Country Music Lyrics Volume 1 with Chords - Foundationwebsite.org

COUNTRY MUSIC LYRICS 

VOLUME I 

WITH CHORDS 

22 NOVEMBER 2001 

UPDATED 24 JULY 2013 

ALL IN KEY OF A, UNLESS OTHERWISE INDICATED 

© 2001-2013 Joseph George Caldwell. All rights reserved. Posted at Internet 

web site http://www.foundationwebsite.org . May be copied or reposted for noncommercial 

use, with attribution.

FOREWORD 

The songs (words and some chords) presented here are intended to facilitate learning to play the 

guitar by ear (per the article, How to Play the Guitar by Ear (for Mathematicians and Physicists), at 

Internet web sites http://www.foundation.bw and http://www.foundationwebsite.org . The songs are 

mainly popular "country and western" ones, with some rock and roll, folk, and gospel songs included. 

(Perhaps "classic" is a better descriptor than "popular," since most of the songs are from the 1950s.) 

If a song has no chords indicated, then the student should (if he knows the melody) be able to play 

such a song in any of the keys that are natural for the guitar, i.e., A, C, D, E, and G (and perhaps F). 

Many of these songs involve just three chords (I, IV and V). If a single chord is indicated somewhere 

in a song (as an assist to the student), and the key of the song is not specified, it is the chord 

assuming that the song is being played in the key of A. 

For songs that are more difficult, I have indicated suggested chords to be used, in a key that suits my 

own vocal range. The student may wish to transpose these songs to a different key. These are not 

necessarily the "best" chords for the song -- just the ones that I found easy or natural to use. For 

songs that have no chords indicated, practice singing the song in several keys, and select the key that 

suits your vocal range best. I play a majority of the songs in this collection in the key of A, many in G, 

and less in E, D and C. 

For each song, the first line specifies the title. If there is an alternative title, that is specified on the 

second line. Next are specified the most well-known singer(s) of the song (in the US) and the 

author(s). If a single name appears, either that person is both the principal singer and the author, or I 

only know one or the other. 

I have assembled a fairly large number of songs into this "practice" collection, since in order for you to 

be able to play a song by ear you must know the melody (none of the songs presented here include 

the music for the melody), and the number of songs of the collection for which you know the melody 

may be small. Most of the songs in this collection were popular in the 1950s, when I used to listen to 

the radio. 

If you do not recognize very many of the songs here, then you should compile your own portfolio of 

lyrics of songs that you do know. Listening to the radio is not so good for recording lyrics, since you 

cannot "replay" the song (unless you tape it). There are a large number of Internet web sites that 

contain lyrics, for every kind of music. Many of the songs contain chords as well. Another source of 

lyrics and chords (and music for the melody) are "fake" books, available in local music stores. 

When learning to play by ear, it is important to have lyrics for a fairly large number of songs. If you 

concentrate on just a few songs, you will memorize the chord sequence. Eventually, you will 

memorize it anyway, but in the beginning, when you are learning to play by ear, it is best not to 

memorize it. It is important to develop an "ear" (a "feel," an intuition, a sense) for which chord should 

be used. To do this, it is important to try playing a song in several different keys. And it is helpful to 

have a large selection of songs, so that you do not spend too much time on a single song (and 

memorize it too soon). When learning to play by ear, it is a good idea to cycle through the book, 

rather than selecting just a few songs. Play each song once or a few times, until you do not make 

mistakes. Later, when your skills improve, you will want to settle on a particular key for a song, and 

learn to sing and play it very well. You will then be able to perform the song well. 

If your voice quality is not very good, don't worry about that. Some very popular singers have terrible 

voices. Each voice, like each flower or sunset, is different, and enjoyed for its own qualities by the 

listeners. Your voice and vocal range and ability to sing in tune improve rapidly with practice. 

Listeners respond more to your enthusiasm and emotion than to the timbre of your voice. 

ii

When singing before a group, it is very helpful to have memorized the lyrics. The problem with 

reading the lyrics from a sheet is that you do not have much eye contact with the listeners, and it 

detracts substantially from the quality/rapport of the performance. After you have learned to play by 

ear, memorize a couple of dozen of your favorite songs (and some of the favorites of your friends), so 

that you are able to perform them without resorting to the hard copy. Do not, however, try to 

memorize lyrics when you are first learning to play by ear. You have enough on your mind at the 

beginning, trying to play and sing at the same time. Also, when you first play before others, the 

natural excitement of performing before someone else may cause you to forget the lyrics, no matter 

how well you have memorized them. Finally, if you read from the lyrics, you can, right away, play a 

large number of songs in an evening with friends -- far more than if you play from memory. 

If you are uncomfortable playing before a group, start out by playing before members of your family, 

and then close friends. You ability and your confidence will increase rapidly with practice, and will 

soon feel at ease playing before strangers. 

Playing with others (in an instrumental group) is very enjoyable. Making music with friends is as 

enjoyable as playing by yourself or for others -- probably more enjoyable. Learning to play by ear is 

something that you must do on your own, but as soon as you master the basic skills, look for others 

with similar interests, and play together. The ultimate goal of making music, of course, is for listeners 

to appreciate it. 

