snake undulating under the 

dark primal waves... channelling unknown forces... 

"ananta" is being within the stream, living it from the inside, becoming it, 

reaching that impossible oneness, if only in the phosphorescence of a 

unique moment... "ananta" is a key to universal empathy... 

a bridge to a world waiting hidden, there behind the curtain... 

a deep essential vibe captured just for you...” 

"..... “Ananta" is a long, dirty mantra, centred around a single "tonality" - 

we never move from there. The sources are left undefined; the wall of 

sound has an imposing presence, even if the basic drone is gradually 

covered with the soil of interference (and by processed shortwaves, one 

would believe), never letting us completely penetrate its depth. It takes 

only a few minutes to get used to this strong presence, as the piece 

drifts without problems for more than a hour, during which our mind 

gives signs of appreciation, especially at a consistent playback volume - 

a move that will near "Ananta" to some of the most consonant (???) 

releases by David Jackman/Organum.” [Massimo Richi / Touching 

Extremes] 

* STL – For Eternity CD-R (Something Records CD series 03) 

€ 9.00 

Frische Geräuschmusik auf Something Records aus Bad Harzburg ! 

STL tönt sehr ruhig und geheimnisvoll, erinnert an britische Ambient- 

Droner, zu hören gibt es field recordings und seltsame Geräusche wie 

aus einem Zwischenreich... rauschig und windig und mit vielen kleinen 

mikrodetails, niemals aufdringlich, klasse Release ! To discover. 

“On this cd STL released some of his legendary soundscape 

productions. Additive synthesized sounds and analog bubbling drones 

transformed into surounding atmospheres. Field recordings from 

another planet; noises of digital jungle creatures; the sound of a hot 

volcano... whatever! There is no fixed image on this cd. All tracks leave 

much room for your own imagination. You are in another universe 

where the dominating force is sound !” [website info] 

* STREETLIGHT COLLECTIVE – Evelyn Ambient Series: volume 5 

CD-R (Evelyn Records eve13, 2002) € 7.00

Two long pieces of improvised & very low-fi ambient-postrock (or 

maybe better “pre-rock”) , made by guitars & drums & bass…. 

Absolutely last copies…. 

“languid guitar lines and meditative ambience that eventually gets 

restless and rises to the inevitable crescendo of feedback noise wigout.” 

[label info] 

* SUBINTERIOR / SELAXON LUTBERG – Winter Meeting mCD-R 

(Cold Current Productions, 2006) [lim. 50] € 6.00 

Winter ambience! Collaboration of these two italian projects: three ultradark 

and melancholic pieces full of slowed-down choirs, pouring watersounds 

and cold metal-drones.... 

* SUBINTERIOR – The Chrysalis Secret CD-R (AFE Records 

afe068lcd 060417, 2006) [lim. 100] € 12.00 

Italys SUBINTERIOR belongs to the most interesting drone / dark 

ambient-newcomers lately, this is simply excellent dark drone ambience 

- this is dark, but not gothic or depressive at all.... more a metaphysical 

darkness !! Excellent and highly recommended ! 

"The Chrysalis Secret" is Andrea Freschi's fourth work and comes after 

the self-released "Outfall" and "Insomnie" (both recently re-issued as a 

full-lenght disc by Silentes), and "Obstacles", which was released in 

Japan by Deserted Factory. 

The album clearly showcases Subinterior's skills at creating good dark 

atmospheres and it's another step forward in his music career. 

It's impressive that, as usual, almost no synthesizers and samples were 

used during the creative process: the equipment used to create "The 

Chrysalis Secret" simply consists of a mini-disc recorder that was 

mainly used to capture sounds and noises created by millers, lapping 

wheel, lathes, industrial refrigeration plants, safety doors and other 

unusual "instruments"... 

These recordings were massively processed and assembled using 

computer technology and softwares, and turned into the finished work. 

"The Chrysalis Secret" is a long evocative track divided in three parts. 

The journey begins with a sort of repeated bell-like sound which is soon 

backed by an unsettling and obsessive echoed pad. 

Along the road we encounter deep drones - both of a windy and metallic 

nature - and abstract textures keep on overlapping themselves creating 

slow but ever changing atmospheres, like an infinite serie of reflections 

created by subtly different distorting mirrors. 

Low frequencies make room for more recognizible sounds of what 

seem to be flowing water and animals. We can even imagine (...or are 

they really there?) a few piano notes at some point... 

Sometimes the music seems to stop and drones turn into a minimalistic 

affaire, but suddendly melodies emerge from the background filling the 

air with colours for a while, just before turning back to black again. 

Intertwined with some isolationist passages, "The Chrysalis Secret" 

offers many abstract moments and more complex sections of aural 

psychedelia. We can't help to recommend it, even to our most 

demanding listeners.” [label description] 

* Darren TATE – The elves are coming CD-R (Twenty Hertz 

TH013, 2006) [ed. of 150] € 13.00 

Wie klingt es wohl, wenn Elfen erscheinen? In den Soundrahmen aus 

japanischen field recordings von DAISUKE SUZUKI (Grillenzirpen, etc.) 

fallen wellende Instrumentalklänge und einzelne Klangobjekte von 

DARREN TATE, die seltsam effektiert (deharmonisiert) scheinen, die 

Atmosphäre die so mit einfachen Mittel erzeugt wird lässt sich schwer 

beschreiben.... irgendwann kommen noch leise, schleppende 

Rhythmusmaschinensounds dazu, das alles höchst minimal und höchst 

seltsam .... 41 minutes, 2 pieces... 

„Along with one of his best titles this features some excellent artwork 

from Darren and comes in the ‘usual’ Twenty Hertz style in a jewelcase 

with printed inserts. What we hear however is a little harder to explain. 

Guitar and Organ improvisations mix with everyday environmental 

sounds and field recordings that were captured in Japan and 

contributed by Daisuke Suzuki. These two worlds collide to create a 

very intimate affair. Ominous paranoid undertones rattle the tranquillity 

of late night insects, the insanity of the day impeding on the faded light“ 

[label info] 

“... 'The Elves Are Coming' consists of him playing guitar and keyboard 

whilst in the background there is a field recording by Daisuke Suzuki. It 

was mixed in two days in early january of this year and, although it is 

never stated, it's probably recorded then also, as the whole thing has a 

very direct, almost 'live' feel to it. The guitar sometimes just 'hums' and 

seems not to be doing much, while we hear sounds of someone 

shuffling about in what seems to me a wooden cabin of some sort. It's 

the sort of ambient drone music that is not necessarily demanding 

much, more like a sort of coincidental colliding of sound particles. That 

may sound perhaps a bit too easy, but it's this apparent randomness 

that is quite nice.” [FdW/Vital Weekly] 

TAU CETI – Mizar maxi-CDR (Penumbra 021, 2006) € 8.50 

Very pure & clear contemplative meditation-drone-muzak. A one-tracker 

of near 24 minutes length which offers the very center of calmness & 

tranquility. 

* TIERMES – Malahvia CD-R (Saaren Levy, 2006) [handmade 

object cover, ed. of 653 copies] € 10.00 

Die finnischen Psychonauten sind zurück mit einem aufwendig 

verpackten Release (dickes schwarzes Ölpapier, grosses Poster), der 

sich auf über 70 Minuten in 3 langen Teilen ausbreitet.... zu hören gibt 

es trancige handgespielte Bass / Rhythmus-Strukturen a la EARTH & 

SUNN O))), aber auch weitflächig softe drones bestimmen das Bild, 

zentral ist das dritte ca. 40 minütige “Kan” welches mysteriöse Echo- 

Klänge mit metallischen Gong-Drones verbindet, super ! 

Far far away from daily reality ! 

“package : hand-finished cardboard case with tarpaper 

and rope shield. 

extras : large b/w poster with print on both sides. 

status : 1st edition of 653 copies, currently available. 

genre : ritual music, dark ambient 

Malahvia, the latest effort in series of audio releases by the 

performance and music group Tiermes, is presented after six years of 

intense experimenting and research on the fields of ethnopharmacology, 

-botany and ritual behavior during Fennoscandian 

prehistoric age. As a result, not being only a piece of sonic art, Malahvia 

can also be considered as a fine example of modern archeology, 

through which an idea and feel of what is beyond all things mortal is 

intelligently forwarded closer to the level of everyday life and death. 

Even if Malahvia, compared to the earlier releases, has a far more 

developed concept and sonic shape – it certainly is, as are all works by 

Tiermes, a strong manifestation on behalf of the use of sound as an 

instrument of transcendence. The group’s continuous devotion to create 

art through an experience, has proved to be the only way to find such 

essential emotions and dimensions that label the presence known as 

Tiermes. And as a present day example - Malahvia makes no 

exception.” [label info] 

"It's been several years since we last heard from Finland's mysterious 

drone ensemble Tiermes, and even then it was an ultra limited (100 

copies) cd-r packaged with a sheet of rusted metal. So odds are a lot of 

folks have yet to discover the mystickal black drone beauty of Tiermes. 

So a last here we have their only actual in-print cd release and it's 

nothing short of astounding. Again lovingly hand packaged, this time the 

cd is housed in a thick cardstock sleeve, wrapped in an unbelievably 

gorgeous two sided poster (so ultra detailed and intense, very 

reminiscent of Nick Blinko's artwork for Rudimentary Peni), the whole 

thing wrapped in thick black paper and tied up with twine. A dark and 

mysterious package that perfectly reflects the music within. Three 

lengthy tracks, the first, a glistening shimmer of minimal drone, like 

delicate layers made up of the overtones of struck bells or Tibetan 

bowls, a slowly radiating reverberation, that drifts and fades, like ripples 

in a black pond. The second track hints at Tiermes mainman Jussi 

Saivo's Finnish rock pedigree (early soundman for Circle, member of 

Circle side-project Ovalki as well as one half of Temple Of Tiermes with 

a member of Finnish doom band Unholy!) with ten minutes of ultra 

distorted electric bass, and a strange minimal squelchy rhythm, very 

Circular and hypnotic, the same figure repeated over and over. a 

gorgeous ultra simple meditation in dirge drone. Might hit the spot for 

adventurous SUNNO))) / Earth / Boris / Corrupted fans. The final track 

is a massive 40 minute track, or shimmering crystalline drone, very 

similar in makeup to the first track, but stretched even further out, with 

even more overtones and distant drones added to the mix as well as 

some strange minimal percussion. A truly otherworldly ambience, darkly 

dreamy and absolutely lovely. As beautiful and breathtaking as anything 

by Chalk, Coleclough, Basinski, Mirror, Monos, Ora or any of our other 

favorite dronologists." [Aquarius Records] 

* TOY BIZARRE – Kdi dctb 122[f] mCD-R (Taaalem alm31, 

2006) € 5.00 

Neues Material von TOY BIZARRE, seit jeher eines unserer Lieblings 

“turn field-recordings-into-something-new”-Projekte ! Wir bekommen 

eine Natursound-Traum-Melange zu hören mit anschwellendem Metall- 

Dröhnen wie bei BERTOIA & urlangem Klirr-Crescendo, fantastisch ! 

"kdi dctb 122 [f]" is an alternate mix from "kdi dctb 122". "kdi dctb 

122" was a sound work of interpreted cartography whose theme was, 

on one hand, the sound environment in an area of 750m around the 

village of La Pommerie (in the town of St Setiers), and on second hand, 

the sound events related to the birth of the morning dew in the same 

area. Work was made of many recordings in/on 10 "micro-places" of the 

area ; every element was recorded. These field recordings were later 

sculpted with hard & and software. "kdi dctb 122 [f]" was done in 

november 2005 by cédric peyronnet. This stereo-reduction was 

especially made for headphone listenings.” [label info]

* TROUM – Dreaming Muzak CD-R (Kokeshidisk kodi5, 2006) 

[first ed. 100] € 9.00 

Wiederveröffentlichung der ersten Troum-MC von 1997 mit zwei 

langen, dark-dronigen Stücken, die während des Schlafens gehört 

werden sollen… unlimitierte re-edition in Auflagen zu je 100 Stück ! 

“you may hear melodies 

you may hear voices 

you may hear anything you like 

this music was especially designed to be played endlessly during your 

sleeping hours. the Soundtrack to your dreams. 

troum 1997“ [original liner-notes] 

"dreaming muzak" was the first (and last) troum cassette-release and 

came out on the belgian label cling-film in october 1998 in an edition of 

100 copies in a handmade pillow-cover. It belongs with "ryna" (the first 

cd) and the "daur" 10'' vinyl to the first band-releases. both tracks on 

"dreaming muzak" were recorded in 1997 on analogue 4-track and are 

based on recycled material. "dreaming muzak part 1” had to be remastered 

from the original tapes, so it could differ a little from the 

original version.” 

Comes in oversized sleeve with artwork by Cyril Herry. This is an unlimited 

re-edition, once one edition is sold out the next one will be 

issued. 

* TWIN BLADES – My mind is a close shave CD-R 

(Discorporeality Rec. # 14, 2006) € 10.00 

Another project with URE THRALL, this one features CHAD SALVATA 

on Voice, Keboards & Percussion. Much more electronic and in a way 

“poppy” as we know URE, is this a kind of dark-electronic oriental wave, 

with some heavenly guitars & strange vocals as we love it, of course 

cosmic-spacey as hell again... 

* TWIN BLADES – Mesh CD-R (Discorporeality Rec. # 15, 2006) 

€ 10.00 

Project with URE THRALL and PAMELA PASSMORE (ASIA NOVA) 

and CHAD SALVATA. Re-mastering of older recordings. 

URE THRALL & THE FRUITLESS HAND – Forbidden Fruit CD-R 

(Audio Odditions #10, 1999) € 10.00 

Finally back in stock, this is the CDR-version of the very first URE 

THRALL – CD, originally out on Influx in 1999 ! 

„... sehr sphärische, dicke Soundscapes, die es mit VOICE OF EYE 

aufnehmen können. URE T HRALL hat früher bei VOICE OF EYE 

mitgespielt, und ist jetzt noch mit ASIA NOVA und als U-R-I aktiv..“ [old 

Drone Rec. Info] 

* David WELLS – Op.2 CD-R (Siridisc 001, 2006) [lim.100] 

€ 13.00 

Light drones, shimmering, field recordings, hisses... very soft.... 

very silent.... very far away... calm & peaceful.. nice CDR release of 

DAVID WELLS, known from his 20 HERTZ releases and his own label 

LOCUS OF ASSEMBLAGE. Recommended. 

“100 copies black disc, front and back with autographed disc face in 

clear clam shell. This is the full release of Op.2 with additional material 

from the same period. Re-mastered and Revised June 2006. All 

material 1994-2006. Assistance, Diana Del Pozo Sotillo. This release 

launches the label siridisc. 2.1 was originally released as part of the 

twenty hertz droneworks series.” [label info] 

”Fluctuations of electronic organisms, strange ear vibrations, caressing 

frequencies determining their own shape: it's all contained in David 

Wells' contribution to the growing (both in number and in quality) series 

of drone EPs by Paul Bradley's label. Wells shows his deep 

commitment to meditative washes of unprecedented imagery, pushing 

the intensity accelerator only that necessary bit to escape intermediate 

states; his music works at sky-high levels of evocation, particularly in 

the final segment where there is a clear connection between the sound 

of waves and the blurred sea shore cover picture. Everything here is 

pleasingly adorned with untroubled melancholy.” [massimo @ 

www.touchingextremes.org] 

* Klaus WIESE & OOPHOI – Deva Mela maxi-CDR (Penumbra 

034, 2006) € 8.50 

More “musical” as solo OOPHOI stuff, this contains very spheric female 

vocals and tamburine-sounds, harmonic and deep... 

“The companion disc to "Khumba Mela", with meditative atmospheres 

for tambura, voices and synths. 4 tracks. “ [label info] 

* WRIGHT, PETER – Unvarnished, Untreated, Unzipped CD-R 

(Pseudo Arcana / Seedy R, 2006) € 9.00 

Zweimal live-Extrakte vom neuseeländischen Pendant zu AIDAN 

BAKER, Gitarrenozeane und field recordings in unnachahmlicher 

Manier, mit unglaublich druckvollem Ende auf dem zweiten Stück…. 

Limitierte maxi-CDR. 

“ 2 incredible live trks recorded during Peter Wrights 2005 UK tour. 

Perhaps nothing more needs to be said? 

Well, ok then... The 1st trk was recorded in London and is built up from 

field recs and guitar loops in an ocean of reverb and is reminiscent of 

his work on Yellow Horizon and Desolation Beauty Violence. The 2nd 

trk was recorded in Aberdeen and features feed back loops and 

delayed strumming patterns that get more and more intense until they 

reach a truely spinetingling crescendo. Essential!“ [label info] 

3.1. CDR-COMPILATIONS 

* CRYOSPHERE CD-R (Glacial Movements GM001, 2006) 

[ed. of 300] € 13.00 

GLACIAL MOVEMENTS ist das neue Label von Alessandro Tedeschi 

aka NETHERWORLD, welches ausschliesslich Veröffentlichungen mit 

Bezug zu „eisigen Landschaften, vergessenen Orte, Eisfeldern & 

Eisbergen“ herausbringen will. CRYOSPHERE ist der erste Release, 

eine Compilation zum Thema, und bereits jetzt wird sie mit Lob 

überschüttet, da es keinen Ausfall gibt und sie wie „aus einem Guss“ 

klingt, sich dabei aber durch hohe Vielfalt in den Sounds & Macharten 

auszeichnet !!! Artists: CLOSING THE ETERNITY, NORTHAUNT, 

THO-SO-AA, LIGHTWAVE, TUU, TROUM, AIDAN BAKER, 

NETHERWORLD, OOPHOI. 

“Beautiful ambient experience, hidding 9 tracks in itself. The 

compositions are magnificently interlaced with ambient spaces and 

signals, taking us into the world, shrouded in night atmosphere together 

with the sounds reminding of the space...Let´s set out for a journey 

together, full of minimalist spaces, coated by signals from the 

darkness.This project impacts with such emotions and there is beautiful 

story hidden inside, almost a story, everyone must listen onself, to 

consider, itœ very beautiful ambient. Tracks are relatively long, but the 

more you enter the world full of mysteries.I recommend it heartily to 

everyone, keen on minimalist ambient and long dark trips...” [Alien E 

Zine] 

“With these artists you can't go wrong, so the sampler is an absolute 

must have if you like ambient, drones and minimal experiments. It plays 

for the full 80 minutes and - even though it is very hard to make a good 

sampler - this one worked out perfectly!” [Gothtronic] 

* NO ABIDING PLACES CD-R (AFE Records afe030lcd 060417, 

2006) [lim. 200] € 13.00 

Grandioser Überblick über die (grösstenteils) italienische Dark Ambient 

/ Experimental Drone / Post-Industrial-Szene! Einer unserer Lieblings- 

Sampler der letzten Zeit. Wer auf dunkle, flächige Musik steht, muss 

hier einfach zugreifen ! Kommt im grossformatigen ausklappbaren 

Folder ! 

„....All participants were asked to provide a finished track and an 

unfinished sketch to be used as a "bridge" between one track and the 

other. Andrea Marutti (Amon) took care about compiling and mixing the 

music to create a long uninterrupted journey through dark territories and 

uncomfortable landscapes. It took quite a lot of time to find the perfect 

combinations between the music created by twelve different artists, so 

the release date of the compilation was delayed until results were fully 

satisfing. Most of the musicians/bands involved in the compilation had 

one or more releases on Afe during the years, but we're also glad to 

present exclusive unreleased contributions by our best friends Canaan, 

Etere-o and Subterranean Source. Canaan, Bad Sector, Bestia 

Centauri and Amon are probably the most well-known musicians 

featured on the compilation and they are widely appreciated for their 

skills at creating original atmospheres. aal, Etere-o, Ornament and 

Subinterior are some of the best kept secrets of the italian underground 

experimental scene, and we truly hope that their music will get more 

and more exposure in the future. Moan and True Colour of Blood are 

two of the most affectionate Afe foreign artists and they both showcase 

a unique style at creating Dark Ambient music using software-based 

synthesis (Moan) and guitar + effects (TCOB). Subterranean Source 

debut album was released by Relapse in the USA some time ago; Non 

Ethos is probably best known for being one half of the norwegian duo 

Northaunt. As mentioned before, all tracks on "No Abiding Places" are 

unreleased, with the exception of Ornament's "From Concealed 

Gardens", Subinterior's "Metropolis" and aal's "All That Fall", which 

were included because they perfectly fit to the spirit of this project, and 

they help to make this journey into the dark side of music even more 

pleasant.” [label info] 

"The dark ambient and experimental electronic maestros have excelled 

themselves with their contributions making "No Abiding Places" a 

recording that can only be called one thing… magnificent." 

[Aural Pressure]

* PYLONES AND TELEGRAPH POLES CD-R (Evelyn Records 

eve09, 2001) € 8.00 

Excellent british Compilation with KARINA ESP, DUAL, NIXXOS 

LEXXOS, iD, CULVER, JOHANN WLIGHT, ROB GALPIN, 

AMBERLIGHT, ARABELLA'S PARADE, solely british experimental 

drone & ambient-noise-artists. Professional full-colour cover & label 

printing. Sold out at the label, absolutely last copies ! 

* SURROUNDING: AN EXPERIMENTAL MUSIC COMPILATION 

CD-R (TRAquetO RECords TQ:006, 2004) [lim. 100] € 10.00 

Gute Übersicht über experimentellen Drone & Ambient aus UK, auf 

dem RYN-Label! Neben RYN gibt es Material von VIOLENCE BEYOND 

THE SNOWLINE (extreme sub-bass drones), TENHORNEDBEAST 

(sinister noise-ambience), HARM (dark guitar drones & low feedbacks), 

TROLLMAN AV ILDTOPPBERG, CULVER (great low-fi hypnosis), LEO 

SLAYER, und SNOTNOSED. 

Das Material liegt überwiegend im düster-dröhnigen, gitarrenbasierten 

Bereich, das label nennt das „Post-Isolationism“.... damn... 

Kommt als DVD-Box mit Booklet. 

Good overview about the new experimental drone & ambientdevelopments 

from UK, on the label run by RYN !! 

Lim. 100 in DVD box with booklet. 

3.2. VISUALS : DVDs / Video-CDRs / VHS / 

Åke HODELL -Lågsniff DVD (Hall Tjäften TJÄFT 001, 2002) 

€ 15.00 

Extremely rare obscure HODELL-DVD, back in stock !! 

“Directed by: Åke Hodell and Per Wiklund 

Photo: Per Wiklund 

Performers: Åke Hodell, Torsten Ekbom, Bengt Emil Johnson, 

Leif Nylén, Sissi Nilsson and Elisabeth Nylén. 

Running time: 20 minutes 

“This is one of the most essential DVD-releases of 2002, by the 

controversial Swedish text-sound poet Åke Hodell (1919-2000). 

"Lågsniff" is only screened once on Swedish television in 1965, and 

then creating such a stir that the film immediately was put into the dark 

vaults of SVT, where it has been hidden since. Now the amazing visual 

recording of the event has been made available on DVD, 37 years after. 

This experimental stageplay is a masterpiece in the use of live voices, 

(by fellow leading avantgardists of the time, Bengt-Emil Johnson, Leif 

Nylén a.o.) black and white cut ups and an innovative use of the 

camera.” [label description] 

* RABELAIS, AKIRA / STEPHAN MATHIEU - Quién era aquella que 

te amó DVD-R (Conv CNVR09, 2006) [lim. 100] € 12.50 

Ultra spheric drones and a mind-blowing dia-show with ultrafast 

subsequently appearing pictures, once you saw this in full you are 

overflooded with thousands of visuals, taken from all kinds of sources, 

this is one whole world on one piece, or thousand worlds in one world. 

After a while this has a stunning, hypnotic effect. The brain is simply too 

overloaded to « think » about what it perceives... Nearly 50 minutes of 

music and visuals... 

“Conv is proud to present this unique collaborative audiovisual work 

between Akira Rabelais (video) and Stephan Mathieu (audio). As with 

all of Rabelais' oeuvre, this one is again a deep, fundamental semiotic 

intrigue - or rather, an indeterable rumble with Aporia; a looking-glass 

tumble down a dead-end street; a non-stop magic-lantern show with the 

epic dimensions of the platonic cave-parabel (or of a non-stop erotic 

cinema program). With only the poet's initiatory words for sustenance 

one steps into the looking glass - the empty frame - to fall smack in the 

realm of the blind, unyielding and uni-directional 'drone' of life (whether 

lived or googled is of no essential consequence within this realm of 

existence). This movement though is but the substratum of a gentler 

phenomenology introduced by Mathieu's vibrant search for the minute 

detail, for the ghost in the machine, adding a new sense of perspective: 

a sense of the gradual calibration of the moved to the mover. The alien 

mechanics perpetuating the weaving-loom finally become instances of 

encounter with oneself - not as in a looking glass, but in an experience 

of unreflected recognition.” [label info] 

* THE SPACE VOYAGE (SOUND DESIGN BY VETROPHONIA) 

DVD-R [lim. 250] (Zhelezobeton ZF-1, 2006) € 12.00 

Der legendäre russische Science Fiction-Stummfilm SPACE VOYAGE 

über eine Reise zum Mond von 1936 mit zeitgemässen „retrofuturistischem“ 

Soundtrack von VETROPHONIA (das sind die St. 

Petersburger NICK SOUDNICK & ALEXANDER LEBEDEV-FRONTOV 

- ex ZGA und LINIJA MASS). Alle Stummfilm-Untertitel sind auf 

kyrillisch & wahlweise englisch, der neue Soundtrack untermalt sehr 

passend die einzelnen Abschnitte in neo-klassisch / pompös-heroisch / 

post-industrieller Weise, Cover & begleitendes Booklet sind liebevoll 

gestaltet. Länge: 65 Minuten. 

“The science fiction film "The Space Voyage" was first shown in Soviet 

cinema theatres in January 1936. The showing was preceded by two 

years of work at Mosfilm studio done on a firm scientific basis - the 

consultant of the project was Konstantin Tsiolkovsky. With his help 

Soviet cinematographers managed to create a surprisingly realistic 

image of a journey to the Moon for that time - long before the beginning 

of real space research. The film narrates about the bravery of young 

pioneers, the willingness of Soviet women to always come to aid, the 

fearlessness of scientists and their determination to sacrifice their lives 

in the name of science. Serious approach to shooting didn't prevent the 

director V. Zhuravliov and the screenwriter A. Filimonov from treating 

the plot with humour, but in general the picture is just saturated with 

powerful heroic spirit! 

The original film had a soundtrack compiled of various classical music 

compositions. But what can be more appropriate to the constructivist 

spirit of Soviet time than the retro-futurism of St. Petersburg's noise 

scene classics? The Vetrophonia duet consisting of Nickolay Soudnick 

(ZGA) and Alexander Lebedev-Frontov (Linija Mass, Stalnoy Pakt, 

Veprisuicida, etc.) solved this task with enthusiasm. During 2005 while 

working in the ZGA studio they laboriously collected samples, recorded 

the parts of electronic and acoustic instruments and composed collages 

for each specific scene of the film. The result turned out to be beyond 

all praise. 

The DVD-R with the movie has an option of turning on English subtitles, 

comes with a booklet containing an article about the shooting process 

and is packed in a special cardboard sleeve. 

The release page: http://zhb.radionoise.ru/eng/zf-i.html 

Screenshots: http://zhb.radionoise.ru/eng/zf-i-screen.html“ [label 

description] 

4. CDs 

* AFFLUX – Bordeaux TNT CD (Alluvial Recordings / and/OAR 

and/all1, 2006) € 12.00 

Der französische field recording-Meister ERIC LA CASA widmet sich in 

letzter Zeit verstärkt Kollaborationen mit anderen Musikern, wo er dann 

im eher improvisatorischen Kontext arbeitet. Auf ‚Bordeaux TNT’ ist er 

im Zusammenspiel mit ERIC CORDIER und JEAN-LUC GUIONNET zu 

hören. Der gesamte Raum des Kulturzentrums TNT in Bordeaux wurde 

von den dreien mit Kontakt- und Feld-Mikros bestückt, und in „real time“ 

zu einer 6-stündigen Performance gemixt. Eine unbeschreibbare, 

schwelende Klanglandschaft aus konkreten Material und 

langgezogenen Geräuschen ist daraus entstanden, das wirkt wie das 

unbewusste aurale Abbild eines von menschlichen Aktivitäten 

bevölkerten riesigen Gebäudes … One-tracker, ca. 50 min. 

“Your ear is an excellent microphone. Imagine to be in a crowded place, 

close your eyes and listen. You will pay attention to detailed sounds 

around you, simply because your mind allows you to ignore the 

surrounding sounds, those you don't want to hear. Afflux does 

something like that, except that they use real microphones and contact 

microphones in a location. TNT cultural centre in Bordeaux is 

apparently a big building with a bar/restaurant, offices, concert space 

and a top floor. Afflux attached many contact microphones to all of 

these places and they were connected to a 32 channel mixer and the 

resultant mix was played over eight speakers in the concert half. The 

whole concert lasted six hours. Afflux is the collaboration of Eric 

Cordier, Jean-Luc Guionnet and Eric La Casa, all three composers in 

their own right. From the six hours of recordings, Eric La Casa edited 

this fifty one minute CD, with just one piece. We hear sounds that we 

recognize, like people talking, the elevator, maybe the coffee machine, 

but they all appear to be far away, or embedded in a strange 

environment - maybe like we would hear this when we would inside 

such a big environment ourselves, but now the ears don't select: the 

selection has been made for us, by La Casa. Our ears are now 

focussed on this CD, and not the rain outside, or own coffee machine. 

This makes this into quite a strange listening affair, since we recognize 

the daily sounds that we would always recognize but also all these 

other sounds. It makes this however not an uneasy affair, but rather a 

fascinating one: what are these sounds, and where are they going to? 

It's a highly captivating soundscape that is captured here. Not so much 

with a 'story' or a 'composition', but ambient music in the true meaning 

of the word: music made of the ambience. Gorgeous music.” [FdW / 

Vital Weekly] 

* AGHIATRIAS – Ethos CD (Epidemie Records EPR054, 2006) 

[lim. 500] € 13.00 

Sehr wuchtiger, dämonisch-orchestraler Katakomben-Industrial aus 

Prag, ins Atonale driftender Bombast... for friends of dark neo-classic

industrial like IN SLAUGHTER NATIVES or ATRIUM CARCERI a must 

!! “Brand new album of Prague chorus AGHIATRIAS overflow you with 

an apocalyptic orchestral dark industrial. Compared with the previous 

album “Regions of Limen”, newcomer “Ethos” has shorter footage, but 

you can expect more aggressive conception of the whole thing. Limited 

edition of 500 copies in digipak.“ [label info] 

* ALVARS ORKESTER – Interference CD (Ash International Ash 

6.9, 2006) € 14.00 

Lange bestehendes schwedisches Post-Industrial Duo mit erster CD! 

“Analogue sound experiments from old Sweden 1987-2006+ 

This album is the first release in what will be the 13th anniversary since 

the foundation of Ash International. 

'Interference' by Alvars Orkester was edited by Mike Harding and Philip 

Marshall, who here also designs his first CD for the label. 'Interference' 

consists of analogue drones, interspersed with hardcore electronics, 

hair-raising voices and spine-chilling ambience. 

Alvars Orkester, was formed in 1987 in Johannishus, a small village in 

the south-east of Sweden by a group of young boys interested in the 

mysteries of psychic sickness, mental institutions, the industrial music 

culture and the power of sound. For the first very creative years, Alvars 

was very active within the independent cassette culture scene releasing 

their stuff (that quite soon drifted from the industrialism inspired by Test 

Dept, TG, SPK and z’ev to an atmospheric, psychedelic and quite 

ambient version of noise) on small labels in Italy, Portugal, USA etc. 

AO was always very closely connected to the Börft Records label, run 

by the two core members Jan Svensson and Joachim Nordwall. Börft 

was a label for weird electronic experiments, noise and industrial. In 

1994, Nordwall left the label and Sweden (to return to the country 

forming the iDEAL Organisation but never to Börft and the south-east) 

and Svensson continued by focusing on bent acid house and dance 

stuff. The psychedelic aspect of the music came in though an early 

interest in natural drugs and the need to investigate different ways of 

messing with the mind. For years, AO remained silent with a few short 

exceptions, but in April 2005, Nordwall and Svensson recorded the 

'Interference' album for Ash International. Coloured by Svensson's 

increasing paranoia sickness and the tension between the two that 

have been there since their youth, they put down the aspects of the 

mysteries of psychic broadcasting and manipulation on tape. 

Long sessions during the years in the mainly analogue Studio Styrka in 

Johannishus built up a huge archive of recordings, most unreleased to 

date but slowly being brought to light by labels like Kning Disk, RRR 

and White Tapes. 

”Swedish noise combo Alvars Orkester were active in the 80s Industrial 

cassette underground. Interference marks the return of core members 

Jan Svensson and Joachim Nordwall after a long layoff. Inspired by 

faintly ghoulish interest in extreme mental states (both psychic and 

chemically induced), the duo present four highly involving pieces, some 

of which feature source material dating back to the group's beginnings. 

Their approach switches between slowly evolving electronic 

dreamscapes ("Field Grey") and noise constructions ("Cobra Mist"); 

"Reality Distortion Field", the album's highlight, pits feedback whine 

against processed and cut-up voices, occupying a space somewhere 

between the two poles. There's a sense of careful restraint about 

Interference, evincing a reluctance on the part of the duo to be drawn 

into making noise for noise's sake.” [Keith Moliné / THE WIRE] 

* ANENZEPHALIA / INADE / OPERATION CLEANSWEEP – same 

CD-Box (Teito Sound Company TEITO-006, 2006) € 14.00 

“Great split album between the three projects Anenzephalia, Inade and 

Operation Cleansweep. Just over 10 minutes of all exclusive, 

unreleased material by each group. Unsettling drones and pulverizing 

frequencies done in the best fashion of all these projects. Released by 

Japanese label Teito to go accompany the first live appearances of all 

three bands in Tokyo, Japan. Comes in plastic snapcase with protective 

cover and an insert for each band.” [Cold Spring Records] 

* ANTHESTERIA – Nebesnaya CD (Der Angriff Nr. 24, 2005) 

[ed. of 300] € 13.00 

„Journal of Transfiguration“ lautet der Untertitel, und im Innencover wird 

GUSTAV MEYRINK zitiert: „Wir selbst sind Gebilde, aus Zeit gemacht, 

Leiber, die Stoff zu sein scheinen und nichts anderes sind als 

geronnene Zeit.“ Entsprechend fragil & melancholisch sind die 

manchmal zart-düsteren, neo-klassisch angehauchten Kompositionen 

auf NEBESNAYA... 

Kommt im parfumierten Cover, vergänglich wie irgendwas ! 

“The second Anthesteria album tells a story of a journey through a 

fragile world of emotions and perceptions known to everyone, а sound 

realization of the author's diary. The atmosphere of the ghost winter 

city, the decadent but charming open-air museum called St.-Petersburg, 

which was the hero of the first CD "Beyond Nimbostratus" is still here, 

but it's just a scenery or background for multiplying illusions which make 

up the charm and value of human life. Keeping the trend established in 

their debut, Anthesteria added martial drums, recitative voice and some 

ethnic elements in a number of tracks. Raison D'Etre-like dark 

ambiance meets neo-classical strings and analogue synthesizers, at 

times the result sounds as depressive as some early Coil stuff. As its 

predecessor, "Nebesnaya" is also accompanied with a photo-booklet 

which adds a visual dimension to the album. CD comes in a full-colour 

aromatized fold-out digisleeve with a booklet, this edition is limited to 

300 copies only.” [press release] 

* AUBE – Comet do-CD (Cipher Productions sic23 / Troniks 

TRO-218, 2006) € 14.00 

AUBE tries to find new ways and uses on COMET „ICE“ and „SPACE“ 

as sound-sources in order to create droney & strange-rhythmical 

trance-tunes, very dry space-atmospheres, especially the second disc 

SPACE is excellent and highly recommended !! 

* BAD SECTOR / ASTRO – Idio Blast CD (Insofar Vapor Bulk 

IVBCD10, 2005) [ed. of 500] € 14.00 

Eine der gesuchtesten BAD SECTOR-Veröffentlichungen bisher, da es 

kaum Distribution dafür gab: Diese one-tracker Collaboration mit 

ASTRO (45 min) ist verpackt in einen MECCANO-artigen 

konstruktivistischen Bausatz aus dicker Pappe, der sich zu einem 3-D- 

Objekt zusammensetzten lässt, in dem die CD immer noch Platz hat. 

IDIO BLAST verzaubert mit drones und regelrecht glitzernden Klängen, 

kristallin-klar und glasig-summend und mit seltsame Zwischentöne 

versehen... 

“Initial material for this released was recorded by Hiroshi Hasegawa 

(Astro) and then manipulated and re-organized by Massimo Magrini 

(Bad Sector). Resulting sound of the album reminds something Aubelike: 

attenuate abstract electronic waves with highly detalized structure, 

nothing like traditional Bad Sector sound at all. The artwork of this 

release deserves separate description: it's a cardboard meccano kit 

with engineering instruction, by following it's notes you can assemble 

technic-like construction of decent size, in which the CD with booklet 

should be put. Besides the album itself, the CD contains some extra- 

material from Astro in ogg format (player installer can be found on 

CD as well), screensaver and several wallpapers for your computer 

desktop.” [Artyom, ZHELEZOBETON] 

* BAD SECTOR – Kosmodrom “box” edition CD & maxi-CD 

(Waystyx WR15 & 16, 2006) [lim. 185] € 29.00 

Special edition of the new album with bonus maxi-CD !!! 

Lim. 185 copies, contains bonus-CD with 4 bonus-tracks & 6 postcards 

& banderole!! 

„Massimo Magrini aka BAD SECTOR bleibt nicht beim Erreichten 

stehen sondern versucht stets, seine Musik konzeptuell und klanglich 

zu erweitern. KOSMODROM ist inspriert vom gleichnamigen sowjetrussischen 

Raumfahrprogramm und tönt weitaus elektronischfuturistischer, 

eingängiger und rhythmischer als gewohnt; Funksprüche, 

Sinus-Clicks & Äther-Electronics füllen die repetitiven Grundierungen 

auf... kommt in einem aussergewöhnlichen milchig-weisses Plastik- 

Folder, mit luxuriösem, informativen Booklet... eine adäquate 

Umsetzung des Themas und ein weiterer sehr hochwertiger Release 

auf dem russischen Seitenzweig von COLD LANDS.“ [Drone] 

“Cherish sounds and noises from a world long lost. Comes in extra-size 

plastic sleeve with extensive booklet on the subject matter” [label info] 

“I finished the mastering of a concept album based on russian/soviet 

space mission, named Kosmodrom. It's less ambient and noisy that 

previuos works, with a bit of mechanical pseudo-rhythms inside.” 

[Massimo Magrini] 

* BAILIFF, JESSICA – Even in Silence CD (Kranky KRANK026 ) 

€ 15.00 

“Words over used in music reviews; 'haunting', 'evocative', 'beautiful', 

and 'powerful'. Words that fit Even In Silence perfectly: 'haunting', 

'evocative', 'beautiful', and 'powerful.' ... The album is gentle, delicate 

even, with occasional harshness contrasting and complementing the 

whole." [Outburn Mag] 

“Debut album from Jessica Bailiff from Toledo, OH. " Across Even In 

Silence extended guitar figures float over Jessica's vocals, bass, drums, 

samples and percussion. The album is an affecting mix of instruments 

and Jessica's beautiful vocals that leave trails of melody for the listener 

to follow. The mix of the album allows echoing piano chords, traces of 

bass guitar or whiffs of percussion to emerge from the clouds of guitars. 

A delicately balanced mix of organ lines and rhythm is placed next to 

Jessica's fragile vocals, followed by deep guitar drones." [label info] 

* BAILIFF, JESSICA – Hour of the trace CD (Kranky KRANK038, 

1999 ) € 15.00 

„Ein Album zwischen klassischem, wunderschönem Songwriting und 

ernsthafter unkonventioneller Soundforschung, dominiert von den sehr 

emotionalen Vocals der Sängerin. Vor dem Fenster das erste

Herbstlaub und es ist schön, in Zeiten wie diesen mit solchen Platten 

durch diese Jahreszeit getragen zu werden.“ [Grau Online] 

With her second album Jessica Bailiff has expanded and defined the 

ravishing sound that typified Even In Silence. Hour of the Trace can 

entrance with Bailiff's delicate and alluring vocals, overwhelm with 

waves of guitar feedback, stumble along in molasses slow rhythms, 

evoke country gatherings around the pump organ, or puzzle with a 

clackety-clack that sounds like an old kinetoscope. It is not only an 

incredible personal statement from Jessica Bailiff but a work that invites 

complete immersion. Unlike so many post-rockers content to coast on a 

few effects pedals, Jessica Bailiff combines serious sonic research with 

songwriting. It's the familiar aspects of the pop song and Jessica's 

beautiful vocals that lure the listener in." [label description] 

Aidan BAKER – An intricate course of deception (Angle Records 

A.R.05.01, 2004) [lim. 300] € 13.00 

“...This album is released by the small label Angle. It's made of 4 

pieces, the first one being the longest with it's 25 minutes and it's a 

blissful drone ambience, extremely calm and kinda warm, like 

something from Windy & Carl. The common peaceful atmosphere goes 

on but also some gentle noises appear later, not disturbing at all but 

adding more intensity, and also the mood gets darker at the end. Aidan 

knows how to make good and interesting droney music, he's developing 

the sound with lots of patience, realizing the ideas in a very proper way 

and without much unnecessary improvising, 'cause this is still drone 

music and there's not much space there for typical improvisations, one 

should have an idea what to do. And Aidan knows what to do to keep it 

interesting even when the pieces are longer than 20 minutes. So it's not 

a surprise Drone Records have noticed this and he's releasing a 7" for 

them soon. Excellent.” [BR/Vital Weekly] 

Address: http:// www.angle-rec.net and http://listen.to/aidan 

Back in stock last copies, comes in nice 7”-sleeve!! 

* Aidan BAKER – The Sea swells a bit... CD (A Silent Place 

ASP06, 2006) € 13.00 

AIDAN BAKER besingt die tiefe See, den Ozean, sterbende 

Seemänner. Dicht und undurchdringlich, dunkel gefärbt & geheimnisumwebt 

sind seine drei langen Stücke auf dieser CD für den SMALL 

VOICES-Ableger. Wie so oft arbeitet BAKER mit urlangen 

Gitarrenloops, schichtet Zirkel auf Zirkel und sich allmählich 

aufbauenden Crescendos.... ab dem zweiten Stück durchziehen sanfte 

Perkussion und Bass-Grooves die Flächen, und das ganze erhält einen 

leichten Psychedelic-Touch.... 

“A Silent Place proudly presents the new AIDAN BAKER cd album! 

Aidan Baker is one of the most important emergent artist of the last 

years...! Probably this is the most important "musical" Aidan Baker 

release..., in fact here the sound is comparable to the best (obscure) 

psychedelic post-rock releases including great droning, hypnotic and 

honeiric atmospheres. Spontaneously composed by Aidan, who plays 

guitar (electric & acoustic), bass, tapeloops, drum machine and 

percussion in his droning 'fashion soup'. In this album Aidan uses (as 

usual) his guitar but also other instruments and tools like tapeloops and 

sampled dialogue. The result is the three long and beautiful tracks that 

constructs this album. 44 minutes of hypnotic ambient drone textures in 

a deep psychedelic & post-rock attitude. His guitar treatments and 

amazing looping work get more and more marvellous, as the droning 

increasing percussions take the listener to a peaceful state of mind. The 

sound rises all around as the stream floods to the seaside, giving refuge 

to emotions through numbing clouds of murmuring electric voices. 

Aidan's performances high standards and his instantly recognizable 

style are here well confirmed, adding to the excellent level of his 

discography!” [label description] 

* Aidan BAKER – Oneiromancer CD (Die Stadt DS90, 2006) 

[ed. of 600] € 15.00 

New work on the prolific DIE STADT-label, as spacious and 

experimental as you could imagine.... one of his best works definitely ! 

“Aidan Baker is a musician & writer currently based in Toronto, 

Canada. Classically trained in flute, he is self-taught on guitar, drums & 

various other instruments. He has released numerous CDs on 

independent labels from around the world. He is author of two books of 

poetry, two poetry chapbooks, & has published poetry, fiction, & 

criticism in various international & scholary journals. 

As a solo artist, Baker explores the deconstructive sonic possibilities of 

the electric guitar as a primary sound source, creating music that 

ranges from experimental to post-rock to contemporary classical. He 

performs the experimental collective ARC & the ambient/doom metal 

project Nadja. He has also composed work for the The Penderecki 

String Quartet & The Uxbridge Chamber Choir. This is his first album for 

Die Stadt, using electric/bass guitars, drum machines, tapeloops, 

vocals. The CD comes in a full colour four-panel digisleeve with artwork 

by Aidan Baker.” [label info] 

* Aidan BAKER – Oneiromancer do-CD (Die Stadt DS90*, 2006) 

[ed. of 300 with bonus CD] € 19.00 

New work on the prolific DIE STADT-label, as spacious and 

experimental as you could imagine.... one of his best works definitely ! 

Special version with bonus-CD, act fast !! 

“Aidan Baker is a musician & writer currently based in Toronto, Canada. 

Classically trained in flute, he is self-taught on guitar, drums & various 

other instruments. He has released numerous CDs on independent 

labels from around the world. He is author of two books of poetry, two 

poetry chapbooks, & has published poetry, fiction, & criticism in various 

international & scholary journals. 

As a solo artist, Baker explores the deconstructive sonic possibilities of 

the electric guitar as a primary sound source, creating music that 

ranges from experimental to post-rock to contemporary classical. He 

performs the experimental collective ARC & the ambient/doom metal 

project Nadja. He has also composed work for the The Penderecki 

String Quartet & The Uxbridge Chamber Choir. This is his first album for 

Die Stadt, using electric/bass guitars, drum machines, tapeloops, 

vocals. The CD comes in a full colour four-panel digisleeve with artwork 

by Aidan Baker. 

The first 300 copies include a bonus CD featuring a live performance 

recorded in April 2005 Toronto, Canada, using electric guitar sounds 

only. Edition of 600 copies.“ [label info] 

* BAND OF PAIN – Through the Past darkly do-CD (Fin de Siecle 

FDS16, 2006) € 14.00 

Eine Art Retrospektive mit reichlich rarem Material des neo-klassisch 

angehauchten britischen dark ambient–Projekts von STEVE PITTIS, 

der auch Mitglied der SKULLFLOWER-Konkurrenten SPLINTERED 

war, und inzwischen recht erfolgreich das DIRTER PROMOTIONS 

Label betreibt. 

“In 1994 Steve Pittis of Splintered started the side project Band of Pain, 

creating both beautiful and disturbing avant garde electronics. Since 

then he has released numerous records and CDs on labels like Dirter 

Promotions and Cold Spring Records, and many of them has now 

become very rare. "Through the Past Darkly" is a double album which 

contains a "best of" as well as rare singles and previously unreleased 

recordings. All in all twenty track of dark cinematic ambience - with 

broad sweeps of gloomy drones set upon a muttering bed of noise and 

disconcerting vocals.” [label press release] 

* BARADELAN – Infrasonic Cathedral CD (L.White Records LW- 

035, 2006) [lim. 300] € 13.50 

Endlich was neues von BARADELAN, dem Sci-Fi-ambient Industrial- 

Projekt mit Hang zur Psychophysik. Die einnehmenden dunklen 

Soundscapes verbreiten eine klinisch-wissenschaftliche Atmosphäre & 

verweisen auf die unterschwellige Bewusstseinseffekte von Klang. 

“CD lim. 300 / special package (DVD case). new album from 

BARADELAN / 9 intelligent dark ambient tracks / infrasonic sounds, 

dark frequencies and psychoacoustic elements” [label info] 

9 tracks, 67+ minutes 

* BARDOSENETICCUBE – Deadhead CD (Steinklang Industries 

SKD10, 2006) [lim.500] € 13.50 

Überraschung für BARDOSENETICCUBE: “Deadhead” ist ein 

durchkomponiertes, neo-klassisch-orchestrales Werk voller Bombast 

und dunkler russischer Choräle, martial-industriell & düster-elegisch 

hämmernd, aber auch ruhige, eher elektronische Stücke kommen vor, 

viele Gastmusiker (Saxophon, Gitarre)... am höre und staune ! 

“New album of Bardoseneticcube is the whole surrealistic musical 

performance which is impossible to squeeze into the boundaries of any 

genre. Six untitled pieces reveal the labyrynth of sonic cobwebs born in 

the depths of subconscious mind of Igor Potsukailo and his brothers in 

arms (several guest musicians took part in recording sessions - two 

guitarists, saxophonist, etc.). The basis for the most tracks is formed by 

the hybryd of orchestral-ethno-electronic rhythmics and it's layered over 

with melodic lines walking from composition to composition and 

completely unexpected samples hardly rationally coordinated 

with musical context. For sure, this time Igor's talent has beaten all the 

stylistical limitations - the album sounds very organic and energetic.” 

[Zhelezobeton] 

“first of all: DEADHEAD is totally different to all other releases from this 

great Russian experimental-ambient artist. DEADHEAD is simply 

brilliant electronic music, mixed with Neoclassical elements and 

Russian samples and hymns. some tracks appear with Martial drums 

and trumpets, others feel more like the finnish cult-label Sähkö. 

DEADHEAD is without doubt the most musical work of 

Bardoseneticcube. listen to the mp3s; you will be surprised!” [label info] 

* BATES, MARTYN / ANNE CLARK – Just after Sunset. The Poetry 

of Rainer Maria Rilke CD (NetMusicZone Records nMZ 040242, 

1998/2002) € 16.50

“And night by night, down into solitude, the heavy earth falls far from 

every star...” Available again, this beautiful melancholic and poetic 

release! MARTYN BATES & ANNE CLARK have created song-circles 

with poems of RAINER MARIA RILKE, all music is composed by 

MARTYN BATES and performed with Guitars, Piano, Melodica, 

Whistles, Viola, Cello by him and various guest-musicians. ANNE 

CLARK is reciting the poems (all translated from original german into 

english), whereas MARTYN is singing in the background.... 

Very pure romantic songs about deep emotions of love, yearning & 

loneliness, nature & music.. 17 tracks, 52+ Minutes 

BEEQUEEN – Long stones and circles mCD (Staalplaat STmCD 

004, 1997) € 8.00 

Wieder einige Kopien reingekommen von BEEQUEENS 

Veröffentlichung über RICHARD LONG. 

“Recording on this 18 minute piece started in 1992 and were finished in 

1995. It was not released until now, because we couldn't find the right 

package for it. Now it is presented in dark green paper, with silver ink, 

and a flower printed in black lacq. The 11x11 cm cover is sewn 

together. This work, although not made for radio, is very much like a 

radioplay. It introduces the listener to the work of land artist Richard 

Long in sound and words. Many natural sounds are used, such crickets, 

stones, wind, salt, branches along with instruments such as guitars, 

metronome. Two voices, one male and one female recite texts by 

Richard Long. One is the '100 Tors' text and the other 'Long Stones' - 

adapted by Freek Kinkelaar. Both these texts appear on the front cover. 

Beequeen is a duo with Freek Kinkelaar and Frans de Waard. They 

exist since 1988 and have a variety of vinyl and CD's available (two of 

them on Staalplaat). Their music is called by others 'ambient industrial', 

but is much more based on musique concrete with their own added 

twitch to it. 'Long Stones & Circles' is probably their most mature work 

to date.” [label info] 

BEEQUEEN – A touch of brimstone CD (Korm Plastics KP 3011, 

2002) € 13.00 

Fantastische Zusammenstellung mit rarem Material des Duos, sehr 

sphärisch & post-industriell geprägt, als Zugabe zu „do be do“ zum 

10jährigen Bestehen der Band. Kommt mit fettem Booklet mit linernotes 

von verschiedensten Leuten die die Entwicklung der Band 

verfolgt haben: TILL KNIOLA (Auf Abwegen mag.), SEWARD D. 

FARAN, TERRY BENNETT, ELENKA FREIKKAR, BARAKAH. 

