COUNTRY MUSIC LYRICS â Foundation - Foundationwebsite.org

COUNTRY MUSIC LYRICSVOLUME II17 NOVEMBER 2002Minor corrections and reformatting, 3 May 2004Corrected 18 June 2010ALL IN KEY OF A, UNLESS OTHERWISE INDICATED© 2004 Joseph George Caldwell. All rights reserved. Posted at Internet websites http://www.foundation.bw and http://www.foundationwebsite.org . May becopied or reposted for non-commercial use, with attribution.

FOREWORDThis is a second volume of lyrics to popular songs, to assist learning to play the guitar by ear, asdescribed in the article, How to Play the Guitar by Ear (for Mathematicians and Physicists), posted atInternet web sites http://www.foundation.bw and http://www.foundationwebsite.org . As discussed inthe foreword to Volume 1, the purpose of assembling these lyrics is to provide the student with a largenumber of songs from which he may choose ones for which he knows the melody and enjoys singing.Since everyone’s taste is different, and the student may not be familiar with the songs that I know(many from decades ago), it is the intention to provide a large number of popular songs from whichthe student may choose. I believe that learning the guitar is facilitated by practicing a number ofdifferent songs in a practice session, and playing each one only a couple of times, perhaps in acouple of different keys. In order to do this, it is important to have a large collection of lyrics available.As in Volume I, I have deliberately omitted noting the chords to be played on each song, if it is myopinion that the beginning student should be able to figure them out easily – e.g., chords are omittedfor most two-chord or three-chord songs. The purpose of this omission is to provide the student withthe opportunity of learning to determine which chord to use at each point of the song, quickly andautomatically. For more difficult songs, I indicate some of the chords, and for some songs, I providechords for the entire song. Where I indicate only a few chords, it is important to remember, as notedon the cover, that it is assumed that all songs are sung in the key of A, unless otherwise indicated.(There are a few songs for which the chords are relatively easy, but I have indicated themnevertheless. These are songs that I was to sing in public for some occasion, and I did not wish tomake a mistake.)In some cases, I have found songs already chorded, but in a fashion that is not convenient for theguitar (e.g., in the key of Bflat, or with many exotic chords). In most cases, I have removed the chordsor re-chorded them. In some cases, however, I have left the songs in “strange” keys or chordings, tobe modified as an exercise by the student.As was the case for Volume I, this volume includes mainly songs from country music, but it alsoincludes some non-country-music folk songs, rock and roll songs, popular songs, and gospel hymns.Many of the songs of this volume are copyrighted by others. In their original or available forms,however, they are not helpful for the beginning student of guitar (e.g., they are arranged for piano, orare written in a key that is not natural for the guitar, or are fully annotated with chords, or are in smallprint). To facilitate reading by the student as he plays the guitar, they are presented here in a large,easy-to-read font and with a strong attempt to keep the song to a single page in length. To facilitatehis progress in learning to play by ear, the chords have been removed in all simple cases. It is forthese reasons that I have, in cognizance of and in the spirit of the “fair use” doctrine of copyright law,reformatted these songs and presented them in the present volume.Good luck!Joseph George CaldwellLusaka, Zambiaii

TABLE OF CONTENTSABILENE ............................................................................................................................................. 1ACHY BREAKY HEART (DON'T TELL MY HEART) ........................................................................... 2ALL FOR THE LOVE OF A GIRL......................................................................................................... 3AN OLD LOVE AFFAIR NOW SHOWING ........................................................................................... 4ANY TIME ........................................................................................................................................... 5BACK IN THE SADDLE AGAIN ........................................................................................................... 6BAD MOON RISING ............................................................................................................................ 7BATTLE HYMN OF THE REPUBLIC ................................................................................................... 8BEAUTIFUL DREAMER .................................................................................................................... 10BLUE BAYOU.................................................................................................................................... 11BLUEBIRD ISLAND ........................................................................................................................... 12BLUE KENTUCKY GIRL ................................................................................................................... 13BLUE SUEDE SHOES ...................................................................................................................... 14BONAPARTE'S RETREAT ................................................................................................................ 15BONEY FINGERS ............................................................................................................................. 16BROKEN-HEARTED MELODY ......................................................................................................... 17BUTTONS AND BOWS ..................................................................................................................... 18CALENDAR GIRL .............................................................................................................................. 19CAROLINA IN THE MORNING ......................................................................................................... 20CHANGING PARTNERS ................................................................................................................... 21CHANTILLY LACE ............................................................................................................................ 22CIELITO LINDO (MY PRETTY DARLING) ........................................................................................ 23CITY OF NEW ORLEANS ................................................................................................................. 25CLEMENTINE ................................................................................................................................... 27CLEMENTINE ................................................................................................................................... 28COAL MINER'S DAUGHTER ............................................................................................................ 29CORDELIA BROWN.......................................................................................................................... 30COULD I HAVE THIS DANCE (from Urban Cowboy) ........................................................................ 31COUNTRY ROADS ........................................................................................................................... 32CRYING ............................................................................................................................................ 33DADDY SANG BASS ........................................................................................................................ 34DAY OH ............................................................................................................................................. 35DAY-O (THE BANANA BOAT SONG) ............................................................................................... 36DELILAH ........................................................................................................................................... 37DETROIT CITY .................................................................................................................................. 38DIXIE ................................................................................................................................................. 39DOIN' WHAT COMES NATUR'LLY ................................................................................................... 40DOMINIQUE ...................................................................................................................................... 42DON'T CRY FOR ME ARGENTINA ................................................................................................... 43DON'T LET GO ................................................................................................................................. 45DON'T LET THE STARS GET IN YOUR EYES ................................................................................. 47DON'T WORRY ................................................................................................................................. 48DOWN YONDER ............................................................................................................................... 49DREAM BABY (HOW LONG MUST I DREAM) ................................................................................. 50DREAM LOVER ................................................................................................................................ 51DRINK TO ME ONLY WITH THINE EYES ........................................................................................ 52DROP KICK ME, JESUS ................................................................................................................... 53iii

DRY BONES ..................................................................................................................................... 54EL PASO ........................................................................................................................................... 55EL PASO CITY .................................................................................................................................. 57EMPTY ARMS ................................................................................................................................... 59EVANGELINA.................................................................................................................................... 61EVERYBODY'S HAD THE BLUES .................................................................................................... 62FELEENA (FROM EL PASO) ............................................................................................................ 63FIVE BROTHERS .............................................................................................................................. 66FLESH AND BLOOD ......................................................................................................................... 67FLOWERS ON THE WALL ................................................................................................................ 69FOLSOM PRISON BLUES ................................................................................................................ 70FOR THE BEAUTY OF THE EARTH ................................................................................................. 71FOR THE GOOD TIMES ................................................................................................................... 72FOUR WALLS ................................................................................................................................... 73FRANKIE AND JOHNNY ................................................................................................................... 74FRANKIE AND JOHNNY ................................................................................................................... 76FREIGHT TRAIN ............................................................................................................................... 77FUNICULI, FUNICULA! ..................................................................................................................... 78GET A JOB ........................................................................................................................................ 79GONE ................................................................................................................................................ 80GRANADA ......................................................................................................................................... 81GREAT BALLS OF FIRE ................................................................................................................... 83GREAT IS THY FAITHFULNESS ...................................................................................................... 84GREENSLEEVES ............................................................................................................................. 85GUANTANAMERA ............................................................................................................................ 86HARBOR LIGHTS ............................................................................................................................. 88HEARTACHES .................................................................................................................................. 90HEARTBREAK HOTEL ..................................................................................................................... 91HELLO MARY LOU ........................................................................................................................... 92HELP ME MAKE IT THROUGH THE NIGHT ..................................................................................... 93HERE COMES THE HURT AGAIN .................................................................................................... 94HE STOPPED LOVING HER TODAY ............................................................................................... 95HEY, WON'T YOU PLAY ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG ................ 96HIGHWAY PATROLMAN .................................................................................................................. 97HOME ON THE RANGE .................................................................................................................... 99HONEY WON'T YOU OPEN THAT DOOR ...................................................................................... 100HOUND DOG .................................................................................................................................. 101HOUSE OF THE RISING SUN ........................................................................................................ 102HOUSE OF THE RISING SUN ........................................................................................................ 103HOW GREAT THOU ART ............................................................................................................... 104HOW LONG HAS IT BEEN .............................................................................................................. 105I ALMOST LOST MY MIND ............................................................................................................. 106I CAN'T STOP LOVING YOU .......................................................................................................... 107I COULD HAVE DANCED ALL NIGHT ............................................................................................ 108I DON'T CARE ................................................................................................................................. 109IF I HAD A HAMMER (THE HAMMER SONG) ................................................................................ 110I LOVE PARIS ................................................................................................................................. 111I'M SO LONESOME I COULD CRY ................................................................................................. 112I'M SORRY ...................................................................................................................................... 113I'M WALKING BEHIND YOU (LOOK OVER YOUR SHOULDER) ................................................... 114IN DREAMS .................................................................................................................................... 115iv

I REALLY DON'T WANT TO KNOW ................................................................................................ 116I SAW THE LIGHT ........................................................................................................................... 117IS THAT ALL THERE IS? ................................................................................................................ 118IT IS NO SECRET ........................................................................................................................... 120IT'S HARD TO BE HUMBLE ............................................................................................................ 121IT'S NOW OR NEVER ..................................................................................................................... 122IT'S STILL ROCK AND ROLL TO ME .............................................................................................. 123I'VE GOT A TIGER BY THE TAIL .................................................................................................... 125I'VE GOT NO USE FOR THE WOMEN ........................................................................................... 126I WASHED MY HANDS IN MUDDY WATER ................................................................................... 128I WONDER WHO'S KISSING HER NOW ........................................................................................ 129JAILHOUSE ROCK ......................................................................................................................... 130JIMMY BROWN THE NEWSBOY .................................................................................................... 132JOHN BROWN'S BODY .................................................................................................................. 133JOHN HENRY ................................................................................................................................. 134JOHNNY I HARDLY KNEW YE ....................................................................................................... 136JOSÉ CUERVO ............................................................................................................................... 138JOSHUA (FIT THE BATTLE OF JERICHO) .................................................................................... 139KING OF THE ROAD ...................................................................................................................... 140KISSES SWEETER THAN WINE .................................................................................................... 141KNOCK THREE TIMES ................................................................................................................... 142LA VIE EN ROSE ............................................................................................................................ 143LISTEN TO THE MOCKINGBIRD.................................................................................................... 145LITTLE JOE, THE WRANGLER ...................................................................................................... 146LONELY STREET ........................................................................................................................... 148LORD, I HOPE THIS DAY IS GOOD ............................................................................................... 149LOVE IN THE HOT AFTERNOON ................................................................................................... 150MARGARITAVILLE ......................................................................................................................... 151MASTER'S CALL ............................................................................................................................. 152MAYBE BABY ................................................................................................................................. 154MCNAMARA'S BAND ...................................................................................................................... 155MCNAMARA'S BAND ...................................................................................................................... 156MIDNIGHT, ME AND THE BLUES .................................................................................................. 157MISTER SANDMAN ........................................................................................................................ 158MONA LISA ..................................................................................................................................... 159MOODY BLUE ................................................................................................................................. 160MOONLIGHT GAMBLER ................................................................................................................ 161MY HEART CRIES FOR YOU ......................................................................................................... 162MY TRULY, TRULY FAIR ................................................................................................................ 163MY TRULY, TRULY FAIR ................................................................................................................ 164NEVER ON SUNDAY ...................................................................................................................... 166NINETY MILES AN HOUR (DOWN A DEAD-END STREET) .......................................................... 167NON, JE NE REGRETTE RIEN ....................................................................................................... 168NORTH TO ALASKA ....................................................................................................................... 169NORTH WIND ................................................................................................................................. 171OH BABY MINE (I GET SO LONELY) ............................................................................................. 172OH, OH, I'M FALLING IN LOVE AGAIN .......................................................................................... 173OH, PRETTY WOMAN .................................................................................................................... 174OLD DOGS, CHILDREN AND WATERMELON WINE ..................................................................... 175ONE DAY AT A TIME ...................................................................................................................... 176ONE HAS MY NAME, THE OTHER HAS MY HEART ..................................................................... 177v

ONE NIGHT .................................................................................................................................... 178ONLY THE LONELY (KNOW THE WAY I FEEL) ............................................................................ 179ON THE WINGS OF A DOVE .......................................................................................................... 180ORANGE BLOSSOM SPECIAL ...................................................................................................... 181PADRE ............................................................................................................................................ 182PANCHO & LEFTY .......................................................................................................................... 183PEGGY SUE ................................................................................................................................... 185PICK THE WILDWOOD FLOWER ................................................................................................... 186PISTOL PACKIN' MAMA ................................................................................................................. 187PRAIRIE FIRE ................................................................................................................................. 189PROUD MARY ................................................................................................................................ 191PUFF THE MAGIC DRAGON .......................................................................................................... 192QUE SERA, SERA (WHATEVER WILL BE, WILL BE) .................................................................... 193RAINY DAY WOMAN ...................................................................................................................... 195RED RIVER VALLEY ....................................................................................................................... 196RED RIVER VALLEY ....................................................................................................................... 197RIDE COWBOY RIDE ..................................................................................................................... 198RIGHT OR WRONG ........................................................................................................................ 200RING OF FIRE ................................................................................................................................ 201ROCK ABOUT MY SARO JANE...................................................................................................... 202ROCK AND ROLL IS HERE TO STAY ............................................................................................ 203ROCK AROUND THE CLOCK ........................................................................................................ 204ROCK AROUND THE CLOCK ........................................................................................................ 205THE ROCK ISLAND LINE ............................................................................................................... 206ROCK ISLAND LINE ....................................................................................................................... 207ROCK OF AGES ............................................................................................................................. 208ROCKY TOP ................................................................................................................................... 210ROLL IN MY SWEET BABY'S ARMS .............................................................................................. 211RUNNING GUN ............................................................................................................................... 212SAGINAW, MICHIGAN .................................................................................................................... 214SAN ANGELO ................................................................................................................................. 215SAN ANGELO ................................................................................................................................. 217SAN QUENTIN ................................................................................................................................ 219SCARBOROUGH FAIR ................................................................................................................... 220SCHOOL DAYS ............................................................................................................................... 221SEA OF HEARTBREAK .................................................................................................................. 222SHE'S GOT YOU ............................................................................................................................. 223SHE THINKS I STILL CARE ............................................................................................................ 224SHOULD I COME HOME (OR SHOULD I GO CRAZY) ................................................................... 225SINCE I MET YOU BABY ................................................................................................................ 226SIXTEEN TONS .............................................................................................................................. 227SMOKE GETS IN YOUR EYES ....................................................................................................... 228SNOWBIRD ..................................................................................................................................... 229SOLAMENTE UNA VEZ (YOU BELONG TO MY HEART) .............................................................. 230SOLDIER'S LAST LETTER ............................................................................................................. 231SONG SUNG BLUE ........................................................................................................................ 232SPLISH SPLASH ............................................................................................................................. 233SQUAWS ALONG THE YUKON...................................................................................................... 234STAGGER LEE ............................................................................................................................... 235STAND BY ME ................................................................................................................................ 236STAY ALL NIGHT (STAY A LITTLE LONGER) ............................................................................... 237vi

STRAWBERRY ROAN .................................................................................................................... 238SWEET CAROLINE......................................................................................................................... 240TEDDY BEARS’ PICNIC ................................................................................................................. 241THE AUCTIONEER ......................................................................................................................... 244THE BALLAD OF IRA HAYES ......................................................................................................... 247THE BANANA BOAT SONG ............................................................................................................ 249THE CAT CAME BACK ................................................................................................................... 250THE DRUNKEN SAILOR ................................................................................................................. 252THE GIRL FROM IPANEMA (GAROTE DE IPANEMA) ................................................................... 253THE GIRL THAT I MARRY .............................................................................................................. 254THE HAPPY WANDERER............................................................................................................... 255THE LAST FAREWELL ................................................................................................................... 256THE LITTLE GREEN VALLEY ......................................................................................................... 257THE LITTLE OLD LADY FROM PASADENA .................................................................................. 258THE LONG BLACK VEIL ................................................................................................................. 259THE MAGIC TOUCH ....................................................................................................................... 260THE MOST BEAUTIFUL GIRL ........................................................................................................ 261THE OLD LAMPLIGHTER ............................................................................................................... 262THE OLD RUGGED CROSS ........................................................................................................... 263THE RACE IS ON ............................................................................................................................ 264THERE WON'T BE ANYMORE ....................................................................................................... 265THE ROCK ISLAND LINE ............................................................................................................... 266THE ROVING GAMBLER ................................................................................................................ 267THE ROVING KIND ......................................................................................................................... 268THE STAR SPANGLED BANNER ................................................................................................... 270THE STRAWBERRY ROAN ............................................................................................................ 272THE STREETS OF LAREDO .......................................................................................................... 275THE THIRD MAN THEME ............................................................................................................... 276THE UNCLOUDED DAY ................................................................................................................. 277THE WABASH CANNONBALL ........................................................................................................ 278THE WILD COLONIAL BOY ............................................................................................................ 279THEY'RE HANGING ME TONIGHT................................................................................................. 280THINGS ........................................................................................................................................... 281THIS IS MY FATHER'S WORLD ..................................................................................................... 282THIS LAND IS YOUR LAND ............................................................................................................ 284THOSE WERE THE DAYS .............................................................................................................. 285TINY BUBBLES ............................................................................................................................... 286TO EACH HIS OWN ........................................................................................................................ 287TOM DOOLEY ................................................................................................................................. 288TRAVELIN' MAN ............................................................................................................................. 289TRYING TO LOVE TWO WOMEN .................................................................................................. 290TULSA TIME ................................................................................................................................... 291TURN YOUR RADIO ON ................................................................................................................. 292TWILIGHT TIME .............................................................................................................................. 293UNDER THE BOARDWALK ............................................................................................................ 294UTAH CAROL ................................................................................................................................. 295WAKE UP LITTLE SUSIE ................................................................................................................ 297WALTZING MATILDA ...................................................................................................................... 298WALTZING MATILDA ...................................................................................................................... 300WALTZING MATILDA ...................................................................................................................... 302WHAT PART OF NO DON'T YOU UNDERSTAND ......................................................................... 304vii

WHEN THE ROLL IS CALLED UP YONDER .................................................................................. 305WHEN THE SAINTS GO MARCHING IN ........................................................................................ 306WHEN YOU'RE HOT YOU'RE HOT ................................................................................................ 307WHERE HAVE ALL THE FLOWERS GONE ................................................................................... 309WHISPERING HOPE ...................................................................................................................... 311WILLKOMMEN ................................................................................................................................ 312WILL THE CIRCLE BE UNBROKEN ............................................................................................... 313WILL THE CIRCLE BE UNBROKEN ............................................................................................... 314WILL THE CIRCLE BE UNBROKEN ............................................................................................... 315WINCHESTER CATHEDRAL .......................................................................................................... 316WITH THIS RING I THEE WED ....................................................................................................... 317WUNDERBAR ................................................................................................................................. 318YELLOW BIRD ................................................................................................................................ 319YELLOW RIVER .............................................................................................................................. 320Y.M.C.A ........................................................................................................................................... 321YOU ARE MY SUNSHINE ............................................................................................................... 323YOU CAN GET IT IF YOU REALLY WANT ..................................................................................... 324YOU MADE ME LOVE YOU ............................................................................................................ 325YOU NEVER EVEN CALLED ME BY MY NAME ............................................................................. 326YOU'RE MY BEST FRIEND ............................................................................................................ 328YOU'RE THE ONLY WORLD I KNOW ............................................................................................ 329viii

ABILENEGEORGE HAMILTON IVLESTER BROWN, JOHN D LOUDERMILK & BOB GIBSON(G) ABILENE, (B7) ABILENE, (C) PRETTIEST TOWN I'VE EVER (G) SEEN(A7) WOMEN THERE WILL (D7) TREAT YOU MEANIN ABIL(G)ENE, MY (C) ABIL(G)ENEI SIT ALONE, 'MOST EVERY NIGHTWATCH THOSE TRAINS PULL OUT OF SIGHTDON'T I WISH THEY WERE CARRYING ME BACKTO ABILENE, MY ABILENEABILENE, ABILENE, PRETTIEST TOWN I'VE EVER SEENWOMEN THERE WILL TREAT YOU MEANCROWDED CITY, THERE AIN'T NOTHING FREENOTHING IN THIS TOWN FOR MEWISH TO THE LORD THAT I COULD BEIN ABILENE, SWEET ABILENE(REPEAT ENTIRE SONG)

ACHY BREAKY HEART (DON'T TELL MY HEART)BILLY RAY CYRUSDON VON TRESSYOU CAN TELL THE WORLD YOU NEVER WAS MY GIRLYOU CAN BURN MY CLOTHES WHEN I'M GONEOR YOU CAN TELL YOUR FRIENDS JUST WHAT A FOOL I'VE BEENAND LAUGH AND JOKE ABOUT ME ON THE PHONEYOU CAN TELL MY ARMS GO BACK TO THE FARMYOU CAN TELL MY FEET TO HIT THE FLOOROR YOU CAN TELL MY LIPS TO TELL MY FINGERTIPSTHEY WON'T BE REACHING OUT FOR YOU NO MORE(CHORUS) BUT DON'T TELL MY HEART, MY ACHY BREAKY HEARTI JUST DON'T THINK HE'D UNDERSTANDAND IF YOU TELL MY HEART, MY ACHY BREAKY HEARTHE MIGHT BLOW UP AND KILL THIS MAN, OOH,YOU CAN TELL YOUR MA, I MOVED TO ARKANSASYOU CAN TELL YOUR DOG TO BITE MY LEGOR TELL YOUR BROTHER CLIFF, WHOSE FIST CAN TELL MY LIPHE NEVER REALLY LIKED ME ANYWAYOR YOU CAN TELL YOUR AUNT LOUISE, TELL ANYTHING YOU PLEASEMYSELF ALREADY KNOWS I'M NOT OKAYOR YOU CAN TELL MY EYES, TO WATCH OUT FOR MY MINDIT MIGHT BE WALKING OUT ON ME TODAY (CHORUS)BUT DON'T TELL MY HEART, MY ACHY BREAKY HEARTI JUST DON'T THINK HE'D UNDERSTANDAND IF YOU TELL MY HEART, MY ACHY BREAKY HEARTHE MIGHT BLOW UP AND KILL THIS MAN, OOH2

ALL FOR THE LOVE OF A GIRLJOHNNY HORTONWELL, TODAY I'M SO WEARY, TODAY I'M SO BLUESAD AND BROKEN-HEARTED AND IT'S ALL BECAUSE OF YOULIFE WAS SO SWEET, DEAR, LIFE WAS A SONGNOW YOU'VE GONE AND LEFT ME, OH, WHERE DO I BELONG?AND IT'S ALL FOR THE LOVE OF A DEAR LITTLE GIRLALL FOR THE LOVE THAT SETS YOUR HEART IN A WHIRLI'M A MAN WHO'D GIVE HIS LIFE AND THE JOYS OF THIS WORLDALL FOR THE LOVE OF A GIRL(INSTRUMENTAL)AND IT'S ALL FOR THE LOVE OF A DEAR LITTLE GIRLALL FOR THE LOVE THAT SETS YOUR HEART IN A WHIRLI'M A MAN WHO'D GIVE HIS LIFE AND THE JOYS OF THIS WORLDALL FOR THE LOVE OF A GIRL3

AN OLD LOVE AFFAIR NOW SHOWINGLEROY VAN DYKE(CHORUS) AN OLD LOVE AFFAIR NOW SHOWINGI’M PRETENDING I NO LONGER CAREBUT FOR THOSE WHO KNOW ME WELLTHE MARQEE CLEARLY SPELLSAN OLD LOVE AFFAIR NOW SHOWINGTHIS IS ALL I CAN REMEMBER OF THIS SONG. I E-MAILED LEROY VANDYKE’S INTERNET SITE AND ASKED FOR THE WORDS. MRS. VAN DYKESAID THAT LEROY THOUGHT THAT THE LYRICS WERE IN STORAGESOMEWHERE OUT IN THE GARAGE, AND THAT SHE WOULD SEND THEMTO ME IF AND WHEN HE CAME ACROSS THEM.4

ANY TIMEEDDY ARNOLD, GHERBERT HAPPY LAWSON(G) ANY (E7) TIME YOU'RE FEELING (A7) LONELYANY (D7) TIME YOU'RE FEELING (G) BLUEANY (C) TIME (Cm) YOU FEEL DOWN(G)HEARTED(E7) THAT WILL (A7) PROVE YOUR LOVE FOR ME IS (D7) TRUE(G) ANY (E7) TIME YOU'RE THINKING (A7) 'BOUT METHAT'S THE (D7) TIME I'LL BE THINKING OF (B7) YOUSO ANY (E7) TIME YOU SAY YOU (A7) WANT ME BACK AGAINTHAT'S THE (D7) TIME I'LL COME BACK HOME TO (G) YOU(REPEAT)5

BACK IN THE SADDLE AGAINGENE AUTRY, GRAY WHITLEY AND GENE AUTRY(C) I'M BACK IN THE (G7) SADDLE A(C)GAIN(F) OUT WHERE A FRIEND IS A (C) FRIENDWHERE THE (F) LONG-HORNED CATTLE FEEDON THE (C) LOWLY JIMSON (A7) WEEDI'M (D7) BACK IN THE (Am7) SADDLE A(G7)GAINI'M RIDING THE RANGE ONCE MORETOTIN' MY OLD FORTY-FOURWHERE YOU SLEEP OUT EVERY NIGHTWHERE THE ONLY LAW IS "RIGHT"I'M (D9) BACK IN THE (G7) SADDLE (C) AGAIN(C7) WHOOPY-(F)TI-YI-YO(C) ROCKING TO AND FRO'BACK IN THE SADDLE A(G7)GAIN(C7) WHOOPY-(F)TI-YI-YAY(C) I'LL BE ON MY WAY (I GO MY WAY)(D9) BACK IN THE (G7) SADDLE A(C)GAIN6

BAD MOON RISINGCREEDENCE CLEARWATER REVIVALJ.C. FOGERTYI SEE THE BAD MOON ARISINGI SEE TROUBLE ON THE WAYI SEE EARTHQUAKES AND LIGHTNIN'I SEE BAD TIMES TODAY(CHORUS:) DON'T GO AROUND TONIGHTWELL, IT'S BOUND TO TAKE YOUR LIFETHERE'S A BAD MOON ON THE RISEI HEAR HURRICANES A-BLOWINGI KNOW THE END IS COMING SOONI FEAR RIVERS OVERFLOWINGI HEAR THE VOICE OF RAGE AND RUIN (CHORUS)ALL RIGHT!HOPE YOU GOT YOUR THINGS TOGETHERHOPE YOU ARE QUITE PREPARED TO DIELOOKS LIKE WE'RE IN FOR NASTY WEATHERONE EYE IS TAKEN FOR AN EYE (CHORUS)7

BATTLE HYMN OF THE REPUBLICWORDS BY JULIA WARD HOWE, MUSIC "JOHN BROWN'S BODY",19TH CENTURY AMERICAN CAMP MEETING TUNEMINE EYES HAVE SEEN THE GLORY OF THE COMING OF THE LORDHE IS TRAMPLING OUT THE VINTAGE WHERE THE GRAPES OF WRATHARE STOREDHE HATH LOOSED THE FATEFUL LIGHTNING OF HIS TERRIBLE SWIFTSWORDHIS TRUTH IS MARCHING ONGLORY! GLORY! HALLELUJAH! GLORY! GLORY! HALLELUJAH!GLORY! GLORY! HALLELUJAH! HIS TRUTH IS MARCHING ONI HAVE SEEN HIM IN THE WATCH FIRES OF A HUNDRED CIRCLINGCAMPSTHEY HAVE BUILDED HIM AN ALTAR IN THE EVENING DEWS AND DAMPSI CAN READ HIS RIGHTEOUS SENTENCE BY THE DIM AND FLARINGLAMPSHIS DAY IS MARCHING ONGLORY! GLORY! HALLELUJAH! GLORY! GLORY! HALLELUJAH!GLORY! GLORY! HALLELUJAH! HIS DAY IS MARCHING ONI HAVE READ A FIERY GOSPEL WRIT IN BURNISHED ROWS OF STEEL“AS YE DEAL WITH MY CONTEMNERS, SO WITH YOU MY GRACE SHALLDEAL”LET THE HERO, BORN OF WOMAN, CRUSH THE SERPENT WITH HISHEELSINCE GOD IS MARCHING ONGLORY! GLORY! HALLELUJAH! GLORY! GLORY! HALLELUJAH!GLORY! GLORY! HALLELUJAH! SINCE GOD IS MARCHING ONHE HAS SOUNDED FORTH THE TRUMPET THAT SHALL NEVER CALLRETREATHE IS SIFTING OUT THE HEARTS OF MEN BEFORE HIS JUDGMENT SEATOH, BE SWIFT, MY SOUL, TO ANSWER HIM! BE JUBILANT, MY FEETOUR GOD IS MARCHING ONGLORY! GLORY! HALLELUJAH! GLORY! GLORY! HALLELUJAH!GLORY! GLORY! HALLELUJAH! OUR GOD IS MARCHING ON8

IN THE BEAUTY OF THE LILIES CHRIST WAS BORN ACROSS THE SEAWITH A GLORY IN HIS BOSOM THAT TRANSFIGURES YOU AND MEAS HE DIED TO MAKE MEN HOLY, LET US LIVE TO MAKE MEN FREE(ORIGINALLY: “AS HE DIED TO MAKE MEN HOLY, LET US DIE TO MAKEMEN FREE”)WHILE GOD IS MARCHING ONGLORY! GLORY! HALLELUJAH! GLORY! GLORY! HALLELUJAH!GLORY! GLORY! HALLELUJAH! WHILE GOD IS MARCHING ONHE IS COMING LIKE THE GLORY OF THE MORNING ON THE WAVEHE IS WISDOM TO THE MIGHTY, HE IS HONOR TO THE BRAVESO THE WORLD SHALL BE HIS FOOTSTOOL, AND THE SOUL OF WRONGHIS SLAVEOUR GOD IS MARCHING ONGLORY! GLORY! HALLELUJAH! GLORY! GLORY! HALLELUJAH!GLORY! GLORY! HALLELUJAH! OUR GOD IS MARCHING ON9

BEAUTIFUL DREAMERSTEPHEN C FOSTER, 1861, D(D) BEAUTIFUL DREAMER, (Em) WAKE UNTO (G) ME(A7) STARLIGHT AND DEWDROPS ARE WAITING FOR (D) THEESOUNDS OF THE RUDE WORLD, (Em) HEARD IN THE (G) DAY(A7) LULLED BY THE MOONLIGHT HAVE ALL PASSED A(D)WAY(A7) BEAUTIFUL DREAMER, (D) QUEEN OF MY SONG(E7) LIST WHILE I WOO THEE WITH (A) SOFT MELODY(D) GONE ARE THE CARES OF (Em) LIFE'S BUSY (G) THRONG(A7) BEAUTIFUL DREAMER, AWAKE UNTO (D) ME!(G) BEAUTIFUL (D) DREAMER, A(A)WAKE UNTO (D) ME!(D) BEAUTIFUL DREAMER, (Em) OUT IN THE (G) SEA(A7) MERMAIDS ARE CHANTING THE WILD LORE(D)LEIOVER THE STREAMLET (Em) VAPORS ARE (G) BORNE(A7) WAITING TO FADE AT THE BRIGHT COMING (D) MORN(A7) BEAUTIFUL DREAMER, (D) BEAM ON MY HEART(E7) E'EN AS THE MORN ON THE (A) STREAMLET AND SEA(D) THEN WILL ALL CLOUDS OF (Em) SORROW DE(G)PART(A7) BEAUTIFUL DREAMER, AWAKE UNTO (D) ME!(G) BEAUTIFUL (D) DREAMER, A(A)WAKE UNTO (D) ME!10

BLUE BAYOULINDA RONSTADT, LYNN ANDERSON, EROY ORBISON - JOE MELSONI FEEL SO BAD I'VE GOT A WORRIED MINDI'M SO LONESOME ALL THE TIMESINCE I LEFT MY BABY BEHIND ON BLUE BAYOUSAVING NICKELS, SAVING DIMESWORKING TILL THE SUN DON'T SHINELOOKING FORWARD TO HAPPIER TIMES ON BLUE BAYOUI'M GOING BACK SOME DAY COME WHAT MAY TO BLUE BAYOUWHERE YOU SLEEP ALL DAY AND THE CATFISH PLAY ON BLUE BAYOUALL THOSE FISHING BOATS WITH THEIR SAILS AFLOATIF I COULD ONLY (Am) SEETHAT FAMILIAR SUNRISE THROUGH SLEEPY EYES HOW HAPPY I'D BEGONNA SEE MY BABY AGAINGONNA BE WITH SOME OF MY FRIENDSMAYBE I'D BE HAPPY THEN ON BLUE BAYOUSAVING NICKELS, SAVING DIMESWORKING TILL THE SUN DON'T SHINELOOKING FORWARD TO HAPPIER TIMES ON BLUE BAYOUI'M GOING BACK SOME DAY, GONNA STAY ON BLUE BAYOUWHERE THE FOLKS ARE FINE AND THE WORLD IS MINE ON BLUEBAYOUAH, THAT GIRL OF MINE BY MY SIDE, THE SILVER MOON AND THEEVENING TIDEOH, SOME SWEET DAY GONNA TAKE AWAY THIS HURTIN' INSIDEI'LL NEVER BE BLUE, MY DREAMS COME TRUE ON BLUE BAYOU11

BLUEBIRD ISLANDHANK SNOW & ANITA CARTER, CHANK SNOW(C) MY (G7) SHIP SET (C) SAIL TO (F) BLUEBIRD (C) ISLANDAND SLOWLY (G7) DRIFTED OUT TO (C) SEAHER (G7) SILVER (C) SAILS TO (F) CROSS THE (C) OCEANMY LOVER'S (G7) LONELY HEART SET (C) FREE(C) THEN OUT A(F)CROSS THE (C) WAVES, THE (G7) BLUEBIRDS (C)CAME ONE DAYOUT (G7) O'ER THE SILVER SEA, YOUR (C) MESSAGE BROUGHT TO METO (D) SAIL MY SHIP OF LOVE ALONG THE (G7) MOONLIT BAYAND (D) ANCHOR IN THE HARBOR OF YOUR (G7) HEART(NC) THE TRADE WINDS (C) THERE ON (F) BLUEBIRD (C) ISLANDSOON DRIED HER (G7) LONELY TEARS A(C) WAYTHE (G7) TREASURE (C) I FOUND (F) BROKEN(C)HEARTEDWAS LOCKED (G7) WITHIN MY HEART TO (C) STAY12

BLUE KENTUCKY GIRLEMMYLOU HARRIS, GJOHNNY MULLEN(G) YOU LEFT ME FOR THE (C) BRIGHT LIGHT OF THE (G) TOWNA (A7) COUNTRY BOY SET OUT TO SEE THE (D) WORLDRE(G)MEMBER WHEN THOSE (C) NEON LIGHTS SHINE (G) DOWNTHAT BIG OLD (A7) MOON SHINES ON (D) YOUR KENTUCKY (G) GIRLI SWEAR I (C) LOVE YOU BY THE MOON A(G)BOVE YOUHOW (A7) BRIGHT IS IT SHINING IN YOUR (D) WORLD (D7)SOME (G) MORNING WHEN YOU (C) WAKE UP ALL A(G)LONEJUST COME ON (A7) HOME TO YOUR (D) BLUE KENTUCKY (G) GIRL(INSTRUMENTAL)DON'T WAIT TO BRING GREAT RICHES HOME TO MEI NEED NO DIAMOND RINGS OR FANCY PEARLSJUST BRING YOURSELF YOU'RE ALL I'LL EVER NEEDTHAT'S GOOD ENOUGH FOR THIS BLUE KENTUCKY GIRLI SWEAR I LOVE YOU BY THE MOON ABOVE YOUHOW BRIGHT IS IT SHINING IN YOUR WORLDSOME MORNING WHEN YOU WAKE UP ALL ALONEJUST COME ON HOME TO YOUR BLUE KENTUCKY GIRLJUST COME ON HOME TO YOUR BLUE KENTUCKY GIRL13

BLUE SUEDE SHOESELVIS PRESLEYWORDS AND MUSIC BY CARL PERKINSWELL, IT'S ONE FOR THE MONEYTWO FOR THE SHOWTHREE TO GET READYNOW GO, CAT, GOBUT DON'T YOU STEP ON MY BLUE SUEDE SHOESYOU CAN DO ANYTHING BUT LAY OFF OF MY BLUE SUEDE SHOESWELL, YOU CAN KNOCK ME DOWNSTEP IN MY FACESLANDER MY NAMEALL OVER THE PLACEDO ANYTHING THAT YOU WANT TO DO, BUT UH-UH,HONEY, LAY OFF OF MY SHOESDON'T YOU STEP ON MY BLUE SUEDE SHOESYOU CAN DO ANYTHING BUT LAY OFF OF MY BLUE SUEDE SHOESYOU CAN BURN MY HOUSESTEAL MY CARDRINK MY LIQUORFROM AN OLD FRUITJARDO ANYTHING THAT YOU WANT TO DO, BUT UH-UH,HONEY, LAY OFF OF MY SHOESDON'T YOU STEP ON MY BLUE SUEDE SHOESYOU CAN DO ANYTHING BUT LAY OFF OF MY BLUE SUEDE SHOES14

BONAPARTE'S RETREATREDD STUART, PEE WEE KING, CMET THE (C) GIRL I LOVE IN A TOWN WAY DOWN IN DIXIE'NEATH THE STARS ABOVE SHE WAS THE SWEETEST GIRL I EVER DIDSEESO I TOOK HER IN MY ARMS AND (G7) TOLD HER OF HER MANYCHARMSI (C) KISSED HER WHILE THE FIDDLES PLAYED THE (G7) BONAPARTE'SRE(C)TREATALL THE (C7) WORLD WAS BRIGHT AS I HELD HER ON THAT NIGHTAND I HEARD HER SAY, "PLEASE DON'T EVER GO AWAY"(C) SO I HELD HER IN MY ARMS AND (G7) TOLD HER OF HER MANYCHARMSI (C) KISSED HER WHILE THE FIDDLES PLAYED THE (G7) BONAPARTE'SRE(C)TREAT15

BONEY FINGERSHOYT AXTON, RENEE ARMANDRAIN COMIN' DOWN FROM THE ROOF WON'T HOLD HERWELL, I LOST MY JOB AND I FEEL A LITTLE OLDERCAR WON'T RUN AND OUR LOVE'S GROWN COLDERMAYBE THINGS'LL GET A LITTLE BETTER IN THE MORNINGMAYBE THINGS'LL GET A LITTLE BETTEROUR CLOTHES NEED WASHIN' AND THE FIRE WON'T STARTKIDS ALL CRYING AND YOU'RE BREAKIN' MY HEARTWHOLE DAMN PLACE IS FALLIN' APART, BUTMAYBE THINGS'LL GET A LITTLE BETTER IN THE MORNINGMAYBE THINGS'LL GET A LITTLE BETTER(REFRAIN, LOW) WORK YOUR FINGERS TO THE BONE, WHAT D'YOUGET? BONEY FINGERS, BONEY FINGERSI'VE BEEN BROKE AS LONG AS I REMEMBERWELL I GET A LITTLE MONEY, I GOTTA RUN AND SPEND 'ERWHEN I TRY TO SAVE IT PRETTY WOMAN COME AND TAKE IT, SAYIN'MAYBE THINGS'LL GET A LITTLE BETTER IN THE MORNINGMAYBE THINGS'LL GET A LITTLE BETTER (REFRAIN)(INSTRUMENTAL)GRASS WON'T GROW WHEN THE SUN'S TOO HOTWHOLE DARN WORLD IS GOIN' TO POTMIGHT AS WELL LIKE IT SINCE YOU'RE ALL THAT I GOTMAYBE THINGS'LL GET A LITTLE BETTER IN THE MORNINGMAYBE THINGS'LL GET A LITTLE BETTER (REFRAIN)(REPEAT FIRST VERSE, PLUS REFRAIN TWICE)16

BROKEN-HEARTED MELODYSARAH VAUGHN, CLYRIC BY HAL DAVID, MUSIC BY SHERMAN EDWARDS(C) BROKEN-HEARTED MELODY, (G) ONCE YOU WERE OUR (C) SONG OFLOVENOW YOU JUST KEEP TAUNTING ME, (G) WITH THE (C) MEMORY OF(NC) HER TENDER LOVE, OH(C) BROKEN-HEARTED (Am) MELODY(C) MUST YOU KEEP RE(Am)MINDING ME(F) OF THE LIPS I (G7) LONG TO KISS(F) AND THE LOVE I (G7) MISSSINCE SHE WENT A(C)WAY(G7) NIGHT AND DAY THEY (C) PLAY. THAT(C) BROKEN-HEARTED (Am) MELODY(C) THAT HE USED TO (Am) SING TO ME(F) WHEN OUR LOVE WAS (G7) YOUNG AND BRIGHT(F) AS HE HELD ME (G7) TIGHTSUDDENLY I (C) FOUND(G7) I WAS HEAVEN-(C)BOUNDBROKEN-HEARTED MELODY, ONCE YOU WERE OUR SONG OF LOVENOW YOU JUST KEEP TAUNTING ME, WITH THE MEMORY OFHER A-TENDER LOVE, OHBROKEN-HEARTED MELODYWON'T YOU BRING HER BACK TO ME?SING TO HER UNTIL SHE YEARNSFOR WHEN SHE RETURNSNO MORE WILL YOU (C) BE(C) A BROKEN-(G7)HEARTED (C) MELODYOOH-UH-OOH-UH-OOH-UH-OOH-UH-OOH-UH-OOH-OOHOOH-UH-OOH-UH-OOH-UH-OOH-UH-OOH-UH-OOH-OOHMM-MM-MM-MM-MMM M-MMM-MMM17

BUTTONS AND BOWSJAY LIVINGSTON AND RAY EVANS, CFROM THE MUSICAL “THE PALEFACE” (1948, BOB HOPE, JANE RUSSELL)(C) EAST IS (Am) EAST AND (C) WEST IS (Am) WESTAND THE (C) WRONG ONE (Am) I HAVE (C) CHOSE(F) LET'S GO WHERE YOU'LL (C) KEEP ON (F) WEARIN'THOSE (C) FRILLS AND (Am) FLOWERS AND (C) BUTTONS AND (Am)BOWS(C) RINGS AND (Am) THINGS AND (G7) BUTTONS AND (C) BOWSDON'T BURY ME IN THIS PRAIRIETAKE ME WHERE THE CEMENT GROWSLET'S MOVE DOWN IN SOME BIG TOWNWHERE THEY LOVE A GAL BY THE CUT OF HER CLOTHESAND YOU'LL STAND OUT IN BUTTONS AND BOWS(C7) I'LL (F) LOVE YOU IN BUCKSKINOR SKIRTS THAT YOU'VE HOME(C)SPUNBUT I'LL LOVE YOU LONGER, STRONGERWHERE YOUR (D9) FRIENDS DON'T TOTE A (G7) GUNMY BONES DENOUNCE THE BUCKBOARD BOUNCEAND THE CACTUS HURTS MY TOESLET'S VAMOOSE WHERE GALS KEEP USIN'THOSE SILKS AND SATINS AND LINEN THAT SHOWSAND YOU'RE ALL MINE IN BUTTONS AND (C) BOWSGIMME (G7) EASTERN TRIMMIN' WHERE (C) WOMEN ARE WOMENIN (G7) HIGH SILK HOSE AND (C) PEEK-A-BOO CLOTHESAND (G7) FRENCH PERFUME THAT (C) ROCKS THE ROOMAND (G7) YOU'RE ALL MINE IN BUTTONS AND (C) BOWS18

CALENDAR GIRLRICKY NELSON, CHOWARD GREENFIELD - NEIL SEDAKA(C) I LOVE, I LOVE, I LOVE MY (Am) CALENDAR GIRL(C) YEAH, SWEET (Am) CALENDAR GIRL(C) I LOVE, I LOVE, I LOVE MY (Am) CALENDAR GIRL(Dm7) EACH AND EVERY (G7) DAY OF THE (C) YEAR(C) JANUARY, YOU START THE YEAR OFF FINE(Am) FEBRUARY YOU'RE MY LITTLE VALENTINE(C) MARCH I'M GONNA MARCH YOU DOWN THE AISLE(Am) APRIL YOU'RE THE EASTER BUNNY WHEN YOU SMILE(F) YEAH, YEAH, MY HEART'S IN A WHIRLI (C) LOVE, I LOVE, I LOVE MY LITTLE (A7) CALENDAR GIRLEVERY (D7) DAY, EVERY (G7) DAY, OF THE (C) YEAR(C) MAY MAYBE IF I ASK YOUR DAD AND MOM(Am) THEY'LL LET ME TAKE YOU TO THE JUNIOR PROM, JU-(C)LY LIKE A FIRECRACKER I'M A-GLOW(Am) AUGUST WHEN YOU'RE ON THE BEACH YOU STEAL THE SHOW(F) YEAH, YEAH, MY HEART'S IN A WHIRLI (C) LOVE, I LOVE, I LOVE MY LITTLE (A7) CALENDAR GIRLEVERY (D7) DAY, EVERY (G7) DAY, OF THE (C) YEAR(C) SEPTEMB'R I'LL LIGHT THE CANDLES AT YOUR "SWEET SIXTEEN"(Am) ROMEO AND JULIET ON HALLOWEEN, NO-(C) EMBER I'LL GIVE THANKS THAT YOU BELONG TO ME(Am) DECEMBER YOU'RE THE PRESENT 'NEATH MY CHRISTMAS TREE(F) YEAH, YEAH, MY HEART'S IN A WHIRLI (C) LOVE, I LOVE, I LOVE MY LITTLE (A7) CALENDAR GIRLEVERY (D7) DAY, EVERY (G7) DAY, OF THE (C) YEAR19

CAROLINA IN THE MORNINGLYRICS BY GUS KAHN, MUSIC BY WALTER DONALDSON, C(C) NOTHING COULD BE FINERTHAN TO BE IN CAROLINA IN THE (G7) MORNING(Dm) NOTHING COULD BE SWEETERTHAN MY (Dm7) SWEETHEART WHEN I (G7) MEET HERIN THE (C#dim7) MOR(C)NING(F) WHERE THE MORNING (C) GLORIES(F) TWINE AROUND THE (A7) DOOR(D7) WHISPERING PRETTY (G) STORIES(E7) I (Am) LONG TO (D7) HEAR ONCE (G7) MORESTROLLING WITH MY GIRLIEWHERE THE DEW IS PEARLY IN THE MORNINGBUTTERFLIES ALL FLUTTER UPAND KISS EACH LITTLE BUTTERCUP AT DAWNING(C) IF I HAD ALADDIN'S LAMP FOR ONLY A (C7) DAY(F) I'D MAKE A WISH AND (D7) HERE'S WHAT I'D (G7) SAY(C) NOTHING COULD BE FINERTHAN TO BE IN CAROLINA IN THE (D7) MOR(G7,C)NING20

CHANGING PARTNERSPATTI PAGE, KAY STARR, DINAH SHORE, BING CROSBY, CWORDS BY JOE DARION AND MUSIC BY LARRY COLEMANWE WERE (C) WALTZIN' TOGETHER TO A DREAMY MELO(F)DY(A7) WHEN THEY (D7) CALLED OUT "CHANGE (G7) PARTNERS"AND YOU (C) WALTZED A(G7)WAY FROM (C) ME(F) NOW MY (C) ARMS FEEL SO EMPTY AS I GAZE A(D#7) ROUND THE(A7) FLOORAND I'LL (Dm7) KEEP ON (G7) CHANGING (C) PARTNERS(A7) TILL I (Dm7) HOLD YOU (G7) ONCE (C) MORETHOUGH WE DANCED FOR ONE MOMENT AND TOO SOON WE HAD TOPARTIN THAT WONDERFUL MOMENT SOMETHIN' HAPPENED TO MY HEARTSO I'LL KEEP CHANGING PARTNERS TILL YOU'RE IN MY ARMS ANDTHENOH, MY DARLIN' I WILL NEVER CHANGE PARTNERS AGAIN(INSTRUMENTAL)THOUGH WE DANCED FOR ONE MOMENT AND TOO SOON WE HAD TOPARTIN THAT WONDERFUL MOMENT SOMETHIN' HAPPENED TO MY HEARTSO I'LL KEEP CHANGING PARTNERS TILL YOU'RE IN MY ARMS ANDTHENOH, MY DARLIN' I WILL NEVER CHANGE PARTNERS AGAIN21

CHANTILLY LACETHE BIG BOPPER (J P RICHARDSON)( SPOKEN) HELLO, BAAAABY!YEAH, THIS IS THE BIG BOPPER SPEAKIN'HA HA HA HA HA! OH, YOU SWEET THING!DO I WHAT? WILL I WHAT?OH BABY, YOU KNOOOOW WHAT I LIKE!CHANTILLY LACE AND A PRETTY FACE AND A PONYTAIL HANGIN' DOWNA WIGGLE IN HER WALK AND A GIGGLE IN HER TALKMAKE THE WORLD GO 'ROUNDAIN'T NOTHING IN THE WORLD LIKE A BIG-EYED GIRLTO MAKE ME ACT SO FUNNY, MAKE ME SPEND MY MONEYMAKE ME FEEL REAL LOOSE LIKE A LONG-NECKED GOOSELIKE A--OH BABY, THAT'S A-WHAT I LIKE!(SPOKEN) WHAT'S THAT, BABY?BUT... BUT... BUT... OH, HONEYOH BABY, YOU KNOW WHAT I LIKE! (REPEAT PREVIOUS VERSE)22

CIELITO LINDO (MY PRETTY DARLING)MEXICANDE LA SIERRA MORENA, CIELITO LINDOVIENEN BAJANDOUN PAR DE OJITOS NEGROS CIELITO LINDODE CONTRABANDOAY, AY, AY AY! CANTA Y NO LLORESPORQUE CANTANDO SE ALEGRAN, CIELITO LINDOLOS CORAZONESUNA FLECHA IN EL AIRE, CIELITO LINDOLANZO CUPIDOY COMO FUE JUGANDO, CIELITO LINDOYO FUI EL HERIDOAY, AY, AY AY! CANTA Y NO LLORESSUBEN Y CRECEN Y CON EL MISMO VIENTO, CIELITO LINDODES APARECENTODAS LAS ILUSIONES, CIELITO LINDOQUE EL AMOR FRAGUASON COM LAS ESPUMAS, CIELITO LINDOQUE FORMA EL AGUAFROM THE SIERRA MORENA, MY PRETTY DARLINGTHERE CAME DESCENDINGONE SHINING PAIR OF DARK EYES, MY PRETTY DARLINGJEWELS BEYOND SPENDINGAY, AY, AY, AY! SING, DON'T BE TEARFULBECAUSE A VOICE THAT IS SINGING, MY PRETTY DARLINGMAKES THE HEART CHEERFULCUPID LET FLY AN ARROW, MY PRETTY DARLINGLOVE'S FIERY DARTAND AS HE WENT AWAY LAUGHING, MY PRETTY DARLINGIT STRUCK MY HEART23

AY, AY, AY, AY! SURGING AND GROWINGAND BY THE SAME WIND THAT STIRS THEM, MY PRETTY DARLINGOFF THEY ARE BLOWINGALL THE AIRY ILLUSIONS, MY PRETTY DARLINGTHAT LOVE DEVISESARE LIKE THE FAOM ON THE WATER, MY PRETTY DARLINGTHIN AS IT RISES24

CITY OF NEW ORLEANSJOHN DENVER, WILLIE NELSON, GWORDS & MUSIC BY STEVE GOODMAN(G) RIDING ON THE (D) "CITY OF NEW (G) ORLEANS"(Em) ILLINOIS CENTRAL (C) MONDAY MORNING (G) RAILFIFTEEN CARS AND (D) FIFTEEN RESTLESS (G) RIDERS(Em) THREE CONDUCTORS AND (D) TWENTY FIVE SACKS OF (G) MAILALL AL(Em)ONG A SOUTHBOUND ODYSSEY THE (Bm) TRAIN PULLS OUTOF KANKAKEE(D) ROLLS ALONG PAST HOUSES, FARMS AND (A) FIELDS(Em) PASSING TRAINS THAT HAVE NO NAME (Bm) FREIGHT YARDS FULLOF OLD BLACK MENTHE (D) GRAVEYARDS OF THE (D7) RUSTED AUTOMO(G)BILESSINGING GOOD (C) MORNING A(D)MERICA, HOW (G) ARE YOU?SAYING (Em) DON'T YOU KNOW ME, (C) I'M YOUR NATIVE (G) SON?I'M THE TRAIN THEY CALL THE (D) "CITY OF NEW (Em) ORLEANS"I'LL BE (C) GONE FIVE (B) HUNDRED (A) MILES WHEN THE (D) DAY IS (G)DONEDEALING CARDS WITH THE OLD MEN IN THE CLUB CARPENNY A POINTS AIN'T NO ONE KEEPING SCOREPASS THE PAPER BAG THAT HOLDS THE BOTTLEFEEL THE WHEELS A-RUMBLING 'NEATH THE FLOORAND THE SONS OF PULLMAN PORTERS AND THE SONS OF ENGINEERSRIDE THEIR FATHERS' MAGIC CARPET MADE OF STEELAND MOTHERS WITH THEIR BABES ASLEEP ROCKIN' TO THE GENTLEBEATAND THE RHYTHM OF THE RAILS IS ALL THEY FEELSINGING GOOD MORNING AMERICA, HOW ARE YOU?SAYING DON'T YOU KNOW ME, I'M YOUR NATIVE SON?I'M THE TRAIN THEY CALL THE "CITY OF NEW ORLEANS"I'LL BE GONE FIVE HUNDRED MILES WHEN THE DAY IS DONENIGHTTIME ON THE CITY OF NEW ORLEANSCHANGING CARS IN MEMPHIS, TENNESSEHALFWAY HOME, WE'LL BE THERE BY MORNING25

THROUGH THE MISSISSIPPI DARKNESS ROLLING DOWN THE SEABUT ALL THE TOWNS AND PEOPLE SEEM TO FADE INTO A BAD DREAMAND THE STEEL RAILS STILL AIN'T HEARD THE NEWSTHE CONDUCTOR SINGS HIS SONGS AGAIN THE PASSENGER WILLPLEASE REFRAINTHIS TRAIN HAS GOT THE DISAPPEARING RAILROAD BLUESSINGING GOOD MORNING AMERICA, HOW ARE YOU?SAYING DON'T YOU KNOW ME, I'M YOUR NATIVE SON?I'M THE TRAIN THEY CALL THE "CITY OF NEW ORLEANS"I'LL BE GONE FIVE HUNDRED MILES WHEN THE DAY IS DONE26

CLEMENTINEAMERICAN MINING SONG, PROBABLY FROM CALIFORNIAATTRIBUTED TO PERCY MONTROSE, 1863 OR 1883, GIN A (G) CAVERN DOWN BY A CANYONEXCAVATING FOR A (D7) MINETHERE LIVED A MINER, FORTY-(G)NINERAND HIS (D7) DAUGHTER, CLEMEN(G)TINE(CHORUS) OH MY DARLING, OH MY DARLINGOH MY DARLING CLEMEN(D7)TINEYOU ARE LOST AND GONE FOR(G)EVERDREADFUL (D7) SORRY, CLEMEN(G)TINELIGHT SHE WAS, AND LIKE A FAIRYAND HER SHOES WERE NUMBER NINEHERRING BOXES WITHOUT TOPSESSANDALS WERE FOR CLEMENTINE (CHORUS)DROVE SHE DUCKLINGS TO THE WATEREVERY MORNING JUST AT NINEHIT HER FOOT AGAINST A SPLINTERFELL INTO THE FOAMING BRINE (CHORUS)RUBY LIPS ABOVE THE WATERBLOWING BUBBLES SOFT AND FINEALAS FOR ME! I WAS NO SWIMMERSO I LOST MY CLEMENTINE (CHORUS)27

CLEMENTINEBOBBY DARIN, FWOODY HARRISIN A (F) CAVERN DOWN BY A CANYONEXCAVATIN' FOR A (C7) MINETHERE LIVED A MINER FROM NORTH CARO(F)LINAAND HIS (C7) DAUGHTER, CLEMEN(F)TINENOW EVERY MORNIN', JUST ABOUT DAWNIN'A'WHEN THE SUN BEGINS TO SHINESHE WOULD ROUSE UP, WAKE THEM COWS UPAND WALK 'EM DOWN TO HER DADDY'S MINEA'TOOK THE FOOT BRIDGE, WAY 'CROSS THE WATERTHOUGH SHE WEIGHED TWO-NINETY NINETHE OLD BRIDGE TREMBLED AND DISASSEMBLEDDUMPED HER INTO THE FOAMY BRINECRACKLE LIKE THUNDER, SHE WENT UNDERBLOWIN BUBBLES DOWN THE LINEI'M NO SWIMMER BUT WERE SHE SLIMMERI MIGHT'A SAVED MY CLEMENTINEBROKE THE RECORD, WAY UNDER WATERI THOUGHT THAT SHE WAS DOIN' FINEI WASN'T NERVOUS UNTIL THE SERVICETHAT THEY HELD FOR CLEMENTINEHEY YOU SAILOR WAY OUT IN YOUR WHALERWITH A HARPOON, YOUR TRUSTY LINEIF SHE SHOWS NOW, THERE SHE BLOWS NOWIT JUST MAY BE MY CLEMENTINEOH MY DARLIN', OH MY DARLIN', OH MY DARLIN'OH MY DARLIN', OH MY DARLIN' CLEMENTINEYOU MAY BE GONE BUT YOU'RE NOT FORGOTTENFARE THEE WELL, MY CLEMENTINE28

COAL MINER'S DAUGHTERLORETTA LYNN, CWELL, (C) I WAS BORN A (F) COAL MINER´S (C) DAUGHTERIN A (D) CABIN ON A HILL IN BUTCHER (G) HOLLERWE WERE (C) POOR, BUT WE HAD (F) LOVETHAT´S THE ONE THING THAT DADDY MADE (C) SURE OFHE SHOVELED COAL TO (G) MAKE A POOR MAN´S (C) DOLLARMY DADDY WORKED ALL NIGHT IN THE VANLEER COAL MINEALL DAY LONG IN THE FIELD A-HOEIN´ CORNMOMMY ROCKED THE BABIES AT NIGHTAND READ THE BIBLE BY THE COAL OIL LIGHTAND EVER´THING WOULD START ALL OVER COME BREAK OF MORN´DADDY LOVED AND RAISED EIGHT KIDS ON A MINER´S PAYMOMMY SCRUBBED OUR CLOTHES ON A WASHBOARD EVER´ DAYWHY I´VE SEEN HER FINGERS BLEEDTO COMPLAIN THERE WAS NO NEEDSHE´D SMILE IN MOMMY´S UNDERSTANDING WAYIN THE SUMMERTIME WE DIDN´T HAVE SHOES TO WEARBUT IN THE WINTERTIME WE´D ALL GET A BRAND NEW PAIRFROM A MAIL ORDER CATALOGMONEY MADE FROM SELLIN´ A HOGDADDY ALWAYS MANAGED TO GET THE MONEY SOMEWHEREYEAH! I´M PROUD TO BE A COAL MINER´S DAUGHTERI REMEMBER WELL, THE WELL WHERE I DREW WATERTHE WORK WE DONE WAS HARDAT NIGHT WE´D SLEEP ´CAUSE WE WERE TIREDI NEVER THOUGHT OF EVER LEAVING BUTCHER HOLLERWELL ALOT OF THINGS HAVE CHANGED SINCE WAY BACK THENAND IT´S SO GOOD TO BE BACK HOME AGAINNOT MUCH LEFT BUT THE FLOORNOTHING LIVES HERE ANYMOREEXCEPT THE MEM´RIES OF A COAL MINER´S DAUGHTER29

CORDELIA BROWNFOLKSONG FROM ANTIGUA, DOH, CORDELIA (D) BROWN, (A7) WHAT MAKES YOUR (D) HEAD SO RED?OH, CORDELIA BROWN, (A7) WHAT MAKES YOUR (D) HEAD SO RED?YOU'RE SITTING IN THE (G) SUNSHINE WITH (A7) NOTHING ON YOUR (D)HEADOH, CORDELIA BROWN, (A7) THAT'S WHY YOUR HEAD'S SO (D) RED!ON A MOONSHINE NIGHT, ON A MOONSHINE NIGHTI MET MISTER IVAN, AND MISTER IVAN TOLD MEHE SAID THAT NITA HAD AN ENCOUNTERAFTER SUNSET AND THERE WAS NO MOONEE HEE HA (D) HA, EE HEE HEE HEE HA HACORDELIA BROWN!30

COULD I HAVE THIS DANCE (from Urban Cowboy)WAYLAND HOLYFIELD AND BOB HOUSE, AI'LL (A) ALWAYS RE(A7)MEMBER THE (D) SONG THEY WERE (E) PLAYINGTHE (D) FIRST TIME WE (E7) DANCED AND I (A) KNEWAS WE (A) SWAYED TO THE (A7) MUSIC AND (D) HELD TO EACH (E)OTHER(D) I FELL IN LOVE (E7) WITH (A) YOU(CHORUS) COULD (A) I HAVE THIS (A7) DANCE FOR THE (D) REST OF MYLIFE?WOULD (E) YOU BE MY PARTNER (D) EVERY (E7) NIGHT?(A) WHEN WE'RE TOGETHER, IT (D) FEELS SO (Dm) RIGHTCOULD (A) I HAVE THIS DANCE FOR THE (E7) REST OF MY (A) LIFEI'LL ALWAYS REMEMBER THAT MAGIC MOMENTWHEN I HELD YOU CLOSE TO MEAS WE MOVED TOGETHER I KNEW FOREVERYOU'RE ALL I'LL EVER NEED (CHORUS)31