Please note that, although a number of the songs presented here are "traditional" (i.e., in the public 

domain, uncopyrighted), most of them are copyrighted. This means that copies (hardcopy, electronic, 

etc.) of the song may not be made for commercial purposes. It is my understanding that if songs are 

not used for public paid performances, but just used for personal noncommercial use (e.g., as here, to 

assist learning to play the guitar by ear), then a single copy may be made of the words and music. I 

am strongly in favor of the concept that an artist should reap the rewards of his creative talents, and I 

respect copyright law. Please do not make or distribute copies of these songs, except for your own 

personal use. The point to presenting this collection of songs is to have available a good-sized set of 

songs without chords (or with few chords), so that the student may learn to sing and play "easy" 

songs by ear, in any key. Commercially published songs indicate the chords on the music, and they 

often specify chords that are not appropriate for a guitar (e.g., too many chords, difficult chords, 

chords in keys that are not natural for a guitar). That type of music does not help the student learn to 

play by ear. The point to presenting this collection is not to avoid paying copyright fees -- it is to help 

you learn to play the guitar by ear. 

Thanks, and best of luck! 

Joseph George Caldwell 

Clearwater, Florida 

22 November 2001 

Added Note, 17 May 2004: 

This volume is a revision containing chords for most songs. In a sense, it is an “answer book” to 

accompany the earlier edition, which omitted most chords. Please note that most of the chordings 

presented here are very simple – what a new student would be expected to devise. In most cases, 

they are quite adequate, and would be what anyone would use to accompany singing. In some 

cases, however, more elaborate chordings are presented, because they sound so much better. For 

example, the song, “Love Letters in the Sand” includes many more chords than the beginning student 

would be expected to devise. 

iii

TABLE OF CONTENTS 

A DAISY A DAY ................................................................................................................................... 1 

A DEAR JOHN LETTER ...................................................................................................................... 2 

ADIOS AMIGO .................................................................................................................................... 3 

AFTER SEVENTEEN DAYS ON THE ROAD ...................................................................................... 4 

ALL FOR THE LOVE OF A GIRL......................................................................................................... 7 

AMANDA ............................................................................................................................................. 8 

AMAZING GRACE .............................................................................................................................. 9 

AM I LOSING YOU? .......................................................................................................................... 10 

AM I THAT EASY TO FORGET? ....................................................................................................... 11 

A SATISFIED MIND........................................................................................................................... 13 

ARE YOU LONESOME TONIGHT? .................................................................................................. 14 

ASHES OF LOVE .............................................................................................................................. 15 

BACK HOME AGAIN ......................................................................................................................... 16 

BATTLE HYMN OF THE REPUBLIC ................................................................................................. 18 

BIG IRON .......................................................................................................................................... 20 

B.J. THE D.J. ..................................................................................................................................... 22 

BLUE CHRISTMAS ........................................................................................................................... 24 

BLUE EYES CRYING IN THE RAIN .................................................................................................. 25 

BORN TO LOSE ................................................................................................................................ 26 

BOTTLE OF WINE ............................................................................................................................ 27 

BOUQUET OF ROSES ..................................................................................................................... 28 

BROWN-EYED HANDSOME MAN .................................................................................................... 29 

BROWN-SKIN GIRL .......................................................................................................................... 31 

BUMMING AROUND ......................................................................................................................... 32 

CATTLE CALL ................................................................................................................................... 33 

CHARLIE’S SHOES .......................................................................................................................... 34 

CHATTANOOGIE SHOE SHINE BOY ............................................................................................... 35 

CHEATING GAME ............................................................................................................................ 36 

CINDY, OH CINDY ............................................................................................................................ 37 

CITY LIGHTS .................................................................................................................................... 38 

COLD, COLD HEART ........................................................................................................................ 39 

COME A LITTLE BIT CLOSER .......................................................................................................... 40 

COOL WATER .................................................................................................................................. 41 

CRAZY ARMS ................................................................................................................................... 42 

CROSS THE BRAZOS AT WACO ..................................................................................................... 43 

CRYSTAL CHANDELIERS ................................................................................................................ 44 

DARK MOON .................................................................................................................................... 45 

DECK OF CARDS ............................................................................................................................. 46 

DELLA AND THE DEALER ............................................................................................................... 48 

DETOUR ........................................................................................................................................... 50 

DEVIL WOMAN ................................................................................................................................. 51 

DID SHE MENTION MY NAME? ....................................................................................................... 52 

DOES MY RING HURT YOUR FINGER? .......................................................................................... 53 

DON’T BE ANGRY ............................................................................................................................ 54 

DON'T DROP IT ................................................................................................................................ 55 

DON’T EVER LOVE ME .................................................................................................................... 56 

DON'T WE ALL HAVE THE RIGHT TO BE WRONG NOW AND THEN? .......................................... 57 

DO WHAT YOU DO, DO WELL ......................................................................................................... 58 

DROP KICK ME, JESUS ................................................................................................................... 59 

EL CONDOR PASA (IF I COULD) ..................................................................................................... 60 

iv

EL CONDOR PASA (IF I COULD) ..................................................................................................... 61 