“Beequeen planned to celebrate their tenth anniversary in 1999 with two 

releases. The first was 'Do Be Do - an anthology of live recordings', 

which was released as a limited 2LP set on Plinkity Plonk in 1999 (now 

available as a CDR). The second one was an anthology of recordings 

that were hard to get and/or previously unreleased - a CD called 'A 

Touch Of Brimstone'. 'Brimstone' was sent to various labels who 

expressed their interest in releasing it, but somehow and somewhere 

lost interest. So merely three years in the process of making, it's now 

finally available. 'A Touch of Brimstone' features many unreleased 

recordings from 1989 to 1995, aswell as a one cut from the now longdeleted 

Scala Destillans LP. This release comes with a 32-page 

booklet, with many exclusive flyers from concerts and hilarious, not 

seen before, photographs of the band and a fully updated discography. 

The texts in this booklet are by Till Kniola (Auf Abwegen magazine), 

Baraka[H] (Troum), Terry Bennett (Beequeen's webmaster), Elenka 

Freikkar (longest dedicated fan) and Seward D. Faran (Institute for 

Electrical Music). Many of the previous releases by Beequeen are no 

longer available and this collection fills a gap in many ways: the gap in 

the collection of truly devoted fans and newcomers alike, who wish to 

take a look in the past. Beequeen explores the depths of mind music in 

their own blend of electronics, drones and unique use of samples.” 

[label press release] 

* BELONG – October Language CD (Carpark , 2006) € 13.50 

TIP für alle Sphären-Drone-Gitarren-Fans! Melancholisch warme 

Fuzzgitarren, Feedback-Ozeane, Digitaleffekte.... aber das alles 

reichlich sanft und hochsensibel & himmlisch ausufernd... 

FENNESZ und TIM HECKER sind nicht weit, aber auch SLOWDIVE 

und MY BLOODY VALENTINE..... 

„BELONG als Duo folgen hart auf der Spur der Fuzz-Anbeter von MY 

BLOODY VALENTINE, FLYING SAUCER ATTACK oder SPACEMEN 

3. Würde man BELONG allerdings direkt fragen, wen sie zu ihren 

Einflüssen zählen, würden in der Antwort mit großer Wahrscheinlichkeit 

die Worte William Basinski oder FENNESZ fallen. Das Debüt ,October 

Language" ist ein Abbild der BELONG-Heimatstadt New Orleans: auf 

der einen Seite Sonnenschein und schillernde Farben, auf der anderen 

Seite Schweiß, Zerfall und tiefe Traurigkeit. Die melodischen Ambient- 

Stücke vermögen es, dem Hörer totale Entspannung oder 

fingerknöchelbeißende Angst zu vermitteln - je nachdem, in welche 

Richtung man den Lautstärkeregler dreht. Leider wird ,October 

Language" eines der wenigen Alben sein, die dieses Jahr aus New 

Orleans kommen. 

BELONG are a duo from New Orleans that follow in the tradition of 

fuzzed-out folks like MY BLOODY VALENTINE, FLYING SAUCER 

ATTACK and SPACEMEN 3. Yet if you asked BELONG about their 

sources of inspiration they would say contemporary composer William 

Basinski or FENNESZ. Their debut CD "October Language" 

encapsulates their hometown of New Orleans, at once bathed in 

sunlight and color, yet dripping in sweat, decay and a rich sadness. A 

collection of ambient melody-suffused pieces that can either put you at 

ease or scare the crap out of you (depending on how loud you listen to 

it), sadly "October Language" might be the only record you'll hear from 

New Orleans this year. Additional production and mastering work by 

Joshua Eustis of TELEFON TEL AVIV. Turk Dietrich of BELONG has 

collaborated with Joshua Eustis under the name BENELLI, whose remix 

of NINE INCH NAILS' "The Frail (version)" is found on the acclaimed 

NIN EP "Things Falling Apart".” [press release] 

* BIANCHI, MAURIZIO & TELEPHERIQUE – The House of Mourning 

CD (Radiotarab Records RT003 / Cold Current Production 

C.C.CD002, 2006) € 13.00 

"The House Of Mourning" is that purifier building in which there's deep 

sorrow and disheartened grief due to the lack of our beloved ones... 

when someone is paying a condolence visiting that house of affliction, 

he is reminded of his own inexorable mortality. to consider our 

existence in the gloomy house of mourning, ultimately and invariably 

culminating in death, gives us a healthy, balanced view of our fragile 

life. some time spent with the sadness or grieving, helps us appreciate 

the simple things in our troubled condition. This is not the easiest lesson 

to learn, but it is a necessary one because when we give sober thought 

to serious matters it brings good benefits later, when life seems 

resolutely distressing and ostinately depressing. In the end, "The House 

Of Mourning" is the common admonition to our foolish arrogance". 

[label info] 

* BIANCHI, MAURIZIO – Endometrio CD (EEs’T / Alga Marghen 

Arceho MB7, 2000) [ed. of 500] € 12.00 

Ed. of 500 / re-release of LP from 1983 plus bonus-tracks. 

* BIANCHI, MAURIZIO – Carcinosi CD (EEs’T / Alga Marghen 

Arceho MB8, 2000) [ed. of 500] € 12.00 

Ed. of 500 / re-released of LP from 1983 plus other material. 

* BIG CITY ORCHESTRA – Beatlerape CD (Staalplaat STBCO) 

€ 13.00 

„BCO interpretieren Beatles-Songs! Sie nehmen Versatzstücke aus 

berühmten Beatles-Stücken oder spielen & singen selbst, und 

erschaffen so Coverversionen, die für jeden wahren Beatles-Fan eine 

geradezu traumatische Erfahrung darstellen müßten.“ [old Drone info] 

Erschien 1993 zunächst auf REALIZATION, dies ist die 

wiederveröffentlichte STAAPLAAT-Version ! 

“A completely reworked version from the original release, 'Beatlerape' 

consists of Beatles songs. They were made with the use of sampling, 

record skipping and other weird recording techniques. The first edition 

of 1000 is a 'White Album'-like foldout sleeve with the Big City 

Orchestra members posing as John and Yoko. naked of course.” [label 

info] 

* BIRCHVILLE CAT MOTEL – Our love will destroy the world CD 

(Pseudo Arcana PACD075, 2006) € 13.00 

Re-Release einer vergriffenen PSEUDO-ARCANA mCDR, mit 20 Min. 

Bonus-Material. Ein Feuersturm aus Gitarren-Drones, minimale 

PsychNoise-Rock Power (irgendwo zwischen BRANCA, alten SONIC 

YOUTH, SKULLFLOWER & VIBRACATHEDRAL ORCHESTRA) 

hochkonzentrierte ekstatische Trance-Energie, mächtige Sub-Bass 

Perkussionschläge, von tausend Feedback-Schichten umschlungen... 

Grossartig !! 

“Settling in around the 2 epic tracks from the essential 

'screamformelongbeach' 3" cdr (PseudoArcana 2003)'Our Love Will 

Destroy the World' adds 3 new tracks and finds Campbell Kneale 

engaged in a deeper archaeological sifting of the rock and metal tropes 

that he has recently been exploring with Black Boned Angel. 

Whilst remaining resolutely a Birchville album the instrumentation 

employed has been culled from the heavier end of the rock/metal 

spectrum to produce what is, in a weird and wonderful way, perhaps 

Birchvilles most ‘accessible’ album to date. 

Fluidly shifting but piercing guitar feedback and endlessly heavy riffs are 

married to grindcore drumming, organ fugues and electronics to create 

a huge wash of sound that somehow manages to exemplify the ecstatic 

beauty of so much of the Birchville oeuvre at the same time as being 

‘supremely heavy’. This is Birchville's bliss reverie 'ROCK' album...“ 

[lable info]

* BIRCHVILLE CAT MOTEL with LEE RANALDO – 30 th December 

2004 CD (Celebrate Psi Phenomenon, 2005) € 14.50 

“New York is pretty different from Lower Hutt. In a lot of ways. But that 

doesn't mean New York is BAD... its just 'different', y'know? I was down 

the Lower East Side recently with the guy from Sonic Youth. He was as 

cool as he looked in Rip It Up magazine! We tuned our guitars and 

bagpipes, the lights sunk in anticipation, and we buried the audience in 

a cloud of fairy-dust so thick you could eat it with chopsticks and people 

with shovels tried to dig their way out of it but it just got deeper and 

deeper and when the sound couldn't get any louder my soul gnawed a 

hole in the roof with its teeth and the cast of Friends descended on 

angel-wings, urinating in ecstacy on the assembled masses in what 

looked like a tornado of golden glitter. WOW! Afterwards we cleaned up 

the mess and I got Phill Niblocks mobile phone-number on a napkin. 

Yeah... New York is just 'different'.” [label info] 

“Now this is a bit of an odd combination, AQ faves Birchville Cat Motel, 

aka Campbell Kneale going one on one with none other than Mr. Lee 

Ranaldo, he of indie noiseniks Sonic Youth. How did it come about? 

Why did it come about? Who knows, and who really cares as the results 

speak for themselves. These two fellas, with some kind of 'noise' as 

their common thread, managed to conjure up some gorgeous 

dronescapes, that eventually ramp up to some serious NOISE, before 

drifting back into dreamy shimmery bliss. A single hour long track 

recorded live in New York at the Tonic in December of 2004 on BCM's 

last trip to the US, this is a slow building drone, equal parts chord organ, 

guitars, maybe even bagpipes (at least that's what it sounds like) all sort 

of swirling and reverberating, with distant tinkling chimes and simple 

stretched out melodies. About halfway through, Ranaldo kicks it up a 

notch and lets the distortion rip, a huge wall of white hot guitar, kept in 

line by a simple and very spare single snare-hit beat, a sort of free 

noise doom, with little bits of backwards electronic rhythm, and keening 

lawnmower like guitar melodies. The last fifteen minutes is a sweetly 

languid wind down, distortion disengaging, rhythms drifting into the 

ether, melodies dissipating like clouds after a storm, all as the chatter of 

the crowd slowly encroaches on the barely there sounds that moments 

later are not there at all.” [AQ] 

* BLACK OX ORKESTAR – Nisht Azoy CD (Constellation 

Records CST038-2, 2006) € 16.00 

Zweites Album des kanadischen Ensembles, die Klezmer- & 

osteuropäische Musik mit neueren alternativen Musikformen 

verschmelzen (wobei der traditionelle/ folkloristische Anteil aber klar 

überwiegt) , und dabei so emotional & authentisch klingen daß es 

sehnsüchtige Herzen sofort in den Bann schlägt... das Quartett besteht 

aus THIERRY AMAR von GODSPEED YOU BLACK EMPOROR, 

GABRIEL LEVINE von SACKVILLE und JESSICA MOSS sowie 

SCOTT LEVINE GILMORE von A SILVER MT.ZION, alle lyrics sind 

diesmal im Beiblatt abgedruckt (auf englisch & französisch, gesungen 

wird auf Jiddisch), die Coverartwork ist wie immer bei Constellation 

superb ! „..Das auf ihrem zweiten Album erzielte, mit ausschließlich 

akustischen Instrumenten umgesetzte Ergebnis klingt dabei so zeitlos 

wie fesselnd. Melancholisch, aber nicht schwermütig oder gar 

depressiv, vielseitig, aber nie beliebig und vor allem: lebendig!“ [Ulf 

Imwiehe / OX-Fanzine] 

“The latest from this Montreal quartet who explore their common Jewish 

heritage for sounds that can speak to them today. Mixing pre-war 

Jewish and non-Jewish music from Eastern Europe and the Balkans 

with their own musical backgrounds in out-jazz, punk, and weird folk, 

the band takes the strangeness and beauty of the older music and 

translates them into new forms. Percussion, harsh sounds, dynamics, 

and sonic and lyrical explorations all get thrown in the mix.” [label info] 

* BLACK SUN PRODUCTIONS – Im Gegenteil mCD (Sheela-Na- 

Gig Sha-Na Penisring Ning SHEELA MOON CD1, 2006) [lim. 333 

copies] € 10.00 

BLACK SUN PRODUCTIONS beweisen auf dieser 4-track mcd 

eindrucksvoll, dass sie mehr sind als schwule COIL-Jünger, 

elektronisch – rhythmisch – experimentell – philosophisch geprägt und 

sehr eigenständig klingen ihre Stücke, fantastisch das tribalhypnotisierende 

„Das Gegenteil“. 

“Best known in some quarters for their collaboration with Coil in some 

of the band's most iconoclastic live installations and for their epic 

performance project Plastic Spider Thing, Black Sun Productions' 

children of darkness are about to release the official follow up to last 

year's highly acclaimed operettAmorale. Black Sun Productions' Im 

Gegenteil unveils new material from the forthcoming full length album 

The Impossibility Of Silence (A Well Hung Monk; God?) as well as a 

two exclusive non album tracks (Clear Skies & Dark Skies; Das 

Gegenteil). "It's musick for the Church Of Body. There is a powerful 

technotic, entrancing pulse that runs through the session dancing 

between the sacred and the profane. Sometimes there is a strong 

tribalistic rhythm, at others a granular flicker of the taste of electrickery. 

”Darius Akashic, Crooked Stylus" 

Written, produced and performed by draZen, Pierce & Massimo. 

Released by Sheela-Na-Gig Sha-Na Penisring Ning [a sub of 

DANHUSER Org.] ”Ariot Fleischmann, black-sun-productions.com” 

[press release] 

* BRADLEY, PAUL – Memorias Extranjeras CD (Alluvial 

Recordings A23, 2006) € 12.00 

Interessante Erweiterung für PAUL BRADLEY: Für ‘Memorias 

Extranjeras’ benutzt er Feldaufnahmen eines Festes aus Valencia, 

Spanien, vom Dez. 2005, die seine typischen Drone-Flächen 

atmosphärisch eindrucksvoll erweitern... 

“An unbelieveably great, new work from Paul Bradley, one of the new 

UK masters of drone music. With 'Memorias extranjeras', Paul works 

with very festive field recordings from Valencia, Spain. We hear the 

smooth, complex drone sounds which are his signature along with field 

recordings which he uses in ways which are perhaps not 'typical' of his 

work. The single 41 minute piece actually sounds like two separate but 

related pieces, each with its own mood. This work strikes a perfect 

balance between darkness and light, somberness and 

celebration. The music will satisfy the familiar while also introducing 

Paul's work to an entirely new fan base with its excellent use of rhythm 

and other elements which are best left heard rather than 

described.” [label info] 

* BRADLEY, PAUL – Sketches from Dust special edition CD 

(Twenty Hertz TH 015*, 2006) [ed. of 200] € 17.50 

Extreme amorph drone-scapes that invite to discover even the tiniest 

micro-details inside the undulating, waving, floating sounds... very 

relaxing, meditative, contemplative, tensionless movements.. 

A one-tracker of 40 minutes. Special edition. 

“Following on from ‘Memorias Extranjeras’ (Alluvial Recordings) with 

‘Sketches from Dust’, we again have a less ‘typical’ Paul Bradley 

release. For this CD, gone are the field recordings and over the forty 

minutes we hear a piece that is mainly constructed from Guitar and 

Piano (the latter being played by Maja Elliott of Current 93). The 

recording is augmented by various acoustic sounds and some precise 

mixing techniques to form an organic and possibly ‘looser’ feeling 

recording than we might be previously expecting. What we hear is an 

intimate yet murky, almost eroded sonic journey. A primitive earlier 

outtake of ‘Sketches from Dust’ appeared on the limited ‘Notes from 

Past - Sketches from Dust’ CDr released earlier in 2006. This now fully 

realized work is released in two CD editions, one limited to 200 copies 

in hand painted card sleeve and a second unlimited edition with printed 

card insert in a plastic wallet.” [label info] 

* BRADLEY, PAUL – Sketches from Dust CD (Twenty Hertz TH 

015, 2006) € 14.00 

Extreme amorph drone-scapes that invite to discover even the tiniest 

micro-details inside the undulating, waving, floating sounds... very 

relaxing, meditative, contemplative, tensionless movements.. 

A one-tracker of 40 minutes. Standard edition. 

“Following on from ‘Memorias Extranjeras’ (Alluvial Recordings) with 

‘Sketches from Dust’, we again have a less ‘typical’ Paul Bradley 

release. For this CD, gone are the field recordings and over the forty 

minutes we hear a piece that is mainly constructed from Guitar and 

Piano (the latter being played by Maja Elliott of Current 93). The 

recording is augmented by various acoustic sounds and some precise 

mixing techniques to form an organic and possibly ‘looser’ feeling 

recording than we might be previously expecting. What we hear is an 

intimate yet murky, almost eroded sonic journey. A primitive earlier 

outtake of ‘Sketches from Dust’ appeared on the limited ‘Notes from 

Past - Sketches from Dust’ CDr released earlier in 2006.” [label info] 

* BRANDAL, ANDREAS – Drive home with a hammer CD (Quasi 

Pop Records QPOP CD036, 2005) € 13.00 

Sehr experimentierfreudige, rauhe Scheibe des Norwegers ANDREAS 

BRANDAL, bekannt durch diverse Veröffentlichungen auf 

SMALLTOWN SUPERSOUND und live-Kollaborationen. Allerlei 

instrumentelle Soundschnipsel und Analogelektronik werden zu einem 

variantenreichen, eher abgründigen drone-noisigem Klangstrom in 11 

Teilen zusammenge-glitcht, das es eine wahre Freude ist! 

2This is the first full-length CD release by Norwegian noise artist 

Andreas Brandal. He has been making music with various bands and 

projects since the late 80's and released a several 7" and LPs 

on famous Norwegian label Smalltown Supersound as solo artist, 

as well as a participant of improv-noise duo Larmoyant. 

"Drive Home With A Hammer" is not "just another noise record". Once 

you hear it, you will be unexpectedly surprised by unique sense 

of Andreas in manipulating with interesting close-to-recognise sounds. 

His skills in working with macro/micro audio-events helps him to create 

the powerfull and impressive audio work using both vintage analogue 

equipment and modern computer tools.

There is the smallest audio element that can indicate the way to the 

hidden layers and perspectives in sound. The album sounds very deep, 

organic and "analogue", because of hisses, brutal tape loops and 

"glitches" are the constant "ingredients" of Andreas output. 

The structure of tracks is clear and irregular at the same time, the music 

flows freely, but not quiet, because it is created with both composition 

and improvisation methods.” [label info] 

* BRASIL – Wander till spring CD (Nefryt N 015 / CSD001) [ed. of 

365 copies] € 13.00 

The first real „fabric pressed“ CD on our beloved polish label for 

exquisite magic ambience. BRASIL is a side-project from two members 

of ONE INCH OF SHADOW, the material presented here consists of 

deeply isolated & melancholic “homerecording” ambient songs with 

male vocals, very minimal and sparsely instrumentalized with all kinds 

of instruments and electronic sources. A kind of psychedelic, esoteric 

cold wave industrialism… beautiful and so sad… reminds at times on 

SPEAR, COIL, etc.. 

365 numbered copies, thick oversized cardboard cover 

BRUME – Zona Ventille CD (Elsie & Jack eaj008, 2001) € 13.00 

Back in stock, the last official BRUME-release from 2001 !!! 

„Dies soll nun tatsächlich die allerletzte BRUME-Veröffentlichung sein! 

7 Stücke, wieder irgendwo zwischen elektro-akustik und post-industrial 

oder ambient industrial, mit vielen spannenden Passagen... hochabstrakt, 

bewegend, dynamisch.. hard to believe: the final Brume 

release?” [Drone Rec. info 2001] 

“ ELSIE AND JACK are proud to present the final BRUME release 

ZONA VENTILLE. layered, mood dependent music. after many 

successful years of running with the musique concrète baton, zona 

ventille represents the final dash for this modern french composer. more 

than just mere process, this is an artifact of sheer beauty, intrigue and 

suspense in the tradition of pierre henry and luis buñuel.zona ventille is 

a constantly mutating soundscape - nothing is static. with recordings on 

ant-zen, nd, old europa café,relapse, staalplaat and his own brume rec. 

among others, this release on elsie and jack marks the end of an era for 

christian renou as brume. elaborately packaged in a metal laser-etched 

stickered jewel case, featuring a duotone sleeve printed on heavy artstock 

card with a vellum wrap - another precious thing courtesy of elsie 

and jack.” [press-release] 

* BRUME – Erzatz #0/ Tout do-CD (Waystyx Records WS25, 

2006) [ed. of 212 copies] 

Wow! This is a re-release of a rather unknown cassette-release named 

TOUT, on the second CD we find rare Compilation-tracks 1994 & 1995 

from the archives, and even more material so far unreleased. 

Comes in an incredible cover – a milky softish plastic cover with white 

print & banderole. A must for all BRUME-fans and a good occasion for 

people who want to discover the unique sounds of this project ! 

* BRUNNEN – The Beekeeper’s Dream CD (Beta-Lactam Ring 

Records mt076b, 2006) € 13.00 

Eine Art Retrospektive von der BEEQUEEN-Hälfte mit seinen 

melancholisch-süssen, folk-angehauchten Homerecording-Ambient- 

Songs… einiges davon ist wohl bereits auf anderen Formaten 

schonmal erschienen, aber vieles scheint auch neues Material zu sein. 

“Brunnen reveals that part of Beequeen's Freek Kinkelaar which is the 

strange wandering minstrel/alchemist (half-orc cleric with a +2 mace). If 

only more records were so cogently perplexing. A slightly cinematically 

arranged, quasi-psychedelic little dear of a hushed pop song opens the 

album. Freek's vocals sublimate in a pleasant whisper, not unlike 

(ahem) a quieter Yo La Tengo song. Freek, perhaps true to his name, 

does not hesitate to then very, very slowly weave together a spacious 

tone poem whose initial notes live counties apart, concocting an outré 

sort of high lonesome that might sonically drift across the same sort of 

plain as Wenders' Paris, Texas does visually. Kinkelaar's vocal delivery 

tugs at shirt tails ala Just Drifting era Psychic TV balladry or 

introspective LPD. Subtly amplified guitars chime quietly against slo-mo 

keyboards, occasional samples, tablas and air. An understated rave-up 

of Trust In Me from The Jungle Book is a nice exclamation point. A 

musical sandwich, really, with the outer psychedelic pop buns keeping 

the avant-garde middle meat warm.” [label info] 

* BURIAL – Burial.Hdbcd001 CD (Hyperdub, 2006) € 14.00 

„Auf "Burial. HDBCB001" schickt BURIAL die unterschwellig sexy Beats 

des britischen Garage über den Umweg von Funkstörungen in eine 

heimelige Gummizelle aus tiefem Bass, nicht ohne auf der Reise noch 

einen Zwischenstop im Berliner Dub von POLE einzulegen. Dabei klingt 

es, als würde BURIAL das Südlondon der nahen Zukunft unter Wasser 

setzen. Das allumfassende Knistern ist gleichzeitg das Statikgeknister 

eines Piratensenders und der tropische Regen, der sanft ans Fenster 

schlägt. Die Melancholie der Tracks öffnet ihre Arme und sucht nach 

ertrunkenen Liebhabern. Der Mix von BURIAL wird von den Echos aus 

einer anderen Zeit heimgesucht. Signale einer fremden Frequenz 

strecken tastend ihre Fühler aus. Eine Flutwelle aus Lärm verschlingt 

alles und lässt nur die schärfsten Beats zurück. Doch der Lärm 

schmerzt nicht; er streichelt, kitzelt und erregt die Nervenenden. 

Willkommen in der Welt von BURIAL. This first album on Kode9's 

Hyperdub label comes from the mysterious Burial. On this self-titled CD 

debut, Burial carves out a sound which sends the dormant slinky 

syncopations of uk garage, via radio interference, into a padded cell of 

cushioned, muffled bass, passing through the best of Pole's Berlin 

crackle dub. Burial explores a tangential, parallel dimension of the 

growing sound of dubstep. Burial's parallel dimension sounds set in a 

near future South London underwater. You can never tell if the crackle 

is the burning static off pirate radio transmissions, or the tropical 

downpour of the submerged city outside the window. In their sometimes 

suffocating melancholy, most of these tracks seem to yearn for drowned 

lovers. The smouldering desire of ‚Distant Lights' is cooled only by the 

percussive ice sharp slicing of blades and jets of hot air blowing from 

the bass. Listen also for a fleeting appearance from Hyperdub's resident 

vocalist, the Spaceape unravelling his crypto-biography. In its loud 

quietness, Burial takes his kitchen crackle aesthetic neither from the 

digital glitch nor merely a nostalgia for vinyl's materiality. Instead, as 

irates' suggests, Burial crackle mutates the tactile surplus value of 

pirate radio transmissions. Burial's mix is haunted. Echoed voices 

breeze in and out, on road to another time. Pirate signal from other 

frequencies steams in. A tidal wave of noise submerging all but the 

crispest syncopations. The noise is not violent, but caressing, tickling, 

exciting the ends of your nerves. Seducing you in.“ [press release] 

* BURT, WARREN – The Animation of Lists and the Archytan 

Transpositions do-CD (Experimental Intermedia XI 130, 2006) 

€ 14.00 

Kompositionen für mikrotonale Stimmgabeln: einzelne glockenklare 

absolut „reine“ Töne, eine meditative & äussert minimale Atmosphäre 

ausstrahlend, erinnert an Arbeiten von CHRISTINA KUBISCH. To 

discover. 

“There are any number of ways to hear Warren Burt's music for tuning 

forks; as many ways as there are listeners, probably. The most 

immediate one is simply to revel in its beauty and enjoy the music as 

sound. Or, to be more accurate, as clouds of sound; sonic colors that 

momentarily hover here and there, as they move slowly across the 

musical horizon. 

Of course, Warren Burt's music may also be heard as the mature work 

of a major experimental composer, one secure in his craft, and still filled 

with a sense of sonic adventure. An explorer in sound. A composer 

willing to experiment with multiple versions of the same piece, not to 

mention one who allows chance to determine the precise placement of 

the composite pitches of his three individually composed lines. 

For the more technically minded, these songs, for ultimately that's what 

they become on repeated hearing, can also be recognized as 

microtonal music. This is music that uses pitches smaller than a halfstep; 

music that explores the sounds between the keys of the piano‹in 

this case, from 19 to 53 pitches to the octave, instead of the usual 

twelve. And even though most people rarely think of tuning in general, 

much less of microtonal tunings, it is an idea that has always been 

around. In the twentieth century this search for alternative tunings can 

be traced from Harry Partch and Lou Harrison in the first half of the 

century, through La Monte Young and Ben Johnston in the latter half, to 

Glenn Branca, Kyle Gann, and Michael Harrison today. The power of 

music, according to all of these composers, is, first and foremost, 

inherent in the tuning. So it should come as no surprise to anyone 

familiar with Warren Burt's music to learn that he, too, is a card-carrying 

member of this group. Warren is, after all, a composer who not only 

innately hears, but also cares greatly, about such minute differences in 

pitch. In his music, these differences matter on a fundamental level. 

But what are these sonic differences? And what is a listener supposed 

to hear? Ben Johnston once described the shift in experience from 

listening to music played in equal temperament to hearing a microtonal 

performance as the sudden fine-tuning of an out-of-focus TV. Ben also 

once said that equal temperament could sound like varying shades of 

grey. Others, in less subtle terms, have described hearing microtonal 

music as the difference between seeing a Technicolor movie, and 

watching one in black-and-white. For the average listener‹once they 

realize that the enjoyment of microtonal music is about the tinting and 

the shading of the sound, and doesn't require superhuman 

hearing‹what they begin to notice first are the new colors and the 

spaciousness of the sound. 

But what do I hear in Warren's music that attracts me so? I listen to the 

combinations of tones, each aggregate of which‹because the tuning is 

acoustically pure and non-tempered‹sounds clearer and more colorful, 

with unique personalities, and, sometimes, more of an edge. In this 

tuning, the chance-determined pairings of the composed lines always 

ring true, with even the dissonances vibrating cleanly, free of acoustic 

distraction, and with no sonic clutter to muddy up the sound. And within

this microtonal world, sounds combine without losing their individuality, 

as the music slowly reveals its pitch and rhythm in slow, unhurried, 

chance-determined clouds of sound. In Warren Burt's hands, these 

tuning forks become some strange new instrument, complete with its 

own exotic tuning system, singing its songs somewhere on the verge of 

memory.” [label description] 

* CAREY, DAN – Shadowgraph mCD & object (Edition Graphon 

02, 2004) [lim. 250] € 22.00 

Second release on new SoundArt-label from Munich ! Musik von dem 

Londoner DJ, Musiker & Filmemacher DAN CAREY, Artwork wieder 

von JUDITH EGGER. 

„drawing (paper-lasercut) by Judith Egger, letterpress, in embossed 

case, printed by Stefan Feigl. 

shadowgraph - an x-ray through harmonics and melodics, 

inspired by the attempt of the inventor Nicolai Tesla to photograph 

what was inside his head. 

Dan Carey´s shadowgraph is a dreamy journey through musical 

patterns which cast long shadows caused by the light of 

a late afternoon sun.“ [publishing house info] 

* Wang CHANGCUN – The Mountain Swallowing Sadness CD 

(Sub Rosa SR232, 2006) € 14.00 

Erstes Album für einen blutjungen chinesischen musique concrete / 

Noise-Komponisten, nach Labelaussage die weltweit erste 

Veröffentlichung dieser Art durch ein westliches Label ! 

Enthalten sind zwei Stücke mit interessanten kompositorischen Ideen: 

die Erschaffung eines akustischen „Gebäudes“ im Innern, und ein 

Mitschnitt einer asiatischen Begräbnisfeier... to discover ! 

“Wang Changcun: sound artist, born in 1981, Hei Longjiang province, 

China. lives in Hang Zhou, Zhe Jiang province, China. 

active member of China Sound Unit. The young Changcun is a 

complexe noise-maker in the style of the great Karkowski. This cd is his 

first published. His Grand Hotel piece is more than 40 minutes 

exploration. Wang Changcun : for Grand hotel, i want to build an 

architecture in the ear, i am the cicerone when people hang around in 

the hotel (for me it's a hotel, listener may build any architecture in his 

ear world) The will to produce noise in such a country is a political 

action. Probably the beginning of something strong. The other track is a 

field recordings of a Burial in the area of Harbin, north-east of China. 

An active member of the China Sound Unit, Wang Changcun has 

performed solo or with ensembles at the following events: Four 

Seasons in Shanghai, Get It Louder in Beijing, and China Sound Unit 

#1 in Hangzhou. In 2004, he presented a solo set in Paris during Nuit 

Blanche and performed at 1000 Revolutions a Second (Brussels and 

Gand, Belgium). A year earlier, the composer, producer and founder of 

the Chinese-American record label Post-Concrete Yao Dajuin had 

released a bomb: China - The Sonic Avant-Garde, a 2-CD compilation 

(which contains seven of Wang's short compositions) revealing the 

talents of Zhang Jüngang, Wang Changcun, Fu Yü, Jia Haiqing, Lisa 

Ruyi, Hu Mage, Xü Cheng, Zhou Pei, Zhong Minjie, Jiang Yühui, 

Intelligent Shanghai Mono University, and the China Sound Unit - over 

two hours of experimental music, plunderphonics, concrete (or postconcrete) 

music and noise. All these pieces composed in 2002 by 

Wang, while he was living in Harbin (in North-Eastern China). There is 

much to say about this revelation - which, incidentally, was perfectly 

legible to us. A great level of activity is currently developing in China's 

large cities (Beijing, Shanghai, Guilin, Guangzhou), where several 

experimental music concerts are presented. We will release soon with 

the help of Dickson Lee an anthology of noise and experimemtal music 

in China. We have to add that this is the first time that an western label 

distributed all around the world will defend a chinese composer.” [label 

info] 

* CHARALAMBIDES – Houston CD (Siltbreeze sb67, 1999) 

€ 15.00 

Wieder erhältlich, dieses Album von 1999 ! 

“Regrouping after the recent departure of Jason Bill, psychedelic 

pioneers Tom & Christina Carter return to their early incarnation as a 

duo, and deliver their sixth album - and first new material since their 

dream-gushing side on the Harmony of the Spheres compilation. A 

stark and haunting inner-mind probe of the minimalist side of 

psychedelia using precision instruments of electro-acoustic guitar, 

piano, saxophone, and Christina's pain-numbing, beautiful vocals. Eight 

super-drifting, sensual tracks to make love to your central nervous 

system with.” [label info] 

“An otherworldly atmosphere suffuses Houston, the sixth long player by 

this Austin, Texas, duo. Tom and Christina Carter obtain exceptionally 

varied sounds by ingeniously manipulating a small arsenal of 

instruments and her voice with the resources of their very basic home 

studio. Their guitar playing superficially recalls that of outsider folk 

artists like Sandy Bull and John Fahey. But by doggedly refusing to let a 

phrase resolve ("Denver Harbor") and by allowing a melody to stray into 

quiet dissonance ("Midnight Chants"), the Carters create unsettling, 

expectant atmospheres that are reinforced by chiming bells, droning 

organs, distant saxophones, and bits of dialogue lifted from crackly old 

78 rpm records. The most distinctive element is Christina's singing; 

echoed and layered like a ghostly choir, her high-pitched vocals eschew 

words in favor of nakedly emotional sighs and wails.” –[Bill Meyer] 

* CHARTIER, RICHARD – Tracing CD (Nonvisualobjects NVO 005, 

2005) [ed. of 300] € 14.00 

Ein one-tracker von 41+ Minuten mit einer hyper-amorphen reinen 

Sphärenlandschaft, die ins mikroskopisch kleine zu zielen scheint... 

“A release of sound artist Richard Chartier (USA) that marks a new step 

within his work. His digital minimalist work explores the interrelationships 

between the spatial nature of sound, focus, and the act of 

listening. 'Richard sent me this piece last year for another possible 

collaboration. After listening to this gorgeous work, I told him there was 

not anything I could add that would not take away from the beauty that 

was already there.' [William Basinski] 

* CHATHAM, RHYS – Die Donnergötter CD (Table of the Elements 

TOELP801, 2006) € 14.00 

“Diese Zusammenstellung enthält das Beste von CHATHAMS Werken 

der Periode zwischen dem berüchtigten "Guitar Trio" (1977), dem 

ungestümen bläserlastigen "Massacre On MacDougal Street" (1982) 

und dem rasanten, euphorischen Meisterwerk, "Die Donnergötter" 

(1986). Das Gatefold-Cover (LP-Version) und das 32 seitige Booklet 

(liegt der CD bei) beinhaltet seltene Fotos und einige Beiträge von 

CHATHAM, TONY CONRAD und SONIC YOUTH's LEE RONALDO. 

Nun, weitestgehend erstmals erhältlich dokumentieren diese Tracks 

lebhaft diese gloreichen Jahre im Leben einer Stadt, eines Milieus in 

welchem das Rohe, Gehobene und Tanzbare ineinander aufgingen und 

eine neue Ära des Rock geboren wurde. 

"Rhys Chatham altered the DNA of rock. The New York-born composer 

began as a classically-trained prodigy, but by 1975, Chatham was 

fusing the overtone-drenched minimalism of John Cale and Tony 

Conrad with the relentless, elemental fury of the Ramones. It was an 

inspired amalgamation -- the textural intricacies of the avant-garde 

colliding with the visceral punch of electric guitar-slinging punk rock -- 

and with it Chatham created a new type of urban music. Raucous and 

ecstatic, this sound energized the downtown New York scene 

throughout the late 1970s and early 1980s, prefigured the No Wave 

movement and cast a huge influence over the subsequent work of 

Chatham's many protegees, including Glenn Branca and future 

members of Sonic Youth. This release contains all of Chatham's best 

work of the period, from the notorious 'Guitar Trio' (1977) and the 

tumultuous, brass-based 'Massacre on MacDougal Street' (1982), to the 

soaring, euphoric masterpiece, 'Die Donnergotter' (1986). The 

accompanying 32-page book features rare photos plus essays by 

Chatham, Tony Conrad and Sonic Youth's Lee Ranaldo, as well as 

artwork by famed visual artist Robert Longo. Now widely available for 

the first time, these tracks vividly document those glorious years in the 

life of a city and a milieu in which the raw, the sophisticated and the 

danceable merged, and a new era of rock was born." [press release] 

* CHATHAM, RHYS – An Angel moves to fast to see CD (Table of 

the Elements TOELP802, 2006) € 14.00 

Komposition von 1989 für 100 (!) Gitarren, Bass und Drums in 5 Teilen. 

Polyphone Gitarren-Schwärme, ein rockig-symphonisches Grundgerüst, 

majestätisch, monumental, einnehmend, entrückt.... erinnert an GLENN 

BRANCA und SONIC YOUTH... besonders gefallen uns die 

rhythmuslosen amorphen Sektionen (I, IV), selten wurden schönere & 

komplexere Gitarren-Drones auf Platte gepresst ! 

"By the late 1980s, Rhys Chatham was chafing against the logistical 

and financial constraints imposed upon him in the States; in his mind 

was a vast, unprecedented sound. Moving permanently from New York 

to Paris, Chatham began composing his masterpiece, a piece for one 

hundred electric guitars, electric bass and drums. The result, An Angel 

Moves Too Fast to See, is one of the most extraordinary works in the 

minimalist canon, one that demonstrates the majesty inherent in 

Chatham's amplified imagination. Now widely available for the first time, 

this lavish CD presents this sonic revolution in all its glory, and cements 

Chatham's reputation as a monolithic figure astride both rock and 

classical musics." [label description] 

* CISFINITUM – Coniunctio do-CD (Ewers Tonkunst HHE 009 / 

Indiestate IST 037 CD, 2005) [lim. 500] € 17.00 

Material from 1999-2001 from the russian cult-project, some taken from 

the deleted LANDSCHAFT CDR (IVB Records), one CD is entitled 

“World of Retribution” , the other “Heavenly Russia”. Monolithic sad 

noise, sacral post-industrial, spiritual doom-ambience, 

overwhelming sounds & sad emotions at the same time, highly 

recommended !

“Cisfinitum is one of the oldest and well-known projects on Russian 

industrial scene, and shortly after their well-acclaimed 7” on Drone, 

Ewers Tonkunst is happy to present another international release of this 

remarkable project. This 2CD-set contains the tracks from the most 

gloomy and profound albums of Cisfinitum – “Landschaft” (released in 

2001 as CDR by IVB Records) and “Malgyl” (previously unreleased), 

which have been recorded in 1999-2001. The material has been 

remastered and recompiled to become the new entity called 

“Coniunctio”. Newborn album consists of two parts, “Worlds Of 

Retribution” and “Heavenly Russia”, the first one contains most dark 

and depressive tracks, the second one presents brighter side of 

Cisfinitum. Going through the desperate landscapes of today’s dying 

spiritless world, the listener comes into the sacred and surreal inner 

space of an immaterial land full of light, mysticism and universal 

melancholy. One of the most beautiful and heartful records ever done in 

the drone ambient style, “Coniunctio” could remind of the best and 

saddest Maeror Tri albums or legendary HOEDH “Hymnus”, but the 

irrational Russian essence within Cisfinitum’s music makes it unique 

and completely original. The real masterpiece which we are really proud 

to release! CD comes in a full-colour fold-out digisleeve. The edition is 

limited to 500 copies.” [label info] 

* COELACANTH / KEITH EVANS – Wrack Light in Copper Ruin do- 

CD & DVD (Seal Pool SPOOL 3, 2006) € 16.50 

Audio CD von COELACANTH, Video-DVD von KEITH EVANS. 

Ein Geräuschnetz aus field recordings, leicht feedbackenden drones, 

vereinzelten instrumentellen Sounds & eher konkreten Objekt-Klängen 

macht sich breit, welches mysteriös und dynamisch zugleich wirkt, ein 

low-fi dröhnend-wallendes Etwas. Sowas wie pfeifende Windhosen, 

zischender Sand, rieselndes Granulargeknirsche...schwer zu fassen, 

alles scheint permanent zu flackern, flirren, schwanken, 

dicht dran am konkreten Material, & doch so sphärisch & Räume 

öffnend. 

“Jim Haynes and Loren Chasse have collaborated with Keith Evans to 

create Coelacanth's fourth and most complex record. Culled from two 

performances -- a five-hour recording session during Matmos's 96 

hours of performances at the Yerba Buena Center for the Arts, and an 

audio/visual performance with Keith Evans -- Wrack Light in Copper 

Ruin explores the the symbiosis of materiality and sound, and its 

infinite network of metaphors and allegories. 

Like an abandoned aquarium in which an accidental and incongruous 

microcosm takes shape, Coelacanth's sound illustrates a constant 

evolution of decay, encroachment, and repossession of the border 

space between the natural and the man-made. 

With Wrack Light in Copper Ruin, Coelacanth also meditates on the 

space of performance, the tactile nature of the creation of sound, 

and its ephemeral, elusive and entirely subjective character. The 

visuals of Keith Evans further the exploration with their organic, 

nocturnal, energy. Comparatively, Wrack Light is more delicate than 

Coelacanth's previous recordings, inhabiting a space where artists 

such as Jonathan Coleclough, Andrew Chalk, Mirror, and MNortham 

can be found, yet it maintains the mysterious, oceanic nature its name 

implies.” [label info] 

* COIL – The Remote Viewer CD & mCD (Threshold House 

THBKK1, 2006) € 17.50 

Re-release der raren & vergriffenen CD-R, dazu 2 neue sehr trancigrythmische 

Stücke von 2006 auf der bonus-mCD, kreiert aus dem 

damaligen Originalmaterial, von PETER CHRISTOPHERSON und 

DANNY HYDE. Gatefold-Digipack. 

”...comes in a double card wallet (similar to "The Ape of Naples") and 

will contain "sympathetically remastered" versions of the original cdr 

album, PLUS for the first time, a bonus semi-substrate disc containing 

approximately 20 minutes of additional music recorded this year using 

original sounds and sources of the period. Coil Collaborator of old 

Danny Hyde spent some time earlier in the year, working with Sleazy on 

these new tracks at the "East Tower" in Bangkok.” [label info] 

* COIL – Black Antlers CD & mCD (Threshold House THBKK2, 

2006) € 17.50 

“One day this living world will swarm in our mouths”. Re-release der 

fantastischen BLACK ANTLERS CDR von 2004, dazu gibt es eine 

Bonus-mCD mit zwei neuen Stücken kreiert aus dem damaligen 

Originalmaterial, von PETER CHRISTOPHERSON und DANNY HYDE. 

Gatefold-Digipack. Edles Cover, Auflagenhöhe unbekannt. 

“...comes in a double card wallet (similar to "The Ape of Naples") and 

will contain "sympathetically remastered" versions of the original cdr 

album, PLUS for the first time, a bonus semi-substrate disc containing 

approximately 20 minutes of additional music recorded this year using 

original sounds and sources of the period. Coil Collaborator of old 

Danny Hyde spent some time earlier in the year, working with Sleazy on 

these new tracks at the "East Tower" in Bangkok.” [label info] 

* COLECLOUGH & MURMER – Husk CD (ICR Distribution 

ICR57, 2006) € 14.00 

Starke Collaboration des field-recording-Spezialisten MURMER aka 

PATRICK MC GINLEY (er betreibt auch die Radiosendung 

„Framework“ auf dem Londoner Kult-Sender ‚Resonance104.4fm’) und 

JONATHAN COLECLOUGH. 4 Stücke, über 70 Minuten Spielzeit, 

feinstoffliche Resonanzenteppiche verbinden sich mit konkretem 

Material aus Natur & Alltag und von Instrumenten, der Geist öffnet sich 

für Mikro-Detail-Geräusche & subliminale Klangwelten... watch out: 

demnächst (2007) wird es von MURMER eine 7“ auf Drone geben! 

“They first met in 2002 after appearing on the compilation LP ‘Chaleur’, 

and soon began work on the material that would become ‘Husk.’ 

Sharing a fascination with using ‘found sound’ in their music, ‘Husk’ 

includes recordings of refrigerators, thunderstorms, sheep, car horns, 

ferryboats, windblown sand, crackling charcoal, as well as more 

conventional instrumental sounds including a variety of percussion 

instruments. Much of the music started as live improvisation, in one 

case during a radio broadcast on McGinley’s regular ‘Framework’ slot 

on the London-based radioart station Resonance FM. These live 

recordings have been carefully edited and mixed over several years. 

‘Husk’ is packaged in a 6-panel Digisleeve featuring photographs by 

Patrick McGinley.” [label info] 

* Joe COLLEY & JASON LESCALLEET – Annihilate this week CD 

(Korm Plastics / Brombron 09, 2006) € 13.00 

Die Brombron-Serie geht in die neunte Runde (2 Klangkünstler die noch 

nie zusammen gearbeitet haben bekommen die Möglichkeit, im 

‚Extrapool’-Hightech-Studio in Nijmegen für mehrere Tage gemeinsam 

zu werkeln...), mit zwei eher atmosphärisch ausgerichteten Noise- 

Soundtüftlern aus den USA: mechanische Drone-Wellen, field 

recordings tauchen in cut-up Manier auf (z.B. Möwen-Sounds, Knarzen 

& Rauschen), dumpfe Summtöne und allerlei Knirsch- und 

Granularklänge lassen den Eindruck von Erosion und Dekonstruktion 

entstehen... wahrhaft „experimenteller“ Drone, grenzüberschreitend und 

uneindeutige Empfindungen erzeugend..... 

“Korm Plastics is proud to present the ninth release in the Brombron 

series. Originally a co-production between Staalplaat and Extrapool, it is 

now hosted by co-curator Frans de Waard. In the year 2000 Frans de 

Waard and Extrapool started the Brombron project. Two or more 

musicians become artists in residence in Extrapool, an arts initiative in 

Nijmegen, The Netherlands, with a fully equipped sound recording 

studio. These artists can work in a certain amount of time on a 

collaborative project; a project they always wished to do, but didn't have 

the time or the equipment to realize. 

Colley and Lescalleet had never met before their grey week in 

Nijmegen. Though neither of these melacholic composers were 

prepared for the conflicts and compromise of this collaboration, they 

found common ground in rejecting the need for deep meaning or 

complex concepts. 46 minutes remain after harsh judgement from two 

perpetually dissatisfied artists. But what does it sound like? 

Amidst the detritus of yard sale junk and old, broken equipment, Colley 

and Lescalleet engage in the pursuit of resurrecting the essence of 

sound and exposing beauty that others discard. Locked away in the 

recording studio of Geluidwerkplaats Extrapool for ten days, they found 

music in the natural process of decay. These compositions seem 

weathered and eroded. Rather than aiming for excitement or dazzling 

expression, Colley and Lescalleet embrace the tedium of everyday life 

as something beautiful and compelling. This is music with a slow 

absorption rate and a high toxicity.” [label info] 

“Do you think I was very positive about the former Brombron release? 

Well, hold your horses because here's another one that deserves our 

full attention. Colley and Lescalleet have produced an excellent work as 

well! Starting with a very realistic entering of the studio we are swept 

away into a wonderfully dense world of drones and more drones. The 

way these guys deal with space in sound and sound in space is 

something to admire and aspire to. Normally this kind of music would 

not be my first fancy, but what these two are doing is one huge step 

beyond everything ambient or drony I have heard until now. And that 

only describes the first track of four! The second track uses field 

recordings messed up in a very stunning way, basically some cuts and 

filtering and sampling, but done in such an excellent way, that it's is not 

really possible to describe it well. The same goes for the other two 

tracks: words fail... this also is an absolute must!!!” [MR / Vital Weekly] 

* CONNORS, Loren Mazzacane – Night Through: Singles and 

Collected Works 1976-2004 3 x CD (Family Vineyard FV036, 

2006) € 22.00 

„Essentielle 3 CD Kollektion aller Singles des New Yorker Blueser 

LOREN CONNORS, der mit einer der einzigartigsten und 

faszinierendsten Stimmen Amerikas gesegnet ist. "Night Through" 

umfaßt vier Jahrzehnte von CONNORS' Arbeit. Ausgehend von seiner 

frühesten, noch akkustischen Session und ersten Solo 7" "Ribbon O' 

Blues On St. Joan", bis hin zu raren Singles, ehemals rausgebracht von

TABLE OF ELEMENTS, ROAD CONE, FATHER YOD, MENLO PARK 

und vielen anderen. Ebenso sind einige Stücke seiner Band HAUNTED 

HOUSE aus den späten '90ern und relativ frische akustische 

Aufnahmen mit von der Partie. Insgesamt bekommt der geneigte Hörer 

dreieinhalb Stunden Musik: 12 7" Singles, private CD-R Releases, 

Ergebnisse der Zusammenarbeit mit SUZANNE LANGILLE, ROBERT 

CROTTY und HAUNTED HOUSE, Samplerbeiträge und dazu noch 22 

bisher unveröffentlichte Stücke inklusive einer Aufnahme seiner Mutter 

Marry Mazzacane von '59. Das 24 Seiten starke Booklet gibt's mit 

detaillierten Linernotes und den Covern jeder enthaltenen Single, 

niemals zuvor gesehenen Fotos, einem Essay, und Kommentaren von 

CONNORS selbst und einigen seiner Wegbegleiter. Das Ganze ist 

auch noch remastert: Sammlerherz, was willst du mehr? 

Essential 3CD collection of singles by avant blues guitarist Loren (nee 

Mazzacane) Connors, one of America's most unique and challenging 

voices. Night Through spans four decades of Connors' recordings from 

the earliest acoustic session and first solo 7" -- 'Ribbon o' Blues on St. 

Joan' -- to rare singles issued By Table Of The Elements, Road Come, 

Father Yod, Menlo Park, Gyttia, Union Pole, and others, to his late '90s 

band Haunted House and recent acoustic recordings. Overall, three and 

half hours of music: 12 7" singles, private CD-R releases, collaborations 

with Suzanne Langille, Robert Crotty, and Haunted House, compilation 

appearances, and 22 unreleased pieces including a 1959 recording by 

Connors' mother Mary Mazzacane. 24-page color booklet contains 

detailed notes and cover art for each single, never before seen 

photographs, an essay by renowned blues scholar Dr. William Ferris 

and commentary from Connors, Langille, Road Cone's Mike Hinds and 

others. Remastered from the original tapes by Jim O'Rourke, this is the 

definitive overview of Connors' journey as the consummate solo artist 

from embryonic origins in New Haven, CT to the rise as a monumental 

presence and spirit channeler. Whether considered avant garde or pure 

spirit haunt, Connors' guitar speaks purely from the soul in solo settings 

or with his revered collaborations with the likes of Alan Licht, Jandek, 

Keiji Haino, Christina Carter, Langille, O'Rourke, Kath Bloom and John 

Fahey." [press release] 

* CONTAGIOUS ORGASM / GOVERNMENT ALPHA – Heartstrings 

CD (SSSM, 2006) [ed. of 500] € 14.00 

“Third recent collaboration release on Contagious Orgasm's home label, 

this time with Yasutoshi Yoshida of Government Alpha who's been 

responsible for the great collage artwork on all these CDs. Over these 

12 tracks, Government Alpha's screeching blasts of white-hot electronic 

noise are cut-up and mixed in with Contagious Orgasm's industrial 

rhythms, off-beat collages and found sounds. Surreal, unusual and 

highly listenable.“ [Mechanoise labs] 

“A delicious, highly unique concoction of collaged madness, featuring 

sudden noise blasts, hynoptic loops, industrial clutter, thumping 

rhythms, and just a whole shitload of surreal, mis-placed, dada-istic 

sound. This never stops moving and never slows down. Way cool.” 

[Malignant Recs] 

* CONTROL – Natural Selection CD (Eibon Records CON044, 

2003) € 13.00 

CONTROL-Stücke beginnen oft eher ruhig und untergründig dronend, 

bevor sie sich monumental noisend erheben – maschinenhaft, kalt, 

zerstörerisch, mächtig, unter Hochspannung... kein plumper harsh 

noise, zeigt „Natural Selection“ das US-Projekt mit zeitgemässen 

Maelstrom-Industrial, der zerstörerische Prozesse zu ästhetisieren 

scheint... 

“Brand new album of this legendary power noise artist. Concrete & 

abrasive songs, consuming & devastating sounds, evolving & mutating 

noise. Keep your aspirines at hand - CONTROL is here to crush you. 