COUNTRY ROADSJOHN DENVER, C(C) ALMOST HEAVEN, (Am) WEST VIRGINIA(G) BLUE RIDGE MOUNTAINS, (Am) SHENANDOAH (C) RIVERLIFE IS OLD THERE, (Am) OLDER THAN THE TREES(G) YOUNGER THAN THE MOUNTAINS, (F) BLOWING LIKE A (C) BREEZE(CHORUS) COUNTRY (C) ROADS, TAKE ME (G) HOMETO THE (Am) PLACE, I BE(F)LONGWEST (C) VIRGINIA, MOUNTAIN (G) MOMMATAKE ME (F) HOME, COUNTRY (C) ROADS(C) ALL MY MEMORIES, (Am) GATHER 'ROUND HER(G) MINER'S LADY, (Am) STRANGER TO BLUE (C) WATERDARK AND DUSTY, (Am) PAINTED ON THE SKY(G) MISTY TASTE OF MOONSHINE, (F) TEARDROP IN MY (C) EYE(CHORUS)(Am) I HEAR HER (G) VOICE, IN THE (C) MORNING HOURS SHE CALLS TOME(F) THE RADIO REMINDS ME OF MY (G) HOME FAR AWAYAND (Am) DRIVING DOWN THE (G) ROAD I GET A (C) FEELINGTHAT I (G) SHOULD HAVE BEEN HOME YESTERDAY, YESTER(G7)DAY(CHORUS)32

CRYINGROY ORBISON AND JOE MELSON, CI WAS AL(C)RIGHT FOR A WHILEI COULD SMILE FOR A WHILEBUT I SAW YOU LAST NIGHT, YOU HELD MY (C+) HAND SO TIGHTAS YOU (F) STOPPED TO SAY "HEL(Fm)LO"(G9) OH, YOU (C) WISHED ME WELL, YOU (G7) COULDN'T TELLTHAT I'D BEEN (C) CRYING (Em) OVER YOU(C) CRYING (Em) OVER YOUWHEN (F) YOU SAID "SO (G7) LONG"LEFT ME (F) STANDING ALL A(G7)LONEALONE AND (C) CRYING, (C+) CRYING, (F) CRYING, (Fm) CRYINGIT'S HARD TO (C) UNDERSTAND, BUT THE (G7) TOUCH OF YOUR HANDCAN START ME (C) CRYINGI THOUGHT THAT I WAS OVER YOUBUT IT'S TRUE, SO TRUEI LOVE YOU EVEN MORE THAN I DID BEFOREBUT DARLING, WHAT CAN I DO?FOR YOU DON'T LOVE ME AND I'LL ALWAYS BECRYING OVER YOU, CRYING OVER YOUYES, NOW YOU'RE GONE AND FROM THIS MOMENT ONI'LL BE CRYING, CRYING, CRYING, CRYINGYEAH, CRYING, CRYING OVER YOU33

DADDY SANG BASSJOHNNY CASH, JUNE CARTER CASHCARL PERKINSI REMEMBER WHEN I WAS A LADTIMES WERE HARD AND THINGS WERE BADBUT THERE'S A SILVER LINING BEHIND EVERY CLOUDJUST POOR PEOPLE, THAT'S ALL WE WERETRYIN' TO MAKE A LIVIN' OUT OF BLACK LAND DIRTWE'D GET TOGETHER IN A FAMILY CIRCLE SINGING LOUD(CHORUS) DADDY SANG BASS, MAMA SANG TENORME AND LITTLE BROTHER WOULD JOIN RIGHT IN THERESINGIN' SEEMS TO HELP A TROUBLED SOULONE OF THESE DAYS, AND IT WON'T BE LONGI'LL REJOIN THEM IN A SONGI'M GONNA JOIN THE FAMILY CIRCLE AT THE THRONENO, THE CIRCLE WON'T BE BROKEN, BYE AND BYE, LORD, BYE AND BYEDADDY SANG BASS, MAMA SANG TENORME AND LITTLE BROTHER WOULD JOIN RIGHT IN THEREIN THE SKY, LORD, IN THE SKYI REMEMBER AFTER WORKMAMA WOULD CALL IN ALL OF USYOU COULD HEAR US SINGIN' FOR A COUNTRY MILENOW, LITTLE BROTHER HAS DONE GONE ONBUT I'LL REJOIN HIM IN A SONGWE'LL BE TOGETHER AGAIN UP YONDER IN A LITTLE WHILE (CHORUS)34

DAY OHBANANA BOAT LOADERS' SONGJAMAICAN WORK SONG, G(G) DAY OH, DAY OH, DAY DA LIGHT AN' ME (D7) WAN' GO (G) HOMECOME, MISTER TALLYMAN, COME (D7) TALLY ME BANANA(G) DAY DA LIGHT AN' ME (D7) WAN' GO (G) HOME(G) SIX-HAND, SEVEN-HAND, EIGHT-HAND BUNCH!(G) SIX-HAND, SEVEN-HAND, EIGHT-HAND BUNCH!DAY DA LIGHT AN' ME (D7) WAN' GO (G) HOMEDAY OH DAY OH DAY DA LIGHT AN' ME (D7) WAN' GO (G) HOMEWE LOAD BANANAS TILL THE EARLY LIGHTSLEEP ALL DAY AND WORK ALL NIGHTDAY DA LIGHT AN' ME (D7) WAN' GO (G) HOMEDAY OH DAY OH DAY DA LIGHT AN' ME (D7) WAN' GO (G) HOMESOME MEN WORK SOME MEN MAKE LOVEWE LOAD BANANAS WHILE THE MOON ABOVEDAY DA LIGHT AN' ME (D7) WAN' GO (G) HOMEDAY OH DAY OH DAY DA LIGHT AN' ME (D7) WAN' GO (G) HOME35

DAY-O (THE BANANA BOAT SONG)IRVING BURGIE AND WILLIAM ATTAWAY, D(NC) DAY-O, DAY-O, DAYLIGHT COME AND ME WAN' GO HOMEDAY, ME SAY DAY, ME SAY DAY, ME SAY DAY, ME SAY DAY, ME SAYDAY-ODAYLIGHT COME AND ME WAN' GO HOME(D) WORK ALL NIGHT ON A DRINK OF RUMDAYLIGHT COME AND ME (A7) WAN' GO (D) HOMESTACK BANANA TILL DE MORNING COMEDAYLIGHT COME AND ME (A7) WAN' GO (D) HOME(D) COME, MISTER TALLYMAN, (A7) TALLY ME BANANA(D) DAYLIGHT COME AND ME (A7) WAN' GO (D) HOME(D) COME, MISTER TALLYMAN, (A7) TALLY ME BANANA(D) DAYLIGHT COME AND ME (A7) WAN' GO (D) HOMELIFT (D) SIX-HAND, SEVEN-HAND, EIGHT-HAND BUNCHDAYLIGHT COME AND ME (A7) WAN' GO (D) HOMESIX-HAND, SEVEN-HAND, EIGHT-HAND BUNCHDAYLIGHT COME AND ME WAN' GO HOMEDAY, ME SAY DAY-O, DAYLIGHT COME AND ME (A7) WAN' GO (D) HOMEDAY, ME SAY DAY, ME SAY DAY, ME SAY DAYLIGHT COME AND ME WAN'GO HOMEA BEAUTIFUL BUNCH OF RIPE BANANADAYLIGHT COME AND ME WAN' GO HOMEHIDE THE DEADLY BLACK TARANTULADAYLIGHT COME AND ME WAN' GO HOMEDAY, ME SAY DAY-O, DAYLIGHT COME AND ME WAN' GO HOMEDAY, ME SAY DAY, ME SAY DAY, ME SAY DAYLIGHT COME AND ME WAN'GO HOME(NC) DAY-O, DAY-O, (D) DAYLIGHT COME AND ME (A7) WAN' GO (D)HOME(NC) DAY, ME SAY DAY, ME SAY DAY, ME SAY DAY, ME SAY DAY, ME SAYDAY-O (D) DAYLIGHT COME AND ME (A7) WAN' GO (D) HOME36

DELILAHTOM JONESLES REED, BARRY MASON(Em) I SAW THE LIGHT ON THE NIGHT THAT I PASSED BY HER (B7)WINDOW(Em) I SAW THE FLICKERING SHADOW OF LOVE ON HER (B7) BLIND(E) SHE (E7) WAS MY (Am) WOMAN(Em) AS SHE DECEIVED ME I (B7) WATCHED AND WENT OUT OF MY (Em)MIND(G) MY MY MY DE(D7)LILAHWHY WHY WHY DE(G)LILAHI COULD (G7) SEE, THAT (C) GIRL WAS NO GOOD FOR (Am) ME(G) BUT I WAS LOST LIKE A (D7) SLAVE THAT NO MAN COULD (G) FREEAT BREAK OF DAY WHEN THAT MAN DROVE AWAY I WAS WAITINGI CROSSED THE STREET TO HER HOUSE AND SHE OPENED THE DOORSHE STOOD THERE LAUGHINGI FELT THE KNIFE IN MY HAND AND SHE LAUGHED NO MOREMY MY MY DELILAHWHY WHY WHY DELILAHSO BEFORE THEY COME TO BREAK DOWN THE DOORFORGIVE ME DELILAH I JUST COULDN'T TAKE ANYMOREFOR(Em)GIVE ME DELILAH I (B7) JUST COULDN'T TAKE ANY(Em)MORE37

DETROIT CITYBOBBY BARE, CDANNY DILL, MEL TILLISLAST (C) NIGHT I WENT TO (G7) SLEEP IN DETROIT (C) CITYAND I (G7) DREAMED ABOUT THE COTTON FIELDS AND (C) HOMEI (F) DREAMED ABOUT MY MOTHERDEAR OLD (C) PAPA, SISTER AND BROTHERAND I (D7) DREAMED ABOUT THE GIRLWHO'S BEEN (G7) WAITING FOR SO LONGI WANNA GO (C) HOME (C7)I WANNA GO (F) HOME(C) OH, HOW I (G7) WANNA GO (C) HOMEHOME FOLKS THINK I'M BIG IN DETROIT CITYFROM THE LETTERS THAT I WRITE THEY THINK I'M FINEBUT BY DAY I MAKE THE CARSBY NIGHT I MAKE THE BARSIF ONLY THEY COULD READ BETWEEN THE LINESI WANNA GO HOMEI WANNA GO HOMEOH, HOW I WANNA GO HOME(RECITATION) 'CAUSE YOU KNOW I RODE A FREIGHT TRAINNORTH TO DETROIT CITYAND AFTER ALL THESE YEARS I FIND I'VE JUST BEEN WASTING MY TIMESO I JUST THINK I'LL TAKE MY FOOLISH PRIDEAND PUT IT ON THE SOUTHBOUND FREIGHT AND RIDEAND GO BACK TO THE LOVED ONESTHE ONES THAT I LEFT WAITING SO FAR BEHIND(SING) I WANNA GO HOME, I WANNA GO HOME, OH, HOW I WANNA GOHOME38

DIXIEDANIEL DECATUR EMMETTI (A) WISH I WAS IN THE LAND OF COTTON(D) OLD TIMES THERE ARE NOT FORGOTTENLOOK A(A)WAY, LOOK AWAY, LOOK A(E)WAY DIXIE(A)LAND!IN DIXIELAND WHERE I WAS BORN IN(D) EARLY ON ONE FROSTY MORNIN'LOOK A(A)WAY, LOOK AWAY, LOOK A(E)WAY DIXIE(A)LAND!(CHORUS) I WISH I WAS IN (D) DIXIE, HOO(B7)RAY! HOO(E)RAY!IN (A) DIXIELAND I'LL (D) TAKE MY STANDTO (A) LIVE AND DIE IN (E7) DIXIEA(A)WAY, A(E7)WAY, A(A)WAY DOWN SOUTH IN (E7) DIX(A)IEAWAY, A(E7)WAY, A(A)WAY DOWN SOUTH IN (E7) DIX(A)IEOLD MISSUS MARRY WILL THE WEAVERWILLIAM WAS A GAY DECEIVERLOOK AWAY, LOOK AWAY, LOOK AWAY DIXIELAND!BUT WHEN HE PUT HIS ARM AROUND HERHE SMILED AS FIERCE AS A FORTY-POUNDERLOOK AWAY, LOOK AWAY, LOOK AWAY DIXIELAND! (CHORUS)HIS FACE WAS SHARP AS A BUTCHER'S CLEAVERBUT THAT DID NOT SEEM TO GRIEVE HERLOOK AWAY, LOOK AWAY, LOOK AWAY DIXIELAND!OLD MISSUS ACTED THE FOOLISH PART ANDDIED FOR A MAN THAT BROKE HER HEARTLOOK AWAY, LOOK AWAY, LOOK AWAY DIXIELAND! (CHORUS)NOW HERE'S A HEALTH TO THE NEXT OLD MISSUSAND ALL THE GIRLS THAT WANT TO KISS USLOOK AWAY, LOOK AWAY, LOOK AWAY DIXIELAND!BUT IF YOU WANT TO DRIVE AWAY THE SORROWCOME AND HEAR THIS SONG TOMORROWLOOK AWAY, LOOK AWAY, LOOK AWAY DIXIELAND! (CHORUS)39

DOIN' WHAT COMES NATUR'LLYIRVING BERLIN (FROM “ANNIE GET YOUR GUN”)(C) FOLKS ARE DUMB WHERE (Dm7) I COME FROMTHEY (C) AIN'T HAD (Ebdim) ANY (Dm7) LEARNIN' (G7)(C) STILL THEY'RE HAPPY (Dm7) AS CAN BE(G7) DOIN' WHAT COMES (C) NATUR'LLY((G7) DOIN' WHAT COMES (C) NATUR'LLY)FOLKS LIKE US COULD (Dm7) NEVER FUSSWITH (C) SCHOOLS AND (Ebdim) BOOKS AND (Dm7) LEARNIN' (G7)(C) STILL WE'VE GONE FROM (Dm7) A TO Z(G7) DOIN' WHAT COMES (C) NATUR'LLY((G7) DOIN' WHAT COMES (C) NATUR'LLY)YOU (G7) DON'T HAVE TO KNOW HOW TO (C) READ OR (A7) WRITEYOU'RE (Dm7) OUT WITH A (G7) FELLER IN THE (C) PALE MOONLIGHTYOU (G7) DON'T HAVE TO LOOK IN A (C) BOOK TO (A7) FINDWHAT HE (Dm7) THINKS OF THE (G7) MOON AND WHAT IS (C) ON HISMIND (Dm7)THAT (G7) COMES (C) NATUR'LLY ((Dm7) THAT (G7) COMES (C)NATUR'LLY)MY (E) UNCLE (F#m7) OUT (B7) IN (E) TEXASCAN'T (E) EVEN (F#m7) WRITE (B7) HIS (E) NAMEHE (E) SIGNS HIS (F#m7) CHECKS (B7) WITH (E) X'S(Cm6) BUT THEY (D7) CASH THEM JUST THE (G7) SAME(C) IF YOU SAW MY (Dm7) PAW AND MAWYOU'D (C)KNOW THEY'D (Ebdim) HAD NO (Dm7) LEARNIN' (G7)(C) STILL THEY RAISED A (Dm7) FAMILY(G7) DOIN' WHAT COMES (C) NATUR'LLY((G7) DOIN' WHAT COMES (C) NATUR'LLY)COUSIN JACK INSURED HIS SHACK AND NOW HE PLAYS WITH MATCHESHE'LL COLLECT JUST WAIT AND SEE, DOIN' WHAT COMES NATUR'LLY(DOIN' WHAT COMES NATUR'LLY)SISTER SAL, WHO'S MUSICAL, HAS NEVER HAD A LESSONSTILL SHE'S LEARNED TO SING OFF KEY, DOIN' WHAT COMESNATUR'LLY40

(DOIN' WHAT COMES NATUR'LLY)YOU DON'T HAVE TO GO TO A PRIVATE SCHOOLNOT TO TURN UP YOUR BUSTLE TO A STUBBORN MULEYOU DON'T HAVE TO HAVE A PROFESSOR'S DOMENOT TO GO FOR THE HONEY WHEN THE BEE'S NOT AT HOMETHAT COMES NATUR'LLY, (THAT COMES NATUR'LLY)MY TINY BABY BROTHER WHO'S EVER READ A BOOKKNOWS ONE SEX FROM THE OTHER, ALL HE HAD TO DO WAS LOOKGRANPAW BILL LIVES ON THE HILL WITH SOMEONE HE JUST MARRIEDTHERE HE IS AT NINETY THREE DOIN' WHAT COMES NATUR'LLY(DOIN' WHAT COMES NATUR'LLY)41

DOMINIQUESOEUR SOURIREENGLISH LYRICS AND ARRANGEMENT BY NOEL REGNEYFROM THE SINGING NUN, GDOMI(G)NIQUE, NIQUE, NIQUE, OVER THE (C) LAND HE PLODS ALONGAND (G) SINGS A LITTLE (D7) SONGNEVER (G) ASKING FOR REWARD, HE JUST (C) TALKS ABOUT THE LORDHE JUST (G) TALKS A(D)BOUT THE (G) LORDAT A (C) TIME WHEN JOHNNY (G) LACKLAND OVER (D7) ENGLAND WASTHE (G) KINGDOMI(A7)NIQUE WAS IN THE BACKLAND FIGHTING SIN LIKEANY(D)THINGDOMINIQUE, NIQUE, NIQUE, OVER THE LAND HE PLODS ALONGAND SINGS A LITTLE SONGNEVER ASKING FOR REWARD, HE JUST TALKS ABOUT THE LORDHE JUST TALKS ABOUT THE LORD42

DON'T CRY FOR ME ARGENTINAWORDS BY TIM RICE, MUSIC BY ANDREW LLOYD WEBERFROM EVITAIT WON'T BE EASY, YOU'LL THINK IT STRANGEWHEN I TRY TO EXPLAIN HOW I FEELTHAT I STILL NEED YOUR LOVE AFTER ALL THAT I'VE DONEYOU WON'T BELIEVE MEALL YOU WILL SEE IS A GIRL YOU ONCE KNEWALTHOUGH SHE'S DRESSED UP TO THE NINESAT SIXES AND SEVENS WITH YOUI HAD TO LET IT HAPPEN, I HAD TO CHANGEI COULDN'T STAY ALL MY LIFE DOWN AT HEELLOOKING OUT OF THE WINDOW, STAYING OUT OF THE SUNSO I CHOSE FREEDOMRUNNING AROUND TRYING EVERYTHING NEWBUT NOTHING IMPRESSED ME AT ALLI NEVER EXPECTED IT TODON'T CRY FOR ME ARGENTINATHE TRUTH IS I NEVER LEFT YOUALL THROUGH MY WILD DAYS, MY MAD EXISTENCEI KEPT MY PROMISE, DON'T KEEP YOUR DISTANCEAND AS FOR FORTUNE AND AS FOR FAMEI NEVER INVITED THEM INTHOUGH IT SEEMED TO THE WORLD THEY WERE ALL I DESIREDTHEY ARE ILLUSIONS, THEY'RE NOT THE SOLUTIONSTHEY PROMISED TO BE, THE ANSWER WAS HERE ALL THE TIMEI LOVE YOU AND I HOPE YOU LOVE MEDON'T CRY FOR ME ARGENTINAMM M M M MDON'T CRY FOR ME ARGENTINATHE TRUTH IS I NEVER LEFT YOUALL THROUGH MY WILD DAYS, MY MAD EXISTENCEI KEPT MY PROMISE, DON'T KEEP YOUR DISTANCE43

HAVE I SAID TOO MUCH?THERE'S NOTHING MORE I CAN THINK OF TO SAY TO YOUBUT ALL YOU HAVE TO DO IS LOOK AT ME TO KNOW THAT EVERYWORD IS TRUE44

DON'T LET GOROY HAMILTON (A ONE-CHORD SONG)HEAR THAT WHISTLE, IT'S TEN O'CLOCK(DON'T LET GO, DON'T LET GO)COME ON BABY, IT'S TIME TO ROCK(DON'T LET GO, DON'T LET GO)I'M SO HAPPY I GOT YOU HERE(DON'T LET GO, DON'T LET GO)KEEPS ME GRINNIN' FROM EAR TO EAR(DON'T LET GO, DON'T LET GO)(CHORUS) OOOOOH-WEEEE, THIS FEELIN'S KILLIN' MEAAAAAAH-SHUCKS, WELL,I WOULDN'T STOP IT FOR A MILLION BUCKSI LOVE YOU SO,JUST HOLD ME TIGHT AND DON'T LET GOTHUNDER, LIGHTNIN', WIND AND RAIN(DON'T LET GO, DON'T LET GO)LOVE IS HUMMIN' INSIDE MY BRAIN(DON'T LET GO, DON'T LET GO)I'M SO EAGER I'M NEARLY DYIN'(DON'T LET GO, DON'T LET GO)YOU BEEN KEEPIN' YOUR LIPS FROM MINE(DON'T LET GO, DON'T LET GO) (CHORUS)HOUND DOG BARKIN' UPSIDE THE HILL(DON'T LET GO, DON'T LET GO)LOVE IS DRAGGIN' HIM THROUGH THE MILL(DON'T LET GO, DON'T LET GO)IF IT WASN'T FOR HAVIN' YOU(DON'T LET GO, DON'T LET GO)I'D BE BARKIN' AND HOLLERIN' TOO(DON'T LET GO, DON'T LET GO) (CHORUS)ONE DAY BABY, YOU'LL COOK ME YET(DON'T LET GO, DON'T LET GO)I'LL BE HOLLERIN', AND SOAKIN' WET45

(DON'T LET GO, DON'T LET GO)ONE THING BABY, I'LL NEVER STAND(DON'T LET GO, DON'T LET GO)YOUR LIPS KISSIN' SOME OTHER MAN(DON'T LET GO, DON'T LET GO) (CHORUS)JUST HOLD ME TIGHTJUST HOLD ME TIGHTJUST HOLD ME TIGHT (FADE)46

DON'T LET THE STARS GET IN YOUR EYESGALE STORM, GISELLE MACKENZIE, GSLIM WILLETDON'T LET THE (G) STARS GET IN YOUR EYESDON'T LET THE MOON BREAK YOUR (D) HEARTLOVE BLOOMS AT NIGHT IN DAYLIGHT IT DIESDON'T LET THE STARS GET IN YOUR (G) EYESOH, KEEP YOUR HEART FOR ME FOR SOMEDAY I'LL RETURNAND YOU KNOW YOU'RE THE ONLY (D) ONE I'LL EVER (G) LOVETOO MANY NIGHTS, TOO MANY STARSTOO MANY MOONS COULD CHANGE YOUR (D) MINDIF I'M GONE TOO LONG, DON'T FORGET WHERE YOU BELONGWHEN THE STARS COME OUT, REMEMBER YOU ARE (G) MINE(REPEAT FIRST VERSE)TOO MANY MILES, TOO MANY DAYS, TOO MANY NIGHTS TO BE ALONEOH, PLEASE, KEEP YOUR HEART WHILE WE'RE APARTDON'T LINGER IN THE MOONLIGHT WHILE I'M GONE(REPEAT FIRST VERSE)47

DON'T WORRYMARTY ROBBINS, CDON'T WORRY 'BOUT (C) ME, IT'S ALL OVER (F) NOWTHOUGH I MAY BE (C) BLUE, I'LL MANAGE SOME(G7) HOWLOVE CAN'T BE EX(C)PLAINED, IT (C7)CAN'T BE CON(F)TROLLEDONE DAY IT'S (C) WARM, (G7) NEXT DAY IT'S (C) COLDDON'T PITY (F) ME, 'CAUSE I'M FEELING (C) BLUEDON'T BE A(G7)SHAMED, IT MIGHT HAPPEN TO (C) YOUOH, OH, OH, (F) OH, OH LOVE, KISS ME ONE (C) TIMETHEN GO, LOVE, I'LL UNDER(G7)STANDDON'T WORRY 'BOUT (C) MESWEET, SWEET, SWEET (C) LOVE, I WANT YOU TO (F) BEAS HAPPY AS (C) I, WHEN YOU LOVED (G7) MEI'LL NEVER FOR(C) GET, YOUR (C7) SWEET MEMO(F)RYIT'S ALL OVER (C) NOW, DON'T (G7) WORRY 'BOUT (C) MEWHEN ONE HEART (F) TELLS ONE HEART GOOD(C)BYEONE HEART IS (G7) FREE, ONE HEART WILL (C) CRYOH, OH, OH, (F) OH, OH SWEET, SWEET BABY (C) SWEETBABY SWEET, IT'S AL(G7)RIGHTDON'T WORRY 'BOUT (C) ME48

DOWN YONDERL WOLFE GILBERT(Eb) RAILROAD TRAIN, (F7) RAILROAD TRAIN, (Bb7) HURRY SOME (Eb)MORE(F7) PUT A LITTLE STEAM ON JUST LIKE (Bb7) NEVER BE(Eb)FOREHUSTLE ON, (F7) BUSTLE ON, (Bb7) I'VE GOT THE (Eb) BLUES(F7) YEARNING FOR MY SWANEE (Bb7) SHORE(Fm) BROTHER IF YOU ONLY KNEW(F7) YOU'D WANT TO HURRY UP (Bb7) TOO(CHORUS) (Eb) DOWN (Bb7) YONDER SOMEONE (Eb) BECKONS TO (Eb7)ME(Ab) DOWN (Eb7) YONDER SOMEONE (Ab) RECKONS ON MEI (Eb) SEEM TO SEE A (Bb7) RACE IN (Eb) MEMO(Bb7)RY(Eb) BETWEEN THE NATCHEZ (Bb7) AND THE (Eb) ROBERT E LEE(F7) SWANEE SHORE, I MISS YOU MORE AND MOREEVERY (Bb7) DAY, MY MAMMY LAND, YOU'RE SIMPLY GRAND(Eb) DOWN (Bb7) YONDER WHEN THE (Eb) FOLKS GET THE (Eb7) NEWS(Ab) DON'T (Bb7) WONDER AT THE (Ab) HULLABALOOSTHERE'S (Eb) DADDY AND MAMMY, THERE'S EPHRAIM AND SAMMY(F7) WAITIN' DOWN (Bb7) YONDER FOR (Eb) MESUMMER NIGHT, FIELDS OF WHITE, BRIGHT COTTON MOONMY BUT I FEEL GLAD, I'M GONNA SEE YOU ALL SOON'LASSES CAKES, MAMMY BAKES, I TASTE THEM NOWI CAN HEAR THE DARKIES CROONI'LL SEE MY SWEETIE ONCE MORETHERE'S LOTS OF KISSING IN STORE (CHORUS)49

DREAM BABY (HOW LONG MUST I DREAM)ROY ORBISON, DCINDY WALKER(A7) DREAM BABY GOT ME DREAMIN' SWEET DREAMSTHE WHOLE DAY THROUGHDREAM BABY GOT ME DREAMIN' SWEET DREAMSNIGHT TIME TOO(D7) I LOVE YOU AND I'M DREAMIN' OF YOUTHAT WON'T DO(A7) DREAM BABY, MAKE ME STOP MY DREAMIN'YOU CAN MAKE MY DREAMS COME (D) TRUE(A7) SWEET DREAM BABYSWEET DREAM BABY(D7) SWEET DREAM BABY(A7) HOW LONG MUST I (D) DREAM(REPEAT)50

DREAM LOVEREVERY NIGHT I HOPE AND PRAY A DREAM LOVER WILL COME MY WAYA GIRL TO HOLD IN MY ARMS AND KNOW THE MAGIC OF HER CHARMS(CHORUS) 'CAUSE I WANT (YEAH-YEAH YEAH)A GIRL (YEAH-YEAH YEAH)TO CALL (YEAH-YEAH YEAH)MY OWN (YEAH-YEAH)I WANT A DREAM LOVER SO I DON'T HAVE TO DREAM ALONEDREAM LOVER, WHERE ARE YOU WITH A LOVE, OH, SO TRUE?AND I HAND THAT CAN HOLD, TO FEEL YOU NEAR AS I GROW OLD?(CHORUS)SOMEDAY, I DON'T KNOW HOW, I HOPE SHE'LL HEAR MY PLEASOME WAY, I DON'T KNOW HOW, SHE'LL BRING HER LOVE TO MEDREAM LOVER, UNTIL THEN, I'LL GO TO SLEEP AND DREAM AGAINTHAT'S THE ONLY THING TO DO, TILL ALL MY LOVER'S DREAMS COMETRUE (CHORUS)DREAM LOVER, UNTIL THEN, I'LL GO TO SLEEP AND DREAM AGAINTHAT'S THE ONLY THING TO DO, TILL ALL MY LOVER'S DREAMS COMETRUE (CHORUS)PLEASE DON'T MAKE ME DREAM ALONEI BEG YOU DON'T MAKE ME DREAM ALONE(FADE) NO, I DON'T WANNA DREAM ALONE51

DRINK TO ME ONLY WITH THINE EYESWORDS BY BEN JONSON, MUSIC BASED ON AN ENGLISH FOLKSONG, D(D) DRINK TO ME (A7) ONLY(D) WITH THINE (Em)EYESAND (D) I WILL (A7) PLEDGE WITH (D) MINEOR LEAVE A (A7) KISS WITH(D)IN THE (Em) CUPAND (D) I'LL NOT (A7) ASK FOR (D) WINETHE THIRST THAT FROM THE SOUL DOTH RISEDOTH (G) ASK A (D) DRINK DI(A7)VINE(D) BUT MIGHT I (A7) OF JOVE'S (D) NECTAR (Em) SIP(D) I WOULD (A7) NOT ASK FOR (D) WINEI SENT THEE LATE A ROSY WREATHNOT SO MUCH HON'RING THEEAS GIVING IT A HOPE THAT THEREIT COULD NOT WITHERED BEBUT THOU THEREON DIDST ONLY BREATHEAND SENT IT BACK TO MESINCE WHEN IT GROWS AND SMELLS, I SWEARNOT OF ITSELF, BUT THEE52

DROP KICK ME, JESUSBOBBY BAREPAUL CRAFT(CHORUS) DROP KICK ME, JESUS, THROUGH THE GOALPOSTS OF LIFEEND OVER END, NEITHER LEFT NOR THE RIGHTSTRAIGHT THROUGH THE HEART OF THOSE RIGHTEOUS UPRIGHTSDROP KICK ME, JESUS, THROUGH THE GOALPOSTS OF LIFEMAKE ME, OH, MAKE ME, LORD, MORE THAN I AMMAKE ME A PIECE IN YOUR MASTER GAME PLANFREE FROM THE EARTHLY TEMPESTION BELOWI’VE GOT THE WILL, LORD, IF YOU’VE GOT THE TOE (CHORUS)BRING ON THE BROTHERS WHO’VE GONE ON BEFOREAND ALL OF THE SISTERS WHO’VE KNOCKED AT YOUR DOORAND ALL THE DEPARTED DEAR LOVED ONES OF MINEAND STICK ‘EM UP FRONT IN THE OFFENSIVE LINE (CHORUS)(CHORUS)(CHORUS)(FADE)53

DRY BONESJIMMIE RODGERSARRANGED AND ADAPTED BY H GELLERWELL NOW EZEKIEL CRIED, THEM DRY BONES, HEAR THE WORD OFTHE LORDWELL NOW EZEKIEL CRIED, THEM DRY BONES, EZEKIEL CRIED, THEMDRY BONES, EZEKIEL CRIED, THEM DRY BONES, HEAR THE WORD OFTHE LORDNOW THE TOE BONE'S CONNECTED TO THE HEEL BONE,THE HEEL BONE'S CONNECTED TO THE FOOT BONE,…ANKLE, LEG, KNEE, THIGH, HIP, BACK, SHOULDER, NECK…THE NECK BONE'S CONNECTED TO THE HEAD BONENOW HEAR THE WORD OF THE LORDTHEM BONES, THEM BONES ARE GONNA WALK AROUNDTHEM BONES, THEM BONES ARE GONNA WALK AROUNDTHEM BONES, THEM BONES ARE GONNA WALK AROUNDNOW HEAR THE WORD OF THE LORDOH, WELL, THEM BONES GONNA WALK AROUNDOH, YES, THEM BONES GONNA WALK AROUNDTHEM BONES, THEM BONES ARE GONNA WALK AROUNDNOW HEAR THE WORD OF THE LORDNOW THE HEAD BONE'S CONNECTED TO THE NECK BONE,THE NECK BONE'S CONNECTED TO THE SHOULDER BONE,…BACK, HIP, THIGH, KNEE, LEG, ANKLE, FOOT, HEEL,…THE HEEL BONE'S CONNECTED TO THE TOE BONENOW HEAR THE WORD OF THE LORD(REPEAT MIDDLE TWO VERSES)54

EL PASOMARTY ROBBINSOUT IN THE WEST TEXAS TOWN OF EL PASOI FELL IN LOVE WITH A MEXICAN GIRLNIGHTTIME WOULD FIND ME IN ROSA'S CANTINAMUSIC WOULD PLAY AND FELINA WOULD WHIRLBLACKER THAN NIGHT WERE THE EYES OF FELINAWICKED AND EVIL WHILE CASTING A SPELLMY LOVE WAS STRONG FOR THIS MEXICAN MAIDENI WAS IN LOVE, BUT IN VAIN I COULD TELL(CHORUS 1) ONE NIGHT A WILD YOUNG COWBOY CAME INWILD AS THE WEST TEXAS WINDDASHING AND DARING, A DRINK HE WAS SHARINGWITH WICKED FELINA, THE GIRL THAT I LOVEDSO IN ANGERI CHALLENGED HIS RIGHT FOR THE LOVE OF THIS MAIDENDOWN WENT HIS HAND FOR THE GUN THAT HE WOREMY CHALLENGE WAS ANSWERED, IN LESS THAN A HEARTBEATTHE HANDSOME YOUNG STRANGER LAY DEAD ON THE FLOORJUST FOR A MOMENT I STOOD THERE IN SILENCESHOCKED BY THE FOUL EVIL DEED I HAD DONEMANY THOUGHTS RAN THROUGH MY MIND AS I STOOD THEREI HAD BUT ONE CHANCE AND THAT WAS TO RUN(CHORUS 2) OUT THROUGH THE BACK DOOR OF ROSA'S I RANOUT WHERE THE HORSES WERE TIEDI CAUGHT A GOOD ONE; HE LOOKED LIKE HE COULD RUNUP ON HIS BACK AND AWAY I DID RIDEJUST AS FAST ASI COULD FROM THE WEST TEXAS TOWN OF EL PASOOUT THRU THE BADLANDS OF NEW MEXICOBACK IN EL PASO MY LIFE WOULD BE WORTHLESSEVERYTHING'S GONE IN LIFE NOTHING IS LEFT55

BUT IT'S BEEN SO LONG SINCE I'VE SEEN THE YOUNG MAIDENMY LOVE IS STRONGER THAT MY FEAR OF DEATH(NOTHING'S MISSING. IT REALLY IS ONLY HALF A VERSE)(CHORUS 3) I SADDLED UP AND AWAY I DID GORIDING ALONE IN THE DARKMAYBE TOMORROW A BULLET MAY FIND METONIGHT NOTHING'S WORSE THAN THIS PAIN IN MY HEARTAND AT LAST HEREI AM ON THE HILL OVERLOOKING EL PASOI CAN SEE ROSA'S CANTINA BELOWMY LOVE IS STRONG AND IT PUSHES ME ONWARDDOWN OFF THE HILL TO FELINA I GOOFF TO MY RIGHT I SEE FIVE MOUNTED COWBOYSOFF TO MY LEFT RIDE A DOZEN OR MORESHOUTING AND SHOOTING; I CAN'T LET THEM CATCH MEI'VE GOT TO MAKE IT TO ROSA'S BACK DOOR(CHORUS 4) SOMETHING IS DREADFULLY WRONG FOR I FEELA DEEP BURNING PAIN IN MY SIDEIT'S GETTING HARDER TO STAY IN THE SADDLEI'M GETTING WEARY, UNABLE TO RIDEBUT MY LOVE FORFELINA IS STRONG AND I RISE WHERE I'VE FALLENTHOUGH I AM WEARY, I CAN'T STOP TO RESTI SEE THE WHITE PUFF OF SMOKE FROM THE RIFLEI FEEL THE BULLET GO DEEP IN MY CHESTFROM OUT OF NOWHERE, FELINA HAS FOUND MEKISSING MY CHEEK AS SHE KNEELS BY MY SIDECRADLED BY TWO LOVING ARMS THAT I'LL DIE FORONE LITTLE KISS AND FELINA GOODBYE56

EL PASO CITYMARTY ROBBINSFROM THIRTY THOUSAND FEET ABOVE THE DESERT FLOOR I SEE ITTHERE BELOWA CITY WITH A LEGEND, THE WEST TEXAS CITY OF EL PASOWHERE LONG AGO I HEARD A SONG ABOUT A TEXAS COWBOY AND AGIRLAND A LITTLE PLACE CALLED ROSA'S WHERE HE USED TO GO ANDWATCH THIS BEAUTY WHIRLI DON'T RECALL WHO SANG THE SONG BUT I RECALL A STORY THAT IHEARDAND AS I LOOK DOWN ON THIS CITY I REMEMBER EACH AND EVERYWORDTHE SINGER SANG ABOUT A JEALOUS COWBOY AND THE WAY HEUSED A GUNTO KILL ANOTHER COWBOY, THEN HE HAD TO LEAVE EL PASO ON THERUNEL PASO CITY, BY THE RIO GRANDETHE COWBOY LIVED AND RODE AWAY BUT LOVE WAS STRONG HECOULDN'T STAYHE RODE BACK JUST TO DIE IN THAT EL PASO SANDEL PASO CITY, BY THE RIO GRANDEI TRY NOT TO LET YOU CROSS MY MIND BUT STILL I FINDTHERE'S SUCH A MYSTERY IN THE SONG THAT I DON'T UNDERSTANDMY MIND IS DOWN THERE SOMEWHERE AS I FLY ABOVE THEBADLANDS OF NEW MEXICOI CAN'T EXPLAIN WHY I SHOULD KNOW THE VERY TRAIL HE RODE BACKTO EL PASOCAN IT BE THAT MAN CAN DISAPPEAR FROM LIFE AND LIVE ANOTHERTIMEAND DOES THE MYSTERY DEEPEN 'CAUSE YOU THINK THAT YOUYOURSELF LIVED IN THAT OTHER TIMESOMEWHERE IN MY DEEPEST THOUGHTS FAMILIAR SCENES ANDMEMORIES UNFOLD57

THESE WILD AND UNEXPLAINED EMOTIONS THAT I'VE HAD SO LONG,BUT I HAVE NEVER TOLDLIKE EVERYTIME I FLY UP THROUGH THE HEAVENS AND I SEE YOUTHERE BELOWI GET THE FEELING SOMETIME IN ANOTHER WORLD I LIVED IN EL PASOEL PASO CITY, BY THE RIO GRANDECOULD IT BE THAT I COULD BE THE COWBOY IN THE MYSTERYTHAT DIED THERE IN THAT DESERT SAND SO LONG AGOEL PASO CITY, BY THE RIO GRANDEA VOICE TELLS ME TO GO AND SEEK, ANOTHER VOICE KEEPS TELLINGMEMAYBE DEATH AWAITS ME IN EL PASOEL PASO CITY58

EMPTY ARMSTERESA BREWER, SONNY JAMESIVORY JOE HUNTERMM-MM-MMMM-MM-MMEMPTY ARMS THAT LONG FOR YOUAND THEY WAIT, THEY WAIT JUST FOR YOUAND THESE ARMS WILL STAY THIS WAYTILL YOU RETURN TO THEM SOME DAYEACH LONELY NIGHT I'LL GO TO BEDI HUG THE PILLOW WHERE YOU USED TO LAY YOUR HEADEMPTY ARMS, BUT NOT FOR LONG'CAUSE MY MAN, HE IS COMIN' HOMEAND WHEN HE, WHEN HE WALKS THROUGH THAT DOORTHESE EMPTY ARMS I'LL HAVE NO MOREYEAH, THESE EMPTY ARMS I'LL HAVE NO MORE59

ENCHANTEDARTISTS: THE PLATTERS (PEAK BILLBOARD POSITION # 12 IN 1959)WORDS AND MUSIC BY BUCK RAMLIVING IS A DREAM WHEN YOU MAKE IT SEEM ENCHANTEDLOVERS TAKE FOR GRANTED ALL THE WORLD'S AGLOW, THEY OUGHTTO KNOWWHEN YOU TOUCH A STAR THEN YOU REALLY ARE ENCHANTEDFIND A SEED AND PLANT IT, LOVE WILL MAKE IT GROWIT'S REALLY GRAND WHEN YOU STAND HAND IN HAND WITH YOURLOVERAND THRILL TO THE WONDERS OF NIGHTAND DAYS, TOO, WILL AMAZE YOU AND SOON YOU'LL DISCOVERYOUR DREAMS RUN TO DREAMS IN CONTINUOUS FLIGHTLOVE IS ECSTASY, IT'S DIVINE TO BE ENCHANTEDWHEN YOUR DREAMS ARE SLANTED THROUGH A LOVER'S EYES(REPEAT TWO PREVIOUS VERSES)60

EVANGELINAHOYT AXTON, GHOYT AXTON AND KENNETH HIGGINBOTHAM(G) AND I DREAM IN THE (C) MORNING, (D) THAT SHE BRINGS ME (G)WATERAND I DREAM IN THE (A7) EVENING, THAT SHE BRINGS ME (D) WINEJUST A POOR MAN'S (G) DAUGHTER, FROM (C) PUERTO PE(G)NASCOEVANGE(D)LINA, IN OLD MEXI(G)COTHERE'S A GREAT HOT (C) DESERT, (D) SOUTH OF MEXI(G)CALIAND IF YOU DON'T HAVE (A7) WATER, BOY YOU'D BETTER NOT (D) GOTEQUILA WON'T (G) GET YOU, A(C)CROSS THAT (G) DESERTTO EVANGE(D)LINA, IN OLD MEXI(G)CO(CHORUS) AND THE (F) FIRE I FEEL FOR THE (C) WOMAN I LOVEIS DRIVIN' ME IN(G)SANEKNOWIN' SHE'S (D) WAITIN', AND I CAN'T (G) GET THEREAND (F) GOD ONLY KNOWS THAT I (C) WRACKED MY BRAINTO TRY AND FIND A (G) WAYTO REACH THAT (D) WOMAN, IN OLD MEXI(G)CO(INSTRUMENTAL)AND I MET A KIND MAN, HE GUARDED THE BORDERHE SAID, "YOU DON'T NEED PAPERS, I'LL LET YOU GOI CAN TELL THAT YOU (C) LOVE HER, BY THE LOOK IN YOUR EYES, NOWSHE'S THE ROSE OF THE DESERT, IN OLD MEXICO" (CHORUS)AND I DREAM IN THE MORNING, THAT SHE BRINGS ME WATERAND I DREAM IN THE EVENING, THAT SHE BRINGS ME WINEJUST A POOR MAN'S DAUGHTER, FROM PUERTO PENASCOSOUTH OF THE BORDER, IN OLD MEXICOEVANGELINA, I MISS YOU SO, I MISS YOU SO61

EVERYBODY'S HAD THE BLUESMERLE HAGGARDMERLE HAGGARDEVERYBODY SINGS THE BLUES, SOMETIMEAND EVERYBODY KNOWS THE TUNEAND EVERYBODY KNOWS THE WAY I'M FEELIN''CAUSE EVERYBODY'S HAD THE BLUESA LONELY SONG, SOMEONE IS GONEA STORY OLD AS TIMELOVE, HATE, WANT AND WAIT'TIL MIS'RY FILLS YOUR MINDBUT EVERYBODY KNOWS THE WAY I'M FEELIN''CAUSE EVERYBODY'S HAD THE BLUESA LONELY SONG, SOMEONE IS GONETHE STORY'S OLD AS TIMELOVE, HATE, WANT AND WAIT'TIL MIS'RY FILLS YOUR MINDBUT EVERYBODY KNOWS THE WAY I'M FEELIN''CAUSE EVERYBODY'S HAD THE BLUES62

FELEENA (FROM EL PASO)WORDS AND MUSIC BY MARTY ROBBINSCAPO: 2ND FRET/KEY: E/PLAY: D(D) OUT IN NEW MEXICO, MANY LONG YEARS AGOTHERE IN A SHACK ON THE DESERT, ONE NIGHT IN A (A7) STORMAMID STREAKS OF LIGHTNIN' AND LOUD DESERT THUNDERTO A YOUNG MEXICAN COUPLE, A BABY WAS (D) BORNJUST AS THE BABY CRIED, THUNDER AND LIGHTNIN' DIEDMOON GAVE IT'S LIGHT TO THE WORLD AND THE (D7) STARS DID THE(G) SAMEMOTHER AND FATHER, BOTH (D) PROUD OF THE DAUGHTERTHAT HEAVEN HAD SENT THEM, (A7) FELEENA WAS THIS BABY'S (D)NAMEWHEN SHE WAS SEVENTEEN, BOTHERED BY CRAZY DREAMSSHE RAN AWAY FROM THE SHACK AND LEFT THEM TO ROAMFATHER AND MOTHER, BOTH ASKED ONE ANOTHERWHAT MADE HER RUN AWAY, WHAT MADE FELEENA LEAVE HOMETIRED OF THE DESERT NIGHTS, FARTHERLY GRIEVED TO STRIFESHE RAN AWAY LATE ONE NIGHT IN THE MOON'S GOLDEN GLEAMSHE DIDN'T KNOW WHERE SHE'D GO, BUT SHE'D GET THEREAND SHE WOULD FIND HAPPINESS, IF SHE WOULD FOLLOW HERDREAMAFTER SHE RAN AWAY, SHE WENT TO SANTE FEAND IN THE YEAR THAT SHE STAYED THERE, SHE LEARNED ABOUTLIFEIN JUST A LITTLE WHILE, SHE LEARNED THAT WITH A SMILESHE COULD HAVE PRETTY CLOTHES, SHE COULD BE ANY MAN'S WIFERICH MEN ROMANCED HER, THEY DINED AND THEY DANCED HERSHE UNDERSTOOD MEN AND SHE TREATED THEM ALL JUST THE SAMEA FORM THAT WAS FINE AND RARE, DARK SHINING GLOSSY HAIRLOVELY TO LOOK AT FELEENA WAS THIS WOMAN'S NAMERESTLESS IN SANTE FE, SHE HAD TO GET AWAYTO ANY TOWN WHERE THE LIGHTS HAD A MUCH BRIGHTER GLOWONE COWBOY MENTIONED THE TOWN OF EL PASOTHEY NEVER STOPPED DANCIN' AND MONEY LIKE WHISKEY DID FLOW63

SHE BOUGHT A ONE-WAY, A TICKET FROM SANTE FETHREE DAYS AND NIGHTS ON A STAGE WITH A REST NOW AND THENSHE DIDN'T MIND THAT, SHE KNEW SHE WOULD FIND THATHER NEW LIFE WOULD BE MORE EXCITING THAN WHERE SHE HADBEENTHE STAGE MADE ITS LAST STOP, UP THERE ON THE MOUNTAIN TOPTO LET HER SEE ALL OF THE LIGHTS AT THE FOOT OF THE HILLHER WORLD WAS BRIGHTER AND DEEP DOWN INSIDE HERAN UNCONTROLLED BEATING, HER YOUNG HEART JUST WOULDN'T BESTILLSHE GOT A HOTEL, A ROOM AT THE LILY BELLEQUICKLY SHE CHANGED TO A FORM-FITTING BLACK SATIN DRESSEV'RY MAN STOPPED TO STARE, AT THIS FORM FINE AND RAREEVEN THE WOMEN REMARKED OF THE CHARM SHE POSSESSEDDANCIN' AND LAUGHTER, WAS WHAT SHE WAS AFTERAND ROSA'S CANTINA HAD LIGHTS, WITH LOVE IN THE GLEAMTHAT'S WHAT SHE HUNTED AND THAT'S WHAT SHE WANTEDROSA'S WAS ONE PLACE, A NICE GIRL WOULD NEVER BE SEENIT WAS THE SAME WAY, IT WAS BACK IN SANTE FEMEN WOULD MAKE FOOLS OF THEMSELVES AT THE THOUGHT OFROMANCEROSA TOOK HEED OF, THE PLACE WAS IN NEED OFTHIS KIND OF EXCITEMENT, SO SHE PAID FELEENA TO DANCEA YEAR PASSED AND MAYBE MORE AND THEN THROUGH THE SWINGIN'DOORSCAME A YOUNG COWBOY SO TALL AND SO HANDSOMELY DRESSEDTHIS ONE WAS NEW IN TOWN, HADN'T BEEN SEEN AROUNDHE WAS SO DIFFERENT, HE WASN'T LIKE ALL OF THE RESTFELEENA DANCED CLOSE TO HIM, THEN THREW A ROSE TO HIMQUICKLY HE WALKED TO HER TABLE AND THERE HE SAT DOWNAND IN A DAY OR SO, WHEREVER FOLKS WOULD GOTHEY'D SEE THIS YOUNG COWBOY, SHOWIN' FEELENA THE TOWNSIX WEEKS HE WENT WITH HER, EACH MINUTE SPENT WITH HERBUT HE WAS INSANELY JEALOUS OF GLANCES SHE'D GIVEINSIDE HE WAS A-HURTIN', FROM ALL OF HER FLIRTIN'THAT WAS HER NATURE AND THAT WAS THE WAY THAT SHE LIVED64

SHE FLIRTED ONE NIGHT, IT STARTED A GUN-FIGHTAND AFTER THE SMOKE CLEARED AWAY, ON THE FLOOR LAY A MANFELEENA'S YOUNG LOVER, HAD SHOT DOWN ANOTHERAND HE HAD TO LEAVE THERE, SO OUT THROUGH THE BACK DOOR HERANTHE NEXT DAY AT FIVE O'CLOCK, SHE HEARD A RIFLE SHOTQUICKLY SHE RAN TO THE DOOR, THAT WAS FACIN' THE PASSSHE SAW HER COWBOY, HER WILD-RIDIN' COWBOYLOW IN THE SADDLE, HER COWBOY WAS RIDIN' IN FASTSHE RAN TO MEET HIM, TO KISS AND TO GREET HIMHE SAW HER AND MOTIONED HER BACK, WITH A WAVE OF HIS HANDBULLETS WERE FLYIN', FELEENA WAS CRYIN'AS SHE SAW HIM FALL FROM THE SADDLE AND INTO THE SANDFELEENA KNELT NEAR HIM, TO HOLD AND TO HEAR HIMWHEN SHE FELT THE WARM BLOOD THAT FLOWED FROM THE WOUNDIN HIS SIDEHE RAISED TO KISS HER AND SHE HEARD HIM WHISPER"NEVER FORGET ME - FALEENA IT'S OVER, GOODBYE"QUICKLY SHE GRABBED FOR, THE SIX-GUN THAT HE WOREAND SCREAMIN' IN ANGER AND PLACIN' THE GUN TO HER BREASTBURY US BOTH DEEP AND MAYBE WE'LL FIND PEACEAND PULLIN' THE TRIGGER, SHE FELL 'CROSS THE DEAD COWBOY'SCHESTOUT IN EL PASO, WHENEVER THE WIND BLOWSIF YOU LISTEN CLOSELY AT NIGHT, YOU'LL HEAR IN THE WINDA WOMAN IS CRYIN', IT'S NOT THE WIND SIGHIN'OLD TIMER'S TELL YOU, FELEENA IS CALLIN' FOR HIMYOU'LL HEAR THEM TALKIN' AND YOU'LL HEAR THEM WALKIN'YOU'LL HEAR THEM LAUGH AND YOU'LL LOOK, BUT THERE'S NO ONEAROUNDDON'T BE ALARMED - THERE IS REALLY NO HARM THEREIT'S ONLY THE YOUNG COWBOY, SHOWIN' FELEENA THE TOWN65

FIVE BROTHERSMARTY ROBBINSFIVE BROTHERS WHO LEFT ARKANSASSET OUT TO FIND THE GAMBLER WHO MURDERED THEIR PAFIVE BROTHERS AND THREE IN THEIR TEENSGOTTA FIND THE MAN WHO KILLED THEIR PA IN NEW ORLEANSTHEY'D HEARD OF HIM IN HOUSTON AND HIS TRAIL WAS LEADINGWESTHE LEFT THERE MANY MONTHS AGO AND SO THEY COULDN'T RESTFIVE BROTHERS AND THREE IN THEIR TEENSGOTTA FIND THE MAN WHO KILLED THEIR PA IN NEW ORLEANSTHE SUN WAS HOT AS FIRE AND THE NIGHTS WERE COLD AS STEELHATE WAS STRONG AND YOUTH WAS WILD AND SO THEY COULDN'TFEELFIVE BROTHERS AND THREE IN THEIR TEENSGOTTA FIND THE MAN WHO KILLED THEIR PA IN NEW ORLEANSHIS TRAIL LED TO THE BADLANDS AND THE DESERT PROMISED DEATHTHE GAMBLER'S ODDS WERE DIFFERENT NOW, HE TREASURED EVERYBREATHFIVE BROTHERS AND THREE IN THEIR TEENSCLOSE BEHIND THE MAN WHO KILLED THEIR PA IN NEW ORLEANSWHEN FIRST THEY SAW THE KILLER HE WAS BY A WATER HOLEFIVE RIFLES RANG OUT THROUGH THE NIGHT THEY KILLED THEGAMBLER COLDFIVE BROTHERS AND THREE IN THEIR TEENSFINALLY GOT THE MAN WHO KILLED THEIR PA IN NEW ORLEANSTHE DESERT IS THEIR KEEPER NOW FOR THIS THE TRAVELER SAIDTHAT POISON LIVED WITHIN THE HOLE, NOW SIX OF THEM ARE DEADFIVE BROTHERS AND THREE IN THEIR TEENSLAY BESIDE THE MAN WHO KILLED THEIR PA IN NEW ORLEANSLAY BESIDE THE MAN WHO KILLED THEIR PA IN NEW ORLEANS66

FLESH AND BLOODJOHNNY CASH, AJOHNNY CASH(A) BESIDE A SINGIN' (D) MOUNTAIN STREAM(A) WHERE THE WILLOW GREWWHERE THE (D) SILVER LEAF OF (A) MAPLESPARKLED (B7) IN THE MORNIN' (E) DEWI (A) BRAIDED TWIGS OF (D) WILLOWSMADE A (A) STRING OF BUCKEYE BEADSBUT (D) FLESH AND BLOOD NEED (A) FLESH AND BLOODAND (D) YOU'RE THE ONE I (A) NEED(D) FLESH AND BLOOD NEED (A) FLESH AND BLOODAND (D) YOU'RE THE ONE I (A) NEEDI LEANED AGAINST A BARK OF BIRCHAND I BREATHED THE HONEY DEWI SAW A NORTH-BOUND FLOCK OF GEESEAGAINST A SKY OF BABY BLUEBESIDE THE LILY PADSI CARVED A WHISTLE FROM A REEDMOTHER NATURE'S QUITE A LADYBUT YOU'RE THE ONE I NEEDFLESH AND BLOOD NEED FLESH AND BLOODAND YOU'RE THE ONE I NEEDA CARDINAL SANG JUST FOR MEAND I THANKED HIM FOR THE SONGTHEN THE SUN WENT SLOWLY DOWN THE WESTAND I HAD TO MOVE ALONGTHESE WERE SOME OF THE THINGSON WHICH MY MIND AND SPIRIT FEEDBUT FLESH AND BLOOD NEED FLESH AND BLOODAND YOU'RE THE ONE I NEEDFLESH AND BLOOD NEED FLESH AND BLOODAND YOU'RE THE ONE I NEED(SPOKEN) SO WHEN THIS DAY WAS ENDEDI WAS STILL NOT SATISFIED67

FOR I KNEW EV'RYTHING I TOUCHEDWOULD WITHER AND WOULD DIEAND LOVE IS ALL THAT WILL REMAINAND GROW FROM ALL THESE SEED(SUNG) MOTHER NATURE'S QUITE A LADYBUT YOU'RE THE ONE I NEEDFLESH AND BLOOD NEED FLESH AND BLOODAND YOU'RE THE ONE I NEED68

FLOWERS ON THE WALLSTATLER BROTHERS, CLEWIS DeWITT(C) I'VE BEEN HEARIN' YOU'RE CONCERNED A(Am)BOUT MY HAPPINESSBUT (D7) ALL THAT THOUGHT YOU'RE GIVIN' ME IS (G7) CONSCIENCE, IGUESSIF (C) I WERE WALKIN' IN YOUR SHOES, I (Am) WOULDN'T WORRY NONEWHEN (D7) YOU AND YOUR FRIENDS ARE WORRYIN' 'BOUT MEI'M (G7) HAVIN' LOTS OF FUN(CHORUS) COUNTIN' (Am) FLOWERS ON THE WALL, THAT DON'TBOTHER ME AT ALLPLAYIN' SOLITAIRE TILL DAWN WITH A DECK OF FIFTY-ONESMOKIN' (F) CIGARETTES AND WATCHIN' CAPTAIN KANGAROONOW DON'T TELL (G) ME (F) I'VE NOTHIN' TO (G) DOLAST NIGHT I DRESSED IN TAILS, PRETENDED I WAS ON THE TOWNAS LONG AS I CAN DREAM IT'S HARD TO SLOW THIS SWINGER DOWNSO PLEASE DON'T GIVE A THOUGHT TO ME, I'M REALLY DOIN' FINEYOU CAN ALWAYS FIND ME HERE AND HAVIN' QUITE A TIME (CHORUS,REPEAT AND FADE)69

FOLSOM PRISON BLUESJOHN R CASH, D(START HIGH) I HEAR THE TRAIN A-COMIN', IT'S ROLLIN' ROUND THEBENDAND I AIN'T SEEN THE SUNSHINE SINCE I DON'T KNOW WHENI'M STUCK AT FOLSOM PRISON AND TIME KEEPS DRAGGIN' ONBUT THAT TRAIN KEEPS ROLLIN' ON DOWN TO SAN ANTONEWHEN I WAS JUST A BABY MY MAMA TOLD ME "SONALWAYS BE A GOOD BOY, DON'T EVER PLAY WITH GUNS"BUT I SHOT A MAN IN RENO JUST TO WATCH HIM DIEWHEN I HEAR THAT WHISTLE BLOWIN' I HANG MY HEAD AND CRYI BET THERE'S RICH FOLKS EATING IN A FANCY DINING CARTHEY'RE PROBABLY DRINKIN' COFFEE AND SMOKING BIG CIGARSWELL I KNOW I HAD IT COMING, I KNOW I CAN'T BE FREEBUT THOSE PEOPLE KEEP A MOVIN', AND THAT'S WHAT TORTURES MEWELL IF THEY'D FREE ME FROM THIS PRISON, IF THAT RAILROAD TRAINWAS MINEI BET I'D MOVE JUST A LITTLE FURTHER DOWN THE LINEFAR FROM FOLSOM PRISON, THAT'S WHERE I WANT TO STAYAND I'D LET THAT LONESOME WHISTLE BLOW MY BLUES AWAY70

FOR THE BEAUTY OF THE EARTHWORDS BY FOLLIOTT S PIERPOINT, MUSIC ARRANGED FROM CONRADKOCHERFOR THE BEAUTY OF THE EARTH, FOR THE GLORY OF THE SKIESFOR THE LOVE WHICH FROM OUR BIRTH, OVER AND AROUND US LIES(REFRAIN) LORD OF ALL, TO THEE WE RAISE, THIS OUR HYMN OFGRATEFUL PRAISEFOR THE WONDER OF EACH HOUR, OF THE DAY AND OF THE NIGHTHILL AND VALE AND TREE AND FLOWER, SUN AND MOON AND STARSOF LIGHT (REFRAIN)FOR THE JOY OF EAR AND EYE, FOR THE HEART AND MIND'S DELIGHTFOR THE MYSTIC HARMONY, LINKING SENSE TO SOUND AND SIGHT(REFRAIN)FOR THE JOY OF HUMAN LOVE, BROTHER, SISTER, PARENT, CHILDFRIENDS ON EARTH, AND FRIENDS ABOVE, FOR ALL GENTLETHOUGHTS AND MILD (REFRAIN)FOR THY CHURCH THAT EVERMORE, LIFTETH HOLY HANDS ABOVEOFFERING UP ON EVERY SHORE, HER PURE SACRIFICE OF LOVE(REFRAIN)FOR THE MARTYR'S CROWN OF LIGHT, FOR THY PROPHETS' EAGLEEYEFOR THY BOLD CONFESSORS' MIGHT, FOR THE LIPS OF INFANCY(REFRAIN)FOR THY VIRGINS' ROBES OF SNOW, FOR THY MAIDEN MOTHER MILDFOR THYSELF WITH HEARTS AGLOW, JESU, VICTIM UNDEFILED(REFRAIN)FOR EACH PERFECT GIFT OF LIGHT, TO OUR RACE SO FREELY GIVENGRACES HUMAN AND DIVINE, FLOWERS OF EARTH AND BUDS OFHEAVEN (REFRAIN)71