ENGINE, ENGINE NUMBER NINE ................................................................................................... 62 

EVERYBODY'S SOMEBODY'S FOOL .............................................................................................. 63 

EVIL ON YOUR MIND ....................................................................................................................... 64 

FADED LOVE .................................................................................................................................... 65 

FEET ................................................................................................................................................. 66 

FOOL NUMBER ONE ........................................................................................................................ 67 

FUNNY HOW TIME SLIPS AWAY ..................................................................................................... 68 

FRANKIE AND JOHNNY ................................................................................................................... 69 

FROM A JACK TO A KING................................................................................................................ 71 

GHOST RIDERS IN THE SKY ........................................................................................................... 72 

GONNA FIND ME A BLUEBIRD ........................................................................................................ 73 

GOTTA TRAVEL ON ......................................................................................................................... 74 

GOTTA TRAVEL ON ......................................................................................................................... 75 

HAITI CHERIE ................................................................................................................................... 76 

HALF AS MUCH ................................................................................................................................ 77 

HANDCUFFED TO LOVE.................................................................................................................. 78 

HAVE I TOLD YOU LATELY THAT I LOVE YOU? ............................................................................ 79 

HAVE YOU EVER BEEN LONELY? (HAVE YOU EVER BEEN BLUE?) ........................................... 80 

HEARTACHES BY THE NUMBER .................................................................................................... 81 

HE’LL HAVE TO GO.......................................................................................................................... 82 

HELLO WALLS .................................................................................................................................. 83 

HEY GOOD LOOKIN’ ........................................................................................................................ 84 

HEY PORTER, HEY PORTER .......................................................................................................... 85 

HIGH NOON (DO NOT FORSAKE ME)............................................................................................. 86 

HONEYCOMB ................................................................................................................................... 87 

HOW GREAT THOU ART ................................................................................................................. 89 

I BELIEVE IN YOU ............................................................................................................................ 90 

I CAN’T HELP IT (IF I’M STILL IN LOVE WITH YOU) ....................................................................... 91 

I DON’T HURT ANYMORE ................................................................................................................ 92 

I DON'T LOVE YOU ANYMORE ........................................................................................................ 93 

I DON’T SEE ME IN YOUR EYES ANYMORE .................................................................................. 94 

I FALL TO PIECES ............................................................................................................................ 95 

IF A WOMAN ANSWERS .................................................................................................................. 96 

IF YOU’VE GOT THE MONEY (I’VE GOT THE TIME) ...................................................................... 97 

I GOT YOU ........................................................................................................................................ 98 

I GUESS THINGS HAPPEN THAT WAY ........................................................................................... 99 

I HEARD THAT LONESOME WHISTLE .......................................................................................... 100 

I LOVE YOU BECAUSE .................................................................................................................. 101 

I LOVE YOU SO MUCH IT HURTS ME ........................................................................................... 102 

I’M SORRY FOR YOU, MY FRIEND ............................................................................................... 103 

IN THE BLUE CANADIAN ROCKIES .............................................................................................. 104 

I'M DREAMING OF A WHITE CHRISTMAS .................................................................................... 105 

I’M MOVING ON .............................................................................................................................. 106 

I’M TIRED ........................................................................................................................................ 108 

I’M IN LOVE AGAIN......................................................................................................................... 109 

I NEVER PICKED COTTON ............................................................................................................ 110 

IN THE JAILHOUSE NOW .............................................................................................................. 111 

IN THE MISTY MOONLIGHT .......................................................................................................... 112 

I REALLY DON’T WANT TO KNOW ................................................................................................ 113 

I REMEMBER YOU ......................................................................................................................... 114 

IS ANYBODY GOIN' TO SAN ANTONE? ........................................................................................ 115 

v

IS IT REALLY OVER? ..................................................................................................................... 116 

IS IT WRONG FOR LOVING YOU? ................................................................................................ 117 

ISLAND IN THE SUN ...................................................................................................................... 118 

I STILL MISS SOMEONE ................................................................................................................ 119 

IT DOESN’T MATTER ANYMORE .................................................................................................. 120 

IT IS NO SECRET ........................................................................................................................... 121 

IT KEEPS RIGHT ON A-HURTIN’ ................................................................................................... 122 

IT’S BEEN A BLUE, BLUE DAY ...................................................................................................... 123 

IT'S BEEN A GREAT AFTERNOON ................................................................................................ 124 

IT’S FOUR IN THE MORNING ........................................................................................................ 125 

IT'S NOW OR NEVER ..................................................................................................................... 126 

IT'S SUCH A PRETTY WORLD TODAY ......................................................................................... 127 

IT WASN'T GOD WHO MADE HONKY TONK ANGELS ................................................................. 128 

I’VE BEEN EVERYWHERE ............................................................................................................. 129 

I WALK THE LINE ........................................................................................................................... 131 

I WONDER COULD I LIVE THERE ANYMORE .............................................................................. 132 

JAMAICA FAREWELL ..................................................................................................................... 133 

JAMBALAYA ................................................................................................................................... 134 

JIMMIE RODGERS BLUES ............................................................................................................. 135 