To little pieces.“ [label info] 

* CORDIER, ERIC – Breizhiselad CD (Erewhon CDWhON011, 

2006) € 12.00 

Folksongs aus der Bretagne, gefunden auf alten 78rpm 10“es, 

dienten als Grundlage für BREIZHISELAD: zu hören sind field 

recordings (z.B. Schritte auf Steinen) und die traditionellen bretonischen 

Gesänge, die verzerrt & verdeckt ins Ätherische driften...ein Auf- und 

Abwellen von mehrstimmigen Eruptionen, was eine eine Atmosphäre 

von surrealistischer Schönheit schafft.... dazu ein ansprechendes 

Design, eine runde Veröffentlichung, experimentell und betörend ! 

'In making Breizhiselad I have tried to rewrite some masterpieces of the 

traditional music of French Brittany. Apart a few field recordings all the 

material on this record originates in extracts from two songs of the A 

side of a 10 1960s reissue of a 78rpm. The story begins when a Breton 

cousin discovered the record at his grandmother's house. On first 

listening, I found it to be horrible - but a work of genius. Horrible 

because of the catechism-like vocal arrangements but a work of genius 

in terms of the beauty of the melody and the conviction of the singers. 

Another particularity is the importance of the disc itself, whose vinyl 

surface is nearly erased, polished under a sea of cracks. My project has 

been to transpose this traditional music into the tape music medium 

with a view to preserving what is strong in the source material and 

erasing the sugary, churchy treatment of these originally popular songs. 

Composed between May and October 2003 with a sophisticated delay 

pedal, a sound processor and handmade devices.' [Eric Cordier, 2006] 

“By my own quick count, I think it was almost three years ago that we 

last reviewed something by the Belgium Erewhon label. Their small 

catalogue focusses on music that can be best described as a cross 

over between musique concrete, drones and field recordings. These 

two new releases are no different, but both have a strong conceptual 

edge. Eric Cordier uses a 1960s 78 RPM record as the sole source for 

his entire CD. Not just a 78 RPM, but the first record that had the Breton 

language carved into it. Much of the original information is erased 

through time, but it provides some excellent source material for Cordier. 

He uses 'a sophisticated delay pedal: GSP 2101 and a sound processor 

TC (G Force) and handmade devices'. He plays six lengthy pieces with 

this limited material, but cranks out some beautiful material with it. Of 

course the crackling vinyl plays an important role, but throughout there 

is a great sense of peace and warmness in these recordings. 

Everything moves solemnly and slowly around, and makes a hotbed of 

ambient sounding material, but albeit an ambience of a highly original 

kind. Perhaps limited in it's concept, the execution thereof is great.” 

[Vital Weekly] 

* COURTIS, ANLA – Tape Works CD (Pogus Productions 

p21040-2, 2006) € 13.00 

Eine Art Retrospektive von Solo-Arbeiten des REYNOLS-Kopfes ANLA 

COURTIS, mit Material datierend von 1991-1998, und das waren 

wirklich TAPE-Kompositionen im klassischen Sinn, da COURTIS 

ausschliesslich mit 4-Spur-Rekorder arbeitete…die CD enthält 

hervorragendes elektro-akustisches Material, kraftvollen Loop- & 

Schnipsel-Noise, sehr abwechslungsreich und furios.... 

...und endlich wird auch einmal erwähnt, dass C.D. (CHRISTIAN 

DERGARABEDIAN) zur Urbesetzung von REYNOLS gehörte (von 

1993 bis Anfang 1995, damals noch unter dem Namen BURT 

REYNOLS ENSEMBLE). 

“Anla Courtis continues to produce music and was even quite prolific 

during his time in Reynols. It goes without saying that Courtis learned a 

thing or two from his experience in Reynols; and there's a fundamental 

constant to all of his work: the cassette. One of Reynols' most infamous 

albums Blank Tapes was pieced together from the endemic hiss from, 

you guessed it, blank tapes. Far from being an empty album of silences, 

Blank Tapes is extraordinarily dynamic, amplifying the magnetic energy 

of the tape hiss into undulating fluctuations that mirror the somatic 

patterns of the human body. Reynols' tapes have a heart beat, blood 

pumping through their veins, and oxygen rushing through their lungs. 

This crudely built anthropomorphism continues in Courtis' work today, 

as the cassette and the tape deck remain primary tools in his 

compositional sensibility. Courtis himself explains: "Well to be honest 

for many years the cassette was the only medium I had to record music. 

Maybe this is because Argentina is always a bit behind in technology, or 

because I was never interested in having "the new thing." It might 

sound ridiculous but mainly my overdubbing work until now has been 

basically in a Portastudio. Maybe, this is just an old friend I don't think is 

necessary to leave; but on the other hand, there is a lot you can do with 

4 channels... I mean there is no sense to discard old technology 

because you have a new one. A pen is technology; you don't need to 

kill the pen because now you have a mouse! In fact there are some 

things you can do with my old reel-to-reel that you cannot do with a disk 

drive, I mean pushing the tape, changing the aleatory speed... there are 

a bunch of unpredictable irregular things you can do with this old 

machine. In this sense, I think we should find a way to make different 

technologies live somehow together." [label info] 

It is in this context that Anla Courtis presents Tape Works, a collection 

of material that dates back to the early '90s. Here, Courtis splatters 

dense slabs of petrified tones with spasmodic algorithms, dissembodied 

vocal samples that spiral into a electric chorale, and hot-wired musique 

concrete techniques, all buried under the weight of the mighty distortion 

pedal. Once again, all things are possible for Anla Courtis. - Jim Haynes 

(from the liner notes) 

Talking about a tape-works record in the Œ90s might sound rather 

anachronistic but, be it because of Argentina¹s technology lag or for 

some other mysterious reason, I did not get hold of a computer to work 

with sound until 1999. That¹s why the sound experiments I¹ve worked 

on throughout the last decade are mainly tape explorations. This CD 

contains a selection of re-mastered tape-works dating from the period 

1991-1998. [Anla Courtis] 

* CULPIS – Situation Vacant Columns CD (PARA disc PACD011, 

2003) € 13.00 

Extreme electronic concrete-noise improvisations with enough room for 

more silent parts & suspension, turning everything into beautiful drones

at times, very vital & dynamic stuff........ amazing album from this 

japanese trio. 

Michi Nagata: electric guitar, pedals. Daizo Nishimura: harmonium, 

junk. Takuji Naka: reeds. Recorded in Kyoto, November 2002. 

* CURRENT 93 – Sleep Has His House CD (Durtro Jnana 1925CD, 

2006) € 14.00 

Repress now available ! 

“Sleep Has His House, originally released in 2000, has become one of 

Current 93's most enduring releases. The album features David Tibet 

on harmonium and vocals, as well as Michael Cashmore on guitar. The 

mood is sombre and contemplative, culminating in the epic title track 

which was inspired by the death of Tibet's father." [label info] 

“Sleep His His House follows a new musical approach built around 

harmonium, just as mellow as Soft Black Stars while heavy with a 

resigned spirit. A beautiful work dedicated to David Tibet's father.” 

[Strange Fortune] 

* CURRENT 93 – Black Ships at the Sky CD (Durtro Jnana 2112, 

2006) € 15.00 

Nach langer Zeit ein wirklich neues C93-Album in aufwendiger 

Aufmachung mit dickem Farb-Booklet inkl. allen Lyrics, und alle, ALLE 

sind sie dabei als Gastmusiker, besonders die verschiedenen 

Gastsänger wie MARC ALMOND, BABY DEE, COSEY FANNY TUTTI, 

ANTONY von ANTONY & THE JOHNSONS, oder „FOVEA HEX“- 

CLODAGH SIMONDS machen das Album äusserst variantenreich und 

interessant auch für Nicht-Current93-Fans ! Wird wohl zurecht ein 

Meilenstein werden in der Discographie von DAVID TIBET. 

„Es hat David Tibet vier Jahre gekostet, uns mit ,Black Ships Ate The 

Sky" das wohl essentiellste Album seiner Band CURRENT 93 zu 

bieten. Ex-PSYCHIC TV Mitglied Tibet gründete CURRENT 93 bereits 

Anfang der 80er Jahre und kann auf mehr als 20 Alben und unzähligen 

Singles verweisen. Sie zählen heute als Wegbereiter und bekannteste 

Vertreter des Neofolk. Zum Line-Up der Band gehören neben Tibet 

anno 2006 Michael Cashmore, Ben Chasney (SIX ORGANS OF 

ADMITTANCE), Steve Stapleton, John Contreras, William Basinski, 

William Breeze und Amy Phillips. Ein klares Signum auf die Qualität von 

,Black Ships Ate The Sky" dürfte schon allein die Liste der Gäste 

geben, die mit CURRENT 93 dieses Meisterwerk schufen: Marc 

Almond (Ex-SOFT CELL), Antony, Bonnie ,Prince" Billy, Shirley Collins 

und Baby Dee, um nur ein paar Namen zu nennen. Auf ,Black Ships 

Ate The Sky" generieren CURRENT 93 eine Offenbarung aus tiefer 

Düsternis, Schönheit und Avantgarde. Auf Neurot erscheint demnächst 

eine OM/Current 93 Split-CD.” [press release] 

“...Ultimately, perhaps most listeners at this point have already made up 

their minds about Current 93. But that may well be a shame for those 

who don't give this album a spin, because it's perhaps the richest, most 

rewarding release yet from Current 93, thanks both to Tibet's eccentric 

vision and his success in finding very talented collaborators.” [Mason 

Jones, Dusted Mag] 

“...It seems as if everything is in line for Current 93: as if their time has 

finally come. The musical trends of modern folk have exploded in 

popularity in sequence with Current 93's mastery of the genre. David 

Tibet and Current 93 are the true leaders and have set an almost 

impossible example to follow.” [Jon Whitney /Brainwashed] 

* DES ESSEINTES – Mondo Macabro CD (Malignant Records 

TUMORCD27, 2006) € 13.00 

Zusammenstellung aller Vinyl-tracks & Bonus-Material der starken 

schwedischen harsh ambient / apocalyptic / tribal Industrial-Band, die 

oft monumental-mitreissende Rhythm & Pulsation-Power entwickeln 

und dies gekonnt mit dunklen Sakral, Neo-klassik & dark ambient- 

Sphären kreuzen! 

“A new tumor is born. A classic example of what’s old is new! With 

Mondo Macabro, we’ve conveniently compiled all of your favorite des 

Esseintes vinyl releases since 2000, remastered them, boosted them to 

eye popping levels, and if that weren’t enough, added 3 bonus, 

unreleased tracks to top it off! 12 tracks in total, spanning the Muse 

(2000) and On/Off (2002) 7”s, the split LP with Magmax (2001), and 

the split 10” (2001) with Negru Voda. A great history lesson in the short 

existence of des Esseintes, each track on each subsequent release 

just seems to up the ante, with one track more crushing than the next…. 

A steady, doom filled procession of post-apocalyptic, tribal 

percussion, deadening, jackhammer rhythms, and dramatic, suspense 

filled atmospheres. When Armageddon hits, rest assured, you’ll have 

your soundtrack” [label info] 

* DISKAHOLICS – Live in Japan Vol. 1 CD (Load Records 

load086, 2006) € 13.50 

DISKAHOLICS = JIM O’ROURKE, MATS GUSTAFSSON, THURSTON 

MOORE! Live-Impro Japan 2002 ! Noise-Jazz ! 

"Documenting a 2002 sojourn to Japan that featured some slathering 

improv between Jim O'Rourke (synthi, noise), Mats Gustafsson (sax, 

noise), and Thurston Moore (guitar, noise). Although the purpose of the 

visit might have been to find bagloads of righteous collector-styled 

records, this recording flops onto the sidewalk with some of that old 

salted slug action you know -- deep breaths with a deadly spasm. The 

sounds here really get electro-acoustic in the same vein as leather 

elbowed warriors like Toop and Henri, but with scrappy crappy 

horizontal huddle of minds flowing with the JUICE! Really an inspired 

record that brings each player's pedigree upfront. This is a hot-wired 

jazz, really free blowing and joyous, but not so obvious you'll feel like 

the second time around. You're a grown up now, listen to grown up 

music. Step up to the bar!" [label info] 

* DISSECTING TABLE – Rancid Smell CD (Waystyx Records 

WR26, 2006) [lim. 100] € 14.00 

ICHIRO TSUJI is back and he still likes powerful noise ! Harsh drones 

and his nagging voice, cheeping analogue tunes, weird sounds… 

4 tracks, ca. 47 minutes playtime, special fold out cardboard-cover with 

diverse inlays, lim. & numbered 100 copies, fabric pressed edition!!! 

* DOUBLENDS VERT – Cistern CD (Line / 12k LINE_024, 2005) 

[lim. 500] € 14.00 

Ein Quartett (bestehend aus 4 Instrumentalisten mit Violine, Akkordeon, 

Klarinett und Pauke) hat diese Aufnahmen in einer riesigen 

unterirdischer Höhle gemacht, den natürlichen Hall ausnutzend. 

Entstanden sind flirrende, schneidende Obertonwellen, die sich amorph 

ins Ätherische ausbreiten & allmählich ihre harmonische Struktur 

ändern. Polyphone Überlagerungen & Frequenzinterferenzen tauchen 

auf, kein reiner Wohlklang, sondern fremdartige Environments werden 

hier geschaffen. Erinnert an PAULINE OLIVEROS ähnliche Arbeiten, 

nur das hier der Sound- & Geräuschaspekt noch stärker im 

Vordergrund steht. 

“Cistern was made in a two million gallon underground reservoir at Fort 

Worden, a de-commissioned military base overlooking the entrance to 

the Puget Sound. The space’s resonance extended the instruments in a 

way similar to electronic processing. The acoustic properties of the 

cistern created new sonic relationships to which the group applied their 

musical concept. Cistern captures Doublends Vert’s first experiences in 

the sound-world of the cistern. 

Doublends Vert formed in 2003 through a common interest in creating 

restrained, acoustic music exploring the timbre blending possibilities of 

the violin, accordion, and clarinet. 

Doublends Vert: 

Clarinetist Adam Diller’s (b. 1980) music deals with the problems of 

composing for recorded medium, integrating electronic and acoustic 

sounds, and improvising with social and natural 

environments. His process draws on experience with jazz, composition, 

improvisation, and computer-based sound design. Since moving to 

Seattle in 2002, Diller has performed in many situations and produced 

10 recordings. 

Annie Lewandowski (b. 1979) is a composer and multi-instrumentalist 

with backgrounds in classical, improvised, and experimental music. She 

has performed at festivals in the USA, Canada, and Europe with trio 

Doublends Vert and duo Emma Zunz (with Cristin Miller). She currently 

lives in Seattle. 

Tom Swafford (b. 1972) is violinist and composer active in a wide 

variety of musical styles. He studied composition in Boston, Berkeley, 

CA, and The Netherlands (with Louis Andriessen). He is a member of 

Cipher, Drumolin and Doublends Vert and also performs classical, 

bluegrass and rock music. He resides in Seattle, WA. 

Matt Crane joins on timbales for cistern tracks 4 and 5 and engineered 

this live recording. Crane has been playing drums from an early age. 

His profound interest in music has translated into the study of many 

different idioms. He currently engages in many improvised settings with 

an emphasis on environment and its shaping of the musical 

experience.” [label info] 

* DRAHOMIRA SONG ORCHESTRA – The Return of the 120 

Magicians CD (Waystyx Records 19, 2006) [lim.100] € 16.00 

DRAHOMIRA SONG ORCHESTRA mag einigen bekannt sein von 

einer schönen LP auf dem inzwischen nicht mehr aktiven kanadischen 

Label FLESH EATING ANTS. Hier neues, sehr experimentelles 

Material in der „fabric pressed“ KunstCover-Reihe des Moskauer 

Labels. 

This project had an LP on the now defunct canadian FLESH EATING 

ANTS and thats all what we know. This new release in the art-coverseries 

of the moscow-based label contains very experimental low-fi 

noises & tunes. 

* Arnold DREYBLATT and THE ORCHESTRA OF EXCITED 

STRINGS – Live at Federal Hall National Memorial, 1981 CD 

(Table of the Elements 54Xenon, 2006) € 14.00 

„ARNOLD DREYBLATT ist ein Minimalist, der weiß, dass Musik etwas 

von einem Balzruf hat. Zusammen mit seinem ORCHESTRA OF

EXCITED STRINGS swingt er auf eine verrückte Art und Weise, dabei 

präzise wie ein Schweizer Uhrwerk und unglaublich komplex. ,Live At 

Federal Hall 1981" ist die historisch wertvolle Aufnahme eines Konzerts 

in dem ARNOLD DREYBLATT AND THE ORCHESTRA OF EXCITED 

STRINGS die natürlichen Resonanzen des spektakulären Baus (in dem 

George Washington zum Präsidenten ernannt wurde) in ihre Musik mit 

einbeziehen. So entstanden sieben einzigartige Werke für Kontrabässe, 

Klavier, Orgel und Drehleier. 

Arnold Dreyblatt is a minimalist who never forgot that music is still the 

human mating call. Anyone who has experienced the composer's 

recordings with his marvelouslydubbed Orchestra of Excited Strings 

knows how madly Dreyblatt's pieces swing. This is music like a Swiss 

watch, precise in its mastery of time, but jumping with the whirring cogs 

and pulleys of minute mechanizations. Everything's moving, twitching 

about, a whirl of individual sounds ratcheting up and down in a 

modulated relationship to one another. Springy rhythms dance with 

each other in animated playfulness as clipped percussion and 

purposefully bowed strings generate delightful harmonic chatter. This 

live CD celebrates the 25th anniversary of Dreyblatt's historic concert at 

Federal Hall in New York (site of George Washington's Presidential 

inauguration). Utilizing the natural resonances of the structure's 

spectacular dome, Dreyblatt and company romp through seven 

outstanding pieces for just-intoned double basses, piano, hurdy gurdy 

and pipe organ, emphasizing dynamics and sonorities to stunning 

acoustical effect.“ [press release] 

* DUNCAN, JOHN & CARL MICHAEL VON HAUSSWOLFF – Our 

Telluric Conversation CD (23five Inc. 23five008, 2006) € 16.00 

„John Duncan und Carl Michael von Hausswolff sind bestens bekannt 

für ihre Erkundungen auf dem Gebiet der minimalen Klangbereitung. 

Schon für sich allein vermeiden beide den Überfluss und das 

Geplapper. Zusammen nun sind sie der reduzierten Form noch ein 

großes Stück näher gekommen. Ihre zweite Kollaboration beweist den 

brillianten Umgang mit hohen und tiefen Klangfrequenzen und 

Geräuschelementen, die sie dem Kurzwellenempfang, Oszillatoren und 

mikrofonbestückten Drähten entlocken. Auf dieser CD sind drei 

entsprechende, langförmig gestrickte Dronekonstruktionen zu hören. 

Auf spürbar tiefem Grundraunen werden Geschichten geflüstert. 

Ströme unterschiedlicher Qualitäten, zwischen weissem Rauschen und 

scharf peitschenden bis hoch tönenden Wellen oszillierend, spielen 

zusammen, überlagern sich und sind doch fein abgesetzt voneinander. 

Während man damit beschäftigt ist, verirrte Digitalsplitter abzuwehren, 

drückt der Stereoeffekt einen, alle Materie unmerklich deformierenden, 

schleppenden Brei aus dicker Watte in den Raum. Diese Form der 

Meditation ähnelt dem ersticktem Schreien. Doch kann man in den 

Minuten, in denen man subtil auf Herz und Nieren geprüft wird, 

wunderbar im 40seiten Booklet nachblättern, warum Unterhaltung auch 

Schmerz bedeuten kann. Eine gummiartige Ummantelung, der ein Titel 

in Brailleschrift eingeprägt wurde, hält Booklet und CD zusammen. 

_Duncan and Hausswolff are wellknown for their explorations in the 

fields of minimal sound settings. Both names are standing for an almost 

minimal musical gesture.Together they have found their way to reduce 

it yet again. Their second collaboration shows a brilliant handling of 

deep and high frequencies and noise elements from shortwave, data 

streams, oscillators and wire tapping microphones. Three pieces of 

long-form drone constructions are assembled on that CD. Deep 

background noises, controlled white noise and streams of sharp high 

tone waves are growing slowly up from the nowhere. A hypnotical 

continuum of sound forces the listeners full attention, nudging him into 

airless space through sudden breaks in it. There is also a quiet 

interesting 40 page booklet with an interview between Duncan and 

Hausswolff about their histories, ideas, and methodologies, explaining 

also their accurate purity. It is a very good completion to a music which 

is composed from the point of psychology research and visual art. All 

together in a card board embossed with braille and covered with a 

rubbery coating.” [Peter Schlewinski for Drone Records] 

”23five Incorporated proudly presents Our Telluric Conversation -- the 

second collaborative album from John Duncan and Carl Michael von 

Hausswolff. This is an album which Duncan describes as having been 

galvanized by magnetism. In a semantic sleight of hand, Duncan and 

Hausswolff reveal magnetism through a duality of meanings. One on 

hand, they speak of the physical phenomenon of charged objects that 

exert an attraction or repulsion upon other objects; yet on the other, 

magnetism can be defined the psychological influence wielded by 

charismatic individuals. Our Telluric Conversation maps out the 

complexities that emerged through the collaborative pursuits of these 

venerated sound artists. 

The tools that the two employed for Our Telluric Conversation are 

common to their respective catalogues of recordings, with Duncan 

bringing his shortwave, data streams, and uncanny use of the human 

voice while Hausswolff employed oscillators, sonar, and wire tapping 

microphones. The album opens with the mechanical rotation of 

modulated sonar, providing a hypnotic pulse which slowly submits to an 

obstinate surge of rumbling noise, that in turn collapses into focused 

white-noise turbulence and tone-bent SSB transmissions. All of this 

abruptly detours with a protracted spoken narrative from Hausswolff 

who whispers a Pynchonesque text about a maggot-infested individual 

who seeks to remedy his affliction by communing with cobras and 

geckoes. Afterwards, Duncan and Hausswolff entertain the seduction of 

the long-form drone constructions; however, their sublime minimalism is 

so brilliant in its beauty as to be piercingly acute through the purity of 

honed sinewaves. The final entry from their Conversation is the perfect 

marriage of the established Duncan and Hausswolff aesthetics, with a 

spare low-frequency hum deadening the sonic architecture before a 

static charge of crackled ether supplements the auditory smoldering. 

Our Telluric Conversation stands as a bold, expressive piece of sound 

art, confident in its multiplicity of perspectives caught in a constant flux 

of attraction and repulsion. The recording comes with a 40 page booklet 

with an interview between Duncan and Hausswolff about their histories, 

ideas, and methodologies; furthermore, the packaging is completed by 

a curiously tactile O-card, which has been embossed with braille and 

covered with a rubbery coating.....” [press release] 

* EARTH – Phase 3 CD (Sub Pop Records SP#0292, 1995) 

€ 15.00 

Re-issue of album from 1995, now also available on vinyl ! 

FAUST – Rien CD (Table of the Elements 24Cr, 1996) € 15.00 

Das aufsehenerregende, von JIM O’ROURKE produzierte 

Wiedereinstiegsalbum von FAUST, endlich re-pressed ! 

Irgendwo zwischen Wahnsinn und Krautrockerleuchtung, mit langen, 

dronigen, teils auch fast noisigen Atmo-parts. 

"From 1971 to 1975, Germany's Faust carved a megalithic reputation 

as the greatest avant-garde group of the era. Formed in the spirit of the 

May '68 uprisings, they inspired the term 'Krautrock,' influenced 

generations of subsequent bands, and to this day define an entire 

genre. In 1994, Table of the Elements brought the reclusive Faust to 

America for the first time, taking them on tour and orchestrating their 

return to the studio. The result is Rien, the first studio recordings from 

Faust in over 20 years. With major contributions from producer and 

performer Jim O'Rourke (Sonic Youth), as well as guest members Keiji 

Haino (Fushitsusha), Steven Wray Lobdell (Redford-David Triad) and 

Michael Morley (The Dead C), Faust have managed to create a record 

as unflinchingly audacious and uncompromising as their earliest work. 

An aggressive collection of electronic pastiche, musique concret, power 

tools and group improvisation results in an extraordinary return by one 

of the seminal experimental ensembles of all time. Out-of-print since 

1995, this the first and finest of the records by the 90s-era Faust, 

notoriously packaged entirely in silver, with spoken credits hidden on 

the CD." [press release] 

* FEINE TRINKERS BEI PINKELS DAHEIM (F.T.B.P.D.) / DER 

BEKANNTE POST-INDUSTRIELLE TROMPETER (D.B.P.I.T.) – 

Toads and Bugs do-mCD (White Rabbit Records WRR007, 2006) 

[lim. 500] € 19.00 

Verpackt in edelstes 7“-Tuch (dickes vierteiliges Klappcover mit Textur- 

Metallic-Druck und weichem Spezial-Karton der sich fast wie Stoff 

anfühlt), gibt es nach langer Zeit wieder mal ein Release der FEINEN 

TRINKERS, die mit der legendären “Stein-Cover”-Drone EP 

„Froschdosis“ (DR-19, 1996) vor Jahren ihr erstes Vinyl rausbrachten… 

Ihre mCD enthält einen fantastischen one-tracker (22 min), der in BAD 

ALCHEMY # 51 folgendermassen charakterisiert wurde: „Eine ambiente 

Dröhnsee brandet mit aufschießender Gischt an postindustriale 

Marmorklippen. Wie mit Händen ist greifbar, dass es spät geworden ist. 

Gregorianische Chorfetzen und eine zittrig verwehte romantische 

Melodie tönen die Nachtluft. Bläsertristesse vertieft den Mollton. 

Dunkles Grummeln ist vollgesaugt mit Wehmut wie ein Mahler’sches 

Adagietto. Der Chor aaht & lallt aus der Tiefe, bis plötzlich das Arvo- 

Pärt’sche De profundis metal-mäßig aufgemischt wird zu ostinatem 

Gehämmer, das ein Baby zum Blärren bringt. Ein starkes Stück, das, 

wenn nicht die Verhältnisse zum Tanzen, so doch den todestrunkenen 

Käfer in uns aus der Rückenlage wieder auf die sechs Füße stellt, damit 

er sich in diesem Sauwetter ins Trockene bringen kann.“ 

Die mCD des BEKANNTEN POSTINDUSTRIELLEN TROMPETER ist 

nicht minder gut, verfremdete Trompetenklänge & viele interessante & 

weirde post-industrielle Soundarrangements auf 7 Stücken sorgen sehr 

kurzweilige Klangerfahrungen. 

“Another White Rabbit release with a marvellous packaging, a double 

fold in cover like a shrine, created for the dancing bugs and toads 

appearing in flower circles, printed on an noble carton with metallic 

effect with a structure awaking the colors to flare with infinitely beautiful 

shades. This superb cover artwork is embedding the music with dignity. 

"FEINE TRINKERS BEI PINKELS DAHEIM & DER BEKANNTE 

POSTINDUSTRIELLE TROMPETER" announce the launch of their 

newly produced joint-CD. This extraordinary joint release from the two

artists with the oddest names ever presenting youvery great tracks in an 

amazing new sound of unusual creative music. With a cover -artwork as 

special as the music itself it emerges the tracks such as DBPITs: “the 

long night of the falling nuts”, “Donna”, “fff”, “Giùsù”, “V”, ”Headache” 

and ”paint me with sorrow” while FTBPD gives a 22 minutes 

interpretation of “ Klabusterbeeren der Todestrinker”! A fantastic 

release on WRR that you shouldn’t miss.” [label press release] 

* Mark FELL – Ten Types of Elsewhere CD (Line_019) € 14.00 

Last copies, deleted item. "Topology is a branch of mathematics 

concerning possible spaces and spatial objects -- curves, surfaces, 

knots, manifolds, phase spaces, symmetrical groups, etc. The work 

explores a link between objects and alterity through spatial and 

temporal deformations, twistings, rotatings, reflections and stretchings. 

Here spaces and objects are not self-evident and singular, but multiple, 

irregular, anomalous. The work began as a documentation of recent 

installations -- some in public spaces, some gallery works, some large 

works, some small etc. Inspired by the problems brought up by this 

activity, instead of using recordings to document these, ten processes 

came about each of which relates to the spaces and works in a different 

way -- a recording, or system used to run the work, a pattern, a method 

or technique, a way of working, a name, or a reference point outside the 

work. This is Mark Fell's first solo full length release in the United States 

and is a exciting new departure for LINE." [label info] 

* FIRST LAW – Chaos Structure CD (LOKI Foundation LOKI43, 

2006) € 13.00 

“The 5th full-time album of FIR§T LAW surprises once again with a 

huge amount of stylistic variety and proofs that he is the ultimate 

cosmonaut of the inner spheres. "Chaos Structure" is a hallucinetic 

maelstrom, every note and sound tells a different story and guide the 

listener to a journey through unseen areas of modulation and alienated 

reality where the time stands still. The hieroglyphic soundforms are 

structuring an audible world of an acoustic language. All compositions 

are cautious built to create a majestic flowing of a soundworld full of 

structures and outstanding melodies layered with percussion tracks. 

FIR§T LAW's music implicates inner spheres to build a new vision of a 

structured chaos with very intense and irresistible sounds. The 

complete release melts into an organic symbiotically ensemble and the 

world is shivering from beyond - Aural Innovasions at it's best!” [label 

description] 

* FIVE THOUSAND SPIRITS – Quantum Consciousness CD 

(Sempiterna Mutatio SM 008, 2006) € 13.50 

PREPARE TO HAVE YOUR REALITY SHATTERED ! 5000 SPIRITS 

beziehen sich aufs holistische Quanten-Bewusstsein und widmen ihr 

Album dem LSD-Erfinder ALBERT HOFMANN, der am 11. Januar 2006 

100 Jahre alt geworden ist. Hier tauchen sie tief ein in „atmende“ 

Strukturen, eine spirituelle ambience wie sie für ALIO DIE so typisch ist, 

angereichert durch fremdartige aurale Essenzen, wie Stimmen und 

leichte elektronische Effekte… 

“After seven years of silence they will recurred to be heard again ...with 

'Quantum Consciousness' they will not only overflowing the passed 

times but will leave frightened not only some listeners. Five tracks built 

in an unbroken journey of great intensity that Raffaele Serra ed Alio Die 

have characterized with an electronic refine touch and a flood vitality, 

always at the threshold of a mystery's whirlpool, some powerful 

electronic mantra that in these lands have already given some kind of 

dependance. Great artwork in gold print on dark green.” [label info] 

* FJERNLYS – Ascending Triads & Luminous Arcs do-CD (LOKI 

Foundation LOKI42, 2006) € 15.00 

„Schwarz, bordeaux und weiß sind die Grundfarben des Covers, der 

Schrifttyp lässt auf einen Bezug zum Jugendstil des frühen 20. 

Jahrhunderts schließen. Packt man die CD-Hülle aus dem 

Pappschuber, zeigt sich das Foto einer nordischen Seenlandschaft, die 

sich mittig spiegelt - ein Motiv, das das gesamte Artwork bestimmt. Wer 

Knut Enderleins bisheriges Schaffen in der Ritual-Ambient-Formation 

Inade verfolgt hat, wird hier einige vertraute Elemente wiederfinden, 

musikalisch jedoch beschreitet das neue Projekt Fjernlys neue Pfade. 

Während Inade thematisch von Ideen kosmischer Spiritualität und dem 

Okkultismus des frühen 20. Jahrhunderts handelt, entfaltet Fjernlys in 

Titeln wie "Intermediate Nature", "Trunkene Flut" oder "Nocturnal Wine" 

einen mystischen Pantheismus, die All-Einheit von Existenz und Welt. 

Am Arrangement wirkten diesmal neben Knut Enderlein auch noch eine 

weibliche Vokalistin sowie zwei weitere Musiker mit. Für das Mastering 

zeichnete Andreas Wahnmann von Fir§t Law verantwortlich, dessen 

neue CD dieser Tage ebenfalls erscheint. Stilistisch bewegt man sich 

nicht mehr in dronigen Darkambient-Gefilden, sondern bemüht sich 

deutlich um Songstrukturen und eingängige Melodien - mit 

minimalistischen Mitteln versteht sich: Gearbeitet wird mit dezenten 

elektronischen Beatstrukturen,synthetischen Sphären, aber auch 

akustischen Elementen wie einem Bass. Drei verschiedene Stimmen 

tauchen auf, wobei der düstere Aspekt von Inade durchscheint, aber 

auch eine gelegentliche Leichtigkeit, u.a. durch die Präsenz einer 

Frauenstimme. Die Texte auf Deutsch und Englisch sind leider nicht 

durchweg verständlich und werden auch im Booklet nicht reproduziert - 

man bettet sich im Geheimnisvollen. 

Mit pochenden Rhythmen, elegischen Sphären und finsterem Gesang 

füllt man eine Lücke, die Predominance nach ihrer Auflösung auf dem 

Loki-Label hinterlassen haben. "Flash Crimson", "All Sun's Ceaseless 

Falling" und "Rising Challenge" arbeiten auf diese Weise: Kosmischapokalyptische 

Chill-Out-Hymnen. Rituelle Drums tauchen bei "Lunar 

Sphere" und "Solar Loka" auf, während "Nocturnal Wine" wirklich 

poppige Qualitäten hat und darauf shließen lässt, dass sich die 

Hörgwohnheiten der Musiker nicht mit alten Lustmord-Scheiben 

erschöpften... Hier meint man durchaus einen Nachhall von 

Minimalelektronik der 1980er Jahre zu hören, oder die unterkühlte 

Melancholie früher Wavemusik. 

Die zweite CD enthält Remixe des Materials, und zwar von Antlers 

Mulm, Bad Sector, Fir§t Law und Lovespell, allesamt aus dem 

Freundeskreis des Loki-Labels bzw. auf diesem Label verlegt. Dabei ist 

erstaunlich zu beobachten, wie diese Gruppen das Basismaterial ihrer 

eigenen Klangwelt angleichen: Bad Sector geht eher kalt-noisig vor, 

Antlers Mulm und Lovespell dagegen gestalten ihre Stücke eher 

relaxed-poppig. Und Fir§t Law führt eine spacig-trancige Not ein...“ 

[Ikonen mag] 

“On their first album FJERNLYS emerges marvelous sounds and voices 

organically in songs and arrange a pleasant and relaxed sound to pure 

benefit with highest recognizing value. The songs layer cosmic and 

synthetic sounds and go on tracing according to the principle harmony 

in the music, their acoustic space seems very expansive, it is by no 

means over-crowded. The voices creep crosswise into sounds and 

effects to lunar spheres and solar places, exactly the correct nuance at 

refinement not only to remain in the ear but also simply very charming. 

Sometimes the central sequence takes surprising twists in some 

recordings and the density of sounds became touchable. Behind this 

project hides one of the INADE Masterminds, who recorded nine tracks 

supported from several musicians, those clearly possesses more 

songcharacter than the work which appeared from the Lightchannel so 

far. Fjernlys' attitude to music remains unfettered by stylistic frames and 

the album targets the style-encompassing essence of sounds. The five 

remixes and interpretations of ANTLERS MULM, BAD SECTOR, FIRST 

LAW and LOVESPELL on the second CD support the complex 

character of the whole release and expand the border to a new style of 

Ambient Songs. Ace - Clear - Pure.“ [label info] 

* FOVEA HEX – Neither speak or remain silent part 2: Huge maxi- 

CD (Die Stadt DS86 / JR 002, 2006) € 13.00 

Zweiter Teil der Trilogie, drei weitere ätherisch-entrückte Stücke von 

CLODAGH SIMONDS mit ihrer transzendentalen Folk-Ambience, die 

mit Hilfe diverser illustrer Gastmusiker enstanden ist ! 

“Following the critical acclaim which has greeted ep 1 «Bloom», Die 

Stadt and Janet Records are proud to announce that «Huge» ep 2 in 

the NEITHER SPEAK NOR REMAIN SILENT limited edition series by 

FOVEA HEX is out. FOVEA HEX continues to shape-shift and to evade 

& confound those who bray «what exactly IS it?», and «where does it 

BELONG exactly?», and «who exactly belongs to IT?». If you must 

bang on the table like that, you won't hear a thing. If this music can be 

described as «up-to-the-moment», then perhaps we could use an up-tothe-moment 

term like «collective». But eschewing all Fashion 

Accessory stalls, it lives as many miles away from the shock'n'awe 

factory beloved of the avantgarde, as it does from the souvenir-strewn 

temple of the new nostalgics. All in all, FOVEA HEX is something more 

akin to a labrynthine ensemble of associates, some recent, some 

ancient, some close to the core, some distant, some very heard-of and 

some never-heard-of, all of whom showed willing and able, at some 

point in time (and for reasons best known to themselves) to slither in 

and help prepare and perform these songs and quasi-songs written — 

or at least started-off — by CLODAGH SIMONDS. «Songs that don't go 

where you think. With voices to match...» somebody said recently. At 

the end of the day, that's about all that CAN be said with any kind of 

certainty. If you need a better idea of what this means, visit the Janet 

Records website now, where you'll find some treats we prepaired earlier 

— three mixes (by Andrew McKenzie) of near-moment excerpts from 

the songs from ep 1 «Bloom» and three (by Colin Potter and Clodagh 

Simonds) from new songs from ep 2 «Huge». Players on «Huge»: 

Clodagh Simonds, Colin Potter, Roger Doyle, Cora Venus Lunny, Brian 

Eno, Laura Sheeran, Percy Jones, Carter Burwell, Lydia Sasse, Hugh 

O'Neill, Sarah McQuaid. The CD comes in a full colour embossed 

cover. Edition of 2000 copies.” [label info] 

* Ellen FULLMAN - Staggered Stasis CD (Anomalous Records 

NOM 29, 2004) € 15.00 

Einer der letzten Veröffentlichungen des Seattler Labels ANOMALOUS 

war diese CD von ELLEN FULLMAN, die hier mit ihrem “long string

instrument” wunderbar metalloide Oberton-Drones erzeugt, die tönen, 

als wenn man auf einem “Klangbett” liegt. Unglaublich volle, vielfältig 

sirrende, in allen Farben flackernde Drone-Strahlen, zwei Stücke die 

bereits in den 80ern entstanden sind. Still to discover ! 

“Over the last two decades, Ellen Fullman has been perfecting her Long 

String Instrument. This unique instrument of her own design is some 80 

feet in length and played by literally walking through it. The resulting 

sounds are beautiful gliding tones with a rich harmonic content. The CD 

presents two works from her time in Austin, Texas in the late 1980's 

which beautifully display a sound you can get inside of. These long 

tracks envelope you in their cascading overtones. Even though she has 

performed widely in the United States and Europe, this is only Ellen's 

third solo CD, following previous releases on XI Records and New 

Albion. So hearing these gorgeous and important pieces from her 

archive is cause for celebration. 

Staggered Stasis (1989) was commissioned by the Deborah Hay Dance 

Company for part 1, The Navigator in Hay's trilogy, The Man Who Grew 

Common In Wisdom. Microtonal shifts in the coloring occur in a 

staggered fashion, traveling on an axis of Pythagorean intervals, (the 

circle of fifths). Chords created by stacking 3/2s, or fifths, are referred to 

as suspended chords. There is a flatness in this drama, what I imagine 

it must be like in the middle of an ocean, continually moving yet 

appearing the same. The four part score was plotted on a timeline. 

Each track was recorded and performed by myself. An excerpt of 

Staggered Stasis was released on the Arial CD series. 

Duration (1986) was composed as a 13-limit study for the Long String 

Instrument, in the key of C. The fundamental tone is continually 

sounded, under chords constructed with pitches from the overtone 

series. The intention of the piece was to listen to the variations within 

each chord, as it is sounded continually while the performer walked the 

length of the instrument. As the performer's position changes, one 

clearly hears a cascade of overtones. Duration was never previously 

released. 

The original recordings were made direct to a PCM digital processor 

using a vintage AKG C24 stereo tube condenser microphone placed 

about 15 feet from the resonators.” [label description] 

* GALBRAITH, ALASTAIR / CONSTANTINE KARLIS – Radiant CD 

(Emporor Jones EJ57, 2005) € 14.50 

2 lange Stücke improvisierte Neuseeland-Drones, kreiert mit 

elektrischer Violine, Loops, Drums. Dronig-konkrete, dynamische 

Soundscapes. ALASTAIR GALBRAITH ist bekannt von einigen CDs auf 

TABLE OF THE ELEMENTS. 

“A monstrous collaboration between two of New Zealand's most vital 

underground musicians ALASTAIR GALBRAITH and CONSTANTINE 

KARLIS (HIGH DEPENDENCY UNIT), and another chapter in 

Galbraith's quest for pure beauty. Includes the 35-minute title track--a 

blend of Galbraith's trance-state guitar loops and violin with Karlis' 

metronymic drum bursts--backed with the cut "Four Orbits--a haunting 

collage of varying moods and intensity.” [label info] 

* GASTR DEL SOL – The Harp Factory on Lake Street maxi-CD 

(Table of the Elements 19Potassium, 1995) € 11.50 

Wiederveröffentlichung dieses knapp 20minütigen frühen GASTR DEL 

SOL-Werkes (rec. 14.11.1994) mit JIM O’ROURKE und vielen anderen 

namhaften Musikern in einem fast orchestralen Gewand. 

“ 'The Harp Factory on Lake Street shows signs of inevitable 

restlessness on the part of co-authors David Grubbs and Jim O'Rourke. 

Where 1994's acclaimed Mirror Repair showed the pair's writing to be 

moving away from their instrumental abilities towards orchestrating for 

larger groups, Harp Factory demonstrates within the first ten seconds 

that they have moved up another level. The ensemble features many of 

the musicians who inhabit the strange meeting ground between Grubbs 

and O'Rourke's backgrounds, including standbys John McEntire 

(Tortoise, The Sea and Cake) and Bob Weston (Shellac); through usual 

gastr studio maneuvering, the group approaches a small-sized 

orchestra. gastr signposts are still in sight -- exaggerated/unbalanced 

form, the associative words and voice of David Grubbs -- along with an 

increasing confident use of space and dissonance. 

The Harp Factory on Lake Street moves from moment to moment with 

an ability to surprise and confound, while revealing more and more 

connections.” [press release] 

* GLANDS OF EXTERNAL SECRETION / MY CAT IS AN ALIEN – 

From Earth to Spheres # 5 CD (Very Friendly VF023CD, 2006) 

€ 13.50 

“Fierce blonde BARBARA MANNING and Bananafish founder 

SEYMOUR GLASS are joined by NELS CLINE on lap steel for "Icebox," 

a slow ascent from isolation through frozen tape manipulation, icy 

drones, and subtle infernal groans from the obscure side of the moon. 

This “defrosted mix” of “Icebox” features all sorts of bonus frequencies 

not on the limited edition vinyl. The unearthly fragmented vocals of 

Italian OPALIO brothers create the heavy, emotional textures of the 

interstellar "After the Meteor Shower," with howling guitars and 

electronics, the distant echo of a drum, and a whispered chant 

emerging from the concrete surface of the planet.” [press release] 

* GOLGOTHA – Icarus maxi-CD (Ikonen:media IKON 03, 2006) 

€ 9.50 

“Golgotha: first came to my attention with the cd-r Waste Land, 

showcasing an impressive ritual ambient sound. On this Icarus e.p. the 

German project shows to be interested in a wider musical spectrum, 

with some typical neofolk songs. This mini cd is based around the song 

‘Icarus’, which can also be found on the album Reflections on Heroism 

(Athanor, 2005). For this release :Golgotha: uses keyboards and 

samples, as well as drums and acoustic guitars. The 6-track EP, 

dedicated to the myth of Icarus, starts with an atmospheric instrumental 

introduction. It’s a collaboration with one of my personal favourites 

Herbst9. Then follows the folky song ‘Icarus’, in typical apocalyptic folk 

style. Death in June and Strenght Through Joy are not far away. It has 

a pleasant, appealing melody. Vocal assistance on this ‘Orchid mix’ is 

given by Ildiko with a female second voice. My only concern are the 

male vocals, which do not sound confident enough and have difficulties 

keeping in tone. ‘Icarus fallen’ is an impressive mood builder, again 

together with Herbst9. Effective ritual percussion and mysterious 

ambient layers give this track a special atmosphere. ‘Icarus’ law’ is 

perhaps my favourite composition, a symbiosis of the different styles of 

Golgotha. It features some lovely ambient sound sculpuring, acoustic 

guitars and grave spoken vocals. After another deep soundscape, this 

EP closes with an acoustic mix of ‘Icarus’. It features vocals by veteran 

Patrick Leagas (Sixth Comm), whose deep voice gives this song an 

extra layer of pathos. All in all an enjoyable EP which scores above 

average with an original mixture of ambient and folk elements. 

Hopefully there are enough people who will appreciate both the 

soundscapes and the melodic acoustic songs.” [Funprox] 

* GOSLINGS – Spaceheater / Perfect Interior CD (Crucial Blast 

CBR51, 2006) € 13.00 

“Spaceheater/Perfect Interior collects the first two EP's from husbandand-wife 

duo the GOSLINGS, originally released as short-run CD-Rs on 

low-fi/indie noise imprint Asaurus Records in 2003-2004. Working with a 

signature palette of melted, low-fi indie pop and muggy/smeared psychdrone 

ambience ground through overdriven amplifiers and shot out into 

pools of swirling basement shudder, The GOSLINGS adorn their 

gorgeous powermurk with eerie field recordings, ghostly subterranean 

vocals, and crackling cable buzz. If SUNN O))) had, in actuality, been a 

late-80's dreampop outfit on 4AD Records, or if cult shoegazers 

MEDICINE had ever collaborated with drone-axe sorcerers EARTH, the 

resulting fug may have been similiar to this black-sugar avalanche. 

Simultaneously ethereal and blown-out,angelic strains of four-track 

mud-majesty shaking the walls of the ancient well it's buried beneath.” 

[label info] 

* GRKZGL – Esque mCD (Angle Records A.R.03.01, 2006) [lim. 

500] € 6.50 

Very complex digital experimental music from a new act from Montreal 

on this fine canadian label, not easy to categorize, strange sounds & 

kind of rhythms everywhere…… recommended for explorers of the 

digital sphere…. 

“ 'Esque' is the first 3" mini-cd ep release on Angle Records. To create 

the music Grkzgl uses laptop, synths and bass, plus there is metal 

percussion on the last 6th track, which is the most noisy of all. 

Otherwise, the sound is in the atmospheric glitchy areas, loosely 

improvised but with a clear direction of where it's going, sometimes 

even a rhythmic patterns appear. Grkzgl is obviously inspired and 

influenced by the post-industrial ambience, not being too minimal or too 

harsh, but still merging all those styles into one whole piece, divided in 

6 tracks which are mixed into each other. Very nice ep for this artist and 

hopefully more releases in the same format to come on the label.” [BR / 

Vital Weekly] 

* GROWING – The Soul of the Rainbow and the Harmony of Light 

CD (Kranky KRANK073, 2006) € 15.00 

Neue CD des zum Duo geschrumpften Drone/Fuzz-Projekts, auf der sie 

sich weiterentwickelt zeigen… meist eher ruhig und sphärisch schön… 

zarte und klare Frequenzüberlagerungen und –verästelungen, die sich 

mitunter in noise und monumental-droniges hineinsteigern…. 

„Takes Growing's expansive palette, blurring and disguising 

instrumental points of origin to a point where sheer sound defines itself 

with authority. Now a duo with Kevin Doria on bass and guitar and Joe 

Denardo on guitar, Growing have pushed into the manipulation of 

feedback, hiss and static; wringing out waves of delay from their amps 

while retaining an earthbound mastery of crushing riffage. These grainy 

textures contrast with a clean, pulsing lushness that carries traces of 

bird song and touch on natural environs and the passing of time." [label 

description]

* HAFLER TRIO – Exactly as I am do-CD (Important Records 

IMPREC 066, 2006) € 22.00 

Dritter und letzter Teil der SIGUR ROS / H30 – Collaboration ! 

Wieder zwei CDs mit langen one-trackern .... 

“The third installment in the HAFLER TRIO’s collaborative series with 

JONSI BIRGISSON of SIGUR ROS. Includes all new material recorded 

in May/June, 2005. Lavishly packaged in die cut oversized sleeves 

printed on two different types of parchment meant to imitate small 

editions of French poetry circa 1900.” [label info] 

* HAFLER TRIO – Seven Hours Sleep CD (Korm Plastics 

paragraph 9, subsection 5.7, 2006) € 14.00 

Schon über 20 Jahre alt und für uns ein echter Klassiker des 

“experimentellen Sphären / field recording-Noises”, wird SEVEN 

HOURS SLEEP nun endlich in der feinen Re-Release Reihe von 

KORM PLASTICS wieder erhältlich gemacht.... 

“... McKenzie operierte hier mit sehr prägnanten Fieldrecordings 

(Feuerwerk, ein über den Köpfen hinweg rauschender Jet, spielende 

Kinder, Gehämmer, etc.) und Musique-concrete-Effekten mit Fake- 

Ethno-Touch, dazu irritierenden Vocal-Samples, die mich an Luc 

Ferraris ‘Anecdotiques’ denken lassen, undundund. Allein McKenzies 

13-seitigen Cut-Up(?)-Text sich reinzuziehen, ist mir unkalkulierbaren 

Nebenwirkungen verbunden. Auf eigene Gefahr also, aber es muss 

sein....” [Bad Alchemy #50] 

“The sixth re-issue in the Hafler Trio re-issue series Seven Hours Sleep. 

"Sitting bolt upright again was the thing that came from the operating 

table not a moment too soon. Oh, the trials were all worth it, and the 

delights of the basement were nothing to the wings this baby had. 

Reveretly restored to a biblical suggestion of transports that do not 

demand a tip, here we have the living, and still breathing apparition that 

can now appear in the *comfort of your own home* or *even elsewhere* 

for less then the price of a triple-bypass operation. Death to dreams and 

*HELLO* to realising that they are the things we are made of. At all 

good stores worldwide and some other places" 

Originally released on LP by Laylah in 1985 and re-issued wrongly on 

CD by Mute in 1996, now really available as should have been including 

a poster and a large PDF file in the data section of the CD.” [label press 

release] 

* HAFLER TRIO / COLIN POTTER / ANDREW LILES – 3 Eggs CD 

(Important Records IMPREC 94, 2006) [lim. 1000] € 14.50 

8 tracks, 68+ minutes of superb mysterious surroundings on this tour- 

CD for a tour that never happened (indeed, again a nice contradiction, 

you may say). Filed under: strange waves–ambience…. alien 

meditation…. metallurgenic subsounds…. cosmic whistlings… 

“The first collaboration between the HAFLER TRIO, COLIN POTTER 

and ANDREW LILES. Originally intended to be a merch item for a tour 

that never took place, the album features the three artists in perfect 

harmony, celebrating the magic of the number three. Limited edition 

pressing of 1,000 copies, packaged in deluxe 12-panel fold-out covers.” 

[label info] 

* HAMPSON, ROBERT + STEVEN HESS – same maxi-CD (Crouton 

Music no.31, 2006) [ed. of 500] € 10.00 

„Steven Hess (Pan American, Fessenden, On, Haptic) gab perkussive 

Rhythmen und Texturen vor, von Robert Hampson (Loop, Main, 

Godflesh Organum) elektronisch bearbeit. Er enthüllt den Anteil an 

Eigenresonanzen, die das Drumkit erzeugt. All die Geräusche, die 

während eines konventionellen Schlagzeugspiels nicht zu hören sind, 

werden hervorgehoben und erhöht. Texturen knisternder Sounds 

schwingen zwischen eingeworfenem Cymbalswing und voluminösem 

Murmeln hin und her. Diese sehr elektronisch anmutenden Wellen 

erheben sich zu monumentalen Klangskulpturen, die den Gebrauch 

eines Drumkit ganz vergessen lassen. Es wird immer mal wieder mit 

kleinen Einspielungen zitiert, aber die meiste Zeit wirkt diese Musik 

wirklich unwirklich. CDep im Plastikbag und auf 500 Exemplare limitiert. 

_Steven Hess (Pan American, Fessenden, On, Haptic) provides 

rhythms and textures made of drums and percussion, all processed by 

Robert Hampson (Loop, Main, Godflesh Organum). The result is a 

vibrating space revealing the resonances of the drumkit. All these 

noises you would not hear while a drummer is playing conventionally 

rhythms. Small sounds are suddenly growing big. Textures of crackling 

sounds are floating between different layers of swinging deep tunes and 

brightly singing cymbals, like swelling rain outside on the window. 