FOR THE GOOD TIMESRAY PRICE, ELVIS PRESLYWORDS & MUSIC BY KRIS KRISTOFFERSONDON'T LOOK SO SAD, I KNOW IT'S OVERBUT LIFE GOES ON AND THIS OLD WORLD WILL KEEP ON TURNINGLET'S JUST BE GLAD WE HAD SOME TIME TO SPEND TOGETHERTHERE'S NO NEED O WATCH THE BRIDGES THAT WE'RE BURNING(CHORUS) LAY YOUR HEAD UPON MY PILLOWHOLD YOUR WARM AND TENDER BODY CLOSE TO MINEHEAR THE WHISPER OF THE RAINDROPS FALLIN' SOFT AGAINST THEWINDOWAND MAKE BELIEVE YOU LOVE ME ONE MORE TIMEFOR THE GOOD TIMESI'LL GET ALONG, YOU'LL FIND ANOTHERAND I'LL BE HERE IF YOU SHOULD FIND YOU EVER NEED MEDON'T SAY A WORD ABOUT TOMORROW OR FOREVERTHERE'LL BE TIME ENOUGH FOR SADNESS WHEN YOU LEAVE ME(CHORUS) + FOR THE GOOD TIMES72

FOUR WALLSJIM REEVES, GMARVIN J MOORE AND GEORGE H CAMPBELL, JR(G) OUT WHERE THE (G7) BRIGHT LIGHTS ARE (Am7) GLOWINGYOU'RE (D7) DRAWN LIKE A MOTH TO A (G) FLAMEYOU LAUGH WHILE THE (G7) WINE'S OVER(C)FLOWINGWHILE (G) I SIT AND (D7) WHISPER YOUR (G) NAME(CHORUS) FOUR WALLS TO (Am7) HEAR ME(D7) FOUR WALLS TO (G) SEEFOUR (G7) WALLS TOO (C) NEAR ME(G) CLOSING (D7) IN ON (G) MESOMETIMES I ASK WHY I'M WAITINGBUT MY WALLS HAVE NOTHING TO SAYI'M MADE FOR LOVE NOT FOR HATINGSO HERE WHERE YOU LEFT ME I'LL STAY (CHORUS)ONE NIGHT WITH YOU IS LIKE HEAVENAND SO WHILE I'M WALKING THE FLOORI'LL LISTEN FOR STEPS IN THE HALLWAYAND WAIT FOR YOUR KNOCK ON MY DOOR (CHORUS)73

FRANKIE AND JOHNNYBROOK BENTONLITTLE FRANKIE WENT DOWN TO THE BARROOM, SHE ASKED FOR AGLASS OF BEERSHE SAID, "HEY, BARTENDER, HAS MY JOHNNY BEEN HERE?""HE'S MY MAN BUT HE'S DONE ME WRONG"THE BARTENDER SAID "FRANKIE, YA KNOW I WON'T TELL YA NO LIE""HE LEFT HERE ABOUT A MINUTE AGO WITH A GAL NAMED ALICE FRY""HE'S YOUR MAN, BUT HE'S DOIN' YOU WRONG"FRANKIE WAS A GOOD LITTLE WOMAN, SURELY EVERYBODY KNOWSSHE PAID ONE HUNDRED DOLLARS FOR JOHNNY'S NEW SUIT OFCLOTHESSHE LOVED HER MAN BUT HE DONE HER WRONGWELL THEN FRANKIE WENT DOWN BROADWAY WITH A RAZOR IN HERHANDSHE SAID "STAND BACK, ALL YOU WOMEN, I'M HERE FOR MY CHEATIN'MAN""YES, HE'S MY MAN BUT HE'S DONE ME WRONG"IT WAS ON A FRIDAY MORNIN' ABOUT A HA'PAST NINE O'CLOCKFRANKIE PULLED HER 44 AND FIRED THREE FATAL SHOTSSHE SHOT HER MAN 'CAUSE HE DONE HER WRONG(WHY DONTCHA RUN, FRANKIE?) THEY SAID (FRANKIE WHY DON'T YOURUN?)'CAUSE HERE COME THE CHIEF OF POLICE WITH THE 44 SMOKELESSGUNYOU KILLED YOUR MAN, WE KNOW HE DONE YOU WRONGSPOKEN WHILE FADINGYEAH, HE DONE YOU WRONG, FRANKIEYOU SHOULDA SHOT HIM FORTY TIMESI'M A WITNESS, FRANKIE, I WAS THEREWHEN YOU SHOT THAT MAN I SAW74

- AS SUNG ON "THE SATIN SOUND BROOK BENTON"- SUFFOLK MARKETING-SMI 2- PEAK BILLBOARD POSITION # 20 IN 1961- TRADITIONAL FOLK SONG WITH MANY LYRICS VARIATIONS- CHARTED BY TED LEWIS (#9) AND FRANK CRUMIT (#18) IN 1927- CHARTED BY GUY LOMBARDO (#21) IN 1942- CHARTED BY JOHNNY CASH (#57) IN 1959- CHARTED BY SAM COOKE (#14) IN 1963- CHARTED BY THE GREENWOOD COUNTY SINGERS (#75) IN 1964- CHARTED BY ELVIS PRESLEY (#25) IN 196675

FRANKIE AND JOHNNYANONYMOUS BLUES BALLAD, POSSIBLY FROM ST LOUIS OR KANSASCITYFRANKIE AND JOHNNY WERE LOVERS, SAID THEY WERE REALLY INLOVENOW FRANKIE WAS TRUE TO HER JOHNNY, TRUE AS ALL THE STARSABOVEHE WAS HER MAN, BUT HE DONE HER WRONGFRANKIE AND JOHNNY WENT WALKING, JOHNNY HAD ON A NEW SUITTHAT FRANKIE HAD BOUGHT WITH A "C" NOTE, CAUSE IT MADE HIMLOOK SO CUTEHE WAS HER MAN, BUT HE DONE HER WRONGJOHNNY SAID, "I'VE GOT TO LEAVE NOW, BUT I WON'T BE VERY LONGDON'T SIT UP AND WAIT FOR ME, HONEY, DON'T YOU WORRY WHILE I'MGONE"HE WAS HER MAN, BUT HE DONE HER WRONGFRANKIE WENT DOWN TO THE HOTEL, LOOKED IN THE WINDOW SOHIGHTHERE SHE SAW HER LOVIN' JOHNNY MAKING LOVE TO NELLIE BLYHE WAS HER MAN, BUT HE DONE HER WRONGJOHNNY SAW FRANKIE A-COMIN', DOWN THE BACK STAIRS HE DIDSCOOTFRANKIE SHE TOOK OUT HER PISTOL, OH, THAT LADY SURE COULDSHOOT!HE WAS HER MAN, BUT HE DONE HER WRONGFRANKIE, SHE WENT TO THE BIG CHAIR, CALM AS A LADY COULD BETURNING HER EYES UP, SHE WHISPERED, "LORD, I'M COMING UP TOTHEEHE WAS MY MAN, BUT HE DONE ME WRONG76

FREIGHT TRAINAMERICAN, G(G) FREIGHT TRAIN, FREIGHT TRAIN, (D) RUN SO FASTFREIGHT TRAIN, FREIGHT TRAIN, (G) RUN SO FAST(B7) PLEASE DON'T TELL WHAT (C) TRAIN I'M ON(G) THEY WON'T KNOW WHAT (D) ROUTE (D7) I'VE (G) GONEWHEN I'M DEAD AND IN MY GRAVENO MORE GOOD TIMES HERE I'LL CRAVEPLACE THE STONES AT MY HEAD AND FEETAND TELL THEM ALL I'VE GONE TO SLEEPWHEN I DIE, LORD, BURY ME DEEPWAY DOWN ON OLD CHESTNUT STREETSO I CAN HEAR OLD NUMBER NINEAS SHE COMES ROLLING BY77

FUNICULI, FUNICULA!ITALIAN, LUIGI DENZA, CIRCA 1880, ESOME (E) THINK THE WORLD IS MADE FOR FUN AND FROLICAND (B7) SO DO (E) I, AND (B7) SO DO (E) ISOME (E) THINK, IT WELL TO BE ALL MELANCHOLICTO (B7) PINE AND (E) SIGH, TO (B7) PINE AND (E) SIGHBUT (G) I, I (D7) LOVE TO SPEND MY TIME IN (G) SINGINGSOME (D7) JOYOUS (G) SONG, SOME (D7) JOYOUS (G) SONGTO (B7) SET THE AIR WITH MUSIC BRAVELY RINGINGIS FAR FROM (D) WRONG, IT'S FAR FROM (B7) WRONG(B7) LISTEN, LISTEN, MUSIC SOUNDS AFARLISTEN, LISTEN, ECHOS SOUND A(E)FARFUNICULI, FUNICULA, FUNICULI, FUNICU(A)LAJOY IS EVERY(E)WHERE FUNICU(B7)LI, FUNICULE(E)AAH ME! 'TIS STRANGE THAT SOME SHOULD TAKE TO SIGHINGAND LIKE IT WELL, THEY LIKE IT WELLFOR ME, I HAVE NOT THOUGHT IT WORTH THE TRYINGSO CANNOT TELL, I CANNOT TELLWITH LAUGH, WITH DANCE AND SONG THE DAY SOON PASSESFULL SOON IS GONE, FULL SOON IS GONEFOR MIRTH WAS MADE FOR JOYOUS LADS AND LASSESTO CALL THEIR OWN, TO CALL THEIR OWNLISTEN, LISTEN, HARK THE SOFT GUITARLISTEN, LISTEN, ECHOS SOUND AFARFUNICULI, FUNICULA, FUNICULI, FUNICULAJOY IS EVERYWHERE FUNICULI, FUNICULA78

GET A JOBSILHOUETTES(CHORUS) SHA NA NA NA, SHA NA NA NA NA NA (BAH-DOO)SHA NA NA NA, SHA NA NA NA NA NA (BAH-DOO)SHA NA NA NA, SHA NA NA NA NA NA (BAH-DOO)SHA NA NA NA, SHA NA NA NA NA NA (BAH)YIP YIP YIP YIP YIP YIP YIP YIP, MUM MUM MUM MUM MUM MUM,GET A JOBSHA NA NA NA, SHA NA NA NA NA NAWELL, EVERY MORNING ABOUT THIS TIMESHE GETS ME OUT OF MY BED CRYIN'GET A JOBSHA NA NA NA, SHA NA NA NA NA NAAND AT BREAKFAST EVERY DAYSHE THROWS THE WANT ADS MY WAYAND NEVER FAILS TO SAYGET A JOB (CHORUS)AND WHEN I GET THE PAPER,I READ IT THROUGH AND THROUGHAND MY GIRL NEVER FAILS TO SEEIF THERE IS ANY WORK FOR MEAND THEN I GO BACK TO THE HOUSE,HEAR THAT WOMAN'S MOUTHPREACHING AND A-CRYIN'TELLIN' ME I'M LYIN' ABOUT A JOBTHAT I NEVER COULD FIND (CHORUS)79

GONEFERLIN HUSKY, GSMOKY ROGERSSINCE YOU'VE (G) GONETHE (C) MOON, THE (G) SUN, THE (D7) STARS IN THE (G) SKY(C) KNOW THE REASON WHY I (G) CRY(D7) LOVE DI(G)VINE (D7) ONCE WAS (G) MINE(D7) NOW YOU'RE (G) GONESINCE YOU'VE GONEMY HEART, MY LIPS, MY TEAR-DIMMED EYESA LONELY SOUL WITHIN ME CRIESI ACTED SMART, BROKE YOUR HEARTNOW YOU'VE GONE(G) OH, (D7) OH WHAT I'D GIVE FOR THE (G) LIFETIME I'VE WASTEDTHE (C) LOVE THAT I'VE (G) TASTED(D7) I WAS (G) WRONG(D7) NOW YOU'VE (G) GONE80

GRANADAFRANKIE LAINESPANISH WORDS & MUSIC BY AUGUSTIN LARAENGLISH WORDS BY DOROTHY DODD(Am) GRANADA, I'M FALLING UNDER YOUR SPELLAND IF YOU COULD SPEAK, WHAT A FASCINATING TALE YOU WOULDTELLOF AN (E) AGE THE WORLD HAS (F) LONG FOR(E)GOTTENOF AN AGE THAT WEAVES A (F) SILENT MAGIC IN GRANADA TO(E)DAYTHE (C) DAWN IN THE SKY GREETS THE DAY WITH A SIGH FORGRA(G7)NADAFOR SHE CAN REMEMBER THE SPLENDOR THAT ONCE WASGRA(C)NADAIT STILL CAN BE FOUND IN THE HILLS ALL AROUND AS I (Em) WANDERALONG(B7) ENTRANCED BY THE BEAUTY BE(Em)FORE MEENTRANCED BY A (B7) LAND FULL OF SUNSHINE AND (Em) FLOWERSAND (G7) SONGAND (C) WHEN DAY IS DONE AND THE SUN STARTS TO SET INGRA(G7)NADAI ENVY THE BLUSH OF THE SNOW-CLAD SIERRA NE(C)VADAFOR (C) SOON IT WILL (C7) WELCOME THE (F) STARS WHILE A (Fm)THOUSAND (C) GUITARSPLAY A (Fm) SOFT HABA(C)ÑERATHE MOONLIT (Fm) GRANADA WILL (C) LIVE AGAINTHE GLORY OF (G7) YESTERDAYROMANTIC AND (C) GAY!!!GRANADA, TIERRA SONADA POR MIMI CANTAR SI VUELVE GITANO CUNADO ES PARA TIMI CANTAR HECHO DE FANTASIAMI CANTAR FLOR DE MELANCOLI A QUE YOU VENGO A DAR81

GRANADA TIERRA ENSANGRENTADA EN TARDES DE TOROSMUJER QUE CONSERVA EL EMBRUJO DE LOS OJOS MOROSDE SUENO REBELDE Y GITANA CUBIERTA DE FLORESY BESO TU BOCA DE GRANA JUGOSA MANZANA QUE ME HABLA DEAMORESGRANADA MANOLA CANTADA EN COPLAS PRECIOSASNO TENGO OTRA COSA QUE DARTE QU UN RAMO DE ROSASDE ROSAS DE SUAVE FRAGRANCIA QUE LE DIERAN MARCO A LAVIRGEN MORENAGRANADA TU TIERRA ESTA LLENADE LINDAS MUJERESDE SANGRE Y DE SOL-AS SUNG ON "FRANKIE LAINE'S GREATEST HITS"-COLUMBIA CS 8636-PEAK BILLBOARD POSITION # 17 IN 1954-ALSO CHARTED AS "GRANADA" BY FRANK SINATRA AT # 64 IN 1961-ENGLISH LYRICS BY DOROTHY DODD AND MUSIC BY AUGUSTIN LARA82

GREAT BALLS OF FIREJERRY LEE LEWISYOU SHAKE MY NERVES AND YOU RATTLE MY BRAINTOO MUCH LOVE DRIVES A MAN INSANEYOU BROKE MY WILL, BUT WHAT A THRILLGOODNESS GRACIOUS, GREAT BALLS OF FIREI LAUGHED AT LOVE 'CAUSE I THOUGHT IT WAS FUNNYYOU CAME ALONG AND YOU MOVED ME, HONEYI CHANGED MY MIND, THIS LIFE IS FINEGOODNESS GRACIOUS, GREAT BALLS OF FIREKISS ME BABY, WOO...IT FEELS GOODHOLD ME BABY, I WANT TO LOVE YOU LIKE A LOVER SHOULDYOU’RE FINE, SO KINDI'M GONNA TELL THE WORLD THAT YOUR MINE MINE MINE MINEI CHEW MY NAILS AND I TWIDDLE MY THUMBSI'M REALLY NERVOUS BUT IT SURE IS FUNOH BABY, YOU'RE DRIVIN' ME CRAZYGOODNESS GRACIOUS, GREAT BALLS OF FIRE(REPEAT LAST TWO VERSES)83

GREAT IS THY FAITHFULNESSTHOMAS O CHISHOLM AND WILLIAM M RUNYAN, D(D) GREAT IS THY (G) FAITHFULNESS, (A7) O GOD, MY (D) FATHER(G) THERE IS NO (D) SHADOW OF (E7) TURNING WITH (A) THEE(A7) THOU CHANGEST(D) NOT, THY COM(Em)PASSIONS, THEY (G) FAILNOTAS THOU HAST (D) BEEN, THOU FOR(A7)EVER WILT (D) BE(CHORUS) (A) GREAT IS THY (D) FAITHFULNESS!(B7) GREAT IS THY (Em) FAITHFULNESS!(A7) MORNING BY (D) MORNING NEW (E7) MERCIES I (A) SEE(A7) ALL I HAVE (D) NEEDED THY (Em) HAND HATH PRO(G)VIDEDGREAT IS THY (D) FAITHFULNESS, (A7) LORD, UNTO (D) ME!(D) SUMMER AND (G) WINTER, AND (A7) SPRINGTIME AND (D) HARVEST(G) SUN, MOON AND (D) STARS IN THEIR (E7) COURSES A(E)BOVE(A7) JOIN WITH ALL (D) NATURE IN (Em) MANIFOLD (G) WITNESSTO THY GREAT (D) FAITHFULNESS, (A7) MERCY AND (D) LOVE (CHORUS)(D) PARDON FOR (G) SIN AND A (A7) PEACE THAT EN(D)DURETH(G) THY OWN DEAR (D) PRESENCE TO (E7) CHEER AND TO (A) GUIDE(A7) STRENGTH FOR TO(D)DAY AND BRIGHT (Em) HOPE FORTO(G)MORROWBLESSINGS OF (D) MINE WITH TEN (A7) THOUSAND BE(D)SIDE(CHORUS)84

GREENSLEEVES18TH CENTURY ENGLISHA(Em)LAS, MY LOVE, YOU (D) DO ME WRONGTO (Em) CAST ME (F#7) OFF DISCOURTEOUSLYAND (Em) I HAVE LOVED YOU (D) OH, SO LONGDE(Em)LIGHTING (B7) IN YOUR (Em)COM(Am)PA(Em)NY(G) GREENSLEEVES WAS (D) ALL MY JOY(Em) GREEN(F#7)SLEEVES WAS (B) MY DELIGHT(G) GREENSLEEVES WAS MY (D) HEART OF GOLDAND (Em) WHO BUT MY (B7) LADY (Em) GREEN(Am,Em)SLEEVES85

GUANTANAMERACUBAN, ORIGINAL LYRICS AND MUSIC BY JOSE FERNANDEZ DIAZ(JOSEITO FERNANDEZ), MUSIC ADAPTATION BY PETE SEEGERLYRIC ADAPTATION BY HECTOR ANGULO, BASED ON A POEMBY JOSE MARTI, E(REFRAIN) (E) GUANTANA(A)MERA, (B7) GUAJIRA (E) GUANTANA(A)MERA(B7)(E) GUANTANA(A)MERA, (B7) GUAJIRA (E) GUANTANA(A)ME(B7)RAYO SOY UN (E) HOMBRE SIN(A)CERO, (B7) DE DONDE (E)CRECE LA (A)PALMA (B7)YO SOY UN (E) HOMBRE SIN(A)CERO, (B7) DE DONDE (E) CRE(A)CE LA(B7) PALMAY ANTES DE (E) MORIR ME (A) QUIE(B7)RO, ECHAR MIS (E) VERSOS DEL(A) AL(B7)MA (REFRAIN)MI VERSO ES DE UN VERDE CLARO, Y DE UN CARMIN ENCENDIDOMI VERSO ES DE UN VERDE CLARO, Y DE UN CARMIN ENCENDIDOMI VERSO ES UN CIERRO HERIDO, QUE BUSCA EL MONTE AMPARO(REFRAIN)CON LOS POBRES DE LA TIERRA, QUIERO YOU MI SUERTE ECHARCON LOS POBLRES DE LA TIERRA, QUIERO MI SUERTE ECHAREL ARROYO DE LA SIERRA, ME COMPLACE MAS QUE EL MAR (REFRAIN)I COME FROM WHERE PALM TREES FLOURISH, TO SPEAK THE TRUTH'SMY DESIREI COME FROM WHERE PALM TREES FLOURISH, TO SPEAK THE TRUTH'SMY DESIREAND I MUST SING OR I PERISH, THE SONGS THAT FILL ME WITH FIRE(REFRAIN)MY VERSE IS BRIGHT GREEN AND SHINING, AND IT IS BLOOD RED ANDFLOWINGMY VERSE IS BRIGHT GREEN AND SHINING, AND IT IS BLOOD RED ANDFLOWINGA WOUNDED FAWN THAT IS GOING, INTO THE HILLS GREEN ANDGROWING(REFRAIN)86

WITH ALL THE POOR AND THE HUMBLE, I CAST MY FATE ANDDEVOTIONWITH ALL THE POOR AND THE HUMBLE, I CAST MY FATE ANDDEVOTIONTHE MOUNTAIN STREAMS AS THEY TUMBLE, MEAN MORE TO ME THANTHE OCEAN (REFRAIN)87

HARBOR LIGHTSTHE PLATTERS, EJIMMY KENNEDY, HUGH WILLIAMS(E) I SAW THE (B7) HARBOR LIGHTSTHEY ONLY TOLD ME WE WERE (E) PARTINGTHE SAME OLD (B7) HARBOR LIGHTSTHAT ONCE BROUGHT YOU TO (E) MEI WATCHED THE (B7) HARBOR LIGHTSHOW COULD I HELP IF TEARS WERE (E) STARTING?GOODBYE TO (B7) TENDER NIGHTSBESIDE THE SILV'RY (E) SEAI (E7) LONGED TO (A) HOLD YOU NEARAND (Am) KISS YOU JUST ONCE (E) MOREBUT YOU WERE (F#7) ON THE SHIP AND I WAS ON THE (B7) SHORE(E) NOW I KNOW (B7) LONELY NIGHTSFOR ALL THE WHILE MY HEART IS (E) WHISP'RINGSOME OTHER (B7) HARBOR LIGHTSWILL STEAL YOUR LOVE FROM (E) MEI LONG TO HOLD YOU NEAR AND KISS YOU JUST ONCE MOREBUT YOU WERE ON THE SHIP AND I WAS ON THE SHORENOW I KNOW LONELY NIGHTSFOR ALL THE WHILE MY HEART IS WHISP'RINGSOME OTHER HARBOR LIGHTSWILL STEAL YOUR LOVE FROM MEARTISTS: THE PLATTERS (PEAK BILLBOARD POSITION # 8 IN 1960)THERE WERE 5 TOP 10 VERSIONS IN 1950WAS THE BACKGROUND THEME USED IN THE 1940 FILM "THE LONGVOYAGE HOME"88

WORDS AND MUSIC BY HUGH WILLIAMS AND JIMMY KENNEDYWRITTEN IN ENGLANDALSO RECORDED IN 1950 BY SAMMY KAYE AND HIS ORCHESTRA WITHVOCALS BY DON CORNELL89

HEARTACHESPATSY CLINE, TED WEEMS, GWORDS BY JOHN KLENNER, MUSIC BY AL HOFFMAN(G6) HEART(G)ACHES, (F#7) HEARTACHES(G) MY LOVING YOU MEANT ONLY (Dm6) HEART(E7)ACHES(Am7) YOUR KISS WAS (D7) SUCH A SACRED (G)THING TO (Em) ME(Am7) I CAN'T BELIEVE IT'S JUST A (Cm6) BURN(D7)ING MEMORY(WHISTLE)(G6) HEART(G)ACHES, (F#7) HEARTACHES(G) WHAT DOES IT MATTER (G9) HOW (Gb9) MY (F9) HEART (E9)BREAKS?(Am7) I SHOULD BE (Cm) HAPPY WITH (G) SOMEONE (A7) NEWBUT (Am7) MY (D7) HEART (Am7) ACHES (D7) FOR (G) YOUALTERNATE CHORDING:(G) HEARTACHES, (F#7) HEARTACHES(G) MY LOVING YOU MEANT ONLY (E7) HEARTACHES(A) YOUR KISS WAS (A7) SUCH A SACRED (A) THING TO MEI CAN'T BELIEVE IT'S JUST A (A7) BURNING (A) MEMORY(G) HEARTACHES, (F#7) HEARTACHES(G) WHAT DOES IT MATTER HOW MY (E) HEART BREAKS?(Am) I SHOULD BE (C) HAPPY WITH (Am) SOMEONE (C) NEWBUT (Am) MY HEART (D7) ACHES FOR (G) YOU90

HEARTBREAK HOTELELVIS PRESLEY, EMAE BOREN AXTON (HOYT AXTON'S MOTHER) - TOMMY DURDEN -ELVIS PRESLEYNOW, (E) SINCE MY BABY (E7) LEFT MEI'VE (E) FOUND A NEW PLACE TO (E7) DWELL(E) DOWN AT THE END OF LONELY STREETAT (E7) HEARTBREAK (E) HOTELI'M SO (A7) LONELY, I'M SO (E) LONELY, I'M SO (A7) LONELYTHAT I COULD (E) DIEAND THO' IT'S ALWAYS CROWDEDYOU CAN STILL FIND SOME ROOMFOR BROKEN-HEARTED LOVERSTO CRY THERE IN THE GLOOMAND BE SO LONELY, OH, SO LONELY, OH, SO LONELYTHEY COULD DIETHE BELLHOP'S TEARS KEEP FLOWINGTHE DESK CLERK'S DRESSED IN BLACKTHEY'VE BEEN SO LONG ON LONELY STREETTHEY NEVER WILL LOOK BACK (GO BACK)AND THEY'RE SO LONELY, OH, THEY'RE SO LONELYTHEY'RE SO LONELY THEY COULD DIE (PRAY TO DIE)SO, IF YOUR BABY LEAVES YOUAND YOU HAVE A TALE TO TELLJUST TAKE A WALK DOWN LONELY STREETTO HEARTBREAK HOTELWHERE YOU'LL BE SO LONELY, AND I'LL BE SO LONELYWE'LL BE SO LONELY THAT WE COULD DIE91

HELLO MARY LOURICKY NELSON, DGENE PITNEY, C. MANGIARACINA(CHORUS) "HELLO MARY LOU, GOODBYE HEARTSWEET MARY LOU I'M SO IN LOVE WITH YOUI KNEW MARY LOU WE'D NEVER PARTSO HELLO MARY LOU GOODBYE HEART"YOU PASSED ME BY ONE SUNNY DAYFLASHED THOSE BIG BROWN EYES MY WAYAND OO I WANTED YOU FOREVERMORENOW I'M NOT ONE THAT GETS AROUNDI SWEAR BY MY FEET STUCK TO THE GROUNDAND THOUGH I NEVER DID MEET YOU BEFORE (CHORUS)(INSTRUMENTAL)I SAW YOUR LIPS I HEARD YOUR VOICEBELIEVE ME I JUST HAD NO CHOICEWILD HORSES COULDN'T MAKE ME STAY AWAYI THOUGHT ABOUT A MOONLIT NIGHTMY ARMS ABOUT YOU GOOD AN' TIGHTTHAT'S ALL I HAD TO SEE FOR ME TO SAY (CHORUS)YES, HELLO, MARY LOU, GOODBYE HEARTWELL, HELLO, MARY LOU, GOODBYE HEART92

HELP ME MAKE IT THROUGH THE NIGHTKRIS KRISTOPHERSON, D(D) TAKE THE RIBBON FROM YOUR HAIR (G)(D) SHAKE IT LOOSE AND LET IT (G) FALL(Em) LAYING SOFT UPON MY (A7) SKINLIKE THE SHADOWS ON THE (D) WALL (G)COME AND LAY DOWN BY MY SIDETILL THE EARLY MORING LIGHTALL I'M TAKING IS YOUR TIMEHELP ME MAKE IT THROUGH THE NIGHT(D) I DON'T CARE WHAT'S RIGHT OR (G) WRONGI DON'T TRY TO UNDER(D)STANDLET THE DEVIL TAKE TO(E7)MORROWLORD, TONIGHT I NEED A (A7) FRIENDYESTERDAY IS DEAD AND GONEAND TOMORROW'S OUT OF SIGHTAND IT'S SAD TO BE ALONEHELP ME MAKE IT THROUGH THE NIGHT93

HERE COMES THE HURT AGAINJERRY FOSTER, BILL RICE(G7) HERE COMES THE (C) HURT AGAIN(D7) YOU'D THINK THAT I'D (G) LEARNTHE MORE I BE(A7)LIEVE IN LOVETHE MORE I GET (D7) BURNEDI'M (G7) LYING RIGHT (C) HERE AGAIN(D7) SO CLOSE TO THE (G) FLAMEHERE COMES THE (C) HURT AGAIN(D7) BUT THEN I'M USED TO THE (G) PAINI WANT TO SAY I (C) LOVE YOU(G) BUT THIS IS (C) NOT THE (G) TIME(C) FOR EVEN THOUGH (G) I'M HOLDING YOU(A7) WELL, I KNOW HE'S STILL ON YOUR (D7) MIND(G) THERE'S SOMEONE ELSE YOU'RE (C) HIDING(G) BEHIND YOUR (C) TENDER (G) SMILE(C) AND I'VE BEEN HURT (G) LIKE THIS BEFORE(D7) BUT HONEY, NOT IN QUITE A (G) WHILE(REPEAT FIRST VERSE)HERE COMES THE (C) HURT AGAIN(D7) BUT THEN I'M USED TO THE (G) PAIN (C,G)94

HE STOPPED LOVING HER TODAYGEORGE JONES, G OR CBOBBY BRADDOCK AND CURLY PUTMANHE SAID, "I'LL LOVE YOU TILL I DIE"SHE TOLD HIM "YOU'LL FORGET IN TIME"AS THE YEARS WENT SLOWLY BYSHE STILL PREYED UPON HIS MINDHE KEPT HER PICTURE ON HIS WALL(AND) WENT HALF-CRAZY NOW AND THENBUT HE STILL LOVED HER THROUGH IT ALLHOPING SHE'D COME BACK AGAIN(UP ONE KEY) HE KEPT SOME LETTERS BY HIS BEDDATED NINETEEN-SIXTY-TWOHE HAD UNDERLINED IN REDEVERY SINGLE "I LOVE YOU"I WENT TO SEE HIM JUST TODAYBUT I DIDN'T SEE NO TEARSALL DRESSED UP TO GO AWAYFIRST TIME I'D SEEN HIM SMILE IN YEARS(CHORUS, UP ONE KEY) HE STOPPED LOVING HER TODAYTHEY PLACED A WREATH UPON HIS DOORAND SOON THEY'LL CARRY HIM AWAYHE STOPPED LOVING HER TODAY(RECITE) YOU KNOW, SHE CAME TO SEE HIM ONE LAST TIMEWE ALL WONDERED IF SHE WOULDAND IT KEPT RUNNING THROUGH MY MINDTHIS TIME HE'S OVER HER FOR GOOD (CHORUS)I WENT TO SEE HIM JUST TODAYBUT I DIDN'T SEE NO TEARSALL DRESSED UP TO GO AWAYFIRST TIME I'D SEEN HIM SMILE IN YEARS (CHORUS)95

HEY, WON'T YOU PLAY ANOTHER SOMEBODY DONE SOMEBODYWRONG SONGCHARLIE RICH, GLARRY BUTLER AND CHIPS MOMAN(G) IT'S LONELY OUT TO(C)NIGHT AND THE (D) FEELING JUST GOTRIGHTFOR A BRAND NEW (G) LOVE SONG(C) SOMEBODY DONE SOMEBODY (G) WRONG SONG(G) HEY, WON'T YOU (G7) PLAY ANOTHER(G) SOMEBODY DONE SOMEBODY (C) WRONG SONG?AND MAKE ME (G) FEEL AT HOME, WHILE I MISS MY (Am) BABY(D7) WHILE I MISS MY (G) BABYSO PLAY, PLAY FOR ME A (B7) SAD MELODYSO (E7) SAD THAT IT MAKES EVERYBODY (A7) CRYA (D7) REAL HURTING SONG ABOUT A (G) LOVE THAT'S GONE (E7)WRONG'CAUSE (A7) I DON'T WANT TO CRY ALL A(D)LONE (D7)(REPEAT AND FADE)96

HIGHWAY PATROLMANJOHNNY CASHBRUCE SPRINGSTEENMY NAME IS JOE ROBERTS, I WORK FOR THE STATEI'M A SERGEANT OUT IN PERRINVILLE, BARRACKS NUMBER EIGHTI'VE ALWAYS DONE AN HONEST JOB, HONEST AS I COULDGOT A BROTHER NAMED FRANKIE, FRANKIE AIN'T NO GOODWELL, EVER SINCE WE WERE YOUNG KIDS, IT'S BEEN THE SAME COMEDOWNI'D GET A CALL ON THE SHORTWAVE, FRANKIE'S IN TROUBLEDOWNTOWNWELL IF IT WAS ANY OTHER MAN, I'D PUT HIM STRAIGHT AWAYBUT SOMETIMES WHEN IT'S YOUR BROTHER, YOU LOOK THE OTHERWAY(CHORUS) YEAH, ME AND FRANKIE LAUGHING AND DRINKINGNOTHING FEELS BETTER THAN BLOOD ON BLOODTAKING TURNS DANCING WITH MARIAWHILE THE BAND PLAYED "THE NIGHT OF THE JOHNSTOWN FLOOD"I CATCH HIM WHEN HE'S STRAYING, LIKE ANY BROTHER SHOULDMAN TURNS HIS BACK ON HIS FAMILY, HE AIN'T NO GOODWELL, FRANKIE WENT INTO THE ARMY, BACK IN 1965I GOT A FARM DEFERMENT, SETTLED DOWN, TOOK MARIA FOR MYWIFEBUT THEM WHEAT PRICES KEPT ON DROPPING, TILL IT WAS LIKE WE'SGETTING ROBBEDFRANKIE CAME HOME IN '68, ME, I TOOK THIS JOB(CHORUS) YEAH, ME AND FRANKIE LAUGHING AND DRINKINGNOTHING FEELS BETTER THAN BLOOD ON BLOODTAKING TURNS DANCING WITH MARIAWHILE THE BAND PLAYED "THE NIGHT OF THE JOHNSTOWN FLOOD"I CATCH HIM WHEN HE'S STRAYING, TEACH HIM HOW TO WALK THATLINEMAN TURNS HIS BACK ON HIS FAMILY, AIN'T NO FRIEND OF MINE97

(INSTRUMENTAL)THE NIGHT WAS LIKE ANY OTHER, I GOT A CALL 'BOUT A QUARTER TONINETHERE WAS TROUBLE AT A ROAD HOUSE, OUT ON THE MICHIGAN LINETHERE WAS A KID ON THE FLOOR LOOKING BAD, BLEEDING HARDFROM HIS HEADTHERE WAS A GIRL CRYING AT A TABLE, "IT WAS FRANKIE" SHE SAIDI RAN OUT AND JUMPED IN MY CAR, AN' I HIT THE LIGHTSI MUST OF DONE ABOUT 110, THROUGH MICHIGAN COUNTY THATNIGHTIT WAS DOWN BY THE CROSSROADS, OUT BY WILLOW BANKSEEN A BUICK WITH OHIO PLATES, BEHIND THE WHEEL WAS FRANKWELL, I CHASED HIM THROUGH THEM COUNTY ROADS, TILL THE SIGNSAID"CANADIAN BOARDER FIVE MILES FROM HERE"PULLED OVER TO THE SIDE OF THE HIGHWAY, WATCHED THE TAILLIGHTS DISAPPEARYEAH, ME AND FRANKIE LAUGHING AND DRINKINGNOTHING FEELS BETTER THAN BLOOD ON BLOODTAKING TURNS DANCING WITH MARIAWHILE THE BAND PLAYED "THE NIGHT OF THE JOHNSTOWN FLOOD"I CATCH HIM WHEN HE'S STRAYING, LIKE ANY BROTHER SHOULDMAN TURNS HIS BACK ON HIS FAMILY, HE AIN'T NO GOOD98

HOME ON THE RANGEKANSAS, CIRCA 1873ATTRIBUTED TO DR. BREWSTER HIGLEY (WORDS) AND DAN KELLEY(MUSIC)OH, GIVE ME A HOME WHERE THE BUFFALO ROAMWHERE THE DEER AND THE ANTELOPE PLAYWHERE SELDOM IS HEARD A DISCOURAGING WORDAND THE SKIES ARE NOT CLOUDY ALL DAY(CHORUS) HOME, HOME ON THE RANGEWHERE THE DEER AND THE ANTELOPE PLAYWHERE SELDOM IS HEARD A DISCOURAGING WORDAND THE SKIES ARE NOT COULDY ALL DAYHOW OFTEN AT NIGHT WHEN THE HEAVENS ARE BRIGHTWITH THE LIGHT FROM THE GLITTERING STARSHAVE I STOOD THERE AMAZED AND ASKED AS I GAZEDIF THEIR GLORY EXEEDS THAT OF OURS (CHORUS)WHERE THE AIR IS SO PURE, THE ZEPHYRS SO FREETHE BREEZES SO BALMY AND LIGHTTHAT I WOULD NOT EXCHANGE MY HOME ON THE RANGEFOR ALL OF THE CITIES SO BRIGHT (CHORUS)OH, I LOVE THOSE WILD FLOWERS IN THIS DEAR LAND OF OURSTHE CURLEW, I LOVE TO HEAR SCREAMAND I LOVE THE WHITE ROCKS AND THE ANTELOPE FLOCKSTHAT GRAZE ON THE MOUNTAINTOPS GREEN (CHORUS)99

HONEY WON'T YOU OPEN THAT DOORRICKY SKAGGS, DMEL TILLIS(CHORUS) (D) HONEY, HONEY, HONEY WON'T YOU OPEN THAT (A)DOORTHIS IS YOUR SWEET DADDY, DON'T YOU LOVE ME NO MOREIT'S COLD OUTSIDE, LET ME SLEEP ON THE FLOORHONEY WON'T YOU OPEN THAT (D) DOORI (D) HONKYTONKED AROUND DALLASI GOT IN A (D7) POKER (G) GAMESOMEBODY MUSTA BEEN A-(D)CHEATIN'I (E7) LOST EVERYTHING BUT MY (A7) NAMEWELL I (D) WALKED HALF WAY TO MEMPHISI FINALLY (D7) GOT BACK (G) HOMEBUT I'DA BEEN BETTER OFF (D) WHERE I WAS'CAUSE HERE'S WHERE (A7) THINGS WENT (D) WRONG (CHORUS)(INSTRUMENTAL)I (D) WENT RIGHT DOWN TO SEE OLD BOBI THOUGHT HE (D7) WAS MY (G) FRIENDTHE LANDLORD SAID THAT (D) BOB'S NOT HERETHE (E7) POLICE DONE HAULED HIM (A7) INI (D) RAN RIGHT BACK TO LITTLE HONEY'S HOUSEI GOT ME A (D7) ROCKIN' (G) CHAIRNOW HONEY IF YOU DON'T (D) OPEN THAT DOORI'M GONNA ROCK ON (A7) AWAY FROM (D) HERE (CHORUS, CHORUS)TAG: (C) HONEY, HONEY, HONEY, HONEYNOW HONEY WON'T YOU (G7) OPEN THAT (C) DOOR100

HOUND DOGELVIS PRESLEYWORDS AND MUSIC BY JERRY LEIBER AND MIKE STOLLERYOU AIN'T NOTHIN' BUT A HOUND DOGCRYIN' ALL THE TIME.YOU AIN'T NOTHIN' BUT A HOUND DOGCRYIN' ALL THE TIME.WELL, YOU AIN'T NEVER CAUGHT A RABBITAND YOU AIN'T NO FRIEND OF MINE.WHEN THEY SAID YOU WAS HIGH CLASSED,WELL, THAT WAS JUST A LIE.WHEN THEY SAID YOU WAS HIGH CLASSED,WELL, THAT WAS JUST A LIE.YOU AIN'T NEVER CAUGHT A RABBITAND YOU AIN'T NO FRIEND OF MINE.101

HOUSE OF THE RISING SUNRICKY SKAGGS(Am) THERE IS A (C) HOUSE IN (D) NEW OR(F)LEANSTHEY (Am) CALL THE (C) RISING (E)SUNIT'S (Am) BEEN THE (C) RUIN OF (D) MANY A POOR (F) GIRLAND (Am) I OH (E) LORD AM (Am) ONEMY MOTHER IS A TAILORSHE SEWS THOSE NEW BLUE JEANSMY HUSBAND HE'S A GAMBLING MANDRINKS DOWN IN NEW ORLEANSMY HUSBAND IS A GAMBLERHE GOES FROM TOWN TO TOWNTHE ONLY TIME HE'S SATIFIED, IS WHENHE DRINKS HIS LIQUOR DOWNGO TELL MY BABY SISTERNEVER DO WHAT I HAVE DONESHUN THAT HOUSE IN NEW ORLEANSTHEY CALL THE "RISING SUN"ONE FOOT ON THE PLATFORMTHE OTHER'S ON THE TRAINI'M GOING BACK TO NEW ORLEANSTO WEAR THAT BALL AND CHAINGOING BACK TO NEW ORLEANMY RACE IS ALMOST RUNI'M GOING TO SPEND THE REST OF MY LIFEBENEATH THAT "RISING SUN"102

HOUSE OF THE RISING SUNAMERICAN(Am) THERE IS A (C) HOUSE IN (D) NEW OR(F)LEANSTHEY (Am) CALL THE (C) RISING (E) SUNIT HAS (Am) BEEN THE (C) RUIN OF (D) MANY A POOR (F7) GIRLAND (Am) I, OH (E) LORD, WAS (Am) ONEIF I HAD LISTENED TO WHAT MAMA HAD SAIDI'D A BEEN AT HOME TODAYBEING SO YOUNG AND FOOLISH, POOR GIRLLET A GAMBLER LEAD ME ASTRAYMY MOTHER, SHE'S A TAILORSHE SELLS THOSE NEW BLUE JEANSMY SWEETHEART, HE'S A DRUNKARDLORD, DRINK DOWN IN NEW ORLEANSTHE ONLY THING A GAMBLER (DRUNKARD) NEEDSIS A SUITCASE AND A TRUNKTHE ONLY TIME HE'S SATISFIEDIS WHEN HE'S ON A DRUNKGO TELL MY BABY SISTERNOT TO (NEVER) DO AS I HAVE DONETO SHUN THAT HOUSE IN NEW ORLEANSTHEY CALL THE RISING SUNONE FOOT IS ON THE PLATFORMAND THE OTHER IS ON THE TRAINI'M GOING BACK TO NEW ORLEANSTO WEAR THE BALL AND CHAINI'M GOING BACK TO NEW ORLEANSMY RACE IS ALMOST RUNGOING BACK TO END MY LIFEBENEATH THE RISING SUN103

HOW GREAT THOU ARTCHRISTIE LANE, CONNIE SMITH, GSTUART K HINE(G) OH LORD MY GOD, WHEN I IN (C) AWESOME WONDERCONSIDER (G) ALL THE WORLDS THY (D7) HANDS HAVE (G) MADEI SEE THE STARS, I HEAR THE (C) ROLLING THUNDERTHY POWER THROUGH(G)OUT THE UNI(D7)VERSE DIS(G)PLAYED(CHORUS) THEN SINGS MY SOUL, MY (C) SAVIOUR GOD TO (G) THEEHOW GREAT THOU (D) ART, HOW GREAT THOU (G) ARTTHEN SINGS MY SOUL, MY (C) SAVIOUR GOD TO (G) THEEHOW GREAT THOU (Am) ART, HOW (D7) GREAT THOU (G) ARTWHEN THROUGH THE WOODS AND FOREST GLADES I WANDERAND HEAR THE BIRDS SING SWEETLY IN THE TREESWHEN I LOOK DOWN FROM LOFTY MOUNTAIN GRANDEURAND HEAR THE BROOK AND FEEL THE GENTLE BREEZE (CHORUS)AND WHEN I THINK THAT GOD, HIS SON NOT SPARINGSENT HIM TO DIE, I SCARCE CAN TAKE IT INTHAT ON THE CROSS, MY BURDEN GLADLY BEARINGHE BLED AND DIED TO TAKE AWAY MY SINS (CHORUS)WHEN CHRIST SHALL COME WITH SHOUTS OF ACCLAMATIONAND TAKE ME HOME, WHAT JOY SHALL FILL MY HEARTTHEN I SHALL BOW IN HUMBLE ADORATIONAND THERE PROCLAIM MY GOD HOW GREAT THOU ART (CHORUS)104

HOW LONG HAS IT BEENJIM REEVES, DMOSIE LISTER(D) HOW LONG HAS IT BEEN, SINCE YOU TALKED WITH THE LORDAND (G) TOLD HIM YOUR HEART'S HIDDEN (D) SECRETS?HOW (A7) LONG SINCE YOU PRAYED? HOW (D) LONG SINCE YOUSTAYEDON YOUR (E7) KNEES TILL THE LIGHT SHONE (A7) THROUGH?HOW (D) LONG HAS IT BEEN, SINCE YOUR MIND FELT AT EASE?HOW (G) LONG SINCE YOUR HEART KNEW NO (D) BURDEN?CAN YOU (G) CALL HIM YOUR (A) FRIEND, HOW (D) LONG HAS IT (E)BEENSINCE YOU (D) KNEW THAT HE (A7) CARED FOR (D) YOU?HOW (D) LONG HAS IT BEEN, SINCE YOU KNELT BY YOUR BEDAND (G) PRAYED TO THE LORD UP IN (D) HEAVENHOW (A7) LONG SINCE YOU KNEW THAT (D) HE'D ANSWER YOUAND WOULD (E7) KEEP YOU THE LONG NIGHT (A7) THROUGHHOW (D) LONG HAS IT BEEN, SINCE YOU WOKE WITH THE DAWNAND (G) FELT, THIS DAY'S WORTH (D) LIVINGCAN YOU (G) CALL HIM YOUR (A) FRIEND, HOW (D) LONG HAS IT (E)BEENSINCE YOU (D) KNEW THAT HE (A) CARED FOR (D) YOU105

I ALMOST LOST MY MINDPAT BOONE, EIVORY JOE HUNTER(E) WHEN I LOST MY BABY I AL(A)MOST (E) LOST (B7) MY (E) MIND(A) WHEN I LOST MY BABY I ALMOST LOST MY (E) MINDMY (B7) HEAD IS IN A SPIN, SINCE SHE LEFT ME (E) BEHINDI PASS A MILLION PEOPLE, I CAN'T/ TELL WHO I MEETI PASS A MILLION PEOPLE, I CAN'T TELL WHO I MEET'CAUSE MY EYES ARE FULL OF TEARS, WHERE CAN MY BABY BE?I WENT TO SEE THE GYPSY, AND HAD/ MY FORTUNE READI WENT TO SEE THE GYPSY, AND HAD MY FORTUNE READI HUNG MY HEAD IN SORROW, WHEN SHE SAID WHAT SHE SAIDWELL, I CAN TELL YOU PEOPLE, THE NEWS/ WAS NOT SO GOODWELL, I CAN TELL YOU PEOPLE, THE NEWS WAS NOT SO GOODSHE SAID YOUR BABY'S LEFT YOU, THIS TIME SHE'S GONE FOR GOOD106

I CAN'T STOP LOVING YOURAY CHARLES, DON GIBSONDON GIBSON(CHORUS) I CAN'T STOP LOVING YOU, I'VE MADE UP MY MINDTO LIVE IN MEMORIES OF OLD LONESOME TIMESI CAN'T STOP LOVING YOU, IT'S USELESS TO SAYSO I'LL JUST LIVE MY LIFE IN DREAMS OF YESTERDAYTHOSE HAPPY HOURS, THAT WE ONCE KNEWSO LONG AGO, STILL MAKE ME BLUETHEY SAY THAT TIME WILL HEAL A BROKEN HEARTBUT TIME HAS STOOD STILL, SINCE WE'VE BEEN APART (CHORUS)107

I COULD HAVE DANCED ALL NIGHTWORDS BY ALAN JAY LERNER, MUSIC BY FREDERICK LOEWE (FROM“MY FAIR LADY”)I COULD HAVE (C) DANCED ALL (Cmaj7) NIGHT!I COULD HAVE DANCED ALL (C6) NIGHT!AND (C) STILL HAVE (Cmaj7) BEGGED (C6) FOR (Dm7) MORE(G7) I COULD HAVE (Dm) SPREAD MY WINGSAND DONE A (Dm7) THOU(Dm6)SAND THINGSI'VE (Dm7) NEVER (G7) (G7#5) DONE BE(Cmaj7)FOREI'LL NEVER (E) KNOW WHAT MADE ITF#m7) SO (B7) EX(E)CIT(Emaj7)ING(E6,E)WHY ALL AT (G) ONCE MY (Am) HEART (D7) TOOK (G9) FLIGHT(F) I (C) ON(Dm7)LY (C) KNOW(Cmaj9) WHEN HE BEGAN TO (F6) DANCEWITH MEI COULD HAVE (Dm7) DANCED, DANCED, DANCED (G7) ALL (C) NIGHT108

I DON'T CARECINDY WALKER, WEBB PIERCE, GNOW, (C) I DON'T (G) CARE IF (D7) I'M NOT THE (G) FIRST LOVE YOU'VE(D7) KNOWN(C) JUST SO I'LL (D7) BE THE (G) LASTNOW, (C) I DON'T (G) CARE IF (D7) I'M NOT THE (G) FIRST ONE YOU'VE(D7) KISSED(C) DARLING, I'LL (D7) NEVER (G) ASK(D7) YESTERDAY'S GONE, JUST (G) LOVE ME FROM NOW ONBE (A7) TRUE TO ME FORGET ABOUT THE (D7) PASTNOW (C) I DON'T (G) CARE IF (D7) I'M NOT THE (G) FIRST LOVE YOU'VE(D7) KNOWN(C) JUST SO I'LL (D7) BE THE (G) LAST109

IF I HAD A HAMMER (THE HAMMER SONG)LEE HAYES AND PETE SEEGER, DIF I HAD A (D) HAMMER, I'D (A7) HAMMER IN THE (D) MORNINGI'D HAMMER IN THE EVENING (D7) ALL OVER THIS (A7) LANDI'D HAMMER OUT (D) DANGER, I'D HAMMER OUT A (Bm) WARNING (G)I'D HAMMER OUT (D) LOVE BE(G)TWEEN MY (D) BROTHERS AND MY (A7)SISTERS(D))ALL (G,D) O(A7)VER THIS (D) LAND (G,D)IF I HAD A BELL, I'D RING IT IN THE MORNINGI'D RING IT IN THE EVENING, ALL OVER THIS LANDI'D RING OUT DANGER, I'D RING OUT A WARNINGI'D RING OUT LOVE BETWEEN MY BROTHERS AND MY SISTERSALL OVER THIS LANDIF I HAD A SONG, I'D SING IT IN THE MORNINGI'D SING IT IN THE EVENING, ALL OVER THIS LANDI'D SING OUT DANGER, I'D SING OUT A WARNINGI'D SING OUT LOVE BETWEEN MY BROTHERS AND MY SISTERSALL OVER THIS LANDWELL, I GOT A HAMMER, AND I'VE GOT A BELLAND I'VE GOT A SONG ALL OVER THIS LANDIT'S THE HAMMER OF JUSTICEIT'S THE BELL OF FREEDOMIT'S THE SONG ABOUT LOVE BETWEEN MY BROTHERS AND MY SISTERSALL OVER THIS LAND110

I LOVE PARISCOLE PORTER (FROM CAN-CAN), A(Am) I LOVE PARIS IN THE SPRINGTIMEI LOVE PARIS IN THE (E) FALLI LOVE PARIS IN THE WINTER, WHEN IT DRIZZLESI LOVE PARIS IN THE (Am) SUMMER, WHEN IT SIZZLES(A) I LOVE PARIS EVERY MOMENTEVERY MOMENT OF THE (E) YEAR(D) I LOVE PARIS, (A) WHY, OH WHY, DO I LOVE PARIS?BE(E)CAUSE MY LOVE IS (A) NEARREPEAT, WITH LAST LINE:(B7) BECAUSE MY (F#) LOVE (F), BECAUSE MY LOVE (B7) IS (E) NEAR111

I'M SO LONESOME I COULD CRYHANK WILLIAMS, ELVIS PRESLEYWORDS AND MUSIC BY HANK WILLIAMSHEAR THAT LONESOME WINTER BIRDHE SOUNDS TOO BLUE TO FLYTHE MIDNIGHT TRAIN IS WHINING LOWI'M SO LONESOME I COULD CRYDID YOU EVER SEE A ROBIN WEEPWHEN LEAVES BEGAN TO DIETHAT MEANS HE'S LOST THE WILL TO LIVEI'M SO LONESOME I COULD CRYTHE SILENCE OF A FALLING STARLIGHTS UP A PURPLE SKYAND AS I WONDER WHERE YOU AREI'M SO LONESOME I COULD CRYI'M SO LONESOME I COULD CRY112

I'M SORRYPATSY CLINE, CRONNIE SELF AND DUB ALBRITTEN(C) I'M SORRY, (B7) SO SORRY (C) THAT I WAS SUCH A FOOL(Dm7) I DIDN'T (G7) KNOW (Dm7) LOVE COULD (G7) BE SO (C) CRUEL(Dm7) (G7)(C) YOU TELL ME (B7) MISTAKES (C) ARE PART OF BEING YOUNGBUT (Dm7) THAT DOESN'T RIGHT THE (G7) WRONG THAT'S BEEN (C)DONE (Dm7) (G7)(C) I'M SORRY, (B7) SO SORRY (C) PLEASE ACCEPT MY APOLOGYBUT (Dm7) LOVE IS (G7) BLIND AND (Dm7) I WAS TOO (G7) BLIND TO (C)SEE (F7) (C)(REPEAT LAST VERSE)113

I'M WALKING BEHIND YOU (LOOK OVER YOUR SHOULDER)SLIM WHITMAN, CBILLY REIDI'M WALKING BE(C)HIND YOU ON YOUR WEDDING (G7) DAYAND I'LL HEAR YOU (G9) PROMISE TO LOVE AND O(C)BEYTHO' YOU MAY FORGET ME YOU'RE STILL ON MY (F) MINDLOOK OVER YOUR (C) SHOULDER (G7) I'M WALKING BE(C)HINDMAYBE I'LL (Dm7) KISS AGAIN (G7) WITH A LOVE THAT'S (C) NEWBUT I SHALL (Am) WISH AGAIN I WAS (D7) KISSING (Dm7) YOU(G7) 'CAUSE I'LL ALWAYS (C) LOVE YOU WHEREVER YOU (G7) GOAND THO' WE ARE (G9) PAR(G7)TED I WANT YOU TO (C) KNOWTHAT IF THINGS GO WRONG DEAR AND FATE IS UN(F6)KINDLOOK OVER YOUR (C) SHOULDER (G7) I'M WALKING BE(C)HIND(REPEAT FIRST VERSE)MAYBE I'LL KISS AGAIN WITH A LOVE THAT'S NEWBUT I SHALL WISH AGAIN I WAS KISSING YOU'CAUSE I'LL ALWAYS LOVE YOU WHEREVER YOU ROAMWE COULD HAVE BEEN HAPPY LIKE DARBY AND JOANSO IF THINGS GO WRONG DEAR AND FATE IS UNKINDLOOK OVER YOUR SHOULDER I'M WALKING BEHIND114

IN DREAMSROY ORBISONA (C) CANDY COLORED CLOWN THEY CALL THE (Am) SANDMAN(F) TIPTOES TO MY ROOM EVERY (G7) NIGHT(C) JUST TO SPRINKLE STARDUST AND TO (Am) WHISPER"GO TO (F) SLEEP, EVERY(G7)THING IS AL(C)RIGHT"I CLOSE MY (C) EYES, THEN I DRIFT (Dm) AWAYINTO THE (G7) MAGIC NIGHT I SOFTLY (C) SAYA SILENT PRAYER LIKE DREAMERS (Dm) DOTHEN I FALL A(G7)SLEEP TO DREAM, MY DREAMS OF (C) YOUIN DREAMS I WALK WITH(G7) YOUIN (F) DREAMS I (G7) TALK TO (C) YOUIN DREAMS YOU'RE MINE, (D7) ALL THE TIMEWITH YOU (C)EV(Dm7)ER, (G7) IN (C) DREAMS, (Dm) IN (G7) DREAMSBUT (C) JUST BE(Fm)FORE THE (C)DAWNI AWAKE AND (Fm) FIND YOU (C) GONEI CAN'T HELP IT, I CAN'T HELP IT, IF I (Dm) CRYI RE(G7)MEMBER, THAT YOU SAID, "GOOD(C)BYE"IT'S TOO BAD THAT (F) ALL THESE (G7) THINGSCAN ONLY (C) HAPPEN (F) IN MY (G7) DREAMS(C) ONLY IN (D7) DREAMS, IN (Dm7)BEAU(G7)TIFUL (C) DREAMS(REPEAT FROM "I CLOSE MY EYES")115

I REALLY DON'T WANT TO KNOWELVIS PRESLEYWORDS AND MUSIC BY HOWARD BARNES AND DON ROBERTSONHOW MANY ARMS HAVE HELD YOUAND HATED TO LET YOU GOHOW MANY, HOW MANY, I WONDERBUT I REALLY DON'T WANT TO KNOWHOW MANY LIPS HAVE KISSED YOUAND SET YOUR SOUL AGLOWHOW MANY, HOW MANY, I WONDERBUT I REALLY DON'T WANT TO KNOWSO ALWAYS MAKE ME WONDERAND ALWAYS MAKE ME GUESSAND EVEN IF I ASK YOUOH DARLING DON'T CONFESSJUST LET IT REMAIN YOUR SECRETFOR DARLING I LOVE YOU SONO WONDER, NO WONDER, I WONDER'CAUSE I REALLY DON'T WANT TO KNOW116

I SAW THE LIGHTHANK WILLIAMSI WANDERED SO AIMLESS, LIFE FILLED WITH SINI WOULDN'T LET MY DEAR SAVIOR INTHEN JESUS CAME LIKE A STRANGER IN THE NIGHTPRAISE THE LORD I SAW THE LIGHT(CHORUS) I SAW THE LIGHT, I SAW THE LIGHTNO MORE DARKNESS, NO MORE NIGHTNOW I'M SO HAPPY, NO SORROW IN SIGHTPRAISE THE LORD I SAW THE LIGHTJUST LIKE A BLIND MAN I WANDERED ALONGWORRIES AND FEARS I CLAIMED FOR MY OWNTHEN LIKE THE BLIND MAN THAT GOD GAVE BACK HIS SIGHTPRAISE THE LORD I SAW THE LIGHT (CHORUS)117

IS THAT ALL THERE IS?PEGGY LEEJERRY LEIBER AND MIKE STOLLER(SPOKEN) (C7) I REMEMBER WHEN I WAS A VERY LITTLE BOY (GIRL)(F6) OUR HOUSE CAUGHT ON FIREI'LL NEVER (C7) FORGET THE LOOK ON MY FATHER'S FACEAS HE GATHERED ME UP (F6) IN HIS ARMS AND RACED THRU'THE BURNING BUILDING (Bb) OUT ONTO THE PAVEMENT(F) I STOOD THERE SHIVERING IN (C7) MY PAJAMASAND WATCHED THE (F) WHOLE WORLD GO UP IN FLAMES(Bb) AND WHEN IT WAS ALL (F) OVER I SAID TO MYSELF(Eb) "IS THAT ALL THERE IS TO A FIRE?"(CHORUS) (SUNG) IS THAT ALL THERE (C9) IS?IS THAT ALL THERE IS?IF THAT'S ALL THERE IS MY FRIENDSTHEN LET'S KEEP (Fm7) DANCINGLET'S (Bb9) BREAK OUT THE (Fm7) BOOZE AND (Abm) HAVE A (EbM7)BALLIF THAT'S (D7) ALL THERE (G7) IS(SPOKEN) AND(Fm7) WHEN I WAS TWELVE YEARS (Abm) OLDMY FATHER TOOK ME TO THE (Fm7) CIRCUSTHE GREATEST SHOW ON (Bb) EARTHTHERE WERE CLOWNS (Fm7) AND ELEPHANTS AND DANCING (Abm)BEARSAND A BEAUTIFUL LADY (Eb) IN PINK TIGHTS FLEW HIGH OVER OURHEADS.AND (Fm) AS I SAT THERE WATCHING THE MARVELOUS (Abm)SPECTACLEI HAD THE (Fm) FEELING THAT SOMETHING WAS (Bb) MISSINGI DON'T KNOW WHAT, (Fm) BUT WHEN IT WAS OVER I SAID TO MYSELF(Abm) "IS THAT (Eb) ALL THERE IS TO THE CIRCUS?”(CHORUS)(SPOKEN) (Fm7)THEN I FELL IN LOVE, HEAD OVER (Abm) HEELS IN LOVEWITH THE (Fm7) MOST WONDERFUL GIRL (BOY) (Abm) IN THE WORLD118

WE WOULD (Fm7) TAKE LONG WALKS BY (Abm) THE RIVEROR JUST SIT FOR HOURS(EbM7) GAZING INTO EACH OTHER'S EYESWE WERE SO VERY MUCH IN LOVE(Fm7) THEN ONE DAY SHE (HE) (Abm) WENT AWAY(Fm7) AND I THOUGHT I'D (Abm) DIEBUT I DIDN'T, AND (Fm7) WHEN I DIDN'T I SAID (Abm) TO MYSELF"IS (EbM7) THAT ALL THERE IS TO LOVE?"(SUNG) IS THAT ALL THERE IS? (C9)IS THAT ALL THERE IS?IF THAT'S ALL THERE IS MY FRIENDS THEN LET'S KEEP(SPOKEN) (Fm7) I KNOW WHAT YOU MUST BE (Abm) SAYING TOYOURSELVESIF (Fm7) THAT'S THE WAY HE (SHE) FEELS (Abm) ABOUT IT WHYDOESN'T HE (SHE)(Fm7) JUST END IT ALL?OH, NO NOT (Abm) ME, I'M IN NO HURRY FOR (AbM7) THAT FINALDISAPPOINTMENTFOR I KNOW JUST AS WELL AS I'M (Fm7) STANDING HERE TALKING TO(Abm) YOUWHEN THAT FINAL (Fm7) MOMENT COMES AND I'M (Ab) BREATHING MYLAST BREATHI'LL (EbM7) BE SAYING TO MYSELF(CHORUS, ENDING ON Cm)119