JINGLE BELLS ................................................................................................................................ 137 

JOHNNY B GOODE ........................................................................................................................ 138 

JUST BETWEEN YOU AND ME...................................................................................................... 139 

JUST FOR WHAT I AM ................................................................................................................... 140 

JUST ONE TIME ............................................................................................................................. 141 

JUST OUT OF REACH (OF MY TWO OPEN ARMS) (EMPTY ARMS) ........................................... 142 

KAWLIGA ........................................................................................................................................ 143 

KINGSTON MARKET ...................................................................................................................... 144 

L. A. INTERNATIONAL AIRPORT ................................................................................................... 145 

LET YOUR LOVE FLOW ................................................................................................................. 146 

LIVING NEXT DOOR TO ALICE ..................................................................................................... 147 

LONELY WOMEN MAKE GOOD LOVERS ..................................................................................... 148 

LONESOME 7-7203 ........................................................................................................................ 149 

LOST HIGHWAY ............................................................................................................................. 150 

LOVE IN THE HOT AFTERNOON ................................................................................................... 151 

LUCILLE .......................................................................................................................................... 152 

MAKING BELIEVE .......................................................................................................................... 153 

MARY ANN REGRETS ................................................................................................................... 154 

MATAMOROS ................................................................................................................................. 155 

ME AND BOBBY MCGEE ............................................................................................................... 157 

MEMORIES ARE MADE OF THIS ................................................................................................... 158 

MOM AND DAD WALTZ .................................................................................................................. 159 

MORE AND MORE ......................................................................................................................... 160 

MORNING HAS BROKEN ............................................................................................................... 161 

MOUNTAIN OF LOVE ..................................................................................................................... 162 

MR RECORD MAN.......................................................................................................................... 163 

M.T.A. .............................................................................................................................................. 164 

MULE SKINNER BLUES (BLUE YODEL #8) ................................................................................... 166 

MULE TRAIN ................................................................................................................................... 167 

MY ARMS STAY OPEN LATE ......................................................................................................... 168 

MY FAREWELL PARTY .................................................................................................................. 169 

MY HAPPINESS .............................................................................................................................. 170 

MY HEART IS BREAKING(?) .......................................................................................................... 171 

vi

MY TENNESSEE MOUNTAIN HOME ............................................................................................. 172 

NO ONE WILL EVER KNOW .......................................................................................................... 173 

NORTH CAROLINA (YOU'VE TAKEN ME UNDER YOUR WING) .................................................. 174 

NOTHING I CAN DO ABOUT IT NOW ............................................................................................ 175 

NOT UNTIL THE NEXT TIME .......................................................................................................... 176 

NOW AND THEN THERE'S A FOOL SUCH AS I ............................................................................ 177 

OCCASIONAL WIFE ....................................................................................................................... 178 

OH BABY MINE ............................................................................................................................... 179 

OH LONESOME ME........................................................................................................................ 180 

OKIE FROM MUSKOGEE ............................................................................................................... 181 

OKLAHOMA HILLS ......................................................................................................................... 182 

OLD SHEP ...................................................................................................................................... 183 

ONCE A DAY .................................................................................................................................. 184 

ONE DAY AT A TIME ...................................................................................................................... 185 

ON THE ROAD AGAIN .................................................................................................................... 186 

ON THE WINGS OF A DOVE .......................................................................................................... 187 

PALOMA BLANCA .......................................................................................................................... 188 

PAPER ROSES ............................................................................................................................... 189 

PICK ME UP (ON YOUR WAY DOWN) ........................................................................................... 190 

PICK ME UP (ON YOUR WAY DOWN) ........................................................................................... 191 

PLAY BORN TO LOSE AGAIN ........................................................................................................ 192 

PLEASE HELP ME I’M FALLING (IN LOVE WITH YOU) ................................................................. 193 

RELEASE ME.................................................................................................................................. 194 

PROMISED LAND ........................................................................................................................... 195 

RAINBOWS ARE BACK IN STYLE ................................................................................................. 197 

RAVISHING RUBY .......................................................................................................................... 198 

REMEMBER ME (WHEN THE CANDLELIGHTS ARE GLEAMING) ............................................... 199 

REMEMBER YOU’RE MINE ............................................................................................................ 200 

RIBBON OF DARKNESS ................................................................................................................ 201 

ROOM FULL OF ROSES ................................................................................................................ 202 

ROSE MARIE .................................................................................................................................. 203 

ROSES ARE RED ........................................................................................................................... 204 

SAN ANTONIO ROSE ..................................................................................................................... 205 

SEARCHING ................................................................................................................................... 206 

SEVEN LONELY DAYS ................................................................................................................... 207 

SHE WEARS MY RING ................................................................................................................... 208 

SHUTTERS AND BOARDS ............................................................................................................. 211 

SILVER BELLS ................................................................................................................................ 212 

SINGING THE BLUES ..................................................................................................................... 213 

SILVER THREADS AND GOLDEN NEEDLES ................................................................................ 214 

SIX DAYS ON THE ROAD .............................................................................................................. 215 

SLIPPING AROUND........................................................................................................................ 216 

SLOWLY ......................................................................................................................................... 217 