These quite electronically waves are sometimes growing up to 

monumental sound sculptures. Minimal cymbal tunes appearing with 

reference to the conventionally use of the instrument, but the most 

times it is highly unreal. This Cdep was released in an edition of 500, 

packaged in a clear plastic sleeve.” [Peter Schlewinski / Drone Records] 

“A sensible combination, brought to light by a chance contact resulting 

in a fairly lengthy process of recording, listening, and mixing. Robert 

Hampson, is, of course, the visionary behind sound behemoths LOOP 

and MAIN, and even served a highly productive position within 

GODFLESH, ORGANUM, and also collaborated with JIM O' ROURKE. 

Steven Hess is a percussionist who provides comfortably obscure 

rhythms and textures for PAN AMERICAN, FESSENDEN, ON, and 

HAPTIC. Together, Hampson and Hess create a delightful peephole 

into the space where resonance from various percussions exist. These 

are the indirect moments that are just as real as those obvious times 

when a drummer nails the snare drum in 4/4 time. This is the stuff that 

for without, the attack, the beat, the percussion itself, would be lifeless 

pricks of meaningless sound. These recordings are filled with the active 

and excited ghost of interaction with material; highly unreal at times, 

and undeniably human at others. For those familiar with their previous 

endeavors, this is certain to please. For others, you are about to hear 

the collaboration of two people who know exactly what they are doing, 

and have created an even more powerful joined effort. Clearly tasty. 

Released in an edition of 500, packaged in mulitple layers of clear 

material. See?” [label info] 

* Hanna HARTMAN – Longitude / Cratere CD (Komplott Records 

escudre06, 2005) € 14.50 

Zwei grossartige drone-artige musique-concrete Stücke der Schwedin 

HANNA HARTMAN, bei „Longitude“ mit beeindruckendem Klang- 

Material aufgenommen auf Segelbooten, bei Cratere bestehend aus 

(u.a.) : Atmen, Rauschen, Donnern, Vulcan-Granular-Sounds.... to 

discover !! (Sie bekam übrigens 2005 den Karl-Sczuka-Preis für eine 

andere Komposition, als Nachfolgerin von u.a. ASMUS TIETCHENS!) 

“The second release of the year on the Komplott label is two pieces by 

sound artist Hanna Hartman. Until now the two compositions of the 

album,/ Longitude 013° 26' E / and / Cratere,/ which were 

originally commissioned pieces for the Swedish Broadcasting 

Corporation and DeutschlandRadioBerlin, have only been available to 

the public as radio broadcasts. The music is not dependent on 

the medium of radio however, but consists of concrete 

sounds composed as independent pieces. The material of the piece 

Cratere partly consists of recordings of the Italian volcano Etna, 

whereas much of the material on Longitude 013° 26' E - a longitude 

which runs through Berlin, Kap Arkona and the Baltic Sea - was 

recorded on sailing boats. The album cover is to be interpreted as a 

commentary between map and terrain, an abstraction which points to 

the difference between the origin of the sounds and its musical form. 

The terrain can be conceived through the map, the map through the 

knowledge and experiences which arise from the relation between the 

two. Hanna Hartman has received several awards for her music such 

as the recent Svenska Författarförbundet Radiopris (Swedish Writer 

Associations Radio Award) 2004 and the Karl-Sczuka Prize 2005. She 

will be presenting a sound installation at the GAS Festival (Göteborg Art 

Sounds, 1-8 October 2005). Longitude / Cratere will be released on 

September 23.“ [label description] 

* HATI VS. Z’EV - # 1 CD (Ars Benevola Mater AMB21, 2006) [lim. 

950] € 13.00 

HATI is the new insider tip from Poland, a duo that works with lots of 

ethnic & metal instruments and gongs... here in collab. with the pure 

archaic master Z’EV! 

This CD is so beautiful: if you listen to this silently, it’s very meditative 

and contemplative, but also has some more strange & experimental 

moments..... if you listen to this at high volume, its very powerful and full 

of movements. Ritualistic and uplifting, over-tunes everywhere... highly 

recommended to strengthen your inner god(s). 

“ABM is really glad to announce this great release. A sensational 

collaboration between HATI & Z'EV, the unique Rythmajick’s master. 

Here the sound-qabalhist melt some raw audio-materials provided by 

HATI in order to condense 50 minutes approx. of AL-chemical sounds. 

HATI are a great Polish duo playing inspired psych-ambient 

soundscapes mixing gongs, metal discs, aluminium bars with wooden 

pipes, animal horns and trumpets. Z'EV, who is very well-know for his 

percussiive music skill, edited and treated Hati’s tracks those were 

originally recorded in 2003. His rhythmajickal remix created structures 

with a long range of mystical drones. This album is well-recommended 

to true experimental magick-percussive industrial music-lovers!” [label 

info] 

* HILDEBRAND, GUSTAV – Primordial Resonance CD (Cyclic Law 

15 th Cycle, 2005) € 15.00 

“Gustaf's second full lenght is a unique, evolved experience offering you 

to embark upon an odyssey through ancient and lifeless surroundings. 

Sweeping ambient soundscapes and delicate textures mingle with the 

distant shrieks of surreal machinery - conjuring up images of 

abandoned and forgotten places, clouded skies and dead cities where 

time has been standing still. A captured moment from a strange no 

man's land lit by a perpetual gloom, Primordial Resonance is a voyage 

only limited by the imagination of the listener. 

First 1000 copies come in an oversized fold out cover (A5).

6 Tracks. Running time; 45:19” [label info] 

* Manu HOLTERBACH – Aare am Marzilibad mCD (Erewhon 

CDWhON 011, 2006) € 7.00 

Das kleine aber feine belgische Label EREWHON meldet sich mit zwei 

Releases zurück (die zweite VÖ ist die ERIC CORDIER CD), und 

einem neuen Namen für uns: MANU HOLTERBACH führt uns ins 

innere einer Flasche, die durch einen Fluss treibt; eine eigene Mikro- 

Welt von flüsterndem Rauschen, ans Glas stossenden Luftblasen & 

Aussengeräuschen... faszinierend ! „Für 18 Minuten teilt man die 

Audiosphere mit einer Forelle“ [Bad Alchemy]. 

“Manu Holterbach is a young French sound artist who proposes his 

many-faceted talents since already more than 10 years. He invents new 

instruments, spatialization devices and mutant loudspeakers that were 

showed around the world in diverse installations and performances, in 

solo or in collaboration with a.o. Sophie Durand, Pierre Berthet, Jean- 

François Laporte, David Maranha. You can listen to his beautifull 

"verres enharmoniques" instruments on his highly acclaimed CD 

recently released on cloudmirror, and to "parenthèses flottantes" a 

piece freely available online on Happy New Ears (look for the 

www.creaties link). He is actually working on a biography of the French 

composer Eliane Radigue. Manu also composes pieces realized with 

natural and industrial environmental sound recordings, like the one we 

proudly propose on erewhon, Aare am Marzilibad. 

This piece realized in 2003 is a ready-made recording of a Swiss 

choppy river, the Aare, done with a microphone hermetically locked into 

a bottle. What you can hear is the sound of thousands of pebbles that 

knock together in the powerful stream. It illustrates perfectly Manu's 

focus on microscopic events and fragility.” [label description] 

“Manu Holterbach, inventor of the electronic glasses (see Vital Weekly 

472), works also with spatialization devices and mutant loudspeakers, 

but also installations and performances. For the piece presented on this 

miniCD, he locked a microphone hermetically in a bottle. He threw the 

bottle in a Swiss river, the Aare, and made this recording. If you open a 

bottle of some drink with bubbles, you might be fascinated at the 

sounds of the bubbles escaping. The first half of this piece sounds a bit 

similar, but if you listen carefully you can also hear voices from aside of 

the river. But they are far away, and as the piece progresses, they 

become louder. Perhaps the bottle washed ashore? It's a pretty singleminded 

concept that however works out very well. It's a beauty to listen 

to. Somewhere between highly filtered rain sounds and opening the 

next beer can.” [FdW / Vital Weekly] 

* HUMCRUSH – Hornswoggle CD (Rune Grammofon RCD2055, 

2006) € 15.00 

“Das Debütalbum des FOOD Drummers Thomas Stronen und des 

SUPERSILENT Keyboarders Stale Storlokken. Stronen ist ein festes 

Mitglied von verschiedenen Bands, von denen FOOD, das MARIA 

KANNEGAARD TRIO und PARISH wohl am bekanntesten sind. 

Storlokken ist ein Gründungsmitglied von SUPERSILENT, 

SKYWARDS, und CUCUMBER und der "JAZZ ACADEMY" in 

Trondheim. Aufgewachsen ist er mit der Musik von JOE ZAWINUL und 

HERBIE HANCOCK und ist momentan wahrscheinlich der 

interessanteste und risikobereiteste Keyboarder in der gesamten 

norwegischen Liveszene. "Humcrush" is ein Set von Improvisationen, 

die live im Studio aufgenommen wurden und so klingen, als wären sie 

minutiös ausgearbeitete und programmierte Musikstücke. 

Info (eng): DEBUT RELEASE FROM FOOD 

DRUMMER THOMAS STRONEN AND SUPERSILENT 

KEYBOARDIST STALE STORLOKKEN, AND A WELCOME ADDITION 

TO THE RUNE GRAMMOFON CATALOGUE IT IS TOO! STRONEN IS 

A REGUALR MEMBER OF SEVERAL BANDS, MOST NOTABLE 

FOOD, MARIA KANNEGAARD TRIO AND PARISH. STORLOKKEN IS 

A FOUNDER MEMBER OF SUPERSILENT, SKYWARDS, AND 

CUCUMBER, FROM THE "JAZZ ACADEMY" IN TRONDHEIM AND 

RAISED ON JOE ZAWINUL AND HERBIE HANCOCK HE HAS 

PROBABLY THE MOST INTERESTING AND ADVENTUROUS 

ELECTRIC KEYBOARD PLAYER OPERATING ON THE NORWEGIAN 

SCENE AT THE MOMENT. "HUMCRUSH" IS A SET OF 

IMPROVISATIONS RECORDED LIVE IN THE STUDIO THAT 

SOUNDS LIKE METICULOSULY COMPOSED AND PROGRAMMED 

PIECES OF MUSIC.” [label press release] 

* INADE – Samadhi State CD (LOKI Foundation loki41, 2006) 

€ 13.00 

Nicht aufs Unterbewusste, sondern aufs ÜBERbewusstsein spielt der 

Titel der fantastischen neuen INADE-CD an, im Samadhi-Zustand 

verschmelzen Subjekt und Objektwelt, das Denken hört auf, der 

physische Körper wird verlassen. Entsprechend klingt « Samadhi 

State » weniger dunkel als gewohnt, sondern extrem meditativ, 

versenkend, dronig-kosmisch... leider immer noch kein neues 

Studiomaterial, sondern eine Kollektion verschiedener rarer Aufnahmen 

der letzten Jahre für die 2005er Japan-Konzerte der Band. 

“A Japanese edition of collected studio works from the last years, 

recorded during several sessions and rehearsals at the Light Channel. 

Remixed, re-constructed and re-edited in 2005. This release was 

accompaning the Spring Equinoxe concert in Tokyo and is now 

available outside of Japan as well. 

"Samadhi State" is illuminating the space of reality and the luminous 

arcs of dreams. Samadhi is a over-conscious experience that lies 

beyond waking, dreaming, and deep sleep. The realisation made in 

Samadhi is numinous realisation. A perfect condition in vigil, a condition 

of absolute consciousness. It is the final goal of everything and the 

highest form of self-possession, in the sense of collecting all the 

faculties of the constitution towards reaching union or quasi-union, long 

or short in time as the case may be, with the divine-spiritual. Life in the 

spirit is not fading. If the restrictions of the empirical being are 

exceeded, the universal life is intensified. The life becomes cosmical 

and even hypercosmical. The Samadhi State neither guards nor 

dreams it is the fourth dimension, where the infinite eternity prevails.” 

[label info / liner notes] 

* INCAPACITANTS – Pariah Tapes 5 x CD – Box (Freak Animal 

Records CD-034, 2006) € 45.00 

Wiederveröffentlichung von 5 Tapes aus den 80ern vom PARIAH–Label 

von den kultigen japanischen harsh-noise-Pionieren, 2 davon wurden 

zwar produziert, aber nicht verkauft und sind somit zum ersten Mal 

erhältlich! 

“Huge influence for whole international noise scene. Freak Animal had 

opportunity to continue work with Incapacitants with new release 

(previous one, split 10" with Junkdrome came out 10 years ago) and it 

is no less than box of 5 full length CD's ! This is A MUST have collection 

of all the oldest Incapacitants tapes released on Mikawa's own Pariah 

tapes label. 2 first tapes have NEVER been sold in public, and 3 other 

tapes (pallo triple tape) was manufactured less than 100. While most of 

Japanese artists in early 80's were doing free-improv. or sound 

collages, listen to sound of Incapacitants who since 1981 has delivered 

such harsh noise walls, they are hard to match even today ! Includes 

replication of all original artwork as well as linernotes from Mikawa 

himself.” [label info] 

“Incapacitants began in 1981 as Toshiji Mikawa's solo project. The 

original base of activity was Osaka, where Mikawa collaborated with 

Yamatsuka Eye and others. Later, after the move to Tokyo, Fumio 

Kosakai became a member, to form the current duo. From the 

beginning, while the attempt to achieve pure NOISE has been the most 

important aspect of their sound, they have also been famous for their 

stage performances, which are so wild they may remind people of pro 

wrestling matches. This aggressive, energetic style and the beauty of 

their NOISE are unrivaled. Along with Hijo Kaidan, Merzbow, C.C.C.C., 

and Solmania, Incapacitants is one of the most well known of the 

NOSIE bands which started out in the early '80s.” [discogs.com] 

* JAPANESE TORTURE COMEDY HOUR – Voltage Monster CD 

(Desolation House DH008, 2006) € 14.00 

Der achte Release in der Desolation House – Reihe beschert uns 

extremen trash/harsh-noise vom Soloprojekt von SCOTT HULL! 

“Desolation House is proud to present Voltage Monster by Japanese 

Torture Comedy Hour, featuring Scott Hull (Pig Destroyer, Agoraphobic 

Nosebleed). The full-length's seven searing blasts, including the 

withering sixteen-minute epic Atmospheres, are relentless assaults of 

screaming electronic madness and maddening static explosions done in 

the tradition of the finest Japanese noise. Voltage Monster's absence of 

the rigid structure present in Hull's other projects allows for an 

altogether more dense, more suffocating exploration of white noise as 

an aesthetic. One of the most punishing, harsh electronics records to 

surface in quite some time, Voltage Monster is nothing short of 

devastating.” [label description] 

* JARBOE / NIC LE BAN – Knight of Swords / The Beggar do-CD 

(Vivo Records VIVO2005016, 2005) [ed. of 600] € 22.00 

"These performances were transmitted and captured unto recordings 

in the sultry deep Southern night. Featured are extraordinary guitarist 

Nic Le Ban and keyboard compositions, sounds, and voices performed 

and recorded by Jarboe. In addition to these, # 5 features music 

performed / recorded in Israel by Y. Malka with a vocal channeling of 

her experiences there performed by Jarboe. An alternate 

performance/production of this piece, entitled Pure War exists on the 

Jarboe cd entitled: Disburden Disciple." [Jarboe] 

"The songs on this disc form an array of many years of life and may be 

read like a history off of postcards within the mind. Within that realm of 

understanding and beingness, there is a kind of transcendent personal 

mysticism found there, found within the freedom of embracing ones 

inspiration. Represented are several songs which honor the creativity 

of those whom have inspired me. Chief among them all was a curious 

soul I ran into off an on erraticly over many years in Seattle, USA. At 

the time I had no idea that person would become a catalyst within my

life as his life was ending. And I dont have the luxury of answers to my 

many questions, and I never got to have the conversations I wanted to 

have with that soul. What I was given instead, and what was imparted 

to me by that soul instead, was the inspiration I needed to awaken 

within and to keep moving further. For that reason alone, I have 

dedicated this disc to the memory of Layne Staley, 1967 - 2002." [Nic 

Le Ban] 

* JARBOE – The Conduct CD (Atavistic ALP175, 2006) € 14.00 

Neues Album der Chanteuse Noir, in Zusammenarbeit mit dem 

Gitarristen NIC LE BAN entstanden: minimal aber kraftvoll 

instrumentiert, intensiv & eindringlich & dunkel wie die Nacht... Stücke 

brechen in der Bewegung plötzlich ab, JARBOE’s Gesang ist 

omnipräsent nah, mal rauh & verzerrt, mal erotisch-sanft, man kann 

sich dem kaum entziehen... 

„Nach "The Men Album" folgt hier der nächste Streich der Extravaganz 

auf zwei Beinen, JARBOE. "The Conduct" kommt als limitiertes 

Touralbum daher, das JARBOE zusammen mit ihrem Gitarristen Nic Le 

Ban geschrieben hat. Das Album selbst verfolgt einen auf schleichende 

Weise bis in seine Träume, enthält aber auch die Namen und 

Einsendungen des "Living Rumor"-Projektes von JARBOE. "Living 

Rumor" ist ein modernes E-Mail-Kunstprojekt, an dem sich hunderte 

von Fans beteiligt haben. "The Conduct" fasziniert mit ausufernden 

Soundlandschaften: Blitze, Klavier, Gitarre und Gesang entführen in 

eine Atmosphäre voller eingrenzender Dunkelheit, glühender 

Leuchtkraft und erhabener Verführung. 

A stealthy, haunting follow-up to Jarboe's MEN ALBUM masterwork: a 

full-length, limited tour album co-written & performed by Jarboe & 

guitarist Nic Le Ban. Also featured are the names & words submitted to 

Jarboe's "Living Rumor" subscription list- a latter day email-art piece 

consisting of contributions by hundreds of folks from her far-reaching 

international fanbase. Hypno-Immersion via masterful soundscapes: 

Lightning, piano, guitars & vocals conjure atmospheres of isolating 

darkness, glowing incandescence & sublime seduction. Don't miss 

out...“ [press release] 

* JESU – Silver maxi-CD (Hydrahead Rec h666-110, 2006) € 12.00 

Vier neue tracks von JUSTIN BROADRICKs für Furore sorgenden 

neuen Band, Metal-Drone-Core mit echtem Pop-Appeal & Harmonien 

die einen nicht kalt lassen, Aquarius Records nennt das “Industrial Indie 

Pop” ! 

“180 gram vinyl. the Silver EP is an electro-psychedelic symphony born 

of the pastoral majesty found around Broadrick’s country home near the 

English/Welsh border. An icy-sweet combination of tidal guitar 

resonance and sweeping electronic atmosphere, the four epic tracks 

within comprise a panoramic snapshot of Broadrick’s stunning sonic 

prowess. Or, as our man himself puts it: “It’s perfect for drifting off and 

smoking too much dope.” [label info] 

“....A record that is both soft and sweetly melodic, but thick and heavy 

and blown out is a rare beast indeed. And now that we hear the 

Codeine in Jesu, we're even more sold. For our money, Codeine left a 

gaping hole when they called it quits, slowcore or moperock or 

whatever continued to move forward but never with the same intensity 

or emotion, until now perhaps. The final track is the strangest. A sort of 

M83 / Jesus And Mary Chain style effects laden bliss out, with loads of 

swooshing backwards loops, shimmery stretches of light as air 

vaporous guitar, and even a super chunky Godfleshy break part way 

through. Awesome. The best industrial dirge jangle indie bliss slowcore 

doom pop ep ever??“ [Aquarius Records] 

* JUPITTER-LARSEN, G.X. & ALLAN ZANE – Banjax CD 

(Somnimage Corp. SOM00014, 2005) € 12.00 

„....The Haters (G.X. Jupitter-Larsen) und WYRM (Allan Zane) haben 

die Sau rausgelassen und sie turnt gewaltig über Haufen gebohrte und 

gebrochene CD’s, CDR’s, Plattenspieler und Singles. „Banjax“ meint 

„beschädigen“, „ruinieren“ und so brummeln G.X. Jupitter-Larsen und 

Allan Zane kratzend ein Hohelied auf den Noise. Damit distanzieren sie 

sich abermals von den hochtechnisch abgeklärten Beamten ihrer Zunft. 

Sie betreiben keine Pflege des Vorhandenen sondern pflegen die 

Zerstörung. Es wird verwertet, was in den Reißwolf passt, die 

Fressgeräusche sind das Entscheidende . 

The Haters (G.X. Jupitter-Larsen) and WYRM (Allan Zane) are in the 

fields of damaged civilisations rubbish. Under the sign of “banjax”, 

which means ‘damage’ and ‘ruin’, they break and drill and hammer 

CD’s, CD-R’s, turntables, 7”, forcing explosions of SM car crashes on 

scratched glass. It is a tribute to the noise beneath high-end. The sound 

is coarsely but extrem powerful in its production. A full lorry of 

destruction with pauses of contemplation between reduced lines turns 

along blending expectation with surprise...” [Peter Schlewinski] 

“ ...The master-minds behind The Haters (G.X. Jupitter-Larsen) and 

WYRM (Allan Zane) have finally tag-teamed on a full-length CD-- 

'Banjax'. A collaborative/conceptual (of course!!!) project, 'Banjax' will 

not only satisfy the appetites for those of the "aesthetics" of "noise", but 

also appeal to those with a sensibility for "dark ambience" to boot! 

When worlds collide, if you will... Standard edition of 900.” [label info] 

* JUPITTER-LARSEN, G.X. & ALLAN ZANE – Banjax CD 

(Somnimage Corp. SOM00014, 2005) [SPECIAL EDITION LIM. 100] 

€ 24.00 

„Dieses Jutesäckchen enthält den Harsch. The Haters (G.X. Jupitter- 

Larsen) und WYRM (Allan Zane) haben die Sau rausgelassen und sie 

turnt gewaltig über Haufen gebohrte und gebrochene CD’s, CDR’s, 

Plattenspieler und Singles. „Banjax“ meint „beschädigen“, „ruinieren“ 

und so brummeln G.X. Jupitter-Larsen und Allan Zane kratzend ein 

Hohelied auf den Noise. Damit distanzieren sie sich abermals von den 

hochtechnisch abgeklärten Beamten ihrer Zunft. Sie betreiben keine 

Pflege des Vorhandenen sondern pflegen die Zerstörung. Es wird 

verwertet, was in den Reißwolf passt, die Fressgeräusche sind das 

Entscheidende . 100 Exemplare der Künstleredition mit 

Originalunterschriften! 

The Haters (G.X. Jupitter-Larsen) and WYRM (Allan Zane) are in the 

fields of damaged civilisations rubbish. Under the sign of “banjax”, 

which means ‘damage’ and ‘ruin’, they break and drill and hammer 

CD’s, CD-R’s, turntables, 7”, forcing explosions of SM car crashes on 

scratched glass. It is a tribute to the noise beneath high-end. The sound 

is coarsely but extrem powerful in its production. A full lorry of 

destruction with pauses of contemplation between reduced lines turns 

along blending expectation with surprise. CD housed in silk-screened 

drawstring bag with a signed and numbered print by both artists.” [Peter 

Schlewinski for Drone Records] 

“Artist's edition of 100 IN 2 PARTS as follows: 

PART 1 (Audio/packaging): CD housed in silk-screened draw-string 

bag,signed and numbered print by both artists, AND MAIL-IN 

VOUCHER (TO SOMNIMAGE...) FOR PART 2. 

PART 2 (Conceptual): To be aquired upon return of voucher... 

"Destroyed Music"-- and then some!!! 

Pre-orders are being taken now for this release. It will arrive sometime 

in November. Only 75 copies of the limited artist edition are for sale so 

act fast.” [label info] 

* Ariel KALMA – Osmose CD (Beta-Lactam Ring Records 

BLUR01, 2006) € 14.00 

Schöne Neu / Wieder-Entdeckung auf BETA LACTAM: Der gebürtige 

Pariser ARIELL KALMA ist schon seit langer Zeit aktiv als World-, 

Ambient- und Jazzmusiker in verschiedenen Bands, aber auch als 

„seriöser“ elektro-akustischer Komponist mit INA GRM – Verbindungen. 

OSMOSE erschien 1978 als LP und wird hier im Original-Miniatur- 

Design (gatefold cover) wiederveröffentlicht. 

Kaskaden von Echo-Sounds (von Saxophon, Keyboards, Atem, 

Akustikgitarre, Flöte) und Regenwald-Aufnahmen, Gesangs-Drones, 

orgelartige Harmonien & wirres Analog-Pfeiffen, ein endloses 

phasenverschobenes Sirren & Vibrieren..... insgesamt eine 

melancholisch-sakrale, meditative Atmo mit Kraut-Referenzen, 

irgendwo zwischen ALIO DIE und sehr experimentellen TANGERINE 

DREAM oder so... 

“Packaged in a 5 color heavy duty miniature gatefold sleeve replicating 

the original LP sleeve. Ariel Kalma's magical and weird Osmose 

originally released in 1978 masterfully matches Richard Tinti's rainforest 

field recordings with Ariel's left field minimalist compositional ideas. 

Rather than simply relying on the rainforest sounds providing a pleasant 

backdrop to the drones, the drones interplay with the pitches of the 

natural sounds to create melancholic, Popol Vuh like grandeurs. The 

natural chirps and creaks blend with the music to become similar to 

ambient loops themselves; such that their very tonal nature shifts from 

being recognizable jungle sounds, frequently phasing into blurred 

rhythmic elements under the electronic parts. Ariel's musical minimalism 

avoids being serialist or academic, despite being part of the INA GRM 

studios for many years. So, neither is it concrete like Parmeggiani or 

Risset, nor is it classical like Philip Glass or Michael Nyman. If anything, 

Ariel's music is deeply cosmic, sometimes even a bit psych, ala the 

great Krauts of yore: old Tangerine Dream, Sand, Cluster etc. His 

cathedral like tones and running counterpoints actually give the 

rainforest noise a sinister edge. The music absolutely subverts the 

traditional idea of the rainforest as that of a happy hunting ground for 

cause riddled yuppies with Benzes full of Kruggerrands. Osmose 

reminds that not only is the rainforest a place of awe inspiring beauty, 

but it is also something very dense and alien. It is a place of removal; it 

is a place of isolation; it is a kind of inner space; it is an extraordinary 

and surreal church of sorts; and it is deadly. The album has a 

progression that's almost a story in toto, where the next rise is finally 

crossed revealing the huge, seemingly impenetrable expanse of lush 

greens. The expanse is then explored with wide eyed wonder until the 

guide dies and the companions start succumbing to fever, ague, snakes 

and unseen primitives at home in the shadows. Appended by 3 

previously unreleased tracks from the same sessions, this reissue

finally allows the rainforest to live up to its natural state of untamed 

jungle.” [label press release] 

* Jonathan KANE – February CD (Table of the Elements 

88Radium, 2006) € 14.00 

„Jonathan Kane ist nicht nur als Mitbegründer der Noiserock-Ikonen 

SWANS, als Hintergrund-Donner der Gitarrenarmeen von Rhys 

Chatham und den Ausflügen ins Rockterrain mit La Monte Young eine 

Legende in Downtown New York, sondern ist auch ganz einfach einer 

der heftigsten Drummer auf dem gesamten Planeten. "February" ist 

Kanes erste Soloplatte und schafft es, das Gehirn mit SWANS-Style- 

Prügel zu erschüttern, Chathams dichte Gitarrenschichten zu 

adaptieren (besonders in der ausgelassenen Version von Chathams 

berühmt-berüchtigtem "Guitar Trio") und den Drive der 70s Krautrocker 

NEU einzufangen, um sich von da aus kopfüber in den Blues zu 

stürzen. Denn was immer sich auch dazwischen schiebt, Kane bleibt 

ein Bluesmann der ersten Stunden. Unter dem dezibellastigen Bombast 

der fünf Instrumentaltracks auf "February" schießt er 

gitarrengetriebenen Minimalismus in den Blues und den Blues in 

gitarrengepowerten Maximalismus. Cruisen wir mit Jonathan Kane den 

mentalen Highway 61 hinunter...“ 

“JONATHAN KANE is a Downtown NYC legend--as cofounder of the 

no-wave behemoth SWANS, and the rhythmic thunder behind the 

massed-guitar armies of RHYS CHATHAM and LA MONTE YOUNG-and 

one of the hardest-hitting drummers on the planet. With February, 

his first solo record, Kane summons Swans' concussive wallop, 

Chatham's dense guitar strata (Kane even manages a rollicking version 

of Chatham's notorious "Guitar Trio"), and the perpetual propulsion of 

‘70s krautrockers Neu, then steers it all head-on into the blues. Make no 

mistake about it: Kane is a bluesman, and beneath the high-decible 

bombast of these five instrumentals, he's powering guitar-driven 

minimalism into the blues, and the blues into guitar-driven harmonic 

maximalism.” [label press release] 

* KA-SPEL, EDWARD – Happy New Year CD (Beta-Lactam Ring 

Records mt112, 2005) [lim. 325 copies] € 29.00 

Rare und sehr persönliche CD, eingespielt am Jahreswechsel 

2004/2005, als Edward zu Hause blieb und dieses sehr verträumte, 

pianobasierte Stück erschuf, wo Silvester-fieldrecordings & andere 

Geräusche als effektierte Soundfetzen im Mix erscheinen, und am Ende 

seine geisterhafte Stimme…sehr experimentell und droney auch das 

zweite Stücke auf der CD... Nummerierte Auflage, leider nicht billiger 

machbar ! 

“Ed. of 325 numbered copies in a 6 color gatefold boardstock sleeve 

and insert. 12" and CD have the same tracks. HAPPY NEW YEAR The 

New Year….Normally it begins with kisses so clumsily delivered that 

I’ve been known to have traces of lipstick on my eyeballs the next day. 

Still New Year’s Eve 2004 was a different kind of occasion. The end of 

a long hard year and when I looked across the room at around 11pm I 

saw the dog malevolently looking me in the eye and I knew I was going 

to pass on the physical side of the “celebration.” Fireworks were going 

off outside- it seems people never have the patience to wait for the 

moment, but I had decided to mark the day in my own way with this 

piece of music. A few glasses of cheap South African wine had been 

imbibed (after I had recorded the piano parts) and a microphone was 

set up outside the door to take in the atmosphere, I simply kept my 

headphones on and occasionally checked email messages from others 

who also found themselves alone on that particular night. Nobody 

called,….yet strangely it seemed to be almost poetic that 2005 was 

ushered in so modestly…Somehow I knew that things would be better 

in the year to come, and I suppose they are.” [label info / liner notes] 

* KINETIX – Gestaltsystem 01 :: Possible Forms :: do-CD 

(Monochrome Vision MV06, 2006) [ed. of 500] € 17.50 

Interessanter Installations- / Konzeptkunst-Release dieses italienischen 

SoundArt-Projekts auf dem russischen Monochrome Vision-Label, in 

dessen äussere Audioform man interaktiv eingreifen kann 

GESTALTSYSTEM 01: POSSIBLE FORMS besteht aus 2 CDs mit 

exakt gleicher Länge (42:42 min) und exakt gleichlangen 8 Tracks (5:20 

min). Beide sollen gleichzeitig abgespielt werden, wobei Lautstärke und 

Reihenfolge variiert werden können. Die schwarze CD enthält 

„metrische“ Ton-Elemente, die weisse CD „noise drones“, es entstehen 

fliessende digitalelektronisch-mathematische Soundscapes, die z.B. an 

IKEDA denken lassen... perfekt für die eigene Home-KlangInstallation. 

“This release is a totally reworked version of "Possible Forms" 

previously produced as CDR in edition of 100 copies by Nova Ars 

Digitandi, and it's a part of "Gestaltsystem" installation. 

It has unique conception of everchanging soundsculpture, composed by 

randomly juxtaposed audio fragments of the specially designed 

structure. This is the best digital sound art piece we ever heard, and it 

should appeal to all minimal electronic music admirers.” [label info] 

* KONAU – Speech from the Shadows CD (Eibon Records 

KON061, 2006) € 13.00 

Sehr getragener und melodischer dark ambient von diesem neuen 

Projekt, düsteres Grollen & fliessende Traurigkeit pur, Zeit gerinnt, 

seltsame & verstörende field recordings tauchen auf....sehr gut in 

Szene gesetzt, für jeden dark ambient – Fan ein Muss ! 

“Another "hybrid" creature, this time formed by SUBINTERIOR 

and NEW RISEN THRONE members. Disquieting & obscure 

dark ambient, with some amazing "melodic" structures 

scattered through the songs. The shadows are speaking.... 

White-trayed jewel box.” [label info] 

"Speech from the shadows" is six tracks lasting just under 52 minutes of 

the darkest of dark music. The haunting refrain of twisted shadows and 

cold dank cellars. Of water slowly dripping into murky pools reflected in 

the moonlight. A claustrophobic virtual musical extravaganza where 

candle lights flicker and small whips of smoke rise to the ceiling. 

Reverberating layered alien sounds punctuate the air as an all 

encompassing presence makes itself felt. Traversing down long 

deserted corridors to the sounds of monks chanting in the distance 

whilst something evil follows closely behind. Abandoned and forgotten 

about. A traveller lost in time and space. Ancient relics of the past finally 

uncovered by the elements. Voices not of this earth calling from a 

distance. Dead men walking. Lost souls haunting their surroundings. 

Disembodied voices and distant rumbles punctuate the fetid air. The 

absolute meaning of darkness worn like a mask of despair suffocating 

the wearer. Intimidati ng ethereal atmospheres run amok with gleeful 

abandon. The fertile imaginations of those who hear this will see their 

own visions that these tracks invoke. 

Which is why this genre of music so inspires. It develops a unique 

picture to each individual who comes into contact with it. No two people 

will conjure up the same references as they bathe in the glorious 

sounds. Heard in the bright light of day is a totally different experience 

from hearing it sat in the pitch black through a set of headphones. 

There are of course many such recordings that have the same effect 

and this release by Konau joins that illustrious list. A serious contender 

for one of the records of the year… and its only April!! A must have for 

all you black hearts out there and a timeless classic which will take 

some surpassing.” [Aural Pressure] 

* KRISTIAN, DAVID – The Mariana Trench CD (Oral CD05, 2005) 

€ 13.50 

DAVID KRISTIAN “besingt” dronumental den Mariannengraben, den 

wohl tiefsten Bereich der Erde, mit glitzernden, langwelligen, leicht 

eruptiven “noisy dronescapes”, die raumfüllend und abgründig in die 

Tiefe sinken... absolut hypnotisch und herabziehend.... 

“The Mariana Trench is located in the Pacific Ocean, just east of the 14 

Mariana Islands near Japan. It is the deepest part of the Earth's oceans, 

and the deepest location of the Earth itself. It was created by ocean-toocean 

subduction, a phenomena in which a plate topped by oceanic 

crust is forced below another plate topped by oceanic crust. 

The Mariana Trench CD was put together from two very long loop 

improvisations recorded during snow storms. The equipment used was 

relatively simple; a toy synthesizer and many classic guitar pedals 

operated with great care (the calm of the snow storms made that 

possible). The results were then mixed and processed through more 

sophisticated effects in order to give the listener the impression that the 

whole recording had taken place thousands of fathoms deep. 

Let there be no interruption in your descent, as you experience David 

Kristian's deep and challenging Mariana Trench. Markers have been 

provided for you to use as reference points in the event that you start 

getting the bends during the album's 68 minute running time. 

Headphones and any other audio diving gears are highly ecommended. 

“ .... A deep listening experience, but with a somewhat more raw touch 

than a standard ambient work, and that's what I like about it. The 

rawness of the material, the sheer minimalist approach, the subtle 

variations. It is work to listen to in a darkened room, or at night with the 

curtains open, so you can watch some stars. The seven parts form a 

unity and this is a particular strong album. Maybe it will not appeal to 

Kristian's rhythm posse, but it surely appealed to me.” [FdW / Vital 

Weekly] 

* KURENNIEMI, ERKKI – Äänityksiä / Recordings 1963-1973 CD 

(Love Records LXCD 637, 2002) € 14.50 

Gesammeltes Material des finnischen Elektronik-Pioniers, der schon 

sehr früh simple elektronisch-minimale Strukturen entwarf, eine art prä- 

Techno vielleicht, aber auch roher Maschinenlärm und seltsamste „far 

away-Sounds“ sind hier zu hören... 

“Brilliant collection of obscure early electronic music, on one of Finland's 

longest running independent labels; packaged with detailed liner notes 

(Finnish/English). Not to be missed. "One of the undeniable pioneers of 

Finnish electronic music is Erkki Kurenniemi (b. 1941), who founded 

The University of Helsinki Electronic Music Studio in the early 1960's. 

Kurenniemi built his own series of synthesizers, named as DIMI, which

are nowadays mostly possessed by Swedish collector and electronic 

musician Ralph Lundsten, and published some of his experimental 

compositions like 'Dance of the Antropoids'. Alongside such Finnish 

pioneers as Eino Ruutsalo (for whose short films Kurenniemi composed 

music), Kurenniemi also did some early work on the field of Finnish 

media art and contributed to Finnish video art and happenings. 

Kurenniemi created the first commercially manufactured and marketed 

microcomputer already in 1973 -- two years before the American MITS 

Altair. These days Kurenniemi works as an independent researcher, 

specialising in such subjects as artificial intelligence." [label info] 

* LA CASA, ERIC – Secousses Panoramiques mCD (Hibari Music 

hibari-07, 2006) € 10.00 

“Fahrstuhl-Musik” im wahrsten Sinne des Wortes! ERIC LA CASA hat 

Fahrgeräusche, Ansagen, Tür-Mechaniken, etc. von 16 verschiedenen 

Fahrstühlen aufgenommen. Es eröffnen sich ganz neue Welten in der 

Welt, die wir eigentlich gut kennen…. 

“Elevator music is of course nobody likes to hear when they speak 

about one's music. It's the type of music that one get in the elevator, or 

the supermarket. Muzak. Yuk. But in the case of the new Eric La Casa 

mini CD it's truly elevator music, music made out of the sound of 

elevators. Going up, going down, the computer voice, alarm, the bells 

and the ropes attached to the elevators. All of the sounds that are so 

familiar for elevators pass by, yet not very often humans. Divided into 

sixteen tracks, La Casa made his recordings mostly in Paris, but there 

is also a sound from Melbourne and Antwerp. However it's better to 

hear this as one work and not sixteen small ones. It's sound scaping in 

it's most pure form: without any electronic treatments, La Casa tells us a 

story and builds from all the familiar sounds a fascinating journey, even 

when the journey goes only up and down.” [FdW / Vital Weekly] 

Address: http://www.hibarimusic.com 

* LA CASA, ERIC – Air.Ratio CD (SIRR Records 0026, 2006) [ed. 

of 250] € 15.00 

Wer hat sich nicht schon einmal im Dröhnen & Rauschen von Lüftungs- 

und Klimaanlagen verloren? ERIC LA CASA hat hier 30 verschiedene 

Extrakte von ‘Nahaufnahmen’ gemacht, alle in Paris in verschiedensten 

Gebäuden auf Fluren, Toiletten, Badezimmern... AIR.RATIO zeigt die 

Verschiedenartigkeit & Vielschichtigkeit von ‘Rauschen, Dröhnen, 

Pfeifen, Heulen, Summen, etc.’ auf! Wenn man nur nah genug 

herangeht, eröffnet sich einem eine faszinierende, reichhaltige Welt 

(wohl das Grundprinzip experimenteller Musik – und vielleicht auch des 

Lebens an sich?). Nicht ein Stück gleicht dem anderen. 

Im Booklet Texte zur ‘mechanischen Ventilation’ & der Abhängigkeit 

dieser Art der Klangerzeugung von diversen Parametern, die ‘künstliche 

Atmung der Gebäude’ als Symbol für die Rationalisierung unserer 

inneren Wohnwelten. Das ist die wahre ‘Maschinenmusik’ der 

modernen Welt. Wir meinen: Interessante Idee & fantastische 

Umsetzung, eine CD die die Ohren öffnen kann für die auralen 

Mikrowelten des Alltags, eine Bewusstseinserweiterung ohne Drogen! 

Diese (Wieder)-Entdeckung des Hörens kann glücklich machen. 

63 Minuten Spielzeit, 33 tracks. 

“Air Ratio. It all started in 1994, in a bathroom. An air vent above the 

bathtub attracted my attention. There, in the dusty environment, air 

became noise, music. Microphones were brought into contact with this 

acoustic territory to transmit the sonority of the aeraulic device directly. 

Since that day, I have been attentive to the flow of air in the modern 

architecture. This CD presents a selection of sound recordings made in 

Paris in buildings of various ages and dimensions. Without seeking to 

itemize mechanized ventilation systems in any methodical manner, I 

was interested in documenting their sonic and musical qualities. My 

approach wasn't strictly scientific, but nor was it primarily musical. All 

the sound recordings were made using a boom and of a pair of 

condenser microphones. Direct contact with the material was avoided. 

The recordings were subsequently assembled and equalized to 

optimize their abstract qualities, i.e. I sought to emphasize only sonic 

particularities related to the acoustics of the point of listening, not 

events related to the external movements (sounds of doors, 

or voices): a listening devoid of both context and reference.” [Eric La 

Casa, liner notes] 

“Each of the two minute pieces is a true delight to hear: mechanical 

sounding, sometimes far away, sometimes interfering with some other 

device (although none were recorded on the surface), this is a totally 

fascinating journey, that brings the listener more awareness of every 

days sound. Going into public places will never be the same again. 

Great sound work. “ (from FDW, Vital Weekly 533) 

* LARSEN – SeieS CD (Important Records IMPREC 083, 2006) 

€ 15.00 

"SeieS is Larsen's fifth full length and work on it began when they were 

recording Play for Important. However, where Play was Larsen's most 

orchestrated-ambient work so far, SeieS tends to be quite a bit more 

song oriented. If the palindrome title suggests that this is an album with 

two opposite souls then the truth lies in the album's dichotomized 

sounds. Tracks like 'The Snow,' 'Haula' and 'Marzia' are Larsen's most 

sinister (and recent) compositions, disturbing soundscapes that would 

fit very well a David Lynch movie. 'Marzia' catches Larsen 

experimenting with slow industrial-dub rhythm, side to side with the 

master of gloomy ambient and soundtracks Brian Williams a.k.a 

Lustmord. The remaining tracks of SeieS were the first recorded for this 

album and, conversely, sport light and releasing moods within the 

'classical' droning sound of the band. These tracks feature female 

vocals thanks to the the ex-Swans chanteuse Jarboe." [press release] 

“….I am definitely a Larsen fan after ‘SeieS’, and have been really 

impressed lately with Important Records.” [FunProx] 

* LA STPO (Societe des Timides a la Parade des Oiseaux) – 

Tranches de temps jete CD (Beta-Lactam Ring Records mt074b, 

2006) € 13.00 

Für jeden Recommended Records- und „AvantRock“-Fan ein MUSS, 

das neue Album dieser ungewöhnlichen Band, die auf französisch 

singen, sprechen und schreien und musikalisch fast schon theatralisch 

zu nennende „Szenen“ entwerfen, die irgendwo zwischen 

Geräuschmusik, Filmmusik & Experimental-Rock liegen.... wobei jedes 

Stück bis ins kleinste Detail ausgearbeit ist ! 

Nicht nur höchst kurzweilig, sondern auch anspruchsvoll und ästhetisch 

tönen diese Aufnahmen, die bereits im Jahre 2000 gemacht wurden... 

“5 color 8 panel digipack with some of the most morbid artwork of all 

time. In the midst of the world's fascination with so-called Electroclash, 

leave it to the old school to really show what post-punk is really about, 

while simultaneously turning the concept on its fractured head. LA 

STPO has the finesse and invention and the je ne c'est quoi to 

massage its victims into a quiet trance, only to pummel them seconds 

later. Slices Of Throw Time is like a Van Der Graaf arc between the 

bombast of Blurt/Ex/Dog Faced Hermans/Contortions/Birthday Party 

and the subtle, avant-composerly moments of Henry Cow/This 

Heat/Univers Zero/Faust. The punchy rhythm section, abetted by the 

squawky horns, makes for a music to which one can truly contort. LA 

STPO's musical muscle, however, is always backed up by solid 

jazz/classical informed chops that can and will chop any lesser outfit 

into nothing more than a pile of over-loud rock and roll dust. LA STPO 

infuses their punk with dynamics of both volume and texture, producing 

a slightly zeuhl flavoured post rock, which should, by all rights, land 

Slices Of Throw Time on many a critic's year end top 10 list. We all 

know this will not likely happen, but hopefully there is enough room in 

YOUR top ten list for rock that both rocks and explores.” [label info] 

* LEGENDARY PINK DOTS – Alchemical Playschool CD 

(Caciocavallo CAD 32, 2006) [lim. 400] € 59.00 

Das richtige für Verpackungsfetischisten und ‚die-hard’-LPD-Fans! 

Diese LPD-CD kommt in einer einmalig edlen und zerbrechlichen 

Seifenstein-Box, mit eingeschnitztem LPD-Logo und diversen Inlays. 

Auch musikalisch wird etwas besonderes geboten, da field recordings 

aus Indien (von der INDIAN SOUNDSCAPES do-CD) die Grundlage für 

die sehr experimentell-ambienten Soundscapes waren... 

“Alchemical Playschool” is easily one of the most unusual Legendary 

Pink Dots albums ever released. Based on the double CD “Indian 

Soundscapes”, released in 2004 by Soleilmoon, these recordings are 

best enjoyed with a cold glass of Bhang Ki Thandai, following which 

the operation of heavy equipment or motor vehicles is strongly 

discouraged. Yes, this a trippy, psychedelic album, in the tradition 

of earlier “Chemical Playschool” albums, but it’s been dusted with 

magical powders from The Orient, making it an altogether different 

experience from its predecessors. As experimental and esoteric works 

go, this is the band’s definitive work. The album was born two years 

ago, following the conclusion of the Dots’ last North American tour. 

Edward Ka-Spel met with Soleilmoon owner Charles Powne, who had 

recently returned from a stay in India. Charles gave Edward a copy of 

his “Indian Soundscapes” 2xCD, and invited him to take the material 

and use it in a new Dots recording. The resulting music borrows 

lightly from the source material, deftly blends it with the band’s 

signature electronic wizardry, and distills a potent brew redolent 

with the aromas of saffron, cardamom and flowers. We think you’ll 

find it both irresistable and unforgettable. 

“Alchemical Playschool” is limited to 400 hand numbered copies, 

presented in a stunning soapstone box. The Legendary Pink Dots 

“trident” logo has been carved into the cover in intricate detail. 

The contents of the box include an eight page booklet, a numbered 

card, and of course the CD, packed in a cloth bag screen printed with 

the Sanskrit translation of the band’s famous slogan. A second 

edition may be released at an unspecified date in the future, but in 

completely different packaging. .......Sing while you may!” [label info] 

* LEGENDARY PINK DOTS – Your Children palate you from their 

premature Graves CD (ROIR RUSCD 8299, 2006) € 14,50

“Your Children Placate You From Premature Graves is The Legendary 

Pink Dots’ 25th anniversary album (and in the running for best album 

title ever). It’s hard to believe a quarter century has passed since the 

Pink Dots first unearthed their complex vision where fate and whimsy 

cast stones at each other on some hazy, polluted playground. LPD’s 

unusual legacy of psychedelia, industrial gloom, and textural madness 

has made them a constant presence on the innovative fringes of cult 

music, and has earned them near-universal respect from critics and 

peers. It was this legacy that shaped much of the album: The actual 

theme of "legacy", "the consequence of past and present action on the 

future", has consciously informed much of this release. In some ways, 

it's been a central-core-theme of all our songwriting these last 25 years. 

–Phil ‘The Silverman’ Knight Twenty-five years later, the Dots have 

hardly paused for a breath. Edward Ka-Spel, The Silverman and 

company (Niels Van Hoornblower, Raymond Steeg & returning member 

Martijn de Kleer), still make boundlessly weird, beautifully disturbing 

music. This is an album about mortality & immortality, about time ticking 

away mercilessly, about seizing the moment and damning the 

consequences. Your victims are lining up on both sides of the corridor, 

unborn yet forgiving. We are all pitifully human and we all want to take 

everything with us at the end, but there is no end...just a darkening 

endless horizon... –Edward Ka-Spel. In addition to the 25th anniversary 

album, the Dots will embark on a massive North American tour this 

June to celebrate this landmark occasion. Then they’ll disappear into 

the ether…until their next haunting.” [label info] 

* Andrew LILES – The Dying Submariner ( A Concerto for Piano 

and Reverberation in Four Movements) CD (Beta-Lactam Ring 

Records mt110a, 2006) € 13.00 

THE DYING SUBMARINER besteht, wie es der Subtitel bereits 

andeutet, aus 4 Stücken hallgeschwängertem Piano – das sind dronigdüstere, 

melancholisch-sphärische und disharmonisch-verstörende 

Schwingungen, oft mollgetönt, sein düsterstes und minimalstes Werk 

bisher. 

“Leviathan low end growls belch a hazy pitch into the sea, rendering 

daylight useless to penetrate the unknown depths. Andrew's concerto 

for piano and reverb conjures many spirits, including that of wrathful 

Poseidon. The piece (in 4 movements) also conjures the spirit of 

nothingness. A sense of complete loneliness prevails in the echoey 

death throes. The faint scent of forebears fascinated with watery graves 

and abandon lingers from the wake of such pieces as Gavin Bryars’ 

The Sinking Of The Titanic and many of Harold Budd's early works, 

though Liles’ fitful concerto paints his submariner's demise more as a 

dissonant, prolonged struggle than as a melodic, majestic descent. 

Spatially, the work tends to build into shifting layers similar to 

Charlemagne Palestine, Henry Cowell's clusters or La Monte Young's 

Well Tuned Piano (though Andrew's work is not based on a microtonal 

system). The ringing resonances sometimes fan out as distinct 

harmonic phrases, and sometimes the notes simply propagate and 

clash with the reverb creating ripples of pure metallic sound, even to the 

point where the piano's strings melt into the sculptural, welling up more 

like tidal pools alongside Bertoia and Dumitrescu. A beautifully 

disturbing wet suit suite of sonic sound.“ [label info] 

* Andrew LILES – The Dying Submariner ( A Concerto for Piano 

and Reverberation in Four Movements) do-CD (Beta-Lactam 

Ring Records mt111, 2006) [lim. 300] € 25.00 

THE DYING SUBMARINER besteht, wie es der Subtitel bereits 

andeutet, aus 4 Stücken hallgeschwängertem Piano – das sind dronigdüstere, 

melancholisch-sphärische und disharmonisch-verstörende 

Schwingungen, oft mollgetönt, sein düsterstes und minimalstes Werk 

bisher. Hier die special edition mit extra CD und drei Bonus-Tracks, 

bei der das gleiche Konzept für eine mit Geigenbogen bespielte E- 

Gitarre angewendet wird. 

“2CD edition. First 300 copies include a bonus CD (not a CDR) album 

entitled "THE DEAD SUBMARINER (A Concerto for Bowed Guitar and 

Reverberation in Three Movements)" with a numbered and signed 

insert. 

Leviathan low end growls belch a hazy pitch into the sea, rendering 

daylight useless to penetrate the unknown depths. Andrew's concerto 

for piano and reverb conjures many spirits, including that of wrathful 

Poseidon. The piece (in 4 movements) also conjures the spirit of 

nothingness. A sense of complete loneliness prevails in the echoey 

death throes. The faint scent of forebears fascinated with watery graves 

and abandon lingers from the wake of such pieces as Gavin Bryars’ 

The Sinking Of The Titanic and many of Harold Budd's early works, 

though Liles’ fitful concerto paints his submariner's demise more as a 

dissonant, prolonged struggle than as a melodic, majestic descent. 