IT IS NO SECRETWILF CARTER (“MONTANA SLIM”, A CANADIAN), GSTUART HAMBLEN(G) THE CHIMES OF TIME RING (C) OUT THE NEWS, (G) ANOTHER DAY ISTHROUGH(D) SOMEONE SLIPPED AND FELL, (G) WAS THAT SOMEONE YOU?YOU MAY HAVE LONGED FOR (C) ADDED STRENGTH, YOUR (G)COURAGE TO RENEW(D) DO NOT BE DISHEARTENED, FOR (A) I’VE GOT NEWS FOR YOU (IBRING HOPE TO YOU)(CHORUS) IT IS NO (C) SECRET WHAT GOD CAN (G) DOWHAT HE’S DONE FOR (D) OTHERS, HE'LL DO FOR (G) YOUWITH ARMS WIDE (C) OPEN HE’LL PARDON (WELCOME) (G) YOUIT IS NO (D) SECRET WHAT GOD CAN (G) DOTHERE IS NO NIGHT, FOR IN HIS LIGHT YOU’LL NEVER WALK ALONEALWAYS FEEL AT HOME, WHEREVER YOU MAY ROAMTHERE IS NO POWER CAN CONQUER YOU WHILE GOD IS ON YOUR SIDEJUST TAKE HIM AT HIS PROMISE, DON’T RUN AWAY AND HIDE(CHORUS)120

IT'S HARD TO BE HUMBLEMAC DAVIS(CHORUS) OH LORD IT'S HARD TO BE HUMBLEWHEN YOU'RE PERFECT IN EVERY WAYI CAN'T WAIT TO LOOK IN THE MIRROR'CAUSE I GET BETTER LOOKIN' EACH DAYTO KNOW ME IS TO LOVE MEI MUST BE A HELL OF A MANOH LORD IT'S HARD TO BE HUMBLEBUT I'M DOING THE BEST THAT I CANI USED TO HAVE A GIRLFRIENDBUT I GUESS SHE JUST COULDN'T COMPETEWITH ALL OF THESE LOVE-STARVED WOMENWHO KEEP CLAMORING AT MY FEETWELL, I PROB'LY COULD FIND ME ANOTHERBUT I GUESS THEY'RE ALL IN AWE OF MEWHO CARES I NEVER GET LONESOME'CAUSE I TREASURE MY OWN COMPANYI GUESS YOU COULD SAY I'M A LONERA COWBOY OUTLAW TOUGH AND PROUDOH I COULD HAVE LOTS OF FRIENDS IF I WANNABUT THEM I WOULDN'T STAND OUT IN A CROWDSOME FOLKS SAY THAT I'M EGOTISTICALHELL, I DON'T EVEN KNOW WHAT THAT MEANSI GUESS IT HAS SOMETHING TO DO WITHTHE WAY THAT I FILL OUT MY SKIN-TIGHT BLUEJEANS121

IT'S NOW OR NEVERELVIS PRESLEY, GAARON SCHROEDER AND WALLY GOLD(BASED ON "O SOLO MIO")(CHORUS) IT'S NOW OR (G) NEVER COME HOLD ME (Am) TIGHTKISS ME MY DARLING BE MINE TO(G)NIGHT(Cm) TOMORROW WILL BE TOO (G) LATEIT'S NOW OR (D7) NEVER MY LOVE WON'T (G) WAITWHEN I FIRST (G) SAW YOU WITH YOUR SMILE SO (C) TENDERMY HEART WAS (D7) CAPTURED MY SOUL SUR(G)RENDEREDI SPENT A LIFETIME WAITING FOR THE (C) RIGHT TIMENOW THAT YOU'RE (G) NEAR THE TIME IS (Am7) HERE AT (G) LAST(CHORUS)JUST LIKE A WILLOW WE WOULD CRY AN OCEANIF WE LOST TRUE LOVE AND SWEET DEVOTIONYOUR LIPS EXCITE ME LET YOUR ARMS INVITE MEFOR WHO KNOWS WHEN WE'LL MEET AGAIN THIS WAY(CHORUS)IT'S NOW OR NEVER MY LOVE WON'T WAITIT'S NOW OR NEVER MY LOVE WON'T WAITIT'S NOW OR NEVER MY LOVE WON'T WAIT122

IT'S STILL ROCK AND ROLL TO MEBILLY JOEL(C) WHAT'S THE MATTER WITH THE (Em) CLOTHES I'M WEARING?CAN'T YOU (Bb) TELL THAT YOUR TIE'S TOO WIDE? (F)(C) MAYBE I SHOULD BUY SOME (Em) OLD TAB COLLARS?WELCOME (Bb) BACK TO THE AGE OF JIVE (F)(Em) WHERE HAVE YOU BEEN HIDING (Am) OUT LATELY HONEY?YOU (Em) CAN'T DRESS TRASHING TILL YOU SPEND A LOT OF (G)MONEY(C) EVERYBODY'S (Em) TALKING 'BOUT THE (Bb) NEW SOUND(F) FUNNY, BUT IT'S (Am) STILL ROCK AND (G) ROLL TO (C) MEWHAT'S THE MATTER WITH THE CAR I'M DRIVING?CAN'T YOU TELL THAT IT'S OUT OF STYLE?SHOULD I GET A SET OF WHITEWALL TIRES?ARE YOU GONNA CRUISE THE MIRACLE MILE?NOWADAYS YOU CAN'T BE TOO SENTIMENTALYOUR BEST BET'S A TRUE BABY BLUE CONTINENTALHOT FUNK, COOL PUNK, EVEN IF IT'S OLD JUNKIT'S STILL ROCK AND ROLL TO ME(CHORUS) OH, (G) IT DOESN'T MATTER WHAT THEY (F) SAY IN THEPAPERS'CAUSE IT'S (E7) ALWAYS BEEN THE SAME OLD SCENE (Am)THERE'S A (G) NEW BAND IN TOWN BUT YOU (F) CAN'T GET THE SOUNDFROM A (E7) STORY IN A MAGAZINE (Ab)(Eb) AIMED AT YOUR AVERAGE TEEN (F)HOW ABOUT A PAIR OF PINK SIDEWINGERSAND A BRIGHT ORANGE PAIR OF PANTS?WELL YOU COULD REALLY BE A BEAU BRUMMEL, BABYIF YOU JUST GIVE IT HALF A CHANCEDON'T WASTE YOUR MONEY ON A NEW SET OF SPEAKERSYOU GET MORE MILEAGE FROM A CHEAP PAIR OF SNEAKERSNEXT PHASE, NEW WAVE, DANCE CRAZE, ANYWAYSIT'S STILL ROCK AND ROLL TO ME(CHORUS) + OOOH!123

WHAT'S THE MATTER WITH THE CROWD I'M SEEING?DON'T YOU KNOW THAT THEY'RE OUT OF TOUCH?SHOULD I TRY TO BE A STRAIGHT "A" STUDENT?IF YOU ARE, THEN YOU THINK TOO MUCHDON'T YOU KNOW ABOUT THE NEW FASHION, HONEY?ALL YOU NEED ARE LOOKS AND A WHOLE LOT OF MONEYIT'S THE NEXT PHASE, NEW WAVE, DANCE CRAZE, ANYWAYSIT'S STILL ROCK AND ROLL TO ME(C) EVERYBODY'S (Em) TALKING 'BOUT THE (Bb) NEW SOUND(F) FUNNY, BUT IT'S (G) STILL ROCK AND ROLL TO ME (C)124

I'VE GOT A TIGER BY THE TAILBUCK OWENS, HARLAN HOWARD(CHORUS) I'VE GOT A TIGER BY THE TAIL IT'S PLAIN TO SEEI WON'T BE MUCH WHEN YOU GET THROUGH WITH MEWELL, I'M A-LOSING WEIGHT AND A-TURNIN' MIGHTY PALELOOKS LIKE I'VE GOT A TIGER BY THE TAILWELL, I THOUGHT THE DAY I MET YOUYOU WERE MEEK AS A LAMBJUST THE KIND TO FIT MY DREAMS AND PLANSBUT NOW THE PACE WE'RE LIVIN'TAKES THE WIND FROM MY SAILAND IT LOOKS LIKE I'VE GOT A TIGER BY THE TAIL (CHORUS)WELL, EVERY NIGHT YOU DRAG MEWHERE THE BRIGHT LIGHTS ARE FOUNDTHERE AIN'T NO WAY TO SLOW YOU DOWNI'M ABOUT AS HELPLESS AS A LEAF IN A GALEAND IT LOOKS LIKE I'VE GOT A TIGER BY THE TAIL (CHORUS)125

I'VE GOT NO USE FOR THE WOMENMARTY ROBBINSAMERICAN COWBOY SONGNOW (D) I'VE GOT NO (G) USE FOR THE (D) WOMEN, A (G) TRUE ONEMAY NEVER BE (D) FOUNDTHEY'LL (G) STICK BY A MAN FOR HIS (D) MONEY, WHEN IT'S (Em) GONETHEY'LL TURN HIM (A7) DOWNTHEY'RE (D) ALL A(G)LIKE AT THE (D) BOTTOM, (G) SELFISH ANDGRASPING FOR (D) ALLTHEY'LL (G) STICK BY A MAN WHEN HE'S (D) WINNING, AND (A7) LAUGHIN HIS FACE WHEN HE (D) FALLSMY PAL WAS A STRAIGHT YOUNG COWPUNCHER, HONEST ANDUPRIGHT AND SQUAREBUT HE TURNED TO A HARD-SHOOTING GUNMAN, AND A WOMAN SENTHIM THEREHE FELL IN WITH EVIL COMPANIONS, THE KIND THAT ARE BETTER OFFDEADWHEN A GAMBLER INSULTED HER PICTURE, HE FILLED HIM FULL OFLEADALL THROUGH THE LONG NIGHT THEY TRAILED HIM, THROUGHMESQUITE AND THICK CHAPARRALAND I COULDN'T HELP CURSING THAT WOMAN, AS I SAW HIS PITCH,STAGGER AND FALLIF SHE'D BEEN THE PAL THAT SHE SHOULD HAVE, HE MIGHT HAVEBEEN RAISING A SONINSTEAD OF OUT THERE ON THE PRAIRIE, TO DIE BY THE CRUELRANGER'S GUNDEATH'S SLOW STING DID NOT TROUBLE, HIS CHANCES FOR LIFEWERE TOO SLIMBUT WHERE THEY WERE PUTTING HIS BODY, WAS ALL THAT WORRIEDHIMHE LIFTED HIS HEAD ON HIS ELBOW, THE BLOOD FROM HIS WOUNDFLOWED BRIGHT REDHE LOOKED AT HIS PALS GROUPED AROUND HIM, AND WHISPERED TOTHEM AND SAID126

"OH, BURY ME OUT ON THE PRAIRIE, WHERE THE COYOTES MAY HOWLO'ER MY GRAVEBURY ME OUT ON THE PRAIRIE, BUT FROM THEM MY BONES PLEASESAVEWRAP ME UP IN MY BLANKET, AND COVER ME DEEP 'NEATH THEGROUNDCOVER ME OVER WITH BOULDERS, OF GRANITE HUGE AND ROUND"SO THEY BURIED HIM OUT ON THE PRAIRIE, AND THE COYOTES STILLHOWL O'ER HIS GRAVEBUT HIS SOUL IS NOW A-RESTING, FROM THE UNKIND CUT SHE GAVEAND MANY A SIMILAR COWPUNCHER, AS HE RIDES BY THAT PILE OFSTONESRECALLS SOME SIMILAR WOMAN, AND ENVIES HIS MOLDERING BONES127

I WASHED MY HANDS IN MUDDY WATERELVIS PRESLEYWORDS AND MUSIC BY JOE BABCOCKI WAS BORN IN MACON GEORGIATHEY KEPT MY DADDY OVER IN MACON JAILHE TOLD ME IF YOU KEEP YOUR HANDS CLEANYOU WON'T HEAR THEM BLOODHOUNDS ON YOUR TRAILWELL I FELL IN WITH BAD COMPANIONSROBBED A MAN, OH UP IN TENNESSEETHEY CAUGHT ME WAY UP IN NASHVILLETHEY LOCKED ME UP AND THREW AWAY THE KEYI WASHED MY HANDS IN MUDDY WATERWASHED MY HANDS, BUT THEY DIDN'T COME CLEANTRIED TO DO WHAT MY DADDY TOLD MEBUT I MUST HAVE WASHED MY HANDS IN A MUDDY STREAMWELL I ASKED THE JUDGE NOW WHEN'S MY TIME UPHE SAID SON, OH YOU KNOW WE WON'T FORGETIF YOU TRY JUST TO KEEP YOUR HANDS CLEANWE MIGHT JUST MAKE A GOOD MAN OF YOU YETOH I COULDN'T WAIT TO GET MY TIME UPI BROKE OUT, BROKE OUT OF NASHVILLE JAILI JUST CROSSED THE STATE-LINE OF GEORGIAWELL I CAN HEAR THOSE BLOODHOUNDS ON MY TRAILI WASHED MY HANDS IN MUDDY WATERWASHED MY HANDS, BUT THEY DIDN'T COME CLEANTRIED TO DO WHAT MY DADDY TOLD MEBUT I MUST HAVE WASHED MY HANDS IN A MUDDY STREAM128

I WONDER WHO'S KISSING HER NOWLYRICS BY WILL M HOUGH AND FRANK R ADAMSMUSIC BY JOSEPH E HOWARD AND HAROLD ORLOBI (G) WONDER WHO'S (D7) KISSING HER (G) NOWWONDER WHO'S (B) TEACHING HER (C) HOW (E7)(Am) WONDER WHO'S (E7) LOOKING IN(Am)TO HER EYESBREATHING SIGHS, (D7) TELLING LIESI (G) WONDER WHO'S (D7) BUYING THE (G) WINEFOR LIPS THAT I (B) USED TO CALL (C) MINE (E7)(Am) WONDER IF (Cm) SHE EVER (G) TELLS HIM OF (E7) MEI (Am) WONDER WHO'S (D7) KISSING HER (G) NOW (D7)(REPEAT, WITHOUT THE FINAL D7)129

JAILHOUSE ROCKELVIS PRESLEYWORDS AND MUSIC BY JERRY LEIBER AND MIKE STOLLERTHE WARDEN THREW A PARTY IN THE COUNTY JAIL.THE PRISON BAND WAS THERE AND THEY BEGAN TO WAIL.THE BAND WAS JUMPIN' AND THE JOINT BEGAN TO SWING.YOU SHOULD'VE HEARD THOSE KNOCKED OUT JAILBIRDS SING.LET'S ROCK, EVERYBODY, LET'S ROCK.EVERYBODY IN THE WHOLE CELL BLOCKWAS DANCIN' TO THE JAILHOUSE ROCK.SPIDER MURPHY PLAYED THE TENOR SAXOPHONE,LITTLE JOE WAS BLOWIN' ON THE SLIDE TROMBONE.THE DRUMMER BOY FROM ILLINOIS WENT CRASH, BOOM, BANG,THE WHOLE RHYTHM SECTION WAS THE PURPLE GANG.LET'S ROCK, EVERYBODY, LET'S ROCK.EVERYBODY IN THE WHOLE CELL BLOCKWAS DANCIN' TO THE JAILHOUSE ROCK.NUMBER FORTY-SEVEN SAID TO NUMBER THREE:"YOU'RE THE CUTEST JAILBIRD I EVER DID SEE.I SURE WOULD BE DELIGHTED WITH YOUR COMPANY,COME ON AND DO THE JAILHOUSE ROCK WITH ME."LET'S ROCK, EVERYBODY, LET'S ROCK.EVERYBODY IN THE WHOLE CELL BLOCKWAS DANCIN' TO THE JAILHOUSE ROCK.THE SAD SACK WAS A SITTIN' ON A BLOCK OF STONEWAY OVER IN THE CORNER WEEPIN' ALL ALONE.THE WARDEN SAID, "HEY, BUDDY, DON'T YOU BE NO SQUARE.IF YOU CAN'T FIND A PARTNER USE A WOODEN CHAIR."LET'S ROCK, EVERYBODY, LET'S ROCK.EVERYBODY IN THE WHOLE CELL BLOCKWAS DANCIN' TO THE JAILHOUSE ROCK.SHIFTY HENRY SAID TO BUGS, "FOR HEAVEN'S SAKE,NO ONE'S LOOKIN', NOW'S OUR CHANCE TO MAKE A BREAK."BUGSY TURNED TO SHIFTY AND HE SAID, "NIX NIX,130

I WANNA STICK AROUND A WHILE AND GET MY KICKS."LET'S ROCK, EVERYBODY, LET'S ROCK.EVERYBODY IN THE WHOLE CELL BLOCKWAS DANCIN' TO THE JAILHOUSE ROCK.131

JIMMY BROWN THE NEWSBOYA P CARTERYOU WILL HEAR ME YELLING "MORNING STAR", AS I RUN ALONG THESTREETI HAVE NO HAT UPON MY HEAD, NO SHOES UPON MY FEETI'M AWFUL COLD AND HUNGRY SIR, MY CLOTHES ARE TORN AND THINI WANDER ABOUT FROM PLACE TO PLACE, MY DAILY BREAD TO WIN(CHORUS) I SELL THE MORNING PAPERS, SIR, MY NAME IS JIMMIEBROWNMOST EVERYBODY KNOWS I AM THE NEWSBOY OF THE TOWN.NEVER MIND, SIR, HOW I LOOK, DON'T LOOK AT ME AND FROWNI SELL THE MORNING PAPERS SIR, MY NAME IS JIMMIE BROWNMY FATHER WAS A DRUNKARD SIR, I'VE HEARD MY MOTHER SAYAND I AM HELPING MOTHER, SIR, AS I JOURNEY ON MY WAYMOTHER ALWAYS TELLS ME SIR, I'VE NOTHIN' IN THE WORLD TO LOSEI'LL GET A PLACE IN HEAVEN SIR, TO SELL THE GOSPEL NEWSSO, NEVER MIND, SIR HOW I LOOK, DON'T LOOK AT ME AND FROWNI SELL THE MORNING PAPERS, SIR, MY NAME IS JIMMIE BROWN132

JOHN BROWN'S BODYWORDS BY THE MEN OF THE MASSACHUSETTS VOLUNTEER MILITIACIRCA 1861, TUNE BASED ON A HYMN BY WILLIAM STEFFEJOHN BROWN'S BODY LIES A MOULD'RING IN THE GRAVEJOHN BROWN'S BODY LIES A MOULD'RING IN THE GRAVEJOHN BROWN'S BODY LIES A MOULD'RING IN THE GRAVEBUT HIS SOUL IS MARCHING ON(CHORUS) GLORY, GLORY HALLELUJAH!GLORY, GLORY HALLELUJAH!GLORY, GLORY HALLELUJAH!HIS SOUL IS MARCHING ONTHE STARS OF HEAVEN ARE LOOKING KINDLY DOWN...ON THE GRAVE OF OLD JOHN BROWN (CHORUS)HE'S GONE TO BE A SOLDIER IN THE ARMY OF THE LORD...HIS SOUL IS MARCHING ON (CHORUS)JOHN BROWN DIED THAT THE SLAVE MIGHT BE FREE...BUT HIS SOUL GOES MARCHING ON (CHORUS)JOHN BROWN'S KNAPSACK IS STRAPPED TO HIS BACK...HIS SOUL IS MARCHING ON (CHORUS)HIS PET LAMBS WILL MEET ON THE WAY...AND THEY'LL GO MARCHING ON (CHORUS)THEY WILL HANG JEFF DAVIS ON A SOUR APPLE TREE...AS THEY GO MARCHING ON (CHORUS)133

JOHN HENRYFOLK BALLAD FROM WEST VIRGINIA CIRCA 1870s, DWELL, (D) EVERY MONDAY MORNINGWHEN THE BLUEBIRDS BE(C)GIN (G) TO (A) SINGYOU CAN (D) SEE JOHN HENRY (G7) OUT ON THE LINEYOU CAN (D) HEAR JOHN HENRY'S HAMMER RING, LORD, LORDYOU CAN HEAR JOHN HENRY'S HAMMER RINGWHEN JOHN HENRY WAS A LITTLE BABYA-SITTING ON HIS PAPA'S KNEEHE PICKED UP A HAMMER AND A LITTLE PIECE OF STEELSAID, "HAMMER'S GONNA BE THE DEATH OF MEHAMMER'S GONNA BE THE DEATH OF ME"WELL, THE CAPTAIN SAID TO JOHN HENRY"GONNA BRING ME A STEAM DRILL 'ROUNDGONNA BRING ME A STEAM DRILL OUT ON THE JOBGONNA WHUP THAT STEEL ON DOWN, OH, YEAHGONNA WHUP THAT STEEL ON DOWN"JOHN HENRY SAID TO HIS CAPTAIN"A MAN AIN'T NOTHIN' BUT A MANAND BEFORE I LET THAT STEAM DRILL BEAT ME DOWNI'LL DIE WITH A HAMMER IN MY HAND, LORD, LORDI'LL DIE WITH A HAMMER IN MY HAND"JOHN HENRY SAID TO HIS SHAKERHE SAID, "SHAKER, WHY DON'T YOU PRAY?'CAUSE IF I MISS THIS LITTLE PIECE OF STEELTOMORROW BE YOUR BURYIN' DAY, YES, SIRTOMORROW BE YOUR BURYIN' DAY"JOHN HENRY WAS DRIVING ON THE MOUNTAINAND HIS HAMMER WAS FLASHING FIREAND THE LAST WORDS I HEARD THAT POOR BOY SAY:"GIMME A COOL DRINK OF WATER 'FORE I DIE, LORD, LORDGIMME A COOL DRINK OF WATER 'FORE I DIE"134

JOHN HENRY, HE DROVE FIFTEEN FEETTHE STEAM DRILL ONLY MADE NINEBUT HE HAMMERED SO HARD THAT HE BROKE HIS POOR HEARTAND HE LAID DOWN HIS HAMMER AND HE DIEDTHEY TOOK JOHN HENRY TO THE GRAVEYARDAND THEY BURIED HIM IN THE SANDAND EVERY LOCOMOTIVE COMES A-ROARIN BY SAYS"THERE LIES A STEEL-DRIVING MAN"135

JOHNNY I HARDLY KNEW YE19TH CENTURY IRISH, Am(Am) WHILE GOIN' THE ROAD TO SWEET ATHY, (C) HUROO, HUROO!(Am) WHILE GOIN' THE ROAD TO SWEET ATHY, (C) HUROO, HUROO!WHILE GOIN' THE ROAD TO SWEET (E) ATHY(F) A STICK IN ME HAND AND A (E) DROP IN ME EYEA (C) DOLEFUL DAMSEL I HEARD CRY: (Am) JOHNNY I HARDLY KNEW YEWITH YOUR DRUMS AND GUNS AND DRUMS AND GUNS, HUROO,HUROO!WITH YOUR DRUMS AND GUNS AND DRUMS AND GUNS, HUROO,HUROO!WITH YOUR DRUMS AND GUNS AND DRUMS AND GUNSTHE ENEMY NEARLY SLEW MEOH, MY DARLING DEAR, YE LOOK SO QUEER, JOHNNY I HARDLY KNEWYEWHERE ARE YOUR EYES THAT WERE SO MILD, HUROO, HUROO!WHERE ARE YOUR EYES THAT WERE SO MILD, HUROO, HUROO!WHERE ARE YOUR EYES THAT WERE SO MILDWHEN MY HEART YOU SO BEGUILED?WHY DID YE RUN FROM ME AND THE CHILD? OH, JOHNNY I HARDLYKNEW YEWHERE ARE YOUR LEGS THAT USED TO RUN, HUROO, HUROO!WHERE ARE YOUR LEGS THAT USED TO RUN, HUROO, HUROO!WHERE ARE YOUR LEGS THAT USED TO RUNWHEN YOU WENT FOR TO CARRY A GUN?INDEED YOUR DANCING DAYS ARE DONE, OH, JOHNNY I HARDLY KNEWYEI'M HAPPY FOR TO SEE YOU HOME, HUROO, HUROO!I'M HAPPY FOR TO SEE YOU HOME, HUROO, HUROO!I'M HAPPY FOR TO SEE YOU HOMEALL FROM THE ISLAND OF SULLOONSO LOW IN FLESH AND HIGH IN BONE, OH, JOHNNY I HARDLY KNEW YEYE HAVEN'T AN ARM, YE HAVEN'T A LEG, HUROO, HUROO!136

YE HAVEN'T AN ARM, YE HAVEN'T A LEG, HUROO, HUROO!YE HAVEN'T AN ARM, YE HAVEN'T A LEGYE'RE AN ARMLESS, BONELESS, CHICKENLESS EGGYOU'LL HAVE TO PUT WITH A BOWL OUT TO BEG, OH, JOHNNY I HARDLYKNEW YE137

JOSÉ CUERVOSHELLY WESTWELL IT'S SUNDAY MORNING AND THE SUN IS SHININGIN MY EYE THAT IS OPEN AND MY HEAD IS SPINNINGWAS THE LIFE OF THE PARTY I CAN'T STOP GRINNINGI HAD TOO MUCH TEQUILA LAST NIGHT(CHORUS) JOSÉ CUERVO YOU ARE A FRIEND OF MINEI LIKE TO DRINK YOU WITH A LITTLE SALT AND LIMEDID I KISS ALL THE COWBOYS DID I SHOOT OUT THE LIGHTSDID I DANCE ON THE BAR DID I START ANY FIGHTSNOW WAIT A MINUTE THINGS DON'T LOOK TO FAMILIARAND WHO IS THIS COWBOY WHO'S SLEEPING BESIDE MEHE'S AWFUL CUTE BUT HOW'D I GET HIS SHIRT ONI HAD TOO MUCH TEQUILA LAST NIGHT (CHORUS)ALL THOSE LITTLE SHOOTERS HOW I LOVE TO DRINK THEM DOWNCOME ON BARTENDER LETS HAVE ANOTHER ROUNDWELL THE MUSIC IS PLAYING AND MY SPIRITS ARE HIGHTOMORROW MIGHT BE PAINFUL BUT TONIGHT WE'RE GONNA FLY(CHORUS)138

JOSHUA (FIT THE BATTLE OF JERICHO)AFRICAN-AMERICAN SPIRITUAL(REFRAIN) (Am) JOSHUA FIT THE BATTLE OF JERICHO, (E7) JERICHO,(Am) JERICHOJOSHUA FIT THE BATTLE OF JERICHOAND THE (E7) WALLS CAME TUMBLIN' (Am) DOWNYOU MAY TALK ABOUT YOUR (E7) MAN OF (Am) GIDEONYOU MAY TALK ABOUT YOUR (E7) MAN OF (Am) SAULTHERE'S NONE LIKE GOOD OLD (E7) JOSHU(Am) AAT THE (E7) BATTLE OF JERI(Am)CHO (REFRAIN)'WAY UP TO THE WALLS OF JERICHOHE MARCHED WITH A SPEAR IN HAND"GO BLOW THE RAM'S HORN," JOSHUA CRIED"'CAUSE THE BATTLE IS IN MY HANDS" (REFRAIN)THEN THE LAMB, RAM, SHEEP HORNS BEGAN TO BLOWAND THE TRUMPETS BEGAN TO SOUNDAND JOSHUA COMMANDED THE CHILDREN TO SHOUTAND THE WALLS CAME DOWN (REFRAIN)139

KING OF THE ROADROGER MILLERTRAILER FOR SALE OR RENTROOMS TO LET, FIFTY CENTSNO PHONE, NO POOL, NO PETSI AIN'T GOT NO CIGARETTESAH, BUT TWO HOURS OF PUSHING BROOMBUYS AN EIGHT-BY-TWELVE FOUR-BIT ROOMI'M A MAN OF MEANS BY NO MEANSKING OF THE ROADTHIRD BOXCAR MIDNIGHT TRAINDESTINATION BANGOR, MAINEOLD WORN OUT SUIT AND SHOESI DON'T PAY NO UNION DUESI SMOKE OLD STOGIES I HAVE FOUNDSHORT BUT NOT TOO BIG AROUNDI'M A MAN OF MEANS BY NO MEANSKING OF THE ROADI KNOW EVERY ENGINEER ON EVERY TRAINALL OF THEIR CHILDREN AND ALL OF THEIR NAMESAND EVERY HANDOUT IN EVERY TOWNAND EVERY LOCK THAT AIN'T LOCKED WHEN NO ONE'S AROUNDI SING (FIRST VERSE)(FADE FIRST VERSE)140

KISSES SWEETER THAN WINEJIMMIE RODGERS, CWORDS BY RONNIE GILBERT, LEE HAYS, FRED HELLERMAN, PETESEEGERMUSIC BY HUDDIE LEDBETTERWHEN (C) I WAS A (G) YOUNG MAN AND (Am) NEVER BEEN (Em) KISSEDI GOT TO (G) THINKIN' (Em) OVER (A) WHAT I HAD MISSEDI (C) GOT ME A GIRL, I (Am) KISSED HER AND (Em) THEN (G)OH, (Em) LORD, I KISSED HER AGAIN(CHORUS) (C/Em)OH, (Am7) KISSES SWEETER (E7) THAN (A) WINE(C/Em)OH, (Am7) KISSES SWEETER (E7) THAN (A) WINEHE ASKED ME TO MARRY AND BE HIS SWEET WIFEAND WE WOULD BE SO HAPPY ALL OF OUR LIFEHE BEGGED AND HE PLEADED LIKE A NATURAL MAN, AND THENOH, LORD, I GAVE HIM MY HAND (CHORUS)I WORKED MIGHTY HARD AND SO DID MY WIFEA-WORKIN' HAND IN HAND TO MAKE A GOOD LIFEWITH CORN IN THE FIELDS AND WHEAT IN THE BINSAND THEN, OH, LORD, I WAS THE FATHER OF TWINS (CHORUS)OUR CHILDREN NUMBERED JUST ABOUT FOURAND THEY ALL HAD SWEETHEARTS KNOCK ON THE DOORTHEY ALL GOT MARRIED AND THEY DIDN'T WAITI WAS, OH, LORD, THE GRANDFATHER OF EIGHT (CHORUS)NOW WE ARE OLD AND READY TO GOWE GET TO THINKIN' WHAT HAPPENED A LONG TIME AGOWE HAD LOTS OF KIDS AND TROUBLE AND PAINBUT, OH, LORD, WE'D DO IT AGAIN (CHORUS)141

KNOCK THREE TIMESBILLY "CRASH" CRADDOCK (D, RISING TO E)IRWIN LEVINE AND L RUSSELL BROWNHEY, GIRL, WHATCHA DOIN' DOWN THERE?DANCIN' ALONE EVERY NIGHT WHILE I LIVE RIGHT ABOVE YOUI CAN HEAR YOUR MUSIC PLAYIN'I CAN FEEL YOUR BODY SWAYIN'ONE FLOOR BELOW ME, YOU DON'T EVEN KNOW ME, I LOVE YOU(CHORUS) OH, MY DARLIN', KNOCK THREE TIMES ON THE CEILING IFYOU WANT METWICE ON THE PIPE IF THE ANSWER IS NOOH, MY SWEET MISS(KNOCK, KNOCK, KNOCK) MEANS YOU'LL MEET ME IN THE HALLWAYTWICE ON THE PIPE MEANS YOU AIN'T GONNA SHOWIF YOU LOOK OUT YOUR WINDOW TONIGHTPULL IN THE STRING WITH THE NOTE THAT'S ATTACHED TO MY HEARTREAD HOW MANY TIMES I SAW YOUHOW IN MY SILENCE I ADORE YOUAND ONLY IN MY DREAMS DID THAT WALL BETWEEN US COME APART(CHORUS)142

LA VIE EN ROSEEDITH PIAF, EFRENCH WORDS BY EDITH PIAF, MUSIC BY LOUIGUYENGLISH WORDS BY MACK DAVIDDES YEUX QUI FONT BAISSER LES MIENSUN RIRE QUI SE PERD SUR SA BOUCHEVOILA LE PORTRAIT SANS RETOUCHEDE L'HOMME AUGUEL J'APPARTIENSQUAND IL ME PREND DANS SES BRASIL ME PARLE TOUT BASJE VOIS LA VIE EN ROSE,IL ME DIT DES MOTS D'AMOURDES MOTS DE TOUS LES JOURSET CA ME FAIT QUELQUES CHOSESIL EST ENTRE DANS MON COEURUNE PART DE BONHEURDONT JE CONNAIS LA CAUSEC'EST LUI POUR MOI, MOI POUR LUI DANS LA VIEIL ME L'A DIT, L'A JURE POUR LA VIEET DES QUE JE L'APERCOISALORS JE SENS EN MOI, MON COEUR QUI BATDES NUITS D'AMOUR A PLUS FINIRUN GRAND BONHEUR QUI PREND SA PLACELES ENNUIS, DES CHAGRINS S'EFFACENTHEUREUX, HEUREUX A EN MOURIR(REPEAT MAIN VERSE, THEN LA, LA LA LA LA LA LA, LA LA LA LA LA LALA...)HOLD ME CLOSE AND HOLD ME FASTTHE MAGIC SPELL YOU CASTTHIS IS LA VIE EN ROSEWHEN YOU KISS ME HEAVEN SIGHSAND THOUGH I CLOSE MY EYESI SEE LA VIE EN ROSEWHEN YOU PRESS ME TO YOUR HEART143

I'M IN A WORLD APARTA WORLD WHERE ROSES BLOOMAND WHEN YOU SPEAK, ANGELS SING FROM ABOVEEVERYDAY WORDS SEEM TO TURN INTO LOVE SONGSGIVE YOUR HEART AND SOUL TO MEAND LIFE WILL ALWAYS BE LA VIE EN ROSE144

LISTEN TO THE MOCKINGBIRDSOUTHERN AMERICAN FOLKSONGWORDS AND MUSIC BY ALICE HAWTHORNE, 1854, D(PEN NAME FOR SEPTIMUS WINNER)I'M (A7) DREAMING NOW OF (D) HALLIE, SWEET (A7) HALLIE, SWEET (D)HALLIEI'M (A7) DREAMING NOW OF (D) HALLIEFOR THE (G) THOUGHT OF HER IS (A7) ONE THAT NEVER (D) DIESSHE'S SLEEPING IN THE VALLEY, THE VALLEY, THE VALLEYSHE'S SLEEPING IN THE VALLEYAND THE MOCKINBIRD IS SINGING WHERE SHE LIES(CHORUS) LISTEN TO THE (A7) MOCKINGBIRD, LISTEN TO THE (D)MOCKINGBIRDTHE (A7) MOCKINGBIRD STILL SINGING O'ER HER (D) GRAVELISTEN TO THE M(A7)OCKINGBIRD, LISTEN TO THE (D) MOCKINGBIRDSTILL (G) SINGING WHERE THE (A7) WEEPING WILLOWS (D) WAVEAH, WELL I YET REMEMBER, REMEMBER, REMEMBERAH, WELL I YET REMEMBERWHEN WE GATHERED IN THE COTTON SIDE BY SIDE'TWAS IN THE MILD SEPTEMBER, SEPTEMBER, SEPTEMBER'TWAS IN THE MILD SEPTEMBERAND THE MOCKINGBIRD WAS SINGING FAR AND WIDE145

LITTLE JOE, THE WRANGLERMARTY ROBBINSWESTERN AMERICAN COWBOY SONGLITTLE JOE, THE WRANGLER, HE'LL WRANGLE NEVERMOREHIS DAYS WITH THE CAVVY THEY ARE DONE'TWAS A YEAR AGO LAST SUMMER, HE JOINED THE OUTFIT HEREJUST A LITTLE TEXAS STRAY AND ALL ALONEWELL, IT'S LONG LATE IN THE EVENING WHEN HE RODE UP TO THEHERDON A LITTLE BROWN PONY HE CALLED CHAWWITH HIS BROKEN SHOES AND OVERALLSA TOUGHER LOOKIN' KID', WELL, I NEVER IN MY LIFE HAD SEEN BEFOREHIS SADDLE WAS A SOUTHER KACK BUILT MANY YEARS AGOAND AN O.K. SPUR FROM ONE FOOT IDLY HUNGWHILE THE HOT ROLL IN THE COTTON SACK WAS LOOSELY TIEDBEHINDAND A CANTEEN FROM THE SADDLE HORN WAS SLUNGHE SAID HE'D HAD TO LEAVE HIS HOME, HIS MA HAD MARRIED TWICEAND HIS OLD MAN BEAT HIM EVERY DAY OR TWOSO HE SADDLED UP OLD CHAW ONE NIGHT AND LIT A CHUCK THIS WAYTHOUGHT HE'D TRY AND PADDLE HIS OWN CANOESAID HE'D TRY AND DO THE BEST HE COULD IF WE'D ONLY GIVE HIMWORKBUT DIDN'T KNOW STRAIGHT UP ABOUT A COWBUT THE BOSS, HE CUTS HIM OUT A MOUNT AND KINDER PUT HIM ON'CAUSE HE SORTA LIKED THAT LITTLE STRAY SOMEHOWTAUGHT HIM HOW TO HERD THE HORSES AND TO KNOW THEM ALL BYNAMEAND TO GET THEM IN BY DAYLIGHT IF HE COULDAND TO FOLLOW THE CHUCKWAGON AND TO ALWAYS HITCH THE TEAMAND TO HELP THE COCINERO RUSTLE WOODWE WAS CAMPED DOWN IN RED RIVER AND THE WEATHER SHE WASFINEWE WAS SETTIN' ON THE SOUTH SIDE IN A BEND146

WHEN A NORTHER COMMENCED BLOWIN' AND WE ALL DOUBLES UPOUR GUARD'CAUSE IT TOOK ALL HANDS TO HOLD THEM CATTLE THENWELL, LITTLE JOE THE WRANGLER WAS CALLED OUT WITH THE RESTAND HARDLY HAD THAT KID GOT TO THE HERDWHEN THEM DEVILS THEY STAMPEDED; LIKE A HAILSTORM 'LONG THEYFLEWAND ALL OF US WAS RIDIN' FOR THE LEAD'TWEEN THE STREAKS OF LIGHTNIN' WE COULD SEE THAT HORSETHERE OUT AHEADIT WAS LITTLE JOE THE WRANGLER IN THE LEADHE WAS RIDIN' OLD BLUE ROCKET WITH HIS SLICKER 'BOVE HIS HEADA-TRYIN' TO CHECK THEM LEAD COWS IN THEIR SPEEDWELL, WE GOT THEM KINDA MILLIN' AND SORTA QUIETED DOWNAND THE EXTRA GUARD BACK TO THE CAMP DID GOBUT ONE OF THEM WAS MISSIN', AND WE ALL SAW AT A GLANCE'TWAS OUR LITTLE LOST HORSE HERDER, WRANGLER JOENEXT MORNIN' JUST AS SUNUP WE FOUND WHERE ROCKET FELLDOWN IN A WASHOUT FORTY FEET BELOWBENEATH HIS HORSE, MASHED TO A PULP, HIS SPURS HAD RUNG THEKNELLFOR OUR LITTLE LOST HORSE HERDER, WRANGLER JOE147

LONELY STREETCARL BELEW, W S STEVENSON AND KENNY SOWDERI'M LOOKING FOR THAT LONELY STREETI'VE GOT A SAD, SAD TALE TO TELLI NEED A PLACE TO GO AND WEEPWHERE'S THIS PLACE CALLED LONELY STREET?A PLACE WHERE THERE'S JUST LONELINESSWHERE DIM LIGHTS BRING FORGETFULNESSWHERE BROKEN DREAMS AND MEM'RIES MEETWHERE'S THIS PLACE CALLED LONELY STREET?PERHAPS UPON THAT LONELY STREETTHERE'S SOMEONE SUCH AS IWHO CAME TO BURY BROKEN DREAMSAND WATCH AN OLD LOVE DIEIF I COULD FIND THAT LONELY STREETWHERE DIM LIGHTS BRING FORGETFULNESSWHERE BROKEN DREAMS AND MEM'RIES MEETWHERE'S THIS PLACE CALLED LONELY STREET?148

LORD, I HOPE THIS DAY IS GOODDON WILLIAMS, GDAVE HANNER(G) LORD, I HOPE THIS DAY IS GOODI'M FEELING EMPTY LIKE YOU KNEW I WOULD(D) I SHOULD BE THANKFUL, LORD, I KNOW I SHOULDBUT (C) LORD, I HOPE THIS (D) DAY IS (G) GOODLORD, HAVE YOU FORGOTTEN ME?I'VE BEEN PRAYIN' TO YOU FAITHFULLYI'M NOT SAYIN' I'M A RIGHTEOUS MANBUT, LORD, I KNOW YOU UNDERSTAND(Em) I DON'T NEED (D) FORTUNE AND (C) I DON'T NEED (G) FAME(Em) SEND DOWN THE (D) THUNDER, LORD, (C) SEND DOWN THE (G)RAIN(Em) BUT WHEN YOU'RE (D) PLANNING JUST (C) HOW IT WILL (G) BE(Am) PLAN A GOOD DAY FOR (D7) MEYOU'VE BEEN THE KING SINCE THE DAWN OF TIMEAND ALL I'M ASKING IS A LITTLE LESS CRIMEIT MIGHT BE HARD FOR THE DEVIL TO DOBUT IT WOULD BE EASY FOR YOULORD, I HOPE THIS DAY IS GOODI'M FEELING EMPTY LIKE YOU KNEW I WOULDI SHOULD BE THANKFUL, LORD, I KNOW I SHOULDBUT LORD, I HOPE THIS DAY IS GOOD149

LOVE IN THE HOT AFTERNOONGENE WATSONFROM SOMEWHERE OUTSIDEI HEAR THE STREET VENDOR CRY, FILET GUMBOFROM MY WINDOW I SEE HIMGOING DOWN THE STREET, AND HE DON'T KNOWTHAT SHE FELL RIGHT TO SLEEPIN THE DAMP TANGLED SHEETS, SO SOONAFTER LOVE IN THE HOT AFTERNOON(CHORUS) NOW THE BOURBON STREET LADYSLEEPS LIKE A BABY, IN THE SHADOWSSHE WAS NEARER TO ME, FULL OF MYSTERY, BUT NOW I KNOWTHAT SHE'S JUST A GIRL, AND I'M JUST A GUY, IN A ROOMFOR LOVE, IN THE HOT AFTERNOONWE GOT HIGH IN THE PARKTHIS MORNING, AND WE SAT, WITHOUT TALKINGTHEN WE CAME BACK HEREIN THE HEAT OF THE DAY, TIRED OF WALKINGWHERE UNDER HER BREATHSHE HUMMED TO HERSELF, A TUNEOF LOVE, IN THE HOT AFTERNOON (CHORUS)150

MARGARITAVILLEJIMMY BUFFETT, D(D) NIBBLIN' ON SPONGE CAKE, WATCHIN' THE SUN BAKEALL OF THOSE TOURISTS COVERED WITH (A) OILSTRUMMIN' MY SIX-STRING, ON MY FRONT PORCH SWINGSMELL THOSE SHRIMP, THEY'RE BEGINNIN' TO (D) BOIL (D7)(CHORUS) (G) WASTIN' A(A)WAY AGAIN IN MARGA(D)RITAVILLE (D7)(G) SEARCHING FOR MY (A) LOST SHAKER OF (D) SALT (D7)(G) SOME PEOPLE (A) CLAIM THAT THERE'S A (D) WO(A)MAN TO (G)BLAMEBUT I (A) KNOW IT'S (G) NOBODY'S (D) FAULT.I DON'T KNOW THE REASON, I STAYED HERE ALL SEASONNOTHIN' TO SHOW BUT THIS BRAND NEW TATTOOBUT IT'S A REAL BEAUTY, A MEXICAN CUTIEHOW IT GOT HERE I HAVEN'T A CLUE(2ND CHORUS) WASTIN' AWAY AGAIN IN MARGARITAVILLESEARCHIN' FOR MY LOST SHAKER OF SALTSOME PEOPLE CLAIM THAT THERE'S A WOMAN TO BLAMENOW I THINK, HELL, IT COULD BE MY FAULT(INSTRUMENTAL)I BLEW OUT MY FLIP-FLOP, STEPPED ON A POP-TOPCUT MY HEEL HAD TO CRUISE ON BACK HOMEBUT THERE'S BOOZE IN THE BLENDER, AND SOON IT WILL RENDERTHAT FROZEN CONCOCTION THAT HELPS ME HANG ON(3 RD CHORUS) WASTIN' AWAY AGAIN IN MARGARITAVILLESEARCHING FOR MY LOST SHAKER OF SALTSOME PEOPLE CLAIM THAT THERE'S A WOMAN TO BLAMEBUT I KNOW IT'S MY OWN DAMNED FAULTYES AND SOME PEOPLE CLAIM THAT THERE'S A WOMAN TO BLAMEAND I KNOW IT'S MY OWN DAMNED FAULT151

MASTER'S CALLMARTY ROBBINS, C(I) (C) WHEN I WAS BUT A YOUNG MAN, I WAS (Am) WILD AND FULL OFFIRE(C) A YOUTH WITHIN MY TEENS, BUT FULL OF (Am) CHALLENGE ANDDESIRE(C) I RAN AWAY FROM HOME AND LEFT MY (Am) MOTHER AND MY DAD(F) I KNOW IT GRIEVED THEM (G7) SO TO THINK THEIR (Am) ONLY BOYWENT BAD(I) I FELL IN WITH AN OUTLAW BAND, THEIR NAMES WERE KNOWNQUITE WELLHOW MANY TIMES WE ROBBED AND PLUNDERED, I COULD NEVER TELLTHIS KIND OF SINFUL LIVING, LEADS ONLY TO A FALLI LEARNED THAT MUCH AND MORE THE NIGHT I HEARD MY MASTER'SCALL(II) ONE (G) NIGHT WE RUSTLED (D) CATTLE, A (G) THOUSAND HEAD OR(D) SOAND (G) STARTED THEN OUT (D) ON THE TRAIL THAT (Bm) LEADS TOMEXICOWHEN A (G) NORTHER STARTED (A) BLOWING AND (D) LIGHTNINGFLASHED A(G)BOUTI (D) THOUGHT SOMEONE WAS (G) CALLING ME, I (A) THOUGHT I HEARDA (D) SHOUT(III) THEN (D) AT THAT MOMENT LIGHTNING STRUCK NOT (F#m) TWENTYYARDS FROM MEAND (G) LEFT THERE WAS A GIANT CROSS WHERE (D) ONCE THEREWAS A TREETHIS (Bm) TIME I KNEW I HEARD A VOICE, A (Em) VOICE SO SWEET ANDSTRANGEA (F#m) VOICE THAT CAME FROM EVERYWHERE, A (Bm) VOICE THATCALLED MY NAME(I) SO FRIGHTENED I WAS THINKING OF SINFUL DEEDS I'D DONEI FAILED TO SEE THE THOUSAND HEAD OF CATTLE START TO RUNTHE CATTLE THEY STAMPEDED, WERE RUNNING ALL AROUND152

MY PONY RAN BUT STUMBLED AND IT THREW ME TO THE GROUND(II) I FELT THE END WAS NEAR, THAT DEATH WOULD BE THE PRICEWHEN ANOTHER BOLT OF LIGHTNING SHOWED THE FACE OF JESUSCHRISTAND I CRIED OH LORD FORGIVE ME, DON'T LET IT HAPPEN NOWI WANT TO LIVE FOR YOU ALONE, OH GOD THESE WORDS I VOW(III) MY WICKED PAST UNFOLDED AND I THOUGHT OF WASTED YEARSWHEN ANOTHER BOLT OF LIGHTNING KILLED A HUNDRED HEAD OFSTEERSAND THE OTHERS RUSHED ON BY ME AND I WAS LEFT TO LIVETHE MASTER HAD A REASON,LIFE IS HIS TO TAKE OR GIVE(I) A MIRACLE PERFORMED THAT NIGHT, I WASN'T MEANT TO DIETHE DEAD ONES FORMED A BARRICADE NEARLY SIX OR SEVEN HIGHAND RIGHT BEHIND IT THERE WAS I, AFRAID BUT SAFE AND SOUNDI CRIED IN VAIN FOR MERCY KNEELING THERE UPON THE GROUND(I) A PARDON I WAS GRANTED, MY SINFUL SOUL SET FREENO MORE TO FEAR THE ANGRY WAVES UPON LIFE'S STORMY SEASFORGIVEN BY THE LOVE OF GOD, A LOVE THAT WILL REMAINI LEARNED THAT MUCH AND MORE THE NIGHT THE SAVIOUR CALLEDMY NAME153

MAYBE BABYNORMAN PETTY AND CHARLES HARDIN, C(C) MAYBE BABY, (Am) I'LL LOVE YOU(C) MAYBE BABY, (Am) YOU'LL BE TRUE(C) MAYBE BABY, (F) I'LL HAVE (G) YOU FOR (C) MEIT'S FUNNY HONEY, YOU DON'T CAREYOU NEVER LISTEN, TO MY PRAYERMAYBE BABY, YOU WILL LOVE ME SOMEDAYWELL, (F) YOU ARE THE ONE THAT MAKES ME SADAND (C) YOU ARE THE ONE THAT MAKES ME GLAD(F) WHEN SOMEDAY YOU WANT ME(G) I'LL BE THERE JUST WAIT AND SEEMAYBE BABY, I'LL LOVE YOUMAYBE BABY, YOU'LL BE TRUEMAYBE BABY, I'LL HAVE YOU FOR ME154

MCNAMARA'S BANDJOHN J STAMFORD, SHAMUS O'CONNOR, GOH, ME (G) NAME IS MCNAMARA, I'M THE LEADER OF THE BANDAL(D7)THOUGH WE'RE FEW IN (G) NUMBERSWE'RE THE (A7) FINEST IN THE (D7) LANDWE (G) PLAY AT WAKES AND WEDDINGS AND AT EVERY FANCY BALLAND (D7) WHEN WE PLAY AT (G) FUNERALSWE (D7) PLAY THE BEST OF (G) ALL(CHORUS) OH, THE (G) DRUMS GO BANG AND THE CYMBALS CLANGAND THE HORNS THEY BLAZE AWAYMC(D7)CARTHY PUMPS THE (G) OLD BASSOONWHILE (A7) I THE PIPES DO (D7) PLAYAND (G) HENNESEY TENNESSEE TOOTLES THE FLUTEAND THE MUSIC IS SIMPLY GRANDA (D7) CREDIT TO OLD (G) IRELAND IS (D7) MCNAMARA'S (G) BANDRIGHT NOW WE ARE REHEARSING FOR A VERY SWELL AFFAIRTHE (D7) ANNUAL CELE(G)BRATION, ALL THE (A7) GENTRY WILL BE (D7)THEREWHEN (G) GENERAL GRANT TO IRELAND CAME HE TOOK ME BY THEHAND"I (D7) NEVER SAW THE (G) LIKES OF (D7) MCNAMARA'S (G) BAND"(CHORUS)155

MCNAMARA'S BANDJOHN J STAMFORD, SHAMUS O'CONNOR, FOH, ME (F) NAME IS MCNAMARA, I'M THE LEADER OF THE BANDAL(C7)THOUGH WE'RE FEW IN (F) NUMBERS(Dm7) WE'RE THE (G7) FINEST IN THE (C7) LANDWE (F) PLAY AT WAKES AND WEDDINGS AND AT EVERY FANCY BALLAND (C7) WHEN WE PLAY TO (F) FUNER(Dm7)ALSWE (G7) PLAY THE (C7) MARCH FROM (F) SAUL(CHORUS) OH, THE (F) DRUMS GO BANG AND THE CYMBALS CLANGAND THE HORNS THEY BLAZE AWAYMC(C7) CARTHY PUMPS THE (F) OLD BA(Dm7)ZOONWHILE (G7)I THE PIPES DO (C7) PLAYAND (F) HENNESEY TENNESSEE TOOTLES THE FLUTEAND THE MUSIC IS SIMPLY GRANDA (C7) CREDIT TO OLD (F) IRE(Dm7)LAND IS (G7) MCNAM(C7)ARA'S (F)BANDRIGHT NOW WE ARE REHEARSING FOR A VERY SWELL AFFAIRTHE ANNUAL CELEBRATION, ALL THE GENTRY WILL BE THEREWHEN GENERAL GRANT TO IRELAND CAME HE TOOK ME BY THE HAND"I NEVER SAW THE LIKES OF MCNAMARA'S BAND" (CHORUS)156

MIDNIGHT, ME AND THE BLUESMEL TILLIS, A (RECORDED IN Eb)(A) LONG TRAIN (D) RUMBLES LOW, (E) IN THE DISTANCE (A) HEAR ITBLOW(D) DON'T ENGI(E)NEERS KNOW I MISS (A) YOU (E)(A) AND THEY'RE RE(D)MINDING ME, (E) HOW LONELY (A) NIGHTS CANBEWHEN IT'S (D) MIDNIGHT, (E) ME AND THE (A) BLUESCARS GOING DOWN THE STREET, NO TRAFFIC JAMS TO MEETTHIS TIME OF NIGHT THEY'LL DRIVE RIGHT THROUGHAND THEY ALL GO RIGHT BY, AND THEY DON’T KNOW I CRYWHEN IT'S MIDNIGHT, ME AND THE BLUES(CHORUS) (D) MIDNIGHT'S THE LONELIEST (A) TIME IN THE WORLD(E) ME, I'M THE LONELIEST (A) GUY WITH NO GIRL(D) THESE BLUES BEGAN WHEN IT (A) ENDED WITH YOUNOW IT'S (D) MIDNIGHT, (E) ME AND THE (A) BLUESJET PLANE LOW OVERHEAD, RUMBLES MY LONELY BEDCRUMBLES MY LOVELY DREAMS OF YOUTHEY DON'T CARE THAT YOU'RE GONE, OR IF MIDNIGHT LASTS TILLDAWNWHEN IT'S MIDNIGHT, ME AND THE BLUES (CHORUS, PLUS REPEATLAST LINE)157

MISTER SANDMANPAT BALLARD, C(BOY:) MISTER (C) SANDMAN, (B7) BRING ME A DREAM(E7) MAKE HER COMPLEXION LIKE (A7) PEACHES AND CREAM(D7) GIVE HER TWO LIPS LIKE (G7) ROSES IN CLOVER(C) THEN TELL ME THAT MY LONESOME (D7) NIGHTS ARE (G7) OVER(C) SANDMAN, (B7) I'M SO ALONE(E7) DON'T HAVE NOBODY TO (A7) CALL MY OWN(Dm) PLEASE TURN ON YOUR MAGIC (F) BEAMMISTER (C) SANDMAN, (D) BRING ME A (C) DREAM(GIRL:) MISTER SANDMAN, BRING ME A DREAMMAKE HIM THE CUTEST THAT I'VE EVER SEENGIVE HIM THE WORD THAT I'M NOT A ROVERTHEN TELL ME THAT MY LONESOME NIGHTS ARE OVERSANDMAN, I'M SO ALONEDON'T HAVE NOBODY TO CALL MY OWNPLEASE TURN ON YOUR MAGIC BEAMMISTER SANDMAN, BRING ME A DREAM158

MONA LISANAT KING COLEJAY LIVINGSTON AND RAY EVANSMONA LISA, MONA LISA, MEN HAVE NAMED YOUYOU'RE SO LIKE THE LADY WITH THE MYSTIC SMILEIS IT ONLY 'CAUSE YOU'RE LONELY THEY HAVE BLAMED YOU?FOR THAT MONA LISA STRANGENESS IN YOUR SMILE?DO YOU SMILE TO TEMPT A LOVER, MONA LISA?OR IS THIS YOUR WAY TO HIDE A BROKEN HEART?MANY DREAMS HAVE BEEN BROUGHT TO YOUR DOORSTEPTHEY JUST LIE THERE AND THEY DIE THEREARE YOU WARM, ARE YOU REAL, MONA LISA?OR JUST A COLD AND LONELY LOVELY WORK OF ART?(INSTRUMENTAL)DO YOU SMILE TO TEMPT A LOVER, MONA LISA?OR IS THIS YOUR WAY TO HIDE A BROKEN HEART?MANY DREAMS HAVE BEEN BROUGHT TO YOUR DOORSTEPTHEY JUST LIE THERE AND THEY DIE THEREARE YOU WARM, ARE YOU REAL, MONA LISA?OR JUST A COLD AND LONELY LOVELY WORK OF ART?MONA LISA, MONA LISA-PEAK BILLBOARD POSITION # 1 FOR 8 WEEKS IN 1950-ACADEMY AWARD WINNER FROM THE FILM "CAPTAIN CAREY, U.S.A"STARRING ALAN LADD159

MOODY BLUEELVIS PRESLEYWORDS AND MUSIC BY MARK JAMES AND ELVIS PRESLEY, DWELL, IT'S HARD TO BE A GAMBLERBETTIN' ON A NUMBERTHAT CHANGES EVERY TIMEWELL, YOU THINK YOU'RE GONNA WINYOU THINK SHE'S GIVIN' INA STRANGER'S ALL YOU FINDYEAH, IT'S HARD TO FIGURE OUTWHAT SHE'S ALL ABOUTWHEN SHE'S A WOMAN THROUGH AND THROUGHSHE'S A COMPLICATED LADY, SO COLOR MY BABY MOODY BLUE(CHORUS) OH, MOODY BLUETELL ME AM I GETTIN' THROUGHI KEEP HANGIN' ON TRY’N TO LEARN THE SONGBUT I NEVER DOOH, MOODY BLUE,TELL ME WHO I'M TALKIN' TOYOU'RE LIKE THE NIGHT AND DAY AND IT'S HARD TO SAYWHICH ONE IS YOUWELL, WHEN MONDAY COMES SHE'S TUESDAYWHEN TUESDAY COMES SHE'S WEDNESDAYINTO ANOTHER DAY AGAINHER PERSONALITY UNWINDSJUST LIKE A BALL OF TWINEON A SPOOL THAT NEVER ENDSJUST WHEN I THINK I KNOW HER WELLHER EMOTIONS REVEALSHE'S NOT THE PERSON THAT I THOUGH I KNEWSHE'S A COMPLICATED LADY, SO COLOR MY BABY MOODY BLUE(CHORUS)160

MOONLIGHT GAMBLERFRANKIE LAINEWORDS BY BOB HILLIARD AND MUSIC BY PHIL SPRINGERSPOKEN: YOU CAN GAMBLE FOR MATCH STICKS,YOU CAN GAMBLE FOR GOLD.THE STAKES MAY BE HEAVY OR SMALL.BUT IF YOU HAVEN'T GAMBLED FOR LOVE AND LOST,YOU HAVEN'T GAMBLED AT ALL.THEY CALL ME A MOONLIGHT GAMBLERI'VE GAMBLED FOR LOVE AND LOSTWHEN I GAMBLE FOR LOVE AND IT ISN'T IN THE CARDSOH, WHAT HEARTACHES IT CAN COSTWIN OR LOSE, I'M A MOONLIGHT GAMBLERAND A WINNER IS WHAT I LONG TO BESO I'LL GAMBLE FOR LOVE JUST AS LONG AS I LIVETILL THE DAY LADY LUCK SMILES AT MEYOU CAN GAMBLE FOR MATCH STICKSYOU CAN GAMBLE FOR GOLDTHE STAKES MAY BE HEAVY OR SMALLBUT IF YOU HAVEN'T GAMBLED FOR LOVE AND LOSTTHEN YOU HAVEN'T GAMBLED AT ALLNO, IF YOU HAVEN'T GAMBLED FOR LOVE IN THE MOONLIGHTTHEN YOU HAVEN'T GAMBLED AT ALLSO I'LL GAMBLE FOR LOVE JUST AS LONG AS I LIVETILL THE DAY LADY LUCK SMILES AT METHEY CALL ME THE MOONLIGHT GAMBLERTHEY CALL ME THE MOONLIGHT GAMBLER161

MY HEART CRIES FOR YOUMUSIC BY PERCY FAITH, LYRICS BY CARL SIGMANIF YOU'RE IN ARIZONA I'LL FOLLOW YOUIF YOU'RE IN MINNESOTA I'LL BE THERE TOOYOU'LL HAVE A MILLION CHANCES TO START ANEWBECAUSE MY LOVE IS ENDLESS FOR YOUMY HEART CRIES FOR YOU, SIGHS FOR YOU, DIES FOR YOUMY ARMS LONG FOR YOU, PLEASE COME BACK TO METHE BLOOM HAS LEFT THE ROSES SINCE YOU LEFT METHE BIRDS HAVE LEFT MY WINDOW SINCE YOU LEFT MEI'M LONELY AS A SAILBOAT THAT'S LOST AT SEAI'M LONELY AS A HUMAN CAN BEMY HEART CRIES FOR YOU, SIGHS FOR YOU, DIES FOR YOUMY ARMS LONG FOR YOU, PLEASE COME BACK TO ME162

MY TRULY, TRULY FAIRBOB MERRILLSOME MEN PLOUGH THE OPEN PLAINSOME MEN SAIL THE BRINEBUT I'M IN LOVE WITH A PRETTY MAIDFOR WORK I HAVE NO TIME(CHORUS) MY TRULY, TRULY FAIR, TRULY, TRULY FAIRHOW I LOVE MY TRULY FAIRTHERE'S SONGS TO SING HER, TRINKETS TO BRING HERFLOWERS FOR HER GOLDEN HAIRONCE I SAILED FROM BOSTON BAYBOUND FOR SINGAPOREBUT ONE DAY OUT AND I MISSED HER SOI SWAM RIGHT BACK TO SHORE (CHORUS)SOME MEN WORK THE LIVE-LONG DAYJUST FOR BREAD AND WINEBUT I SIT OUT ON A MOONLIT NIGHTAND KISS HER LIPS FOR MINE (CHORUS)I LOVE SHE AND SHE LOVES MEPARDON IF I BOASTAT TIME WE FIGHT THE LIVE-LONG NIGHT'BOUT WHO LOVE WHO THE MOST (CHORUS)SOON I'M GONNA MARRY HERLOVE HER TILL I DIETHERE AIN'T NO LIVIN' ON LOVE ALONGBUT STILL I'M GONNA TRY (CHORUS)163