SMOKY MOUNTAIN MEMORIES ................................................................................................... 218 

SOMEDAY (YOU’LL WANT ME TO WANT YOU) ........................................................................... 219 

SOUTH OF THE BORDER (DOWN MEXICO WAY) ....................................................................... 220 

SONNY’S DREAM ........................................................................................................................... 221 

STAND BY YOUR MAN .................................................................................................................. 222 

STEP ASIDE ................................................................................................................................... 223 

STORMS NEVER LAST .................................................................................................................. 224 

SUNDAY MORNING COMING DOWN ............................................................................................ 225 

SWEET DREAMS OF YOU ............................................................................................................. 226 

vii

SWEET LIES ................................................................................................................................... 227 

SWEET SURRENDER .................................................................................................................... 228 

TAKE THESE CHAINS FROM MY HEART ..................................................................................... 229 

TALK BACK TREMBLING LIPS ...................................................................................................... 230 

T FOR TEXAS (BLUE YODEL NO. 1) ............................................................................................. 231 

THANK GOD AND GREYHOUND ................................................................................................... 232 

THAT'LL BE THE DAY .................................................................................................................... 233 

THAT’S WHAT MAKES THE JUKEBOX PLAY ................................................................................ 234 

THE AUCTIONEER ......................................................................................................................... 235 

THE BLIZZARD ............................................................................................................................... 238 

THE BLUE SIDE OF LONESOME ................................................................................................... 240 

THE CHRISTMAS POLKA............................................................................................................... 241 

THE GREEN, GREEN GRASS OF HOME ...................................................................................... 242 

THE HANGING TREE ..................................................................................................................... 243 

THE HARDER THEY COME ........................................................................................................... 244 

THE HURTIN'S ALL OVER ............................................................................................................. 246 

THE LAST CHEATER’S WALTZ ..................................................................................................... 247 

THE LAST THING ON MY MIND ..................................................................................................... 248 

THE LORD KNOWS I'M DRINKING ................................................................................................ 249 

THE MEMORY OF AN OLD CHRISTMAS CARD ........................................................................... 250 

THE NIGHT THEY DROVE OLD DIXIE DOWN ............................................................................... 251 

THE PARTY’S OVER ...................................................................................................................... 252 

THERE’LL BE NO TEARDROPS TONIGHT .................................................................................... 253 

THERE SHE GOES ......................................................................................................................... 254 

THERE STANDS THE GLASS ........................................................................................................ 255 

THE ROCK ISLAND LINE ............................................................................................................... 256 



THE TIPS OF MY FINGERS ........................................................................................................... 260 

THE WAYWARD WIND ................................................................................................................... 261 

THE WILD SIDE OF LIFE ................................................................................................................ 262 

THE WRECK OF THE OLD ‘97 ....................................................................................................... 263 

THE WURLITZER PRIZE ................................................................................................................ 264 

THE YEAR THAT CLAYTON DELANEY DIED ................................................................................ 265 

THE YELLOW BANDANA ............................................................................................................... 266 

THIS OLE HOUSE .......................................................................................................................... 267 

TO DADDY ...................................................................................................................................... 269 

TOGETHER AGAIN......................................................................................................................... 270 

TOM DOOLEY ................................................................................................................................. 271 

TONIGHT CARMEN ........................................................................................................................ 272 

TOO MANY RIVERS ....................................................................................................................... 273 

TROUBLE IN MIND ......................................................................................................................... 274 

TRUE LOVE .................................................................................................................................... 275 

TUMBLING TUMBLEWEEDS .......................................................................................................... 276 

UNCHAINED MELODY ................................................................................................................... 277 

WABASH CANNONBALL ................................................................................................................ 278 

WALKING THE FLOOR OVER YOU ............................................................................................... 279 

WALK RIGHT BACK........................................................................................................................ 280 

WALK RIGHT BACK........................................................................................................................ 280 

WALK ON BY .................................................................................................................................. 281 

WALTZ ACROSS TEXAS ................................................................................................................ 282 

WATERLOO .................................................................................................................................... 283 

viii

WHEN IT’S SPRINGTIME IN ALASKA ............................................................................................ 284 

WHEN MY BLUE MOON TURNS TO GOLD AGAIN ....................................................................... 285 

WHEN TWO WORLDS COLLIDE .................................................................................................... 286 

WHERE IS MY CASTLE? ................................................................................................................ 287 

WHO’S SORRY NOW? ................................................................................................................... 288 

WONDERING, WONDERING ......................................................................................................... 289 

YOU CAN’T ROLLER SKATE IN A BUFFALO HERD ..................................................................... 290 

YOUR CHEATING HEART .............................................................................................................. 291 

YOU’RE THE ONLY GOOD THING (THAT’S HAPPENED TO ME) ................................................ 292 

YOU’RE THE REASON ................................................................................................................... 293 

YOU’RE THE REASON GOD MADE OKLAHOMA .......................................................................... 294 

YOUR TIME’S COMING .................................................................................................................. 295 