Spatially, the work tends to build into shifting layers similar to 

Charlemagne Palestine, Henry Cowell's clusters or La Monte Young's 

Well Tuned Piano (though Andrew's work is not based on a microtonal 

system). The ringing resonances sometimes fan out as distinct 

harmonic phrases, and sometimes the notes simply propagate and 

clash with the reverb creating ripples of pure metallic sound, even to the 

point where the piano's strings melt into the sculptural, welling up more 

like tidal pools alongside Bertoia and Dumitrescu. A beautifully 

disturbing wet suit suite of sonic sound.“ [label info] 

* LOPEZ, FRANCISCO – El dia anterior a la emergencia de los 

adultos de magicicada mCD (Purplesoil, 2006) € 6.50 

Ähnlich wie auf der legendären Drone Records-Single “Untitled Single 

Piece 1”, welche infrasonische Sub-Drones enthielt, die man eher 

spüren als hören konnte, hat LOPEZ auf „El dia“ wieder Infrasound- 

„Klänge“ geschaffen, die „schwer“ vibrierend in der Luft liegen, ohne 

dass ein besonderer Eindruck von „Lautstärke“ geschaffen wird. 

Alles vibriert. Lebendige Psychophysik. Experiment with your senses ! 

“The music is there but only your house's walls and selected parts of 

your auditive system respond to the connection. The piece lasts only a 

little more than 15 minutes, yet it is a masterpiece; a single subsonic 

drift comes out a little, then withdraws, then again returns to occupy the 

corners of the ceiling, slowly taking possession of your essence. Moving 

around the room, the sound becomes more intense or is almost 

completely cancelled in a sort of illusory phase whose gradual 

consumption is completed just when the body recognizes this throbbing 

code as familiar. Impossible not to be impressed by this game of 

contrasts between tension and comfort, which confirms Lopez's current 

state of grace. The "repeat" button is absolutely recommended.” 

[Touching Extremes] 

LUNAR ABYSS QUARTET - Zeleznaya Voda CD (Chimaera xm1, 

2002) € 13.00 

Die neue mystic Industrial-Hoffnung aus Russland mit ihrer ersten (?) 

„echten“ CD, wahrhaft archaische Klänge aus Loops & konkreten 

Instrumenten- & Geräuschquellen erfüllen den Raum.. 

zwischen monumental-ambient Noise und eher dunkel-erhabenenen 

Sphären... 

First „real“ CD from this great mystic Industrial project from Russia.. 

deeply archaic sounds between monumental ambient Noise and more 

dark-elationed spheres.. 

”Brilliant archival live recordings from this Russian ritualistic droning 

ambient act, here presenting recordings from live performances and 

sessions made during 1998-2002. Wonderfully evolving soundscapes of 

sonorous drones and echoes blending together with ritualistic rhythms 

and voices as well as some more industrial elements. Stylish special 

silver/black digipak sleeve with real photos included.” [kaos kontrol] 

BACK IN STOCK 

LUNAR ABYSS QUARTET – Cosmologamma CD (Quag 29, 2004) 

[ed. of 500] € 13.00 

Re-release der vergriffenen CDR mit live-Mitschnitten von 10/99 und 

06/2000. Hier erzeugen sie fremdartige Atmosphären mit klassischsurrealem 

Frauengesang und bruitistischen konkreten Effekten und 

Drones. 

CD re-release of this great album from 2000, which appeared only as a 

lim. 100 CDR on 8 th Moon! 

“...documenting live-concerts from this russian project – they create 

here alien atmospheres with classic/surrealistic female singing & 

bruitistic concrete effects and drones. Recommended.” [original Drone 

Records description] 

“Second CD from this Saint-Petersburg outfit. Dark ritual, mysterious 

and sombre ritualistic stuff, more gloomy than their 10” on Der Angriff or 

1st CD “Zheleznaya Voda”. Something in a way of early Ain Soph, 

Sigillum S and industrial-era Current 93. Ethereal female voice chanting 

eerie tunes in the crushing collapsing realm of ambient soundscapes, 

ceremonial bells and metallic crashes. Recommended. The first edition 

of 300 copies in a digipak printed bronse-on-darkgreen.”[press release] 

BACK IN STOCK ! 

* LUNDVALL, TOR – Empty City CD (Strange Fortune SF3, 2006) 

[ed. of 955 copies] € 13.00 

Neues Album des New Yorker Malers und Musikers, diesmal komplett 

instrumental, die Stücke stehen in enger Verbindung mit den 

geisterhaften Stadtlandschaften seiner Bilder.... einer perfekter 

Soundtrack für nächtliche Fahrten durch entvölkerte Städte.. 

“....Every Tor Lundvall release is distinct, and while Empty City may in 

some ways be considered a companion to Last Light, sharing its deep 

resonating sonic character, in other ways it's an opposite release. 

Where Last Light was about looking inward, Empty City ventures out to 

a fantastic, frightening new world, a decayed urban setting much 

different than anything Tor ever explored in the past. Where Last Light 

was centered around words, on Empty City the music takes over once 

again. There are vocals but used exclusively in an instrumental manner, 

no lyrics needed this time. While countless electronic music makers 

regularly deliver new recordings to fit in the ambient music category, 

with Tor Lundvall what you get is a new category to discover. The 

subtle underlying melodic structure of this music means it may be the

most listenable "ambient" music you've ever heard, while it's all 

drenched in a singularly moody, haunted atmosphere that is Tor's real 

trademark. We believe what Tor is doing is the best and most exciting 

thing happening in the ambient electronic music world. File under: 

"ghost ambient." For maximum listener enjoyment, the music of Tor 

Lundvall is best taken together with Tor's phantasmagoric visuals (see 

the online gallery at torlundvall.com), for a total aesthetic experience so 

striking you'll never forget it.” [label description] 

Tor Lundvall explains Empty City: "Empty City" was initially inspired by 

several paintings, some of which appear on the album itself. I have 

always been fascinated by cities in the Northeast and how they interact 

with what was once a natural landscape. I used to take the train from 

Newark, NJ to Washington D.C. in the late 80's. I would stare out the 

window at abandoned factories and warehouses which were bathed in 

the dull orange glow of streetlights at night. I wanted to crawl into that 

hidden world. 

My brother's apartment and mastering studio is located in Jersey City, 

NJ. It's a rather dismal and industrial place, but strangely beautiful 

especially in the evening. Several years ago during the mastering 

session for "The Mist", I was captivated by the view from his apartment 

window which overlooked the city skyline. The sun was slowly sinking 

over the cold and lonely buildings below, casting brilliant orange and 

crimson light across the room. I watched the luminous patterns change 

shape and color as they drifted across the walls, like chapel windows in 

the stillness of a monastery. As I listened to my music echoing down the 

hallway from the mastering room, I knew I had to create an album which 

captured this moment. What resulted was something slightly different 

than what I had originally set out to do. "Empty City" is a collage of a 

city's different personalities and settings, and my reaction to moments 

I've experienced within them.” [Tor Lundvall January 14, 2006] 

* MAATH – Nor survivors for the new world CD (Eibon Records 

MAA054, 2005) € 13.00 

Endlose Dröhn-Felder, einsam und verlassen; heller schimmernde 

Zeitlupen-Pulsier-Nebel, die sanft klagen; MAATH steht für 

melancholisch-traurigem dark ambient mit Anklängen an 

APOPTOSE, RAISON D’ETRE, etc.. Debut-CD dieses italienischen 

Projekts und für Freunde des Genres definitiv zu empfehlen. 

“Based upon the concept of coma, sleep and suspended animation, "No 

survivors for the new world" gently brings you through a dormant world, 

where dreams flow freely around you, leaving a coloured trace in the 

cold and dark void. Melodic dark ambient of the finest kind, and one of 

the most impressive debuts I've heard in a long long while.” [label info] 

* MC. NINCH, NATHAN – A brief audio history of agriculture CD 

(Oral CD08, 2005) € 13.00 

ORAL ist das Montrealer Experimental-Label von ERIC MATTSON, der 

Organisator der MUTEK-Festivals. NATHAN MC. NINCH ist ein neuer 

Name für uns, der mit “A brief audio history of agriculture” ein Werk 

präsentiert, welches sich über die Verwendung von field recordings mit 

dem Thema “Agrikultur” auseinandersetzt, um deren “Geschichte” mit 

ihren ureigensten Sounds zu erzählen... so vernetzt er hier die Klänge 

von landwirtschaftlichen Maschinen und der Alltags-Agrarwelt sehr 

sanft und tagträumerisch, so dass eine adäquate Atmosphäre entsteht, 

die in die nordamerikanischen Weiten entführt... 

“a brief audio history of agriculture "This project began with an unlikely 

source : a t-shirt, which read if you eat, you have an interest in 

agriculture . From conversations about the ways in which agriculture 

and farming practices have shaped our lives in North America derived 

primal ideas on a language to represent agriculture. Early in the spring 

of 2004, as the snow was just melting, I made some recordings of 

myself "playing" a derelict rusty piece of farm machinery abandon in a 

field. I was quite taken with the sounds I was able to record and with the 

extent to which I was able to "play" the machinery as an instrument. It 

was in these recordings that I discovered both the language and the 

story of this CD : a history of agriculture told using sounds created with 

the tools of agriculture. Initially the piece intended on developing using 

some sort of timeline, starting with the most basic elements: seeds, soil, 

water... and progressing to modern day mechanized tools. A 

combination of the old and the new; the banging and scraping of 

antique metal milk containers combined with the soft humming of a 

contemporary milk tank coolant unit. More subtle aspects of the history 

of agriculture, migration, drought, a recent move away from "the family 

farm"... were brought in. And here it is: the brief audio history of 

agriculture, all on one CD. 

-First full-length solo work, not self-released. Unlike most of field 

recording based pieces, composition is here the master key. 

-A new release on ORA, the label directed by Eric Mattson, music 

curator for MUTEK festival and independent producer for: MUTEK_rec. 

-A "must" have for all lovers of experimental, subtle but intriguing 

releases. 

-Carefully mastered by John Sellekaers-METARC (Ant-Zen, 

Klanggalerie, Noise Museum, Quatermass, Sub Rosa).” [label info] 

* MECHA / ORGA – From a Piner CD (LabFor Electracoustic 

Media Lab04, 2005) € 13.00 

Neue Atmosphären aus Griechenland! 3 pieces of long drones, lang 

anhaltende Entwicklungen, eine Ausdehnung ins Innere, vibrato- & 

schnell schwingende Flächen, bewegt & spannungsaufbauend... mehr 

davon ! 

“'The sounds that I use for 11:39 are feedback and a tone generator. 

The track remains locked within itself without revealing any purpose or 

destination... It was performed live only once at Small Music Theatre on 

January 20, 2005. 

For 20:40 I use field recordings and a tone generator. This time tension 

is building up and noise is the key element for the chaotic crescendo. 

The first performance of the piece took place at Freeteza in 

Thessaloniki on November 20, 2004. 

A small Am-Fm radio is used exclusively for producing all the sounds 

for 08:13. The process was to transform radio noise into a simple 

major7 chord. The track was performed at Small Music Theatre on 

December 4, 2003.” [Mecha/Orga] 

* MEGAPTERA – Disturbance Ritual CD (Vendlus VEND015, 

2006) [lim. 200] € 15.00 

Rare CD des kultigen schwedischen Death Industrial-Duos mit einer 

Live-Aufnahme aus Norwegen vom 6. July 2005 ! 

”Megaptera - the Moby Dick of the industrial scene - rises again from 

the murky depths where it was biding its time during last year's prolific 

release campaign by its alter ego, Negru Voda. Like the legendary 

white whale of the novel, Megaptera is a beast of mythical proportions, 

a bastion within the Cold Meat Industry circles, but while 2006 marks its 

15th anniversary it will also be the year when it finally lays down for the 

eternal sleep. The mission is terminated - but what better way to honor 

the memory of the departed than with a powerful live statement? 

"Disturbance Ritual" has everything that 1998's "Live In Rostock" 

lacked: a track listing that reads like a best-of collection, supreme 

engineering and mastering qualities, and not least an edition that will 

allow more than a chosen few to grab a copy. Those who never had the 

chance to attend a Megaptera concert are here invited to share the 

experience; to witness how the live version of the songs are enhanced 

by additional film samples and improvised drum beats. Which was 

always the very essence of Megaptera: a transcendental place were the 

fictitious world of cinema and the drab monotony of industrialized life 

blend together, if only for the duration of an album.” [label info] 

* MELANCHOHOLICS – A Single Act of Carelessness CD 

(Deafborn Records dbcd04 / Multi National Desaster MNDR2017, 

2006) € 13.00 

Zweites Album der dunklen Gitarren-Sphäriker - hier ausgefeilter & 

experimenteller als beim Debut, mit Gitarren, Drones, Electronics, 

stimmlichen Klangmaterial, Akkordeon & Cello werden angerauhte, 

einsame melancholische Weiten geschaffen, wobei das 

improvisatorische Element unüberhörbar ist… 

Anklänge an z.B. DWELLING LACUNA und manchmal fast schon alte 

STARS OF THE LID oder LABRADFORD…. 

“Without wanting to place Deafborn Records in one particular corner of 

the musical spectrum, 'dark' and 'atmospheric' are certainly two keywords. 

I never heard of Melanchoholics, which is a three piece group of 

Benedikt on guitars, Philip on bass and Lutz on electronics. Their 

previous interests lie in Death/Grind/Heavy metal and industrial and 

noise, but none of these influences are shown on 'A Single Act Of 

Carelessness', which is their second CD, after the self-titled, selfreleased 

CD from 2003. In 2001 they got together, discussing 'dark and 

solitudous sound atmospheres' and started jamming around. They 

probably do that a lot, since this CD shows a mature sound. The 

alienated, desolated soundscape of a post nuclear landscape is what is 

unfolded before our very eyes. Empty industrial sites, dark clouds, a 

thunder - the fine ingredients of a good nightmare or perhaps the 

storyboard of a b-movie entitled 'the last man on earth and his 

wanderings' (sorry that didn't sound very hollywood like). The guitar is 

plucked, a dark wall of synths and feedback hoover in the background 

and we hear the sound of highly polluted water running down the 

drainpipes. The album doesn't very hopeful, nor any where near 

melancholic. What would they long for? The cross-over between 

ambient and industrial has been made before, by many (Illusion Of 

Safety's during the late 80s period spring to mind here), but 

Melanchoholics translate the sound pretty well to a new millennium.” 

[FdW/ Vital Weekly] 

* MENCHE, DANIEL – Wings on Fire CD (Tantric Harmonies 

TANTRA X 33, 2005) [ed. of 555 copies] € 12.00 

In MENCHE’s Musik scheinen archaische Urkräfte entfesselt zu 

werden, die eine sehr direkte Wirkung auf den Körper haben, 

denn immer hat die Musik etwas extrem physisches, fast 

unausweichliches. Für WINGS ON FIRE scheint er perkussive

Elemente aufgesaugt zu haben, man hört sich wiederholende Drone- 

Töne und dahinter sich gigantisch aufschwingende Noisewände, 

die komplex poly-rhythmisch / loopige wall-of-sounds ergeben... 

vom Grundgedanken ähnlich wie AUBE: aus einem Sound oder einer 

Instrumentenquelle wird alles an akustischer Energie herausgeholt was 

möglich ist! So erhaben und elementar zugleich ! 

“Scorching and searing drones, heated and flaming rhythms and a 

burning ritualistic sonic force to be reckon with. This is Daniel Menche's 

"Wings on Fire" and this noise inferno soars with volume and intensity 

that makes it the unheard soundtrack for the flight of Icarus- that is 

if his wings did not melt and he did actually fly to the sun. This is 

Daniel Menche at his most ferocious sonic exploration. Call it extreme 

ambient or gorgeous noise, Wings on Fire is a must have release to 

incinerate the speakers and melt the listener to a beautiful submission 

of sonic power.” [label info] 

* MENCHE, DANIEL – Concussions do-CD (Asphodel ASP2031, 

2006) € 17.50 

MENCHE goes PERCUSSION !! No words needed, this blast has to be 

experienced !! 

"Daniel Menche is usually known for creating towering infernos out of 

densely droning layers of incinerating sound. For his new Concussions 

project the sonic stakes are taken higher, soaring into a relentless world 

of propulsive pulse, where powerful, poly-rhythmic percussion pound 

and merge together. The result is an intense avalanche of overdriven 

noise blasts that actually rock hypnotically in a periodic way that is 

seldom heard. This ain't no drum circle to be sure, and fans of the 

recent Boredoms material or the primitive metal banging from 

Einsturzende Neubauten / Test Department industrial strength era will 

be pummeled by an accelerated experience with this opus! Daniel takes 

the perpetual beat engine of 49 locomotives, rides down the 20 untitled 

tracks and stampedes off a cliff? This is the true METAL! Flex your 

muscles!" [label info] 

* MERZBOW – Turmeric 4 x CD-Box (Blossoming Noise 

bn010box, 2006) [lim. 900] € 40.00 

„Oft schon wurde es wiederholt, aber eigentlich sollte man nie aufhören, 

den einzigartigen Künstler Masami Akita alias Merzbow in alle Wolken 

zu loben. Nicht nur veröffentlicht der Japaner seit Jahrzehnten eine 

unübersehbare Menge an Noise-Musik, auch ist jeder einzelne Track 

eine Lektion in sich und gibt das radikale Programm vor, vor dem sich 

allzu viel scheuen: hau rein ins Gesicht, stark und ohne Kompromiß, 

lass alles hinter dir, was den breitesten Weg an Sound einengen könnte 

und blas der fleischfressenden Masse die ekelerregenden Schreie 

sterbender Hühner tief ins Hirn. Masami ist Veganer und Hühner sollten 

wie alles Leben ihr Leben leben dürfen. Auch dafür steht die mächtige 

5CD-Box. Ein Monolith des guten Geschmacks und ein ewiges Manifest 

in Noise.“ [Ed / DeBug]“ 

“Brooding harsh malevolence packed into a 4 disc box-set with 

luxurious foil stamped slip cover & photos of the in-flight bomber taken 

by Jenny Akita. Abrasive analog and digital wings give Tumeric flight as 

an altogether different bird. Limited edition of 900.“ [label info] 

* MERZBOW – Bloody Sea CD (Vivo Records 022, 2006) € 15.00 

„Bloody Sea - Stop Whaling! schreit uns vom Cover entgegen. 

Wahrscheinlich das direkteste und barmherzigste Bekennerschreiben 

der zeitgenössischen Noisemusik. Im Klappcover finden sich harte und 

äußerst üble Fakten zu begangenen und kommenden Greueltaten und 

der geringen Überlebenschance der Wale. Obendrein eine CD mit drei 

Anti-Whaling Songs, die brachial und ohne zu Zögern alle Wut über die 

Dummheit der Menschen ausspeit, die grundlos jeden und alles dem 

ekelerregenden free trade unterordnen müssen. Schwachsinnige Politk 

(hier: Japan, Finnland, Island) verlangt nach harter Opposition, auch in 

der Musik. Masami Akita steht ganz vorne und schreit wie ein 

vergessener Gott nach deiner Position im sog. Spiel der Weltmächte, 

die immerzu meinen, in allen Bereichen den Noise ausklammern zu 

müssen, um die grandios überbewertete Kontrolle zu behalten - selbst 

über Leichen. Auf jetzt, CD bestellen und dann ab zu 

stopwhaling.co.nz“ [Ed / DeBug] 

“Bloody sea comes off like a more approachable, less violent version of 

the four disk Turmeric set from early this year. using elements of guitar 

feedback and electronic pluses and some very crude rhythmic 

elements. On offer here are three tracks Anti- whaleing soung parts one 

through to three. All of the tracks to a certain extent have an improvised 

feel, none of them except the shortest track two staying in one places 

structurally very long, they seems as if there are cut up elements of a 

larger noise jam, Masami cutting the best bits out and offering them 

here. Track tow pumps out a wonderful Geiger counter, like loop 

through out its running time, as Merzbow splatters and burns guitar and 

static elements on top. The air seems very fiery and denser, almost 

boiling with anger in parts. This I think is due to the subject matter, it’s 

nice to see Merzbow making really doing what is modern protest music 

here. The cd comes in a rather nice cardboard folder, with a frankly 

depressing/ anger inducing write up about Japan's restarting of 

whaleling. Certainly not a Merzbow releases for the novices to his work 

or noise virgins for that matter, but a competent and rewarding release, 

that follows on nicely from his recent investigation back into analogue 

sound link with digital equipment.” [Roger Batty] 

* MIMAROGLU, ILHAN – Agitation CD (Locust Music L59, 2004) 

€ 14.00 

Zwei längst vergriffene, auf Folkways erschienene LPs sind auf der CD 

„Agitation“ versammelt: „Tract“ von 1975 und „To Kill A Sunrise / La 

Ruche“ aus dem Jahr 1976. Der türkische Komponist Ilhan Mimaroglu, 

geboren 1926, ist der alte Weise der Tapemusic. Seine Kompositionen 

sind geprägt durch politische Implikationen, gerade auch aus der 

Opposition zur türkischen Regierung in den 1960er und 70er Jahren 

heraus. Damalige repressive Verhältnisse geben den vorliegenden 

Kompositionen ihr Thema. Nachrichten über ermordete Revolutionäre 

in der Türkei, die während der Entstehungszeit (1972-74) in Paris 

Mimaroglu erreichten, ließen ihn „Tract“ zu einer politischen Anklage 

erheben. Der Untertitel “A Composition Of Agitprop Music For 

Electromagnetic Tape” ist programmatisch. In extremen Schnitten und 

Wechseln der musikalischen Perspektive werden Geräusche 

ausTonbandmanipulationen, Rezitationen der Texte von Alexander 

Bakunin, Bertolt Brecht, Mao-Tse-Tung und anderen 

Geistesverwandten, Radioeinspielungen, Stimmfetzen, neben Tönen 

der Popgruppe Tapsy Tuvy Moon zu einer ca. 35minütigen 

Geisterbahnfahrt montiert. Alles getragen von der wahnsinnig 

anmutenden Tuly Sand. Ihr Register umfasst alles, von der 

Rampensau, über die Operdiva bis zur irren Harpyie und trägt selbst im 

schrillsten Kreischen eine lebendige Note, was dem Stück eine 

gehörige Portion ‚Soul’ verpasst. Überhaupt gehört Mimaroglu eher zu 

den Underdogs seiner Komponistengeneration. Obwohl unter höchsten 

ästhetischen Gesichtspunkten komponiert, atmen seine Stücke in der 

Form und im Inhalt eine unakademische Offenheit und die starke 

Empathie, mit der Mimaroglu seine Themen bearbeitet, wird wie in „To 

Kill A Sunrise“: A Requiem For Those Shot In The Back“ (1974) zum 

Sog, der den Hörer mitsamt seiner Metaphysik bannt, um ihn für des 

Komponisten Thema zu gewinnen. Das Stück beginnt mit einer 

Stimmcollage aus der Aufzählung Gefolterter, Erschossener, 

Gemeuchelter und steigert sich zum rasenden Furiosum eines 

vielstimmigen Schreies aus Wolken dichter elektronischer 

Klangmanipulationen heraus. „La Ruche“ ist die elektronische 

Nachbearbeitung einer Musik für Violoncello, Spinett und Piano. Die 

einzelnen Stimmen wurden durch anschließende Bandmanipulation 

verfremdet. Knarzend rumpelnde Verläufe und scharf geraffte 

Fragmente umschließen sich mit den Originalklängen zu einem 

mysteriösen Tanz der Erinnerung. 

_Two very much ‘out of print’ records are assembled on 

„Agitation“.„Tract“ from 1975 and „To Kill A Sunrise / La Ruche“ from 

1976. The Turkish composer Ilhan Mimaroglu, born in 1926, is the old 

wise man of tape music. His compositions have a political influence as 

a result of his opposition to the Turkish government in the 1960s and 

1970s. This period of intense repression and counterrevolutionary terror 

is the basic theme of „Agitation“. News of several revolutionaries 

murdered by the government forces were reaching the composer during 

the release period of „Tract“, let him create a politically piece of accuse. 

Undertitled as “A Composition Of Agitprop Music For Electromagnetic 

Tape” it became programmatic. Extremly cutted in many changes of the 

musicially perspective, sounds from tape manipulations, recitations of 

Alexander Bakunin, Bertolt Brecht, Mao-Tse-Tung and others, 

fragments of radio plays, pieces of voices, and the pop tunes of Tapsy 

Tuvy Moon are assembled to an 35 minutes ghost train. Within the 

crazy voice of Tuly Sand. She has all skills to produce a wide variety of 

sounds and it is living so the music piece gets a good portion of ‘soul’ in 

it. In his generation of composers Mimaroglu is a kind of an underdog. 

Although composed under highest aesthetical points, his pieces are 

quite open minded in form and content. Like in „To Kill A Sunrise“: A 

Requiem For Those Shot In The Back“ (1974). The composer forces 

the listener concerning his themes. The piece starts with a collage of 

voices, counting the tortured, the shot and the slaughtered and arises to 

a raging cry of many voices, bursting from densely clouds of electronic 

manipulation. „La Ruche“ is a music for violoncello, harpsichord and 

piano, electronically remixed with the help of tape manipulation. lines of 

crunching sounds together with sharp fragments are enclosing the 

origin sounds of the instruments for a mysterious dance.” 

[Mr. Schlewinski for Drone Records] 

“....Ilhan Mimaroglu emerged out of the Columbia - Princeton Electronic 

Music Center and public radio programs at New York's WBAI where his 

socially and politically charged radio programs took the city by surprise. 

He is best known for his work with Edgard Varese, mentor Vladimir 

Ussachevsky, a spellbinding collaboration with jazz musician Freddy 

Hubbard and as a chief composer of Fellini's Satyricon as well as 

electronic albums released on his own Finnadar label.” [from the label 

description]

* MNORTHAM & JUDITH EGGER – Andapa Garten mCD & object 

(Edition Graphon 01, 2003) [ed. of 50] € 42.00 

Im Grenzbereich zwischen experimenteller Musik und Objektkunst 

angesiedelt bewegen sich die Veröffentlichungen dieses neuen 

Münchner Verlages / SoundArt-Labels. Der erste Release ist eine mCD 

von MICHAEL NORTHAM und ein kunstvoller Letterpress-Druck mit 

Originalradierung von JUDITH EGGER, die auch das Label betreibt. 

„andapa garten. sounds from an abandoned house in forest of 

Epesses/Lac Léman, may 2003. etching by Judith Egger on 300g 

Hahnemühle, letterpress, with embossed black case. 

"..Sound substrata of the inner garden. Underground sound wide open. 

Trees and bushes as a long, sustained hollow music. 

Birds, butterflies and other animals seen only in sounding forms by the 

internal eye, entering the night in an ecstatic sleep state, dreaming with 

the sound of a human hidden light. Leaves with tiny little poems of 

sound written on it, the drone-flowers of a secret floral language.... 

A cd not just to hear to but also to plant in the cd player, to let its 

roots grow deep in the electronic filaments of the equipment and watch 

patiently the blossom of beautiful digital flowers of sound. 

A small musical herbal. Organic music in the true sense of the word..“ 

Michael Northam is a musician who represents in a certain way 

the intellingent side of experimental music. His conceptual approach 

to the sound explores in depth the resonance of unusual places or 

uses the sound of objects or living things in an almost alchemical way. 

Judith Egger his collaborator, has been involved with experimental 

music and performance since a few years. She comes from a visual 

background and co-founded the no longer active "living score theater" 

where she explored, stretched and overlapped the boudaries between 

music, performance and the visual arts.“ [Jorge Mantas] 

* MOLJEBKA PVLSE - DVNKL CD (Fifth Week, 2006) [lim. 

500] € 13.00 

Beim bereits siebten M.P.-Album arbeitet MATHIAS JOSEFSON mit 

der Sängerin & Schlagzeugerin (von LES ISSAMBRES) KARIN 

JACOBSON zusammen.... DVNKL ist ein berauschender Drone-Epos, 

trance-induzierende Rausch- & Fieldrecording-Flächen erscheinen, die 

Stimme von Karin wird als helles Pfeifen & Atmen und murmelnde 

Klangfelder hörbar.... intelligent & experimental based dark ambience! 

“Not all of the previous releases by Mathias Josefsons project Moljebka 

Pvlse have been reviewed in Vital Weekly, but some made their way. 

His works were previously released on Cold Meat Industry, Segerhuva, 

Mystery Sea and Fin de Siecle and now on the unknown label Fifth 

Week. For 'Dvnkl', his seventh release, Josefson works with Karin 

Jacobson, singer of Les Issambres, but I must admit that I read this in 

the press blurb, since the voice is as much twisted around, and placed 

upside down inside out, as the field recordings that form the usual basis 

of this music, that it is hard to recognize as a voice. Sometimes the 

looped voice is to be recognized, speaking, humming or just producing 

sound, but it's never made easy. Moljebka Pvlse plays music that is 

best categorized as dark ambient, but the element field recording 

becomes more and more a clear thing, just as with the elsewhere 

mentioned new Paul Bradley. The original sources are not easy to 

recognize, but there is a very good element of darkness involved - the 

ongoing feature in the music of Moljebka Pvlse I guess. 'Dvnkl' 

somewhat sidesteps the previous work, being the collaboration with 

vocal related material, but on the other hand it entirely fits the Moljebka 

Pvlse sound perfectly. This is indeed another fine work.” [FdW / Vital 

Weekly] 

* MONSTRARE / WILT – Graveflowers CD (Angle Records 

A.R.05.02, 2004) [ed. of 500] € 13.50 

Hervorragender dark-ambient / post-industrial split-release auf dem 

kanadischen ANGLE Records-Label. Sechs Stücke von MONSTRARE, 

wie immer sehr hallend, monumental & pulsierend, aber mit vielen 

interessant konkreteren Sounds & Analog-Effektengespickt; 

vier von WILT; weitaus direkte und “industrieller”, nicht minder 

abgründig und mitreissend... 

“500 COPIES. .ANGLE.REC. .A.R.05.02. deluxe cardboard sleeve 

For the last few years, the enthusiasts have been enjoying the 

evolutionary sound creations of CORDELL KLIER (MONSTRARE) and 

JAMES KEELER (WILT). The first, very often, in his solo adventures, 

works in a register which one could hail as ‘’dark glitch’’, or a close 

encounter of the third kind between modern technology and the abyss, 

as the second builds us somber sonic monoliths, raw blocks of black 

bruitist matter and dark lo-fi atmospherics … 

It was no doubt that the collision, or fusion, between these two 

aesthetics tinged with psychotropism was going to give way to a 

genuine journey, a unique and peculiar epic, in the image of the 

respective projects of the two creators. There is a natural fit between 

these projects as both focus on dark mathematical projections. In this 

monumental production, MONSTRARE feeds us with new-school 

sonorities as WILT opts for old-school sounds, an it goes without saying 

that one used the source sound material of the other to crystallize his 

own visions, and vice versa. Side by side, the intemporal, 

uncompromising and often arrhythmic sonic fluids secreted here 

sometimes have a textured minimalistic feel, sometimes reflect a will of 

nuanced saturation … Here one will easily recognize the traditional 

ambient and subtle black noise WILT feel, just pushed to the utmost 

level, with MONSTRARE doing the dark-clicked drone he is renowned 

for, but in an especially demented way. 

Alternately, the listener finds himself wandering through the uneven 

meanders of subterranean cathedrals and flying over futurist cities 

radiant with an aura of strangely coloured neons. But there are a 

thousand and one other possible interpretations. Organic yet bleak, the 

music presented here symbolizes the passing of life into subharmonic 

spirituality. Now is your turn to make yourself your own interior movie 

while listening to this album!” [label description] 

“...Monstrare here offers 6 tracks and Wilt 4. It's quite absorbing music, 

in an industrial ambient style, to lose yourself in it, if that's your thing. 

Careful and close listening recommended, otherwise it'll lose it's point, 

and may become just a background buzz without a point. This music 

sucks you into it's own world, which may be worlds apart from any 

reference point in the reality or elsewhere. No concrete connection to a 

strict tradition in music or art, besides the general ambient-industrial 

sound, instead this music prefers to be on it's own ground. Wilt brings in 

more intensity with the wonderful track 'Hemophilic root plow'. The 

cover design is reminding of a Van Gogh painting in a darkened 

industrialised manner. Impressionistic industrial ambience, of a fine 

kind.” [BR / Vital Weekly] 

* MOORE, AARON – The Accidental CD (Elsie & Jack # 017, 

2006) € 14.00 

Erste Solo-CD des VOLCANO THE BEAR – Mitglieds, 7 Stücke mit 

betörenden Drone-Texturen, Piano-Minimalismen, Keyboard-Drones, 

Vibraphon & Becken-Tupfer, alles sehr “privat”, intim und ruhig... 

perfekte Mitternachts-Musik. 

“elsie and jack are proud to present the debut recording from aaron 

moore. this represents a welcome return to the e+j fold after volcano the 

bear contributed a track to the ‘rewriting the book’ 2cd. 

as a founding member of the english experimental group volcano the 

bear, aaron moore has been a part of creating some of the most 

stimulating and diverse music of the last 10 years with releases on 

nurse with wound’s united dairies label, and the american label, betalactam 

ring records, to name but two. ‘the accidental’ is moore’s first 

solo release and is in stark contrast to his drumming and vocal work 

with volcano the bear. using such instrumentation as bowed and beaten 

vibraphone, cymbal, chord organ, thumb piano and keyboard, mainly 

concentrating with one instrument per track, moore has created an 

album of mesmerizing beauty. shifting, woozy soundscapes, blurred 

drones, soft conjuring, and deep meditations - perfect for late night 

headphone trips. on ‘three guineas’, a keyboard is used to create a new 

lullaby in which we are reminded of years past. the majority of these 

recordings, made at his home in leicester on a digital 8 track and one 

microphone in 2003 were intended for an aborted collaboration with 

oren ambarchi. they then sat on his machine for a year or so until, with 

the nagging of friends, he set about doing something with them. 

some of the tracks, he felt, needed the hand of another so he sent 

some tracks to friends andrew liles, luke fowler and alex neilson to 

collaborate on. they in turn sent the finished tracks back to moore 

where he set about editing them for inclusion on ‘the accidental’. 

the title, ‘the accidental’ comes from the fact that were it not for the 

original aborted collaboration attempt with ambarchi, moore would not 

have recorded this music. moore is continuing his work with volcano the 

bear and his new duo, dragon or emperor, as well as planning several 

collaborations in the coming months. if a follow up to ‘the accidental’ is 

to happen, then maybe it will be on purpose next time?! 

on hearing ‘the accidental’, italian filmmaker francesco paladino set 

about creating a film to accompany the album. this is to be found as an 

extra dvd (which also features an unreleased tune) with the first 100 

copies of the cd.” [press release] 

* MUSTERION – The Black Lodge CD (Horus Cyclic Daemon HCD 

6, 2005) [ed. of 500] € 17.50 

Uns bisher unbekanntes Projekt auf HORUS, mit erster (?) 

Veröffentlichung unter diesem Namen. THE BLACK LODGE ist keine 

einfache Zusammenstellung von Musikstücken, sondern eher ein 

theatralisch-szenischer Soundtrack zu einer dunklen Geschichte oder 

Vision, mit Bezug zu LOVECRAFT, BURROUGHS, KEROUAC, 

GINSBERG. Das klingt sehr neoklassisch & dunkel instrumental, ist 

aber auch in elektro-akustischer Weise mit Stimmen & allen möglichen 

Geräuschen versehen, liegt also zwischen Neo-Klassik / 

Filmsoundtrack und Elektro-Akustik. Das ganze Werk wirkt wie in einem 

Traum oder einer Halluzination gehört… Grossformatige Hülle & 

Kunstdruck-Booklet, nummerierte Auflage von 500 Stück !

"The Black Lodge", a world beyond, is the place were Agent Dale 

Cooper is trapped. He travers through memories, dreams, Tibet, the 

works of H. P. Lovecraft and more. The Agent possesses the body of 

the late Jerzy Grotowski as he do his last journey among the walking 

dead. The visions of Cooper are seen, heard and felt in this avant-garde 

and exquisitely dark ambient album from Musterion, Simon AA Kölle 

(Za Frûmi, Abnocto). The Black Lodge is a place of murder, dreams, 

mystery, darkness, ancient machines, old memories and horror. A 

shrieking violin swells into a chaotic babel of sound; a pandemonium 

that would have lead most men to doubt their own shaking sanity. 

Inarticulate cries that only mutes can utter, and that rises only in 

moments of the most terrible fear or anguish. 

With extreme attention to details this profound opus of the mind leads 

the listener away from the normal world and into the world of the Black 

Lodge. Garmonbozia!“ [label description] 

“....In order to induce such a hallucinatory listening experience 

Musterion creates music using a wide array of instrumentation ranging 

from traditional and classical acoustic instruments to purely electronic 

based sounds. Though many songs are shadowed by dark ominous 

drones the music in each song reaches way beyond the range and 

habit of standard dark ambient music. Musterion has striven to bring 

experimentalism to dark ambient music and has successfully created a 

cinematic environment previously only pursued by too few capable 

musicians. Musterion “The Black Lodge” is definitely the most powerful 

full length album I have heard Simon AA Kölle participate upon. Fans of 

Simon’s previous work as Za Frumi will find the cinematic quality of the 

music familiar though be informed that the scope and intricateness of 

the songs far exceed Simon’s work with Za Frumi. I highly encourage 

dark ambient fans that like music that reaches beyond standard drone 

music to check out Musterion as well. Anyone with a fetish for H. P. 

Lovecraft or other dark occult inspired narratives is also encouraged to 

discover Musterion. Musterion is an invitation to close your eyes and be 

led into a world of shifting shadows, intrigue, and horror. This excellent 

release is limited to 500 hand signed copies so collectors be aware of 

the limited nature of this release.” [Heathen Harvest] 

* MZ.412 – Infernal Affairs CD (Cold Meat Industry CMI.161, 2006) 

€ 13.50 

„….Vielleicht mit eine Folge der zahlreichen fruchtbaren Nebenprojekte, 

die sich im Laufe der Zeit bei den Herren Nordvargr, Ulvtharm und 

Drakhon, aus denen das MZ.412 Line-Up noch immer besteht, 

angesammelt haben. Die ein oder andere dieser Lärmfabriken hat den 

auch nicht jünger werdenden Protagonisten möglicherweise aber bei 

der Entwicklung des neuen Materials ein wenig den Druck genommen, 

denn vergleichbar mit "Domine Rex Inferum" geht es auch auf "Infernal 

Affairs" über weite Stecken etwas entspannter zu. So sind ebenfalls 

einige schleppende Dark Ambient Stücke auszumachen, die hier jedoch 

nicht ausschließlich maßgebend sind, sondern Hand in Hand gehen 

auch mit aggressiveren Industrialsounds ("Vredens Skvadron", "Point of 

presence") und Kompositionen, bei denen sich Ambientklänge und 

Dronen mit schwerer Perkussion paaren und einen abgrundtiefen Sog 

entfachen ("Lord, make me an instrument of your wrath", "Unhealing 

wounds"). 

Daneben, und das ist neu, kommen insbesondere in den beiden Teilen 

des Titelstücks, welche dadurch auch zu den Höhepunkten des Albums 

werden, zudem orchestrale bzw. neoklassische Elemente zum 

Vorschein, die sehr kraftvoll wirken und eine bedrohliche Note in die 

Musik einbringen. Zusätzlich ist "Infernal Affairs I" noch mit leicht 

martialischer Rhythmik unterlegt worden. Für Abwechslung ist also 

gesorgt. 

MZ.412 ist somit ein atmosphärisch außerordentlich dichtes und 

stimmiges Werk gelungen, das mit 55 Minuten Spielzeit ebenso 

überzeugt, wie die optische Aufmachung im düsteren Digipak mit 

mehrfachem Prägedruck.“ [Terrorverlag] 

“After 7 years of hard work MZ. 412 finally deliver their swan-song 

"Infernal Affairs". After the prelude "Domine Rex Inferum" this is the 

ultimate new album of MZ.412, nothing but pure bombastic evil 

manifested in explicit sounds; and it is terrifyingly beautiful! As always, 

based on the dark arts, the sound is classic MZ.412 taken to the 

extreme and beyond. Whatever dark fetishism you're into, it's all here; 

from abysmal ambient parts, heavy pounding industrial dance hits, to 

grand orchestral maneuvers. The Swedish Legion returns to dominate 

the scene once again, with an album that clearly defines what true black 

industrial music is all about.... After inventing the style that degenerated 

an entire genre in the early 90?s, they show once again that they are 

here to lead the way for future generations.... Yes, you may think you've 

heard it before - but never ever this powerful! No, we're not here to 

convince you - We're telling you! MZ.412 are the original home for 

members of many wellknown projects in the electronic scene. The CD 

comes in an extremely dark and very MZ-stylished deluxe embossed 6panel 

digipak.” 

* NADJA – Body Cage CD (Profound Lore Records, 2006) € 13.00 

Wiederveröffentlichung der limitierten CDR vom letzten Jahr ! 

CD re-release of last years CDR release (NothingnessRecords) ! 

“Finally unleashed, Canada’s most prominent drone/doom 

/experimental/ambient act NADJA’S seminal “Bodycage” album. 

Originally released as a limited CDR output (and pretty much sold out in 

immediately), Profound Lore is proud to bring even more awareness to 

this Canadian artistic talent. Presenting an emotionally charged 

dronescape sear, NADJA’S brand of ecclesiastically intense and 

moving music creates numbing feelings of desperation through layers of 

thick sound, creating massive walls of mind-altering sonic 

manifestations. To heighten the experience of “Bodycage” even further, 

said release is a concept album surrounding a rare congenital disorder 

called Fibrodysplasia Ossificans Progressiva, a disease in which the 

body produces an extra skeleton that immobilizes the joints of the body. 

For more info on this disease, please visit www.ifopa.org. Nadja are 

Aidan Baker and Leah Buckareff respectively. “Bodycage” is presented 

in a cardboard CD jacket with a 4-panel insert, all housed in a 

transparent CD pocket sleeve…” [label info] 

* NECROPOLIS – Necrosphere CD (Cold Spring Records 

CSR51CD, 2006) € 13.00 

Diese schöne “amorph-drone”-CD erschien 2003 auf ZHELEZOBETON 

in einer mini-Auflage und war schnell vergriffen. Jetzt gibt es zum Glück 

die Wiederveröffentlichung auf Cold Spring, mit Bonus-Material! TIP 

„Dark Drones aus Sibirien! Ca. 30 min. vibrierende Eruptionen wie aus 

einem Traumreich, fliessend und zeitlos..” [Drone Records info 2003] 

“ Siberian dark drone ambient. This is the second album of Necropolis 

project from Irkutsk, Russia. The album was recorded as a soundtrack 

to author's dreams and based on field recordings made in taiga and 

missile shafts. Cold floating sound of Necrosphere combines 

detachment of Maeror Tri and at the same time unobtrusive 

melodiousness of late Raison d'Etre. 85 copies are packed in 

handmade sleeve with metallic specks and golden stamp. Inserts 

contain photographs made by the author.” [Zhelezobeton original info] 

“Hailing from the Siberian land of Irkutsk, Russia, Necropolis came to 

Cold Spring's attention when they released the extremely limited (85 

only) CDR "Necrosphere" - the soundtrack to the author's dreams and 

based on field recordings made in Taiga and disused military missile 

shafts. Cold Spring is reissuing this immense Dark Ambient creation - 

remastered with brand new, stunning artwork and an extra 14-minute 

long track.” [label info] 

* Phill NIBLOCK – Touch Three 3 x CD (Touch TO:69, 2006) 

€ 19.00 

Grossartiges, monumentales Werk des New Yorker Drone- 

Minimalisten, z.T. fürs Deutschland Radio Köln produziert.. Neun lange 

Drone-Stücke auf 3 Cds verteilt, die auf von verschiedenen Musikern 

eingespielten Instrumentalsounds beruhen. NIBLOCK hat daraus 24 - 

32 Spuren-Stücke gemacht, die elektronisch nicht weiter verfremdet 

wurden. Reine Klänge, Wellen, Frequenzen, Fliessen, Obertöne - Statik 

die sich bewegt, wie sie einnehmender kaum sein könnte… 

mal sehr nah, dicht und konkret, mal orchestral vielschichtig und 

polyphon....benutzte Instrumente: Cello, Akustikgitarre, Saxophon, 

Trompete, Viola.. 

“….Touch Three is minimalism in the classic sense of the word, if that 

makes sense. Niblock constructs big 24-track digitally-processed 

monolithic microtonal drones, and the result is sound without melody or 

rhythm. Movement is slow, geologically slow. Changes are almost 

imperceptible, and his music has a tendency of creeping up on you. The 

vocal pieces are like some of Ligeti's choral works, but a little more 

phased. He says: "What I am doing with my music is to produce 

something without rhythm or melody, by using many microtones that 

cause movements very, very slowly." These nine pieces were made 

from March 2003 to January 2005. They were all made (except "Sax 

Mix") by recording a single instrument with a single microphone. The 

recordings were direct to the computer/hard disk, most of them using a 

Powerbook G4, Pro Tools, an M-box and an external firewire drive. The 

resulting mono sound files were edited to remove breathing spaces, 

leaving the natural decay of the tone, and the attack of the subsequent 

iteration of the same tone. Each note was represented by several 

repetitions, perhaps ten for each tone, of about 15 seconds duration 

each. Each piece uses a few tones. A simple chord, perhaps. Additional 

microtonal intervals were produced in Pro Tools using pitch shift. The 

pieces were assembled in multitracks, usually either 24 or 32 tracks. 

The recording environment varied from a simple apartment in Berlin 

(Ulrich Krieger's) to a very large hall used for symphony orchestra 

performances and recordings, with a sizable audience space. The 

recordings were generally done quite closely miked. One hears only the 

sound of the instrument. There is no electronic manipulation in the 

recording, the editing of the tones, or in the mix. The only changes to 

the recorded tones are the pitch shifts to create microtones...the 

microtones are doing the work.” [press release]

“….Ever since I am a keen follower of his work, and this new 3CD set is 

just an overwhelming release. The idea is very simple, for each of the 

pieces on this CD. Recorded a few tones of one instrument, remove the 

breathing, leaving the decay and then change the pitch on some of the 

sounds. Then Niblock starts to layer these tracks, usually somewhere 

between 24 and 32 tracks. No other electronic processing was done to 

these recordings. Among the instruments used here we find cello, 

acoustic guitar with e-bow, recorders, alto/soprano/baritone 

saxophones, trumpet and viola. A typical Niblock piece lasts between 

20 and 22 minutes. All clear, neat and simple? Then why release three 

CDs, nine tracks in total? They probably all sound the same anyway? 

Well, of course it less simple and of course it sounds different. The CD 

open with 'Sethwork' (check out Phill's website for the correct order of 

the tracks on CD one!), which is almost classical Phill Niblock: 

sustained tones, with hardly a pause and apparently played on 

'acoustic, unamplified guitars with e-bow'. A continuos deep hissing (for 

the lack of a better word) sound. This is how Niblock sounded when I 

first heard his music, almost twenty-five years ago. Compared that with 

'Harm', also on the first CD, which is a work for cello (which is one of 

Niblock's beloved instruments). Now here the sounds are highly 

sustained too, but in stead of one mighty block of sound, it almost 

sounds orchestral, with the sounds coming in and out of the mix. Two 

totally different approaches to the same technique. With a slight 

adjustment, leaving some space at the beginning and end of each 

sound, Niblock adds on 'Parker's Altered Mood, aka, Owed To Bird', the 

sound of inhaling breath (in order to play the alto saxophone), which 

add yet another dimension to this music. Maybe playing all three CDs in 

this set is a bit much, but I did it, and I must say time disappeared as 

this overwhelming unfolded little by little. Simply the best Niblock 

statement thus far, the most complete one.” [FdW / Vital Weekly] 

* NOCTURNAL EMISSIONS – Fruiting Body CD (Klanggalerie 

gg55, 2006) [lim. 300] € 14.00 

Wiederveröffentlichung der zweiten N.E. LP von 1981 (Sterile Records)! 

Industrial-Soundscapes mit grosser Wirkmächtigkeit und Authentizität, 

mit einfachen Mitteln wurden dunkle, schleppende, noisige, kaputtrhythmische 

Tracks eingespielt, SPK und TG sind da nicht weit…. 

als Bonus gibt’s die erste fantastische N.E. 7“ dazu ! 

“This record, originally released in 1981 on Sterile Records, is probably 

the NE´s heaviest and noisiest album ever. It has never before been 

re-issued on compact disc and comes with the original artwork. The 

sound was carefully remastered by Nigel Ayers in 2006 and stays close 

to the original analogue recording. A very limited edition of only 300 

copies, so please order soon to avoid disappointment.” [label info] 

* NORTHAUNT – Horizons CD (Cyclic Law 16 th Cycle, 2006) 

€ 15.00 

DAS ist wahrer Isolationismus. Verlassene & einsame Landschaften, 

kalte metallische Klänge, windige Drones, kein Licht, das Subjekt löst 

sich auf in diesen unendlichen Sphären ... von Zeit zu Zeit schälen sich 

leise Melodien nach vorne... insgesamt sehr ruhig, bedächtig, so kühl & 

schön, fast poetisch, zugleich ..... 

am Ende scheint so etwas wie das Licht am Ende des Tunnels auf, die 

Reise scheint am Ziel angekommen..... 

“3rd full lenght album from one of Norway's most renowned Ambient 

Atmospheric act. HORIZONS is a collection of 7 long ambient 

landscapes, lonely sceneries on the verge of night, places we long for, 

places we have been, sanctuaries from mankind, devoid of human 

elements. This is desolation made audible, carefully constructed and 

layered with deep drones, melancholic tonalities and outdoor field 

recordings which makes this Northaunt's most haunting release so far. 

Includes a bonus Video file with an alternate version of the track "The 

Wilderness. First 2000 copies in a 6 panel Digipack. 7 Tracks + Video. 

Running time; 60.00” [label info] 

* NOYY SVET – Fin. Finito. Infinito CD (Nekofutschata NEKO 

016, 2006) € 14.00 

“Even within the enigmatic discography of NOVY SVET the album FIN. 

FINITO. INFINITO takes a special place. The original 12” coming in an 

edition of 77 copies only offered nothing more than the title in 

embossed red letters – the rest was all blackness. The group´s 

comments to this major work summed up to complete silence, which 

opened space for a mass of partly obscure interpretations. For sure this 

album was conceived as a good-bye, finding a climax in the suicidal title 

track. TESCO DISTRIBUTION now offers this rare example of a cult 

item coming up to the listener´s expectations for the first time on digital 

format.” [Nekofutschata] 

„Novy Svet is quite active with releases and this for almost 10 years 

now. Mister Weber and co. Know how to create a pleasurable 

atmosphere on every recording which holds the middle between 

avantgarde post-industrial sounds and Mediterranean street music. This 

is spiced up with sounds from hot old citycentres with claxoning cars or 

chatting local Catalan people. . This album is a bit more industrial 

flavored than the recent collaborations with O Paradis. This album is 

also more apocalyptic of atmosphere and tone than any other Novy 

Svet release. It all culminates into the last track, the titletrack 

‘Fin.Finito.Infinito’, which easily could be interpretated as a goodbye. 

Jurgen Weber sings in Spanish and English on this cd. The 

instrumentation consists of guitar, accordeon, piano and various 

sounds, samples and effects.....“ [Gothtronic] 

* NULL, KK & Z’EV – Artificial Life CD (Crippled Intellect Prod. 

CIPCD018, 2006) € 13.00 

Strong mixture of metallic gong & percussion-drones with electronic 

analogue-noises.. some material is quite mellow, some has 

outburstings movements... no boring moments... definitely 

recommended for friends of both projects. 

“Percussion and percussive elements compose the majority of the 

source material on this collaborative disc. However, the five pieces on 

this disc are anything but traditional percussion. With tracks ranging 

from dense, complex rhythms that sound like angry gnats to sonorus 

bowed metal and shifting sine waves, these recordings emphasize why 

these artists have earned their places in the pantheon of experimental 

sound artists.” [label info] 

“....Recently both were on tour in the UK, and on that occasion this CD 

was produced and in a way can be seen as a continuation of a recent 

work they did with Chris Watson (see Vital Weekly 503). Both are works 

of playing together, but in the case of the release with Watson, it was 

Z'ev putting the stuff together afterwards based on the sound material 

offered by KK Null and Chris Watson, whereas in this case Null and 

Z'ev where together and played the music in an improvised way. That 

means there are differences to be noted. The Touch CD was much 

more densely shaped with a wide variety of sounds being blurred 

together into fine woven pattern, whereas here electronics play a main 

part but separately from the percussive elements thrown in by Null (who 

gets credit for electro-percussion) and Z'ev. Less dense, but with a lot of 

variety. From the tribalism third piece (all are untitled) to the abstract 

and quieter second and fourth piece, these two gentlemen play a fine 

piece of music. Throughout they know what they are doing and it may 

seem that Z'ev is the man who plays the 'solo's' here, meaning he gets 

a more distinct sound, but it's a wonderfully varied and intelligent disc. 