MY TRULY, TRULY FAIRGUY MITCHELL (MITCH MILLER ORCHESTRA), VIC DAMONE, FREDDYMARTIN, RAY ANTHONY, DBOB MERRILL(OH, HO!!)(TRULY, TRULY FAIR, TRULY, TRULY FAIR)(HOW I LOVE MY TRULY FAIR)(THERE'S SONGS TO SING HER, TRINKETS TO BRING HER)(FLOWERS FOR HER GOLDEN HAIR)(CHORUS) MY, TRULY, TRULY FAIRTRULY, TRULY FAIRHOW I LOVE MY TRULY FAIR (HIS TRULY FAIR)THERE'S SONGS TO SING HER, TRINKETS TO BRING HERFLOWERS FOR HER GOLDEN HAIR(OH, HO!!)SOME MEN PLOW THE OPEN PLAINS, SOME MEN SAIL THE BRINEBUT I'M IN LOVE WITH A PRETTY LITTLE MAID, FOR WORK I HAVE NOTIMESHE'S (CHORUS)(OH, HO!!)ONCE I SAILED FROM BOSTON BAY BOUND FOR SINGAPOREBUT ONE DAY OUT AND I MISSED HER SO, I SWAM RIGHT BACK TOSHOREBACK TO MY TRULY FAIRTRULY, TRULY FAIRHOW I LOVE MY TRULY FAIRTHERE'S SONGS TO SING HER, TRINKETS TO BRING HERFLOWERS FOR HER GOLDEN HAIR(OH, HO!!)I LOVE SHE AND SHE LOVES ME, PARDON IF I BOASTAT TIMES WE FIGHT ALL THE LIVE-LONG NIGHT 'BOUT WHO LOVES WHOTHE MOST (CHORUS)164

(OH, HO!!)SOON I'M GONNA MARRY HER, LOVE HER TILL I DIETHERE AIN'T NO LIVIN' ON LOVE ALONE BUT STILL I'M GONNA TRY(TRULY, TRULY FAIR, TRULY, TRULY FAIR)(HOW I LOVE MY TRULY FAIR)THERE'S SONGS TO SING HER, TRINKETS TO BRING HERFLOWERS FOR HER GOLDEN HAIR (FOR HER GOLDEN HAIR)HOW I LOVE MY TRULY FAIR (LOVES HIS TRULY FAIR)WOW! HOW I LOVE MY TRULY FAIR (HOW HE LOVES HIS TRULY FAIR)165

NEVER ON SUNDAYTHE CHORDETTESMUSIC BY MANOS HADJIDAKIS, LYRICS BY DILLY TOWNS(FROM 1960 FILM "NEVER ON SUNDAY" STARRING MELINA MERCOURI)OH, YOU CAN KISS ME ON A MONDAY, A MONDAY, A MONDAY,IS VERY VERY GOODOR YOU CAN KISS ME ON A TUESDAY, A TUESDAY, A TUESDAY,IN FACT I WISH YOU WOULDOR YOU CAN KISS ME ON A WEDNESDAY, A THURSDAY, AFRIDAY, AND SATURDAY IS BESTBUT NEVER EVER ON A SUNDAY, A SUNDAY, A SUNDAY,'CAUSE THAT'S MY DAY OF REST(CHORUS) MOST ANY DAY YOU CAN BE MY GUESTANY DAY YOU SAY, BUT MY DAY OF RESTJUST NAME THE DAY THAT YOU LIKE THE BESTONLY STAY AWAY ON MY DAY OF RESTOH, YOU CAN KISS ME ON A COOL DAY, A HOT DAY, A WET DAY,WHICH EVER ONE YOU CHOOSEOR TRY TO KISS ME ON A GREY DAY, A MAY DAY, A PAY DAY,AND SEE IF I REFUSEAND IF YOU MAKE IT ON A BLEAK DAY, A FREAK DAY, A WEEK DAY,WELL YOU CAN BE MY GUESTBUT NEVER EVER ON A SUNDAY, A SUNDAY, THE ONE DAYI NEED A LITTLE REST(CHORUS)166

NINETY MILES AN HOUR (DOWN A DEAD-END STREET)HANK SNOW (“THE SINGING RANGER”, FROM NOVA SCOTIA) (1963), AHAL BLAIR AND DON ROBERTSONI TOOK YOU (A) HOME FROM A PARTYAND WE KISSED IN FUNA (E) FEW STOLEN KISSES AND (A) NO HARM WAS DONEINSTEAD OF (D) STOPPING WHEN WE COULDWE (A) WENT RIGHT ONTILL SUDDENLY WE FOUND THE (D) BRAKES WERE (A) GONEYOU BELONG TO SOMEONE ELSE AND I DO TOO(E) IT'S JUST AS CRAZY BEING (A) HERE WITH YOUAS A (D) BAD MOTORCYCLE WITH THE (A) DEVIL IN THESEATDOIN' NINETY MILES AN HOUR DOWN A (D) DEAD-END (A) STREETI DIDN'T WANT TO WANT YOU NOW I HAVE NO CHOICEIT'S TOO LATE TO HEAR THE WARNING VOICEALL I HEAR IS THUNDER AS OUR TWO HEARTS BEATDOIN' NINETY MILES AN HOUR DOWN A DEAD-END STREET(D) YOU'RE NOT FREE TO BELONG TO MEAND YOU (A) KNOW I CAN NEVER BE YOUR OWNYOUR (D) LIPS ON MINE ARE LIKE SWEET SWEET WINEBUT WE'RE (A) HEADED FOR A WALL OF (E) STONEWARNING SIGNS ARE FLYING BY US BUT WE PAY NO HEEDINSTEAD OF SLOWING DOWN THE PACE WE KEEP PICKIN' UPTHE SPEEDDISASTER'S GETTING CLOSER EVERY TIME WE MEETDOIN' NINETY MILES AN HOUR DOWN A DEAD-END STREET167

NON, JE NE REGRETTE RIENEDIT PIAFC DUMONT, M VAUCAIRE(SONG ADOPTED BY THE FRENCH FOREIGN LEGION AS “THEIR SONG”)NON, RIEN DE RIEN, NON, JE NE REGRETTE RIENNI LE BIEN, QU'ON M'A FAIT, NI LE MALTOUT CA M'EST BIEN EGALNON, RIEN DE RIEN, NON, JE NE REGRETTE RIENC'EST PAYE, BALAYE, OUBLIE, JE ME FOUS DU PASSEAVEC MES SOUVENIRS J'AI ALLUME LE FEUMES SHAGRINS, MES PLAISIRS,JE N'AI PLUS BESOIN D'EUXBALAYE LES AMOURS AVEC LEURS TREMOLOSBALAYE POUR TOUJOURSJE REPARAS A ZERONON, RIEN DE RIEN, NON, JE NE REGRETTE RIENNI LE BIEN, QU'ON M'A FAIT, NI LE MALTOUT CA M'EST BIEN EGALNON, RIEN DE RIEN, NON, JE NE REGRETTE RIENCAR MA VIE, CAR ME JOIESAUJOURD'HUI CA COMMENCE AVEC TOI168

NORTH TO ALASKAJOHNNY HORTONMIKE PHILLIPS((C) WAY UP NORTH, NORTH TO ALASKA)((G7) WAY UP NORTH, NORTH TO ALASKA)(C) NORTH TO ALASKA! GO (G7) NORTH, THE RUSH IS (C) ONNORTH TO ALASKA! GO (G7) NORTH, THE RUSH IS (C) ON(C) BIG SAM LEFT SEATTLE IN THE (G7) YEAR OF NINETY-(C)TWOWITH (F) GEORGE PRATT, HIS PARTNER, AND BROTHER BILLY (C) TOOTHEY (F) CROSSED THE YUKON RIVER AND FOUND THE BONANZA (C)GOLDBELOW THAT OLD WHITE MOUNTAIN JUST A (G7) LITTLE SOUTHEASTOF (C) NOMESAM CROSSED THE MAJESTIC MOUNTAINS TO THE VALLEYS FARBELOWHE TALKED TO HIS TEAM OF HUSKIES AS HE MUSHED THEM THRU THESNOWWITH THE NORTHERN LIGHTS A RUNNIN' WILD IN THE LAND OF THEMIDNIGHT SUNYES SAM MCCORD WAS A MIGHTY MAN IN THE YEAR OF NINETEEN ONEWHERE THE (C) RIVER IS WINDIN' BIG (F) NUGGETS THEY'RE FINDIN'(C) NORTH TO ALASKA, GO (G7) NORTH THE RUSH IS (C) ON(WAY UP NORTH, NORTH TO ALASKA)(WAY UP NORTH, NORTH TO ALASKA)NORTH TO ALASKA! GO NORTH, THE RUSH IS ONNORTH TO ALASKA! GO NORTH, THE RUSH IS ONGEORGE TURNED TO SAM WITH HIS GOLD IN HIS HANDSAID "SAM YOU'RE A-LOOKIN' AT A LONELY LONELY MANI'D TRADE ALL THE GOLD THAT'S BURIED IN THIS LANDFOR ONE SMALL BAND OF GOLD TO PLACE ON SWEET LITTLE JENNY'SHAND"169

'CAUSE A MAN NEEDS A WOMAN TO LOVE HIM ALL THE TIMEREMEMBER, SAM, A TRUE LOVE IS SO HARD TO FINDI'D BUILD FOR MY JENNY A HONEYMOON HOMEBELOW THAT OLD WHITE MOUNTAIN JUST A LITTLE SOUTHEAST OFNOMEWHERE THE RIVER IS WINDIN' BIG NUGGETS THEY'RE FINDIN'NORTH TO ALASKA, GO NORTH THE RUSH IS ONNORTH TO ALASKA, GO NORTH THE RUSH IS ON(WAY UP NORTH, NORTH TO ALASKA)(WAY UP NORTH, NORTH TO ALASKA)FADE(WAY UP NORTH, NORTH TO ALASKA)(WAY UP NORTH, NORTH TO ALASKA)170

NORTH WINDSLIM WHITMANMORRISWELL, ONCE I MET A PRETTY LITTLE MISSAND SHE WAS FAIR TO SEEI FELL IN LOVE WITH THE PRETTY LITTLE MISSAND SHE FELL IN LOVE MEI KISSED HER ON HER DIMPLED CHINWHILE THE STARS UP IN HEAVEN DID PLAYBUT ALONG CAME A-HOWLIN' THAT OLD NORTH WINDAND CARRIED HER AWAY(CHORUS) NORTH WIND, NORTH WINDBRING MY BABY BACK AGAINNORTH WIND, WHERE DID SHE GO?NOBODY BUT YOU WILL EVER KNOW(INSTRUMENTAL)WELL, SEEMS I HEAR HER CALLIN' MEAND WHEN I ANSWER BACKI FIND IT'S JUST THAT OLD NORTH WINDA-WHISTLIN' AROUND MY SHACKEACH NIGHT BEFORE I GO TO SLEEPDOWN ON MY KNEES I PRAYTHAT THE OLD NORTH WIND WILL COME A-WHISTLIN' BYAND CARRY ME AWAY(CHORUS)NOBODY BUT YOU, YOU YOU, WILL EVER KNOW171

OH BABY MINE (I GET SO LONELY)PAT BALLARD, AOH BABY (A) MINE I GET SO LONELY WHEN I(E) DREAM ABOUT YOU, CAN'T DO WITHOUT YOU(A) THAT'S WHY I DREAM ABOUT YOUIF I COULD ONLY PUT MY (E) ARMS AROUND YOULIFE WOULD BE SO (A) FAIRIF YOU WERE THERE WE TWO COULD HUG AND KISS ANDNEVER TIRE I'M ON FIRE, YOU ARE MY ONE DESIREI GET SO LONELY WHEN I DREAM ABOUT YOUWHY CAN'T YOU BE THERE (F7)(D) TOSSIN' AND TURNIN' IN MY SLUMBER(A) HOLDIN' YOU IT SEEMS(D) I GIVE YOU KISSES WITHOUT NUMBERBUT (E7) ONLY IN MY DREAMSOH BABY MINE I GET SO LONELY WHEN IDREAM ABOUT YOU, CAN'T DO WITHOUT YOUTHAT'S WHY I DREAM ABOUT YOUIF I COULD ONLY PUT MY ARMS AROUND YOULIFE WOULD BE SO FAIR172

OH, OH, I'M FALLING IN LOVE AGAINJIMMIE F RODGERS, GAL HOFFMAN, DICK MANNING AND MARK MARKWELLMANY'S THE TIME I'VE BEEN TWO-TIMEDMANY'S THE TIME I'VE BEEN STUNGMANY A HONEY TOOK ALL OF MY MONEYBUT THAT WAS WHEN I WAS MUCH YOUNGERMADE UP MY MIND TO BE CAREFULMADE UP MY MIND TO BEWAREI WAS ALL RIGHT UNTIL SATURDAY NIGHTI MET A GAL WITH THE GOLDENEST HAIR(CHORUS) OH, OH, I'M FALLING IN LOVE AGAINOH OH, OH OHI THOUGHT I WOULDN'T GET CAUGHT AGAIN(G) NEVER IN A (F) HUNDRED, (G) NEVER IN A (F) THOUSAND(G) NEVER IN A (F) MILLION YEARSSHE HAD THE BLUEST OF BLUE EYESSHE HAD THE CHERIEST LIPSSHOULDN'T ‘A’ KISSED HER, I TRIED TO RESIST HERBUT ONE KISS AND I WAS A GONERI COULDN'T RUN IF I WANTEDI COULDN'T RUN IF I TRIEDSAW WHAT I LIKE AND I LIKED WHAT I SAWAND MY HEART WENT ALONG FOR THE RIDE (CHORUS)THAT WAS THE END OF MY ROVIN'NOW THAT IT'S OVER I'M GLADTHROUGH GALLIVANTIN', I GOT A NEW SLANT 'N'I'M OH OH I'M A RING-A-DING DADDYROCKIN' THE CRADLE AT NIGHTTIMELIVIN' AND LOVIN' EACH DAYGOT ME A WIFE, SHE'S THE LIGHT O' MY LIFEAND WHEN I KISS HER GOOD MORNIN' I SAY (CHORUS)173

OH, PRETTY WOMANROY ORBISON, BILL DEESPRETTY (A) WOMAN, WALKING (F#m) DOWN THE STREETPRETTY (A) WOMAN, THE KIND I'D (F#m) LIKE TO MEETPRETTY (D) WOMAN, I DON'T BE(E7)LIEVE YOU, YOU'RE NOT THE TRUTHNO ONE COULD LOOK AS GOOD AS YOU(INSTRUMENTAL)PRETTY WOMAN, WON'T YOU PARDON MEPRETTY WOMAN, I COULDN'T HELP BUT SEEPRETTY WOMAN, THAT YOU LOOK LOVELY AS CAN BEARE YOU LONELY JUST LIKE ME?(INSTRUMENTAL)(Dm) PRETTY WOMAN, (G7) STOP A WHILE(C) PRETTY WOMAN, (Am) TALK A WHILE(Dm) PRETTY WOMAN, (G7) GIVE YOUR SMILE TO (C) ME(Dm) PRETTY WOMAN, (G7) YEAH, YEAH, YEAH(C) PRETTY WOMAN, (Am) LOOK MY WAY(Dm) PRETTY WOMAN, (G7) SAY YOU'LL STAY WITH (C) ME (A7)'CAUSE I (F#m) NEED YOU, (Dm) I'LL TREAT YOU RIGHT(A) COME WITH ME (F#m) BABY, (Dm) BE MINE TO(G7)NIGHTPRETTY (A) WOMAN, DON'T(F#m) WALK ON BYPRETTY (A) WOMAN, DON'T (F#m) MAKE ME CRYPRETTY (D) WOMAN, DON'T (E7) WALK AWAY, HEY, O.K.IF THAT'S THE WAY IT HAS TO BE, O.K.I GUESS I'LL GO ON HOME, IT'S LATETHERE'LL BE TOMORROW NIGHT, BUT WAIT!WHAT DO I SEE? IS SHE (E7) WALKING BACK TO ME?YEAH, SHE'S WALKING BACK TO ME!OH, PRETTY (A) WOMAN!174

OLD DOGS, CHILDREN AND WATERMELON WINETOM T. HALL(G) I WAS SITTING IN MIAMI POURING (C) BLENDED WHISKY (Am) DOWNWHEN THIS (C) OLD GREY BLACK (G) GENTLEMAN WAS (D) CLEANINGUP THE (G) LOUNGETHERE (G) WASN'T ANYONE AROUND BUT (C) THIS OLD MAN AND (Am)METHE (D) GUY WHO TENDED BAR WAS WATCHING (C) IRONSIDES (D) ON(G) TV(G) UNINVITED, HE SAT DOWN AND (C) OPENED UP HIS (Am) MINDON (C) OLD DOGS AND (G) CHILDREN, AND (D) WATERMELON (D) WINEHAVE YOU EVER HAD A DRINK OF WATERMELON WINE HE ASKEDHE TOLD ME ALL ABOUT IT THOUGH I DIDN'T ANSWER BACKAIN'T BUT THREE THINGS IN LIFE THAT'S WORTH A SOLITARY DIMETHAT'S OLD DOGS AND CHILDREN, AND WATERMELON WINEHE SAID WOMEN THINK ABOUT THEYSELVES WHEN MENFOLK AIN'TAROUNDAND FRIENDS ARE HARD TO FIND WHEN THEY DISCOVER THAT YOU'REDOWNHE SAID I TRIED IT ALL WHEN I WAS YOUNG AND IN MY NATURAL PRIMENOW IT'S OLD DOGS AND CHILDREN, AND WATERMELON WINEHE SAID OLD DOGS CARE ABOUT YOU EVEN WHEN YOU MAKEMISTAKESGOD BLESS LITTLE CHILDREN WHILE THEY'RE STILL TOO YOUNG TOHATEAS HE MOVED AWAY I GOT MY PEN AND COPIED DOWN THAT LINEON OLD DOGS AND CHILDREN AND WATERMELON WINEI HAD TO CATCH A PLANE UP TO ATLANTA THE NEXT DAYAS I LEFT FOR MY ROOM I SAW HIM PICKING UP MY CHANGETHAT NIGHT I DREAMED IN PEACEFUL SLEEP OF SHADY SUMMERTIMESOF OLD DOGS AND CHILDREN AND WATERMELON WINE175

ONE DAY AT A TIMECHRISTY LANE, MARIE GIBSON & RICHARD LORINGWILKIN / KRIS KRISTOFFERSON - DAVID GRESHAMI'M ONLY HUMAN, I'M JUST A WOMANHELP ME BELIEVE IN WHAT I CAN BE AND ALL THAT I AMSHOW ME THE STAIRWAY, I HAVE TO CLIMBLORD FOR MY SAKE, TEACH ME TO TAKE, ONE DAY AT A TIME(CHORUS) ONE DAY AT A TIME, SWEET JESUS, THAT'S ALL I'M ASKINGOF YOUJUST GIVE ME THE STRENGTH TO DO EVERY DAY, WHAT I HAVE TO DOYESTERDAY'S GONE, SWEET JESUS, AND TOMORROW MAY NEVER BEMINELORD HELP ME TODAY, SHOW ME THE WAY, ONE DAY AT A TIMEDO YOU REMEMBER, WHEN YOU WALKED AMONG MENWELL, JESUS, YOU KNOW, IF YOU'RE LOOKING BELOW, IT'S WORSENOW THAN THENPUSHING AND SHOVING, VIOLENCE AND CRIMESO FOR MY SAKE, TEACH ME TO TAKE, ONE DAY AT A TIME (CHORUS)176

ONE HAS MY NAME, THE OTHER HAS MY HEARTDEAN MARTIN, AL MARTINO, AEDDIE DEAN, DEAREST DEAN, HAL BLAIR(A) ONE HAS MY NAME, THE (E) OTHER HAS MY HEARTWITH ONE I'LL REMAIN, THAT'S (A) HOW MY HEARTACHES STARTONE HAS (A7) BROWN EYES, THE (D) OTHER'S EYES ARE BLUETO (B7) ONE I AM TIED, TO THE (E7) OTHER I AM TRUEONE HAS MY LOVE, THE OTHER ONLY MEBUT WHAT GOOD IS LOVE, TO A HEART THAT CAN'T BE FREESO I'LL GO ON LIVING MY LIFE JUST THE SAMEWHILE (A) ONE HAS MY HEART, THE (E7) OTHER HAS MY (A) NAMEONE HAS MY NAME, THE OTHER HAS MY HEARTWITH ONE I'LL REMAIN, THAT'S HOW MY HEARTACHES STARTONE HAS BROWN EYES, THE OTHER'S EYES ARE BLUETO ONE I AM TIED, TO THE OTHER I AM TRUEONE HAS MY LOVE, THE OTHER ONLY MEBUT WHAT GOOD IS LOVE, TO A HEART THAT CAN'T BE FREEIF I COULD LIVE OVER MY LIFE I WOULD CHANGETHE ONE WHO HAS MY HEART WOULD ALSO HAVE MY NAME177

ONE NIGHTELVIS PRESLEYWORDS AND MUSIC BY D BARTHOLOMEW AND P KINGONE NIGHT WITH YOUIS WHAT I'M NOW PRAYING FORTHE THINGS THAT WE TWO COULD PLANWOULD MAKE MY DREAMS COME TRUEJUST CALL MY NAMEAND I'LL BE RIGHT BY YOUR SIDEI WANT YOUR SWEET HELPING HANDMY LOVES TOO STRONG TO HIDEALWAYS LIVED, VERY QUIET LIFEI AIN'T NEVER DID NO WRONGNOW I KNOW THAT LIFE WITHOUT YOUHAS BEEN TOO LONELY TOO LONG(REPEAT FIRST VERSE)178

ONLY THE LONELY (KNOW THE WAY I FEEL)ROY ORBISON, JOE MELSON, CONLY THE (C) LONELY KNOW THE WAY I FEEL TO(Dm)NIGHTONLY THE (G7) LONELY KNOW THIS (Dm7) FEELING (G7) AIN'T (C) RIGHTTHERE GOES MY BABY, THERE GOES MY (C7) HEARTTHEY'VE GONE FOR(F)EVER, SO FAR A(D7)PART (G7)BUT ONLY THE (C) LONELY, (C7) KNOW (F) WHY, I (G7) CRYONLY THE (C) LONELY (G7)ONLY THE LONELY KNOW THE HEARTACHES I'VE BEEN THROUGHONLY THE LONELY KNOW I CRY AND CRY FOR YOUMAYBE TOMORROW, A NEW ROMANCENO MORE SORROW, BUT THAT'S THE CHANCEYOU'VE GOT TO TAKE IF YOU'RE, LONELY, HEARTBREAKONLY THE LONELY179

ON THE WINGS OF A DOVEWINGS OF A DOVEFERLIN HUSKY, SIMON CRUMB, GBOB FERGUSONWHEN TROUBLES SURROUND US, WHEN EVILS COMETHE BODY GROWS WEAK, THE SPIRIT GROWS NUMBWHEN THESE THINGS BESET US, HE DOESN’T FORGET USHE SENDS DOWN HIS LOVE, ON THE WINGS OF A DOVE(CHORUS) ON THE WINGS OF A SNOW WHITE DOVEHE SENDS HIS PURE SWEET LOVEA SIGN FROM ABOVEON THE WINGS OF A DOVEWHEN NOAH HAD DRIFTED, ON THE FLOOD MANY DAYSHE SEARCHED FOR LAND, IN VARIOUS WAYSTROUBLES HE HAD SOME, BUT HE WASN’T FORGOTTENHE SENT HIM HIS LOVE, ON THE WINGS OF A DOVE (CHORUS)WHEN JESUS WENT DOWN, TO THE WATERS THAT DAYHE WAS BAPTISED, IN THE USUAL WAYWHEN IT WAS DONE, GOD BLESSED HIS SONHE SENT HIM HIS LOVE, ON THE WINGS OF A DOVE (CHORUS)180

ORANGE BLOSSOM SPECIALJOHNNY CASH, CERVIN T ROUSE(C) LOOK A-YONDER COMIN', COMIN' DOWN THAT RAILROAD TRACK!HEY, (F) LOOK A-YONDER COMIN', COMIN' DOWN THAT RAILROAD (C)TRACK!IT'S THE (G7) ORANGE BLOSSOM SPECIALBRINGIN' MY BABY (C) BACKI'M GOIN' DOWN TO FLORIDA AND GET SOME SAND IN MY SHOESOR MAYBE CALIFORNIA AND GET SOME SAND IN MY SHOESI'LL RIDE THAT ORANGE BLOSSOM SPECIALAND LOSE THESE NEW YORK BLUES(INTERLUDE)TALK ABOUT A-TRAVELIN', SHE'S THE FASTEST TRAIN ON THE LINETALK ABOUT A-TRAVELIN', SHE'S THE FASTEST TRAIN ON THE LINEIT'S THAT ORANGE BLOSSOM SPECIALROLLIN' DOWN THE SEABORD LINE181

PADREMARTY ROBBINS, BONNIE GUITAR, TONI ARDENALAIN ROMANS, PAUL FRANCIS WEBSTER, MARCEL EUGENE AGERONPADRE, PADREIN MY GRIEF I TURN TO YOUTHE DAY THAT WE WED YOU BLESSED US AND SAID"MAY HEAVEN BESTOW YOU GRACE"THERE IN THAT HOLY PLACEWE SHARED OUR FIRST EMBRACEOUR COTTAGE WAS SMALL BUT RICHER THAN ALLTHE PALACES OF A KINGALL DAY THE BIRDS WOULD SINGOUR HEARTS WERE FULL OF SPRINGPADRE, PADRE, WHAT HAPPENED TO OUR LOVE SO TRUE?PADRE, PADRE, IN MY GRIEF I TURN TO YOUTHEN SHE CAME ALONG AND SANG HIM HER SONGAND WON HIM WITH HONEYED LIESSHE OF THE GOLDEN EYESNOW IT'S MY HEART THAT CRIESSO I KNEEL AND PRAY THE HOURS AWAYAND WEARY MY HEART HAS GROWNWOND'RING WHERE LOVE HAS FLOWNCOUNTING MY TEARS ALONEPADRE, PADRE, WHAT HAPPENED TO OUR LOVE SO TRUE?PADRE, PADRE, PRAY FOR MY LOVE AND ME182

PANCHO & LEFTYEMMYLOU HARRIS, WILLIE NELSON & MERLE HAGGARDTOWNES VAN ZANDT(C) LIVING ON THE ROAD MY FRIEND(G) WAS (G) GONNA KEEP YOU FREE AND CLEANBUT (F) NOW YOU WEAR YOUR SKIN LIKE IRONAND YOUR (C) BREATH AS HARD AS (G) KEROSENE(F) Y' WEREN'T YOUR MAMA'S ONLY BOYBUT HER (C) FAVORITE ONE IT (F) SEEMSSHE (Am) BEGAN TO CRY WHEN YOU (F) SAID (C) GOOD(G)BYEAND (F) SANK INTO YOUR (Am) DREAMS (G)PANCHO WAS A BANDIT BOYHIS HORSE WAS FAST AS POLISHED STEELHE WORE HIS GUN OUTSIDE HIS PANTSFOR ALL THE HONEST WORLD TO FEELPANCHO MET HIS MATCH YOU KNOWON THE DESERTS DOWN IN MEXICONOBODY HEARD HIS DYING WORDSAH BUT THAT'S THE WAY IT GOES(F) ALL THE FEDERALES SAYTHEY (C) COULD HAVE HAD HIM (F) ANY DAYTHEY (Am) ONLY LET HIM (F) SLIP (C)A(G)WAYOUT OF (F) KINDNESS I SUP(Am) POSE (G)LEFTY HE CAN'T SING THE BLUESALL NIGHT LONG LIKE HE USED TOTHE DUST THAT PANCHO BIT DOWN SOUTHENDED UP IN LEFTY'S MOUTHTHE DAY THEY LAID POOR PANCHO LOWLEFTY SPLIT FOR OHIOWHERE HE GOT THE BREAD TO GOTHERE AIN'T NOBODY KNOWSALL THE FEDERALES SAYTHEY COULD HAVE HAD HIM ANY DAYWE ONLY LET HIM SLIP AWAY183

OUT OF KINDNESS I SUPPOSE(INSTRUMENTAL)THE POETS TELL HOW PANCHO FELLAND LEFTY'S LIVING IN A CHEAP HOTELTHE DESERT'S QUIET AND CLEVELAND'S COLD,AND SO THE STORY ENDS WE'RE TOLDPANCHO NEEDS YOUR PRAYERS IT'S TRUEBUT SAVE A FEW FOR LEFTY TOOHE ONLY DID WHAT HE HAD TO DOAND NOW HE'S GROWING OLDALL THE FEDERALES SAYWE COULD HAVE HAD HIM ANY DAYWE ONLY LET HIM GO SO LONGOUT OF KINDNESS I SUPPOSEA FEW GRAY FEDERALES SAYWE COULD HAVE HAD HIM ANY DAYWE ONLY LET HIM GO SO LONGOUT OF KINDNESS I SUPPOSE184

PEGGY SUEJERRY ALLISON, NORMAN PETTY AND BUDDY HOLLY, G(G) IF YOU KNEW (C) PEGGY SUE(G) THEN YOU'D (C) KNOW WHY (G) I FEEL BLUEABOUT (C) PEGGY, 'BOUT MY PEGGY (G) SUE (C,G)OH, WELL, I (D7) LOVE YOU, GALYES, I (C) LOVE YOU (C7) PEGGY (G) SUE (C,G,D7)(G) PEGGY SUE, PEGGY SUE(Eb) PRETTY, PRETTY, PRETTY, PRETTY (G) PEGGY SUEOH, MY (C) PEGGY, MY PEGGY (G) SUE (C,G)OH, WELL, I (D7) LOVE YOU, GALAND I (C) NEED YOU, (C7) PEGGY (G) SUE (C,G,D7)(G) I LOVE YOU, (C) PEGGY SUE(G) WITH A (C) LOVE SO (G) RARE (D7) AND (G7) TRUEOH, (C) PEGGY, MY PEGGY (G) SUEOH, WELL, I (D7) LOVE YOU, GALYES, I (C) WANT YOU, (C7) PEGGY (G) SUE (C,G,D7,G)185

PICK THE WILDWOOD FLOWERGARY GENE WATSON, DJOE ALLEN(D) THOSE TEXAS FIELDS WERE HOTAND THAT TRACTOR NEVER WAS MY KIND OF (G) LIVINGAND (E7) WHEN I HIT SIXTEEN I HAD MY SIZEAND I HIT THE ROAD TO (A) FREEDOMAND I'M (Am) GLAD I WASN'T THERE TO SEE MY MAMA'CAUSE SHE MUST HAVE CRIED FOR (G) HOURSI STILL (D) HEAR HER SAYIN', GARY, GET YOUR (A) GUITARAND PICK THE WILDWOOD (D) FLOWERNOW, DALLAS IT WAS BIGAND HARD TO FIND A JOB, AND SO I DIDN'TIT WAS EASIER TO HITCH A RIDE TO HOUSTONAND IT WAS MORE LIKE LIVIN'NOW I'VE BEEN DOWN EVERY ROADAND I'VE STOOD ON EVERY PORCH WHERE THEY WERE GIVINGAND IF THEY HAD AN HOUR OR A DIMEI WOULD PICK THE WILDWOOD FLOWERIT'S HARD TO TURN AROUNDAND LOOK BACK DOWN THE ROADS THAT I HAVE TRAVELED'CAUSE LIKE A NEVERENDING BALL OF TWINEMY DREAMS HAVE COME UNRAVELLEDAND NOW AS EVENING LAYS ITS SHAWLACROSS THE SHOULDERS OF MY LIFE I HAVE TO FINDI COULDN'T TIE MY LIFE TOGETHER WITH GUITAR STRINGSAND A POET'S HEART FOR A MINDAND I'M SO GLAD I WASN'T THERE TO SEE MY MAMA'CAUSE SHE MUST HAVE CRIED FOR HOURSI STILL HEAR HER SAYIN', GARY, GET YOUR GUITARAND PICK THE WILDWOOD FLOWER186

PISTOL PACKIN' MAMAHOYT AXTON, GAL DEXTER(REFRAIN) (G) LAY THAT PISTOL DOWN, BABELAY THAT PISTOL (D) DOWNPISTOL PACKIN' MAMA, LAY THAT PISTOL (G) DOWN!OH, (REFRAIN)(G) (I WAS) DRINKIN' BEER IN A CABARETTHOUGHT I WAS HAVING (D) FUN (AND I WAS HAVIN' FUN)TILL ONE NIGHT SHE CAUGHT ME RIGHTNOW I'M ON THE (G) RUN (OH, REFRAIN)SHE KICKED OUT MY WINDSHIELDSHE HIT ME ON MY HEADSHE CUSSED AND CRIED AND SAID I'D LIEDAND WISHED THAT I WAS DEAD (OH, REFRAIN)I WAS RAISIN' CAIN IN A CABARET (DRINKIN' BEER IN A CABARET)DANCIN' WITH A BLONDTILL ONE NIGHT SHE SHOT OUT THE LIGHTAND BANG! (AND MAN) THAT BLOND WAS GONE (OH, REFRAIN)I'LL SEE YOU EVERY NIGHT, BABEI'LL LOVE YOU EVERY DAYI'LL BE YOUR REGULAR DADDYJUST PUT THAT GUN AWAY (OH, REFRAIN)(INSTRUMENTAL)WELL, THE MORAL OF THIS STORY ISIF YOU WANT TO HAVE SOME FUNMAKE SURE THAT YOUR SWEET MAMADON'T HAVE A LOADED GUN (OH, REFRAIN TWICE)(LAST VERSE, PER AL DEXTER:)NOW THERE WAS OLD AL DEXTERHE ALWAYS HAD HIS FUN187

BUT WITH SOME LEAD, SHE SHOT HIM DEADHIS HONKIN' DAYS ARE DONE188

PRAIRIE FIREMARTY ROBBINSWHILE DRIVIN' A HERD OF CATTLE OUT IN OLD NEBRASKA WAYHEADIN' EAST AT BROKEN BOW ONE HOT SEPTEMBER DAYTRYIN' TO GET TO OMAHA, WE HOPED TO FIND A BUYERWE NEVER COUNTED ON THE ODDS OF A WESTERN PRAIRIE FIREA HOT SOUTH WIND WAS BLOWIN' AND THE AIR WAS GETTIN' DRYSOMETHIN' FAR AWAY WAS SPELLIN' TROUBLE IN THE SKYCOMIN' CLOSER WAS A SOUND THAT TOPPED THE DEVIL'S CHOIRTHEN WE KNEW WE'D HAVE TO RACE A RAGING PRAIRIE FIREWHEN ALL AT ONCE A FLAME IS SEEN A-LICKIN' AT THE SKYAND EVERY HEART IS QUICKENED AND THERE'S FEAR IN EVERY EYEWE'VE JUST ONE CHANCE TO GET AWAY FOR THERE'S NO PLACE TOHIDEGOT TO REACH THE RIVER PLATTE ONE INCH DEEP AND ONE MILEWIDETHE HERD IS GETTIN' TIRED BUT WE'VE GOT NO TIME TO RESTI TRY TO CLEAR THE RED DUST THAT IS GATHERED IN MY CHESTFROM RIDIN' TAIL ON A THOUSAND HEAD WITH THE WEATHER GETTIN'DRYTHE BLACK CLOUD IN THE WEST IS WARNIN' RIDE, RIDE, RIDETHE ROARIN' HEAT IS CLOSE, THE ASH IS FALLIN' BY OUR SIDEAND EVERY BEAST AND BIRD IS FLEEIN' WITH ITS WARNIN' CRYWE GOT TO REACH THE RIVER BUT IT'S STILL TEN MILES OR MOREAND CLOSE BEHIND US WE CAN HEAR THAT WILD INFERNO ROARBUT FATE HAD OTHER PLANS FOR WE LOST THAT FATAL RACEWE LOST, FOR NEITHER MAN NOR BEAST COULD ALL KEEP UP THEPACETHE MIGHTY PLATTE SUBDUED ITS RAGE BUT NONE WERE THERE TORESTWE DID OUR BEST TO GET AWAY BUT ONLY I AM LEFTNOW ON THE BLACKENED PRAIRIE FAR AS THE EYE CAN SEE189

THE GRIM REMAINS ARE THERE TO SHOW THAT GOD RULES YOU ANDMEJUST ONE HE LEFT TO TELL THE TALE, JUST ONE WAS HIS DESIREWE LOST A HERD AND THIRTY MEN TO A RAGING PRAIRIE FIRETHE TRAVELER REPLIED, "THAT'S ALL QUITE TRUEBUT THIS, I THINK, IS THE THING TO DOGET BUSY ON A DAY THAT IS FAIR AND BRIGHTTHEN PATCH THE OLD ROOF TILL IT'S GOOD AND TIGHT"BUT THE OLD MAN KEPT ON A-PLAYING AT HIS REELAND TAPPED THE GROUND WITH HIS LEATHERY HEEL"GET ALONG," SAID HE, "FOR YOU GIVE ME A PAINMY CABIN NEVER LEAKS WHEN IT DOESN'T RAIN"190

PROUD MARYCREEDENCE CLEARWATER REVIVALJ C FOGERTYLEFT A GOOD JOB IN THE CITY,WORKIN' FOR THE MAN EV'RY NIGHT AND DAY,AND I NEVER LOST ONE MINUTE OF SLEEPIN',WORRYIN' 'BOUT THE WAY THINGS MIGHT HAVE BEEN.(CHORUS) BIG WHEEL KEEP ON TURNIN',PROUD MARY KEEP ON BURNIN',ROLLIN', ROLLIN', ROLLIN' ON THE RIVER.CLEANED A LOT OF PLATES IN MEMPHIS,PUMPED A LOT OF ‘TANE DOWN IN NEW ORLEANS,BUT I NEVER SAW THE GOOD SIDE OF THE CITY,'TIL I HITCHED A RIDE ON A RIVER BOAT QUEEN. (CHORUS)ROLLIN', ROLLIN', ROLLIN' ON THE RIVER.IF YOU COME DOWN TO THE RIVER,BET YOU GONNA FIND SOME PEOPLE WHO LIVE.YOU DON'T HAVE TO WORRY 'CAUSE YOU HAVE NO MONEY,PEOPLE ON THE RIVER ARE HAPPY TO GIVE. (CHORUS)ROLLIN', ROLLIN', ROLLIN' ON THE RIVER.ROLLIN', ROLLIN', ROLLIN' ON THE RIVER.ROLLIN', ROLLIN', ROLLIN' ON THE RIVER.191

PUFF THE MAGIC DRAGONWORDS BY LEONARD LIPTON, MUSIC BY PETER YARROW, A(A) PUFF, THE MAGIC (E) DRAGON, (D) LIVED BY THE (A) SEAAND (D) FROLICKED IN THE (A) AUTUMN MISTIN A (B7) LAND CALLED HONAH(E7)LEE(A) LITTLE JACKIE (E) PAPER (D) LOVED THAT RASCAL (A) PUFFAND (D) BROUGHT HIM STRINGS AND (A) SEALING WAXAND (B7) OTHER (E7) FANCY (A) STUFF(CHORUS) (E7) OH! (A) PUFF, THE MAGIC (E) DRAGON, (D) LIVED BY THE(A) SEAAND (D) FROLICKED IN THE (A) AUTUMN MIST IN A (B7) LAND CALLEDHONAH(E7)LEE(A) PUFF, THE MAGIC (E) DRAGON, (D) LIVED BY THE (A) SEAAND (D) FROLICKED IN THE (A) AUTUMN MIST IN A (B7) LAND CALLED(E7) HONAH(A)LEETOGETHER THEY WOULD TRAVEL ON A BOAT WITH BILLOWED SAILJACKIE KEPT A LOOKOUT PERCHED ON PUFF'S GIGANTIC TAILNOBLE KINGS AND PRINCES WOULD BOW WHENE'ER THEY CAMEPIRATE SHIPS WOULD LOW'R THEIR FLAG WHEN PUFF ROARED OUTHIS HAME (CHORUS)A DRAGON LIVES FOREVER, BUT NOT SO LITTLE BOYSPAINTED WINGS AND GIANT RINGS MAKE WAY FOR OTHER TOYSONE GREY NIGHT IT HAPPENED, JACKIE PAPER CAME NO MOREAND PUFF, THE MAGIC DRAGON, HE CEASED HIS FEARLESS ROAR(CHORUS)HIS HEAD WAS BENT IN SORROW, GREEN SCALES FELL LIKE RAINPUFF NO LONGER WENT TO PLAY ALONG THE CHERRY LANEWITHOUT HIS LIFE-LONG FRIEND, PUFF COULD NOT BE BRAVESO PUFF, THE MIGHTY DRAGON, SADLY SLIPPED INTO HIS CAVE(CHORUS)192

QUE SERA, SERA (WHATEVER WILL BE, WILL BE)DORIS DAY, GJAY LIVINGSTON, RAY EVANSWHEN I WAS (G) JUST A LITTLE GIRLI ASKED MY MOTHER, WHAT WILL I (D7) BEWILL I BE PRETTY, (Am7) WILL I BE (D7) RICH(Am7) HERE'S WHAT SHE (D7) SAID TO (G) ME(CHORUS) QUE (C) SERA, SERA,WHATEVER WILL (G) BE, WILL BETHE FUTURE'S NOT (D7) OURS, TO SEEQUE SERA, SE(G)RAWHAT WILL (Am7) BE, WILL (G) BEWHEN I WAS YOUNG, I FELL IN LOVEI ASKED MY SWEETHEART WHAT LIES AHEADWILL WE HAVE RAINBOWS, DAY AFTER DAYHERE'S WHAT MY SWEETHEART SAID (CHORUS)NOW I HAVE CHILDREN OF MY OWNTHEY ASK THEIR MOTHER, WHAT WILL I BEWILL I BE HANDSOME, WILL I BE RICHI TELL THEM TENDERLY (CHORUS)WHATEVER WILL BE, WILL BE, QUE SERA, SERAWHEN I WAS JUST A LITTLE GIRLI ASKED MY MOTHER, "WHAT WILL I BE?WILL I BE PRETTY? WILL I BE RICH?"HERE'S WHAT SHE SAID TO ME (CHORUS)WHEN I WAS JUST A CHILD IN SCHOOLI ASKED MY TEACHER, "WHAT WILL I TRY?SHOULD I PAINT PICTURES," SHOULD I SING SONGS?"THIS WAS HER WISE REPLY (CHORUS)WHEN I GREW UP AND FELL IN LOVEI ASKED MY SWEETHEART, "WHAT LIES AHEAD?193

WILL WE HAVE RAINBOWS, DAY AFTER DAY?"HERE'S WHAT MY SWEETHEART SAID (CHORUS)NOW I HAVE CHILDREN OF MY OWNTHEY ASK THEIR MOTHER, "WHAT WILL I BE?"WILL I BE HANDSOME? WILL I BE RICH?"I TELL THEM TENDERLY (CHORUS)RECORDED BY DORIS DAY. WRITTEN BY JAY LIVINGSTONAND RAY EVANS FOR ALFRED HITCHCOCK'S 1956 REMAKEOF HIS 1934 FILM, "THE MAN WHO KNEW TOO MUCH," STARRINGDORIS DAY AND JAMES STEWART.194

RAINY DAY WOMANWAYLON JENNINGS, A(A) OH RAINY DAY WOMANI (E) NEVER SEEM TO SEE YOU FOR THE GOOD TIMESOR THE SUNSHINEYOU HAVE BEEN A FRIEND OF MINE RAINY DAY (A) WOMANTHAT WOMAN OF MINE SHE AIN'T HAPPYTILL SHE (E) FINDS SOMETHING WRONG AND SOMEONE TO BLAMEIF IT AIN'T ONE THING IT'S ANOTHER ONE ON THE (A) WAYWOKE UP THIS MORNING TO THE SUNSHINE(E) SURE AS HELL LOOKS JUST LIKE RAINI KNOW WHERE TO GO ON A CLOUDY (A) DAY(REPEAT FIRST VERSE)195

RED RIVER VALLEY19TH CENTURY AMERICAN, DCOME AND (D) SIT BY MY SIDE (A7) IF YOU (D) LOVE MEDO NOT HASTEN TO BID ME (A7) ADIEUBUT RE(D)MEMBER THE RED RIVER (G) VALLEYAND THE (A) COWBOY WHO (A7) LOVES YOU SO (D) TRUEWON'T YOU THINK OF THIS VALLEY YOU'RE LEAVINGOH, HOW LONELY, HOW SAD IT WILL BEOH, THINK OF THE FOND HEART YOU'RE BREAKINGAND THE GRIEF YOU ARE CAUSING FOR MEFROM THIS VALLEY THEY SAY YOU ARE GOINGWHEN YOU GO, MAY YOUR DARLING GO, TOO?WOULD YOU LEAVE HER BEHIND UNPROTECTEDWHEN SHE LOVES NO OTHER BUT YOU?I HAVE PROMISED YOU, DARLING, THAT NEVERWILL A WORD FROM MY LIPS CAUSE YOU PAINAND MY LIFE, IT WILL BE YOURS FOREVERIF YOU ONLY WILL LOVE ME AGAIN196

RED RIVER VALLEY- ORIGINATED IN 1896 AS A SENTIMENTAL SONG BY JAMES KERRIGANCALLED "IN THE BRIGHT MOHAWK VALLEY". PIONEERS HEADING WESTPICKED UP THE SONG, SIMPLIFIED IT AND CHANGED THE LOCALE TOTHE TEXAS PANHANDLE. DFROM THIS (D) VALLEY THEY SAY (A7) YOU ARE (D) GOINGWE WILL MISS YOUR BRIGHT EYES AND SWEET (A7) SMILEFOR THEY (D) SAY YOU ARE TAKING THE (G) SUNSHINETHAT HAS (A) BRIGHTENED OUR (A7) PATHWAY A(D)WHILECOME AND SIT BY MY SIDE IF YOU LOVE MEDO NOT HASTEN TO BID ME ADIEUBUT REMEMBER THE RED RIVER VALLEYAND THE ONE WHO HAS LOVED YOU SO TRUEWON'T YOU THINK OF THE VALLEY YOU'RE LEAVINGOH, HOW LONELY, HOW SAD IT WILL BEOH, THINK OF THE FOND HEART YOU'RE BREAKINGAND THE GRIEF YOU ARE CAUSING TO MECOME AND SIT BY MY SIDE IF YOU LOVE MEDO NOT HASTEN TO BID ME ADIEUBUT REMEMBER THE RED RIVER VALLEYAND THE ONE WHO HAS LOVED YOU SO TRUEAS YOU GO TO YOUR HOME BY THE OCEANMAY YOU NEVER FORGET THESE SWEET HOURSTHAT WE SPENT IN THE RED RIVER VALLEYAND THE LOVE WE EXCHANGED 'MID THE FLOWERS197

RIDE COWBOY RIDEMARTY ROBBINSRIDE, COWBOY, RIDE, DON'T RIDE TOO SLOWTUCSON'S A MIGHTY LONG WAY YET TO GOHE STARTED HIS LONG RIDE IN PRESCOTTTHE SUN WAS A HUNDRED OR MOREON DOWN HE RODE AT FULL GALLOPINTO THE FLAT DESERT FLOORDRIVING THE BIG HERD TO FLAGSTAFFIN PRESCOTT THE LETTER WAS THEREHAPPINESS SOON WOULD BE SORROWSAD NEWS THE LETTER DID BEARRIDE, COWBOY, RIDE, DON'T GO TOO SLOWRIDE, COWBOY, RIDE, YOU'VE A LONG WAY TO GOYOUR DARLIN' NOW LIES ON HER DEATHBEDRACKED BY FEVER AND PAINREACHING FOR YOU AT HER BEDSIDEAT EACH BREATH SHE'S CALLIN' YOUR NAMEFORWARD HE LEANED IN THE SADDLEPUSHING THROUGH MESQUITE AND SAGEHIS HEAD NEVER RAISED FOR A GREETINGAS HE PASSED THE WICKENBURG STAGERIDE, COWBOY, RIDE, DON'T RIDE TOO SLOWTUCSON'S A MIGHTY LONG WAY YET TO GOIN PHOENIX HE TRADED HORSESNOW ON THE BACK OF THIS ROANHE COULD SEE VISIONS OF TUCSONHIS DARLIN' AND THEIR LOVELY HOMERIDE, COWBOY, RIDE, DON'T RIDE TOO SLOWTHERE'S STILL A HUNDRED AND TWENTY TO GO198

IN THROUGH THE RANCH GATE HE GALLOPEDAND WITHOUT BREAKING HIS STRIDEHE BOUNDED OUT OF THE SADDLEAND RUSHED TO HIS SWEET DARLIN'S SIDETHEN AS THE DYIN' GIRL SAW HIMA SMILE CAME OVER HER FACEHOLDING HER HAND AS IT TIGHTENEDBARELY HAD HE WON THE RACERIDE, COWBOY, RIDE, ON THROUGH THE BLUERIDE, COWBOY, RIDE, SHE'LL BE WAITING FOR YOURIDE, COWBOY, RIDE, ON THROUGH THE BLUERIDE, COWBOY, RIDE, SHE'LL BE WAITING FOR YOU199

RIGHT OR WRONGPATSY CLINE, ERIGHT OR WRONG I'LL BE WITH YOUI'LL DO WHAT YOU ASK ME TOFOR I BELIEVE THAT I BELONGBY YOUR SIDE FOR RIGHT OR WRONGRIGHT OR WRONG IT'S GOT TO BEALWAYS YOU AND ALWAYS MEWON'T YOU TAKE ME ALONGTO BE WITH YOU FOR RIGHT OR WRONGIF IT'S WRONG FOR ME TO LOVE YOUIT CAN'T BE WRONG FOR ME TO CALLIF YOU SHOULD SAY YOU LOVE MEMY LIFE WITH YOU I'LL SHARERIGHT OR WRONG DAY BY DAYALL MY LOVE, ALL MY WAYI BELIEVE THAT I BELONGBY YOUR SIDE FOR RIGHT OR WRONG200

RING OF FIREJOHNNY CASHJUNE CARTER, MERLE KILGOREINTRO: G C G C(G) LOVE IS A (C) BURNING (G) THINGAND IT MAKES A (D) FIERY (G) RINGBOUND BY (C) WILD DE(G)SIREI FELL INTO A (D) RING OF (G) FIRE(CHORUS) (D) I FELL INTO A (C) BURNING RING OF (G) FIREI WENT (D) DOWN, DOWN, DOWNAND THE (C) FLAMES WENT (G) HIGHERAND IT BURNS, BURNS, BURNSTHE (C) RING OF (G) FIRETHE (D) RING OF (G) FIRE(INTRO TWICE) (CHORUS)THE TASTE OF LOVE IS SWEETWHEN HEARTS LIKE OURS MEETI FELL FOR YOU LIKE A CHILDOH, BUT THE FIRE WENT WILD(CHORUS TWICE)AND IT BURNS, BURNS, BURNSTHE RING OF FIRETHE RING OF FIRE201

ROCK ABOUT MY SARO JANEAMERICAN, D(Bm) I'VE GOT A WIFE AND-A (D) FIVE LITTLE CHILDRENBELIEVE I'LL MAKE A TRIP ON THE (Bm) BIG MACMILLAN(CHORUS) O SARO JANE!(D7) O THERE'S (G) NOTHING TO (D) DO BUT TO SET DOWN AND (Bm)SING(A7) AND (D) ROCK ABOUT MY (G) SA(A7)RO (D) JANEO ROCK ABOUT MY SARO JANEO (G) ROCK ABOUT MY SARO (D) JANEO THERE'S (G) NOTHING TO (D) DO BUT TO SET DOWN AND (Bm) SING(A7) AND (D) ROCK ABOUT MY (G) SA(A7)RO (D) JANEBOILER BUSTED AND THE WHISTLE DONE BLOWEDTHE HEAD CAPTAIN DONE FELL OVERBOARD (CHORUS)ENGINE GAVE A CRACK AND THE WHISTLE A SQUALLTHE ENGINEER GONE TO THE HOLE IN THE WALL (CHORUS)YANKEES BUILT BOATS FOR TO SHOOT THEM REBELSMY MUSKET'S LOADED AND I'M GONNA HOLD HER LEVEL (CHORUS)202

ROCK AND ROLL IS HERE TO STAYDAVID WHITE, AOH, BABY (A) ROCK AND ROLL IS HERE TO STAY, AND IT WILL NEVER(A7) DIE(D) IT WAS MEANT TO BE THAT WAY, (A) THOUGH I DON'T KNOW WHY(E) I DON'T CARE WHAT (D) PEOPLE SAY, (A) ROCK AND ROLL IS HERETO STAY(E) WE DON'T CARE WHAT (D) PEOPLE SAY, (A) ROCK AND ROLL ISHERE TO STAYROCK AND ROLL WILL ALWAYS BE, I DIG IT TO THE (A7) END(D) IT'LL GO DOWN IN HISTORY, (A) JUST YOU WATCH MY FRIEND(E) ROCK AND ROLL WILL ALWAYS BE, IT'LL GO DOWN IN HISTORY(E) ROCK AND ROLL WILL ALWAYS BE, IT'LL GO DOWN IN HISTORYEVERYBODY ROCK, EVERYBODY (A7) ROCK(D) EVERYBODY ROCK, (A) EVERYBODY ROCK(E) COME (D) ON, (A) EVERYBODY ROCK AND ROLLEVERYBODY ROCK AND ROLL, EVERYBODY ROCK AND ROLLEVERYBODY (D) ROCK AND ROLL, EVERYBODY (A) ROCK AND ROLL(E) COME (D) ON, (A) EVERYBODY ROCK AND ROLLIF YOU DON'T LIKE ROCK AND ROLL, JUST THINK WHAT YOU'VE BEENMISSIN'IF YOU LIKE TO BOP AND STROLL, WALK AROUND AND LISTENLET'S ALL START TO ROCK AND ROLL, EVERYBODY ROCK AND ROLL!(REPEAT SECOND VERSE, REPEAT THIRD VERSE, REPEAT THIRDVERSE AND FADE)203

ROCK AROUND THE CLOCKBILL HALEY AND THE COMETSMAX C FREEDMAN AND JIMMY DEKNIGHTONE, TWO, THREE O'CLOCK, FOUR O'CLOCK ROCKFIVE, SIX, SEVEN O'CLOCK, EIGHT O'CLOCK ROCKNINE, TEN, ELEVEN O'CLOCK, TWELVE O'CLOCK ROCKWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTPUT YOUR GLAD RAGS ON AND JOIN ME HON'WE'LL HAVE SOME FUN WHEN THE CLOCK STRIKES ONEWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWE'RE GONNA ROCK, ROCK, ROCK, 'TILL BROAD DAYLIGHTWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWHEN THE CLOCK STRIKES TWO, THREE AND FOURIF THE BAND SLOWS DOWN WE'LL YELL FOR MOREWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWE'RE GONNA ROCK, ROCK, ROCK, 'TILL BROAD DAYLIGHTWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWHEN THE CHIMES RING FIVE, SIX, AND SEVENWE'LL BE RIGHT IN SEVENTH HEAVENWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWE'RE GONNA ROCK, ROCK, ROCK, 'TILL BROAD DAYLIGHTWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWHEN IT'S EIGHT, NINE, TEN, ELEVEN TOOI'LL BE GOIN' STRONG AND SO WILL YOUWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWE'RE GONNA ROCK, ROCK, ROCK, 'TILL BROAD DAYLIGHTWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWHEN THE CLOCK STIKES TWELVE WE'LL COOL OFF THENSTART ROCKIN' 'ROUND THE CLOCK AGAINWE'RE GONNA ROCK AROUND THE CLOCK TONIGHTWE'RE GONNA ROCK, ROCK, ROCK, 'TILL BROAD DAYLIGHTWE'RE GONNA ROCK AROUND THE CLOCK TONIGHT204

ROCK AROUND THE CLOCKBILL HALEY AND THE COMETS, GMAX C FREEDMAN AND JIMMY DEKNIGHT(G) ONE, TWO, THREE O'CLOCK, FOUR O'CLOCK ROCKSIX, SEVEN O'CLOCK, EIGHT O'CLOCK ROCKNINE, TEN, ELEVEN O'CLOCK, TWELVE O'CLOCK ROCKWE'RE GONNA (D7) ROCK AROUND THE CLOCK TONIGHTPUT YOUR (G) GLAD RAGS ON AND JOIN ME, HONWE'LL HAVE SOME FUN WHEN THE (G7) CLOCK STRIKES ONE(REFRAIN) WE'RE GONNA (C7) ROCK AROUND THE CLOCK TONIGHTWE'RE GONNA (G) ROCK, ROCK, ROCK TILL BROAD DAYLIGHTWE'RE GONNA (Am7) ROCK, GONNA ROCK A(D7)ROUND THE CLOCKTO(G)NIGHTWHEN THE CLOCK STRIKES TWO, AND THREE AND FOURIF THE BAND SLOWS DOWN WE'LL YELL FOR MORE (REFRAIN)WHEN THE CHIMES RING FIVE AND SIX AND SEVENWE'LL BE ROCKIN' UP IN SEVENTH HEAV'N (REFRAIN)WHEN IT'S EIGHT, NINE, TEN, ELEVEN TOOI'LL BE GOIN' STRONG AND SO WILL YOU (REFRAIN)WHEN THE CLOCK STRIKES TWELVE, WE'LL COOL OFF THENSTAR A-ROCKIN' ROUND THE CLOCK AGAIN (REFRAIN)205

THE ROCK ISLAND LINEAMERICAN, AI SAY THE (A) ROCK ISLAND LINE IS A MIGHTY GOOD ROADI SAY THE ROCK ISLAND LINE IS THE (B7) ROAD TO (E) RIDEOH, THE (A) ROCK ISLAND LINE IS A MIGHTY GOOD ROADIF YOU (D7) WANT TO RIDE IT, GOT TO (A) RIDE IT LIKE YOU'RE FLYIN'BUY YOUR (Bm7) TICKET AT THE STATION FOR THE (E7) ROCK ISLAND(A) LINE(A) A, B, C, DOUBLE X, Y (B7) Z(E7) CAT'S IN THE (A) CUPBOARD BUT (E7) HE CAN'T SEE (A) ME(CHORUS)JESUS DIED TO SAVE OUR SINGLORY BE TO GOD, WE'RE GONNA NEED HIM AGAIN (CHORUS)I MAY BE RIGHT AND I MAY BE WRONGI KNOW YOU'RE GONNA MISS ME WHEN I AM GONE (CHORUS)206

ROCK ISLAND LINELONNIE DONEGAN, COH (CHORUS) THE (C) ROCK ISLAND LINE IT IS A MIGHTY GOOD ROADOH, THE ROCK ISLAND LINE IS THE (G7) ROAD TO RIDETHE (C) ROCK ISLAND LINE IT IS A MIGHTY GOOD ROADWELL IF YOU (F) WANT TO RIDE YOU GOT TO (C) RIDE IT LIKE YOU FINDITGET YOUR (F) TICKET AT THE STATION FOR THE (G7) ROCK ISLAND(C) LINEIT'S CLOUDY IN THE WEST LOOKS LIKE RAIN(D7) BOUGHT ME A (G) TICKET ON A (G7) RAILROAD TRAIN(C) POUR ON THE WATER SHOVEL ON THE COALSTICK YOUR (D7) HEAD OUT THE (G) WINDOW AND SEE THE (G7)DRIVERS (C) ROLLOH, WELL, THE (CHORUS)THE SEVEN-FORTY-FIVE WAS ALWAYS LATEBUT ARRIVED TODAY AT A QUARTER TO EIGHTTHE ENGINEER SAID WHEN THEY CHEERED HIS NAME"WE'RE RIGHT ON TIME BUT THIS IS YESTERDAY'S TRAIN"OH, WELL, THE (CHORUS)THE ENGINEER SAID BEFORE HE DIED"THERE'S TWO MORE DRINKS THAT I WOULD LIKE TO TRY"THE CONDUCTOR SAID "WHAT CAN THEY BE?""A COLD GLASS OF WATER AND A HOT CUP OF TEA"OH, WELL, THE (CHORUS)THE EASTBOUND TRAIN WAS ON THE WESTBOUND TRACKTHE NORTHBOUND TRAIN WAS ON THE SOUTHBOUND TRACKTHE CONDUCTOR HOLLERED "NOW AIN'T THIS FINEWHAT A PECULIAR WAY TO RUN A RAILROAD LINE"OH, WELL, THE (CHORUS)207