YOU WIN AGAIN ............................................................................................................................. 296 

ix

A DAISY A DAY 

JUD STRUNK 

(A) HE REMEMBERS THE FIRST TIME HE MET HER 

HE RE(D)MEMBERS THE FIRST THING SHE (A) SAID 

HE RE(D)MEMBERS THE FIRST TIME HE (A) HELD HER 

AND THE (E) NIGHT THAT SHE CAME TO HIS BED 

HE RE(A)MEMBERS HER SWEET WAY OF SAYING 

(D) HONEY HAS SOMETHING GONE (A) WRONG 

HE RE(D)MEMBERS THE FUN AND THE (A) TEASING 

AND THE (E) REASON HE WROTE HER THIS (A) SONG 

(CHORUS) I’LL GIVE YOU A DAISY A DAY DEAR 

I’LL (D) GIVE YOU A DAISY A (A) DAY 

I’LL (D) LOVE YOU UNTIL THE (A) RIVERS RUN STILL 

AND THE (E) FOUR WINDS WE KNOW BLOW A(A)WAY 

THEY WOULD WALK DOWN THE STREET IN THE EVENING 

AND FOR YEARS I WOULD SEE THEM GO BY 

AND THEIR LOVE THAT WAS MORE 

THAN THE CLOTHES THAT THEY WORE 

COULD BE SEEN IN THE GLEAM IN THEIR EYES 

AS A KID THEY WOULD TAKE ME FOR CANDY 

AND I’D LOVE TO GO TAGGIN’ ALONG 

WE’D HOLD HANDS AS WE’D WALK TO THE CORNER 

AND THE OLD MAN WOULD SING HER HIS SONG (CHORUS) 

NOW HE WALKS DOWN THE STREET IN THE EVENING 

AND HE STOPS AT THE OLD CANDY STORE 

AND I SOMEHOW BELIEVE HE’S BELIEVING 

HE’S HOLDING HER HAND LIKE BEFORE 

FOR HE FEELS ALL HER LOVE WALKING WITH HIM 

AND HE SMILES AT THE THINGS SHE MIGHT SAY 

THEN THE OLD MAN WALKS UP TO THE HILLTOP 

AND HE GIVES HER A DAISY A DAY (CHORUS) 

1

A DEAR JOHN LETTER 

SKEETER DAVIS / BOBBY BARE, JEAN SHEPARD / FERLIN HUSKY, PAT 

BOONE 

BILLY BARTON, CHARLES "FUZZY" OWEN, LEWIS A TALLEY, UNKNOWN 

(CHORUS) (A) DEAR JOHN, OH HOW I (E) HATE TO WRITE 

DEAR JOHN, I MUST LET YOU KNOW TO(A)NIGHT 

THAT MY LOVE FOR YOU HAS DIED 

AWAY LIKE (D) GRASS UPON THE LAWN 

(THERE'S NO REASON TO GO ON) 

AND TO(E)NIGHT I'LL WED ANOTHER, DEAR (A) JOHN 

(MAN SPEAKING, OVER CHORUS) I WAS OVERSEAS IN BATTLE 

WHEN THE POSTMAN CAME TO ME 

HE HANDED ME A LETTER 

AND I WAS JUST AS HAPPY AS I COULD BE 

FOR THE FIGHTING WAS ALL OVER, AND THE BATTLES HAD ALL BEEN 

WON 

BUT THEN I OPENED UP THE LETTER, AND IT STARTED, DEAR JOHN 

(CHORUS) 

(WOMAN SPEAKING, OVER CHORUS) DEAR JOHN, WILL YOU PLEASE 

SEND BACK MY PICTURE 

MY HUSBAND WANTS IT NOW 

WHEN I TELL YOU WHO I'M WEDDING, YOU WON'T CARE, DEAR, 

ANYHOW 

NOW THE CEREMONY HAS STARTED, AND I'LL WED YOUR BROTHER, 

DON 

WOULD YOU WISH US HAPPINESS FOREVER, DEAR JOHN 

(AND IT HURTS ME SO TO TELL YOU, THAT MY LOVE FOR YOU IS GONE 

AND TONIGHT I WED YOUR BROTHER, DEAR JOHN 

AND TONIGHT I'LL WED ANOTHER, DEAR JOHN) 

2

ADIOS AMIGO 

JIM REEVES 

(A) ADIOS AMIGO, ADIOS MY (E) FRIEND 

THE ROAD WE HAVE TRAVELLED HAS COME TO AN (A) END 

WHEN TWO LOVE THE SAME LOVE, ONE (D) LOVE HAS TO (A) LOSE 

AND IT'S (E) YOU WHO SHE (A) LONGS FOR, IT'S (B7) YOU SHE WILL (E) 

CHOOSE 

ADI(A)OS COMPADRE, WHAT MUST BE WILL (E) BE 

REMEMBER TO NAME ONE MUCHACHO FOR (A) ME 

I RIDE TO THE RIO, WHERE MY (D) LIFE I WILL (A) SPEND 

ADI(E)OS AMIGO, ADIOS MY (A) FRIEND 

(WHISTLE LAST LINE) 