No wonder they are heavy weights.” [Fdw/ Vital Weekly] 

* NURSE WITH WOUND – Soundpooling CD (United Dairies 55 / 

ICR, 2006) € 14.00 

Mitschnitt eines der äusserst raren NWW-Konzerte (Wien, Mai 2005), 

eine höchst sparsam & spannend arrangierte flächige Komposition mit 

den meisterhaften SALT MARIE CELESE-Klängen als Grundlage, über 

74 Minuten lang, beste Soundqualität. Aber NWW wäre nicht NWW, 

gäbe es auch hier nicht noch radikale Überraschungen im Set... 

“Features an extended live performance of "Soundpooling #3", an 

improvisation on "Salt Marie Celeste" and Echo Poeme", recorded live 

on May 5th, 2005 in Vienna, Austria. The 2nd piece is the new track, "In 

Swollen Silence". The NWW line up is: Steven Stapleton, Diana 

Rogerson, Colin Potter, Matt Waldron, Andrew Liles. Issued in 

association with United Diaries.“ [label info] 

* NURSE WITH WOUND - Rat Tapes One CD (United Dairies 

UD0169CD, 2006) € 14.00 

Ratten-Tapes? 18 Stücke, alle unbetitelt, aus den letzten über 20 

Jahren, keinesfalls ratten-schlechtes Material, im Gegenteil, 

auffallend oft rhythmisch ausgeprägt (sogar break-beatig 1 x ), natürlich 

immer an der Pforte zu einem surrealistischen Traumreich, wo 

Bedrohung und Humoreske zwei Seiten derselben Medaille sind. 

Ansonsten kann einen hier so ziemlich alles passieren, und diverse 

Sounds von bekannten Releases tauchen wieder auf... 

Stimmenexperimente, Tierlaute, Sinustöne, unbeschreibbare 

Geräusche noch und nöcher.... 

“With 18 untitled tracks, there’s no shortage of the mutant voices and 

clanks from the darkness that I’ve come to expect. However, I was most 

surprised by the amount of rhythmic material found here, especially on 

the second half of the disc. “Track 10” could very well be a backing 

track left over from the Rock and Roll Sessions. Strangely enough, 

“Track 12” is a techno song with little of the Nurse With Wound 

signature other than some operatic elements and the oblique, gaping 

maw of an ending. It’s actually not a bad example of that type of music, 

perhaps aided by the element of surprise. “Track 14” actually has lyrics 

as a growling voice riffs on television news over a big beat and 

atmospherics. “Track 16” starts with frogs and insects in what could be 

the foley track of a film before drums and an explosion tear it open into 

a primal kraut romp with guitars and buried vocals. 

There aren’t a whole lot of tracks with obvious forebears, although the 

bell sounds from Thunder Perfect Mind recur on “Track 4,” “Track 6,” 

“Track 11,” and perhaps “Track 15.” Also from that album is the 

jackhammer drill briefly reworked as “Track 13.” The disc concludes 

with a spoken word collage of musicians’ names, many of which pass

too quickly to differentiate, and then ends with the statement, “All of 

these bands are complete shit,” followed by a scream. Considering that 

many of those named are well-respected in underground circles, it’s an 

amusing send-up and perhaps serves as a companion anti-statement to 

the band’s infamous list of greats from Chance Meeting. 

Although a few of the longer songs grow a little dull in the context of 

other shorter, fragmentary tracks, the album is still generously 

entertaining with many unique entries to the Nurse With Wound canon.” 

[Brainwashed / Matthew Amundson] 

"An accumulation of discarded musical vermin 1983 - 2006." With Mr. 

Stapleton returning to publishing through his United Dairies imprint, he 

has collected various studio outtakes from over the years and compiled 

them into this exceptional body of NWW ephemera. Immediately, Nurse 

fans will recognize vastly mangled variations of "Black Is The Colour Of 

My True Love's Hair" from She And Me Fall Together Into Free Death, 

"Cold" from Thunder Perfect Mind, and "Rock 'N Roll Station" from any 

number of those sessions. Stapleton has long recycled themes in a 

kaleidoscope of distortions, permutations, and hallucinations, and 

hearing such favorites all over again, brings a smile to us all.” [Helen 

Scarsdale] 

* NURSE WITH WOUND – Shipwreck Radio Final Broadcasts CD 

(ICR Distribution ICR61, 2006) € 14.00 

Dritter und letzter Teil der SHIPWRECK – Serie ! 

“June 22,” the first of the two half hour tracks, begins with the by-now 

familiar greeting of Utvaer’s most beloved Deadhead, echoed by his 

perky sidekick. As they vanish, something sinister appears in their 

place. The image most prominent in my mind is of a furnace possessed 

by spirits best left unidentified, swelling into aggressive bursts of volume 

in increasing lengths as the track progresses, with a particularly bonerattling 

eruption occurring just after the twenty minute mark. Frequently 

the sound hovers like thick, humid air, as if waiting for an unnamed 

menace to slither forth from the darkness. A subdued alarm bell 

appears out of the fog from time to time, commingling with faint metallic 

overtones on the fringe of perception while revenant gasps hiss in the 

mist. Even listening to the this track in the daylight, I have to say that I 

found it to be one of the more viscerally thrilling and frightening Nurse 

With Wound experiences I’ve had in a while, much like the gut feeling I 

used to get just before the initial drop on a roller coaster. As the last 

track in the Shipwreck series, “July 13” is quite the headcleaner. After 

the initial greetings, loops of the phrase “Welcome to Shipwreck Radio” 

are subjected to repeated unsettling voice manipulations that become a 

rippling landscape of their own, stretching syllables into unnatural 

technological groans. Each time the phrase returns, it is slower and 

contains more glitch material, eventually obfuscating the source 

completely. As the length of the recurring phrase increases, so too does 

the silence between the repetitions. The slower the voice gets, the more 

it sounds like broken zeros and ones, high-pitched tones with little 

musical value. Because of this, the track feels more like an algorithmic 

exercise than a creative one. I can’t imagine what was going through 

the minds of the Norwegians tuning in to this particular broadcast, 

though I wouldn’t be surprised if they smacked their radios a few times 

thinking something was broken. In some ways, the predictable pattern 

of “July 13” is the antithesis of the previous track’s ability to surprise, 

and it’s one I probably won’t return to frequently. Even so, the force of 

“June 22” alone is enough to make this release an invigorating addition 

to the group’s catalog.” [Brainwashed] 

* OLHON – Sinkhole CD (Eibon Records OHL062, 2006) € 13.00 

Ein etwas anderes “Lied der Erde” ! In der Nähe von Rom existiert ein 

fast 400 Meter tiefes „Sinkhole“, das tiefste des Planeten, welches zum 

Grossteil mit Wasser gefüllt ist. Sowohl aus dem „trockenen Teil“ als 

auch „unter Wasser“ wurden von ZAIRO field recordings gemacht, 

die MASSIMO MAGRINI später mit ihm bearbeitet hat... 

Das Ergebnis ist entsprechend: tiefster organischer Abyss-Drone- 

Ambient von faszinierender Dichte.... 

“OLHON was born as a cooperative effort of Massimo Magrini 

(mastermind of the genious BAD SECTOR) and Zairo (of 

the ultra-obscure dark ambient travellers WHERE). 

"Sinkhole" (the band's second full-length after "Veiovis") 

was composed using original field recordings taken (mainly 

underwater) in the "Pozzo del Merro", the world's deepest 

sinkhole. The result is an extremely organic, almost "breathing" 

dark ambient journey. Very challenging, that's for sure..... 

Nobody knows what lies in the abyss. Just sit down and listen to the 

sound of the earth's depths.” [label description] 

* OLIVEIRI / FIGURE – Celest CD (Entr’acte 32, 2006) [ed. of 

300] € 13.00 

Finally we hear again of BRANNON HUNGNESS, who had a wonderful 

EP on Drone Records as OBLIVION ENSEMBLE years ago ! Here in 

collaboration with CHAD OLIVEIRI he tries to find new ways of 

expression.... floating noise-improvisations, all kinds of weird sounds 

appear, digitalized at times, also guitar-loops as background, at times 

melodic, some is more playful, quite vital & dynamic, really unusual & 

new pathway-stuff, hard to describe.... some is beautiful ambient, some 

more experimental and unclassifiable.... worth to discover ! 

“Chad Oliveiri and Brannon Hungness (Figure) are friends from 

Rochester, upstate New York. Their sounds are improvised, 

and some of them are recorded. Celest is a collection of a few 

recent bits Brannon painfully edited together in his bedroom.” [label info] 

* OMEI – When all your ghosts are tired CD (Misantrophe Studios, 

2006) € 13.00 

After the promising CD on “Beauty & Pain”, here’s another work of this 

dark ambient Industrial-project with pulsating, bubbling, hissing 

analogue drone-soundscapes, not really noise, but with a hollowing 

abysmal effect... 

“Omei expresses itself through the idea of "One thought for a thousand 

years." The same memory played over and over until it drives you. The 

mind to the grindstone with nothing ahead but hours and hours of empty 

slow time. Two long pieces of grinding, sometimes turbulent minimalist 

drone and industrial from Chris of SICKNESS side project. The first 

track takes minimal synth loops (with additional material from James 

Keeler of Wilt) that slowly loop and march into a grinder of distortion to 

be spit out - angry and venomous. Aggressive but spent. The second 

track is field recordings (with additional material from Joe Colley) 

smashed together and blended into an atmosphere of empty 

warehouse sounds and abandonment. Negative and burned. Constant 

movement and shifting, panning and empty reverb.” [label info] 

* OOPHOI – The rustling of leaves CD (Faria Records FAR-04, 

2005) [lim. 500] € 12.00 

Re-release of the self-released CDR (lim. 150) from 2003. 

Comes with 6 colour-postcards for the 6 tracks, very nicely designed. 

Incl. one bonus-track! “Originally this album was issued on CDR in a 

limited edition of 150 copies only. It has been sold out very fast and 

deleted. Now this release has quality studio mastering and a bonus 

track, which supplements organically the conceptual picture of the 

album, and special artwork: a cover with a centre spread and 6 cards 

inside – thereby each track has also an art idea. 

The album has been created in a classical Oophoi-style. Sound 

collages and moods remind of his early works, such as "Spirals of time" 

and "Three lights at the end of the world". The music immerses the 

listener in autumn-winter landscapes, when nature has already fallen 

asleep, and winter is about to cover vivid autumn clothes with its white 

blanket. 

The ghostly female vocal in the first track sets the necessary aspect of 

perception at once, and after that listeners should only enjoy the 

different sides of autumn mood and drown into the world full of magic, 

peace and calmness.” [label info] 

* PALADINO, FRANCESCO & OPIUM – Nosesoul. Angel Ghost & 

Human Shades CD (Hic Sunt Leones HSL 032, 2006) € 13.50 

FRANCESCO PALADINO sagt, er habe eine Stimme in sich gefunden, 

die nicht seine eigene ist....hier lässt er sie heraus… 

Mantra-artiges Gemurmel, Geflüster, Gewinsel, so etwas wie Wolfs- 

Heulen.....das alles aber höchst sensibel vorgetragen und mit den 

elektronischen OPIUM-Flächen vermählt......eine höchste 

ungewöhnliche „Ambient“-Produktion, für Entdecker ! 

“An unique collaboration between the processed "nose music' and 

'lamentations' by Francesco Paladino and the ambient layered 

electronic textures By Teo Zini/Opium. A very good ambient work, 

introspective and dreamy.” [label info] 

* PAN AMERICAN – For Waiting, for Chasing CD (Mosz010, 2006) 

€ 14.00 

Neues Album für das Projekt von MARK NELSON, der sich immer mehr 

von seiner LABRADFORD-Vergangenheit löst und eine ganz eigene 

Form von Instrumenten-basierter Electronica-Ambience schafft... 

„Mark Nelson, früher Labradford, hat es gefunden, so scheint es. Pan- 

American-Alben waren immer großartig, aber man spürte immer die 

Verbundenheit zu seiner alten Band, die Weite und Schwere der Songs. 

Das ist jetzt anders und es fühlt sich nach einem großen Schritt an. 

Nelson klingt elektronischer und denkt dabei immer noch akustisch, 

spielt seine dronigen Trümpfe anders aus, ist nicht mehr offensichtlich 

vom Berliner Dub beeinflusst, lässt das Knistern der Steine für Minuten 

im Track einfach stehen und betupft diese ungelenken Gebilde nur sehr 

zurückhaltend mit weichen Haltegurten. Die Sehnsucht nach Stille klang 

nie so aufregend. Ein großes Album.“ [Thaddi / DeBug] 

“Following on from the magnificent 'Quiet City' album for Kranky (to this 

day one of the biggest selling titles on Boomkat), Mark Nelson finally 

returns with a new album under the Pan American moniker - and it's 

another triumph of sublime understatement. "For Waiting, For Chasing" 

is underpinned by delicately caressed and manipulated Flugelhorns, 

Tibetan Singing Bowls and Chinese Cymbals, processed, weaved and

loved into a throbbing mass of neon loveliness. Opening `Love Song' 

unfolds with a gentle cacophony of whirrs - like crickets trapped in a jar 

- juxtaposed with the most ethereal layers of ambience tripping over 

each other to create a cloud of harmony; this is absolutely classic Pan 

American territory. Nelson never confines his music to simple 

ambience, moulding in noisier elements which work as a counterpoint to 

the warm tones of the Tibetan Singing Bowls and synthesized whisps - 

a conceit which manages to keep his work ever-contemporary when so 

many of his past peers have been stuck in an endless loop of repetition. 

A work of calming restraint, it's really impossible to fault this musician 

and his ability, with this album, to craft another perfectly-formed 

microcosm of bliss. Essential purchase....“ [Boomkat] 

* PANHUYSEN, PAUL & THE GALVANOS – Lost for Words CD 

(Table of the Elements Rh45, 1998) € 14.00 

„Paul Panhuysen arbeitet seit den frühen 1980er Jahren an 

Klanginstallationen, basierend auf der Vibrationsfähigkeit von Drähten 

verschiedener Längen und Stärken. Wo vormals Elektromotoren die 

Drähte in Resonanz versetzten, ist es auf „Lost For Words“ (1997) der 

Galvanos. Inspiriert vom Galvanometer, einem Vorläufer des 

Elektrokardiogramms, der zur Aufzeichnung von elektrischen Flüssen 

und Intensitäten Verwendung fand, nutzt Paul Panhuysen dieses 

Prinzip, um seinen Drähten Leben einzuhauchen. Der Herzschlag 

wurde in 11 Variationen durch andere Klangquellen, die zwischen 1970 

und 1997 entstanden, ausgetauscht. Sie wurden durch den Galvanos 

jeweils einem Doppelpaar von Drähten zugeführt und erzeugen so 

Resonanzen, die - wiederum über Gitarrenpickups abgenommen - nun 

als Sounds auf der CD zu hören sind. Eine relativ komplizierte 

Angelegenheit, die sich auf an der heimischen Anlage verblüffend 

übersichtlich gibt. Von den Klangquellen selbst, geflüsterten Worten 

(„Humming“), 78er Schallplatten mit der Stimme Stalins („Stalin“), der 

Singsang von Kanarienvögeln („Birds“) oder der Klang von Dot-Matrix- 

Druckern („Computer Printers“), wissen die Drähte lediglich 

verschlüsselt in ihrer Sprache zu erzählen. Sie leiern sonore 

Klagelaute, versteigen sich zu Visionen und plappern metallen kühl. Ein 

fulminantes Dröhnen kündet von schweren Schwingungen. 

Resonanzen gelangen zum Einklang mit Körpern die, einmal in 

Schwingung versetzt, sich selbst zerstören. Ein vielstimmige Chor von 

Bakchen fällt in Taumel und erzeugt in rauschhafter Verzückung 

Phasenverschiebungen. Die Informationen zu den Soundquellen, die 

das umfangreiche Booklet neben einer Geschichte des Galvanos bietet, 

laden dazu ein, den Stücken, nebst erträumten, einige tatsächliche 

Klänge mehr abzulauschen. CD und Booklet werden zusammen im 

Pappschuber serviert. _Paul Panhuysen startet to work with long string 

installation in the early 1980s. He soon began to use automations to 

have them produce sound. In early times he used to take electronic 

motors. Now on that CD he works with an installation of parallel sound 

processing units, called The Galvanos. The Galvanos is a motor like 

galvanometer - a device for measuring the flow and intensity of 

electrical currents - and work here as a stimulator of sounds, animating 

the long strings that are constructed as pairs. The signals of different 

source tapes having gone through the Galvanos. The result is the music 

on this CD. The long strings are creating the music, almost nothing is to 

recognize from the source, like it is the Maciunas Ensemble humming 

or reading (“Humming”), the voice of Stalin (“Stalin”), the singing of 

birds (“Birds”) or the sound of Dot-Matrix printers (“Computer Printers”). 

The result is a sonorous plaintive crying of the strings together with cold 

metal streams. Deep drones of sound are telling of heavy vibrations and 

different layers of voices are moaning in shifting phases. The CD 

contains a 40page booklet with information to the compositions and 

linernotes to the historical background of The Galvanos. All together is 

housed in a cardboard.” [Peter Schlewinski for Drone Records] 

“Paul panhuysen (b. 1934) is internationally known for his large-scale 

sound installations, built as gigantic stringed instruments. In 1963 he 

started to develop works which combined many media -- images, light, 

projection, machines, objects, spaces, etc. -- as transitory events and 

installations. The Maciunas Ensemble, founded in 1968, became the 

source of his experiences with sound and music, while his recent Long 

String constructions create a synthesis of various disciplines including 

sculpture, architecture, music, improvisation, composition and 

performance. In The Galvanos, panhuysen has drawn material from a 

wide variety of sound projects he has created over the past two 

decades and channeled them through numerically tuned, resonating 

wires. The original recordings (including previous compositions, as well 

as canary songs and a speech by Joseph Stalin) are transformed by 

mechanical vibrations into completely new musical pieces. The resulting 

re-presentation of sound offers a unique and important look at the 

complex interrelation of mimesis and number in music.” [label info] 

* PBK – Retro 4 x CD-Box (Waystyx Records WR24, 2006) [ed. 

of 264] € 18.00 

„Das russische Label Waystyx präsentiert mit dieser CD Sammlung 

frühe Veröffentlichungen des amerikanischen Noise/Ambient-Musikers 

Phillip B. Klinger alias PBK . „!Asesino!“ (CD2) und „Die Brücke“ (CD3) 

erschienen 1988 als Kassetten. „Traces Of Past Events“ (CD1) vereint 

Titel, die zwischen 1987 und 1991 auf diversen Kassettensamplern 

herausgebracht wurden. PBK schmiedet seine Sounds mit Hilfe von 

Samplern, Turntable und Synthesizern zu weitausholenden und 

repetitiven Tracks zusammen, die ganz den Geist ihrer Zeit atmen. Der 

Nachklang der ersten Industrialstunde ist den großräumigen Sounds 

from the Montagehalle nur zu eigen. Dieser Gestus wird aber – anders 

als im Harsh noise oder in den sogenannten Power electronics – nicht 

zur Ausdampfung verhärteter Zivilisationsschäden oder – im 

schlimmsten Fall – zur Marschmusik für Bräunlinge genutzt, sondern 

dient der Komposition einer krachigen Variante von „Ambient“- Musik. 

Die „Traces Of Past Events“ verdeutlichen das am ehesten, während 

auf „!Asesino!“ ganz klar die noisigere Seite von PBK durchschlägt. Bei 

dieser Musik hat man noch den Eindruck, dass riesige Knöpfen gedreht 

und schwergängige Regler geschoben werden. Das gibt ihr, im 

wahrsten Sinne des Wortes, eine gewisse Größe. Sounderkundung 

findet im Makrobereich statt, wo auch schon mal ein Kabel reißen oder 

ein Tonarm abbrechen kann. Der Wind der hier beim Herumfuhrwerken 

entsteht ist ein anderer, als der Hauch eines Mausklicks. Die vierte CD 

ist die Anti-Musik CD. Auch der Liebhaber keiner Musik wurde nicht 

vergessen. Limitiert auf 236 Exemplare. 

The Russian label Waystyx presents early releases of the 

noise/ambient musician Phillip B. Klinger alias PBK . „!Asesino!“ (CD2) 

and und „Die Brücke“ (CD3) were released as cassettes in 1988. 

„Traces Of Past Events“ (CD1) assembles peices which were released 

between 1987 and 1991 on different cassette compilations. PBK is 

working with sampler, turntable and synths. These pieces are based on 

repetitive elements and big hall sounds related to the industrialexperimental 

music in the early 80ies, it is like music from the iron 

factory. The result is a sonic variaton of „ambient“ music. „Traces Of 

Past Events“ shows this musical goal very perfectly, while „!Asesino!“ 

will bring more noise stuff to the ears. While listening to PBK you got 

the impression, that someone is controlling big regulator and button to 

move noisy machines creating wide and coarsely grounded sounds. In 

this fields cables and pick-up arms may break through using. There is 

also an anti-music CD included – all limited to 236 copies.” [Peter 

Schlewinski for Drone Records] 

* PHELAN, PATRICK – Cost CD (Jagjaguwar, 2005) € 16.00 

Bekannt von der Split-Single mit ULTRASOUND: Traumhafte Mischung 

aus Folk, Wave-Pop, Ambient-Sphären, Post-Rock mit grosser 

Melancholie, wird verglichen mit BARK PSYCHOSIS, MOGWAI, AMC, 

LEONARD COHEN, NICK DRAKE, MBV, JEFF BUCKLEY, ELLIOT 

SMITH, CATHERINE WHEEL ... 

“...Phelan's album continues the long indie-rock traditional of, as Nick 

Hornby called it, sad bastard music. Cost is an excellent companion in a 

dark, basement apartment when you head is full of thoughts of lost 

lovers and missed opportunities. However, Cost transcends the gloom 

of basement and wraps you in its sonic texture. You're left thinking, 

"You got My Bloody Valentine on my Elliott Smith!" and wondering why 

they didn't do it sooner.” [Three Imaginary Girls] 

* PHELIOS – Images and Spheres CD (Eternal Soul Records CD 

04, 2006) € 14.00 

„Cold Ambient - der kalte Klang des Nordens, durchweht von einem 

eisigen Wind, bedeckt von bleigrauen Wolken. Quasi aus dem 

Nirgendwo kommt ein neues Musikprojekt, das sich ganz der Kreation 

solcher Klanglandschaften verschrieben hat: Phelios produzieren 

Soundtracks für düstere Ruinenfelder, wie sie das Cover zeigt. Hier hat 

der Untergang vor langer Zeit stattgefunden, von Ferne klingen 

allenfalls die Echos der Vergangenheit. 

In über 60 Minuten Spielzeit entfalten Phelios lang ausklingende, dichte 

Miniaturen, die sich mit Titeln von kosmischer Dimension schmücken: 

"Before the creation" , "Through the mirror", " You cannot see the 

dragons eyes", "The funeral of the wizard", "Sleeping sphere", "Isle of 

the dead" und "There is no light without you". Sicherlich ist hier ein 

deutlicher Einfluss von Fantasy- und Rollenspielwelten spürbar, doch 

letztlich funktioniert dieses ästhtisch ansprechend gestaltete Album als 

offene Projektionsfläche für transzendente Reflexionen. 

Anschwellende Drones, fast symphonische Flächen, dezent-rituelle 

Ryhtmen und hallende Sounds mögen an Raison d'être und die Bands 

des Cyclic Law-Labels erinnern, erschaffen jedoch eine ganz eigene 

Sphäre. Wahre New-Age-Hymnen für das Graue Zeitalter... Ein 

überzeugendes Debüt.“ [Ikonen] 

Quite promising debut of this german dark ambient-project, visionary 

and smooth ultra-darkness, like RAISON D’ETRE mixed with 

LUSTMORD, metallic drones & cosmic holes,intertwined oder so with 

elegic synth-work..... 

* POTTER, COLIN & THE HAFLER TRIO – A pressed on Sandwich 

CD (Nextera ERA 2040-2, 2006) € 15.00

Erste Zusammenarbeit der beiden Urgesteine britischer Experimental- 

Drones / Elektronik, ein one-tracker von ca. 53 Minuten Länge. 

POTTER bearbeitet die H30-Sounds, das sind organisch-elektronische 

Oberton-Klangstrahlen, die sich glitzernd & oszillierend ins Ätherische 

winden, ruhig & klar & zur Versenkung einladend.... 

"CD is packed in special paper wallet & released as the limited edition 

of 1010 copies. This nutritious fare was prepared by Colin Potter at IC 

Studio, Preston, UK in 2005, using the finest Icelandic ingredients 

supplied by The Hafler Trio." Colin Potter explains: "I attended The 

Hafler Trio performance of 'How To Slice a Loaf of Bread' in Preston 

and was very impressed on many different levels. During a discussion 

with Andrew McKenzie after the event, he suggested that we might try a 

joint project. Shortly afterwards he sent me some of the original source 

material from the performance. It was my intention to preserve the 

overall shape & sense of the material, but at the same time move it to 

another (sonic)..” [label info] 

“Do any of these two artists need really an introduction? I don't think so. 

Both are big shots in the world of experimental music. Early 2003, 

shortly after the re-discovery of The Hafler Trio, the trio did a 

performance in Preston called 'How To Slice A Loaf Of Bread'. The 

performance was attended by Colin Potter, who lives and works in the 

same city. Afterwards it was suggested that the two should work 

together, but McKenzie being Iceland and Potter in Preston made a 

tete-a-tete not easy. Andrew McKenzie mailed Colin Potter the original 

source materials for the concert, which Potter happily reworked into 'A 

Pressed On Sandwich'. The original performance was also released 

(see Vital Weekly 404), so there is something to compare. Both The 

Hafler Trio and Colin Potter are masters of drone music, but there are 

some subtle differences. The Hafler Trio seem overall more 

monochrome in approach, with so it seems for the listener who doesn't 

know any better, whereas Potter seems to be using more sound effects 

to create the soundscapes that he does, maybe less organic and more 

electronic. As said, the differences are quite subtle here, and there is 

certainly no hierarchy, both are masters of the genre. Potter's mix is 

perhaps a bit more dense and obviously more concise (The Hafler Trio 

release spans three CDs), but it moves as gentle and dark as the 

original. Great collaboration.” [FdW / Vital Weekly] 

* POUSSEUR, HENRI – Musique Mixte 1966:1970 CD (Sub Rosa 

SR231, 2006) € 14.00 

Zwei Stücke aus den 60ern, eine hochdynamisch-expressive Piano- 

Sprechgesang-musique concrete Mischung mit theatralischem 

Überbau...sehr extrem, fast unhörbar, noch immer radikal wie 

irgendwas ! 

“Mixed Music : voice, pianos, various electro-acoustic devices 

We come back to our exploration of Henri Pousseur's works with a four- 

CD series which, along with what has already been released, will cover 

all his electronic music and his most radical works between 1953 and 

1988 - 35 years of research and experiments.... 

The two pieces featured on Mixed Music (Voice, Pianos, Various 

Electro-Acoustic Devices) are magnum opuses in Pousseur's body of 

work, though they are seldom heard - Jeu de Miroirs de Votre Faust has 

been unavailable for a long time, while Crosses of Crossed Colors is 

released here for the first time ever.” [from the press release] 

‘Already for Couleurs croisées (Crossed Colors, 1967), my initial idea 

was to add an amplified voice to the orchestra, a voice that could stand 

up to it and would clarify and explain the meaning of the piece, in the 

form of a black Baptist minister-style preach. So, besides the voice 

("black," if possible), we have: 5 pianos, whose assembled parts reuse 

almost all the harmonic-rhythmic contents of the orchestral piece.’ 

[Henri Pousseur] 

* PRIMA MATERIA – The Tail of the Tiger CD (Die Schachtel DS10, 

2006) [lim. 500] € 19.50 

Wiederveröffentlichung einer raren Gesangs-Mantra-Platte von 1977 

auf dem italienischen Soundart-Label DIE SCHACHTEL, wie immer in 

sehr kunstvoller Aufmachung. 

“In 1977 an obscure Italian private label issued a record that sounded 

like it came from outer space. A long and dense trance-inducing drone 

of sustained notes, rich with overtones and harmonic embellishments, 

coming from a space so vast and unexplored that seemed almost of 

non-human, even electronic nature. Paradoxically, each and any 

molecule of that sound was produced using only the most original and 

archaic instrument, the human voice. The name of the group was Prima 

Materia (First Matter), a project that took shape in 1973 in San Diego, 

and the record – “The Tail of the Tiger” – was issued by the Ananda 

label, owned by Roberto Laneri, Alvin Curran and Giacinto Scelsi. The 

record soon disappeared and over the became almost a legend among 

collectors and experimental music lovers. 

The musicians of the group Prima Materia individually researched and 

developed unusual vocal techniques (originally used in Tantric rituals in 

North India, Mongolia and Tibet), based upon the use of overtones 

coupled with a special state of inner concentration, which was the 

essential condition for both the emission and control of long-sustained 

and complex vocal sounds. Their capacity to sustain a note for what 

seems an eternity, and then continue to provide endless variations 

generates a continuous and sustained drone of sound, in which the 

overtones are clearly perceived. 

This unique compact disk presents the complete “Tail of the tiger” 

recordings in a digitally remastered version, including two live concerts 

held in 1974 in Berlin and in 1976 in Rome. A totally fascinating journey 

into the realm of pure sound.” [label info] 

* PROPELLER – Rame CD (Scratch Recordings SCR18CD, 

1996) € 14.50 

Debut-Album des Solo-Projekts von “ex-Zoviet France”-Mitglied MARK 

SBYPBEY, war lange vergriffen, wieder erhältlich !! 

„Propeller is a Vancouver based collective of no fixed membership save 

the hands of Mark Spybey. Spybey is known for his work as Dead 

Voices On Air, who have released several albums for Invisible Records. 

He also worked with Download and Zoviet France. 

Rame was a quick fire collection of sonic fragments, isolationist 

doodles, half truths, archived recordings and low fi ambience..... 

Propeller started it's life in England, 1992. It was there that Spybey 

recorded with his childhood friend Richard Sanderson, who is a 

mainstay of London's vibrant free improvisational scene. The pair 

recorded versions of songs that they had worked on in the late '70's, as 

well as numerous pieces inspired by their fascination with spontaneous 

composition and noisy improvisational music. It is hoped that these 

recordings will be cleaned up and released. 

Spybey resurrected Propeller's Do It Yourself Disposable Music ethos 

when he was invited to submit a 30 second piece for a CD Rom project 

in 1995. Why become so fascinated by first take spontaneity? Propeller 

seeks to create compact music. Music that expressively captures a 

moment in time or a dynamic (between the musicians, between the 

musicians and their instruments and between the music and the listener 

). It's deliberately ambiguous in intent. You won't find deceptive 

melodies or catchy hooks here. It's not gratuitous noise either. It's 

carefully sculpted once recorded and laid out for the listener to play 

with. To explore.“ [label info] 

* PROPELLER – Oro CD (Scratch Recordings SCR28CD, 1998) 

Das zweite PROPELLOR-Album, wieder erhältlich, special cover! 

“Vancouver-based Mark (Zoviet France, Dead Voices On Air, 

Download) Spybey delivers his second Scratch-label affair. Processed 

electric and acoustic guitars, pulsed beats derived from acoustic 

sources, drones from electric objects, chants and vocal improvisations 

by long-time collaborator and ex-member of Chicago's Lab Report Eric 

Pounder. 'Specially embossed package designed by Climax Golden 

Twins.“ [label description] 

* PROPERGOL - Un dechainement de Violence / Cleanshaven 

do-CD (Functional Org. 015, 2006) € 17.50 

“...both first released in the last decade as CDrs only in a very ltd. 

edition of 99 and 200 copies! This are the first releases and first 

recordings by Propergol and are true pearls and wanted Industrial 

releases. Both are digitally remastered for a perfect sound like a sharpe 

knife or lets better say razorblades! This french project delivers dense 

unhealthy atmospheres, well structured power-electronics, nopise 

supported by dark & loud rhythms and samples, collages and some 

vocals. Total Play time: 143min. and comes in a very nice 8panel 

double CD Digipak.” [label info] 

* QUATTRO BRAVO EBALLIEROS – 1995-2005 CD (Quag twentyfive, 

2005) € 13.00 

REUTOFF zeigen hier ihre verborgene, humorvolle Pop- & 

drogenschwangere Seite: die verschiedenen Stücke ihres 

Seitenprojekts QUATTRO BRAVO EBALLIEROS wurden inspiriert von 

solch bewusstseinsverändernden Praktiken und Substanzen wie 

Schlafentzug, Vodka, Bier, Absinth, etc.. sie klingen wie eine weirde 

russische Version von NOVY SVET oder DDAA, oder frühe 80erJahre 

Homerecording-Projekte....obskurer Gesang, südländische 

Melancholie, sehr unterhaltsam und definitiv zur Regression 

einlandend! Credits in russisch & englisch. 

“First official CD from this Reutoff side-project known for their brilliant 

track on "Tutti A Casa - a tribute to Ain Soph" compilation. This is a 

special compilation to celebrate 10 years of QBE existence. Formed 

back in 1995, long before Reutoff started, this weird urbanfolk/apocalyptic-chanson 

project with a touch of psychodelia and 

russian alcoholic madness have recorded more than a dozen albums 

for private use which are now waiting to see the daylight. Each album is 

a documentary of a night alcohol fuelled session. The 22 best tracks 

from those albums chosen by the fans have been included in this 

compilation, 4 of them have been remixed and rearranged especially for 

this release. The music reminds of Novy Svet, Mushroom Patience, late 

Ain Soph and sometimes even NWW, but it has more tragic russian feel

and weirdness inside. This compilation could be considered as a herald 

for the complete album releases on Steinklang and Indiestate which are 

planned for 2006. The first edition of "1995-2005" is limited to 300 

copies in a special package printed silver on black.” [label nfo] 

* RAISON D’ETRE - Metamorphyses CD (Cold Meat Industry 

CMI 158, 2006) € 13.50 

RAISON D’ETRE: Der ewige Maßstab für viele sakrale dark ambient- 

Produktionen mit einem neuen Werk, welches die stetige Verfeinerung 

& Verästelung des etablierten Stils eindrucksvoll belegt. Wieder ein 

einziger ästhetischer Genuss, und niemals lässt einen diese Musik kalt! 

“Back again since his "Requiem for Abandoned Souls" from 2004 with 

a brand new album; a massive wall of dark ambient sounds, drones, 

water, rusty chains, scraping metals... Transformation is the key to the 

psyche. Breath and feeling intertwined is the given links for the search 

of inner wisdom and to unlock the hidden inside us. ‘Metamorphyses’ is 

a journey into the deep inner; a drama of the sublime and trancendental 

transformation of the psyche through a katabasis ritual of six transitional 

stages into a final completion. ‘Metamorphyses’ is a key to the psyche. 

Hypnotic, introspective and yet more difficult. As the seventh fullenght 

album from Raison d’être ‘Metamorphyses’ is in many aspects different 

from previous works by Peter Andersson. The organic flow and the use 

of drones has been extended creating a varied output of both 

calm/meditative and harsh/intense sound structures. The transformation 

in sound is also present in the feelings; demanding, tempting and 

deceptive are only a few elements that characterize the ordeal the 

listener has to withstand. No further presentation of a genious is 

necessary, - this is the work of Peter Andersson.” [label info] 

* REFORMED FACTION OF ZOVIET FRANCE – same CD 

(Klanggalerie gg114, 2006) € 14.00 

Obskure Sache: Die alten ZOVIET FRANCE ohne Ben Ponton haben 

sich für dieses 2005 aufgenommene Album reformiert, d.h. MARK 

SPYBEY, ROBIN STOREY und ANDY EARDLEY. Ihr Debut-Album hat 

alles was man an den frühen Z.F. immer geliebt hat: fliessende ethnodrones, 

Stimmenverfemdungen, Kaskaden von Effektprozessorklängen, 

eine trancig-transzendentale Atmosphäre, die zum versinken einlädt, 

aber stets von einem Geheimnis durchdrungen scheint.... 

Langeweile kommt nicht auf, 12 völlig eigenständige Stücke sind 

entstanden; insgesamt vielleicht etwas glatter und weniger rauh als das 

Original aus den 80er / 90ern, aber für jeden ZF-Fan auf jeden Fall ein 

Genuss ! 

“Debut album by supergroup formed by Robin Storey (Rapoon), Mark 

Spybey (Dead Voices on Air) and Andy Eardley (Horizon 222). All exmembers 

of Zoviet France, they have reformed to present you a 21st 

century version of this highly influential group.” [label info] 

* REIBEL, GUY – Choeurs imaginaires CD (INA GRM c 2014, 

2000) € 13.00 

"CD issue compiling three of Reibel's voice-themed works over the 

years: 'On eût dit des coups d'ailes' (an homage to Pierre Schaeffer 

from 1996 incorporating digital processing into a post-Penderecki/Ligeti 

landscape), 'Suite pour Edgar Poe' (a super-bleepy setting of three 

poems from the Beaudelaire translations of Poe ('Nouvelles Histoires 

Extraordinaires') to concrete sound from 1973), and a section of 

'Langages imaginaires' (also a grouping of poetry, in this case Rimbaud 

and Butor, and word-sound from 1981). Reibel's up there in my book 

with Parmegiani and Bayle as one of the chief architects of the digitalage 

INA sound and this serves as a fine introduction to his 'monde de 

bruit'. For those who don't mind a little human breath in their computer 

world." [Hrvatski] 

* RIEMANN, ERIC GLICK / LESLI DALABA / STUART DEMPSTER – 

Lung Tree CD (Recommended Records ReR RDD, 2006) € 14.00 

ERIC GLICK RIEMANN: Piano & Synthesizer, LESLI DALABA: 

Trompete, STUART DEMPSTER: Trombone, Didjeridoo, etc.. 

9 Stücke fein gesponnene Instrumental- & Geräusch-Improvisationen, 

eher zurückhaltend und mit Gespür für Mikro-Details, manchmal fast 

meditativ... 

“This is one of those recordings that arrived unannounced in the mail. I 

knew Lesli Dalaba, of course, but the others were new to me. The 

project is Eric Glick Rieman's and I found it immediately intriguing. 

There seemed to be something quite subtle going on; minimal, 

microtonal, economical and eccentric; it plays subtly with timbre, pitch 

and structure and never quite does what you expect. At first blush it 

seemed as it would be another interesting but conventional improvising 

trio, but after a few minutes the organising intelligence, and the clear 

compositional discipline became clear. And after this, throughout the 

CD, it sticks to the point. This is a deep investigation of a very few 

simple principles. Acoustic instruments rub ambiguously up against 

electrified objects and electronics, but these in the main provide 

atmosphere and harmonic complexity, never overpowering the mingling 

air-columns on which the wave of this CD floats. Attachments, 

modifiers, objects all make an appearance, but the topic is the small, 

the tenuous - and the tenacious - above all, breath.” [ReR] 

* RILEY, TERRY – Atlantis Nath CD (SRI Moonshine Music 

SSM001, 2002) € 17.50 

Debut-CD des Minimal-Meisters auf seinem eigenen Label, kommt in 

schönem Fullfarb-Siebdruck Cover. Piano- und pure voice-Stücke. 

“The debut release on Terry Riley's new label, from 2002; no longer 

available as a limited/signed edition, this is now released in mass 

market fashion, but with the same deluxe packaging. "Sri Moonshine 

Studios is happy to announce it's first release, Atlantis Nath, recorded, 

mixed and edited during the period of 1993-98 in Nice France at the 

CIRM studios. Terry's first big studio production since the 1978 Shri 

Camel is a 74-minute seamless journey featuring voices, strings, 

synthesizer, piano and loops from India. The CD is packaged in a 

natural paper 6-panel foldout with radiant Asian inspired illustrations 

meticulously designed and rendered by New York artist, Chris Harvey. 

Included on the recording is the final scene of Terry's opera based on 

the life and works of Adolf Woelfli, 'The Crucifixion of My Humble Self' 

as well as 'Emerald Runner,' 'Ascención' and 'Remember this O Mind.' 

Produced by Terry and the masterful CIRM Studios team of Luc 

Martinez and Michel Redolfi, this recording shines with state of the art 

sonics and performance. Terry sings and plays all voice, piano and 

synthesizer parts on these tracks with guest appearances by the Nice 

Opera String Quintet and Frédéric L'Epée, Guitar." [label info] 

* ROGALSKY, MATT – Memory like water do-CD (XI Records 

XI131, 2006) € 15.00 

Amerikanischer Musiker & Komponist mit sehr vielfältigen Stücken & 

Konzepten, hier dokumentiert ist live-Material der letzten 10 Jahre. 

“The six (or seven) pieces on these CDs document live performance 

works which span 1996 to the present. Most of the solo pieces are 

structured improvisations, in that they have a broad form which is 

repeated from performance to performance while the detail is always 

quite different. The collaborative pieces are less formalized and depend 

hugely upon the input of my co-performers. I am very grateful to have 

worked with them. 

Conceived as two halves of a single piece, Resonate (noise) and 

Resonate (tones) seamlessly crossfade from one to the other. Both are 

sustained-sound pieces, the first exploring noise textures, the second 

exploring dense, quasi-orchestral harmonic territory. Both pieces 

employ original software which generates sound using a type of 

granular synthesis, triggering sampled sources many hundreds of times 

per second. 

The three works entitled Kash are all related in that they employ the 

same original software instrument (of that name) initially developed in 

2001 and still in use today. This software enables me to interact with 

live performers (or other sound sources) in fluid and lively 

improvisational situations, accumulating and processing fragments of 

low-level sounds (the "spaces between the notes"). The three 

performances with my Kash instrument represented here show how 

very different the outcomes can be, depending on who (or what) my coperformers 

are. In each case, all the electronic sound is derived from 

their real-time input. 

Kash (vln) is a collaborative improvisation between myself and violinist 

Jane Henry, recorded live. Jane is a composer-performer whose 

performance techniques involve, among other things, use of multiple 

violin bows made of different abrasive materials. Kash (gtrs) is a live 

studio recording featuring my brothers Benjamin and Luke Rogalsky on 

steel-string acoustic guitars. This performance was an improvisation 

based on a few suggestions as to overall structure. Kash (radios) is a 

live recording made before an audience at Experimental Intermedia in 

New York City on March 8 2001. In this case, the "performers" with 

whom I am interacting are two radios, tuned to talk stations. The radios 

are faintly heard at the beginning of the piece, but soon the direct sound 

disappears and only the processed sound remains. 

Sprawl (western magnetics) is a document of a live solo performance. 

As with Kash, Sprawl is a software instrument still in current use, which 

I developed to be employed in many different improvisational situations. 

Input from a live performer, or any other sound source, can be sampled 

and explored at the micro-level using a granular synthesis technique 

controlled by an computer graphics tablet. Many textural layers of 

sound can be built up to a dense wall of sound but equally delicate 

melodic lines can be drawn out as well. On this occasion the input 

sounds were provided by my brother Luke Rogalsky. 

Transform is a manipulation of a live radio signal, tuned to any music 

station; the frequency content of the source radio program is brought 

out by a series of tunable delays which create strong harmonic 

resonances. These harmonies are constantly shifting throughout the 

piece, which is performed in two sections, the first relatively quiet and 

the second fairly loud, where the processing used causes the radio to 

take on the character of an electric guitar constantly on the verge of 

feedback. Overlaid on the resonant radio in the middle and end sections

are sounds of a quite different character generated with electronic 

feedback loops. The underlying radio signal may sometimes be heard 

emerging from the dense processed sound.” [Matt Rogalsky] 

* RORIKAT – Oki Oki CD (Horus CyclicDaemon HCD 5, 2002) 

€ 13.00 

„Aus Nord-Siberien habe ich, glaube ich, noch nie eine CD in den 

Händen gehalten, geschweige denn rezensiert. Es gibt halt immer ein 

erstes Mal und ich muss sagen, dieses erste Mal gefällt mir! 

Ausgefallenen Musik machen die beiden Russen da, hauptsächlich 

elektronisch, aber mit einigen akustischen Instrumenten und einer 

großen Portion Einfallsreichtum und Experimentierfreude. Die Musik zu 

beschreiben fällt nicht ganz leicht: ein wenig Ambient, eine gute Portion 

Psychedelik und Post-Rock, verhallte Akustik-Gitarren treffen auf Kling- 

Klang-Elektronik, Drones und gelegentlich weibliche Vocal-Schnipsel. 

Eine nicht wirklich düstere Mischung, vielmehr kindlich verspielte Musik, 

mal völlig abstrakt, mal fast tanzbar; immer aber sehr originell. Eine 

wirklich tolle Mischung, die das Duo JULICA RORICA und EUGENE T 

da geschaffen haben; Abgeschiedenheit scheint sich doch gelegentlich 

auszuzahlen. Diese CD klingt auf eine nicht leicht definierbare Weise 

"nordisch", hier muss man ja fast sagen "sibirisch". Vielleicht macht es 

zu einem guten Teil der tendenziell helle, klare und obertonreiche, 

differenzierte Klang der Musik, der an weite Landschaften, klare Luft 

und kalte Sonnentage erinnert; auf jeden Fall eine Art Klang, der mir 

sehr zusagt. Wem ein Großteil der "üblichen" IDM-Glitch-Musik zu 

seicht, der "normale" Post-Rock zu schwülstig, "konventioneller" 

Ambient zu ernst und wem die sogenannte "experimentelle" Musik zu 

verkopft ist, all jenen und noch vielen mehr, sei "Uki Uki" ("Liebe") 

wärmstens ans Herz gelegt. Zusammen mit der äußerst 

geschmackvollen Gestaltung im (in der auf 500 Exemplare limitierten 

Erstauflage) weißen Klapp-Digipak mit sibirischen Fotos eine rundum 

gelungene Veröffentlichung. Musik für einen kalten Sommer. Wirklich 

sehr schön!“ [P.E. / BLACK magazine] 

“Russian duo consisting of Eugene & Julica make spacey, abstract 

instrumentals. Heavily delayed guitar strumming, accompanied by 

various random sounds and minimal hand drum percussion. Light & airy 

ambient guitars with subtle rhythms. Very relaxing yet propagates 

passion. A strange odd ditty, acoustic guitars, tiny cutesy little lead 

synth and sometimes an itty bitty Power Puff girl vocal. Gurgles, burps 

and blips. It's great to hear synths playing nice with guitars. The 

definition of quirky this is. Indescribable stylistically. More strangeness, 

more quality, more inventiveness. Very unique sound! A bit like David 

Bowie's "Sound and Vision" (Low). 

Beautiful noise. Fascinating cinematigraphic, chaotic dream of drones 

and distortions with ambient, multidimensional, psychedelic, ironic, and 

hypnotic guitars. All friends of electronics will be pleased by this 

amazing dada-like music from the very north of Siberia...” [label info] 

* SACHER-PELZ – Mutation for a Continuity 4 x CD-Box (EES’T / 

Alga Marghen MART001/4, 2002) [ed. of 480] € 45.00 

Prä-MB Projekt mit Material von 1979 & 1980 !! Wiederveröffentlichung 

von vier raren Cassetten. We got some absolute last copies of this box! 

"Very few are aware of the beginning of Maurizio Bianchi's adventures? 

Before starting the complex and compelling production of many records 

and tapes in the early eighties under the M.B. trademark, Maurizio 

Bianchi was documenting the new music scene writing essays and 

reviews for independent magazines. It was August 1979 in Milan, Italy 

and his sound was strengthening when he felt the time had come to 

prove his desire for something new. So he started his first solo project, 

under the name Sacher-pelz. He assembled a concrete equipment -- 

the endurance of M.B. had started. During the following few months four 

C60 magnetic tapes were created 'Cainus' (August/September 1979), 

'Venus' (October/November 1979), 'Cease to Exist' (December 

1979/January 1980) and 'Velours' (February/March 1980), a couple of 

copies for friends, never getting an official distribution. Surely a very 

private moment but still the first and only production at that time in Italy 

to go beyond the TG movement, the direct reference. Ees'T records got 

into possession of the original masters and decided this was the right 

moment to let those obscure sonorities see the night light. The tapes 

were remastered for a more powerful digital sound featured in this four 

CD boxset including the original graphics and liner notes as well as a 

new visionary essay, written expressly for this edition. After a long 

research in the archives spread around the Italian territories a few more 

documents were found (the original presentation text titled 'Sacher-pelz: 

mutation for a continuity', a collage titled 'Pure art for crime people', 

more graphics and reviews) and they are also included here. Edition of 

480 copies." [label info] 

* SCHLOSS TEGAL – The Myth of Meat CD (Waystyx Records 

WR07, 2006) [ed. of 330 copies] € 13.00 

Very uncompromising & sinister new release of the US Industrial-group 

about torture and tortured flesh & cannibalism. A mixture of field 

recordings, found sounds, electronics...eerie & organic sounding 

noises, “something” is living inside these sounds… 

“limited to 330 copies edition, absolutely new material. great design, 

heavy paper case + booklet” [label info] 

* SILK SAW – Prestation mCD (Waystyx Records WR 23, 2006) 

[lim.100 special art cover) € 22.50 

Collector’s item on WAYSTYX, this fabric pressed mini-CD in art-cover 

with 5 tracks and a playtime around 20 minutes. 

* Niko SKORPIO – Escape from Heaven CD (Some Place Else, 

SPECD06036, 2006) € 13.00 

Überraschendes neues Album von NIKO SKORPIO, der sich allen 

Einordnungsversuchen weiterhin erfolgreich entzieht: 

Schizophrenes Stimmengemurmel, Mantra-Drones, plötzlich Metal-Riffs 

& Beats, cooler Sprechgesang, Hypno-Loops, faraway-Sphären, 

orientale Melodien, digitale Verfremdungen, jedes Stück hier ist anders 

als der Vorgänger, eine Mischung aus dark ambient industrial, doommetal, 

und experimentellem ambient, abgründig as hell !! 

“Curious as always, I wanted to hear the new Niko Skorpio record, but I 

thought it would have been better in the hands of Niels Mark Pedersen, 

our fellow Vital Weekly reviewer for the more dark and rhythmic music. 

But always check out yourself, and you may have guessed right: I like it. 

I expected some doom and gloom along the lines of Cold Meat Industry 

and yes, there are a couple of tracks that could have been easily made 

by, say, In Slaughter Natives, throughout this album there is a strong 

and healthy sense of experimentalism. Niko Skorpio, the man in 

disguise behind the Some Place Else label, has a vast catalogue of 

works that go back to the late nineties, but in his musical approach he 

harks back further, at least on this album. He states that his album can 

be described as 'industrial music' standing in the traditions of Throbbing 

Gristle, Coil or Psychic TV. But Niko Skorpio plays his version of 

industrial music with digital means. Just like his big examples, Skorpio 

doesn't play 'just' noise, there are also moments in which things are 

quiet and introspective, such as in the intense opening piece 'Dawn: 

The Gathering Of Vultures'. Some rhythm plays a role, and things start 

to sound militant and upright. Skorpio has made a richly varied album of 

various moods and styles that makes however a solid and unified 

impression. A great album of turning an 'old' style into something 'new' 

and with an own signature.” [Fdw / Vital Weekly] 

* SOLA TRANSLATIO – Enigma CD (Hic Sunt Leones HSL034, 

2006) € 13.50 

SOLA TRANSLATIO ist das Gemeinschaftsprojekt von ALIO DIE und 

OPIUM und dies ist das dritte Album. Das besondere an ENIGMA liegt 

in der Verwendung mysteriöser konkreter Field Recordings, die die 

instrumentell-fliessenden Sounds umgarnen und umranden... viele 

handgespielte Instrumente wurden aufgenommen, wie Zither & Flöten, 

Pianotunes…zusammen mit der Artwork hat das einen mystischen 

Touch und verbreitet eine besinnliche, sehr unaufdringliche 

Stimmung…is it the mind-space or the space-mind?? 