ROCK OF AGESWORDS BY AUGUSTUS M TOPLADY, ALTERED BY THOMAS COTTERILL,MUSIC BY THOMAS HASTINGS, D (STRUM, FOR QUICK CHANGE IN LINES2 AND 6 – WITH PLECTRUM, MOVE THE A7 CHORD BACK ONE BEAT), D(D) ROCK OF AGES, (G) CLEFT FOR (D) MELET ME HIDE MYSELF (A7) IN (D) THEELET THE (A7) WATER AND THE (D) BLOODFROM THE (A7) WOUNDED SIDE WHICH (D) FLOWEDBE OF SIN THE (G) DOUBLE (D) CURESAVE FROM WRATH AND MAKE (A7) ME (D) PURECOULD MY TEARS FOREVER FLOWCOULD MY ZEAL NO LONGER KNOWTHESE FOR SIN COULD NOT ATONETHOU MUST SAVE, AND THOU ALONEIN MY HAND NO PRICE I BRINGSIMPLY TO THE CROSS I CLINGWHILE I DRAW THIS FLEETING BREATHWHEN MY EYELIDS CLOSE IN DEATHWHEN I RISE TO WORLDS UNKOWNAND BEHOLD THEE ON THY THRONEROCK OF AGES, CLEFT FOR MELET ME HIDE MYSELF IN THEEALTERNATE VERSES:NOT THE LABOR OF MY HANDSCAN FULFILL THY LAW'S DEMANDSCOULD MY ZEAL NO RESPITE KNOWCOULD MY TEARS FOREVER FLOWALL FOR SIN COULD NOT ATONETHOU MUST SAVE, AND THOU ALONENOTHING IN MY HAND I BRINGSIMPLY TO THE CROSS I CLINGNAKED, COME TO THEE FOR DRESSHELPLESS LOOK TO THEE FOR GRACEFOUL, I TO THE FOUNTAIN FLY208

WASH ME, SAVIOR, OR I DIEWHILE I DRAW THIS FLEETING BREATHWHEN MINE EYES SHALL CLOSE IN DEATH(ORIG: WHEN MY EYE-STRINGS BREAK IN DEATH)WHEN I SOAR TO WORLDS UNKNOWNSEE THEE ON THY JUDGMENT THRONEROCK OF AGES, CLEFT FOR MELET ME HIDE MYSELF IN THEE209

ROCKY TOPBOUDLEAUX BRYANT AND FELICE BRYANT, D(D) WISH THAT I WAS (G) ON OL' ROCKY TOP(Bm) DOWN IN THE (A7) TENNESSEE (D) HILLSAIN'T NO SMOGGY (G) SMOKE ON (D) ROCKY TOP(Bm) AIN'T NO (A7) TELEPHONE (D) BILLSONCE I HAD A (G) GIRL ON (D) ROCKY TOP(Bm) HALF BEAR THE (A7) OTHER HALF (D) CATWILD AS A MINK, BUT (G) SWEET AS (D) SODA POP(Bm) I STILL (A7) DREAM ABOUT (D) THAT(CHORUS) (Bm) ROCKY TOP, YOU'LL (A) ALWAYS BE(C) HOME SWEET HOME TO (G) MEGOOD OL' (D) ROCKY TOPROCKY TOP, (C) TENNES(D)SEEROCKY TOP, (C) TENNES(D)SEEONCE TWO STRANGERS CLIMBED OL' ROCKY TOPLOOKIN' FOR A MOONSHINE STILLSTRANGERS AIN'T COME DOWN FROM ROCKY TOPRECKON THEY NEVER WILLCORN WON'T GROW AT ALL ON ROCKY TOPDIRT'S TOO ROCKY BY FARTHAT'S WHY ALL THE FOLKS ON ROCKY TOPGET THEIR CORN FROM A JAR (CHORUS)I'VE HAD YEARS OF CRAMPED-UP CITY LIFETRAPPED LIKE A DUCK IN A PENALL I KNOW IS IT'S A PITY LIFECAN'T BE SIMPLE AGAIN (CHORUS)210

ROLL IN MY SWEET BABY'S ARMSAMERICANAIN'T GONNA LIVE IN THE COUNTRYAIN'T GONNA LIVE ON THE FARMWELL, I'LL LAY AROUND THE SHACK TILL THE MAIL TRAIN COMES BACKAND I'LL ROLL IN MY SWEET BABY'S ARMS(CHORUS) ROLL IN MY SWEET BABY'S ARMSROLL IN MY SWEET BABY'S ARMSLAY AROUND THE SHACK TILL THE MAIL TRAIN COMES BACKTHEN I'LL ROLL IN MY SWEET BABY'S ARMSSOMETIMES THERE'S A CHANGE IN THE OCEANSOMETIMES THERE'S A CHANGE IN THE SEASOMETIMES THERE'S A CHANGE IN MY OWN TRUE LOVEBUT THERE'S NEVER A CHANGE IN ME (CHORUS)MAMA'S A GINGER CAKE BAKERSISTER CAN WEAVE AND SPINDAD'S GOT AN INTEREST IN THAT OLD COTTON MILLJUST WATCH THAT OLD MONEY ROLL IN (CHORUS)THEY TELL ME YOUR PARENTS DON'T LIKE METHEY HAVE DROVE ME AWAY FROM YOUR DOORIF I HAD ALL MY TIME TO DO OVER AGAINI WOULD NEVER GO THERE ANY MORE (CHORUS)211

RUNNING GUNMARTY ROBBINS, GI RODE OUT OF KANSAS CITY, GOING SOUTH TO MEXICOI WAS RUNNING DODGING DANGER, LEFT THE GIRL THAT I LOVED SOFAR BEHIND LAY KANSAS CITY AND THE PAST THAT I HAD EARNEDTWENTY NOTCHES ON MY SIX-GUN MARKED THE LESSONS I HADLEARNEDMANY TIMES I SOLD MY FAST GUN FOR A PLACE TO LAY MY HEADTILL THE NIGHTS BEGAN TO HAUNT ME BY THE MEN THAT I LEFT DEADCOULDN'T STAND IT ANY LONGER WITH THE LIFE THAT I'D BEGUNSO I SAID GOODBYE TO JEANNIE AND BECAME A RUNNING GUNI RODE INTO AMARILLO AS THE SUN SANK IN THE WESTMY THOUGHTS IN KANSAS CITY AND THE GIRL THAT I LOVE BESTAS I SMILED AND KISSED HER GENTLY AND THEN TURNED AWAY TO GOSAID I'D SEND FOR HER TO MEET ME WHEN I REACHED OLD MEXICOI HAD BARELY LEFT THE SADDLE AND MY FOOT JUST TOUCHED THEGROUNDWHEN A COLD VOICE FROM THE SHADOWS TOLD ME NOT TO TURNAROUNDSAID HE KNEW ABOUT MY FAST GUN, KNEW THE PRICE PAID BY THELAWCHALLENGED BY A BOUNTY HUNTER, SO I TURNED AROUND TO DRAWI KNEW SOMEDAY I'D MEET HIM FOR HIS HAND LIKE LIGHTNINGFLASHEDMY OWN GUN STOOD IN LEATHER AS HIS BULLET TORE ITS PATHAS MY STRENGTH WAS SLOWLY FADING, I COULD SEE HIM WALK AWAYAND I KNEW THAT WHERE I LIE TODAY, HE TO MUST LIE SOME DAYNOW MY STRENGTH IS SLOWLY FADING AND MY EYES ARE GROWINGDIMAND MY THOUGHTS RETURN TO JEANNIE AND THE HOME THAT WEHAD PLANNEDOH PLEASE TELL HER WON'T YOU MISTER THAT SHE'S STILL THE ONLYONE212

BUT A WOMAN'S LOVE IS WASTED WHEN SHE LOVES A RUNNING GUN213

SAGINAW, MICHIGANLEFTY FRIZZELL, CI WAS (C) BORN, (G7) IN SAGINAW, (C) MICHIGANI GREW (F) UP IN A (C) HOUSE ON SAGINAW (G7) BAYMY DAD WAS A (C) POOR HARD WORKING SAGINAW (F) FISHERMANTOO MANY (C) TIMES HE CAME HOME (G7) WITH TOO LITTLE (C) PAYI LOVE A GIRL, IN SAGINAW, MICHIGANTHE DAUGHTER OF A WEALTHLY WEALTHLY MANBUT HE CALLED ME THAT SON OF A SAGINAW FISHERMANNOT GOOD ENOUGH TO CLAIM HIS DAUGHTER'S HAND(CHORUS) NOW I'M (F) UP HERE IN ALASKA, (C) LOOKING AROUND FORGOLDLIKE A (G7) CRAZY FOOL I'M DIGGING IN THIS (C) FROZEN GROUND SOCOLDBUT WITH (F) EACH NEW DAY I PRAY I'LL STRIKE IT (C) RICH AND THENI'LL GO BACK (G7) HOME AND CLAIM MY LOVE IN SAGINAW, (C)MICHIGANI WROTE MY LOVE, IN SAGINAW, MICHIGANI SAID "HONEY I'M COMING HOME PLEASE WAIT FOR MEYOU CAN TELL YOUR DAD I'M COMING BACK A RICHER MANI HIT THE BIGGEST STRIKE IN KLONDIKE HISTORY"HER DAD MET ME, IN SAGINAW, MICHIGANHE GAVE ME A GREAT BIG PARTY WITH CHAMPAGNETHEN HE SAID, "SON, YOU'RE A WISE YOUNG AMBITIOUS MANWILL YOU SELL YOUR FATHER-IN-LAW YOUR KLONDIKE CLAIM"?(CHORUS) NOW HE'S UP THERE IN ALASKA, DIGGING IN THE COLDCOLD GROUNDTHE GREEDY FOOL IS LOOKIN' FOR THE GOLD I NEVER FOUNDIT SERVES HIM RIGHT AND NO ONE HERE IS MISSING HIMLEAST OF ALL THE NEWLYWEDS OF SAGINAW, MICHIGAN214

SAN ANGELOMARTY ROBBINSFROM THE 1960 COLUMBIA LP (CL 1481, CS 8272) MORE GUNFIGHTERBALLADS AND TRAIL SONGSNORTH OF THE BORDER OF OLD MEXICOI RODE ONE DAY TO THE COWTOWN OF SAN ANGELOA HOT SUN WAS GLOWING, A HOT BREEZE WAS BLOWINGSTILL NOT AS WARM AS THE LIPS THAT I WAITED TO KISSSHE SENT A MESSAGE A LONG TIME AGOSECORA HAD PROMISED TO MEET ME IN SAN ANGELOI WAS AWARE OF THE CHANCE I WAS TAKINGI WAS AN OUTLAW BUT GREAT WAS MY LOVE FOR THIS GIRLI MUST BE WITH HER I CAN'T STAY AWAYNIGHTS SPENT WITHOUT HER ARE LONELY AND SO ARE THE DAYSIF IT MEANS DEATH THEN I'LL HAVE TO CHANCE ITONLY A FEW MINUTES MORE AND SHE'LL BE AT MY SIDEAT TEN O' CLOCK IN THE MORNINGI TIED MY HORSE AND I STARTED TO WALK DOWN THE STREETWHERE WAS SECORA, HAD SHE FORGOTTENTHIS WAS THE DAY AND THE HOUR THAT SHE WANTED TO MEETBUT SOMETHING IS WRONG WITH OUR PLANS AND I FEAR DEATHAWAITS MEHERE ON THIS HOT DUSTY STREET.UP ON A HOUSETOP BUT STILL I CAN SEETHERE HIDES A MAN WITH A RIFLE, IT'S POINTED AT MEI MIGHT ESCAPE FROM THE MAN WITH A RIFLEBUT THERE ARE OTHERS JUST LIKE HIM THAT I CANNOT SEEBACK OF EACH WINDOW THE CLICK OF A GUNDIE IF I STAY AND MY LOVE FOR HER WON'T LET ME RUNWHERE IS SECORA, WILL MY EYES SEE HERTHEN IN A MOMENT SHE RUNS FROM A DOOR DOWN THE STREET"UP ON YOUR HORSE", SHE IS CRYING215

"RIDE OUT OF TOWN IT'S A TRAP AND THEY'RE WAITING FOR YOU"BUT IF I RIDE OUT, SHE MUST RIDE WITH METHEN IN A MOMENT I KNOW THAT OUR CHANCES ARE GONEFOR A BULLET IS WELL ON ITS WAY AND IT FINDS MY SECORASHE CRIES AS SHE FALLS IN MY ARMSOVER AND OVER HER SOFT LIPS DID SAY"NOW WE'RE TOGETHER, I WON'T LET THEM TAKE YOU AWAY"ONE LITTLE SIGH, HER LITTLE LIPS TREMBLETHEN IT WAS OVER, SECORA HAD DRIFTED AWAYTEARS DIM MY VISION BUT PLAINLY I SEETHE RANGER THAT KILLED HER IS STANDING THERE WAITING FOR MEI RISE TO MEET HIM, MY ONE THOUGHT IT BEAT HIMHE DESERVES DEATH AND I SWEAR THAT THIS RANGER WILL DIEI BEAT HIS DRAW AND I SHOT HIMSHOT HIM SIX TIMES JUST AS FAST AS THE BULLETS COULD FLYMY GUN IS EMPTY OR MORE I WOULD SHOOT HIMNOW THERE ARE OTHERS JUST LIKE HIM THAT WANT ME TO DIETHEIR BULLETS ARE COMING MY WAY, HOW THEY HURT WHEN THEYHIT METHE PAIN MAKES ME FALL TO THE GROUNDGONE IS MY STRENGTH, JUST THE WILL LEFT TO FIGHTI HEAR THE SOUND OF THE LEAD AS IT ROBS ME OF LIFEIF I MUST DIE, LET ME FIND SECORALET ME HOLD ON TO HER HAND FOR THE FEW MOMENTS LEFTBLINDLY I SEARCH AND IT ISN'T IN VAINI TOUCH THE SOFT VELVET HAND AND IT EASES THE PAINLIFE IS NO MORE BUT WE'RE TOGETHEREVEN IN DEATH SHE'S MY LOVER, IT'S OVER, GOODBYE216

SAN ANGELOMARTY ROBBINSALTERNATE VERSION, FROM MARTY ROBBINS NO. 1 COWBOYNORTH OF THE BORDER OF OLD MEXICOI RODE ONE DAY TO THE COWTOWN OF SAN ANGELOA HOT SUN WAS GLOWING, A WARM WIND WAS BLOWINGSTILL NOT AS WARM AS THE LIPS THAT I WAITED TO KISSCHEEKS THAT WOULD PUT BLUSHING RED ROSES TO SHAMELIPS THAT WERE FRESHER THAN FLOWERS WHEN KISSED BY THE RAINDARK EYES THAT SPARKLED MUCH BRIGHTER THAN DIAMONDSSOCCORA WAS MY LOVER'S NAMEI MET HER DOWN IN LAREDO, EVERYONE DOWN THERE CALLED HERTHE ROSEMEXICAN COWBOYS DRANK TO SOCCORA, BUT I WAS THE ONE THATSHE CHOSEAN OUTLAW ABOVE ALL THE REST, NOW MY HEART BEATS SO MADLYSOON SHE WILL BE AT MY SIDEUP ON A HOUSETOP BUT STILL I CAN SEETHERE HIDES A MAN WITH A RIFLE, IT'S POINTED AT MEI MIGHT ESCAPE FROM THE MAN WITH A RIFLEBUT THERE ARE OTHERS JUST LIKE HIM THAT I CANNOT SEEBACK OF EACH WINDOW THE CLICK OF A GUNDIE IF I STAY AND MY LOVE FOR HER WON'T LET ME RUNWHERE IS SECORA, WILL MY EYES SEE HERTHEN IN A MOMENT SHE RUNS FROM A DOOR DOWN THE STREET"UP ON YOUR HORSE", SHE IS CRYING"RIDE OUT OF TOWN, IT'S A TRAP AND THEY'RE WAITING FOR YOU"BUT IF I RIDE OUT, SHE MUST RIDE WITH METHEN IN A MOMENT I KNOW THAT OUR CHANCES ARE GONEFOR A BULLET IS WELL ON ITS WAY AND IT FINDS MY SECORASHE DIES AS SHE FALLS IN MY ARMSTEARS DIM MY VISION BUT PLAINLY I SEE217

THE RANGER THAT KILLED HER IS STANDING THERE WAITING FOR MEI WALK TO MEET HIM, MY ONE THOUGHT IT BEAT HIMHE DESERVES DEATH AND I SWEAR THAT THIS RANGER WILL DIEI BEAT HIS DRAW AND I SHOT HIMSHOT HIM SIX TIMES JUST AS FAST AS THE BULLETS WOULD FLYMY GUN IS EMPTY OR MORE I WOULD SHOOT HIMNOW THERE ARE OTHERS JUST LIKE HIM THAT WANT ME TO DIETHEIR BULLETS ARE COMING MY WAY, HOW THEY HURT WHEN THEYHIT METHE PAIN MAKES ME FALL TO THE GROUNDGONE IS MY STRENGTH, JUST THE WILL LEFT TO FIGHTI HEAR THE SOUND OF THE LEAD AS IT ROBS ME OF LIFEIF I MUST DIE, LET ME FIND SECORALET ME HOLD ON TO HER HAND FOR THE FEW MOMENTS LEFTBLINDLY I SEARCH AND IT ISN'T IN VAINI TOUCH THE SOFT VELVET HAND AND IT EASES THE PAINLIFE IS NO MORE BUT WE'RE TOGETHEREVEN IN DEATH SHE'S MY LOVER, IT'S OVER, GOODBYE218

SAN QUENTINJOHNNY CASH, G(G) SAN QUENTIN, YOU'VE BEEN (D) LIVIN' HELL TO (G) MEYOU'VE GALLED AT ME ME SINCE (C) NINETEEN SIXTY (G) THREE(C) I'VE SEEN 'EM COME AND GO AND I'VE SEEN 'EM (G) DIEAND LONG AGO (D) I STOPPED ASKIN' (G) WHYSAN QUENTIN, I HATE EVERY INCH OF YOUYOU'VE CUT ME AND YOU'VE SCARRED ME THRU AN' THRUAND I'LL WALK OUT A WISER, WEAKER MANMISTER CONGRESSMAN WHY CAN'T YOU UNDERSTAND(INSTRUMENTAL)SAN QUENTIN, WHAT GOOD DO YOU THINK YOU DO?DO YOU THINK THAT I'LL BE DIFFERENT WHEN YOU'RE THROUGH?YOU BENT MY HEART AND MIND AND YOU WARPED MY SOULAND YOUR STONE WALLS TURN MY BLOOD A LITTLE COLDSAN QUENTIN, MAY YOU ROT AND BURN IN HELLMAY YOUR WALLS FALL AND MAY I LIVE TO TELLMAY ALL THE WORLD FORGET YOU EVER STOODAND MAY ALL THE WORLD REGRET YOU DID NO GOODSAN QUENTIN, YOU'VE BEEN LIVIN' HELL TO ME219

SCARBOROUGH FAIRENGLISH, Em(Em) WHERE ARE YOU (Bm) GOING? TO (G) SCARBOROUGH (Bm) FAIR?(Em) PARSLEY, (C#m7b5) SAGE, ROSE(Em)MARY AND (Bm) THYME(Em) RE(Bm)MEMBER (A) ME TO A (Em) BONNY LASS (D) THEREFOR (G) ONCE SHE (D) WAS A TRUE (B) LOVER OF (Em) MINETELL HER TO MAKE ME A CAMBRIC SHIRTPARSLEY, SAGE, ROSEMARY AND THYMEWITHOUT ANY NEEDLE OR THREAD WORK'D IN ITAND SHE SHALL BE A TRUE LOVER OF MINETELL HER TO WASH IT IN YONDER WELLPARSLEY, SAGE, ROSEMARY AND THYMEWHERE WATER NE'ER SPRING NOR A DROP OF RAIN FELLAND SHE SHALL BE A TRUE LOVER OF MINETELL HER TO PLOUGH ME AN ACRE OF LANDPARSLEY, SAGE, ROSEMARY AND THYMEBETWEEN THE SEA AND THE SALT SEA STRANDAND SHE SHALL BE A TRUE LOVER OF MINETELL HER TO REAP IT WITH A SICKLE OF LEATHERPARSLEY, SAGE, ROSEMARY AND THYMEAND TIE IT ALL UP WITH A TOMTIT'S FEATHERAND SHE SHALL BE A TRUE LOVER OF MINETELL HER TO GATHER IT ALL IN A SACKPARSLEY, SAGE, ROSEMARY AND THYMEAND CARRY IT HOME ON A BUTTERFLY'S BACKAND SHE SHALL BE A TRUE LOVER OF MINE220

SCHOOL DAYSCHUCK BERRYUP IN THE MORNIN' AND OUT TO SCHOOLTHE TEACHER IS TEACHIN' THE GOLDEN RULEAMERICAN HISTORY AND PRACTICAL MATHYOU’RE STUDYIN' HARD AND HOPIN' TO PASSWORKIN' YOUR FINGERS RIGHT DOWN TO THE BONEAND THE GUY BEHIND YOU WON'T LEAVE YOU ALONERING, RING GOES THE BELLTHE COOK IN THE LUNCH ROOM'S READY TO SELLYOU'RE LUCKY IF YOU CAN FIND A SEATYOU'RE FORTUNATE IF YOU HAVE TIME TO EATBACK IN THE CLASSROOM, OPEN YOUR BOOKSGEE BUT THE TEACHER DON'T KNOW HOW MEAN SHE LOOKSSOON AS THREE O'CLOCK ROLLS AROUNDYOU FINALLY LAY YOUR BURDEN DOWNCLOSE UP YOUR BOOKS, GET OUT OF YOUR SEATDOWN THE HALLS AND INTO THE STREETUP TO THE CORNER AND 'ROUND THE BENDRIGHT TO THE JUKE JOINT, YOU GO INDROP THE COIN RIGHT INTO THE SLOTYOU'RE GOTTA HEAR SOMETHIN' THAT'S REALLY HOTWITH THE ONE YOU LOVE, YOU'RE MAKIN' ROMANCEALL DAY LONG YOU BEEN WANTIN' TO DANCE,FEELING THE MUSIC FROM HEAD TO TOEROUND AND ROUND AND ROUND WE GOHAIL, HAIL ROCK AND ROLLDELIVER ME FROM THE DAYS OF OLDLONG LIVE ROCK AND ROLLTHE BEAT OF THE DRUMS, LOUD AND BOLDROCK, ROCK, ROCK AND ROLLTHE FEELIN' IS THERE, BODY AND SOUL.221

SEA OF HEARTBREAKJOHNNY CASH, C(C) THE LIGHTS IN THE (Am) HARBOR(F) DON'T SHINE FOR (G) ME(C) I'M LIKE A (Am) LOST SHIPA(F)DRIFT ON THE (G) SEA(CHORUS) SEA OF (C) HEARTBREAKLOST LOVE AND (G) LONELINESSMEM'RIES OF (C) YOUR CARESSSO DIVINE, (F) HOW I WISH YOU WERE MINE(C) AGAIN MY DEARI'M ON THIS (G) SEA OF TEARSSEA OF (C) HEARTBREAKOH HOW DID I LOSE YOUOH WHERE DID I FAILWHY DID YOU LEAVE MEALWAYS TO SAIL (CHORUS)(BRIDGE) (F) OH WHAT I'D GIVE JUST TO (C) SAIL BACK TO SHORE(F) BACK TO YOUR ARMS ONCE (G7) MOREOH COME TO MY RESCUEOH COME HERE TO METAKE ME AND KEEP MEAWAY FROM THE SEA (CHORUS)222

SHE'S GOT YOUPATSY CLINE, CHANK COCHRANI'VE GOT YOUR (C) PICTURE (G7) THAT YOU (C) GAVE TO MEAND IT'S (F) SIGNED, "WITH LOVE" JUST LIKE IT USED TO BETHE ONLY THING (C) DIFFERENT, (Am) THE ONLY THING (C) NEW(Am) I'VE GOT YOUR (C) PICTURE, (G7) SHE'S GOT (C) YOUI'VE GOT THE RECORDS THAT WE USED TO SHAREAND THEY STILL SOUND THE SAMEAS WHEN YOU WERE HERETHE ONLY THING DIFFERENT, THE ONLY THING NEWI'VE GOT THE RECORDS, SHE'S GOT YOUI'VE GOT YOUR (F) MEMORY, OR HAS IT GOT ME!I REALLY DON'T (D7) KNOW, BUT I KNOW IT WON'T LET ME (G7) BEI'VE GOT YOUR (C) CLASS RING (G7) THAT (C) PROVED YOU CAREDAND IT STILL (F) LOOKS THE SAME AS WHEN YOU GAVE IT DEARTHE ONLY THING (C) DIFFERENT, (Am) THE ONLY THING (Cm) NEW(Am) I'VE GOT THESE (C) LITTLE THINGS(G7) SHE'S GOT (C) YOU223

SHE THINKS I STILL CAREGEORGE JONES, CDICKEY LEE(C) JUST BECAUSE I (F) ASK A FRIEND (C) ABOUT HER,(C) JUST BECAUSE I (G7) SPOKE HER NAME SOME(C)WHERE,(C) JUST BECAUSE I RANG HER (C7) NUMBER BY MIS(F)TAKE TODAY,(C) SHE THINKS (G7) I STILL (C) CAREJUST BECAUSE I HAUNT THE SAME OLD PLACESWHERE THE MEMORY OF HER LINGERS EVERYWHERE,JUST BECAUSE I'M NOT THE HAPPY GUY I USED TO BE,SHE THINKS I STILL CAREBRIDGE: (C) BUT (F) IF SHE'S HAPPY THINKIN' I STILL MISS (C) HER,(C) THEN LET THAT SILLY NOTION BRING HER (G) CHEER(F) HOW COULD SHE EVER BE SO (C) FOOLISH,(C) OH (D7) WHERE WOULD SHE GET SUCH AN (G7) IDEA?JUST BECAUSE I ASK A FRIEND ABOUT HER,JUST BECAUSE I SPOKE HER NAME SOMEWHERE,JUST BECAUSE I SAW HER THEN WENT ALL TO PIECES,SHE THINKS I STILL CARESHE THINKS I STILL CAREJUST BECAUSE I HAUNT THE SAME OLD PLACESWHERE THE MEMORY OF HER LINGERS EVERYWHERE,JUST BECAUSE I SAW HER THEN WENT TO PIECES,SHE THINKS I STILL CAREJUST BECAUSE I ASK A FRIEND ABOUT HER,JUST BECAUSE I SPOKE HER NAME SOMEWHERE,JUST BECAUSE I SAW HER THEN WENT TO PIECES,SHE THINKS I STILL CARE224

SHOULD I COME HOME (OR SHOULD I GO CRAZY)GARY GENE WATSONJOE ALLEN, C(C) I WONDER IF YOU'VE (F) HAD THE TIME IT (G7) TAKES TO THINK IT(C) OVERAND SORT OUT ALL THE (G7) FEELINGS IN YOUR (C) MINDSOMETIMES I THINK YOU'VE (F) FOUND SOMEONE TO (G7) DO YOURTHINKING (C) FOR YOU'CAUSE LATELY YOU'VE BEEN (G7) SHOWIN' ALL THE (C) SIGNS(CHORUS) SHOULD I COME (C) HOME, OR SHOULD I GO CRAZYI'M BEGGING YOU (Dm) PLEASE, MAKE UP YOUR (G7) MINDIF YOU LOVE (C) ME, THEN THINK IT OVERMAKE UP YOUR (Dm) MIND, (G7) OR I'LL LOSE (C) MINELAST NIGHT WHEN I CAME BY I RANG THE BELL AND NO ONEANSWEREDBUT I HEARD VOICES WHISPER THROUGH THE DOORNOW I'M NOT SURE IF ANYONE WAS HOME TO DO THE TALKING'CAUSE LATELY I HEAR VOICES MORE AND MORE (CHORUS)225

SINCE I MET YOU BABYIVORY JOE HUNTER, C(C) SINCE I MET YOU BABY (F) MY WHOLE (G7) LIFE HAS (C) CHANGED(C7)(F) SINCE I MET YOU BABY MY WHOLE LIFE HAS (C) CHANGEDAND (G7) EVERYBODY TELLS ME/ THAT I AM NOT THE (C) SAME (G7)(REFRAIN) I DON'T NEED NOBODY TO TELL MY TROUBLES TOI DON'T NEED NOBODY TO TELL MY TROUBLES TO'CAUSE SINCE I MET YOU BABY ALL I NEED IS YOUSINCE I MET YOU BABY I'M A HAPPY MANSINCE I MET YOU BABY I'M A HAPPY MANI'M GONNA TRY TO PLEASE YOU IN EVERY WAY I CAN226

SIXTEEN TONS"TENNESSEE" ERNIE FORD, EmMERLE TRAVIS(Em) SOME PEOPLE SAY A MAN IS MADE OUTTA MUDA POOR MAN'S MADE OUTTA MUSCLE AND BLOODMUSCLE AND BLOOD AND (Am) SKIN AND BONESA (C7) MIND THAT'S (Em) WEAK AND A BACK THAT'S STRONG(CHORUS) YOU LOAD SIXTEEN TONS, WHAT DO YOU GET?ANOTHER DAY OLDER AND DEEPER IN DEBTSAINT PETER DON'T YOU CALL ME 'CAUSE (Am) I CAN'T GOI (Em) OWE MY SOUL TO THE COMPANY STOREI WAS BORN ONE MORNIN' WHEN THE SUN DIDN'T SHINEI PICKED UP MY SHOVEL AND I WALKED TO THE MINEI LOADED SIXTEEN TONS OF NUMBER NINE COALAND THE STRAW BOSS SAID "WELL, A-BLESS MY SOUL"I WAS BORN ONE MORNIN', IT WAS DRIZZLIN' RAINFIGHTIN' AND TROUBLE ARE MY MIDDLE NAMEI WAS RAISED IN THE CANEBRAKE* BY AN OL' MAMA LIONCAIN'T NO-A HIGH-TONED WOMAN MAKE ME WALK THE LINEIF YOU SEE ME COMIN', BETTER STEP ASIDEA LOTTA MEN DIDN'T, A LOTTA MEN DIEDONE FIST OF IRON, THE OTHER OF STEELIF THE RIGHT ONE DON'T A-GET YOU, THEN THE LEFT ONE WILL227

SMOKE GETS IN YOUR EYESTHE PLATTERS, GWORDS BY OTTO HARBACH AND MUSIC BY JEROME KERN(G) THEY (B7) ASKED ME HOW I (Am7) KNEW(D7) MY TRUE LOVE WAS (G) TRUE, (B7,C) OHI OF COURSE RE(B7)PLIED(Em7) "SOMETHING HERE IN(Am7) SIDE(D7) CANNOT BE DE(G7)NIED" (D7)THEY SAID "SOMEDAY YOU'LL FINDALL WHO LOVE ARE BLIND", OHWHEN YOUR HEART'S ON FIREYOU MUST REALIZESMOKE GETS IN YOUR (G) EYES(F) SO I CHAFFED THEM AND I GAILY (C7) LAUGHEDTO THINK THEY COULD (F) DOUBT MY LOVEYET TODAY MY LOVE HAS FLOWN A(C7)WAYI AM WITHOUT MY LOVE (D7)NOW LAUGHING FRIENDS DERIDETEARS I CANNOT HIDE, OHSO I SMILE AND SAY"WHEN A LOVELY FLAME DIESSMOKE GETS IN YOUR EYES"(SMOKE GETS IN YOUR EYES, SMOKE GETS IN YOUR EYES)SMOKE-GETS-IN-YOUR-EYESPEAK BILLBOARD POSITION # 1 IN 1958IN 1934, FOUR VERSIONS CHARTED: PAUL WHITEMAN (#1), LEOREISMAN (#3),EMIL COLEMAN (#4), AND RUTH ETTING (#15)IN 1941 ARTIE SHAW TOOK IT TO # 24.FROM THE 1933 MUSICAL "ROBERTA" STARRING BOB HOPE228

SNOWBIRDANNE MURRAY, CGENE MACLELLAN(C) BENEATH THIS SNOWY (Em) MANTLE COLD AND (Dm) CLEANTHE (G7) UNBORN GRASS LIES WAITING FOR ITS COAT TO TURN TO (C)GREENTHE SNOWBIRD SINGS THE (Em) SONG HE ALWAYS (Dm) SINGSAND (G7) SPEAKS TO ME OF FLOWERS THAT WILL BLOOM AGAIN IN (C)SPRINGWHEN I WAS YOUNG MY HEART WAS YOUNG THEN TOOAND ANYTHING THAT IT WOULD TELL ME THAT'S THE THING THAT IWOULD DOBUT NOW I FEEL SUCH EMPTINESS WITHINFOR THE THING I WANT THE MOST IN LIFE IS THE THING THAT I CAN'TWINSPREAD YOUR TINY WINGS AND FLY AWAYAND TAKE THE SNOW BACK WITH YOU WHERE IT CAME FROM ON THATDAYTHE ONE I LOVE FOREVER IS UNTRUEAND IF I COULD, YOU KNOW THAT I WOULD FLY AWAY WITH YOUTHE BREEZE ALONG THE RIVER SEEMS TO SAYTHAT HE'LL ONLY BREAK MY HEART AGAIN SHOULD I DECIDE TO STAYSO LITTLE SNOWBIRD TAKE ME WITH YOU WHEN YOU GOTO THAT LAND OF GENTLE BREEZES WHERE THE PEACEFUL WATERSFLOWYEAH, (G7) IF I COULD YOU KNOW THAT I WOULD (F) FLY AWAY WITH (C)YOU229

SOLAMENTE UNA VEZ (YOU BELONG TO MY HEART)MUSIC AND SPANISH WORDS BY AGUSTIN LARA, AENGLISH WORDS BY RAY GILBERT(A) YOU BELONG TO MY HEARTNOW AND FOR(E)EVERAND OUR LOVE HAD ITS STARTNOT LONG A(A)GOWE WERE GATHERING STARSWHILE A MILLION GUITARSPLAYED OUR (E) LOVE SONGWHEN I SAID, "I LOVE YOU"EVERY BEAT OF MY HEART SAID IT (A) TOO'TWAS A MOMENT LIKE THIS, DO YOU REMEMBER?AND YOUR EYES THREW A KISS WHEN THEY MET MINENOW WE OWN ALL THE STARS AND A MILLION GUITARS ARE STILLPLAYINGDARLING, YOU ARE THE SONG AND YOU'LL ALWAYS BELONG TO MYHEARTSOLAMENTE UNA VEZ, A ME EN LA VIDASOLAMENTE UNA VEZ, Y NADA MASUNA VEZ NADA MAS EN MI HUERTO BRILLO LA ESPERANZALA ESPERANZA QUE ALUMBRA EL CAMINO DE MI SOLEDADUNA VEZ NADA MAS, SE ENTREGA EL ALMACON LA DULCE Y TOTAL RENUNCIACIONY CUANDO ESE MILAGRO REALIZA EL LPRODIGIO DE AMARSEHAY CAMPANAS DE FIESTA QUE CANTAN EN EL CORAZON230

SOLDIER'S LAST LETTERRECORDED BY ERNEST TUBB, AWRITTEN BY SGT. HENRY REDD STEWART AND ERNEST TUBB(A) WHEN THE POSTMAN DELIVERED THE (E) LETTERIT FILLED HER DEAR HEART FULL OF (A) JOYBUT SHE DIDN'T KNOW TILL SHE (B7) READ THE INSIDEIT WAS THE (E) LAST ONE FROM HER DARLING (A) BOYDEAR MOM, WAS THE WAY THAT IT STARTEDI MISS YOU SO MUCH, IT WENT ONMOM, I DIDN'T KNOW, THAT I LOVED YOU SOBUT I'LL PROVE IT WHEN THIS WAR IS WONI'M WRITING THIS DOWN IN A TRENCH, MOMDON'T SCOLD IF IT ISN'T SO NEATYOU KNOW AS YOU DID, WHEN I WAS A KIDAND I'D COME HOME WITH MUD ON MY FEET(INSTRUMENTAL)THE CAPTAIN JUST GAVE US OUR ORDERSAND MOM, WE WILL CARRY THEM THROUGH.I'LL FINISH THIS LETTER THE FIRST CHANCE I GETBUT NOW I'LL JUST SAY I LOVE YOUTHEN THE MOTHER'S OLD HANDS BEGAN TO TREMBLEAND SHE FOUGHT AGAINST TEARS IN HER EYESBUT THEY CAME UNASHAMED FOR THERE WAS NO NAMEAND SHE KNEW THAT HER DARLING HAD DIEDTHAT NIGHT AS SHE KNELT BY HER BEDSIDESHE PRAYED LORD ABOVE HEAR MY PLEAAND PROTECT ALL THE SONS WHO ARE FIGHTING TONIGHTAND DEAR GOD KEEP AMERICA FREE231

SONG SUNG BLUEWRITTEN BY NEIL DIAMOND, G(G) SONG SUNG BLUE, EVERYBODY (D) KNOWS ONE(D7) SONG SUNG BLUE, EVERY GARDEN (G) GROWS ONE(G7) ME AND YOU ARE SUBJECT TO THE (C) BLUES NOW AND THENBUT (D) WHEN YOU TAKE THE BLUES AND MAKE A SONGYOU SING THEM (G) OUT AGAIN, SING THEM (Am) OUT AGAIN (D7)(G) SONG SUNG BLUE, WEEPING LIKE A (D) WILLOWSONG SUNG BLUE, SLEEPING ON MY (G) PILLOW(G7) FUNNY THING, BUT YOU CAN SING IT WITH A (C) CRY IN YOURVOICEAND BE(D)FORE YOU KNOW IT START TO FEELING GOODYOU SIMPLY (G) GOT NO CHOICE (D7)(REPEAT, ENDING ON G INSTEAD OF D7)232

SPLISH SPLASHBOBBY DARIN, JERRY LEE LEWISSPLISH SPLASH, I WAS TAKIN' A BATHLONG ABOUT A SATURDAY NIGHTA RUB-A-DUB, JUST RELAXIN' IN THE TUBTHINKIN' EVERYTHING WAS ALRIGHTWELL, I STEPPED OUT THE TUB, PUT MY FEET ON THE FLOOR,I WRAPPED THE TOWEL AROUND ME AND IOPENED THE DOOR, AND THEN ISPLISH, SPLASH! I JUMPED BACK IN THE BATH.WELL HOW WAS I TO KNOW THERE WAS A PARTY GOING ON?THEY WAS A-SPLISHIN' AND A-SPLASHIN',REELIN' WITH THE FEELIN', MOVIN' AND A-GROOVIN',ROCKIN' AND A-ROLLIN', YEAH!(INSTRUMENTAL SOLO)BING BANG, I SAW THE WHOLE GANGDANCIN' ON MY LIVING ROOM RUG, YEAH!FLIP FLOP, THEY WAS DOIN' THE BOPALL THE TEENS HAD THE DANCIN' BUGTHERE WAS LOLLIPOP WITH-A PEGGY SUEGOOD GOLLY, MISS MOLLY WAS-A EVEN THERE, TOO!A-WELL-A, SPLISH SPLASH, I FORGOT ABOUT THE BATHI WENT AND PUT MY DANCIN' SHOES ON, YAY...I WAS A ROLLIN' AND A STROLLIN', REELIN' WITH THE FEELIN', MOVINGAND A GROOVIN, SPLISHIN' AND A SPLASHIN', YEAH!YES, I WAS A-SPLISHIN' AND A SPLASHIN'I WAS A-ROLLIN' AND A-STROLLIN'YEAH, I WAS A-MOVIN' AND A-GROOVIN'WE WAS A-REELIN' WITH THE FEELIN'WE WAS A-ROLLIN' AND A-STROLLIN'MOVIN' WITH THE GROOVIN'SPLISH SPLASH, YEAH!233

SQUAWS ALONG THE YUKONHANK THOMPSONTHERE'S A SALMON-COLOURED GIRL WHO SETS MY HEART A-WHIRLWHO LIVES ALONG THE YUKON FAR AWAYWHERE THE NORTHERN LIGHTS THAT SHINE, SHE RUBS HER NOSE TOMINESHE CUDDLES CLOSE AND I CAN HEAR HER SAY(CHORUS) OOGA OOGA MUSH-KA WHICH MEANS THAT I LOVE YOUIF YOU WILL BE MY BABY I'LL OOGA OOGA MUSH-KA YOUTHEN I TAKE HER BY THE HAND AND I SET HER ON MY KNEETHE SQUAWS ALONG THE YUKON ARE GOOD ENOUGH FOR MEOH SHE MAKES HER UNDERWEAR FROM HIDES OF GRIZZLY BEARSHE BATHES IN ICE-COLD WATER EVERY DAYHER SKIN I'D LOVE TO TOUCH BUT I JUST CAN’T TOUCH IT MUCHBECAUSE HER FUR-LINED PARKA'S IN THE WAYSHE HAS THE AIRCORPS DOWN, THE SOURDOUGHS HANGIN 'ROUNDCHEECHAKOS TRY TO DATE HER NIGHT AND DAYWITH LANDING GEAR THAT'S FINE AND A FUSELAGE DIVINEAND A SMILE THAT YOU CAN SEE A MILE AWAY234

STAGGER LEEHAROLD LOGAN, LLOYD PRICE, CI WAS (C) STANDING ON THE (C7) CORNERWHEN I (F7) HEARD MY BULLDOG BARKHE WAS B(C) ARKING AT THE TWO MENWHO WERE (G7) GAMBLING IN THE (C) DARK (G7)IT WAS (C) STAGGER LEE AND (C7) BILLYTWO (F7) MEN WHO GAMBLE LATESTAGGER (C) LEE THREW SEVENBILLY (G7) SWORE THAT HE THREW (C) EIGHTLOOK (G7) OUT NOW!GO (C) GO STAGGER LEE, GO (C7) GO STAGGER LEEGO (F7) GO STAGGER LEE, GO GO STAGGER LEEGO (C) GO STAGGER LEE, GO (G7) GO STAGGER LEEGO (C) GO STAGGER LEE, GO GOSTAGGER LEE SHOT BILLYOH, HE SHOT THAT POOR BOY SO BADTHAT THE BULLET WENT THROUGH BILLYAND IT BROKE THE BARTENDER'S GLASS235

STAND BY MEBEN E KING, JERRY LEIBER AND MIKE STOLLER, CWHEN THE (C) NIGHT HAS COME(Am) AND THE LAND IS DARKAND THE (F) MOON IS THE (G7) ONLY LIGHT WE'LL (C) SEENO, I WON'T BE AFRAIDNO, I (Am) WON'T BE AFRAIDJUST AS (F) LONG AS YOU STAND, (G7) STAND BY (C) MESO DARLING DARLING, STAND BY ME, OH, (Am) STAND BY MEOH, (F) STAND, (G7) STAND BY ME, (C) STAND BY MEIF THE SKY THAT WE LOOK UPONSHOULD TUMBLE AND FALLOR THE MOUNTAIN SHOULD CRUMBLE IN THE SEAI WON'T CRYI WON'T CRYNO I WON'T SHED A TEARJUST AS LONG AS YOU STAND, STAND BY MESO DARLING DARLING, STAND BY ME, OH, STAND BY MEOH, STAND, STAND BY ME, STAND BY ME236

STAY ALL NIGHT (STAY A LITTLE LONGER)BOB WILLS, TOMMY DUNCAN (1945)YOU OUGHTA SEE MY BLUE-EYED SALLYSHE LIVES 'WAY DOWN ON SHIN-BONE ALLEYTHE NUMBER ON THE GATE IS THE NUMBER ON THE DOORAND THE HOUSE NEXT DOOR IS A GROCERY STORE(CHORUS) STAY ALL NIGHT, STAY A LITTLE LONGERDANCE ALL NIGHT, DANCE A LITTLE LONGERPULL OFF YOUR COAT, THROW IT IN THE CORNERDON'T SEE WHY DO DON'T STAY A LITTLE LONGERYOU CAN'T GO HOME IF YOU'RE GOING BY THE MILL'CAUSE THE BRIDGE IS WASHED OUT AT THE BOTTOM OF THE HILLBIG CREEK'S UP AND THE LITTLE CREEK'S LEVELPLOUGH MY CORN WITH A DOUBLE SHOVEL (CHORUS)SITTING IN THE WINDOW SINGING TO MY LOVETHE SLOP BUCKET FELL FROM THE WINDOW UP ABOVEMULE AND THE GRASSHOPPER EATING ICE CREAMTHE MULE GOT SICK AND THEY LAID HIM ON A BEAM (CHORUS)GRAB YOUR GAL AND PAT HER ON THE HEADIF SHE DON'T LIKE BISCUITS FEED HER CORNBREADTHE GIRLS ON THE RIG ABOUT HALF GROWNTHEY JUMP ON A MAN LIKE A DOG ON A BONE (CHORUS)(CHORUS,FADE)237

STRAWBERRY ROANMARTY ROBBINSTRADITIONALI WAS HANGIN' 'ROUND TOWN, JUST SPENDIN' MY TIME,OUT OF A JOB, NOT EARNIN' A DIME,WHEN A FELLA STEPS UP AND HE SAYS," I SUPPOSEYOU'RE A BRONC FIGHTER, FROM THE LOOKS OF YOUR CLOTHES"HE FIGGERS ME RIGHT, I'M A GOOD ONE I CLAIMDO YOU HAPPEN TO HAVE ANY BAD ONES TO TAME?HE SAYS HE'S GOT A GOOD ONE, A BAD ONE TO BUCKAT THROWIN' GOOD RIDERS HE'S HAD LOTSA LUCKI GETS ALL HET UP, AND I ASK WHAT HE PAYSTO RIDE THIS OLD NAG FOR A COUPLE OF DAYS?HE OFFERED ME TEN, AND I SAID, "I'M YOUR MANTHE BRONC NEVER LIVED THAT I COULDN'T FAN!"HE SAID, "GET YOUR SADDLE, I'LL GIVE YOU A CHANCE"IN THE BUCKBOARD WE HOPS AND HE DRIVES TO THE RANCHI STAYED 'TIL MORNIN' AND RIGHT AFTER CHUCKI STEPS OUT TO SEE IF THIS OUTLAW CAN BUCKDOWN IN THE HORSE CORRAL, STANDIN' ALONEIS AN OLD CABALLO, A STRAWBERRY ROANHIS LEGS ARE ALL SPAVINED, HE'S GOT PIDGEON TOESLITTLE PIG-EYES AND A BIG ROMAN NOSELITTLE PIN EARS THAT TOUCH AT THE TIPA BIG FORTY-FOUR BRAND WAS ON HIS LEFT HIPEWE-NECKED AND, OH A LONG LOWER JAWI COULD SEE WITH ONE EYE HE'S A REGULAR OUTLAWI GETS THE BLINDS ON HIM, AND IT SURE IS A FRIGHTNEXT COMES MY SADDLE, AND I SCREWS IT DOWN TIGHTTHEN I STEPS ON 'IM AND I RAISES THE BLINDS"GET OUT' THE WAY, BOYS, HE'S GONNA UNWIND!"HE SURE IS A FROG-WALKER, HE HEAVES A BIG SIGH238

HE ONLY LACKS WINGS FOR TO BE ON THE FLYHE TURNS HIS OL' BELLY RIGHT UP TO THE SUNHE SURE IS SUN-FISHIN' SON-OF-A-GUN!HE'S ABOUT THE WORST BUCKER I'VE SEEN ON THE RANGEHE'LL TURN ON A NICKEL AND GIVE YOU SOME CHANGEHE HITS ON ALL FOURS AN' GOES UP ON HIGHLEAVES ME A-SPINNIN' UP THERE IN THE SKYI TURNS OVER TWICE, AN' I COMES BACK TO EARTHI LIGHTS THERE A-CUSSIN' THE DAY OF HIS BIRTHI KNOW THERE ARE PONIES THAT I CANNOT RIDETHERE'S SOME OF THEM LEFT, THEY HAVEN'T ALL DIEDI'LL BET ALL MY MONEY THE MAN AIN'T ALIVETHAT'LL STAY WITH OL' STRAWBERRY, WHEN HE TAKES HIS HIGH DIVE.239

SWEET CAROLINEWRITTEN BY NEIL DIAMONDWHERE IT BEGANI CAN'T BEGIN TO KNOWIN'BUT THEN I KNOW IT'S GROWING STRONGWAS IN THE SPRINGAND SPRING BECAME THE SUMMERWHO'D HAVE BELIEVED YOU'D COME ALONGHANDS, TOUCHIN' HANDS, REACHIN' OUTTOUCHIN' ME, TOUCHIN' YOUSWEET CAROLINE, GOOD TIMES NEVER SEEMED SO GOODI'VE BEEN INCLINED, TO BELIEVE THEY NEVER WOULDBUT NOW ILOOK AT THE NIGHTAND IT DON'T SEEM SO LONELYWE FILL IT UP WITH ONLY TWOAND WHEN I HURTHURTIN' RUNS OFF MY SHOULDERSHOW CAN I HURT WHEN I'M WITH YOUWARM, TOUCHIN' WARM, REACHIN' OUTTOUCHIN' ME, TOUCHIN' YOUSWEET CAROLINE, GOOD TIMES NEVER SEEMED SO GOODI'VE BEEN INCLINED, TO BELIEVE THEY NEVER WOULDOH, NO, NOSWEET CAROLINE, GOOD TIMES NEVER SEEMED SO GOODI'VE BEEN INCLINED, TO BELIEVE THEY NEVER WOULDSWEET CAROLINE240

TEDDY BEARS’ PICNICBRATTON KENNEDY (MUSIC AND JIMMY KENNEDY (LYRICS), 1932, C(Am)(Am) IF YOU GO DOWN IN THE WOODS TODAY YOU'RE SURE OF A BIGSURPRISE(C) IF YOU GO DOWN IN THE WOODS TODAY YOU'D BETTER GO INDISGUISE(G) FOR EVERY BEAR THAT EVER THERE WASWILL (C) GATHER THERE FOR CERTAIN, BECAUSE(F) TODAY'S THE DAY THE TEDDY BEARS HAVE THEIR (G) PIC(C)NIC(CHORUS) (C) PICNIC TIME FOR TEDDY BEARSTHE LITTLE TEDDY BEARS ARE HAVING A LOVELY (G) TIME TODAYWATCH THEM, CATCH THEM UNAWARESAND SEE THEM PICNIC ON THEIR (C) HOLIDAYSEE THEM GAILY GAD ABOUTTHEY LOVE TO PLAY AND SHOUT, THEY NEVER HAVE ANY (F) CARESAT SIX O'CLOCK THEIR MOMMIES AND DADDIES WILL (C) TAKE THEMHOME TO BEDBECAUSE THEY'RE (G) TIRED LITTLE TEDDY (C) BEARS(Am) EVERY TEDDY BEAR WHO'S BEEN GOOD IS SURE OF A TREATTODAY(C) THERE'S A LOT OF MARVELOUS THINGS TO EAT, AND WONDERFULGAMES TO PLAY(G) BENEATH THE TREES WHERE NOBODY SEESTHEY'LL (C) HIDE AND SEEK AS LONG AS THEY PLEASE'CAUSE (F) THAT'S THE WAY THE TEDDY BEARS HAVE THEIR(G)PIC(C)NIC (CHORUS)(Am) IF YOU GO DOWN IN THE WOODS TODAY, YOU'D BETTER NOT GOALONE(C) IT'S LOVELY DOWN IN THE WOODS TODAY, BUT SAFER TO STAY ATHOME(G) FOR EVERY BEAR THAT EVER THERE WASWILL (C) GATHER THERE FOR CERTAIN, BECAUSETO(F)DAY'S THE DAY THE TEDDY BEARS HAVE THEIR (G)PIC(C)NIC(CHORUS)241

THANK GOD I'M A COUNTRY BOYJOHN DENVER, GJOHN MARTIN SUMMERSWELL (G) LIFE ON THE FARM IS KINDA LAID (C) BACKAIN'T (G) MUCH AN OLD COUNTRY BOY LIKE (F) ME CAN'T (D7) HACKIT'S (G) EARLY TO RISE AND EARLY IN THE (C) SACKTHANK (G) GOD I'M A (D7) COUNTRY (G) BOYA SIMPLE KIND OF LIFE NEVER DID ME NO HARMRAISIN' ME A FAMILY AND LIVIN' ON THE FARMMY DAYS ARE ALL FILLED WITH AN EASY COUNTRY CHARMTHANK GOD I'M A COUNTRY BOY(CHORUS) WELL, I (D) GOT ME A FINE WIFE, I (G) GOT MY OLD FIDDLEWHEN THE (D) SUN'S COMIN' UP I GOT (G) CAKES ON THE GRIDDLELIFE AIN'T NOTHIN' BUT A FUNNY, FUNNY (C) RIDDLETHANK (G) GOD I'M A (D) COUNTRY (G) BOYWHEN THE WORK'S ALL DONE AND THE SUN IS SETTIN' LOWI PULL OUT MY FIDDLE AND I RESIN UP THE BOWBUT THE KIDS ARE ASLEEP SO I KEEP IT KINDA LOWTHANK GOD I'M A COUNTRY BOYI'D PLAY "SALLY GOODIN" ALL DAY IF I COULDBUT THE LORD AND MY FAMILY WOULDN'T TAKE IT VERY GOODSO I FIDDLE WHEN I CAN AND I WORK WHEN I SHOULDTHANK GOD I'M A COUNTRY BOY (CHORUS)WELL I WOULDN'T TRADE MY LIFE FOR DIAMONDS OR JEWELSI NEVER WAS ONE OF THEM MONEY HUNGRY FOOLSI'D RATHER HAVE MY FIDDLE AND MY FARMIN' TOOLSTHANK GOD I'M A COUNTRY BOYYEAH, CITY FOLKS DRIVIN' IN A BLACK LIMOUSINEA LOTTA SAD PEOPLE THINK THAT'S MIGHTY KEENWELL FOLKS, LET ME TELL YOU EXACTLY WHAT I MEANTHANK GOD I'M A COUNTRY BOY (CHORUS)WELL MY FIDDLE WAS MY DADDY'S 'TIL THE DAY HE DIED242

AND HE TOOK ME BY THE HAND AND HELD ME CLOSE TO HIS SIDEHE SAID, "LIVE A GOOD LIFE, PLAY MY FIDDLE WITH PRIDEAND THANK GOD YOU'RE A COUNTRY BOY"MY DADDY TAUGHT ME YOUNG HOW TO HUNT AND HOW TO WHITTLEHE TAUGHT ME HOW TO WORK AND PLAY A TUNE ON THE FIDDLEHE TAUGHT ME HOW TO LOVE AND HOW TO GIVE JUST A LITTLETHANK GOD I'M A COUNTRY BOY (CHORUS)243

THE AUCTIONEERLEROY VAN DYKE, DLEROY VAN DYKE, BUDDY BLACK(SPEAKING) HEY WELL ALL RIGHT SIR, HERE WE GO THENWHAT'RE YOU GONNA GIVE ME FOR 'EMI'M BID 25, WILL YOU GIVE ME 30 DOLLAR, 30, MAKE IT 30BID IT AT 30, 35, AND NOW THEN 40 MAKE IT A 40BID IT AT 40 NOW 5 5 5 MAKE IT A 45 AND NOW 50MAKE IT A 50 I GOT A BUYER THERE (FADE)THERE WAS A BOY IN ARKANSASWHO WOULDN'T LISTEN TO HIS MAWHEN SHE TOLD HIM THAT HE SHOULD GO TO SCHOOLHE'D SNEAK AWAY IN THE AFTERNOONTAKE A LITTLE WALK AND PRETTY SOONYOU'D FIND HIM AT THE LOCAL AUCTION BARNHE'D STAND AND LISTEN CAREFULLYTHEN PRETTY SOON HE BEGAN TO SEEHOW THE AUCTIONEER COULD TALK SO RAPIDLYHE SAID "OH MY, IT'S DO OR DIEI'VE GOT TO LEARN THAT AUCTION CRYGOTTA MAKE MY MARK AND BE AN AUCTIONEER"25 DOLLAR BIDDER NOW 30 DOLLAR 30WILL THEY GIVE ME 30 MAKE IT A 30BID IN THE FORM OF A 30 DOLLARWILL THEY GIVE ME 30WHO WOULDA BID IT AT A 30 DOLLAR BID30 DOLLAR BIDDER NOW, 35WILL THEY GIVE ME 35TO MAKE IT A 35, A BID AT A 35WHO WOULDA BID IT AT A 35 DOLLAR BIDAS TIME WENT ON HE DID HIS BESTAND ALL COULD SEE HE DIDN'T JESTHE PRACTICED CALLING BIDS BOTH NIGHT AND DAYHIS PAP WOULD FIND HIM BEHIND THE BARNJUST WORKING UP AN AWFUL STORM244

AS HE TRIED TO IMITATE THE AUCTIONEERTHEN HIS PAP SAID, "SON, WE JUST CAN'T STANDTO HAVE A MEDIOCRE MANSELLING THINGS AT AUCTION USING OUR GOOD NAMEI'LL SEND YOU OFF TO AUCTION SCHOOLTHEN YOU'LL BE NOBODY'S FOOLYOU CAN TAKE YOUR PLACE AMONG THE BEST"35 DOLLAR BIDDER NOW 40 DOLLAR 40WILL THEY GIVE ME 40 MAKE IT A 40BID IN THE FORM OF A 40 DOLLARWILL THEY GIVE ME 40WHO WOULDA BID IT AT A 40 DOLLAR BID40 DOLLAR BIDDER NOW, 45WILL THEY GIVE ME 45TO MAKE IT A 45, A BID AT A 45WHO WOULDA BID IT AT A 45 DOLLAR BIDSO FROM THAT BOY WHO WENT TO SCHOOLTHERE GREW A MAN WHO PLAYED IT COOLHE CAME BACK HOME A FULL-FLEDGED AUCTIONEERTHEN THE PEOPLE CAME FROM MILES AROUNDJUST TO HEAR HIM MAKE THAT RHYTHMIC SOUNDTHAT FILLED THEIR HEARTS WITH SUCH A HAPPY CHEERTHEN HIS FAME SPREAD OUT FROM SHORE TO SHOREHE HAD ALL HE COULD DO AND MOREHAD TO BUY A PLANE TO GET AROUNDNOW HE'S THE TOPS IN ALL THE LANDLET'S PAUSE AND GIVE THAT MAN A HANDHE'S THE BEST HILLBILLY AUCTIONEER(or: HE'S THE BEST OF ALL THE AUCTIONEERS)45 DOLLAR BIDDER NOW 50 DOLLAR 50WILL THEY GIVE ME 50 MAKE IT A 50BID IN THE FORM OF A 50 DOLLARWILL THEY GIVE ME 50WHO WOULDA BID IT AT A 50 DOLLAR BID50 DOLLAR BIDDER NOW, 55WILL THEY GIVE ME 55TO MAKE IT A 55, A BID AT A 55245

SOLD THAT HOG FOR A 50 DOLLAR BILL(SPEAKING) HEY WELL ALL RIGHT SIROPEN THE GATE AND LET 'EM OUT AND WELCOME BOYSHERE WE COME A LOT OF NUMBER 29 AND WHAT'RE WE GONNA GIVEFOR 'EMI'M BID 25, WILL YOU GIVE ME 30 DOLLAR, 30, MAKE IT 30BID IT AT 30, AND NOW 5 AND NOW 40 DOLLAR 45AND NOW 50 DOLLAR 50 DOLLAR MAKE IT A 50 (FADE)246

THE BALLAD OF IRA HAYESJOHNNY CASH, APETER LAFARGE(PART OF "TAPS" IS PLAYED ON A FLUTE, THEN:)(SPOKEN) (A) IRA HAYES, (D) IRA HAYES(CHORUS) CALL HIM (A) DRUNKEN IRA HAYES, HE WON'T (D) ANSWERANYMORENOT THE (E) WHISKEY DRINKIN' INDIAN, NOR THE MA(A)RINE THATWENT TO WAR(A) GATHER ROUND ME PEOPLE, (D)THERE'S A STORY I WOULD TELL(E) ABOUT A BRAVE YOUNG INDIAN, (A) YOU SHOULD REMEMBER WELLFROM THE LAND OF THE PIMA INDIAN, A PROUD AND NOBLE BANDWHO FARMED THE PHOENIX VALLEY, IN ARIZONA LANDDOWN THE DITCHES FOR A THOUSAND YEARS THE WATER GREW IRA'SPEOPLE'S CROPSTILL THE WHITE MAN STOLE THE WATER RIGHTS AND THE SPARKLIN'WATER STOPPEDNOW IRA'S FOLKS WERE HUNGRY AND THEIR LAND GREW CROPS OFWEEDSWHEN WAR CAME, IRA VOLUNTEERED AND FORGOT THE WHITE MAN'SGREED (CHORUS)THERE THEY BATTLED UP IWO JIMA HILL, TWO HUNDRED AND FIFTYMENBUT ONLY TWENTY-SEVEN LIVED TO WALK BACK DOWN AGAINAND WHEN THE FIGHT WAS OVER AND WHEN OLD GLORY RAISEDAMONG THE MEN WHO HELD IT HIGH WAS THE INDIAN, IRA HAYES(CHORUS)IRA RETURNED A HERO, CELEBRATED THROUGH THE LAND247

HE WAS WINED AND SPEECHED AND HONORED, EVERYBODY SHOOKHIS HANDBUT HE WAS JUST A PIMA INDIAN -- NO WATER, NO CROPS, NO CHANCEAT HOME NOBODY CARED WHAT IRA'D DONE AND WHEN DID THEINDIANS DANCE (CHORUS)THEN IRA STARTED DRINKIN' HARD, JAIL WAS OFTEN HIS HOMETHEY'D LET HIM RAISE THE FLAG AND LOWER ITLIKE YOU'D THROW A DOG A BONE!HE DIED DRUNK ONE MORNIN' ALONE IN THE LAND HE FOUGHT TOSAVETWO INCHES OF WATER IN A LONELY DITCH WAS A GRAVE FOR IRAHAYES (CHORUS)YEAH, CALL HIM DRUNKEN IRA HAYES, BUT HIS LAND IS JUST AS DRYAND HIS GHOST IS LYIN' THIRSTY IN THE DITCH WHERE IRA DIED248