ADIOS COMPADRE, LET US SHED NO TEARS 

MAY ALL YOUR MANANAS BRING JOY THROUGH THE YEARS 

AWAY FROM THESE MEMORIES, MY LIFE I MUST SPEND 

ADIOS AMIGO, ADIOS MY FRIEND 

(WHISTLE) 

3

AFTER SEVENTEEN DAYS ON THE ROAD 

© 1976 JOSEPH GEORGE CALDWELL, ALL RIGHTS RESERVED. WRITTEN 

DURING TRIP TO HAITI IN FALL, 1975 

(CHORUS) (A) AFTER SEVENTEEN DAYS ON THE ROAD 

AFTER SEVENTEEN DAYS WITH NO (E) WOMAN TO HOLD 

SO LONG FROM HOME, THIS LIFE SURE GROWS OLD 

AFTER SEVENTEEN DAYS ON THE (A) ROAD 

WHEN YOU'RE SEVENTEEN DAYS ON THE ROAD 

WHEN YOU'RE SEVENTEEN DAYS FROM THE WOMAN AT HOME 

FROM MONDAY TO FRIDAY THE DAYS PASS JUST FINE 

BUT THE NIGHTS AND THE WEEKENDS ARE LONELY AT TIMES 

TRAVEL IS FINE WHEN IT'S NEW 

WHEN THERE'S PLENTY TO SEE AND THERE'S PLENTY TO DO 

BUT IN TIME DAYS PASS SLOWLY, THE NIGHTS BECOME LONELY 

AND YOU'RE TOO LONG FROM HOME TO SPEND AN EVENING ALONE 

LAST SUNDAY I ROSE ABOUT TEN 

HAD SOME COFFEE, THEN I READ THROUGH THE PAPER AGAIN 

LOOKED FOR SOMETHING TO DO, FOR AN HOUR OR TWO 

ON A BEAUTIFUL SUNDAY ALONE, FAR FROM HOME 

TOOK A RIDE IN THE LATE AFTERNOON 

TO THE HILLS OVERLOOKING THE CITY BELOW 

THE CLEAR AIR WAS COOL, GOT TO THINKING OF YOU 

AS THE SHADOWS GREW LONG IN THE SOFT EVENING SUN 

DROPPED INTO A NEIGHBORHOOD BAR 

SHARED A COUPLE OF DRINKS WITH A MAN NAMED LAMAR 

AS I STARTED TO LEAVE, CAUGHT A GLANCE MEANT FOR ME 

SHE WAS PRETTY, SHE SMILED, AND SHE STOPPED ME 

I ASKED, WAS SHE BUSY TONIGHT 

SHE NODDED, AND SAID, "WHY DON'T WE TALK FOR A WHILE?" 

THE MUSIC WAS LOW, THE DANCING WAS SLOW 

AND I NEEDED SOMEONE TO TALK TO 

I ASKED, DID SHE LIVE HERE ALONE 

4

SHE SAID, NO. THERE WAS FOUR-YEAR-OLD MOLLY AT HOME 

THEY MOVED HERE LAST MAY, SHE WAS PLANNING TO STAY 

THE WORK WASN'T STEADY, BUT THE WEATHER WAS FINE 

SHE ASKED ME, WHAT BROUGHT ME THIS WAY 

I TALKED FOR A WHILE, THERE WAS PLENTY TO SAY 

WHERE I WAS FROM, WHAT I HAD DONE 

AND THE PLACES I'D SEEN THROUGH THE YEARS 

SHE SAID, HER APARTMENT WAS NEAR 

THE NIGHT SKY WAS CLEAR, WE COULD WALK THERE FROM HERE 

SHE THOUGHT ABOUT FIXING SOME PIZZA AND BEER 

IT SURE BEAT AN EVENING ALONE 

NEXT MORNING I LEFT ABOUT NINE 

SHE ASKED IF I'D BE BACK TO SEE HER SOMETIME 

I SMILED AND I TOLD HER THAT I COULDN'T TELL 

MAYBE I'D BE BACK NEXT SPRING FOR A SPELL 

AS I HEADED FOR TOWN, PLANNED MY WEEK 

I HAD PLACES TO GO, APPOINTMENTS TO KEEP 

THE TIME SHOULD PASS QUICKLY, THERE WAS PLENTY TO DO 

AND I'D BE BACK HOME BY NEXT SATURDAY NOON 

(CHORUS) AFTER SEVENTEEN DAYS ON THE ROAD 

AFTER SEVENTEEN DAYS WITH NO WOMAN TO HOLD 

SO LONG FROM HOME, THIS LIFE SURE GROWS OLD 

AFTER SEVENTEEN DAYS ON THE ROAD 

(ALTERNATE VERSES, WRITTEN IN 2000 IN BOTSWANA, FROM A POOR 

MEMORY… 

AFTER 17 DAYS ON THE ROAD (J G CALDWELL, WRITTEN IN HAITI IN 

1975) 