“The third awaited cd by Opium and Alio Die is finally out! rich of 

ambient textures that bring to lose themselves into different labyrinth's 

peregrinations, and to bathe the borders in flowing abyss.. eight 

imaginary landscapes wavering between the earth and the cosmos, 

sometimes returning on the dark atmosphere of the first album, but with 

a little acoustic element more clear..” [label info] 

* SORIAH – Chao Organica in A Minor CD (Beta-Lactam Ring 

Records mt105, 2006) € 13.00 

Kontemplation pur von diesem obskuren Künstler ! Orgel-Oberton- 

Drones und gutturale Gesänge, esoterisch & spirituell, aufgenommen in 

einer Kirche in Portland. 

“Like a bolt from the blue, the saccharine rich organ drone sets the 

supper for this winding piece of esoterica. Take equal parts Messiaen 

organ atones and the beguiling, echoed baritone moans of a 

disembodied spirit (with just a dash of pungent myrrh pouring over a 

cup of the very thickest Turkish coffee) and the environs of Soriah are 

partially breached. This magnificent choral suite for antique church 

organ is paired with a second vocal suite for Tuvan throat singing. The 

bone trembling multi-timbres of Soriah's commanding throat singing 

crack open and become a cathedral as the rumbling is pulled through a 

wash of electronic effects. Of chaos is a new religion erected. Soriah's 

crushing passion play becomes a bombastic bodhisattva that leaves all 

average messiahs staying indoors for the second coming. Also sprach 

Soriah! For fans of drone, Mirror, Coleclough, Af Ursin and avant-garde 

that stands the test of time. 

From out of the fir-lined mists of the Pacific Northwest's primordial 

musical soup is spawned the singular performance and sound sculptor 

Soriah. Spilling initially from a rock and roll womb, but building on years 

of intensive studies in Tuvan throat singing and classical Indian raga 

chanting, Soriah both subverts and elevates tradition by weaving the

avant-garde into the ancient. Whether backed by hand percussion, or 

accompanying himself on organ, or with electronics, or wailing a 

cappella, a thick, echoing, thaumaturgic atmosphere is carved out of the 

thin, vibrating air that rushes between vocal chords. Performance is an 

integral part of Soriah's Choa-sphere. Concerts played in haunted 

tunnels, from trees, in the desert, in churches and other far-flung 

venues are more the rule than the exception. Elaborate costumes, often 

incorporating authentic head-dresses and other tribal garments and 

totems, are another hallmark. The costumes are worn partly in beatific 

reverence and partly for the sake of how they move. Soriah's grounding 

in the study of butoh, yoga and other physically based rituals completes 

the circle of the experimental shaman; a circle which will continue to 

propagate as the only constant with Soriah is change. After numerous 

home and hand made releases Soriah is finally poised to light out into 

the world at large through his first recording on Beta-lactam Ring 

Records.” [label press release] 

* STAHLWERK 9 – 1905 CD (Achtung Baby ABCD007, 2006) 

€ 14.00 

“These recordings from 2005 celebrate the 100th anniversary of the first 

russian revolution. Slow collages of long symphonic samples and 

orchestral movements, creating a grievous and anxious atmosphere: 

commonly speaking, it can be compared to those dark postindustrial 

soundscapes known from works of Turbund Sturmwerk, Inade, Toroidh, 

A Challenge Of Honour, Predominance and alikes. One of the points of 

references is the famous movie "Battleship Potemkin" (1925) by Sergei 

M. Eisenstein, which can be a good visual following for the album - on 

the dark-ambient background, there are various russian choir singing, 

including well-known songs like "Warszawianka" and "Internationale".“ 

[Dmitry Vasiliev IEM magazine] 

* SUKORA – Snowdrop CD (Waystyx Records WR20, 2006) 

[lim. 100] € 16.00 

SUKORA is a japanese minmal / concept-artist and on this CD you 

CAN find exactly what the title suggest: The un/sound of snowdrops! 

Comes in a special-paper cover, lim. 100, fabric-pressed CD. 

* TAYLOR, SCOTT / SR MEIXNER - Please keep clear at all times 

(Entr'acte 34, 2006) [ed. of 300] € 13.00 

Sehr spannendes elektro-akustisches Werk von (ex-CONTRASTATE) 

STEPHEN MEIXNER und SCOTT TAYLOR, insgesamt sehr dunkel & 

einnehmend, aber mit vielen Mikrodetails und Spannungsbögen. Tip ! 

”A collaborative album between Scott Taylor, whose previous releases 

can be found on the Sijis, Touch, and Con-V labels, and srmeixner, 

once a member of the influential UK group Contrastate. 'Please keep 

clear at all times' consists of three tracks, combining Musique Concrète, 

field recordings, and other source material (the piano of Kenneth 

Kirschner and recordings by M.A. Tolosa on Kirschner Wind, and vocals 

by Jonathan Grieve on The Sound of X) into dramatic soundscapes. 

The latter track, composed by an additive process of file exchange, is a 

radical re-working of a live srmeixner concert recording made by 

Scott Taylor.” [label info] 

„If I understood things well, Scott Taylor and Srmeixner didn't actually 

work together, even when both are based in London (I think), but 

exchanged sound files. Scott Taylor has had some great releases on 

Sijis and con-V, dealing with many subtle layered field recordings and 

Srmeixner was once a member of Contrastate, but started a new life 

behind the computer. On the first piece, 'Kirschner Wind' they also used 

the always decaying piano sounds by Kenneth Kirschner and rain 

recordings by M.A. Tolosa. An empty piece of music, but with a strong, 

haunting character. 'Nothing Falls Into Place' is a pure field recordings 

piece, more Taylor than Srmeixner, me thinks, of layered sounds that 

form a deep drone, with some looser textured sounds on top. 'The 

Sound Of X' is a rework by Taylor of Srmeixner concert that involves 

also Jonathan Grieve on vocals (he was the other member of 

Contrastate), but it's reworked to such an extent that the vocals can no 

longer be recognized. It's a digital drone rework of mid-frequency 

sounds that sound like sea waves. All three tracks are great pieces of 

haunting, cinematographic field recordings and careful electronic 

treatments. Great stuff.“ [Vital Weekly] 

* TEMPLEGARDEN’S – Velvet Steel mCD (Waystyx Records 

WR21, 2006) [lim. 100] € 22.50 

Collector’s item! Three pieces from the german ritual ambient – group 

around SYNAPSCAPE- and ex ARS MORIENDI-members. Long eerie 

tunes & atmospheres... 

Fabric-pressed mCD in an edition of only 100, special artwork, three 

inlay cards, numbered edition. High price unavoidable, sorry ! 

* TERESA 11 – Smoky Heaven CD (Eibon Records TER051, 2004) 

€ 13.00 

Beeindruckende Neuentdeckung auf EIBON, diese japanische - im 

weitesten Sinne – Pop-Band, die einen sehr eigenständigen Stil 

entwickelt haben mit atmosphärisch wavigen trip-hopigen Einflüssen 

(manchmal etwas neo-klassisch oder auch bar-jazzig). Markanter 

z.T.mehrstimmiger Frauengesang vermengt mit sowohl elektronischen 

(rhyhtms) als auch vielen handgespielten Instrumenten, sehr komplex 

arrangiert, dunkel & melancholisch & leidenschaftlich, viele interessante 

Sounds im Klangbild, man denke an PORTISHEAD, MASSIVE 

ATTACK, ANTENNE... 

“I've never had so much trouble in simply "describing" a record, but the 

phenomenal japanese TERESA 11 are - truly - impossible to "frame". 

Mutant trip-hop meets classical music, "smoky" ambient meets Kabuki 

traditional rhythms.” [label description] 

„...Given the album’s style & sound may be somewhat focused towards 

more commercial oriented scenes (that are not generally associated 

with Eibon Records), there are numerous experimental elements at play 

throughout which would make this far too difficult a listen for pop music 

tuned ear. Teresa 11 might wear elements of their influences on their 

sleeve, but with some individualised quirks, have created a different and 

interesting album to say the least.“ [Aural Pressure] 

* TEXT OF LIGHT – Text of Light 3 x CD-BOX (Dirter Prod. , 

2006) € 34.00 

“An incredible three-CD set from TEXT OF LIGHT. This is the side 

project of SONIC YOUTH’s LEE RANALDO with ALAN LICHT, 

WILLIAM HOOKER, CHRISTIAN MARCLY, TIM BARNES, ULRICH 

KREIGER, and DJ OLIVE. They perform live to a backdrop of STAN 

BRAKHAGE films, and no two sets are ever alike. The first 1000 copies 

of this lavish set will be issued in a special metal box with the ToL logo 

imbossed on the lid as a tribute to the legendary Public Image Ltd.” 

[label info] 

* THEME – Our Angels dislocated CD (Lumberton Trading 

Company LUMB 003, 2006) € 13.50 

RICHO JOHNSON (HUSK, SPLINTERED) is back ! Das Trio THEME 

besteht aus mindestens zwei Leuten der ursprünglichen SPLINTERED- 

Besetzung, tönt aber weit experimenteller & ambienter als man es von 

den eher rockigen SPLINTERED gewohnt war..... hier werden hier 

lichte Loop-Drones, Sitarklänge & indisch anmutende Meditations- 

Gesänge zu pulsierend-trancigen, organischen Soundscapes 

vermengt.. ihre zweite CD. 

”The second album from this UK/Poland-based trio, following several 

years since their warmly received 'On Parallel Shores Removed' CD 

(Fourth Dimension/Tremor Recordings), offering a rich, organic and 

atmospheric tapestry of ideas that serves as a revitalised statement of 

intent. Combining sitars, violin drones, guitar strums, mutterings from an 

otherwise deserted midnight subway, electronic swirl, piano and all 

manner of otherworldly textures, 'Our Angels Dislocated' remains both 

focused and complex enough to cast new shadows with every listen. 

Complete with exclusive artwork by British sculptor, Mo Jupp, it fits 

perfectly into Lumberton Trading Company's erratic and often 

changeable grand design. NB: If you have already purchased the 

original version of this album, with the manufacturing fault (a 'jump' 

between tracks 2 and 3), please do not hesitate to return it to wherever 

you purchased it from in order to arrange our replacing it with the 

repressed version.” [label description] 

* THIS HEAT – same CD (This Is 1, 2006) € 15.50 

Endlich wieder erhältlich, die erste LP (1979) der wegweisenden 

britischen Avantgarde-Band. Bis heute lässt sich ihr Stil nicht wirklich 

schubladisierend fassen, es ist halt THIS HEAT und nix anderes ! Auch 

in der gerade erschienenen „Out of Cold Storage“-Box enthalten! 

Eine bekannte Mainzer Buchreihe hat sich übrigens nach dem Intro 

dieser LP - TESTCARD - benannt. 

„Was diese so Band so ausnehmend macht und selbst unter heutigen 

Maßstäben so ungemindert bestechend, ist in meinen Ohren der Thrill 

zwischen schwebenden Momenten, in denen die Musik die Luft 

anzuhalten oder garottiert zu werden scheint und sich enorme Energie 

aufstaut, und den unglaublich intensiven Eruptionen in Gestalt des 

ostinaten Drummings und sich ins Gehirn fressender Loops. Dazu 

kommt dann noch an besonders sublimen Momenten HAYWARDs 

Gesang mit einem Timbre, das einem die Kehle zuschnürt durch den 

wehen Ton und mit heißkalter Dringlichkeit die Schädeldecke 

aufstemmt....“ [Bad Alchemy #51] 

“A landmark recording by one of most important British bands, full stop. 

this, their first release, tore up the book and laid new rules for band 

composition and performance. First, the music: without precedent, then, 

the musicians: all extraordinary, all uncompromisingly radical, then the 

way it was all put together: endlessly surprising, hammeringly intense, 

and the sound: hard, radical, crafted, rich, with complete control of the 

frequency range. Beautifully recorded, radically mixed, this was 

breathtakingly present. Stripped back to the bone but never simplified. 

And it hasn't aged. this is deep, complex work that creates its own

world, anticipating much that was to follow in the next 15 years. A 

luminous release out of print (for almost a decade?). Re-mastered by 

the group for this re release.“ [label info] 

* THIS HEAT – Out of Cold Storage 6 x CD-BOX (This is THIS 

HEAT BOX, 2006) € 64.00 

Monumentale Box mit ALLEN offiziellen Releases & dickem Booklet 

sowie einer CD mit bisher unveröffentlichten Aufnahmen von der 

legendären britischen Band um CHARLES HAYWARD, die aus 

verschiedensten Einflüssen von Industrial bis Jazz in genialer Weise 

einen ganz neuen, eigenen Stil kreierten, der bis heute absolut einmalig 

geblieben ist! 

“Where do you start with something like this? With a history lesson and 

a 9.0 review up at Pitchfork this week I suppose... Born out of the UK 

crucible that existed in the period immediately post punk (before it 

earned capitals and morphed into genre all of its own...), This Heat 

formed through the restless response of three twenty-somethings who 

felt impelled to document their corner of 1970's London. Already faces 

at the more severe end of the prog-rock scene, Charles Bullen and 

Charles Hayward were joined by non-musician Gareth Williams - a 

catalyst that would see them recording vast quantities of work then 

editing the results down into consumable chunks of aural fortitude. 

Spread over a massive six discs and further bolstered by a pretty darn 

exhaustive book that interviews the surviving members (Williams 

passed away in 2001), 'Out Of Cold Storage' is testament to the 

unbridled virility of This Heat - with all the music very much rooted in its 

era, yet also utterly timeless. Comprised of their five studio albums 

('This Heat', 'Deceit', 'Health and Efficiency', 'Made Available' and 

'Repeat') plus an incendiary set of live action culled from their 1980/81 

heyday, 'Out Of Cold Storage' allows everyone to get hold of these 

classic recordings in pristine form - a real treat given the eroded 

bootlegs and mp3s that have been doing the rounds for years. Ranging 

in style from the avant-rock of their eponymous debut, through to the 

political polemic of 'Deceit', This Heat are spiky without the need to 

resort to high-kicking comparisons with the likes of Orange Juice et al., 

with their output always a couple of steps removed from their 

retrospective peers. Unafraid to disrupt their reputation through creative 

right-angles, the likes of 'Repeat' and it's central 20 minutes of looped 

drones and rhythms (think Can in a chiller cabinet) are seemingly at 

odds with 'Health And Efficiencies' melody etched high - yet rather than 

cause tension, these juxtapositions merely heighten the band's appeal 

and allow you a glimpse into moments of creative perfection. Vast, 

comprehensive and thoroughly indispensable, 'Out Of Cold Storage' is 

the kind of collection that reasserts your faith in the music and proves 

that the endless vault combing perpetrated by labels can sometimes 

come good. Six shades of fantastic....“ [Boomkat] 

* THROBBING GRISTLE – Heathen Earth CD (Mute Records 

TGCD5, 1991) € 15.00 

…. can the world be as sad as it seems? 

Einer der ewigen Klassiker des Industrial und unser Lieblings- 

Studiowerk von TG überhaupt! Recorded „live in the studio“ am 16. 

Februar 1980. Erschein zuerst auf Industrial Records in einer Auflage 

von 785 Stück. Also Bonus sind auf der CD zwei rare 7“-tracks 

enthalten. “1990's reissue of this 1980 album, recorded live in front of 

an invited audience at the Industrial Records studio. Bonus 7" studio 

tracks ("Adrenalin" & "Subhuman") added. "Live in the studio, this 

combines the best of both harrowing worlds." [label info] 

* TIETCHENS, ASMUS – Geboren um zu dienen CD (Die Stadt 

DS92, 2006) € 15.00 

“8th part in the ongoing re-release series of all early Tietchens albums 

between 1980—1991. Described by Tietchens himself as his 

«Industrial» album, «Geboren, um zu Dienen» was originally released 

on the spanish ESPLENDOR GEOMETRICO label in 1986. The CD 

version incl. three unreleased bonus tracks from the same period and 

comes with a full colour fold-out booklet incl. liner notes by Tietchens 

himself.” [label info] 

„If I'd ever recorded an «Industrial» solo album, it must be «GEBOREN, 

UM ZU DIENEN». Although I obviously wasn't one of the inventors of 

«Industrial Music», I clearly felt an affinity to it. So I tried to learn my 

lessons well adding my own musical aspects to the general apocalyptic 

noises of this genre. My main concern was to dive deep into the 

canonical topics of fear, hysteria, claustrophobia, machine and threat. 

The end was imminent as hundreds of Pershings and SS20 all pointed 

in the direction of the march up area called West Germany, the seals of 

the read buttons were already broken. Even the conventional alternative 

— a tank war between NATO and the Warsaw Pact — sounded like 

utter apocalypse. Would we really have welcomed our brothers from the 

east with open arms? This particular background has to be seen as the 

main influence on GEBOREN, UM ZU DIENEN. I believe that many of 

my colleagues also recording «Industrial» albums felt the same at that 

time. IF there would have been a «Bang» it — without doubt — would 

have been global. 

Fear, emptiness and the futility of the aesthetical, were not alien to me, 

but until then I moved inside a carefully tested zone which was defined 

by a spectrum of experimental forms. GEBOREN, UM ZU DIENEN was 

an experiment in itself which first fruits I set free immediately. As if I'd to 

work under a deadline I recorded the tracks hastily, not wasting much 

thoughts about dynamics, duration, precision and construction. In the 

same way I resolutely did rough mixes of the seperate tracks of the 

pieces: what sounded dirty stayed dirty. Essentially the raw and the 

unsculptured were a part of the dogma of «Industrial». The original nine 

tracks plus five more (three which appear as Bonustracks on this CD) 

all developed in a very short period of time. The album was released on 

the spanish «Esplendor Geometrico» label, run by Andres Noarbe, in 

the same year. Originally a tape only label EG released a series of 

radical albums during the mid 80's, also albums by the «Industrial» 

group of the same name, many which are much sought after items 

today. Of course only 500 copies of the album were pressed, which still 

meant a considerable financial risk given the small circle of 

potentionally interested listeners. But the enthusiasm and dedication of 

everyone involved lead to a self-evident «Nevertheless». 

Looking back at these years it has to be noted that I established a 

daring attitude then, which luckily developed positively and stayed with 

me until today. The fact that a german attorneys general confiscated a 

small number of the LP in 1990 deeming the cover as being immoral 

(«A Call for abortion»), was registered with satisfaction. A case like this 

corresponds with the mark of quality granted by the «Stiftung 

Warentest». Go on Germany! “ [Asmus Tietchens, 2006] 

Editorial notes: 

The original masters of all the pieces incl. the bonus tracks are in 

perfect condition and were used 1:1 for the transfer onto CD. Only the 

fade-out at the end of «Mein erstes Erlebnis» was slightly corrected. 

TROUM – SIGQAN CD (Desolation House Records, 2003) [lim. 

1000] € 14.00 

SOME LAST COPIES BACK IN !! 

„Die finale Entsubjektivierung in drei Teilen: Studio-Version eines Live- 

Programms, welches 2001 mit ULTRASOUND aufgeführt wurde... Nr. 4 

in der Desolation House–Reihe.. mastering: Robert Rich, artwork: John 

Bergin.” [Drone info 2003] 

“Finally, the first Troum record to be widely available in the United 

States, released through Relapse subsidiary Desolation House, and 

we're pleased to say it's maybe their best yet. Troum are the ambientdrone 

ensemble that emerged from the dissolution of proto-industrial 

dronesters Maeror Tri. Unlike the primarily guitar based whir and rumble 

of Maeror Tri, Troum obfuscate their sound sources, laptops, found 

sounds, accordians, guitars too maybe, and the results are timeless, 

mysterious, haunting, ethereal and utterly breathtaking dronescapes. 

Sigqan is a lengthy three part epic, beginning with rich sonorous 

foghorn like swells, that ebb and flow, separated by near silence, and 

slowly building in intensity from warm crescendos to huge doomy 

pulses. Eventually, these roaring rumbles joined by complementary 

shimmers of high end, that sound out, and then dissipate like sonic 

ripples, fading into blackness. The swells slowly grow closer and closer 

until the edges begin to blur and a subtly more continuous melodic 

framework begins to emerge and so begins the second movement, a 

creepy and slightly ominous, slowly fluctuating slow-motion-melody, 

whose lazily shifting notes keep the sonic landscape dense and rich, 

and keeps the sounds from flatlining into monochromatic drones. As the 

piece winds down, the dynamics and melody start to smear together 

into a warm, diffused fuzzy hum, with the subtle traces of melody 

sinking deeper and deeper into the dark warmth. The third and final 

movement was a sonic afterthought, added/recorded later than the first 

two, but is a pleasantly dreamy coda, with a slightly sunnier tone, a 

keening upper register melody, stretched out into subtly slithering 

iridescence with a shuffling, staticky rhythm just below the surface. So 

nice.“ [Aquarius Records] 

TROUM & MARTYN BATES – To A Child, Dancing in the Wind CD 

(Transgredient Records TR-03, 2006) € 12.00 

Nach über 2 Jahren konnte die lange geplante Zusammenarbeit von 

TROUM mit MARTYN BATES endlich fertiggestellt werden. Gedichte 

des irischen Dichters W.B.YEATS dienten als textliche Grundlage für 

sechs Stücke voller Sehnsucht & Emotion, Drone-Harmonics treffen auf 

expressiv gesungene Poesie.... 

“ - Profound songs inspired by YEATS-poems: The acoustic 

transformation of the deepest yearning - For this release, the german 

‘transcendental-drone’-duo TROUM teams up with the legendary british 

singer / songwriter and EYELESS IN GAZA-member MARTYN BATES. 

More than 2 years in the making, MARTYN BATES has sung & played 

(mouth organ & melodica) over basic material TROUM provided – 

consisting of harmonic minimal loops & basic song structures derived 

from accordeon, e-bass & guitar, percussion), who were then also 

responsible for the final subsequent additions mastering (adding more

guitar-work, voices & balalaika). 

MARTYN BATES has chosen to sing four poems of the famous Irish 

poet W.B.YEATS, and he did this with a most impressive sensitivity for 

TROUMS very sublime & rather hidden harmonic structures. There are 

also two instrumentals in a more experimental style on this disc, one 

being a dark drone reprise of the main piece “MAD AS THE MIST AND 

SNOW #2”. MARTYN’s voice is surely not something for everyone – 

it’s of an extreme emotional & yearnful quality that might be not easy to 

stand – a yearning which is like a deep “cry out to the horizon”, to 

something that is unreachable per se, feeling a passion that tears you 

apart inside. This is pure emotional poetry transformed into yearnful 

audible spherics! 

Artwork: Daniel Crokaert, founder of the dream-ambience CDR-label 

MYSTERY SEAS in Brussels and a long-time fan of both MARTYN 

BATES & TROUM, has created a stunning 6-panel digipack using 

pictures provided by Martyn. 

The Artists: MARTYN BATES is the legendary british songwriter, being 

active since the early 80’s, one half of EYELESS IN GAZA & also 

working solo with other musicians and with Alan Trench as 12.000 

DAYS. He has established a unique own style combining elements of 

folk & various other influences with this remarkable singing, being 

expressively poetic & highly emotional at any time. 

TROUM is a german duo consisting of 2/3 of the remains of the 

ambient-industrialists MAEROR TRI (last year saw a rennaisance of 

M.T. with many re-releases of their works). TROUM describe their 

music themselves as “transcendental drone-muzak”, a very 

atmospheric & emotional but often also monumental and noisy, 

hypnotically & at times trance-inducing rhythmic melange. 

General Disc-Info: 6-panel 4-colour digipack, 6 tracks, 38:30 playtime” 

[press release] 

”....Now its so much more than 'just' a drone record: the voice forms a 

counterpart of the music, perhaps because it fits so well. This is 

certainly on of the best drone records I heard this year, because it's so 

familiar as well as such a surprise.” [FdW / Vital Weekly] 

* VILLAGE ORCHESTRA – Et In Arcadia Ego CD (Highpointlowlife 

HPLL014, 2005) € 14.00 

Himmelwärts strebende, symphonische Electronica & rhythmischer 

Ambient - manchmal fast poppig, manchmal trancig-dronig, fein 

arrangiert, schottisches Projekt ! 

„THE VILLAGE ORCHESTRA ist das Soloprojekt von Ruaridh Law, der 

Kennern als ein Drittel der elektronischen Wirrköpfe THE MARCIA 

BLAINE SCHOOL FOR GIRLS aus Glasgow bekannt sein dürfte. "Et In 

Arcadia Ego" ist das Debüt von THE VILLAGE ORCHESTRA, das 

verschiedenste elektronische Stränge zu einem dichten Soundteppich 

webt und dabei vor Originalität beinahe überläuft. Aus sich 

bauschenden Strukturen gewinnt das Album an Stärke, wirkt fast 

hypnotisch und häuft subtile Melodien, karges Geflüster, klassische 

Kompositionen und detaillierte Percussion und Breaks übereinander. 

Die Inspiration dafür stammt von Philip Glass, COIL, DESORMAIS, 

SPEEDY J, OL' DIRTY BASTARD, Carl Craig und THE BUG. 

"Awesome, and a sign of great things to come. One of the albums of the 

year...9/10" - Undercover [DUT]“ [Cargo] 

* VISHUDA KALI - Unfinished Devastation CD (Faria Records 

FAR-02, 2005) [lim. 689 copies] € 12.00 

Sehr ruhiges, spirituell-meditatives Album des St. Petersburger Projekts 

mit vielen Harmonika-artigen Sounds, gewidmet der Heimatstadt. 

Beeindruckende Aufmachung mit vielen Vollfarb-Postkarten..... 

"Unfinished Devastation Narrative\" is probably the most notable album 

in VK's discography, of course if there are any unnotable. It is a very 

personal work and it's the best recommendation for fans of the author. 

This album is not similar to his previous releases neither in style or 

sound. Listeners will find here a sort of cosmic-music, played on a 

physharmonica (portative organ), singing bowls, accordion, various 

handmade and analogue instruments, Sounds of nature, recorded in 

sacred places on uninhabited islands of Ladoga lake, where author has 

been meditating for a long time, have also been used in the album. 

The album includes: 

- 5 11-minute tracks of assembled acoustic ambient 

- new ways of playing various handmade instruments & natural sound 

sources 

- conceptually re-worked melodies, structures & streams, creating 

endless mystique moods & dreams. 

- quality sound and professional mastering 

- a luxurious conceptual package art 

The pictures must be noticed individually. All of them are reprints of the 

author's drawings, reflecting his esoteric experiences. Each picture 

adds new sense and depth to the corresponding track. In this sense 

there are no analogues to this release. The album is very deep and 

extremely conceptual in every point, there is not a single accidental 

sound or design element. Every listener will enjoy the album, everybody 

will find something interesting in this release. Limited edition of 689 

copies, and this number also represents a deep conceptual idea. 

Number 6 symbolizes the beginning, 8 - the infinity and 9 - the ending.“ 


* VOLCANO THE BEAR – Classic Erasmus Fusion do-CD (Beta- 

Lactam Ring Records mt092a, 2006) € 16.00 

Was soll man zu dem britischen Quartett VOLCANO THE BEAR noch 

sagen? Wer auf der Suche nach überraschender & neuer, (noch) nicht 

klassifizierbarer Musik ist, die nicht am Computer entsteht, muss hier 

einfach mal reinhören!! Ihre Musik mit Einflüssen aus Folk, Drone, 

Avant-Rock & Impro-Jazz ist nicht nur oft irgendwie “weird” und 

verquer, sondern weist auch streckenweise grosse harmonische & 

elegante Schönheit auf... wie immer ist vokales Material omni-präsent! 

“.... zeigt Antifolk flippernd zwischen Didgeridoo und Handy, 

Daumenklavier und elektrischer Störung, als Folklore des Absurden, die 

es fertig bringt, in raffinierter Unschuld zerebralen Goldstaub 

aufzuwirbeln..” [Bad Alchemy # 51] 

„...Describing Volcano the Bear's music is about as difficult as 

identifying the instruments. The quartet's arsenal of gear is 

transcendant of time and space, culled from different cultures and 

different eras, from classically orchestral woodwinds (albeit sometimes 

just blowing through the mouthpiece) to African thumb piano, helicopter 

sounds, thunderstorm and rain and running water, medieval squeeze 

boxes, squeak toys, chirping or crying bird sounds, and Asian stringed 

things. While improvisation has been integral to the band's 

development, Volcano the Bear can always be counted on very coldcalculated 

and composed songs appearing on their official studio 

albums. Their arrangement is loose but never wanky or show-offey. 

Perhaps it's this lack of soloing and pretention that has kept them from 

appropriate recognition by some of the major experimental media in 

favor for a whole "free folk"/"weird rock"/"new weird America" 

obsession.“ [Brainwashed] 

“Edition of 400 copies. 2XLP on heavy 180 gram wax and heavy duty 

gatefold sleeve and bonus mailorder only 7". VTB have crafted a 

strange geometry in their musique concrete between celestial duck 

honks and what sounds like a flood in the living room, there are more 

than a few occasions of heads cocked at the speaker in mundus 

caninus. Of course, this bodes well for humans, too. Augmented by all 

the dog friendly moments is a double album of sprawling musical 

invention. Record one births gently into a lo-fi-adelic Comus-like saline 

that even might even win over the Devendra crowd, if the Devendra 

crowd had ingested just a little too much mushroom tea on that day and 

left their ironic trucker hats at the door. Song becomes fever dream and 

then pitches into a barren place of low estate and low chanting whose 

Residents might well be Eskimos. With typical minimalist pageantry, 

VTB mutate from piece to piece, punctuating along the way with 

surprise sounds that the aforementioned dogs love so well; the kinds of 

quirks that make Nurse With Wound and P16.D4 records such fun 

listens. VTB spin some very melodious tales, which are subliminally 

hooky, after a fashion. Spiritual and surreal are sisters. Quiet ritualism 

queues with dadaistic and with progressive harmonies, together on the 

same fractured, out world, sing-along journey. And that's just record 

one. Record two crawls slowly from the echoey ooze, grows legs and 

then presents as a different and, in many ways, more dramatic creature. 

A long, shifting organ drone becomes a deeply psychedelic statement 

that bleats loud and strong like an acid bleached Spiral Insana or a 

sneaky This Heat.” [label info] 

* VOLGA – Selected Works. Experimental Electronica and Pagan 

Songs of ancient Russia CD (Lollipoppe Shoppe, 2005) € 10.00 

Project around ALEXEI BORISOV, a mixture of traditional folk roots and 

mordern electronica ! 

“Nice-price release by the Lollipop Shop on the occasion of Volga's 

forthcoming performances in November 2005. CD contains tracks from 

albums released in Russia between 1999-2003, some live tracks from 

2004 (Helsinki! Paris!! BANGKOK!!!)and video. 

Nice-price Veröffentlcihung des Hauses Lollipop Shop aus ihren in 

Russland veröffentlcihten CDs inklusive Video und live-track von 2004 

See also: artist section!“ [Lollipoppe Shoppe] 

* VON HAUSSWOLFF, C.M. – There are no Crows flying around the 

Hancock Building CD (Lampo 001, 2006) [lim. 500] € 13.50 

Typisch ober-obskures Konzept bei diesem neuen Soundscape des 

schwedischen Klangkünstlers: Als Grundlage dienten Feld-Aufnahmen 

die auf der Spitze eines 100stöckigen Hochhauses in Chicago gemacht 

wurden, später wurden “elektronische Krähen” dazugemischt, 

das alles in ein knarzendes, höchst pulsierendes Fliessmusster 

gegossen... One-tracker, 40 minutes. 

“In August 2003, Lampo invited Swedish artist CM von hausswolff to do 

a project specific to Chicago. Intrepid traveler that he is, hausswolff 

ascended to the top of the 100-story John Hancock Building and 

collected sounds from the open-air observation deck. While taking in 

the sights, he recorded building vibrations, passing breezes and

overheard speech from tourists. Later, in his Stockholm studio, he 

added a series of feedback rotations to suggest crows (guardians or 

enemies?) encircling the conceptual tower. The result is this belching, 

super dense, low-end drone work. hausswolff's new piece is his 

rumination on security and paranoia. What makes us safe? Is it better to 

dwell in a cave or in a skyscraper penthouse? Could be another lecture 

on sound and architecture. We hear a secret gastrointestinal message. 

Say what?!“ [label description] 

* WALDRON, M.S. / STEVEN STAPLETON / SIGTRTYGGUR BERG 

SIGMARSSON / JIM HAYNES / R.K. FAULHABER - The Sleeping 

Moustache CD (Helen Scarsdale Agency HMS007, 2006) 

€ 13.00 

Akustischer Surrealismus in Reinform auf dieser aufwendige Ketten- 

Collaboration, Drones und Collagiertes zu gleichen Teilen, 

Sprachexperimente, Geräuschaftes, Weirdes, abenteuerlich und schön! 

Anhören und staunen ! 

„... Im fünfmaligen Wechsel von gut 10-minütigen mit 2- bis 3-minütigen 

Tracks jonglieren die Fünf mit den elektronischen Schatten von 

Nähmaschinen und Regenschirmen, wuchten nackte Eselskadaver auf 

Konzertflügel, klingen nach der Nachtschwester und lassen sich das 

Schamhaar neu friesieren [...].. Auch wenn sie das Pissoir nicht neu 

erfindet, ist sie doch Frucht einer langen Erfahrung aquis submersus.“ 

[Bad Alchemy #51] 

“....Each with a peculiar understanding of the audio arts, these five 

artists came to the proverbial table and thought it a good idea to 

collaborate. Given the predilection for the surreal and the sidereal that 

each of these five employ in their many audio and visual projects, those 

agendas oozed from the recordings that became known as The 

Sleeping Moustache. 

An epiphany of controlled disorder, a convulsion of beauty, a cascade 

of thought from delirious minds, The Sleeping Moustache is an 

exquisite manifestation of sound poetry scattered into a tortuous collage 

mired in an oblique melancholy. Magnetic tones extracted from the 

ether, mechanical sounds smeared into a lugubrious growls, horns 

trumpeting straight out of John's Book of Revelation, ululations sliced 

into information overload that Schwitters himself would be proud of. The 

Sleeping Moustache presents a psychically instable landscape, where 

dreams and nightmares wreak havoc upon the drudgery of daily life. 

The closest audible territory for The Sleeping Moustache might be the 

psychoactive constructions of Nurse With Wound's Homotopy To Marie, 

although the characters in this drama happened upon an entirely 

different map of that terrain. 

The artwork for the first edition of The Sleeping Moustache features five 

letterpress prints from each of the artists with an edition of 1700.” [from 

the label description] 

* WATERMANN, JOHN – To be taken seriously it has to be long 

mCD (Waystyx 22, 2006) [lim. 100] € 22.50 

Collector’s item coming in special cover. Two pieces, fabric pressed, 

art-cover, only 100 numbered copies available ! 

* WATERMANN, JOHN – Neurotic Jesus Cash Boy CD (Waystyx 

Records WR27, 2006) [lim. 150] € 14.00 

„Vormals auf Tochnit Aleph herausgegeben, versammelt dieses 

Rerelease drei Stücke von John Waterman, die, wie auch in vielen 

anderen Veröffentlichungen von ihm, eine Mixtur verschiedener 

Fieldrecordings und Synthesizerklänge sind. Meist unterlegt von 

sparsam aufbereiteten Rhythmen und Einspielungen textlicher Art. 

Donnergrollen und Brandungsrauschen verströmen eine naturalistische 

Atmosphäre von der die rhythmische Komponente unmerklich Besitz 

ergreift. In „Neurotic Jesus Cash Boy“ ist wiederum ein 

melodieunterlegter Rhythmus bestimmend, durchgossen von 

Einspielungen repetitiver Klangkürzel, meist auf Synthesizersounds 

basierend. „Somewhere Over There“ greift erneut das Seethema auf, 

um es in dichten Clustern zu einem sirrenden Anschein des 

Unheilschwangeren zu führen. 

_Originally released on Tochnit Aleph the CD assembles three pieces 

from John Waterman. Like in several other releases here he also deals 

with a fine mixture of minimal rhythm tunes and sounds from various 

field recordings or synthesizers. You hear some tunes from the seaside, 

a lonely voice only repeats the number 19235, rhythm finds itself and 

remains modest. The second tune shows also voice samples 

underlayed with a monotonous rhythm and synthesizer sound originate 

from 70s kraut rock. The last piece deals again with recordings from 

seawaves. It contains convergent sounds of dripping water, sustained 

buzz tones from synthesizer again. Constantly floating but with the 

touch of a disastrous atmosphere.” [Peter Schlewinksi / Drone Records] 

* WERREN, PHILLIP – Electronic Music (1968-1971) do-CD (Cast 

Exotic cat # 003, 2006) € 20.00 

Wiederveröffentlichung einer extrem seltenen LP-Box dieses 

weitgehend unbekannten nordamerikanischen Elektronik-Pionieres ! 

“Brand new reissue of a impossible to find early Canadian electronic 4 

Lp box by composer Phillip Werren. Only 100 copies where ever 

pressed of his early electronic work. It was recorded at Simon Fraser 

University (Vancouver), McGill University (Montreal) & Radio Warzawa 

(Poland). It was recorded between 1967 and 1971. The LP has heavy 

elements of tape collage, Modular Synthesis, voice, and experimental 

thought. Some of the pieces where conceived by psychedelic and 

occult influences. Much of the record was done with a Buchla System 

100, the first of their modular synthesizers. Original cover artwork was 

created by local Vancouver Artist JAS Felter. 

The Album was created for the most part at the height of the late 

60's at Simon Fraser University. "1968 was a year of great upheaval: at 

SFU, Canada's Berkeley, 114 people were arrested for their part in the 

protest over the firing of the entire faculty of the Political Science and 

Anthropology department. Marcuse, Baba Ram Dass and others came 

to speak to us at peril to themselves; acid and mescaline abounded and 

apocalypse seemed to fairly shout out at us in the rarified atmosphere 

of Burnaby Mountain. The neo-fascist architecture of the university 

seemed to beg for anarchy and chaos and linear thought itself seemed 

doomed to extinction." 

"The electronic music studio at SFU was at that time probably the 

most sophisticated studio in Canada. After working in studios at 

Columbia and Radio Warsaw, both of which were small and somewhat 

limiting, I found it impossible to continue composing with the 

Princetonian precision in which I had been schooled. The SFU studio 

contained the most recent synthesizer designed by Don Buchla. I only 

vaguely understood what "it" did and realized that I would have to put 

aside my rigid preconceptions of how one sound should follow another. 

The sequencer, a device which can generate a sequence of sound 

events in a more-or-less random pattern and at times seemed to have a 

life of its own, became for me a sort-of window through which I could 

see/hear a universe of sound I had never imagined possible. It was 

necessary for me to "step back" from these sequences of sound-events, 

to control them in some other way: through the mix of one sequence 

with another in time and space." 

This album is a nugget of Canadian Psychedelic Avant-Garde history, 

up there with the early works of Bill Bissett, The Nihilist Spasm Band, 

and Intersystems. Also in line with early America works by Robert 

Ashley, Tod Dockstader, and Gordon Mumma. More currently, this 

would site nicely with a oddball release by Wolf Eyes, Double Leopards 

or Excepter.” [label description & liner notes] 

* WRIGHT, PETER – Red Lion CD (Digitalis Industries DIGI027, 

2006) € 12.00 

Londoner Aufnahmen von 2004: field recordings von verschiedenen 

Plätzen Londons (Red Lion Square, Tate Modern, etc.), feedbackin’ 

hyper-effektierte Drone-Guitars, merkwürdige Obertonräume entstehen, 

Daydream-Akustikgitarren verschmelzen mit Environmentals, sowas 

wie Helikopter-Vibrationen(?), einzelne metallische Töne ziehen 

Resonanzen wie Schweife hinter sich her, himmlische Vibratos, die in 

der Luft schweben & zu schimmern scheinen, sirrend-fräsende 

Klangwolken mit Siren-Effekt.... 

Wie fast kein Zweiter ruft PETER WRIGHT aus seinen Gitarren 

manchmal fast aberwitzig zu nennende Obertonresonanzenschwälle 

hervor, schafft sirrend-schwirrenden Singsang par excellence, der nie in 

langweiligen tumben Noise oder Drone abgleitet, sondern immer in fein- 

ästhetischer Balance bleiben.... 

RED LION ist ein poetisch-verträumtes Werk mit vielen Facetten und 

sei hiermit allen die PETER WRIGHT noch nicht kennen ans Herz 

gelegt. 9 tracks, ca. 55 min. 

“You can remove a Kiwi from New Zealand but you sure as hell can't 

remove New Zealand from a Kiwi. Such is the case with Christchurch 

transplant, Peter Wright. Over the course of a decade, Wright has 

etched his name in glass in the annals of drone-world superstardom. 

And while I'm not sure what that really means, the point is that when it 

comes to soaring dronescapes, few do it better than Peter Wright. He 

has helped pave the way with contemporaries such as Birchville Cat 

Motel and Double Leopards, but clearly has his own distinct voice. With 

his past few albums, Wright seems the logical successor to native Kiwi, 

sound manipulator extraordinaire, Roy Montgomery. 

"Red Lion" is Wright's latest incarnation and, once again, pushes the 

boundaries of what he can do with his trademark 12 string Danelectro to 

the absolute outer limits. He pushes the limits of simplicity without ever 

breaking. Wright's albums are a thing of sheer, pure beauty, existing in 

a vacuum where nothing on the outside can tamper with their grace. 

Even with his lofty intentions, "Red Lion" is immediately approachable 

and grabs the listener from the opening notes. As always, Peter Wright 

offers up something wholly infectious and undebatably magnificent. 

Press about Peter Wright: "The finest in underground free noise / 

drone...mostly from New Zealand but all around the world as well. For 

those of you new to the CpsiP label, imagine classic Siltbreeze (Dead 

C, etc.) mixed with Jewelled Antler (Thuja, Blithe Sons etc.), dark and 

deep listening that sometimes verges on all out noise, but more often

than not remains subtle experiments in avant drone and abstract 

sound." - Aquarius Records 

"This is easily some of the most evocative proto-drone work to reach 

these ears in a while, with beautiful almost folk melodies that flutter on 

the edge of audibility cut up with a thick soup of early-evening smog 

and long forgotten geographies. Somewhere between early Flying 

Saucer Attack, Mirror and William Basinski. Highly recommended." - 

David Keenan, Volcanic Tongue 

"If Windy & Carl's vision of Antarctica is your idea of bliss, you will drool 

over this soundscape depiction of Peter Wright's home in New Zealand. 

Now living in London, these are what the label calls "love-drones," as 

Wright's memories of his home's wide open spaces inspire slowly 

unfolding waves of lush guitar." - Jim Steed, Fakejazz “ [label info] 

XENAKIS, IANNIS – Electronic Music CD (Electronic Music 

Foundation EMFCD003, 1997) € 13.00 

BACK IN STOCK!! 

„Wichtige Aufnahmen aus dem Werk, v.a. der Frühzeit des griechischen 

Komponisten: 4 der hier enthaltenden Stücke entstanden 1957-1962 im 

INA GRM-Studio in Paris bei PIERRE SCHAEFFER. Ein weiteres 

stammt aus dem Jahre 1970 (nur instrumentale Sounds), das letzte 

schließlich ist unter Einsatz eines speziellen Computer-Programmes 

entstanden, welches XENAKIS entwickelt hat (1992). Schön & 

erstaunlich die geräuschhaft-dröhnig-elektronischen Stücke aus seiner 

Anfangszeit...“ [old Drone Records info] 

“Superlative and long desired reissue of Xenakis's early electronic 

works, including the in-demand pieces from his his pioneering 

Nonesuch album Electro-Acoustic Music. Issued in collaboration with 

France's INA-GRM, the studio where the first 3 of these compositions 

were realized. Although it only makes up a tiny portion of his total 

composed work to date, Xenakis's tape works are as legendary and 

significant as those of Schaeffer, Henry or Stockhausen. Powerful, mind 

expanding listening -- this release certainly will rate as one of 1997's 

most important experimental musical documents. Includes the following 

works: "Diamorphoses" (1957): "a study of white noise and its 

graduations through the process of densification." "Concret PH" (1958): 

"This very short work is a sound continuum without a single break. 

Xenakis pre-recorded crackling embers from which he extracted very 

brief (one-second) sound elements. Then he assembled them in huge 

quantities, varying their density each time. This work can be compared 

to his instrumental preoccupations concerning 'clouds of sound'." 

"Orient-Occident" (1960): "one of the major masterpieces for 

tape...conceived as a music for a film by Enrico Rulchignoni." "Bohor" 

(1962): "dedicated to Pierre Schaeffer...an extraordinary and deafening 

sound continuum where the listener is invited, in a figurative sense, to 

hear bells chime while standing inside them!" "Hibiki-Hana-Ma" (1970:" 

"Xenakis recorded and reworked sequences played by an orchestra, a 

biwa, and a snare drum but never rendered them unrecognizable. 

Distributed over 12 tracks, the work's sonorities were elaborated in 

function of a highly pronounced spatialization. The title of this piece 

means 'reverberation -- flower -- interval." "S.709" (1992) recorded with 

the GENDYN program: "Both the sounds produced in the piece as well 

as the global evolution of the composition are literally unheard of: 

despite the abstract nature of the processes involved and their 

mechanical nature, the Xenakis sound world is immediately 

recognizable." [press release] 

* ZGA – Zgamoniums CD (ReR Megacorp ReR ZGACD, 1991) 

€ 14.00 

“.... Musik, die in ihrer Originalität schwer zu beschreiben ist: Industrial- 

Noise-Rock-Improvisationen zwischen AMM, EINSTÜRZENDE 

NEUBAUTEN, DDAA (nur um eine vage Klangwelt anzudeuten). 

Harsche Rhythmen, knirschendes, schrillendes Metall, monotoner 

Sprechgesang, gequälte Trash-Elektronik – invalide Cyberpunks 

wühlen als Schamanen der Zukunft im postatomaren Schrott – 

Lähmung, Statik, gegen die ein archaischer Beat ostinat antrommelt...“ 

[Rigobert Dittmann in Bad Alchemy Nr. 14 zur ersten ZGA-LP (1990)] 

“New works from the extraordinary Rigan Quartet; sound bites from 

'real' and electrified scrapyard instruments; an indescribable and 

incomparable group who have succeeded both in defying genre and 

creating radically new sounds.” [ReR] 

„ZGA pflegen die Perkussion auf eisernen Objekten, wie es so manche 

Band in den 80er Jahren tat. Aber anders als diese entfachen sie kein 

Industrialdonnerwetter, sondern loten mit kratzender oder streichender 

Behandlung die eher leisen Gefilde bzw. atmosphärischen 

Möglichkeiten des Materials aus. Die senkrecht aufgehängten Spiralen, 

Eisenplättchen und -stangen bilden zudem das Herzstück für Stücke, 

die einen entfernten Rockkontext lediglich in dekonstruierter Form 

erahnen lassen. Plötzliche Brüche im Aufbau geben den Stücke einen 

rohen und fragmentarischen Charakter. Wenn mit einem plötzlichen 

Schwenk die Geräuschkulisse kippt und eine verquerte Klarinette 

Volksweisen anstimmt, wirkt das nicht als beliebige Geste. In die 

Aufnahmesession, die die Band erstmals in ein professionelles Studio 

führte, haben ZGA ihr Erfahrung im Umgang mit nicht vorhandenem 

Equipment, will sagen die Bastlermentalität des Improvisateurs im 

Gegenständlichen nochmals mit herüber genommen. Immerhin 

fuhrwerkeln ZGA seit 1984, noch hinter dem eisernen Vorhang und 

unter erschwerten Bedingungen, an ihrer Musik herum und da steckt 

nun mal auch immer der geniale Schuss Punk drin, der die Dinge so 

erscheinen läßt wie wir sie mitunter gar nicht gern sehen: ständig 

reparaturbedürftig. _ZGA are working on iron objects like some of the 

industrial bands from the 80ties. But in spite of them, they are more in 

the quietly fields sounding out the materials possibilities with scratching 

and stringing. Coil springs and/ or iron plates played with iron bars are 

the heart for pieces far away from any rock context. Sudden breaks are 

disturbing the structures giving them a rough and fragmentary 

character. When in a sudden move the sound scenes are changing and 

a strange clarinette starts playing in terms readily comprehensible to the 

layman, it is not only any gesture they like. Since 1984 they have been 

existing as a band working behind the iron curtain. Maybe for that 

reason they developed an improvising talent in dealing with heavy 

circumstances especially for musicians like them. Now for this session 

ZGA have worked the first time in a professional studio and they used 

their brilliant punk spirit which makes that the things seem to be in a 

way we do not always like to see them: currently under construction.” 

[Mr. Schlewinski for Drone Records] 

4.1. CD COMPS 

* A FIELD GUIDE TO TABLE OF THE ELEMENTS do-CD (Table of 

the Elements TOE-CD-90, 2006) € 22.00 

Schön aufgemachte Label-Compilation des ambitionierten US-Verlags 

inklusive einiger unveröffentlichter Tracks…. 

"Since 1993, Table of the Elements has spoken that truth, focusing on 

musicians whose light shimmers outside the frames of convention and 

registering the ripples of music that are too essential to die or dissolve 

into the common currency. It has prospected for the rarest sort of sonic 

lode, the uncut goods blessed with a hearty half-life. The label's 100plus 

releases are a vital contemporary archive, a survey of meaningful 

eruptions across a broad horizon of improvised, experimental, minimal 

and outsider musics. Here, on these two CDs, is a field guide to the 

essential Table of the Elements. This sampler is more than a summary 

of label highlights; the performances make a statement as bold as their 

visceral impact and as rich as the conceptual process that underpins 

their creation. It's the kind of music Table of the Elements is all about. It 

thrives outside the barricades, where no one else is looking. Where the 

truth is spoken." Artists featured are: Jonathan Kane, Arnold Dreyblatt, 

Zeena Parkins, San Agustin, Tony Conrad, Tony Conrad w/ Faust, 

Rhys Chatham, Leif Inge. Disc one has some previously released 

material -- (plus tracks by Dreyblatt, Parkins and Conrad that appear to 

be previously unreleased). Disc 2 is an unreleased excerpt from Leif 

Inge' "9 Beet Stretch" -- Ludwig van Beethoven's 9th symphony 

stretched to 24 hours, with no pitch distortions (complete DVD version 

on TOE forthcoming!).” [label info] 

* ANTHOLOGY OF NOISE & ELECTRONIC MUSIC VOLUME 4 do- 

CD & booklet (Sub Rosa SR250, 2006) € 18.00 

Der vierte Teil der ANTHOLOGY-Serie, wieder eine bunte Mischung 

aus Klassikern, rarem Material und Newcomern, umfassend 

dokumentiert. Die Verbindung von “seriöser” Komposition und 

experimentellem “Underground”, nirgendwo ist sie so präsent wie in 

dieser SUB ROSA-Reihe.... 

„Each compilation in this excellent series so far has proved an essential 

primer, and this fourth offering shows no signs of letting up on either 

substance or quality. The compilation begins with something rather 

special indeed, and for someone like me who is pretty obsessed with 

electronic music history – it’s about as indispensable as it gets. The 

track is by Egyptian artist Halim el-Dabh (don’t worry, I haven’t heard of 

him either) and was discovered by the Sub Rosa gang hidden in a 

French magazine article. Of course as you’ve probably guessed there’s 

a good story attatched to this, and the track was actually made in 1944 

and subsequently broadcast on Egyptian national radio. Yes, it’s a 

piece of abstract pre-musique concrete which was broadcast on prime 

time national radio; what must the locals have thought? That’s not all 

either, this pre-dates most of what we regard as the ‘first’ electronic 

concrete experimentations… so why did nobody know about this? As 

the extenseive book so lovingly provided by Sub Rosa reads ‘Pay 

tribute to the unknowns, those who work in the shadows...’; never a 

truer word spoken. As with all of these compilations, the list of artists is 

endlessly exciting and this time we’re treated to exclusive tracks from 

Rune Grammofon’s Maja Ratkje, Lauri Spiegel and the psyche-tastic 

Vibracathedral Orchestra with rarities coming from Steve Reich, Alvin 

Lucier, Ligeti, Robert Wyatt, Oliver Messiaen and Jean Claude Risset 

among many more. I don’t think I need to go on about how utterly

crucial this compilation is, like the first 3 installments this will make for a 

fantastic appendix to Ohm’s incredible “The Early Gurus Of Electronic 

Music” compilation – an essential purchase.“ [Boomkat] 

“....featuring Steve Reich, Gyorgy Ligeti, William Burroughs, Alvin Lucier 

Olivier Messiaen, Vibracathedral Orchestra, James Whitehead, Halim 

el-Balh, François Bayle + Robert Wyatt + Kevin Ayers, Loop orchestra, 

Jean-Claude Risset, Beatriz Ferreyra, Maja Ratkje, Laurie Spiegel, 

Stephen Vitiello, erik M, Wang Changcun, Chlorgeschlecht, Gottfried 

Michael Koenig, Milan Knizak, Ralizes Denudes...... 