THE BANANA BOAT SONGERIK DARLING, BOB CAREY, AND ALAN ARKIN, G(G) DAYO, DAYODAY DE LIGHT AND I (D7) WANNA GO (G) HOMEDAYO, DAYODAY DE LIGHT AND I WANNA GO HOMEWELL, I'M LOADIN' DE BANANA BOATS ALL NIGHT LONGDAY DE LIGHT AND I WANNA GO HOMEHEY! ALL OF DE WORKMEN SING THIS SONG249

THE CAT CAME BACKAMERICAN, Em(Em) OLD MISTER (D) JOHNSON HAD(C) TROUBLES OF HIS (B7) OWNHE (Em) HAD A YELLOW (D) CAT WHICH (C) WOULDN'T LEAVE (B7) HOMEHE (Em) TRIED AND HE (D) TRIED TO (C) GIVE THE CAT A(B7)WAYHE (Em) GAVE IT TO A (D) MAN GOING (C) FAR, FAR A(B7)WAY(CHORUS) BUT THE (Em) CAT CAME (D) BACK, THE (C) VERY NEXT (B7)DAYTHE (Em) CAT CAME (D) BACKTHEY (C) THOUGHT HE WAS A (B7) GONER BUT THE (Em) CAT CAME (D)BACKIT (C) JUST COULDN'T (B7) STAY A(Em)WAYTHE MAN AROUND THE CORNER SWORE HE'LL KILL THE CAT ON SIGHTHE LOADED UP HIS SHOTGUN WITH NAILS AND DYNAMITEHE WAITED FOR THE CAT TO COME AROUNDNINETY-SEVEN PIECES OF THE MAN IS ALL THEY FOUND (CHORUS)HE GAVE IT TO A LITTLE BOY WITH A DOLLAR NOTETOLD HIM FOR TO TAKE IT UP THE RIVER IN A BOATTHEY TIED THE ROPE AROUND ITS NECK, IT MUST HAVE WEIGHED APOUNDNOW THEY DRAG THE RIVER FOR A LITTLE BOY THAT'S DROWNED(CHORUS)HE GAVE IT TO A MAN GOING UP IN A BALLOONHE TOLD HIM FOR TO TAKE IT TO THE MAN IN THE MOONTHE BALLOON CAME DOWN ABOUT NINETY MILES AWAYWHERE HE IS NOW, WELL I DARE NOT SAY (CHORUS)HE GAVE IT TO A MAN GOING WAY OUT WESTTOLD HIM FOR TO TAKE IT TO THE ONE HE LOVED THE BESTFIRST THE TRAIN HIT THE CURVE, THEN IT JUMPED THE RAILNOT A SOUL WAS LEFT BEHIND TO TELL THE GRUESOME TALE(CHORUS)THE CAT, IT HAD SOME COMPANY ONE NIGHT OUT IN THE YARD250

SOMEONE THREW A BOOT-JACK AND THEY THREW IT MIGHTY HARDIT CAUGHT THE CAT BEHIND THE EAR, SHE THOUGHT IT RATHERSLIGHTWHEN ALONG CAME A BRICKBAT AND KNOCKED THE CAT OUT OFSIGHT (CHORUS)AWAY ACROSS THE OCEAN THEY DID SEND THE CAT AT LASTVESSEL ONLY OUT A DAY AND MAKING WATER FASTPEOPLE ALL BEGAN TO PRAY, THE BOAT BEGAN TO TOSSA GREAT BIG GUST OF WIND CAME BY AND EVERY SOUL WAS LOST(CHORUS)ON A TELEGRAPH WIRE, SPARROWS SITTING IN A BUNCHTHE CAT WAS FEELING HUNGRY, THOUGHT SHE'D LIKE 'EM FOR ALUNCHCLIMBING SOFTLY UP THE POLE, AND WHERE SHE REACHED THE TOPPUT HER FOOT UPON THE ELECTRIC WIRE, WHICH TIED HER IN A KNOT(CHORUS)THE CAT WAS A POSSESSOR OF A FAMILY OF ITS OWNWITH SEVEN LITTLE KITTENS, TILL THERE CAME A CYCLONEBLEW THE HOUSES ALL APART AND TOSSED THE CAT AROUNDTHE AIR WAS FULL OF KITTENS, AND NOT A ONE WAS FOUND(CHORUS)251

THE DRUNKEN SAILOR19TH CENTURY AMERICAN SEA CHANTY, D(D) 'WAY HAY, 'N' UP SHE RISES! (A7) PATENT BLOCK O' DIFF'RENTSIZES(D) 'WAY HAY, 'N' UP SHE RISES, (A7) EARLY IN THE (D) MORNING?WHAT SHALL WE DO WI' A DRUNKEN SAILOR?(A7) WHAT SHALL WE DO WI' A DRUNKEN SAILOR?(D) WHAT SHALL WE DO WI' A DRUNKEN SAILOR?(A7) EARLY IN THE (D) MORNIN'!PUT HIM IN THE LONG BOAT TILL HE GETS SOBER...KEEP HIM THERE AN' MAKE HIM BAIL HER...TRICE HIM UP IN A RUNNIN' BOWLINE...TIE HIM TO THE TAFF-RAIL WHEN SHE'S YARD-ARM UNDER...PUT HIM IN THE SCUPPERS WITH A HOSEPIPE ON HIM...TAKE HIM AN' SHAKE 'IM AN' TRY AN' WAKE 'IM...GIVE HIM A DOSE O' SALT AN' WATER...GIVE HIM A TASE O' THE BOSUN'S ROPE-END...252

THE GIRL FROM IPANEMA (GAROTE DE IPANEMA)ENGLISH WORDS BY NORMAN GIMBEL, ORIGINAL WORDS BYVINICIUS DE MORAES, MUSIC BY ANTONIO CARLOS JOBIM(Fmaj7) TALL AND TAN AND YOUNG AND LOVELYTHE GIRL (G7) FROM IPANEMA GOES WALKINGAND WHEN (Gm7) SHE PASSESEACH ONE (Gb7) SHE PASSES GOES(Fmaj7) "AAH" (Gb9)WHEN SHE WALKS SHE'S LIKE A SAMBATHAT SWINGS SO COOL AND SWAYS SO GENTLETHAT WHEN SHE PASSES, EACH ONE SHE PASSES GOES "AHH"(Gbmaj7) OH, BUT I WATCH HER SO (Cb9) SADLY(F#m7) HOW CAN I TELL HER I (D9) LOVE HER?(Gm7) YES, I WOULD GIVE MY HEART (Eb9) GLADLYBUT EACH (Am7) DAY WHEN SHE WALKS TO THE (D7b9) SEASHE (Gm7) LOOKS STRAIGHT AHEAD NOT AT(C7b9) ME(Fmaj7) TALL AND TAN AND YOUNG AND LOVELYTHE GIRL (G7) FROM IPANEMA GOES WALKINGAND WHEN (Gm7) SHE PASSES I SMILE (Gb7)BUT SHE DOESN'T (Fmaj7) SEE(Gb7) SHE JUST DOESN'T (Fmaj7) SEE(Gb7) NO SHE DOESN'T (Fmaj7) SEE (Gb7,Fmaj7)253

THE GIRL THAT I MARRYIRVING BERLIN (FROM “ANNIE GET YOUR GUN”), DTHE (D) GIRL THAT I MARRY WILL (A) HAVE TO BEAS SOFT AND AS PINK AS A (D) NURSERYTHE (A7) GIRL I CALL MY (D) OWN(E7) WILL WEAR (D) SATINS AND (Em) LACES AND (D) SMELL OFCO(A7)LOGNEHER (D) NAILS WILL BE POLISHED AND (A) IN HER HAIRSHE'LL WEAR A GARDENIA AND (D) I'LL BE THERE'STEAD OF FLITTIN' I'LL BE (G) SITTIN'NEXT TO (D) HER AND SHE'LL (A7) PURR LIKE A (D) KITTENA DOLL I CAN CARRYTHE (A7) GIRL THAT I MARRY MUST (D) BE254

THE HAPPY WANDERERWORDS BY ANTONIA RIDGE, MUSIC BY FRIEDRICH W MOLLER, A(A) I LOVE TO GO A-WANDERINGALONG THE MOUNTAIN (E) TRACKAND AS I GO I (A) LOVE TO SINGMY (D) KNAPSACK (E7) ON MY (A) BACK(CHORUS) VAL-DE-(E)RI, VAL-DE-(A)RAVAL-DE-(E)RA, VAL-DE-(A)HA-HA-HA-HA-HA-HAVAL-DE-(E)RI, VAL-DE-(A)RAMY (D) KNAPSACK (E7) ON MY (A) BACKI LOVE TO WANDER BY THE STREAMTHAT DANCES IN THE SUNSO JOYOUSLY IT CALLS TO ME"COME! JOIN MY HAPPY SONG!" (CHORUS)I WAVE MY HAT TO ALL I MEETAND THEY WAVE BACK TO MEAND BLACKBIRDS CALL SO LOUD AND SWEETFROM EVERY GREENWOOD TREE (CHORUS)HIGH OVERHEAD, THE SKYLARKS WINGTHEY NEVER REST AT HOMEBUT JUST LIKE ME, THEY LOVE TO SINGAS O'ER THE WORLD WE ROAM (CHORUS)OH, MAY I GO A-WANDERINGUNTIL THE DAY I DIEOH, MY I ALWAYS LAUGH AND SINGBENEATH GOD'S CLEAR BLUE SKY! (CHORUS)255

THE LAST FAREWELLROGER WHITTAKERTHERE'S A SHIP LIES RIGGED AND READY IN THE HARBOURTOMORROW FOR OLD ENGLAND SHE SAILSFAR AWAY FROM YOUR LAND OF ENDLESS SUNSHINETO MY LAND FULL OF RAINY SKIES AND GALESAND I SHALL BE O N BOARD THAT SHIP TOMORROWTHO' MY HEART IS FULL OF TEARS AT THIS FAREWELL(CHORUS) FOR YOU ARE BEAUTIFUL AND I HAVE LOVED YOU DEARLYMORE DEARLY THAN THE SPOKEN WORD CAN TELLFOR YOU ARE BEAUTIFUL AND I HAVE LOVED YOU DEARLYMORE DEARLY THAN THE SPOKEN WORD CAN TELLI HEARD THERE'S A WICKED WAR A-BLAZINGAND THE TASTE OF WAR I KNOW SO VERY WELLEVEN NOW I SEE THE FOREIGN FLAG A-RAISINGTHERE GUNS ON FIRE AS WE SAILED INTO HELLI HAVE NO FEAR OF DEATH IT BRINGS NO SORROWBUT HOW BITTER WILL BE THIS LAST FAREWELL (CHORUS)THOUGH DEATH AND DARKNESS GATHER ALL ABOUT MEAND MY SHIP BE TORN APART UPON THE SEAI SHALL SMELL AGAIN THE FRAGRANCE OF THESE ISLANDSIN THE HEAVING WAVES THAT BROUGHT ME ONCE TO THEEAND SHOULD I RETURN SAFE HOME AGAIN TO ENGLANDI SHALL WATCH THE ENGLISH MIST ROLL INTO THE DELL (CHORUS)256

THE LITTLE GREEN VALLEYRECORDED BY MARTY ROBBINSWORDS AND MUSIC BY CARSON ROBISON(D) I SEE A CANDLELIGHT (G) DOWN IN THE LITTLE GREEN (D) VALLEYWHERE MORNING (A7) GLORY VINES ARE TWINING 'ROUND MY (D)DOOROH, HOW I (D) WISH I WERE THERE AGAIN(G) DOWN IN THE LITTLE GREEN (D) VALLEYTHAT'S WHERE MY (A7) HOMESICK HEART WILL TROUBLE ME NO (D)MORETHERE'S ONLY ONE (G) THING EVER GIVES ME CONSO(D)LATIONAND THAT'S THE THOUGHT THAT I'LL BE GOING BACK SOME(A7)DAYAND EVERY (D) NIGHT DOWN UPON MY KNEES(G) I PRAY THE LORD TO PLEASE (D) TAKE MEBACK TO THAT (A7) LITTLE OLD GREEN VALLEY FAR A(D)WAYI HEAR A MOCKINGBIRD DOWN IN THE LITTLE GREEN VALLEYHE'S SINGING OUT A SONG OF WELCOME JUST FOR MEAND SOMEONE WAITS BY THE GARDEN GATEDOWN IN THE LITTLE GREEN VALLEYWHEN I GET BACK AGAIN, HOW HAPPY SHE WILL BEAND BY A LITTLE BABBLING BROOK, ONCE MORE WE'LL WANDERAND IN A SHADY NOOK, WE'LL DREAM THE HOURS AWAYAND I WILL LEAVE ALL MY CARES BEHINDGO WHERE I KNOW I'LL FIND SUNSHINEBACK TO THAT LITTLE OLD GREEN VALLEY FAR AWAY257

THE LITTLE OLD LADY FROM PASADENAJAN AND DEAN, FDON ALTFELD AND ROGER CHRISTIANINTRO (ACAPELLA; CHORDS IMPLIED):IT'S THE LITTLE OLD LADY FROM PASADENATHE (F) LITTLE OLD LADY FROM PASADENA(GO, GRANNY, GO, GRANNY, (Bb) GO GRANNY (F) GO)HAS A PRETTY LITTLE FLOWER BED OF WHITE GARDENIAS((C) GO, GRANNY, GO, GRANNY, (G7) GO GRANNY (C7) GO)BUT (F) PARKED IN A RICKETY (Bb) OLD GARAGEIS A (G) BRAND NEW, (Eb) SHINY RED (C) SUPER STOCK DODGE(CHORUS) AND (F) EVERYBODY'S SAYIN' THAT THERE'S NOBODYMEANERTHAN THE LITTLE OLD LADY FROM PASADENA(SHE (Bb7) DRIVES REAL FAST AND SHE DRIVES REAL HARD)SHE'S THE (F) TERROR OF COLORADO BOULEVARDIT'S THE (Ab) LITTLE OLD LADY FROM (C7) PASADENA!IF YOU SEE HER ON THE STREET DON'T TRY TO CHOOSE HER(GO, GRANNY, GO, GRANNY, GO GRANNY GO)YOU MIGHT DRIVE A GOER BUT YOU'LL NEVER LOSE HER(GO, GRANNY, GO, GRANNY, GO GRANNY GO)WELL, SHE'S GONNA GET A TICKET NOW SOONER OR LATER'CAUSE SHE CAN'T KEEP HER FOOT OFF THE ACCELERATOR (CHORUS)(IN F, FIRST TWO LINES INSTRUMENTAL):(GO, GRANNY, GO, GRANNY, GO GRANNY GO)(IN F, TWO LINES INSTRUMENTAL)(GO, GRANNY, GO, GRANNY, GO GRANNY GO)THE GUYS COME TO RACE HER FOR MILES AROUNDBUT SHE'LL GIVE 'EM A LENGTH AND THEN SHE'LL SHUT 'EM DOWN(CHORUS)CODA (REPEAT TO FADE):GO, GRANNY, GO, GRANNY, GO GRANNY GOGO, GRANNY, GO, GRANNY, GO GRANNY GO258

THE LONG BLACK VEILBOBBY BARE, JOHNNY CASH, GMARIJOHN WILKIN AND DANNY DILL(G) TEN YEARS AGO ON A COLD, DARK NIGHT(D7) SOMEONE WAS KILLED 'NEATH THE (C) TOWN HALL (G) LIGHTTHERE WERE FEW AT THE SCENE BUT THEY ALL AGREEDTHAT THE (D7) SLAYER WHO RAN LOOKED A (C) LOT LIKE (G) METHE JUDGE SAID SON WHAT IS YOUR ALIBIIF YOU WERE SOMEWHERE ELSE THEN YOU WON'T HAVE TO DIEI SPOKE NOT A WORD ALTHO' IT MEANT MY LIFEFOR I HAD BEEN IN THE ARMS OF MY BEST FRIEND'S WIFE(CHORUS) SHE (C) WALKS THESE (G) HILLS IN A (C) LONG BLACK (G)VEILSHE (C) VISITS MY (G) GRAVE WHEN THE (C) NIGHT WINDS (G) WAILNOBODY KNOWS, (C) NOBODY (G) SEES(C) NOBODY (D7) KNOWS BUT (G) ME(RECITE) THE SCAFFOLD WAS HIGH AND ETERNITY NEARSHE STOOD IN THE CROWD AND SHED NOT A TEARBUT SOMETIMES AT NIGHT WHEN THE COLD WIND MOANSIN A LONG BLACK VEIL SHE CRIES O'ER MY BONES (CHORUS)259

THE MAGIC TOUCH(YOU'VE GOT) THE MAGIC TOUCHBUCK RAM, A(A) YOU'VE GOT THE MAGIC TOUCHIT MAKES ME (E) GLOW SO MUCHIT CASTS A SPELL, IT RINGS A BELL, THE MAGIC (A) TOUCHOH, WHEN I FEEL YOUR CHARMIT'S LIKE A (E) FOUR ALARMYOU MAKE ME THRILL SO MUCH, YOU'VE GOT THE MAGIC (A) TOUCHHERE I GO (D) REELING, OH, OH, I'M (A) FEELING THE GLOWBUT (B7) WHERE CAN I GO FROM (E) YOU?I DIDN'T (A) KNOW TOO MUCHAND THEN I (E) FELT YOUR TOUCHAND NOW I LEARN I CAN RETURN THE MAGIC (A) TOUCH(REPEAT)260

THE MOST BEAUTIFUL GIRLCHARLIE RICHWILSON-SHERRILL-BURKE(CHORUS) HEY, DID YOU HAPPEN TO SEETHE MOST BEAUTIFUL GIRL IN THE WORLDAND IF YOU DID, WAS SHE CRYING, CRYINGHEY, IF YOU HAPPEN TO SEE THE MOST BEAUTIFUL GIRLTHAT WALKED OUT ON METELL HER I'M SORRY, TELL HER I NEED MY BABYOH, WON'T YOU TELL HER THAT I LOVE HERI WOKE UP THIS MORNING, REALIZED WHAT I HAD DONEI STOOD ALONE IN THE COLD GREY DAWNAND KNEW I'D LOST MY MORNING SUNI LOST MY HEAD AND I SAID SOME THINGSNOW COME THE HEARTACHES THAT THE MORNING BRINGSI KNOW I'M WRONG, AND I COULDN'T SEEI LET MY WORLD SLIP AWAY FROM MESO (CHORUS)IF YOU HAPPEN TO SEE THE MOST BEAUTIFUL GIRLTHAT WALKED OUT ON METELL HER I'M SORRY, TELL HER I NEED MY BABYOH, WON'T YOU TELL HER THAT I LOVE HER(REPEAT, FADE)261

THE OLD LAMPLIGHTERWORDS BY CHARLES TOBIAS, MUSIC BY NAT SIMONHE MADE THE (Bb) NIGHT A LITTLE (F) BRIGHTERWHER(A7)EVER HE WOULD (Dm) GO (F7)THE (Bb) OLD (Bdim7) LAMP(F)LIGHTER(Bb) OF (F) LONG, (C7) LONG A(F)GOHIS SNOWY (Bb) HAIR WAS SO MUCH (F) WHITERBE(A7)NEATH THE CANDLE (Dm) GLOW (F7)THE (Bb) OLD (Bdim7) LAMP(F)LIGHTER(Bb) OF (F) LONG, (C7) LONG A(F)GOYOU'D HEAR THE (F) PATTER OF HIS (F6) FEETAS HE CAME (F) TODDLING DOWN THE (F6) STREETHIS (F) SMILE WOULD HIDE A (F6) LONELY HEART YOU (F) SEEIF THERE WERE (Gm) SWEETHEARTS IN THE (Gm6) PARKHE'D PASS A (Gm) LAMP AND LEAVE IT (Gm6) DARKRE(Gm)MEMBERING THE (Gm6) DAYS THAT USED TO (Gm) BEFOR HE RE(F)CALLS WHEN DREAMS WERE (F6) NEWHE LOVED SOME(F)ONE WHO LOVED HIM (F6) TOOWHO (F) WALKS WITH HIM A(Bb)LONE IN (C7) MEMO(F)RYHE MADE THE NIGHT A LITTLE BRIGHTERWHEREVER HE WOULD GOTHE OLD LAMPLIGHTER OF LONG, LONG AGONOW IF YOU LOOK UP AT THE SKYYOU'LL UNDERSTAND THE REASON WHYTHE LITTLE STARS AT NIGHT ARE ALL AGLOWHE TURNS THEM (F) ON WHEN NIGHT IS (F6) HEREHE TURNS THEM (F) OFF WHEN DAWN IS (F6) HERETHE (F) LITTLE MAN WE (Bb) LOVED OF (C7) LONG A(F)GO262

THE OLD RUGGED CROSSREV GEORGE BENNARD (1913) E(E) ON A HILL FAR AWAY STOOD AN (A) OLD RUGGED CROSSTHE (B7) EMBLEM OF SUFFERING AND (E) SHAMEAND I LOVE THAT OLD CROSS, WHERE THE (A) DEAREST AND BESTFOR A (B7) WORLD OF LOST SINNERS WAS (E) SLAIN(CHORUS) SO I'LL (B7) CHERISH THE OLD RUGGED (E) CROSSTILL MY (A) TROPHIES AT LAST I LAY (E) DOWNI WILL CLING TO THE OLD RUGGED (A) CROSSAND EX(E)CHANGE IT SOME (B7) DAY FOR A (E) CROWNO THAT OLD RUGGED CROSS, SO DESPISED BY THE WORLDHAS A WONDROUS ATTRACTION FOR MEFOR THE DEAR LAMB OF GOD LEFT HIS GLORY ABOVETO BEAR IT TO DARK CALVARYIN THE OLD RUGGED CROSS, STAINED WITH BLOOD SO DIVINEA WONDROUS BEAUTY I SEEFOR 'TWAS ON THAT OLD CROSS, JESUS SUFFERED AND DIEDTO PARDON AND SANCTIFY METO THE OLD RUGGED CROSS, I WILL EVER BE TRUEITS SHAME AND REPROACH GRADLY BEARTHEN HE'LL CALL ME SOMEDAY TO MY HOME FAR AWAYWHERE HIS GLORY FOREVER I'LL SHARE263

THE RACE IS ONGEORGE JONESDON ROLLINS(A) I FEEL TEARS WELLING UP COLD AND DEEP INSIDELIKE (D) MY HEART'S SPRUNG A BIG (A) LEAKAND A STAB OF LONELINESS SHARP AND PAINFULTHAT (E) I MAY NEVER SHAKEYOU MIGHT (A) SAY THAT I WAS TAKING IT HARDWHEN SHE (D) WROTE ME OFF WITH A (A) CALLBUT DON'T YOU WAGER THAT I'LL HIDE THE SORROWWHEN I MIGHT (E) BREAK RIGHT DOWN AND (A) BAWL(CHORUS) NOW, THE RACE IS ON AND HERE COMESPRIDE UP THE BACKSTRETCH(D) HEARTACHE'S GOING TO THE (A) INSIDEMY TEARS ARE HOLDING BACK(E) TRYING NOT TO FALL(A) MY HEART'S OUT OF THE RUNNINGTRUE LOVE (D) SCRATCHED FOR ANOTHER'S (A) SAKETHE RACE IS ON AND IT LOOKS LIKE HEARTACHESAND THE (E) WINNER LOSES (A) ALL(INSTRUMENTAL)ONE DAY I VENTURED IN LOVE NEVER ONCE SUSPECTINGWHAT THE FINAL RESULT WOULD BEAND HOW I LIVED IN FEAR OF WAKING UP EACH MORNINGTHINKING THAT YOU’VE GONE FROM METHERE’S ACHE AND PAIN IN MY HEARTFOR TODAY WAS THE ONE I HATED TO FACESOMEBODY NEW CAME UP TO WIN HERI CAME OUT IN SECOND PLACE (CHORUS "WELL, THE RACE...")264

THERE WON'T BE ANYMORECHARLIE RICHCHARLIE RICHDON'T WAIT FOR THE POSTMANIF YOU'RE LOOKING FOR A LETTER FROM METHERE WON'T BE ANYMORE, THERE WON'T BE ANYMOREAND DON'T SIT BY YOUR TELEPHONEIF YOU'RE WAITING ON A CALL FROM METHERE WON'T BE ANYMORE, THERE WON'T BE ANYMOREDON'T THINK OF THE LOVE WE HADTILL YOU TURNED BADAND (B7) BROKE MY LOVING HEART IN TWOAND WHEN YOUR HEART IS BREAKINGAND YOU NEED SOME LOVING FROM METHERE WON'T BE ANYMORE, THERE WON'T BE ANYMORE(REPEAT PRECEDING VERSE)IT WON'T BE LIKE BEFORE, THERE JUST WON'T BE ANYMORE265

THE ROCK ISLAND LINEAMERICAN, A(CHORUS) I SAY THE (A) ROCK ISLAND LINE IS A MIGHTY GOOD ROADI SAY THE ROCK ISLAND LINE IS THE (B7) ROAD TO (E) RIDEOH, THE (A) ROCK ISLAND LINE IS A MIGHTY GOOD ROADIF YOU (D7) WANT TO RIDE IT, GOT TO (A) RIDE IT LIKE YOU'RE FLYIN'BUY YOUR (Bm7) TICKET AT THE STATION FOR THE (E7) ROCK ISLAND(A) LINE(A) A, B, C DOUBLE X, Y (B7) Z(E7) CAT'S IN THE (A) CUPBOARD BUT (E7) HE CAN'T SEE (A) ME(CHORUS)JESUS DIED TO SAVE OUR SINSGLORY BE TO GOD, WE'RE GONNA NEED HIM AGAIN (CHORUS)I MAY BE RIGHT AND I MAY BE WRONGI KNOW YOU'RE GONNA MISS ME WHEN I HAVE GONE (CHORUS)266

THE ROVING GAMBLERAMERICAN, A(A) I AM A ROVING GAMBLER, GAMBLED ALL AROUNDWHEREVER I MEET WITH A DECK OF CARDS, I (D) LAY MY MONEY (A)DOWNGAMBLED DOWN IN WASHINGTON AND I'VE GAMBLED OVER IN SPAINAND I'M GOIN' DOWN TO GEORGIA TO GAMBLE MY LAST GAMEHADN'T BEEN IN WASHINGTON FOR MANY MORE DAYS THAN THREEWHEN I FELL IN LOVE WITH A PRETTY LITTLE GIRL AND SHE FELL INLOVE WITH MESHE TOOK ME TO HER PARLOR, SHE COOLED ME WITH HER FANSHE WHISPERED LOW IN HER MOTHER'S EARS, I LOVE THAT GAMBLINGMAN"DAUGHTER, O DEAR DAUGHTER, HOW COULD YOU TREAT ME SOTO LEAVE YOUR DEAR OLD MOTHER AND WITH A GAMBLER GO""WOULDN'T MARRY A RAILROAD MAN AND I'LL TELL YOU THE REASONWHYI'VE NEVER SEEN A RAILROAD MAN THAT WOULDN'T TELL HIS WIFE ALIE"WOULDN'T MARRY A FARMER, HE'S ALWAYS IN THE RAINTHE MAN I WANT TO MARRY, WEARS A GREAT, BIG, GOLD WATCHCHAIN"SEE THE TRAIN A-COMIN', SHE'S COMIN' 'ROUND THE CURVEA-WHISTLIN' AND A-BLOWIN', AND A-STRAININ' EV'RY NERVE"MOTHER, O DEAR MOTHER, I'LL TELL YOU IF I CANIF YOU EVER SEE ME COMIN' BACK, I'LL BE WITH THE GAMBLING MAN"267

THE ROVING KINDGUY MITCHELLJESSE CAVANAUGH AND ARNOLD STANTON(SHE HAD A DARK AND A-ROVIN' EYE-UH-EYE AND HER HAIR HUNGDOWN IN RING-A-LETS)(SHE WAS A NICE GIRL, A PROPER GIRL BUT ONE OF THE ROVIN' KIND)AS I CRUISED OUT ONE EVE-E-NING UPON A NIGHT'S CAREERI SPIED A LOFTY CLIPPER SHIP AND TO HER I DID STEERI HEISTED OUT MY SIG-A-NALS WHICH SHE SO QUICKLY KNEWAND WHEN SHE SAW MY BUNTING FLY SHE IMME-DIATELY HOVE TO-WOO-WOO(SHE HAD A DARK AND A-ROVIN' EYE-UH-EYE AND HER HAIR HUNGDOWN IN RING-A-LETS)(SHE WAS A NICE GIRL, A PROPER GIRL BUT ONE OF THE ROVIN' KIND)I TOOK HER FOR SOME FISH AND CHIPS AND TREATED HER SO FINEAND HARDLY DID I REALIZE SHE WAS THE ROVIN' KINDI KISSED HER LIPS, I MISSED HER LIPS AND FOUND TO MY SURPRISESHE WAS NOTHIN' BUT A PIRATE SHIP RIGGED UP IN A DIS-GUY-EYE-ISE(SHE HAD A DARK AND A-ROVIN' EYE-EYE-EYE)AND HER HAIR HUNG DOWN IN RING-A-LETS(SHE WAS A NICE GIRL, A PROPER GIRL BUT ONE OF THE ROVIN' KIND)SO, COME ALL YE GOOD SAILOR MEN WHO SAIL THE WINTRY SEAAND COME, ALL YE APPRENTICE LADS, A WARNIN' TAKE FROM MEBEWARE OF LOFTY CLIPPER SHIPS, THEY'LL BE THE RUIN OF YOUFOR 'TWAS THERE SHE MADE ME WALK THE PLANK AND PUSHED MEUNDER, TOO-OOH-OOH(SHE HAD A DARK AND A-ROVIN' EYE-UH-EYE AND HER HAIR HUNGDOWN IN RING-A-LETS)SHE WAS A NICE GIRL, A PROPER GIRL BUT ONE OF THE ROVIN' KIND(SHE WAS A NICE GIRL, A PROPER GIRL BUT)ONE OF THE ROVIN' KIND (YO-HO!)268

PEAKED AT # 4 IN 1951COMPETING VERSIONS BY THE WEAVERS HIT # 11 AND BY REX ALLENHIT #20.ADAPTED FROM THE OLD 1800S ENGLISH FOLK SONG "THE PIRATESHIP."269

THE STAR SPANGLED BANNERWORDS BY FRANCIS SCOTT KEY, MUSIC BY JOHN STAFFORD SMITHO (Bb) SAY CAN (F) YOU (Gm) SEE (D) BY THE (Gm) DAWN'S EAR(C7)LY(F) LIGHTWHAT SO (Bb) PROUDLY (B7) WE (F) HAILED (F7) AT THE (Bb) TWILIGHT'SLAST GLEAMINGWHOSE BROAD STRIPES AND (F) BRIGHT (Gm) STARS (D) THROUGHTHE (Gm) PERILOUS (F) FIGHTO'ER THE (Bb) RAM(F7)PARTS(Bb) WE (F) WATCHED (F7) WERE SO (Bb)GALLANTLY STREAMING?AND THE ROCKET'S RED GLARE, THE BOMBS (F) BURS(Bb)TING (F7) INAIRGAVE (Bb) PROOF (F7) THROUGH (Bb) THE (F) NIGHT (F7) THAT OUR (Bb)FLAG (Gm) WAS (C7) STILL (F) THERE(F7) O (Bb) SAY DOES THAT (Eb) STAR-SPAN(G7)GLED (Cm) BANNER YET(Edim7,Bb) WAVE (F)O'ER (F7) THE (Bb) LAND OF (F7) THE (Bb) FREE (Gm6) AND THE (B6)HOME (F7) OF THE (Bb) BRAVEON THE SHORE DIMLY SEEN THROUGH THE MISTS OF THE DEEPWHERE THE FOE'S HAUGHTY HOST IN DREAD SILENCE REPOSESWHAT IS THAT WHICH THE BREEZE, O'ER THE TOWERING STEEPAS IT FITTINGLY BLOWS HALF CONCEALS, HALF DISCLOSES?NOW IT CATCHES THE GLEAM OF THE MORNING'S FIRST BEAMIN FULL GLORY REFLECTED NOW SHINES IN THE STREAM'TIS THE STAR-SPANGLED BANNER O LONG MAY IT WAVEO'ER THE LAND OF THE FREE AND THE HOME OF THE BRAVEAND WHERE IS THE BAND WHO VAUNTINGLY SWORE'MID THE HAVOC OF WAR AND THE BATTLE'S CONFUSIONA HOME AND A COUNTRY THEY'D LEAVE US NO MORE?THEIR BLOOD HAS WASHED OUT THEIR FOUL FOOTSTEPS POLLUTIONNO REFUGE COULD SAVE THE HIRELING AND SLAVEFROM THE TERROR OF FLIGHT OR THE GLOOM OF THE GRAVEAND THE STAR-SPANGLED BANNER IN TRIUMPH DOTH WAVE270

O'ER THE LAND OF THE FREE AND THE HOME OF THE BRAVEO THUS BE IT EVER WHEN FREE MEN SHALL STANDBETWEEN THEIR LOVED HOMES AND THE WAR'S DESOLATIONBLEST WITH VICTORY AND PEACE MAY THE HEAV'N RESCUED LANDPRAISE THE POWER THAT HATH MADE AND PRESERVED US A NATION!THEN CONQUER WE MUST WHEN OUR CAUSE IT IS JUSTAND THIS BE OUR MOTTO, "IN GOD IS OUR TRUST"AND THE STAR-SPANGLED BANNER IN TRIUMPH SHALL WAVEO'ER THE LAND OF THE FREE AND THE HOME OF THE BRAVE271

THE STRAWBERRY ROANAMERICAN COWBOY SONGI WAS HANGIN' 'ROUND TOWN JUST A-SPENDING MY TIMENOTHING ELSE TO SPEND NOT EVEN A DIMEWHEN A FELLOW STEPS UP AND HE SAYS, "I SUPPOSEYOU'RE A BRONC-BUSTIN' MAN BY THE LOOKS OF YOUR CLOTHES""YOU GUESSED ME RIGHT, AND A GOOD ONE," I CLAIM"DO YOU HAPPEN TO HAVE ANY BAD ONES TO TAME?"HE SAYS, "I'VE GOT ONE, AND A BAD ONE TO BUCKAT THROWIN' BRONC RIDERS, HE'S HAD LOTS OF LUCK"WELL, IT'S OH, THAT STRAWBERRY ROAN! OH, THAT STRAWBERRYROAN!HE SAYS, "THIS OLD PONY AIN'T NEVER BEEN RODEAND THE BOY THAT GETS ON HIM IS SURE TO GET THROWED"OH, THAT STRAWBERRY ROAN!I GETS ALL EXCITED (HET UP) AND ASKS WHAT HE PAYSTO RIDE THIS OLD GOAT FOR A COUPLE OF DAYSHE OFFERS A TEN SPOT I SAYS "I'M YOUR MANFOR THE BRONC NEVER LIVED THAT I COULDN'T FANNO THE BRONC NEVER LIVED NOR HE NEVER DREW BREATHTHAT I COULDN'T RIDE TILL HE STARVED PLUMB TO DEATH"HE SAYS, "GET YOUR SADDLE, I'LL GIVE YOU A CHANCE"WE GOT IN THE BUCKBOARD AND DROVE TO THE RANCHWELL, IT'S OH, THAT STRAWBERRY ROAN! OH, THAT STRAWBERRYROAN!WE STAYED UNTIL MORNING AND RIGHT AFTER CHUCKWE GOES OUT TO SEE HOW THIS OUTLAW CAN BUCKOH, THAT STRAWBERRY ROAN!WELL, DOWN IN THE HORSE CORRAL STANDING ALONEWAS THAT OLD CAVAYO, OLD STRAWBERRY ROANHIS LEGS WERE SPAVINED AND HE HAD PIGEON TOESLITTLE PIG EYES AND A BIG ROMAN NOSELITTLE PIG EARS THAT WERE CRIMPED AT THE TIPWITH A BIG FORTY-FOUR BRAND ACROSS HIS LEFT HIPHE'S EWE-NECKED AND OLD WITH A LONG LOWER JAWYOU CAN SEE WITH ONE EYE HE'S A REGULAR OUTLAW272

WELL, IT'S OH, THAT STRAWBERRY ROAN! OH, THAT STRAWBERRYROAN!HE'S EWE-NECKED AND OLD WITH A LONG LOWER JAWYOU CAN SEE WITH ONE EYE HE'S A REGULAR OUTLAWOH, THAT STRAWBERRY ROAN!WELL, I PUT ON MY SPURS AND I COILS UP MY TWINEI PILED MY LOOP ON HIM I'M SURE FEELING FINEI PILED MY LOOP ON HIM AND WELL I KNEW THENIF I RODE THIS OLD PONY I'D SURE EARN MY TENI PUT THE BLINDS ON HIM IT SURE WAS A FIGHTNEXT COMES THE SADDLE, I SCREWS IT DOWN TIGHTI GETS IN HIS MIDDLE AND OPENS THE BLINDI'M RIGHT IN HIS MIDDLE TO SEE HIM UNWINDWELL, IT'S OH, THAT STRAWBERRY ROAN! OH, THAT STRAWBERRYROAN!HE LOWERED HIS NECK AND I THINK HE UNWOUNDHE SEEMED TO QUIT LIVING THERE DOWN ON THE GROUNDOH, THAT STRAWBERRY ROAN!HE WENT UP TOWARDS THE EAST AND CAME DOWN TOWARDS THEWESTTO STAY IN HIS MIDDLE I'M DOIN' MY BESTHE'S ABOUT THE WORST BUCKER I'VE SEEN ON THE RANGEHE CAN TURN ON A NICKEL AND GIVE YOU SOME CHANGEHE TURNS HIS OLD BELLY RIGHT UP TO THE SUNHE SURE IS ONE SUNFISHIN' SON OF A GUNI'LL TELL YOU, NO FOOLIN', THIS PONY CAN STEPBUT I'M STILL ON HIS MIDDLE AND BUILDIN' A REPWELL, IT'S OH, THAT STRAWBERRY ROAN! OH, THAT STRAWBERRYROAN!HE GOES UP ON ALL FOURS AND COMES DOWN ON HIS SIDEI DON'T SEE WHAT KEEPS HIMP FROM LOSING HIS HIDEOH, THAT STRAWBERRY ROAN!I LOSES MY STIRRUP AND ALSO MY HATI STARTS PULLING LEATHER, I'M BLIND AS A BATWITH A BIG FORWARD JUMP HE GOES UP ON THE HIGHLEAVES ME SITTIN' ON NOTHIN' WAY UP IN THE SKYI TURNS OVER TWICE AND COMES BACK TO EARTH273

I LIGHTS IN A CUSSIN' THE DAY OF HIS BIRTHI KNOW THERE ARE PONIES I'M UNABLE TO RIDESOME ARE STILL LIVING THEY HAVEN'T ALL DIEDWELL, IT'S OH, THAT STRAWBERRY ROAN! OH, THAT STRAWBERRYROAN!I'LL BET ALL THE MONEY THE MAN AIN'T ALIVETHAT CAN STAY WITH OLD STRAWBERRY MAKING HIS DIVEOH, THAT STRAWBERRY ROAN!274

THE STREETS OF LAREDO19TH CENTURY AMERICAN, BASED ON THE IRISH BALLAD, "A HANDFULOF LAUREL"AS I WAS WALKIN' THE STREETS OF LAREDOAS I WALKED OUT IN LAREDO ONE DAYI SPIED A YOUNG COWBOY ALL WRAPPED IN WHITE LINENALL WRAPPED IN WHITE LINEN, AND COLD AS THE CLAY"I SEE BY YOUR OUTFIT THAT YOU ARE A COWBOY"THESE WORDS HE DID SAY AS I BOLDLY WALKED BY"COME SIT DOWN BESIDE ME AND HEAR MY SAD STORYI'M SHOT IN THE BREAST AND I KNOW I MUST DIE""IT WAS ONCE IN THE SADDLE I USED TO GO DASHINGONCE IN THE SADDLE I USED TO GO GAYFIRST DOWN TO ROSIE'S AND THEN TO THE CARD HOUSEGOT SHOT IN THE BREAST AND I'M DYING TODAY""GET SIXTEEN GAMBLERS TO CARRY MY COFFINLET SIX JOLLY COWBOYS COME SING ME A SONGTAKE ME TO THE GRAVEYARD AND LAY THE SOD O'ER MEFOR I'M A YOUNG COWBOY AND I KNOW I'VE DONE WRONG""OH BEAT THE DRUM SLOWLY AND PLAY THE FIFE LOWLYPLAY THE DEATH MARCH AS YOU CARRY ME ALONGPUT BUNCHES OF ROSES ALL OVER MY COFFINROSES TO DEADEN THE CLODS AS THEY FALL"275

THE THIRD MAN THEMEWORDS BY WALTER LORD, BASED ON MUSIC COMPOSED ANDARRANGED BY ANTON KARAS, C(C) WHEN A ZITHER STARTS TO PLAY(G7) YOU'LL REMEMBER YESTERDAYIN ITS HAUNTING STRAIN, VIENNA LIVES AGAIN(C) FREE AND BRIGHT AND GAYIN YOUR MIND A SUDDEN GLEAM(G7) OF A HALF FORGOTTEN DREAMSEEMS TO GLIMMER WHEN YOU HEAR THAT THIRD MAN (C) THEMEONCE AGAIN THERE COMES TO MIND(G7) SOMEONE THAT YOU LEFT BEHINDLOVE THAT SOMEHOW DIDN'T LAST(C) IN THAT HAPPY CITY OF THE PAST(A7) DOES SHE STILL RECALL THE DREAMTHAT (Dm) RAPTURE SO (A7) SU(Dm)PREMEWHEN (G7) FIRST SHE HEARD THE HAUNTING THIRD MAN (C)THEME?276

THE UNCLOUDED DAYUNCLOUDY DAYWILLIE NELSON, AJ K ALWOODO THEY (A) TELL ME OF A HOME FAR BE(D)YOND THE (A) SKIESO THEY TELL ME OF A HOME FAR A(E)WAYO THEY (A) TELL ME OF A HOME WHERE NO (D) STORM CLOUDS (A)RISEO THEY TELL ME OF AN UN(E7)CLOUDED (UNCLOUDY) (A) DAY(REFRAIN) O THE LAND OF CLOUDLESS DAY!O THE LAND OF AN UNCLOUDED (E) DAY!O THEY (A) TELL ME OF A HOME WHERE NO (D) STORM CLOUDS (A)RISEO THEY TELL ME OF AN UN(E7)CLOUDED (A) DAYO THEY TELL OF A HOME WHERE MY FRIENDS HAVE GONEO THEY TELL ME OF THAT LAND FAR AWAYWHERE THE TREE OF LIFE IN ETERNAL BLOOMSHEDS ITS FRAGRANCE THROUGH THE UNCLOUDED DAY (REFRAIN)O THEY TELL ME OF A KING IN HIS BEAUTY THEREAND THEY TELL ME THAT MINE EYES SHALL BEHOLDWHERE HE SITS ON THE THRONE THAT IS WHITER THAN SNOWIN THE CITY THAT IS MADE OF GOLD (REFRAIN)O THEY TELL ME THAT HE SMILES ON HIS CHILDREN THEREAND HIS SMILE DRIVES THEIR SORROWS ALL AWAYAND THEY TELL ME THAT NO TEARS EVER COME AGAININ THAT LOVELY LAND OF UNCLOUDED DAY (REFRAIN)277

THE WABASH CANNONBALLAMERICAN HOBO SONG, CIRCA 1880sFROM THE GREAT ATLANTIC OCEAN TO THE WIDE PACIFIC'S SHOREFROM THE ONES WE LEAVE BEHIND US TO THE ONES WE SEE ONCEMORESHE'S MIGHTY TALL AND HANDSOME, AND QUITE WELL KNOWN BY ALLHOW WE LOVE THE CHOO CHOO OF THE WABASH CANNONBALL(CHORUS) HEAR THE BELL AND WHISTLE CALLINGHEAR THE WHEELS THAT GO "CLACK, CLACK"HEAR THE ROARING OF THE ENGINEAS SHE ROLLS ALONG THE TRACKTHE MAGIC OF THE RAILROAD WAINS HEARTS OF ONE AND ALLAS WE REACH OUR DESTINATION ON THE WABASH CANNONBALLLISTEN TO THE RHYTHMIC JINGLE AND THE RUMBLE AND THE ROARAS SHE GLIDES ALONG THE WOODLANDS THROUGH THE HILLS AND BYTHE SHOREYOU HEAR THE MIGHTY ENGINE AND PRAY THAT IT WON'T STALLWHILE WE SAFELY TRAVEL ON THE WABASH CANNONBALL (CHORUS)SHE WAS COMING FROM ATLANTA ON A COLD DECEMBER DAYAS SHE ROLLED INTO THE STATION, I COULD HEAR A WOMAN SAY"HE'S MIGHTY BIG AND HANDSOME, AND SURE DID MAKE ME FALLHE'S A COMING TOW'RD ME ON THE WABASH CANNONBALL278

THE WILD COLONIAL BOYAUSTRALIAN BALLADTHERE WAS A WILD COLONIAL BOY, JACK DUGGAN WAS HIS NAMEHE WAS BORN AND BRED IN IRELAND IN A PLACE CALLEDCASTLEMAINEHE WAS HIS FATHER'S ONLY SON, HIS MOTHER'S PRIDE AND JOYAND DEARLY DID HIS PARENTS LOVE THE WILD COLONIAL BOYAT / THE AGE OF SIXTEEN YEARS HE LEFT HIS NATIVE HOMEAND THROUGH AUSTRALIA'S SUNNY CLIME HE WAS INCLINED TO ROAMHE ROBBED THE LORDLY SQUATTERS, THEIR FLOCKS HE WOULDDESTROYA TERROR TO AUSTRALIA WAS THE WILD COLONIAL BOYFOR TWO LONG YEARS THIS DARLING YOUTH RAN ON HIS WILDCAREERWITH A HEART THAT KNEW NO DANGER, THEIR JUSTICE DID NOT FEARHE STUCK THE BEECHWORTH COACH UP AND HE ROBBED JUDGEMCEVOYWHO, TREMBLING GAVE HIS GOLD UP TO THE WILD COLONIAL BOYHE BADE THE JUDGE "GOOD MORNING" AND HE TOLD HIM TO BEWAREFOR HE NEVER ROBBED AN HONEST JUDGE WHAT ACTED ON THESQUAREYET YOU WOULD ROB A MOTHER OF HER SON AND ONLY JOYAND BREED A RACE OF OUTLAWS LIKE THE WILD COLONIAL BOYONE MORNING ON THE PRAIRIE WILD JACK DUGGAN RODE ALONGWHILE LISTENING TO THE MOCKING BIRDS SINGING A CHEERFUL SONGOUT JUMPED THREE TROOPERS FIERCE AND GRIM, KELLY, DAVIS ANDFITZROYTHEY'D ALL SET OUT TO CAPTURE HIM, THE WILD COLONIAL BOYHE FIRED POINT BLANK AT KELLY AND BROUGHT HIM TO THE GROUNDHE FIRED A SHOT AT DAVIS TOO, WHO FELL DEAD AT THE SOUNDBUT A BULLET PIERCED HIS BRAVE YOUNG HEART FROM THE PISTOLOF FITZROYAND THAT WAS HOW THEY CAPTURED HIM, THE WILD COLONIAL BOY279

THEY'RE HANGING ME TONIGHTMARTY ROBBINSWHEN I HEAR THE RAINDROPS COMIN' DOWN IT MAKES ME SAD ANDBLUEWAS ON A RAINY NIGHT LIKE THIS THAT FLO SAID WE WERE THROUGHI TOLD HER HOW I LOVED HER, AND I BEGGED HER NOT TO GOBUT ANOTHER MAN HAD CHANGED HER MIND SO I SAID GOODBYE TOFLOALONE WITHIN MY CELL TONIGHT MY HEART IS FILLED WITH FEARTHE ONLY SOUND WITHIN THE ROOM IS THE FALLING OF EACH TEARI THINK ABOUT THE THING I'VE DONE, I KNOW IT WASN'T RIGHTTHEY'LL BURY FLO TOMORROW, BUT THEY'RE HANGING ME TONIGHT,THEY'RE HANGING ME TONIGHT!THAT NIGHT HE CAME AND TOOK MY FLO AND HEADED IN TO TOWNI KNEW I HAD TO FIND THIS MAN AND TRY TO GUN HIM DOWNAS I WALKED BY A DIM CAFE AND I LOOKED THROUGH THE DOORI SAW MY FLO WITH HER NEW LOVE AND I COULDN'T STAND NO MOREI COULDN'T STAND NO MOREI TOOK MY PISTOL FROM MY HIP AND WITH A TREMBLING HANDI TOOK THE LIFE OF PRETTY FLO AND THAT GOOD FOR NOTHIN' MANTHAT GOOD FOR NOTHIN' MAN!I THINK ABOUT THE THING I'VE DONE I KNOW IT WASN'T RIGHTTHEY'LL BURY FLO TOMORROW, BUT THEY'RE HANGING ME TONIGHTTHEY'RE HANGING ME TONIGHT280

THINGSBOBBY DARIN, DBOBBY DARINEVERY NIGHT I SIT HERE BY MY WINDOW (WINDOW)STARIN' AT THE LONELY AVENUE (AVENUE)WATCHING LOVERS HOLDIN' HANDS AND LAUGHING (LAUGHING)AND THINKIN' 'BOUT THE THINGS WE USED TO DO(CHORUS) (THINKIN' OF THINGS) LIKE A WALK IN THE PARK(THINGS) LIKE A KISS IN THE DARK(THINGS) LIKE A SAILBOAT RIDE(YEAH-YEAH) WHAT ABOUT THE NIGHT WE CRIED!THINGS LIKE A LOVER'S VOWTHINGS THAT WE DON'T DO NOWTHINKIN' 'BOUT THE THINGS WE USED TO DOMEMORIES ARE ALL I HAVE TO CLING TO (CLING TO)AND HEARTACHES ARE THE FRIENDS I'M TALKIN' TO (TALKIN' TO)WHEN I'M NOT THINKIN' OF A-JUST HOW MUCH I LOVE YOU (LOVE YOU)WELL, I'M THINKIN' 'BOUT THE THINGS WE USED TO DO (CHORUS)I STILL CAN HEAR THE JUKEBOX SOFTLY PLAYIN' (PLAYIN')AND THE FACE I SEE EACH DAY BELONGS TO YOU (BELONGS TO YOU)THOUGH THERE'S NOT A SINGLE SOUND AND THERE'S NOBODY ELSEAROUNDWELL, IT'S-A JUST ME THINKIN' OF THE THINGS WE USED TO DO(CHORUS)AND THE HEARTACHES ARE THE FRIENDS I'M TALKIN' TOYA GOT ME THINKIN' 'BOUT THE THINGS WE USED TO DOFADESTARIN' AT THE LONELY AVENUE281

THIS IS MY FATHER'S WORLDWORDS BY MALTBIE D BABCOCK, MUSIC TRADITIONAL ENGLISHMELODYARRANGED BY FRANKLIN L SHEPPARDTHIS IS MY FATHER'S WORLD, AND TO MY LISTENING EARSALL NATURE SINGS, AND ROUND ME RINGS THE MUSIC OF THESPHERESTHIS IS MY FATHER'S WORLD, I REST ME IN THE THOUGHTOF ROCKS AND TREES, OF SKIES AND SEAS, HIS HAND THE WONDERSWROUGHTTHIS IS MY FATHER'S WORLD, THE BIRDS THEIR CAROLS RAISETHE MORNING LIGHT, THE LILY WHITE, DECLARE THEIR MAKER'SPRAISETHIS IS MY FATHER'S WORLD, HE SHINES IN ALL THAT'S FAIRIN THE RUSTLING GRASS I HEAR HIM PASS, HE SPEAKS TO MEEVERYWHERETHIS IS MY FATHER'S WORLD, O LET ME NE'ER FORGETTHAT THOUGH THE WRONG SEEMS OF SO STRONG, GOD IS THE RULERYETTHIS IS MY FATHER'S WORLD, THE BATTLE IS NOT DONEJESUS WHO DIED SHALL BE SATISFIED, AND EARTH AND HEAV'N BEONEALTERNATE VERSES:THIS IS MY FATHER'S WORLD, O LET ME NE'ER FORGETTHAT THOUGH THE WRONG SEEMS OFT SO STRONG, GOD IS THERULER YETTHIS IS MY FATHER'S WORLD; WHY WOULD MY HEART BE SAD?THE LORD IS KING; LET HEAVENS RING! GOD REIGNS; LET THE EARTHBE GLADTHIS IS MY FATHER'S WORLD, DREAMING, I SEE HIS FACEI OPE MY EYES, AND IN GLAD SURPRISE CRY, "THE LORD IS IN THISPLACE"THIS IS MY FATHER'S WORLD, FROM THE SHINING COURTS ABOVE282

THE BELOVED ONE, HIS ONLY SON, CAME -- A PLEDGE OF DEATHLESSLOVETHIS IS MY FATHER'S WORLD, SHOULD MY HEART BE EVER SAD?THE LORD IS KING -- LET THE HEAVENS RING, GOD REIGNS -- LET THEEARTH BE GLADTHIS IS MY FATHER'S WORLD, NOW CLOSER TO HEAVEN BOUNDFOR DEAR TO GOD IS THE EARTH CHRIST TROD, NO PLACE BUT ISHOLY GROUNDTHIS IS MY FATHER'S WORLD, I WALK A DESERT LONEIN A BUSH ABLAZE TO MY WONDERING GAZE GOD MAKES HIS GLORYKNOWNTHIS IS MY FATHER'S WORLD, A WANDERER I MAY ROAMWHATE'ER MY LOT, IT MATTERS NOT, MY HEART IS STILL AT HOME283

THIS LAND IS YOUR LANDWOODY GUTHRIE, D(CHORUS) (D) THIS LAND IS (G) YOUR LAND, THIS LAND IS (D) MY LANDFROM CALI(A7)FORNIA TO THE NEW YORK (D) ISLANDSFROM THE REDWOOD (G) FORESTS TO THE GULF STREAM (D) WATERS(A7) THIS LAND WAS MADE FOR YOU AND (D) MEAS I WAS WALKING THAT RIBBON OF HIGHWAYI SAW ABOVE ME THAT ENDLESS SKYWAYI SAW BELOW ME THE GOLDEN VALLEYTHIS LAND WAS MADE FOR YOU AND ME (CHORUS)I'VE ROAMED AND RAMBLED, AND FOLLOWED MY FOOTSTEPSTHROUGH THE SPARKLING SAND OF HER DIAMOND DESERTSAND ALL AROUND ME A VOICE WAS SOUNDING (THIS VOICE KEPTSAYING)"THIS LAND WAS MADE FOR YOU AND ME" (CHORUS)AS THE SUN WAS SHINING, AND I WAS STROLLINGTHROUGH THE WHEAT FIELDS WAVING AND THE DUST CLOUDSROLLINGAS THE FOG WAS LIFTING A VOICE WAS CHANTING(I COULD FEEL INSIDE ME AND SEE ALL AROUND ME)THIS LAND WAS MADE FOR YOU AND ME (CHORUS)284

THOSE WERE THE DAYSTRADITIONAL RUSSIAN FOLK SONG, ENGLISH LYRICS BY GENE RASKIN,Am(C)(Am) ONCE UPON A (Am6) TIME THERE WAS A (Am7) TAVERN (Am6)(A7) WHERE WE USED TO RAISE A GLASS OR (Dm) TWO (Dm6)RE(Dm)MEMBER HOW WE (Dm6) LAUGHED AWAY THE (Am7) HOURS(Am6)AND (B) DREAMED OF ALL THE (B7) GREAT THINGS WE COULD (E) DO?(CHORUS) (E7) THOSE WERE THE (Am) DAYS, MY FRIENDWE THOUGHT THEY'D (Dm) NEVER ENDWE'D SING AND (G) DANCE FOR(G7)EVER AND A (C) DAYWE'D LIVE THE (Dm) LIFE WE CHOOSEWE'D FIGHT AND (Am) NEVER LOSEFOR WE ARE (E7) YOUNG AND SURE TO HAVE OUR (Am) WAYLA LA LA LA LA LA, LA (A7) LA (Dm) LA LA LA LATHOSE WERE THE (E7) DAYS, OH, YES THOSE WERE THE (Am) DAYSTHEN THE BUSY YEARS WENT RUSHING BY USWE LOST OUR STARRY NOTIONS ON THE WAYIF BY CHANCE I'D SEE YOU IN THE TAVERNWE'D SMILE AT ONE ANOTHER AND WE'D SAY (CHORUS)JUST TONIGHT I STOOD BEFORE THE TAVERNNOTHING SEEMED THE WAY IT USED TO BEIN THE GLASS I SAW A STRANGE REFLECTIONWAS THAT LONELY FELLOW REALLY ME? (CHORUS)THROUGH THE DOOR THERE CAME FAMILIAR LAUGHTERI SAW YOUR FACE AND HEARD YOU CALL MY NAMEOH, MY FRIEND, WE'RE OLDER BUT NO WISERFOR IN OUR HEARTS THE DREAMS ARE STILL THE SAME (CHORUS)285

TINY BUBBLESLEON POBER(CHORUS) TINY BUBBLES IN THE WINEMAKE ME HAPPY, MAKE ME FINETINY BUBBLES, MAKE ME WARM ALL OVERWITH A FEELIN' THAT I'M GONNA LOVE YOU TILL THE END OF TIMESO HERE'S TO THAT GOLDEN MOONAND HERE'S TO THE SILVER SEAAND MOSTLY HERE'S A TOAST TO YOU AND ME (CHORUS)SO HERE'S TO THE GINGER LEII GIVE TO YOU TODAYAND HERE'S A KISS THAT WILL NOT FADE AWAY (CHORUS)286

TO EACH HIS OWNTHE PLATTERS, GJAY LIVINGSTON AND RAY EVANSA (G) ROSE MUST REMAIN WITH THE SUN AND THE RAINOR ITS LOVELY PROMISE WON'T COME (D7) TRUETO EACH HIS OWN, TO (Am7) EACH HIS (D7) OWNAND MY OWN IS (G) YOUWHAT GOOD IS A SONG IF THE WORDS JUST DON'T BELONG?AND A DREAM MUST BE A DREAM FOR TWONO GOOD ALONE, TO EACH HIS OWNFOR ME THERE'S YOU(CHORUS) IF A (C) FLAME IS TO GROW THERE MUST BE A GLOWTO OPEN EACH DOOR THERE'S A (G) KEYI (A) NEED YOU, I KNOW, I CAN'T LET YOU GOYOUR (A7) TOUCH MEANS TOO MUCH TO (D7) METWO (G) LIPS MUST INSIST ON TWO MORE TO BE KISSEDOR THEY'LL NEVER KNOW WHAT LOVE CAN (D7) DOTO EACH HIS OWN, I'VE (Am7) FOUND MY OWNONE AND (D7) ONLY (G) YOUREPEAT FROM CHORUS- ARTISTS: THE PLATTERS- PEAK BILLBOARD POSITION # 21 IN 1960- WORDS AND MUSIC BY JAY LIVINGSTON AND RAY EVANS- IN 1946 THERE WERE FIVE TOP 10 VERSIONS- EDDY HOWARD (#1).THE INK SPOTS (#1), FREDDY MARTIN (#1), THE MODERNAIRESWITH PAULA KELLY (#3), AND TONY MARTIN (#4)- ALSO CHARTED BY THE TYMES AT # 78 IN 1964- ALSO CHARTED BY FRANKIE LAINE AT # 82 IN 1968287

TOM DOOLEYTHE KINGSTON TRIO(PEAK BILLBOARD POSITION # 1 IN 1958)ADAPTED FROM A FOLK SONG BY TRIO MEMBER DAVE GUARDSPOKEN INTRO.: THROUGHOUT HISTORY THERE HAVE BEEN MANYSONGS WRITTEN ABOUT THE ETERNAL TRIANGLE. THIS NEXT ONETELLS THE STORY OF A MR. GRAYSON, A BEAUTIFUL WOMAN, ANDA CONDEMNED MAN NAMED TOM DOOLEY. WHEN THE SUN RISESTOMORROW, TOM DOOLEY MUST HANG.(CHORUS) HANG DOWN YOUR HEAD, TOM DOOLEYHANG DOWN YOUR HEAD AND CRYHANG DOWN YOUR HEAD, TOM DOOLEY (YOU KILLED POOR LAURAFOSTER)POOR BOY, YOU'RE BOUND TO DIEI MET HER ON THE MOUNTAIN, THERE I TOOK HER LIFEMET HER ON THE MOUNTAIN, STABBED HER WITH MY KNIFE (CHORUS)THIS TIME TOMORROW RECKON WHERE I'LL BEHADN'T-A BEEN FOR GRAYSON, I'D-A BEEN IN TENNESSEE (WELL NOW,BOY)HANG DOWN (YOUR HEAD) YOUR HEAD (DOOLEY) AND CRYHANG DOWN YOUR HEAD AND CRY (AH POOR BOY, AH WELL-AH)HANG DOWN (YOUR HEAD) YOUR HEAD (DOOLEY) AND CRYPOOR BOY, YOU'RE BOUND TO DIE (AH WELL NOW BOY, & REPEATVERSE)THIS TIME TOMORROW RECKON WHERE I'LL BEDOWN IN SOME LONESOME VALLEY HANGIN' FROM A WHITE OAK TREE(CHORUS)POOR BOY, YOU'RE BOUND TO DIEPOOR BOY, YOU'RE BOUND TO DIEPOOR BOY, YOU'RE BOUND TO----DIE288