We keep goin' on our adventure with this fourth volume of our 

anthology. This installment is the pivoting axis of a seven-piece set. We 

developpe here some other tendancies includings new creations from 

China, Brazil, Norway, Hongria and of course some classics and 

(un)published material from main composers (Ligeti, Lucier). Some 

very rare documents too as Robert Wyatt + François Bayle. More than 

3/4 of the tracks are unpublished. 

2CD set / digipack sleeve + 52 pages book 

In the previous three anthologies, we mentioned the historical axes at 

the heart of the advent of concrete and electronic music: Pierre 

Schaeffer's workshop studio (in Vol. 1), the WDR Studio in 

Cologne (Vol. 3) and the Princeton Electronic Music Center in 

Columbia, New York (Vol. 2). Quickly though, the development and 

creation of electronic studios became a priority, with new facilities 

popping up around the world: throughout Europe and America, but also 

in Brazil, Mexico and Japan, countries where there was a will to create 

music that was radically new. As important as it was, the technological 

wave was not big enough, as Tod Dockstader's case testifies: because 

of his technician's background in sound editing, he was prevented from 

pursuing his art in the studios, which remained the musicians' turf. 

more than 2 h 30' of music - many rare tracks and unpublished (at least 

75%) + big booklet full of notes and biographical notices 

2CD digipack sleeve. follow-up to Anthology volume 1 (SR190), 

Anthology volume 2 (SR200), Anthology 3 (SR220) which become in a 

few years time, real 'classics' inside our catalogue” [label info] 

* ARCHIVES GRM 5 x CD-BOX (Ina Grm INA C 1030, 2005) 

€ 36.00 

Wieder da, nachdem die letztjährige Erstauflage sofort vergriffen war! 

Die monumentale Box zum 30jährigen Bestehen des Instituts enthält 5 

CDs mit zum Teil rarem Material aus den Archiven des GRM und ein 

80seitiges Begleitheft. Auch als Einstieg in die Welt der Elektro-Akustik 

ist dies eine fabelhafte Möglichkeit! 

AVAILABLE AGAIN !! Wonderful 30-year-jubilee-box with 5 cds and 

80p. booklet and tons of rare material from the GRM-archives, 

FERRARI, BAYLE, BOULEZ, XENAKIS, MESSIAEN, SCHAEFFER, 

DHOMONT, PARMEGIANI, ZANESI, etc. etc. Contains INA C 1031- 

1035 ! 

“The roots and historical development of musique concrete and 

experimental electronic/tape music -- packaged in stunning form. The 5 

jewel cased CDs feature a total of 101 tracks (many previously 

unreleased, others never released on INA before; most are edits to 

some degree). Provides a captivating overview of decades of 

breakthrough developments in sound/architexture, and is a totally 

essential artifact in its own right. Vol. 1 artists include: André Hodeir, 

Pierre Boulez, Jean Barraqué, Darius Milhaud, Roman Haubenstock- 

Ramati, Henri Sauguet, Edgar Varèse, André Boucourechliev, Claude 

Ballif, Iannis Xenakis, Olivier Messiaen.” [label info] 

* ARKTINEN HYSTERIA – SUOMI AVANTGARDEN 

ESIPUUTARHUREITA CD (Love Records LXCD 635, 2001) 

€ 15.00 

Unglaubliches Material aus der finnischen Experimental- und prä- 

Noise/Trash-Szene der 60er, (sowohl „Underground“ als auch „seriöse“ 

Komponisten), z.B. Rülps-Folk von 1961 von einem Trio um TOMMI 

PARKO, kirre machender free jazz, dadaistische sound poetry, 

cut-up Collagenwahn, superschief gesungener Tango (bei dem 

nichtmal die KAURISMÄKI-Brüder mithalten könnten), etc. etc. 

kommt mit dickem Booklet , alleine die Fotos darin wären schon die 

Anschaffung wert… 

“the arktinen hysteria compilation that came out in november 2001 was 

compiled by jukka lindfors, based on his series of radio documentaries 

for finnish broadcasting company. together here are gathered for the 

first time some seminal tracks usually considered the milestones of 

early finnish electronic music; being the real predecessors of the 

sounds of mika vainio, pan sonic & et al.; combined with some rarities 

and previously unpublished tracks. the album concentrates mostly 

around the output of the now-legendary love records label, varying from 

electronic music to avantgarde sounds, free-jazz and experimental rock. 

here one can witness some truly timeless electronic pioneering works, 

delving into the real finnish analogue roots of glitch, clicks & cuts and 

even modern laptop sounds.” [label info] 

* DEATH ODORS III CD (Slaughter Productions SPCD57, 2005) 

€ 15.00 

Third part in this dark ambient & death industrial - compilation series by 

the ATRAX MORGUE-label, with unreleased tracks by KRAKEN, 

NEGRU VODA, BAD SECTOR, STATVM TERROR, SCHLOSS 

TEGAL, FOLKSTORM, TODAY I’M DEAD, DESIDERII MARGINIS, 

I.R.M., etc.. 

* DEBRIS FIELD CD / BOOK (Bolton Museum / ICR 53, 2006) 

€ 16.00 

Katalog und -CD zum Thema “Trümmer” einer Ausstellung, die von 

April bis Juni in einer Kunstgalerie in Bolton (UK) stattfand und von 

PHIL MOULDYCLIFF kuratiert wurde. Abbildungen von Bildern, 

Skultputuren, Zeichnungen, Texte & Biographien der hier vorgestellten 

13 Künstler, sowie ein 48+ minütiger feinstofflich-ambientöser 

Installationssoundtrack von LOREN CHASSE, PHIL MOULDYCLIFF, 

COLIN POTTER und KEITH ROWE machen dies zu einer äusserst 

sehens- und hörenswerten Publikation. 

“This is the CD and catalogue for the 'Debris Field' exhibition at Bolton 

Museum curated by Phil Mouldycliff. The CD is an edited version of 

'Debris Field ambient wash', a 48 minute piece that is split into 3 

movements. The catalogue includes an essay by Mouldycliff titled 

'Tracing paths through debris fields' which gives some insight into the 

exhibition and CD. Also includes photographs of some of the exhibits 

and artist biographies for those involved including Colin Potter, Keith 

Rowe, Max Eastley, Tom Philips etc” [ICR] 

“ 'Debris Fields' was curated by Phil Mouldycliff and deals with 

'remains', the debris after the act. It's not an exhibition about music per 

se, as it includes paintings, drawings, prints, sculptures and also music. 

Some of the participating artists are also musicians, such as Loren 

Chasse, Keith Rowe and Phil Mouldycliff and they all delivered some 

music to Colin Potter, who presented 'Debris field Ambient Wash', a mix 

of all the sounds into a 'discreet, constantly changing audible 

environment' to fill up the space with the exhibits. While flipping pages 

of the catalogue at home, this music fills also up the private space, and 

the big advantage is of course you can turn up the volume much louder 

and enjoy things perhaps better than in the public space. The music 

alone is worth getting the catalogue for.” [FdW / Vital Weekly] 

* FROZEN LIGHT CD (Essentia Mundi EM002, 2006) [lim. 

100] € 8.00 

Auch in Rumänien breiten sich geräuschhafte Drone-Aktivitäten aus 

(wenn man das so nennen kann) – dies ist die erste Compilation des 

noch jungen ESSENTIA MUNDI-Labels von Casian Stefan aka 

ABBILDUNG mit sehr philosophischer Ausprägung. 

‚FROZEN LIGHT’ ist eine Compilation zum Thema LICHT, das ist 

sowohl im physikalischen Sinne als auch im geistigen (als 

erleuchtendes Wissen oder Gedankenfeuer) zu verstehen. In dunkles 

Pulsieren mischen sich hereinbrechende Klangobjekte, metallurgenes 

Aufleuchten, mächtige Echo-Implosionen, summende Gitarrenwände, 

rauschende Wasserhöhlen, illuminierte Sphärendrones, 

phosphoreszierende Wohlklang-Schwingungen, gleitende Räume mit 

gallerartigen Wänden, die sich langsam wie Licht-Vorhänge bewegen... 

ähnlich gutes Material wie die kürzlich erschienende CRYOSPHERE- 

Compilation, gutes bis sehr gutes haben uns die Stücke von OBJEKT4, 

NEXUS SUN, SAMSA, CHROMASCOPE, OENYAW gefallen.... limitiert 

und nummeriert auf nur 100 Stück, und es wäre nicht verwunderlich, 

wenn diese Comp. in ein paar Jahren ein gesuchtes Teil geworden ist !! 

1.Abbildung - Walk Within 

2.Objekt 4 / Wolfskin - Winter Robed In Somber Unlight 

3.Nexus Sun - Black Drone 

4.Samsa - Drawing Oceans 

5.Wapstan - Burnt By Frost 

6.Chromascope - The Earth Shall Inherit The Weak 

7.Oenyaw - The Tutor Of Achilles 

8.Nehmödt - A Curious Centerpiece 

9.Audioemetic - Rayleigh 

10.Fractaled - Slow Light Pulses 

”A collective research work about the light, both physical light and 

the "light" of knowledge - indeed it can be icy. 

About 76 minutes of dark ambient and drone soundscapes. 

Pro. print CDr limited to 100.” [label info] 

* IT JUST IS. IN MEMORIAM: JHONN BALANCE do-CD (Fulldozer 

Records FDCD20, 2005) € 16.50 

Russisch-Ukrainische Tribute-Comp. für JHONN BALANCE, mit 

entsprechend vielen ost-europäischen Beiträgen, aber auch einem 

neuen Stück von PETER CHRISTOPHERSON mit thailändischem 

Chor! 

“Fulldozer Records presents: the international compilation dedicated to 

memory of Jhonn Balance (tribute to COIL). 

After the tragic death of Jhonn Balance - COIL had abolished. In one 

moment a musical epoch was gone. But the memory is alive. The idea

of a compilation in memory of Jhonn Balance had been wandering the 

minds through the whole year after this tragic event and was realized by 

a virtue of two labels - Fulldozer (Russia) and Nocharizma (Ukraine). 

Peter Christopherson had personally approved this idea. Lots of 

eminent and cult musicians responded to the offer to participate in 

tribute: 

1.. The Threshold Houseboy's Choir (dir: P Christopherson) - Mahil 

Athal Nadrach 

2.. Thighpaulsandra feat. Jhonn Balance - Christ's Teeth 

3.. Theodor Bastard - Love's Secret Domain 

4.. Kotra - Volt Of A Worm 

5.. Spies Boys - Nasa-Arab 

6.. Alec Empire - Tribute To Coil (Short Version) 

7.. 2, 5 BZ - I Am A Green Child 

8.. Chris Connelly - Connelly Whats Lest But Solid Gold 

9.. Biblioteka Prospero - Heartworms 

10.. Phillip Klinger aka PBK - It Just Is 

11.. KK.Null - Scatovator 

12.. EU - Absolute Elsewhere 

13.. Darling Kandie - Paingame 

14.. Pomassl - Oil Philmm 

15.. Alexei Borisov feat. Ivan Sokolovsky & Dmitri Kutergin - Truth 

CD 2 

1.. CoH - No Balance 

2.. Alva Noto - Odradek (Music To Play In The Dark) 

3.. Schlammpeitziger - Konflikckfahig (live) 

4.. Goodiny & PCP - Black Sunraiz 

5.. Scanner - To Meet The Moon 

6.. Brompton's Cocktail - Soma Gestalt 

7.. Mystified - Scratches & Dust (Night Echo Version) 

8.. H.H.T.P. - Eclipse 

9.. Noises Of Russia feat. Olga Nomok & Nikolay Rubanov - Remote 

Viewer 

10.. Kryptogen Rundfunk - Throughout Time 

11.. A.Vorodeyev - Slur (Acoustic Plumbum V.) 

12.. Serge Tereshkine - Teenage Lighting 

13.. Volga - Anal Staircase 

14.. ILI - Green Water 

15.. M.R.F / Elena Voynarovskaya - Immortality (live) 

16.. Theodor Bastard - Love's Secret Domain (Instrumental)” [label 

info] 

* LUST FROM THE UNDERWORLD do-CD (HORUS 

CyclicDaemon HCD 02-2, 2004) € 22.00 

Luxuriöser Vollfarb-Katalog mit kunstvollen Fotos von verschiedenen 

Fotografen zum Thema “Liebe und Eros in Mythologie, Symbolismus & 

dekadenter Kunst”, dazu 2 CDs mit Musik von diversen Projekten und 

Musikern aus dem elektronisch-düsteren Bereich: Romantic Electro- 

Dark Wave, Mittelalter-Folk, Dark Ambient, Gothic Poetry, insgesamt 

eher song- & vokalorientiert... 

“Wow, this is an impressive looking release. The Czech label Horus 

CyclicDaemon released an enjoyable compilation before (Chaos), but 

this time they have taken their ambitions a step further. A luxurious A5 

book full of erotic photos contains two cd's filled with exclusive material 

of interesting artists. The project is dedicated to Love & Eros in 

mythology, symbolist & decadent art and focuses especially on the 

story of Hades & Persephone & Koré & Demeter. This theme is worked 

out in the booklet, which contains about 30 `bizarre pictures` from 9 

recent & modern photographers as well as some texts and poems. The 

photos have very different styles, some are subtle and romantic, others 

are rawer and fetish-like. Apart from the erotic photos, there is also a 

page for each artist involved, with credits and lyrics. Everything is 

printed on top quality paper to enhance the visual stimulation. 

Furthermore the booklet is packaged in a very nice envelope. 

The theme becomes not only clear from the visual contributions of the 

photographer, but the musical artists also deal with themes of lust, sex 

and fetish. And they are certainly not the least artists, though there are 

also some unknown (but promising) artists present. Don't expect fetish 

EBM/techno like Die Form though, in general the musical idiom is 

romantic or mysterious. The music on Lust from the Underworld ranges 

from dark folk to neo-classical, from heavenly voices and medieval to 

ritual, from dark ambient to experimental industrial. 

Disc one starts sensual, with atmospheric sounds and the typical voice 

of Chako (related to Jack or Jive from Japan). Unto Ashes treats us to 

ritual and medieval sounds, with nice hurdygurdy and percussion 

sounds. Then comes a bombastic filmic soundscape by Abnocto, a 

project of Simon Kölle and Simon Heath, also known for Za Frûmi. 

These gothic fantasy sounds bring images of monks sneaking through 

dark corridors. The contribution by 4th Sign of the Apocalypse from 

the USA has a ritual, monotonous sound and an experimental structure. 

Then comes a rather mysterious piece with whispered/spoken vocals by 

a Mexican act called Detritus, which I think is another Detritus than the 

one who releases on Immanence and Ad Noiseam. 

Romowe Rikoito is a lovely folky band from Russia, which enchants 

me with their melancholic string sound. Maor Appelbaum is a new 

name for me, but sounds interesting with a mixture of electronic and 

classical sounds, it reminds me of the more experimental Matt Howden 

works. The Mystery School adds a slow piano-based romantic hymn, 

while Chaos as Shelter is responsible for some rather dark ritual 

ambient sounds in combination with a traditional Persian song, 

reminding me of Agnivolok. One Inch of Shadow from Poland has a 

shimmering, experimental soundscape with some dramatic vocals on 

top of that. It is followed by Hexentanz, a project related to Soil Bleeds 

Black, but darker and more ritual, quite nice. Disc one is finished by a 

great atmospheric ambient piece with classical elements and interesting 

spoken text by Musterion, another project of Simon Kölle. 

Disc 2 has a great start: Sieben with one of their most rhythmic pieces 

'Forget me not', which I clearly remember from Matt Howden concerts 

and which is very different from the track with that name on the Sex and 

Wildflowers album. Mondblut are always masters at creating 

mysterious, sensual moods, and they do not disappoint. Empusae 

slowly builds up his track, which evolves into a complicated rhythmic 

piece, the harshest track so far. Delusional Day is much softer, with 

lovely, expressive female voices, somewhat jazzy. The Crown of the 

Scars is somewhat weird, with strange lyrics, making me think of David 

E. Williams. Cotton Ferox from Sweden had made a great album, and 

again they have contributed an original sounding piece, sort of 

experimental ambient dub with penetrating spoken word. While Angels 

Watch has a usual a more traditional dark folk sound, with romantic 

lyrics about angels and nice contributions by Matt and Jane Howden. 

Then follows an improvised, somewhat oriental piece by The 

Legendary Pink Dots, interesting as always. The Belgian Hybryds are 

specialized in dark ritual sounds, and with the help of the sensual voice 

of Ms. Poly Esther the lustful character of their song is further 

enhanced. Last but one is a bombastic medieval soundtrack piece by 

Za Frûmi, perhaps the best track I know from them. A slow classical 

piece with a religious feel by Ossaserpia finished the second cd. 

Only 500 handnumbered copies have been made of LUST FROM THE 

UNDERWORLD.” [Hans D. / FUNPROX] 

* MONTREAL SOUND MATTER – MONTREAL MATIERE SONORE 

CD (Pogus Prod. P21041-2, 2006) € 13.00 

Compilation zu einer Ausstellung & Workshop von FRANCISCO 

LOPEZ vom August 2006 mit elektro-akustischen Arbeiten die 

Feldaufnahmen aus Montreal als Basismaterial einsetzten... hier gibt es 

einiges neues zu entdecken ! 

“Works by Francisco López / Louis Dufort / Steve Heimbecker / Hélène 

Prévost / Mathieu Lévesque / a_dontigny / Chantal Dumas / Tomas 

Phillips. Montreal Sound Matter / Montréal matières sonore brings 

together eight Canadian and international sound artists. The project 

began with a workshop on environmental sound collecting by Francisco 

López and led to the development of a collective sound project 

including an album, a sound installation, and a concert. This is the 

recording. The artists create an immersive sound installation made up 

of fragments of Montreal, which propose a reflection and a questioning 

on the city. Far from being a postcard, these sound portraits suggest an 

abstract view of Montreal made up of fragments modeled or 

transformed to the liking of the artists. Through these places turned 

non-places and thus more or less unrecognizable, the pieces present 

an interesting variety of aesthetics, constructions and creative 

processes.”[Esther Bourdages, curator] 

“Yet it is not about the city as a conglomerate of soundmarks or 

stereotyped symbolic elements--it does not aim at making a sound 

portrait or a representational creation. My proposal to all the 

participating artists involved in the project was to foresee the city --both 

outdoors and indoors, both the public and the private spaces-- as a 

constantly-changing generator of sound matter. The original source 

environmental recordings were carried out by the participating artists in 

Montreal during April 2006, and we all shared the common pool of 

sound matter thus generated to create the individual pieces. I believe 

this is an interesting way of setting up a challenging situation in which 

we are dealing with a limited and intentionally restricted universe of 

sonic extractions of reality, and also -and more importantly-a 

straightforward way of proceeding to reveal the creative individual 

substance of each one of us.” [Francisco López] 

„.-...Not to make an audio postcard of the city, but rather a more 

abstract and personal view of the city, by people who already lived 

there much longer than Lopez. So it's not a matter of saying, 'oh this is 

that street, or this nice restaurant ('Schwarz', anyone?)', but to sit back 

and take it in as a long soundscape of the city. Rather than seeing this 

as eight separate pieces of music, I see it as one city seen through 

eight microphones and some of them present their work in their most 

pure form, like an unaltered recording, some as a cut-up and with some 

it's hard to recognize any sort of field recording at all, such is the case 

with Tomas Philips. But all the tracks are thus placed on the CD that 

they make their trip through the city, from busyness to quietness and

ack again. Only towards the very end of the CD, in the piece by 

Mathieu Levesque, there is a bit of music sipping through: a 

computerized game music thingy. In the end we know nothing more 

about Montreal, but we do experienced a beautiful trip through a very 

nice city. It also includes pieces by Helene Prevost, Steve Heimbecker, 

Louis Dufort, Chantal Dumas, A_dontigny and of course Lopez himself.“ 

[FdW / Vital Weekly] 

* MORE ARKTIK HYSTERIA / SON OF ARCTIC HYSTERIA : THE 

LATER YEARS OF EARLY FINNISH AVANTGARDE do-CD (Love 

Records LXCD 647, 2005) € 21.00 

Die Fortsetzung der irren ARKTINEN HYSTERIA-Compilation (Love 

Records 2001) mit einem weiteren äusserst kurzweiligen Streifzug 

durch die finnische Avantgarde-Szene, am Ende stehen dann Projekte 

von JIMI TENOR oder MIKA VAINIO, bevor sie berühmt wurden... 

...the later years of early finnish avant-garde. another incredible volume, 

following the inspiration and eye-opening 2001 cd arktinen hysteria -- 

suomi-avantgarden wsipuutarhureita. perfectly packaged document of 

more utterly obscure electronic mayhem and theatrical intoxication, 

presented as near-high-art. "now covered are the 1970s and 1980s. 34 

artists. featuring a lavishly illustrated leaflet of 20 pages. compiled by 

jukka lindfors. featuring jimi tenor, läjä Äijälä and early mika vainio (pan 

sonic), the sperm activists mattijuhani koponen and pekka airaksinen, 

edward vesala at his wildest, kari peitsamo, kauko röyhkä and sleepy 

sleepers at their most experimental and many other musical alchemists 

from pekka streng to reinin myrkky -- as a bonus some no-holds-barred 

sound experiments of kaj chydenius and m.a. numminen from the '60s." 

[label info] 

* MYTHS 3 – LA NOUVELLE SERENITE CD (Sub Rosa SR05, 

1989) € 13.00 

Eine der ganz frühen SUB ROSA – Veröffentlichungen (1987 als LP) 

wieder erhältlich: Teil 3 der MYTHS – Reihe enthält lange Stücke von 

Ambience- & Minimal – Komponisten: JON HASSELL, HAROLD BUDD, 

GAVIN BRYARS, und sakralen Gesängen aus dem “ARCHIVES 

SONORES SUB ROSA”, die hier gut hereinpassen in das line-up... 

“This is a reissue of the third volume in this early Sub Rosa compilation 

series, originally released in 1987. Features long tracks from Jon 

Hassell (duo with J.A. Deane, from 1985), never released since; Harold 

Budd (duo with Eugen Bowen, from 1983) in the mood of "The Serpent 

in Quicksilver" (with a splendid steel guitar); Gavin Bryars (duo with 

Andrew Thomson, from 1987); an unpublished sketch for two pianos 

called "Sketch For Sub Rosa" (later published on ECM with a chamber 

ensemble); and an excerpt from Les Archives Sonores Sub Rosa, a 

short film without image. Spanning from 1972-1975, Harold Budd 

created four individual works under the collective title The Pavilion of 

Dreams, produced by ambient pioneer Brian Eno. His two subsequent 

collaborations with Eno, The Plateaux of Mirror and The Pearl, 

established his trademark atmospheric piano style. Jon Hassell's first 

recordings were made with minimalist masters La Monte Young and 

Terry Riley, through whom he met the Hindustani raga master, Pandit 

Pran Nath. From his studies of the classical Indian music of the Kirana 

tradition he adapted these techniques to the trumpet and developed a 

new style of playing which forms the basis of his own unique sound 

world. Gavin Bryars has written a large number of works, including 

three operas, and a number of instrumental pieces. His first major work 

as composer was The Sinking of the Titanic on Brian Eno's Obscure 

label in 1975. This collection gathers together the most stunning of 

ambient, atmospheric sound worlds from three very important 

composers.” [press release] 

* NO NEW YORK CD (Lilith Rec. 2005) € 15.00 

“One of the brightest and most famous projects of the entire punk/new 

wave scene, No New York was released in 1978 on Island's sub-label 

Antilles and became a total cult in the indie scene. Featuring some of 

the most incredible rule breaking bands of the underground New York 

art and music scene, the project - strongly pursued by Brian Eno - is a 

genuine snapshot of the massively creative NY scene, from which 

innumerable trends started and became part of the modern pop music 

as we know it. Influential, powerful and ground breaking, this collection 

features four of the top icon shattering Gotham City's no-wavers like 

James Chance, (CONTORTIONS), Arto Lindsay and Ikue Mori (DNA), 

Lydia Lunch (TEENAGE JESUS) and Sumner Crane (MARS). If you 

missed the original it's time to get your hands on this reissue. The CD 

digipack version includes a detailed booklet.“ [Label info] 

* RUNEOLOGY CD (Rune Grammofon RCDS 2, 2005) € 8.50 

„Preisgünstiger Sampler mit Tracks von vor kurzem veröffentlichten, 

aktuellen oder erst erscheinenden Alben. Mit Tracks von DEATHPROD, 

ARVE HENRIKSEN, PHONOPHANI, SCORCH TRIO, FOOD, NILS 

OKLAND, ALOG, SHINING und ARCHETTI/WIGET..... Das Rune 

Gramophon Label wurde im Januar 1998 von Rune Kristoffersen 

gegründet mit der Intention gegründet, die Musik der 

abenteuerfreudigsten und kreativsten Künstler Norwegens zu 

veröffentlichen. SPECIAL LOW PRICE 70 MIN SAMPLER INLCUDING 

TRACKS FROM RECENT AND CURRENT RELEASES AS WELL AS 

TRACKS FROM FORTHCOMING 2005 ALBUMS. ARTISTS 

FEATURED ARE DEATHPROD, ARVE HENRIKSEN, PHONOPHANI, 

STR NEN/STORL KKEN, SCORCH TRIO, FOOD, NILS KLAND, 

ALOG, SHINING AND ARCHETTI/WIGET. COMES IN A SLIMCASE 

CARDBOARD SLEEVE WITH ARTWORK BY KIM HIORTH Y. RUNE 

GRAMMOFON WAS ESTABLISHED BY RUNE KRISTOFFERSEN IN 

JANUARY 1998 WITH THE INTENTION OF RELEASING WORK BY 

THE MOST ADVENTUROUS AND CREATIVE NORWEGIAN 

ARTISTS.” [press release] 

* X-RATED: THE DARK FILES (JHONN BALANCE TRIBUTE COMP) 

CD (Steamin’ Soundworks steam2, 2006) € 14.50 

Hochklassige JHONN BALANCE-Tribut-Compilation, mit vielen 

exklusiven und raren Tracks von namhaften Gruppen... 

“X-Rated: The DARK Files' is dedicated to the late Jhonn Balance of 

COIL and contains new, exclusive and rare tracks only. The tracklist 

speaks for itself: 1. SCANNER - Slateblue, Dark Seafed 

New exclusive track 

2. BLACK SUN PRODUCTIONS - Ode To Ötzi From the Black Sun 

Productions' upcoming album 'The Impossibility Of Silence' 

3. COIL - Coppice Meat From the limited mail order edition of 'Moon's 

Milk (In Four Phases)' bonus cdr 

4. AURAL RAGE - I Don't Need That Deviant Sex Exclusive new track 

5. NURSE WITH WOUND - Die, Flip Or Go To India Exclusive 

alternate take 

6. MARKANT - Nach Pfingsten Rare track, originally released as 12": 

Cat M - 04 

7. RAISON D'ÊTRE - Mouldering The Forlorn I Exclusive unreleased 

track 

8. LEGENDARY PINK DOTS - A Japanse Manual For A Crooked 

Wheel Exclusive new track 

9. MONOTON - Ich Weiss Nichts Unreleased version of the B-side of 

Monotonprodukt 04, a 7" published in 1981 

10. THE THRESHOLD HOUSEBOYS CHOIR under the direction of 

PETER CHRISTOPHERSON - So Young It Knows No Maturing 

From the forthcoming Blu-ray disk 'Rampant' 

11. KAH - Stokers Siding From the upcoming SteamSounds release 

'Love's Victory March' “ [label info] 

5. BOOKS & MAGS 

BAD ALCHEMY – “schwurbeln muss sein, 

es macht ja sonst keiner...” 

* BAD ALCHEMY Nr. 50 (April 2006) € 3.00 

BA 50/06: Anything Goes - Not (über 'Popjournalismus', 'Vorgemischte 

Welt' & 'Goodbye Tristesse'); Guapo, A. Marcœur & Futch Live; Gimme 

that ol‘ Time Religun - ‚Recommended‘ im Härtetest Teil 2; Matt 

Elliot/Third Eye Foundation - Drinking Songs? (M. Zinsmaier); The 

Sound of Hamburg; John Waterman; Pataphysik undundund; plus 

Reviews, keine Werbung, 88 Seiten! 

* BAD ALCHEMY Nr. 51 (Juli 2006) € 3.00 

BA 51 enthält FREE THE JAZZ! - NOTIZEN VOM TAKTLOS- 

FESTIVAL 2006; THE ARSTIST‘S DUTY - THE PETER BRÖTZMANN 

CHICAGO TENTET; DAS DELIRIUM DES LÄRMS - DIE 

WANDLUNGEN DES MIKE PATTON (von SWR 2-DJ H. Lachner); ein 

Porträt von CANTO CRUDO (GÜNTHER RABL & DIETER 

FEICHTNER); SOUNDART MADE IN SWEDEN: FIREWORK 

EDITION - FYLKINGEN - HÄPNA; SCOTT WALKERs THE DRIFT; 

LOOKING FOR HEROES - ÜBER DIE HELDENDÄMMERUNG IM 

NEOFOLK; EXHUMIERUNG STERBLICHER UND UNSTERBLICHER 

ÜBERRESTE (von Asmus Tietchens); THE MAGIC CARPATHIANS 

PROJECT (M. Beck); THE MEDIUM IS THE MESS: TESTCARD #15; 

und wie immer DAS POP-ANALPHABET. 

*John DUNCAN & Paolo Parisi – 

Conservatory (San Sebastiano) BOOK & CD (Maschietto Editore / 

Allquestions AQ09, 2006) € 35.00 

Ein weiterer Ausstellungs- / Installationskatalog mit Audio-CD von 

JOHN DUNCAN, diesmal in Zusammenarbeit mit PAOLO PARISI. Alle 

Klänge basieren auf “human voice only”... 

Full color 64 pp. paperbound catalogue with installation audio CD 

mounted in separate cover, both inserted in paper box. 

Catalogue : Texts (English/Italiano) by Daniela Cascella, Pietro

Gaglianò, Giovanni Iovane, & Sergio Risaliti. 

Audio CD : John Duncan : shortwave, processing. 

Catalogue and CD cover produced by Maschietto Editore. 

CD produced by Allquestions. 

„The work of John Duncan should need no introduction, as he has 

long been one of Aquarius' favorite sound artists; however, Paolo 

Parisi is something of a mystery to us. An Italian sculptor, painter, 

and installation artist, Parisi commissioned Duncan to compose a 

sound component for one of Parisi's installation. The themes 

behind Parisi's installation for plastic tubes and eviscerated 

cardboard sentry houses are far too convoluted to recount within 

this review; but in a shocking display of Aquarian restraint, we'll 

merely mention that the Panopticon, Hitchcock, Deleuze, and 

Duchamp all get name checked throughout the book's text 

celebrating Parisi's installation. The CD is all Duncan; and it's well 

worth the price of admission. Duncan has long been known for his 

use of shortwave radio sounds as the springboard for his 

psychologically intense compositions; but slowly, he has been 

introducing the human voice into his pantheon of sound sources. 

For Conservatory, voice is the only source he is using, in particular 

he's amplifying and stretching the gasps, wheezes, and hisses that 

occur during the act of breathing. Through his manipulation of 

these sounds, Duncan cultivates a vast network of gaping blasts of 

air that collectively build into a ghastly, frigid drone emanating 

from a unscrupulous cryrogenics laboratory. Another epochal 

release from Mr. Duncan!“ [Aquarius Records] 

E / I – MAGAZINE – Music Electronic 

and Otherwise ... 

* E/I MAGAZINE Vol. 4, Spring 2005 € 8.00 

RADIAN, ANDREW DEUTSCH & TETSU INOUE, ASMUS 

TIETCHENS, THOMAS DIMUZIO, COLD BLUE, VINYL ON DEMAND; 

etc.. 

* E/I MAGAZINE Vol. 7, Summer 2006 € 8.00 

Great new issue of this nice US-mag run by Darren Bergstein, 66 

pages, most in full-colour !! 

“sutekh - troum - free103point9 - muslimgauze - john duncan - 

christopher willits - secede - john bischoff - victor nubla - radboud mens 

- another electronic musician - ellipsis by colin newman - label profiles: 

cajid media, confront, infraction, noise factory, rune grammofon - 150+ 

reviews” 

IKONEN – Magazin für .. 

* IKONEN Nr. 8 mag (Ikonenverlag, 2006) € 5.00 

„Das Straflager in der neuen russischen Literatur von Ekaterina 

Vassilieva-Ostrovskaja. Strukturalistische Filme von James Benning 

von Mikko Linnemann. Hans Jürgen Syberberg Porträt I 

von Bernd Kiefer. Interview mit Peter Andersson / Raison d'ètre 

von Marcus Stiglegger. Interview mit Chris Carter / Throbbing Gristle 

von Arne Löffel. Pornokunst von Andrew Blake von Jan Volker Röhnert. 

Arakimentari - Araki goes Film von Ivo Ritzer 

Jean Amerys Schriften von Norbert Grob 

Georges Bataille über Nietzsche von Marcus Stiglegger 

THE DEVIL'S REJECTS von Ivo Ritzer 

HÜGEL DER BLUTIGEN AUGEN von Stefan Höltgen 

Rezensionen: Biosphere, The Protagonist, Jozef van Wissem, 

Turpentine Brothers, Tor Lundvall, In Gowan Ring, Alex Fergusson, 

Gustav Hildebrand, Svartsinn, Triarii, Werkraum, Bad Guy, Hardcore, 

Es war einmal..., Looking for Europe, Houellebecq...“ [Verlagsinfo] 

PHOSPHOR 

* Phosphor Nr. 120 mag (Phosphor, 2006) € 2.00 

Nice review-mag from Berlin with NOCORDS, SMALL VOICES, ACTUELLE, 

FIREWORK EDITION, FYLKINGEN, etc.. english language 

TESTCARD 

* TESTCARD Nr. 15: THE MEDIUM IS THE MESS BUCH (Ventil 

Verlag, 2006) € 14.50 

Aus dem Inhalt: Vom Niedergang der Radiokultur, Der kleine 

Plattenladen, Konstruktion von Pop-Stars, Kanon und Bestenlisten, 

Überlebensstrategie von Independent-Vertrieben, Internet-Labels, Krieg 

in der Mediengesellschaft, SPD und Pop-Politik, Musealisierung des 

Pop, TV-Polizeiserien und Disziplinierung, DVD-Boom und die Zukunft 

des Kinos, Video Games u.v.m. 

„....In dem Maße, in dem auch die auf Indie abonnierten Magazine 

immer stärker ökonomischen Sachzwängen unterworfen sind, verliert 

sich allerorts das Profil, die Inhaltsverzeichnisse und sogar die Arten 

der Berichterstattung haben sich angeglichen. Parallel zur 

offenkundigen Gleichschaltung von Top-Ten-Radio und Klingelton-TV 

hat sich so ein Indie-Mainstream ausbreiten können, der suggeriert, es 

gäbe nur noch die Alternative zwischen "Schnappi" und Franz 

Ferdinand. "Über Avantgarde kann man jedenfalls nicht mehr in Pop- 

Zeitschriften schreiben", merkte Diedrich Diederichsen verbittert in 

seinem neuen Buch Musikzimmer an. Der Satz gilt längst nicht mehr 

nur für Avantgarde im herkömmlichen Sinne, sondern für jegliche Musik 

ohne Lobby. Sie findet sich nur noch am Rande in den 

Musikzeitschriften behandelt, im Fernsehen und Radio hierzulande fast 

gar nicht mehr.“ [aus dem Vorwort] 

* Asmus TIETCHENS „Monographie“ 

BOOK/CD (Auf Abwegen aatp16, 2006) [ed. of 600] € 39.90 

2300 pp. paperback book, plus 70 minute audio cd, 600 copies 

delivered in shrinkwrap, cd only available as part of the book 

“MONOGRAPHIE ASMUS TIETCHENS is the second, revised and 

expanded edition of our book about the music of german electronics 

composer ASMUS TIETCHENS. The book has been carefully edited by 

kai u. juergens. the language of the text is GERMAN with a few 

exceptions (the discography and some essays are in english). 

the book is roughly din a4 in size, b/w, colour cover. an image can be 

seen at www.aufabwegen.com 

the book includes: 

- introductory texts by kai u. juergens, okko bekker and till kniola 

- four ficticious texts about "professor tietchens" by ditterich von 

euler-donnersperg 

- eight essays by asmus tietchens that appeared in various journals in 

the last 10 years 

- essays and short texts on asmus tietchens by guido sprenger, marcel 

bayer, vidna obmana, jon mueller, kai u. juergens, till kniola 

- the section "aus gespraechen", compiled from different interviews with 

asmus tietchens - a fully commentated discography (in english) up to 

december 2005, giving full track info, explanations and background info 

(i.e. instruments used, etc.) 

- an index of all tracks and releases 

- a bibliography 

- the 70 minute audio cd "verstreutes 2" including the following tracks 

from tape and cd compilations from 1984-1995 

tracklisting 

VERSTREUTES 2 

16 Beiträge für Kassetten- und CD-Zusammenstellungen 19841995 

1. Zersendet 4’42“ from OBJEKT 2 • Ladd-Frith • without number • 

USA 1984 

2. Medienlandschaft 3 7’05“ from SECURITY • Undergrowth Tapes 

Canada 1986 

3. Klavierstück 1 1’58“ from VOICES IN A DARK ROOM • 

Honeymoon Production • Honey 04 • The Netherlands 1989 

4. Klavierstück 2 1’35“ from VOICES IN A DARK ROOM • 

Honeymoon Production • Honey 04 • The Netherlands 1989 

5. Fehlzündung durch Scybala 3’29“ from NO MACHINE IS SILENT 

• Realization Recordings • • USA 1995 

6. Post-Katholische Himmelfahrt 6’31“ from CONSTRUCTIVE 

MUSIC 1990 • U.P.D. Organization • U.P.D. 004 • Japan 1990 

7. Karma Finanz 3’22“ from MOUVEMENTS • La Légende des Voix • 

LDV 3 • France 1990 

8. Studie für Gong 7’44“ from ALTERED STATES OF 

CONSCIOUSNESS • U.P.D. Organization • U.P.D. 006 • Japan 1991 

9. Nachtgalle 6’49“ from SOUND FROM HANDS • Minus Habens 

Records • MHCD 003 • Italy 1992 

10. Die wahre Nachtgalle 6’43“ from OHREN DES KAISER 

HIROHITO • DOM • DOM CD 77-14/15 • Germany 1993 

11. Beutelgestell 2’30“ from WHAT? • Curious Music • Curio 2 • USA 

1992 

12. Wenn die 3’15“ from HARE HUNTER FIELD • Johnny Blue • 

JOY 004 • Portugal 1992 

13. Charisma perdu 3’36“ from THE MEMORIAL ELVIS PROJECT • 

Odd Size • CD OS 03 • France 1992 

14. Der Sessel brennt 3’58“ from THE PASSING GODS • Play Loud • 

PL 01 • Portugal 1993 

15. Bombenhund 4’52“ from SOUNDWORKS EXCHANGE • 

Shinkansen/Goethe-Institut • SWE CD 01 • GB 1995 

Bonus track 

16. Und wenn C.S. nun ein Hippie wäre? 3’31“ unreleased • 1998 

Musik: Asmus Tietchens Produktion: Okko Bekker 

CD-Master: Tom Fleischhauer. Aufgenommen in den Audiplex Studios, 

Hamburg.“ [label info]

6. T-SHIRTS / ART-OBJECTS / OTHER 

STUFF 

* FM3 – Buddha Machine SOUNDBOX (Staalplaat BUDDHA 001, 

2005) € 23.00 

Die kultige BUDDHA MACHINE mit neun sphärischen Loops von FM3, 

eine Soundbox die überall mitgenommen und eingesetzt werden kann, 

um das akustische Ambiente zu verschönern.. 

“Restocked! 2nd edition now available. A unique 'soundbox' from China, 

which is causing senstation worldwide. A totally dazzling item which 

causes jaw-dropping delight everywhere -- Alan Bishop bought twentyfour 

of these on sight, Brian Eno bought eight (how's that for 

apocalyptical math?). FM3 are a duo of Christiaan Virant and Chinese 

keyboardist and computer musician Zhang Jian -- based in Beijing. The 

Buddha Machine is a hardware loop player, built kind of like a little AM 

radio (available in 6 different colors, shipped randomly), but without all 

the nonsense -- total genius from out of nowhere. More info/pictures at: 

www.fm3.com.cn [there's also a definitive FM3 interview at: 

www.rarefrequency.com]. Comes with 2 x AA batteries. "The Buddha 

Machine is a small soundbox made in China which comes with an 

integrated speaker, a volume control, mini jack-out and a switch to 

choose between nine different loops which are stored on a small chip 

and can be directly played by this mini soundsystem." [Forced Exp.] 

7. SINGLE ITEMS / NEW AND SECOND 

HANDS / RARE STUFF 

NEW STUFF – SINGLE COPIES: 

* ICK - This is Nihil Tronix 7" Blade Records WMDA049* 2004 

collector's item! Special edition lim. 30, comes in big & heavy jewelrybox 

! €39,00 

* INFANT CYCLE - 4.A.M. Wallpaper CD-R Blade Records WMDA024 

2001 lim. 90 in handmade object cover (transparent tube-plastic) / one 

last NEW copy found ! € 12,00 

* BIANCHI, MAURIZIO – Trilogy 3 x CD-BOX (EEs’T / Alga 

Marghen, 2001 [ed. of 200] € 40.00 

contains signed copies of "Colori", "First Day Last Day" and "Dates" 

SECOND HANDS / USED COPIES: 

VINYL: 

ZEBRA PUKE - same LP Catatonic Records 199? lim. 100 / live 1981 / 

on sub-label from VERY GOOD Records €15,00 

JLIAT - Of Musicology LP Jliat 2002 €8,00 

PSYCLONES / SCHLAFENGARTEN - Impromptu LP RRRecords 010 

1987 long out of print early RRR LP, PSYCLONES = BRIAN LADD & 

JULIE FRITH. €15,00 

RAKE - Rake is my co-pilot LP VHF # 13 1994 handpainted cover / 

first Rake LP, out of print €15,00 

MCs / CASSETTES / K7 : 

HITHLAHABUTH - Live at the Miscatonic University MC 

Hithlahabuth Records HRC.005 1990 absolute rarity from this 

mysterious german project that had one 7" on Drone and then 

disappeared totally !! €15,00 

AUBE - Reflux MC Bawler Tape Productions BTP # 4 1995 out of print 

MC release €10,00 

BAD SECTOR / CONTAGIOUS ORGASM - Vacuum Pulse MC Old 

Europa Cafe OEC 083 1996 original copy in oversized cover! €12,00 

V.A. - God Bless America do-MC BOX RRRecords 199x re-release of 

3LP box set, w. BLACKHOUSE, SLEEP CHAMBER, MAYBE MENTAL 

(pre-Life Garden), PSYCLONES, PGR, EUGENE CHADBOURNE, 

SMEGMA, CONTROLLED BLEEDING; etc... used copy € 10,00 

SEVENDAL, F.N. / LASSE MARHAUG - split kassett MC Like An 

Everflowing Stream L.A.E.S.08 1999 lim. 60 / one USED copy in stock ! 

€ 4,00 

THO-SO-AA - Enrielle MC Art Konkret 15 1997 one 2nd hand copy in 

stock € 8,00 

NUX VOMICA - By ether's touch made fire MC Auricular AUR-16 

1995 / wonderful drones ! / one 2nd hand copy in stock € 6,00 

DIE RACHE - Esterwege MC Prion Tapes PR 21 / 1988 

pre-TESENDALO project, long out of print €6,00 

CDs / CDRs: 

ASHTRAY NAVIGATIONS / SANDOZ LAB TECHNICIANS / R.O.T / 

TOSS - same CD Veglia 001 2001 one USED copy in stock ! € 8,00 

8. JUST ARRIVED ! (no time for listening / 

detail-listing, but in stock!) 

* LOPEZ, FRANCISCO - A sudden pest of droning pseudoinsects 

4 x 7"set Eozoön Editions 2006 / oversized cover, white vinyl, 

sounds from an installation held in Rotterdam 1994. Ed. of 100 copies 

(un-numbered) ! €38,00 

* DUNCAN, JOHN - Works: 1975-2005 BOOK & CD Errant Bodies 

Press / Critical Ear Series Vol. 3 2006 / 104 p. book & CD with early 

recordings CREED 7" (1980) & RIOT LP (1984), and newer works 

€22,00 

* P.I.L. (PUBLIC IMAGE LIMITED) - Metal Box 3 x 12" box 4 Men 

With Beards 4M500 2006 re-release of legendary metal-box from 1979 

in original design !! Remastered. €45,00 

* MAGIK MARKERS - For Sada Jane LP Textile Records 2006 

€14,00 

* DUAL - Tocsin CD-R Mystery Sea MS32 2006 lim. & numbered & 

single-printed 100 / full-colour cover €12,00 

* CONRAD, TONY - Early Minimalism Volume One 4 x CD-Box 

Table of the Elements 33As 2002 4 Cds with material from 1964-1965, 

96p booklet, interview & video-material ! €42,00 

* MNORTHAM - Automnal 2003 CD AND / OAR and23 2006 €12,00 

* REED, STAN / GREGOR JABS / FRANK ROWENTA - Apoplexia 

1973 CD Jeans Records 01 / Psychform Records PFR07 2006 €12,00 

* JABS, GREGOR - Staunen CD Jeans Records 02 2006 €12,00 

* PRUDITSCH / ROWENTA - Orion und Kassiopeia CD Jeans 

Records 03 / Dachstuhl 11 2006 LUTZ PRUDITSCH = TARKATAK ! 

€12,00 

* NIXILX.NIJILX - Aputi mCD-R Authorized Vision AV027 2006 

lim./numb. 100 €7,50 

* HUM - Lost in white flame mCD-R Datura Landscapes DATURA 8 

2006 handmade cover €7,00 

* FIVE ELEMENTS MUSIC - Magic of deconstructor band CD-R 

Still*Sleep ss08 2006 handmade photo-cover €9,50 

* FIVE ELEMENTS MUSIC - Six acts of saprofields CD-R Still*Sleep 

ss07 2006 handmade photo-cover sleeve €9,50 

* DESACCORD MAJEUR - La Colour Odorante CD-R Kokeshidisk 

kodi 6 2006 oversized full-colour cover €9,00 

* NURSE WITH WOUND - Stereo Wastelands : A collection of 

musical debris from the original Who Can I Turn To Stereo 

sessions CD Beta-Lactam Ring Records mt065 2006 lim./numb. 500 , 

oversized gatefold cover. beta-lactam mail-order-only release, we got a 

handful of copies, act fast ! €28,00 

* NURSE WITH WOUND - Rock'n Roll Station CD Beta-Lactam Ring 

Records mt094b 2006 new artwork and bonus track from second Pirate 

Sessions (originally released as CD in 1994 on United Dairies) €14,00 

* LEGENDARY PINK DOTS - Ancient Daze CD Beta-Lactam Ring 

Records mt121a 2006 gatefold cover, oversized €14,00 

V.A. - CALIFORNIA 10xLP-BOX Ground Fault / RRRecords 2006 

massive boxset w. 20 californian noise-artists, each covering 1 LP side: 

JOE COLLEY, GX JUPITTER-LARSEN, SOLID EYE, JOHN WIESE, 

DAMION ROMERO, CONTROL, and many more... lim. 1000 and to be 

sold out soon €80,00 

* KARJALAN SISSIT - Tanssit on loppu nyt CD Cylic Law 17th Cycle 

2006 oversized art-booklet €14,00 

* OOPHOI - Dreams CD Faria Records FAR-06 2006 re-release of first 

part of ultra-rare DREAMS mcd-box, with bonus track and coming in 

art-cover with 3-D postcards! €12,00 

* ALIO DIE - The Flight of Real Image (full version) CD Faria 

Records FAR-05 2006 re-release of mcd from 1993, now 79 min long 

and with 5 art-postcards, really beautiful €12,00 

* BASS COMMUNION - Ghosts on Magnetic Tape do-LP ToneFloat 

TF23 2006 luxurious vinyl re-edition, gatefold-cover, marbled 180gr 

colour-vinyl, with un-released 16 min. outtake on side 4, lim. 500 €30,00 

* BASS COMMUNION / VIDNA OBMANA - Continuum Recyclings 

Volume One do-LP ToneFloat TF27 2006 luxurious viny-edition with 

100% exclusive material, gatefold-cover, marbled colour-vinyl, lim. 500, 

180gr. vinyl €32,00 

* BLACK SUN PRODUCTIONS - The Impossibility of Silence do-CD 

Old Europa Cafe OECD 086 2006 thick gatefold-digipack / with 

contributions by LYDIA LUNCH, SUDDEN INFANT, SONNE HAGAL, 

etc.. €22,00 

* SSHE RETINA STIMULANTS - Colloidal Urban Semantika CD-R 

Old Europa Cafe OECDR 019 2006 lim./numb. 160 copies / 

professional cover €12,00 

* S.Q.E. - Rise of the Vulcans CD Old Europa Cafe OECD 080 2006 

feat. KRIS FORCE, URE THRALL, TONY WAKEFORD, ALAN 

TRENCH, TRACY JEFFREY... €13,00 

* RAPOON - Alien Glyph Morphology do-10" Caciocavallo CAL 030 

2006 art-edition / ed. of 224 in silkscreened wood-cover with colourful 

artworks on it, totally handmade & bound together, something you 

haven't seen before!!! €42,00

DRONE RECORDS, S. Knappe, GERTRUDENSTRASSE 32, 

28203 BREMEN, Germany www.dronerecords.de 

FAX & ANSWERPHONE : x49-(0)421-79 42 996 

e-mail: drone@dronerecords.de 

Mailing/Discussion-List: Subscribe to our mailing-list at: 

www.yahoogroups.com 

You can always download a formatted or PDF catalogue-version from 

the website! 

AGB // TERMS // ORDER & PAYMENT CONDITIONS: 

ORDERS : 

- via e-mail, fax, snail mail, answerphone [PLEASE STATE PRICES 

WITH YOUR ORDER !] 

- for telephonic orders speak on our answer-phone x49-421-7942996 

- minimum order: € 25.00 

- BACK-ORDERS: in general we do back-orders for titles not in stock, 

but re-orderable! please tell us if you don’t want that ! 

- RESERVATIONS: we do reservations if you want ! 

- ALL PRICES EXCLUSIVE POSTAGE! 

VERSANDKOSTEN / POSTAGE & TRANSPORT-COSTS: 

Deutschland: Versandpauschale versichertes Paket (DHL): € 5.00 

(große Bestellungen liefern wir portofrei oder -reduziert! ) 

Europe / Overseas : small orders be send as a letter package, or as 

letter, airmail or surface. Bigger orders as DHL-parcel (premium or 

economy) WE WILL INFORM YOU ABOUT COST OF YOUR ORDER 

BEFORE 

BITTE ERSATZTITEL ANGEBEN FALLS MÖGLICH ! PLEASE 

STATE SUBSTITUTIONAL TITLES IF YOU CAN ! 

BITTE IMMER PREISE MITANGEBEN ! 

PLEASE ALWAYS NOTE PRICES WHEN YOU ORDER ! 

PAYMENT / BEZAHLUNG: 

[Zahlung: Cash, Überweisung, Zahlungsanweisung, Scheck, paypal] 

[Payment: cash, money-order, bank-transfer, paypal, cheque] 

You can pay by using PAYPAL, please ask for details. 

[Bankverbindung: S. Knappe (nicht "Drone"), 

Kto. 177786-300 POSTBANK Hannover (BLZ 250 100 30)] 

IBAN-transfer: DE73250100300177786300 BIC: PBNKDEFF

CODES: - Drone Records

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