TRAVELIN' MANRICKY NELSON, GJERRY FULLERI'M A (G) TRAVELIN' MAN AND I'VE (Em) MADE A LOTTA STOPS(G) ALL OVER THE WORLD (Em)AND IN (G) EVERY PORT I (C) OWN THE HEARTOF AT (G) LEAST ONE (D) LOVELY (G) GIRLI'VE A PRETTY SENORITA WAITIN' FOR MEDOWN IN OLD MEXICOAND IF YOU'RE EVER IN ALASKA STOP AND SEEMY CUTE LITTLE ESKIMO(BRIDGE) OH MY (C) SWEET FRAULEIN DOWN IN (Bm) BERLIN TOWN(Am) MAKES MY HEART START TO (A#) YEARNAND MY (C) CHINA DOLL DOWN IN (A#m) OLD HONG KONG(A7) WAITS FOR MY RE(D)TURNPRETTY POLYNESIAN BABY OVER THE SEAI REMEMBER THE NIGHTWHEN WE WALKED IN THE SANDS OF WAIKIKIAND I HELD YOU OH SO TIGHT(INSTRUMENTAL)(REPEAT LAST TWO VERSES)(G) OH, I'M A (Em) TRAVELIN' MANYES, I'M A TRAVELIN' MANYES, I'M A TRAVELIN' MANOH, I'M A TRAVELIN' MAN (REPEAT AND FADE)MM-MMM289

TRYING TO LOVE TWO WOMENTHE OAK RIDGE BOYS, GSONNY THROCKMORTON(G) TRYING TO LOVE TWO WOMEN IS LIKE A BALL AND CHAIN(D) TRYING TO LOVE TWO WOMEN IS LIKE A BALL AND CHAIN(G) SOMETIMES THE (G7) PLEASURE (C) AIN'T WORTH THE (F) STRAINIT'S A LONG OLD (G) GRIND (D7) AND IT TIRES YOUR (G) MINDTRYING TO LOVE TWO WOMEN IS TEARING ME APARTTRYING TO HOLD TWO WOMEN IS TEARING ME APARTONE'S GOT MY MONEY, THE OTHER'S GOT MY HEARTIT'S A LONG OLD GRIND, AND IT TIRES YOUR MINDWHEN YOU TRY TO PLEASE TWO WOMEN YOU CAN'T PLEASEYOURSELFWHEN YOU TRY TO PLEASE TWO WOMEN YOU CAN'T PLEASEYOURSELFAT BEST IT'S ONLY HALF GOOD, A MAN CAN'T STOCK TWO SHELVESIT'S A LONG, OLD GRIND, AND IT TIRES YOUR MIND(INSTRUMENTAL)(REPEAT FIRST VERSE TWICE)290

TULSA TIMEDANNY FLOWERSI LEFT OKLAHOMA DRIVIN' IN A PONTIACJUST ABOUT TO LOSE MY MINDI WAS GOIN' TO ARIZONA, MAYBE ON TO CALIFORNIAWHERE THE PEOPLE ALL LIVE SO FINEMY MOMMA CALLED ME LAZY, MY BABY SAID I'S CRAZYI WAS GOIN' TO SHOW 'EM ALL THIS TIME'CAUSE YOU KNOW I AIN'T FOOLIN', I DON'T NEED NO MORE SCHOOLIN'I WAS BORN TO JUST WALK THE LINELIVIN' ON TULSA TIME, LIVIN' ON TULSA TIMEWELL, YOU KNOW I BEEN THRU' IT WHEN I SET MY WATCH BACK TO ITLIVING ON TULSA TIME(INSTRUMENTAL)WELL, THERE I WAS IN HOLLYWOOD WISHIN' I WAS DOIN' GOODTALKIN' ON THE TELEPHONE LINEBUT THEY DON'T NEED ME IN THE MOVIES AND NOBODY SINGS MYSONGSGUESS I'M JUST A WASTIN' TIMEWELL, THEN I GOT TO THINKIN', MAN, I'M REALLY SINKIN'AND I REALLY HAD A FLASH THIS TIMEI HAD NO BUSINESS LEAVIN' AND NOBODY WOULD BE GRIEVIN'IF I WENT ON BACK TO TULSA TIMELIVIN' ON TULSA TIME, LIVIN' ON TULSA TIMEGONNA SET MY WATCH BACK TO IT, 'CAUSE YOU KNOW I'VE BEENTHRU' ITLIVIN' ON TULSA TIME291

TURN YOUR RADIO ONRAY STEVENSALBERT E BRUMLEYWELL, COME AND LISTEN IN TO A RADIO STATIONWHERE THE MIGHTY VOICE OF HEAVEN SINGSTURN YOUR RADIO ON, TURN YOUR RADIO ONYOU BET YOU'RE GONNA FEEL THOSE GOOD VIBRATIONSCOMING FROM THE JOY THAT HIS LOVE CAN BRINGTURN YOUR RADIO ON, TURN YOUR RADIO ON(CHORUS) TURN YOUR RADIO ON, AND LISTEN TO THE MUSIC IN THEAIRTURN YOUR RADIO ON, AND GOD IS THERETURN THE LIGHTS DOWN LOW, AND LISTEN TO THE MASTER’S RADIOGET IN TOUCH WITH GOD, TURN YOUR RADIO ONDON’T YOU KNOW THAT EVERYBODY HAS A RADIO RECEIVERALL YOU GOTTA DO IS LISTEN FOR THE CALLTURN YOUR RADIO ON, TURN YOUR RADIO ONIF YOU LISTEN IN YOU WILL BE A BELIEVERLEANING ON THE TRUTH THAT’LL NEVER FALLGET IN TOUCH WITH GOD, TURN YOUR RADIO ON (CHORUS)292

TWILIGHT TIMELYRIC BY BUCK RAM, MUSIC BY MORTY NEVINS AND AL NEVINS, G(G) HEAVENLY SHADES OF NIGHT ARE FALLING(B7) IT'S TWILIGHT TIME(Em) OUT OF THE MIST YOUR VOICE IS CALLING(G7) IT'S TWILIGHT TIME(C) WHEN PURPLE (C7) COLORED CURTAINS(G) MARK THE END OF (E) DAYI (A7) HEAR YOU, MY DEAR, AT TWILIGHT (Am7) TIME (D7)(G) DEEPENING SHADOWS GATHER SPLENDOR(B7) AS DAY IS DONE(Em) FINGERS OF NIGHT WILL SOON SURRENDER(G7) THE SETTING SUN(C) I COUNT THE (C7) MOMENTS, DARLING(G) TILL YOU'RE HERE WITH (E) METO(A7)GETHER, AT (D7) LAST AT TWILIGHT(G)TIME(B7) HERE IN THE AFTERGLOW OF DAYWE (Em) KEEP OUR RENDEZVOUSBENEATH THE BLUE(A7) HERE IN THE SWEET AND SAME OLD WAYI (D7) FALL IN LOVE AGAIN AS I (D) DID (D7) THEN(G) DEEP IN THE DARK YOUR KISS WILL THRILL ME(B7) LIKE DAYS OF OLD(Em) LIGHTING THE SPARK OF LOVE THAT FILLS ME(G7) WITH DREAMS UNTOLD(C) EACH DAY I (C7) PRAY FOR EVENING(G) JUST TO BE WITH (E) YOUTO(A7)GETHER AT (D7) LAST AT TWILIGHT TIME (G)(REPEAT LAST TWO VERSES)293

UNDER THE BOARDWALKARTIE RESNICK AND KENNY YOUNG, GOH, WHEN THE (G) SUN BEATS DOWN AND BURNS THE TAR UPON THEROOF (D7)AND YOUR SHOES GET SO HOT YOU WISH YOUR TIRED FEET WEREFIRE(G)PROOFUNDER THE (C) BOARDWALKDOWN BY THE SEA, (G) YEAHON A BLANKET WITH MY BABY'S (D7) WHERE I'LL (G) BE(UNDER THE (Em) BOARDWALK) OUT OF THE SUN(UNDER THE (D) BOARDWALK) WE'LL BE HAVIN' SOME FUN(UNDER THE (Em) BOARDWALK) PEOPLE WALKIN' ABOVE(UNDER THE (D) BOARDWALK) WE'LL BE FALLIN' IN LOVEUNDER THE (Em) BOARDWALK, BOARDWALKFROM THE PARK YOU CAN HEAR THE HAPPY SOUND OF A CAROUSELAND YOU CAN ALMOST TASTE THE HOT DOGS AND FRENCH FRIESTHEY SELL(UNDER THE BOARDWALK) OUT OF THE SUN(UNDER THE BOARDWALK) WE'LL BE HAVIN' SOME FUN(UNDER THE BOARDWALK) PEOPLE WALKIN' ABOVE(UNDER THE BOARDWALK) WE'LL BE FALLIN' IN LOVE(UNDER THE BOARDWALK, BOARDWALK)294

UTAH CAROLMARTY ROBBINSAND NOW MY FRIENDS YOU'VE ASKED ME WHAT MAKES ME SAD ANDSTILLAND WHY MY BROW IS DARKENED LIKE THE CLOUDS UPON THE HILLRUN IN YOUR PONIES CLOSER AND I'LL TELL TO YOU MY TALEOF UTAH CAROL MY PARTNER AND HIS LAST RIDE ON THE TRAILWE RODE THE RANGE TOGETHER AND RODE IT SIDE BY SIDEI LOVED HIM LIKE A BROTHER, AND I WEPT WHEN UTAH DIEDWE WERE ROUNDING UP ONE MORNING WHEN WORK WAS ALMOSTDONEWHEN ON HIS SIDE THE CATTLE STARTED ON A FRIGHTENED RUNUNDERNEATH THE SADDLE THAT THE BOSS'S DAUGHTER RODEUTAH THAT VERY MORNING HAD PLACED A BRIGHT RED ROBESO THE SADDLE MIGHT RIDE EASY FOR LENORE HIS LITTLE FRIENDAND IT WAS THIS RED BLANKET THAT BROUGHT HIM TO HIS ENDTHE BLANKET WAS NOW DRAGGING BEHIND HER ON THE GROUNDTHE FRIGHTENED CATTLE SAW IT AND CHARGED IT WITH A BOUNDLENORE THEN SAW HER DANGER AND TURNED HER PONY'S FACEAND LEANING IN THE SADDLE TIED THE BLANKET TO ITS PLACEBUT IN LEANING LOST HER BALANCE, FELL IN FRONT OF THAT WILDTIDE"LAY STILL LENORE I'M COMING" WERE THE WORDS THAT UTAH CRIEDHIS FAITHFUL PONY SAW HER AND REACHED HER IN A BOUNDI THOUGHT HE'D BEEN SUCCESSFUL, AND RAISED HER FROM THEGROUNDBUT THE WEIGHT UPON THE SADDLE HAD NOT BEEN FELT BEFOREHIS BACKCINCH SNAPPED LIKE THUNDER AND HE FELL BY LENOREPICKING UP THE BLANKET HE SWUNG IT OVER HIS HEADAND STARTED CROSS THE PRAIRIE, "LAY STILL LENORE" HE SAIDWHEN HE GOT THE STAMPEDE TURNED AND SAVED LENORE HISFRIEND295

HE TURNED TO FACE THE CATTLE AND MEET HIS FATAL ENDHIS SIX GUN FLASHED LIKE LIGHTNING, THE REPORT RANG LOUD ANDCLEARAS THE CATTLE RUSHED AND KILLED HIM HE DROPPED THE LEADINGSTEERON HIS FUNERAL MORNING I HEARD THE PREACHER SAYI HOPE WE'LL ALL MEET UTAH AT THE ROUNDUP FAR AWAYTHEN THEY WRAPPED HIM IN A BLANKET THAT SAVED HIS LITTLEFRIENDAND IT WAS THIS RED BLANKET THAT BROUGHT HIM TO HIS END296

WAKE UP LITTLE SUSIETHE EVERLY BROTHERS, CWORDS AND MUSIC BY PHIL AND DON EVERLY(C) WAKE UP, LITTLE SUSIE, WAKE UPWAKE UP, LITTLE SUSIE, WAKE UP (C7)WE'VE (F) BOTH BEEN (C7) SOUND A(F)SLEEPWAKE UP, LITTLE (C7) SUSIE, AND (F) WEEPTHE MOVIE'S (C7) OVER, IT'S (F) FOUR O'CLOCKAND (F) WE'RE IN (C7) TROUBLE (F) DEEPWAKE UP LITTLE (G) SUSIE, (F) WAKE UP LITTLE (G) SUSIE, WELLWHATTA WE GONNA (D7) TELL YOUR MA(G)MA?WHATTA WE GONNA (D7) TELL YOUR PA? (G)WHATTA WE GONNA (D7) TELL OUR FRIENDS (G) WHEN THEY SAY"OOH-LA-LA"WAKE (G7) UP LITTLE (C) SUSIE, (G7) WAKE UP LITTLE (C) SUSIE, WELLI TOLD YOUR MAMA THAT YOU'D BE IN BY TEN(C7) WELL (F) SUSIE BABY LOOKS LIKE WE GOOFED AGAINWAKE UP LITTLE (G) SUSIE(F) WAKE UP LITTLE (G) SUSIE, (G7) WE'VE GOTTA GO (C) HOMEWAKE UP, LITTLE SUSIE, WAKE UPWAKE UP, LITTLE SUSIE, WAKE UPTHE MOVIE WASN'T SO HOT, IT DIDN'T HAVE MUCH OF A PLOTWE FELL ASLEEP, OUR GOOSE IS COOKED, OUR REPUTATION IS SHOTWAKE UP LITTLE SUSIE, WAKE UP LITTLE SUSIE, WELLWHATTA WE GONNA TELL YOUR MAMAWHATTA WE GONNA TELL YOUR PAWHATTA WE GONNA TELL OUR FRIENDS WHEN THEY SAY "OOH-LA-LA"WAKE UP LITTLE SUSIEWAKE UP LITTLE SUSIEWAKE UP LITTLE SUSIEPEAK BILLBOARD POSITION # 1 IN 1957297

WALTZING MATILDAJIMMIE (JAMES FREDERICK) RODGERSBY A.B. "BANJO" PATTERSON (AUSTRALIAN BALLAD WRITER)(A) ONCE A JOLLY (E) SWAGMAN (D) SAT BESIDE A (A) BILLABONGUNDER THE SHADE OF A (E) COOLIBAH TREEAND HE (A) SANG AS HE (E) SAT AND HE (D) WAITED WHILE HIS (A)BILLY BOILED, "YOU'LL COME A-WALTZING MA(E)TILDA WITH (A) ME"(CHORUS) "WALTZING MATILDA, (D) WALTZING MATILDA(A) YOU'LL COME A-WALTZING MATILDA WITH (A) ME"AND HE (A) SANG AS HE (E) SAT AND (D) WAITED WHILE HIS (A) BILLYBOILED, "YOU'LL COME A-WALTZING MA(E)TILDA WITH (A) ME"DOWN CAME A JUMBUCK TO DRINK BESIDE THE BILLABONGUP JUMPED THE SWAGMAN AND GRABBED HIM WITH GLEEAND HE SANG AS HE LAUGHED AND HE TUCKED HIM IN HIS TUCKERBAG, "YOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS +)...AND HE SANG AS HE LAUGHED AND HE TUCKED HIM INHIS TUCKER BAG, "YOU'LL COME A-WALTZING MATILDA WITH ME"DOWN CAME THE STOCKMAN RIDING ON HIS THOROUGHBREDDOWN CAME THE TROOPERS ONE, TWO, THREE"NOW WHERE'S THE JOLLY JUMBUCK THAT YOU'VE GOT IN YOURTUCKER BAG, YOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS +)..."WHERE'S THE JOLLY JUMBUCK THAT YOU'VE GOT INYOUR TUCKER BAG, YOU'LL COME A-WALTZING MATILDA WITH ME"UP JUMPED THE SWAGMAN AND JUMPED INTO THE BILLABONG"YOU'LL NEVER TAKE ME ALIVE!" CRIED HEAND HIS GHOST MAY BE HEARD AS YOU WALK BESIDE THE BILLABONG"YOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS+) ...AND HIS GHOST MAY BE HEARD AS YOU WALK BESIDETHE BILLABONG, "YOU'LL COME A-WALTZING MATILDA WITH ME""YOU'LL COME A-WALTZING MATILDA WITH ME"298

-------------------------------------------------------------------GLOSSARYSWAGMAN - AN ITINERANT UNEMPLOYED PERSON WHO TRAVELLEDTHROUGHOUT RURAL AUSTRALIA LOOKING FOR WORK IN EXCHANGEFOR FOOD, LODGING OR MONEY. A "SWAG" WAS HIS DISTINCTIVEROLLED-UP BEDDING THAT HE CARRIED ON HIS BACK.BILLABONG - A SMALL LAKE OR QUIET STREAM.COOLIBAH - A LARGE SHADY TREE.BILLY - A BLACKENED TIN USED FOR BOILING WATER OVER AN OPENFIRE. ONCE BOILED, YOU THROW IN A HANDFUL OF TEA LEAVES ANDA GUM LEAF TO MAKE A DELICIOUS CUP OF TEA. IF YOU'RE REALLYGAME YOU CAN SWING THE BILLY IN VERTICAL CIRCLES OVER YOURHEAD TO FORCE THE TEA LEAVES TO THE BOTTOM.JUMBUCK - A SHEEPTUCKER BAG - "TUCKER" IS FOOD. THE SWAGMAN CARRIED HIS FOODIN A TUCKER BAG.SQUATTER - A GENERAL GROUP OF PEOPLE WHO CLAIMEDOCCUPANCY (AND EVENTUALLY TITLE) TO FARM LAND BY LIVING ON ITFOR LONG ENOUGH. OFTEN REGARDED WITH DISDAIN, FORMER PRIMEMINISTER PAUL KEATING REFERRED TO SOME RURAL LAND-OWNERSAS THE "SQUATTOCRACY" IN REFERENCE TO THE ORIGIN OF THE TITLETO THEIR LAND.TROOPER - POLICEMAN.299

WALTZING MATILDABY A.B. "BANJO" PATTERSON (AUSTRALIAN BALLAD WRITER)(A) ONCE A JOLLY (E) SWAGMAN (A) CAMPED BESIDE A (D) BILLABONG(A) UNDER THE SHADE OF A (E) COOLIBAH TREEAND HE (A) SANG AS HE (E) WATCHED AND (A) WAITED TILL HIS (D)BILLY BOILED, (A) "YOU'LL COME A-WALTZING MA(E)TILDA WITH (A) ME"(CHORUS) "WALTZING MATILDA, (D) WALTZING MATILDA(A) YOU'LL COME A WALTZING MA(E)TILDA WITH ME"AND HE (A) SANG AS HE (E) WATCHED AND (A) WAITED TILL HIS (D)BILLY BOILED, (A) "YOU'LL COME A-WALTZING MA(E)TILDA WITH (A) ME"(A) DOWN CAME A (E) JUMBUCK TO (A) DRINK BESIDE THE (D)BILLABONG(A) UP JUMPED THE SWAGMAN AND (E) GRABBED HIM WITH GLEEAND HE (A) SANG AS HE (E) SHOVED THAT (A) JUMBUCK IN HIS (D)TUCKER BAG, (A) "YOU'LL COME A-WALTZING MAT(E)ILDA WITH (A) ME"(CHORUS) ...AND HE SANG AS HE SHOVED THAT JUMBUCK IN HISTUCKER BAG, "YOU'LL COME A-WALTZING MATILDA WITH ME"(A) DOWN CAME THE (E) SQUATTERS (A) MOUNTED ON THEIR (D)THOROUGHBREDS(A) UP JUMPED THE TROOPERS (B7) ONE, TWO, (E) THREE(A) "WHOSE IS THE (E) JUMBUCK (A) YOU'VE GOT IN YOUR (D) TUCKERBAG, (A) YOU'LL COME A-WALTZING MAT(E)ILDA WITH (A) ME"(CHORUS) ..."WHOSE IS THE JUMBUCK YOU'VE GOT IN YOUR TUCKERBAG, YOU'LL COME A-WALTZING MATILDA WITH ME"(A) UP JUMPED THE (E) SWAGMAN AND (A) SPRANG INTO THE (D)BILLABONG(A) "YOU'LL NEVER CATCH ME A(E)LIVE!" CRIED HE(A) AND HIS GHOST MAY BE (E) HEARD AS YOU (A) WALK BESIDE THAT(D) BILLABONG, (A) "YOU'LL COME A-WALTZING MAT(E)ILDA WITH (A)ME"300

(CHORUS) ...AND HIS GHOST MAY BE HEARD AS YOU WALK BESIDE BYTHAT BILLABONG"YOU'LL COME A WALTZING MATILDA WITH ME"-------------------------------------------------------------------GLOSSARYSWAGMAN - AN ITINERANT UNEMPLOYED PERSON WHO TRAVELLEDTHROUGHOUT RURAL AUSTRALIA LOOKING FOR WORK IN EXCHANGEFOR FOOD, LODGING OR MONEY. A "SWAG" WAS HIS DISTINCTIVEROLLED-UP BEDDING THAT HE CARRIED ON HIS BACK.BILLABONG - A SMALL LAKE OR QUIET STREAM.COOLIBAH - A LARGE SHADY TREE.BILLY - A BLACKENED TIN USED FOR BOILING WATER OVER AN OPENFIRE. ONCE BOILED, YOU THROW IN A HANDFUL OF TEA LEAVES ANDA GUM LEAF TO MAKE A DELICIOUS CUP OF TEA. IF YOU'RE REALLYGAME YOU CAN SWING THE BILLY IN VERTICAL CIRCLES OVER YOURHEAD TO FORCE THE TEA LEAVES TO THE BOTTOM.JUMBUCK - A SHEEPTUCKER BAG - "TUCKER" IS FOOD. THE SWAGMAN CARRIED HIS FOODIN A TUCKER BAG.SQUATTER - A GENERAL GROUP OF PEOPLE WHO CLAIMEDOCCUPANCY (AND EVENTUALLY TITLE) TO FARM LAND BY LIVING ON ITFOR LONG ENOUGH. OFTEN REGARDED WITH DISDAIN, FORMER PRIMEMINISTER PAUL KEATING REFERRED TO SOME RURAL LAND-OWNERSAS THE "SQUATTOCRACY" IN REFERENCE TO THE ORIGIN OF THE TITLETO THEIR LAND.TROOPER - POLICEMAN.301

WALTZING MATILDABY A. B. "BANJO" PATTERSONONCE A JOLLY SWAGMAN CAMPED BY A BILLABONGUNDER THE SHADE OF A COOLIBAH TREEAND HE SANG AS HE WATCHED AND WAITED TILL HIS BILLY BOILED"YOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS) "WALTZING MATILDA, WALTZING MATILDAYOU'LL COME A WALTZING MATILDA WITH ME"AND HE SANG AS HE WATCHED AND WAITED TILL HIS BILLY BOILED"YOU'LL COME A-WALTZING MATILDA WITH ME"DOWN CAME A JUMBUCK TO DRINK FROM THE BILLABONGUP JUMPED THE SWAGMAN AND GRABBED HIM WITH GLEEAND HE SANG AS HE SHOVED THAT JUMBUCK IN HIS TUCKER BAG"YOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS +)...AND HE SANG AS HE SHOVED THAT JUMBUCK IN HISTUCKER BAG, "YOU'LL COME A-WALTZING MATILDA WITH ME"DOWN CAME THE SQUATTERS MOUNTED ON THEIR THOROUGHBREDSUP JUMPED THE TROOPERS ONE, TWO, THREE"WHOSE IS THE JUMBUCK YOU'VE GOT IN YOUR TUCKER BAGYOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS +)..."WHOSE IS THE JUMBUCK YOU'VE GOT IN YOUR TUCKERBAG, YOU'LL COME A-WALTZING MATILDA WITH ME"UP JUMPED THE SWAGMAN AND SPRANG INTO THE BILLABONG"YOU'LL NEVER CATCH ME ALIVE!" SAID HE.AND HIS GHOST MAY BE HEARD AS YOU PASS BY THAT BILLABONG"YOU'LL COME A-WALTZING MATILDA WITH ME"(CHORUS +)...AND HIS GHOST MAY BE HEARD AS YOU PASS BY THATBILLABONG, "YOU'LL COME A WALTZING MATILDA WITH ME"302

-------------------------------------------------------------------GLOSSARYSWAGMAN - AN ITINERANT UNEMPLOYED PERSON WHO TRAVELLEDTHROUGHOUT RURAL AUSTRALIA LOOKING FOR WORK IN EXCHANGEFOR FOOD, LODGING OR MONEY. A "SWAG" WAS HIS DISTINCTIVEROLLED-UP BEDDING THAT HE CARRIED ON HIS BACK.BILLABONG - A SMALL LAKE OR QUIET STREAM.COOLIBAH - A LARGE SHADY TREE.BILLY - A BLACKENED TIN USED FOR BOILING WATER OVER AN OPENFIRE. ONCE BOILED, YOU THROW IN A HANDFUL OF TEA LEAVES ANDA GUM LEAF TO MAKE A DELICIOUS CUP OF TEA. IF YOU'RE REALLYGAME YOU CAN SWING THE BILLY IN VERTICAL CIRCLES OVER YOURHEAD TO FORCE THE TEA LEAVES TO THE BOTTOM.JUMBUCK - A SHEEPTUCKER BAG - "TUCKER" IS FOOD. THE SWAGMAN CARRIED HIS FOODIN A TUCKER BAG.SQUATTER - A GENERAL GROUP OF PEOPLE WHO CLAIMEDOCCUPANCY (AND EVENTUALLY TITLE) TO FARM LAND BY LIVING ON ITFOR LONG ENOUGH. OFTEN REGARDED WITH DISDAIN, FORMER PRIMEMINISTER PAUL KEATING REFERRED TO SOME RURAL LAND-OWNERSAS THE "SQUATTOCRACY" IN REFERENCE TO THE ORIGIN OF THE TITLETO THEIR LAND.TROOPER - POLICEMAN.303

WHAT PART OF NO DON'T YOU UNDERSTANDLORRIE MORGAN(C) SIR, IF YOU DON'T MIND, I RATHER (G) BE ALONEFROM THE MOMENT I WALKED IN TONIGHT, (F) YOU'VE BEEN (G) COMIN'(C) ONIF I TOLD YOU ONCE, I TOLD YOU TWICE, I'M (F) JUST HERE TO UNWINDI'M NOT (G) INTERESTED IN ROMANCE OR (F) WHAT YOU (G) HAVE IN (C)MIND(CHORUS) (C) WHAT PART OF NO DON'T YOU UNDER(G)STAND?TO PUT IT PLAIN AND SIMPLE, I'M NOT (F) IN TO (G) ONE-NIGHT (C)STANDSI'LL BE GLAD TO EXPLAIN IT, IF IT'S TOO (F) HARD TO COMPREHEND(G) WHAT PART OF NO DON'T YOU UNDER(C)STAND?(INSTRUMENTAL)I APPRECIATE THE DRINK AND THE ROSE WAS NICE OF YOUI DON'T MEAN TO BE SO BLEAK, I DON'T THINK I'M GETTIN' THRUI DON'T NEED NO COMPANY AND I DON'T WANT TO DANCESO WHAT PART OF NO DON'T YOU UNDERSTAND(CHORUS + LAST 2 LINES + LAST LINE)304

WHEN THE ROLL IS CALLED UP YONDERJAMES M BLACK, AWHEN THE (A) TRUMPET OF THE LORD SHALL SOUND AND (D) TIMESHALL BE NO (A) MOREAND THE MORNING BREAKS, ETERNAL, BRIGHT AND (E) FAIRWHEN THE (A) SAVED OF EARTH SHALL GATHER OVER (D) ON THEOTHER (A) SHOREAND THE ROLL IS CALLED UP (E7) YONDER, I'LL BE (A) THERE(REFRAIN) WHEN THE ROLL IS CALLED UP YONDERWHEN THE (E7) ROLL IS CALLED UP YONDERWHEN THE (A) ROLL IS CALLED UP (D) YONDERWHEN THE (A) ROLL IS CALLED UP (E7) YONDER I'LL BE (A) THEREON THAT BRIGHT AND CLOUDLESS MORNING WHEN THE DEAD INCHRIST SHALL RISEAND THE GLORY OF HIS RESURRECTION SHAREWHEN HIS CHOSEN ONES SHALL GATHER TO THEIR HOME BEYONDTHE SKIESAND THE ROLL IS CALLED UP YONDER, I'LL BE THERE (REFRAIN)LET US LABOR FOR THE MASTER FROM THE DAWN TILL SETTING SUNLET US TALK OF ALL HIS WONDROUS LOVE AND CARETHEN WHEN ALL OF LIFE IS OVER AND OUR WORK ON EARTH IS DONEAND THE ROLL IS CALLED UP YONDER, I'LL BE THERE (REFRAIN)305

WHEN THE SAINTS GO MARCHING INWORDS BY KATHERINE E PURVIS, MUSIC BY JAMES M BLACK, GI'M (G) JUST A WEARY (C) PILGRIMPLODDING (G) THROUGH THIS WORLD OF (D7) SINGETTING (G) READY FOR (G7) THAT (C) CITY(REFRAIN) WHEN THE (G) SAINTS GO (D7) MARCHING (G) INWHEN THE SAINTS GO MARCHING INWHEN THE SAINTS GO MARCHING (D7) INLORD, I (G) WANT TO BE (G7) IN THAT (C) NUMBERWHEN THE (G) SAINTS GO (D7) MARCHING (G) INMY FATHER LOVED THE SAVIOR, WHAT A SOLDIER HE HAD BEEN!BUT HIS STEPS WILL BE MORE STEADY (REFRAIN)AND MOTHER, MAY GOD BLESS HER, I CAN SEE HER NOW AS THENWITH A ROBE OF WHITE AROUND HER (REFRAIN)UP THERE I'LL SEE THE SAVIOR, WHO REDEEMED MY SOUL FROM SINWITH EXTENDED HANDS HE'LL GREET ME (REFRAIN)306

WHEN YOU'RE HOT YOU'RE HOTJERRY REED, PORTER WAGONERJERRY R HUBBARD(MIXED BAG OF SINGING AND SPEAKING)WELL ME AND HOMER JONES AND BIG JOHN TALLEYHAD A BIG CRAP GAME GOIN' BACK IN THE ALLEYAND I KEPT ROLLIN' THEM SEVENS , WINNIN' ALL THEM POTSMY LUCK WAS SO GOOD I COULD DO NO WRONGI JEST KEPT ON ROLLIN' AND CONTROLLIN' THEM BONESAND FINALLY THEY JEST THREW UP THEIR HANDS AND SAID"WHEN YOU HOT, YOU HOT"I SAID "YEAH?"WHEN YOU'RE HOT, YOU'RE HOTAND WHEN YOU'RE NOT, YOU'RE NOTPUT ALL THE MONEY IN AND LET'S ROLL 'EM AGAINWHEN YOU'RE HOT, YOU'RE HOT(LA LA LA LA LA LA LA) (LA LA LA LA LA)(LA LA LA LA LA LA LA, WHEN YOU'RE HOT, YOU'RE HOT)WELL, NOW EVERY TIME I ROLLED THEM DICE I'D WINAND I WAS JUST GETTIN' READY TO ROLL 'EM AGAINWHEN I HEARD SOMETHIN' BEHIND MEI TURNED AROUND AND THERE WAS A BIG OLD COPHE SAID, "HELLO, BOYS" AND THEN HE GAVE US A GRIN 'N' SAID"LOOK LIKE I'M GONNA HAFTA HAUL YOU ALL INAND KEEP ALL THAT MONEY FOR EVIDENCE"I SAID, "WELL, SON WHEN YOU HOT, YOU HOT"HE SAID "YEAH"WHEN YOU'RE HOT, YOU'RE HOTAND WHEN YOU'RE NOT, YOU'RE NOTYOU CAN 'SPLAIN IT ALL DOWN AT CITY HALLI SAY, YEAH, WHEN YOU'RE HOT, YOU'RE HOTYOU'RE HOT(LA LA LA LA LA LA LA) (LA LA LA LA LA)(LA LA LA LA LA LA LA, WHEN YOU'RE HOT, YOU'RE HOT)307

WELL, WHEN HE TOOK US INTA COURT I COULDN'T BELIEVE MY EYESTHE JUDGE WAS A FISHIN' BUDDY THAT I RECOGNIZEDI SAID, "HEY, JUDGE, OLD BUDDY, OLD PAL""I'LL PAY YA THAT HUNDRED I OWE YA IF YOU'LL GET ME OUTTA THISSPOT"SO HE GAVE MY FRIENDS A LITTLE FINE TO PAYHE TURNED AROUND AND GRINNED AT ME AND SAID"NINETY DAYS, JERRY, WHEN YOU HOT, YOU HOT"'N' I SAID, "THANKS A LOT"WHEN YOU'RE HOT, YOU'RE HOTAND WHEN YOU'RE NOT, YOU'RE NOTHE LET MY FRIENDS GO FREE AND THROWED THE BOOK AT MEHE SAID, "WELL, WHEN YOU'RE HOT, YOU'RE HOT"I SAID, "WELL I'LL TELL YA ONE THING JUDGE, OLD BUDDY, OLD PAL""IF YOU WASN'T WEARIN' THAT BLACK ROBE I'D TAKE OUT IN BACK OFTHIS COURTHOUSE"AND I'D TRY A LITTLE BIT OF YOUR HONOR ON""YOU UNDERSTAND THAT, YOU HILLBILLY?""WHO GONNA COLLECT MY WELFARE?"(WHEN YOU'RE HOT, YOU'RE HOT")"PAY FOR MY CADILLAC?"WHADDA YOU MEAN 'CONTEMPT OF COURT'?"(WHEN YOU'RE HOT, YOU'RE HOT")"JUDGE"308

WHERE HAVE ALL THE FLOWERS GONEPETER PAUL & MARYPETE SEEGER(C) WHERE HAVE ALL THE FLOWERS GONE, LONG (D7) TIME (G7)PASSING?(C) WHERE HAVE ALL THE FLOWERS GONE, (F) LONG TIME (G) AGO?(C) WHERE HAVE ALL THE FLOWERS GONE?(F) YOUNG GIRLS HAVE PICKED THEM (G7) EVERY ONE.(F) OH, WHEN WILL THEY (C) EVER LEARN?(F) OH WHEN WILL (G7) THEY EVER (C) LEARN?WHERE HAVE ALL THE YOUNG GIRLS GONE, LONG TIME PASSING?WHERE HAVE ALL THE YOUNG GIRLS GONE, LONG TIME AGO?WHERE HAVE ALL THE YOUNG GIRLS GONE,GONE FOR HUSBANDS EVERYONE.OH WHEN WILL THEY EVERY LEARN?OH WHEN WILL THEY EVER LEARN?WHERE HAVE ALL THE HUSBANDS GONE, LONG TIME PASSING?WHERE HAVE ALL THE HUSBANDS GONE, LONG TIME AGO?WHERE HAVE ALL THE HUSBANDS GONE,GONE FOR SOLDIERS EVERYONEOH WHEN WILL THEY EVER LEARN?OH WHEN WILL THEY EVER LEARN.WHERE HAVE ALL THE SOLDIERS GONE, LONG TIME PASSING?WHERE HAVE ALL THE SOLDIERS GONE, LONG TIME AGO?WHERE HAVE ALL THE SOLDIERS GONE?GONE TO GRAVEYARDS, EVERYONE.OH, WHEN WILL THEY EVERY LEARN?OH WHEN WILL THEY EVER LEARN?WHERE HAVE ALL THE GRAVEYARDS GONE, LONG TIME PASSING?WHERE HAVE ALL THE GRAVEYARDS GONE, LONE TIME AGO?WHERE HAVE ALL THE GRAVEYARDS GONE?GONE TO FLOWERS, EVERYONE.OH, WHEN WILL THEY EVER LEARN?OH WHEN WILL THEY EVER LEARN?309

WHERE HAVE ALL THE FLOWERS GONE, LONG TIME PASSING?WHERE HAVE ALL THE FLOWERS GONE, LONG TIME AGO?WHERE HAVE ALL THE FLOWERS GONE?YOUNG GIRLS HAVE PICKED THEM EVERYONE.OH, WHEN WILL THEY EVER LEARN?OH WHEN WILL THEY EVER LEARN?310

WHISPERING HOPESEPTIMUS WINNER ("ALICE HAWTHORNE"), E(E) SOFT AS THE (A) VOICE OF AN (E) ANGEL(B7) BREATHING A LESSON UN(E)HEARDHOPE WITH A GENTLE PER(A)SUASION(E) WHISPERS HER (B7) COMFORTING (E) WORDWAIT TILL THE (B7) DARKNESS IS (E) OVER(B7) WAIT TILL THE (F#7) TEMPEST IS (B7) DONE(E) HOPE FOR THE (A) SUNSHINE TO(E)MORROWAFTER THE (B7) SHOWER IS (E) GONE(REFRAIN) (B7) WHISPERING (E) HOPEO HOW (B7) WELCOME THY (E) VOICE(A) MAKING MY (E) HEARTIN ITS (B7) SORROW RE(E)JOICEIF, IN THE DUSK OF THE TWILIGHTDIM BE THE REGION AFARWILL NOT THE DEEPENING DARKNESSBRIGHTEN THE GLIMMERING STAR?THEN WHEN THE NIGHT IS UPON USWHY SHOULD THE HEART SINK AWAY?WHEN THE DARK MIDNIGHT IS OVERWATCH FOR THE BREAKING OF DAY (REFRAIN)HOPE, AS AN ANCHOR SO STEADFASTRENDS THE DARK VEIL FOR THE SOULWHITHER THE MASTER HAS ENTEREDROBBING THE GRAVE OF ITS GOALCOME THEN, O COME, GLAD FRUITIONCOME TO MY SAD WEARY HEARTCOME, O THOU BLEST HOPE OF GLORYNEVER, O NEVER DEPART (REFRAIN)311

WILLKOMMENWORDS BY FRED EBB, MUSIC BY JOHN KANDER (FROM THE MUSICAL“CABARET”)(Gmaj7) WILKOMMEN! BIENVENUE! (G6) WELCOME!(Gmaj7) FREMDER, ETRANGER, (Am7) STRANGER (D7sus)(Am) GLUCKLICH ZU (D7b9) SEHEN, JE (Gmaj7) SUIS ENCHANTE, (A13)HAPPY TO SEE YOU(Am7) BLEIBE, RESTE, (D9) STAY(Gmaj7) WILLKOMMEN! BIENVE(G6)NUE! (E7) WELCOME!IM CABA(Am)RET, AU CABA(Am9)RET, TO (D13) CABA(G)RET!312

WILL THE CIRCLE BE UNBROKENJOAN BAEZ, JOHNNY CASHWORDS BY ADA R HABERSHON, MUSIC BY CHARLES H GABRIEL(ADAPTED BY CATHY WINTER, BETSY ROSE AND MARCIA TAYLOR)I WAS STANDING BY THE WINDOW ONE DARK AND CLOUDY DAYWHEN I SAW THE HEARSE COME ROLLING FOR TO CARRY MY MOTHERAWAY(CHORUS) WILL THE CIRCLE BE UNBROKEN BY AND BY, LORD, BY ANDBY?THERE'S A BETTER HOME AWAITING IN THE SKY, LORD, IN THE SKYWELL, I TOLD THAT UNDERTAKER "UNDERTAKER, PLEASE DRIVE SLOWFOR THIS BODY YOU ARE HAULING, LORD, I HATE TO SEE HER GO"(CHORUS)WELL, I FOLLOWED CLOSE BEHIND HER, TRIED TO HOLD UP AND BEBRAVEBUT I COULD NOT HIDE MY SORROW WHEN THEY LAID HER IN THEGRAVE (CHORUS)(CHORUS2) WILL THE CIRCLE BE UNBROKEN BY AND BY, LORD, BY ANDBYTHERE'S A BETTER WAY TO LIVE NOW, WE CAN HAVE IT IF WE TRYI WAS SINGING WITH MY SISTER, I WAS SINGING WITH MY FRIENDSAND WE ALL CAN SING TOGETHER, 'CAUSE THE CIRCLE NEVER ENDS(CHORUS2)I WAS BORN DOWN IN THE VALLEY WHERE THE SUN REFUSED TOSHINEBUT I'M CLIMBING UP TO THE HIGHLAND, GONNA MAKE THATMOUNTAIN MINE (CHORUS2)313

WILL THE CIRCLE BE UNBROKENJOAN BAEZ, JOHNNY CASH, EDDY ARNOLD, AWORDS BY ADA R HABERSHON, MUSIC BY CHARLES H GABRIEL(ADAPTED)I WAS (A) STANDING BY MY WINDOWON ONE (D) COLD AND CLOUDY (A) DAYWHEN I SAW THE HEARSE COME ROLLINGFOR TO (B7) TAKE MY MOTHER A(E7)WAY(REFRAIN) WILL THE (A) CIRCLE BE UNBROKENBY AND (D) BY, LORD, BY AND (A) BY?THERE'S A BETTER HOME AWAITINGIN THE (E) SKY, LORD, IN (E7) THE (A) SKYOH, I TOLD THE UNDERTAKER"UNDERTAKER, PLEASE DRIVE SLOWFOR THIS BODY YOU ARE HAULINGLORD, I HATE TO SEE HER GO" (REFRAIN)I WILL FOLLOW CLOSE BEHIND HERTRY TO HOLD UP AND BE BRAVEBUT I COULD NOT HIDE MY SORROWWHEN THEY LAID HER IN THE GRAVE (REFRAIN)314

WILL THE CIRCLE BE UNBROKENWORDS BY ADA R HABERSHON, MUSIC BY CHARLES H GABRIEL, CTHERE ARE (C) LOVED ONES IN THE (C7) GLORYWHOSE DEAR (F) FORMS YOU OFTEN (C) MISSWHEN YOU CLOSE YOUR EARTHLY (Am) STORYWILL YOU (D7) JOIN THEM IN THEIR (G7) BLISS?(CHORUS) WILL THE (C) CIRCLE BE UNBROKENBY AND (F) BY, LORD, BY AND (C) BY?THERE'S A BETTER HOME AWAITINGIN THE (G) SKY, LORD, (G7) IN THE (C) SKYIN THE JOYOUS DAYS OF CHILDHOODOFT' THEY TOLD OF WONDROUS LOVEPOINTED TO THE DYING SAVIORNOW THEY DWELL WITH HIM ABOVE (CHORUS)YOU REMEMBER SONGS OF HEAVENWHICH YOU SANG WITH CHILDISH VOICEDO YOU LOVE THE HYMNS THEY TAUGHT YOUOR ARE SONGS OF EARTH YOUR CHOICE? (CHORUS)YOU CAN PICTURE HAPPY GATH'RINGS'ROUND THE FIRESIDE LONG AGOAND YOU THINK OF TEARFUL PARTINGSWHEN THEY LEFT YOU HERE BELOW (CHORUS)ONE BY ONE THEIR SEATS WERE EMPTIEDONE BY ONE THEY WENT AWAYHERE THE CIRCLE HAS BEEN BROKENWILL IT BE COMPLETE ONE DAY? (CHORUS)315

WINCHESTER CATHEDRALGEOFF STEPHENS, D(D,A7,D, WHISTLE INTRODUCTION)(D) WINCHESTER CATHEDRAL (A7) YOU'RE BRINGING ME DOWNYOU STOOD AND YOU WATCHED AS (D) MY BABY LEFT TOWNYOU COULD HAVE DONE SOMETHING (A7) BUT YOU DIDN'T TRYYOU DIDN'T DO NOTHING, (D) YOU LET HER WALK BY(D7) NOW EVERYONE KNOWS JUST HOW MUCHI NEEDED THAT (G) GIRL(E7) SHE WOULDN'T HAVE GONE FAR AWAYIF ONLY YOU'D (A7) STARTED RINGING YOUR BELL(D) WINCHESTER CATHEDRAL, (A7) YOU'RE BRINGING ME DOWNYOU STOOD AND YOU WATCHED AS (D) MY BABY LEFT TOWN316

WITH THIS RING I THEE WEDHANK SNOW, GS NELSON, J ROLLINS, E NELSON, JR.(G) (1ST LINE SPOKEN) WITH THIS RING I THEE WEDAN (C) ANGEL HERE BE(G)SIDE MEJUST A (D) MOMENT MORE AND HEAVEN WILL BE (G) MINEWITH THIS RING I THEE WEDAS (C) EVERY DREAM IN(G)SIDE MECOMES (D) TRUE EACH TIME I HEAR THE CHURCH BELLS (G) CHIMETHIS (D) LITTLE BAND OF GOLD I HOLDWILL (G) SOON BE ON YOUR FINGERA (A) KISS, A VOW, A MOMENT SO DI(D)VINEWITH THIS (G) RING I THEE WEDAND (C) NOW YOU'RE MINE FOR(G)EVERTO (D) HAVE AND HOLD UNTIL THE END OF (G) TIMEWITH OUR HEARTS TIED AS ONEWE LEAVE THE CHURCH TOGETHERTOGETHER AS WE KNOW WE'LL ALWAYS BEIN A LIFE JUST BEGUNTHIS DAY WILL LIVE FOREVERLIKE BLOSSOMS IN A TREASURED MEMORYYOUR BIG BOUQUET MAY FADE AWAYBUT AS THE YEARS GO BY DEARI'LL TAKE YOUR HAND AND SAY EACH DAY ANEWWITH THIS RING I THEE WEDI VOW I LOVE YOU TRULYAND EVERY DAY YOU'LL HEAR ME SAY I DO317

WUNDERBARCOLE PORTER (FROM KISS ME, KATE)WUNDER(G)BAR, WUNDERBAR! WHAT A PER(C)FECT NIGHT (G) FORLOVEHERE AM (D7) I, HERE YOU ARE, WHY, IT'S (G) TRULY WUNDERBAR!WUNDERBAR, WUNDERBAR! WE'RE ALONE AND HAND IN GLOVENOT A CLOUD NEAR OR FAR, WHY IT'S MORE THAN WUNDERBAR!OH, I (Fm7) CARE, DEAR, (Bb7) FOR YOU (Eb) MADLYAND I (Fm7) LONG, DEAR, (Bb7) FOR YOUR (Eb) KISSI WOULD (Am7) DIE, DEAR, (D7) FOR YOU (G) GLADLYYOU'RE DI(C#m7)VINE, DEAR! (F#7) AND YOU'RE (D9) MINE, DEAR!WUNDER(G)BAR, WUNDERBAR! THERE'S OUR FAVO(C)RITE STAR(G)ABOVEWHAT A (D7) BRIGHT SHINING STAR, LIKE OUR (G) LOVE, IT'SWUNDERBAR!318

YELLOW BIRDMILLS BROTHERS, BROTHERS FOUR, ROGER WHITTAKERAUTHOR UNKNOWN, A(CHORUS) (A) YEL(Af)LOW (A) BIRD, UP (E7) HIGH IN BANANA (A) TREE(A)YEL(Af)LOW BIRD, YOU (E7) SIT ALL ALONE LIKE (A) ME(D) DID YOUR LADY FRIEND, (A) LEAVE THE NEST AGAIN?(E) OH, HOW VERY SAD, (A) MAKES ME FEEL SO BAD(D) YOU CAN FLY AWAY, (A) IN THE SKY AWAY(E) YOU'RE MORE LUCKY THAN (A) ME [CODA]I ALSO HAVE A (D) PRETTY GIRL, (E) SHE'S NOT WITH ME TO(A)DAYTHEY'RE ALL THE SAME, THE (D) PRETTY GIRLS(E) MAKE THEM THE NEST, THEN THEY FLY A(A)WAY (CHORUS)(OR: TAKE TENDERNESS..., OR: THEY LEAVE THE NEST...)BLACK AND YELLOW, YOU, LIKE BANANA, TOOYOU'D BETTER FLY AWAY, IN THE SKY AWAYTHE PICKER COMING SOON, HE PICKS FROM NIGHT TO NOONHE MIGHT PICK YOU SOMEDAYI WISH THAT I WERE A YELLOW BIRD, I'D FLY AWAY WITH YOUBUT I AM NOT A YELLOW BIRDSO HERE I SIT, NOTHING ELSE TO DO (CHORUS)319

YELLOW RIVERCHRISTIE (THE VIETNAM-ERA CLASSIC BY THE BRITISH TRIO)(G) SO LONG, BOY, YOU CAN TAKE MY PLACE(Em) I GOT MY PAPERS, I GOT MY PAYSO PACK MY BAGS AND I'LL BE ON MY WAY . . . TO (D) YELLOW RIVERPUT MY GUN DOWN, THE WAR IS WONFILL MY GLASS HIGH, THE TIME HAS COMEI'M GOIN' BACK TO THE PLACE THAT I LOVE . . . YELLOW RIVER(CHORUS) (G) YELLOW RIVER, YELLOW RIVER . . . IS (D) IN MY MIND ANDIN MY EYES(G) YELLOW RIVER, YELLOW RIVER . . . IS (D) IN MY BLOOD, IT'S THEPLACE THAT I LOVE(Em) GOT NO TIME FOR EXPLANATIONS, (D7) GOT NO TIME TO LOSE(Em) TOMORROW NIGHT YOU'LL FIND ME SLEEPIN' (D) UNDERNEATHTHE MOON … AND YELLOW RIVERCANNON FIRE LINGERS IN MY MINDI'M SO GLAD I'M STILL ALIVEAND I'VE BEEN GONE FOR SUCH A LONG TIME . . . FROM YELLOW RIVERI REMEMBER THE NIGHTS WERE COOLI CAN STILL SEE THE WATER POOLAND I REMEMBER THE GIRL THAT I KNEW . . . FROM YELLOW RIVER(CHORUS)320

Y.M.C.AJACQUES MORALI, HENRI BELOLO AND VICTOR WILLIS, G(G) YOUNG MAN, THERE'S NO NEED TO FEEL DOWNI SAID, (Em) YOUNG MAN, PICK YOURSELF OFF THE GROUNDI SAID, (C) YOUNG MAN, 'CAUSE YOU'RE IN A NEW TOWNTHERE'S NO (D) NEED (C) TO (D) BE (C) UN(G)HA(D)PPY (D7)(CHORUS) IT'S FUN TO STAY AT THE (signum) (G) Y. M. C. A.IT'S FUN TO STAY AT THE (Em) Y. M. C. ATHEY HAVE (Am) EVERYTHING FOR YOUNG (Am7) MEN TO ENJOYYOU CAN (Am7) HANG OUT WITH ALL THE BOYSIT'S FUN TO STAY AT THE (G) Y. M. C. A.IT'S FUN TO STAY AT THE (Gm) Y. M. C. A.YOU CAN (Am) GET YOURSELF CLEAN YOU CAN HAVE A GOOD MEALYOU CAN (D11) DO WHATEVER YOU FEEL (D)YOUNG MAN, THERE'S A PLACE YOU CAN GOI SAID, YOUNG MAN, WHEN YOU'RE SHORT ON YOUR DOUGHYOU CAN STAY THERE AND I'M SURE YOU WILL FINDMANY WAYS TO HAVE A GOOD TIME (CHORUS)YOUNG MAN, ARE YOU LISTENING TO ME?I SAID, YOUNG MAN, WHAT DO YOU WANT TO BE?I SAID, YOUNG MAN, YOU CAN MAKE REAL YOUR DREAMSBUT YOU'VE GOT TO KNOW THIS ONE THINGNO MAN DOES IT ALL BY HIMSELFIS SAID YOUNG MAN PUT YOUR PRIDE ON THE SHELFAND JUST GO THERE TO THE Y. M. C. A.I'M SURE THEY CAN HELP YOU TODAY(CHORUS, BUT WITH LAST TWO LINES:)YOUNG MAN, YOUNG MAN, THERE'S NO NEED TO FEEL DOWNYOUNG MAN, YOUNG MAN, PICK YOURSELF OFF THE GROUND(and repeat chorus from signum)YOUNG MAN, I WAS ONCE IN YOUR SHOESI SAID, I WAS DOWN AND OUT AND WITH THE BLUES321

I FELT NO MAN CARED IF I WERE ALIVEI FELT THE WHOLE WORLD WAS SO JIVETHAT'S WHEN SOMEONE CAME UP TO MEAND SAID, "YOUNG MAN, TAKE A WALK UP THE STREETIT'S A PLACE THERE CALLED THE Y. M. C. A.THEY CAN START YOU BACK ON YOUR WAY(CHORUS, BUT WITH THE LAST TWO LINES:)YOUNG MAN, YOUNG MAN, ARE YOU LISTENING TO ME?YOUNG MAN, YOUNG MAN, WHAT DO YOU WANT TO BE?(and repeat chorus from signum, repeat ad lib and fade)322

YOU ARE MY SUNSHINEGENE AUTRYJIMMIE DAVIS AND CHARLES MITCHELLTHE OTHER NIGHT DEAR AS I LAY SLEEPINGI DREAMED I HELD YOU IN MY ARMSWHEN I AWOKE DEAR I WAS MISTAKENAND I HUNG MY HEAD AND CRIED(CHORUS) YOU ARE MY SUNSHINE, MY ONLY SUNSHINEYOU MAKE ME HAPPY WHEN SKIES ARE GRAYYOU'LL NEVER KNOW DEAR HOW MUCH I LOVE YOUPLEASE DON'T TAKE MY SUNSHINE AWAYI'LL ALWAYS LOVE YOU AND MAKE YOU HAPPYIF YOU WILL ONLY SAY THE SAMEBUT IF YOU LEAVE ME TO LOVE ANOTHERYOU'LL REGRET IT ALL SOMEDAY (CHORUS)YOU TOLD ME ONCE DEAR YOU REALLY LOVED MEAND NO ONE ELSE COULD COME BETWEENBUT NOW YOU'VE LEFT ME AND LOVE ANOTHERYOU HAVE SHATTERED ALL MY DREAMS (CHORUS)323

YOU CAN GET IT IF YOU REALLY WANTWRITTEN BY: UNKNOWNYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTBUT YOU MUST TRY, TRY AND TRY, TRY AND TRYYOU'LL SUCCEED AT LASTPERSECUTION, YOU MUST FACEWIN OR LOSE, YOU GOT TO TAKE YOUR SHAREKEEP YOUR MIND SET ON YOUR DREAMYOU CAN GET IT, AS HARD AS IT SEEMSYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTBUT YOU MUST TRY, TRY AND TRY, TRY AND TRYYOU'LL SUCCEED AT LASTROME WAS NOT BUILT IN A DAYOPPOSITION WILL COME YOUR WAYBUT THE HOTTER THE BATTLE YOU SEEIT'S THE SWEETER THE VICTORYYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTBUT YOU MUST TRY, TRY AND TRY, TRY AND TRYYOU'LL SUCCEED AT LASTYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTYOU CAN GET IT IF YOU REALLY WANTBUT YOU MUST TRY, TRY AND TRY, TRY AND TRYYOU'LL SUCCEED AT LAST324

YOU MADE ME LOVE YOUPATSY CLINE, COLE PORTER, CWORDS BY JOE MCCARTHY, MUSIC BY JAMES V MONACO(C) YOU MADE ME LOVE (Ebdim7)YOUI (Dm7) DIDN'T WANNA (G7) DO ITI (Dm7) DIDN'T WANNA (G7) DO ITYOU MADE ME (Dm7) WANT (G7) YOU(C) AND ALL THE TIME YOU KNEW IT(A7) YOU MADE ME HAPPY SOMETIMES(D7) YOU (Am7) MADE ME (D7) GLADBUT THERE WERE TIMES (Am7) DEAR(D7) YOU (Dm7) MADE (G) ME (Dm7)FEEL SO (G7) BAD(C) YOU MADE ME SIGH FOR(Dm7) I DIDN'T WANNA (G7) TELL YOU(Dm7) I DIDN'T WANNA (G7) TELL YOUI WANT SOME (Dm7) LOVE (B7#5) THAT'S (E7) TRUEYES, I DO, 'DEED I DOYOU KNOW I DO(A7) GIM(Gm)ME, (A7) GIM(Gm)ME(Am7)WHAT I (Gm) CRY FORYOU (D7) KNOW YOU'VE GOT THE BRAND OF KISSES,(Am7) THAT I'D DIE FOR(C) YOU KNOW YOU (Dm7) MADE (G7) ME LOVE (C) YOU325

YOU NEVER EVEN CALLED ME BY MY NAMEDAVID ALLAN COE, CSTEVE GOODMAN(C) WELL, IT WAS ALL THAT I COULD (G) DO TO KEEP FROM (C) CRYIN'SOME(F)TIMES IT SEEMS SO USELESS TO RE(C)MAINBUT (F) YOU DON'T HAVE TO CALL ME DARLIN', (C) DARLIN'YOU NEVER EVEN (G) CALLED ME BY MY (C) NAME(C) YOU DON'T HAVE TO (G) CALL ME WAYLON (C) JENNINGS(C) AND YOU DON'T HAVE TO (G) CALL ME CHARLIE (G) PRIDEAND (F) YOU DON'T HAVE TO CALL ME MERLE (C) HAGGARD,ANY(Am)MORE(D) EVEN THOUGH YOU'RE ON MY FIGHTIN' (G) SIDE(CHORUS) AND I'LL (F) HANG AROUND AS LONG AS YOU WILL (C) LETMEAND I NEVER MINDED (G) STANDIN' IN THE (C) RAINBUT (F) YOU DON'T HAVE TO CALL ME DARLIN', (C) DARLIN'YOU NEVER EVEN (G) CALLED ME BY MY (C) NAMEWELL I'VE HEARD MY NAME A FEW TIMES IN YOUR PHONE BOOKAND I'VE SEEN IT ON SIGNS WHERE I'VE LAIDBUT THE ONLY TIME I KNOW, I'LL HEAR DAVID ALLAN COEIS WHEN JESUS HAS HIS FINAL JUDGEMENT DAY (CHORUS, SO I'LL)THEN: THE SPOKEN PART BELOW HAS THIS PLAYED IN THEBACKGROUND:(THE NUMBERS ARE COMPLETE BARS)C-2 G-4 C-2 G-2 C-1 G-1 AND THEN C TO FINISH OUT THE REST(SPOKEN) WELL, A FRIEND OF MINE NAMED STEVE GOODMAN WROTETHAT SONG AND HE TOLD ME IT WAS THE PERFECT COUNTRY ANDWESTERN SONG. I WROTE HIM BACK A LETTER AND TOLD HIM IT WASNOT THE PERFECT COUNTRY AND WESTERN SONG BECAUSE HEHADN'TSAID ANYTHING AT ALL ABOUT MOMMA, OR TRAINS, OR TRUCKS, ORPRISON, OR GETTIN' DRUNK. WELL, HE SAT DOWN AND WROTEANOTHER326

VERSE TO THE SONG AND HE SENT IT TO ME AND AFTER READING IT,I REALIZED THAT MY FRIEND HAD WRITTEN THE PERFECT COUNTRYAND WESTERN SONG. AND I FELT OBLIGED TO INCLUDE IT ON THISALBUM. THE LAST VERSE GOES LIKE THIS HERE:WELL, I WAS DRUNK THE DAY MY MOM GOT OUTTA PRISONAND I WENT TO PICK HER UP IN THE RAINBUT, BEFORE I COULD GET TO THE STATION IN MY PICKUP TRUCKSHE GOT RUNNED OVER BY A DAMNED OLD TRAINAND I'LL HANG AROUND AS LONG AS YOU WILL LET MEAND I NEVER MINDED STANDIN' IN THE RAIN, NOYOU DON'T HAVE TO CALL ME DARLIN', DARLIN'(C) YOU NEVER EVEN (G) CALL ME, WELL,I (C) WONDER WHY YOU DON'T (F) CALL MEWHY (C) DON'T YOU EVER (G) CALL ME (F) BY MY (C) NAME327

YOU'RE MY BEST FRIENDDON WILLIAMS, C(C) YOU PLACED GOLD (G7) ... ON MY (C) FINGERYOU BROUGHT (F) LOVE LIKE I'VE NEVER (C) KNOWNYOU GAVE LIFE ... TO OUR (F) CHILDRENAND TO (C) ME A (G7) REASON TO GO (C) ON(CHORUS) (C) YOU'RE MY BREAD ... WHEN I'M HUNGRYYOU'RE MY (G7) SHELTER FROM TROUBLED (C) WINDSYOU'RE MY ANCHOR IN LIFE'S (F) OCEANBUT MOST OF (C) ALL ... (G7) YOU'RE MY BEST (C) FRIENDWHEN I NEED HOPE ... AND INSPIRATIONYOU'RE ALWAYS STRONG WHEN I'M TIRED AND WEAKI COULD SEARCH ... THIS WHOLE WORLD OVERYOU'D STILL BE EVERYTHING THAT I NEED (CHORUS)YOU'RE MY BREAD ... WHEN I'M HUNGRYYOU'RE MY SHELTER FROM TROUBLED WINDSYOU'RE MY ANCHOR IN LIFE'S OCEANBUT MOST OF ALL ... YOU'RE MY BEST FRIEND (CHORUS)YOU'RE MY BREAD ... WHEN I'M HUNGRYYOU'RE MY SHELTER FROM TROUBLED WINDSYOU'RE MY ANCHOR IN LIFE'S OCEANBUT MOST OF ALL ... YOU'RE MY BEST FRIEND328

YOU'RE THE ONLY WORLD I KNOWSONNY JAMES, G (RECORDED IN A)R TUBERT - S JAMESYOU'RE THE ONLY WORLD I KNOWYOU'RE THE ONE I CAN'T LET GOYOU'RE MY LAUGHTER AND MY TEARSAND I'LL LOVE YOU ALL MY YEARSYOU'RE THE BEATING OF MY HEARTYOU'RE MY THOUGHTS WHEN WE'RE APARTYOU'RE THE ONE I CAN'T LET GOYOU'RE THE ONLY, ONLY WORLD I KNOW(INSTRUMENTAL)YOU'RE MY NIGHT LIFE AND MY DAYYOU'RE MY ONE LOVE ALL THE WAYYOU'RE THE ONE I CAN'T LET GOYOU'RE THE ONLY, ONLY WORLD I KNOW329

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