AFTER 17 DAYS ON THE ROAD 

AFTER 17 DAYS WITH NO WOMAN TO HOLD 

FROM MONDAY TO FRIDAY, THE DAYS PASS JUST FINE 

BUT THE NIGHTS AND THE WEEKENDS GROW LONELY AT TIMES 

TRAVEL IS FINE WHEN IT’S NEW 

5

WHEN THERE’S PLENTY TO SEE AND THERE’S PLENTY TO DO 

BUT IN TIME DAYS PASS SLOWLY 

THE NIGHTS BECOME LONELY 

AND YOU’RE TOO LONG FROM HOME TO SPEND AN EVENING ALONE 

TOOK A RIDE IN THE LATE AFTERNOON 

TO THE HILLS OVERLOOKING THE CITY BELOW 

WHEN THE SUNSET WAS OVER 

AND THE NIGHT AIR GREW COLDER 

I RETURNED TO THE WARM LIGHTS BELOW 

DROPPED INTO A NEIGHBORHOOD BAR 

SHARED A COUPLE OF DRINKS WITH A MAN NAMED LAMARR 

AS I STARTED TO LEAVE, THE GIRL LOOKED AT ME 

AND SHE SAID, CAN’T WE TALK FOR A WHILE 

WE TALKED FOR AN HOUR OR TWO 

THE MUSIC WAS LOW, THERE WAS NOTHING TO DO 

WHEN I SAID I MUST GO, HER EYES PLEADED NO 

SHE SAID, SIR, WON’T YOU PLEASE TAKE ME HOME 

(AND MANY OTHER VERSES…) 

6

ALL FOR THE LOVE OF A GIRL 

JOHNNY HORTON 

(A) WELL TODAY I’M SO WEARY 

TO(D)DAY I’M SO (A) BLUE 

(D) SAD AND BROKEN (A) HEARTED 

AND IT’S (E) ALL BECAUSE OF YOU 

(A) LIFE WAS SO SWEET DEAR 

(D) LIFE WAS A (A) SONG 

(D) NOW YOU’VE GONE AND (A) LEFT ME 

OH, (E) WHERE DO I BE(A)LONG 

AND IT’S ALL FOR THE LOVE 

OF A (D) DEAR LITTLE (A) GIRL 

ALL FOR THE LOVE 

THAT SETS YOUR (E) HEART IN A WHIRL 

I’M A (A) MAN WHO’D GIVE HIS LIFE, 

AND THE (D) JOYS OF THIS (A) WORLD 

ALL FOR THE (E) LOVE OF A (A) GIRL 

7

AMANDA 

DON WILLIAMS 

BOB MCDILL 

(G) I’VE HELD IT ALL INWARD, (C) LORD KNOWS I’VE (G) TRIED 

IT’S AN AWFUL AWAKENING IN A (D) COUNTRY BOY’S (G) LIFE 

WHEN YOU LOOK IN THE MIRROR, IN (C) TOTAL SUR(G)PRISE 

AT THE HAIR ON YOUR SHOULDERS, AND THE (D) AGE IN YOUR (G) 

EYES 

(CHORUS) AMANDA, (C) LIGHT OF MY (G) LIFE 

FATE SHOULD HAVE MADE YOU A (D) GENTLEMAN’S (G) WIFE 

AMANDA, (C) LIGHT OF MY (G) LIFE 

FATE SHOULD HAVE MADE YOU A (D) GENTLEMAN’S (G) WIFE 

THERE’S A MEASURE OF PEOPLE (WHO) DON’T UNDERSTAND 

THE PLEASURES OF LIFE IN A HILLBILLY BAND 

I GOT MY FIRST GUITAR WHEN I WAS FOURTEEN 

NOW I’M CROWDIN' THIRTY AND STILL WEARING JEANS 

8

AMAZING GRACE 

WORDS BY JOHN NEWTON, 1779 (LAST VERSE BY UNKNOWN AUTHOR) 

MUSIC BY JAMES P CARRELL AND DAVID S CLAYTON 

(A) AMAZING GRACE, HOW (D) SWEET THE (A) SOUND 

THAT SAVED A WRETCH LIKE (E) ME 

I (A) ONCE WAS LOST, BUT (D) NOW AM (A) FOUND 

WAS BLIND, BUT (E) NOW I (A) SEE 

‘TWAS GRACE THAT TAUGHT MY HEART TO FEAR 

AND GRACE MY FEARS RELIEVED 

HOW PRECIOUS DID THAT GRACE APPEAR 

THE HOUR I FIRST BELIEVED 

THROUGH MANY DANGERS, TOILS AND SNARES 

WE HAVE ALREADY COME 

‘TWAS GRACE HAS BROUGHT US SAFE THUS FAR 

AND GRACE WILL LEAD US HOME 

THE LORD HAS PROMISED GOOD TO ME 

HIS WORD MY HOPE SECURES 

HE WILL MY SHIELD AND PORTION BE 

AS LONG AS LIFE ENDURES 

YES, WHEN THIS FLESH AND HEART SHALL FAIL 

AND MORTAL LIFE SHALL CEASE 

I SHALL POSSESS WITHIN THIS VEIL 

A LIFE OF JOY AND PEACE 

THE EARTH SHALL SOON DISSOLVE LIKE SNOW 

THE SUN FORBEAR TO SHINE 

BUT GOD, WHO CALLED ME HERE BELOW 

SHALL BE FOREVER MINE 

WHEN WE’VE BEEN THERE TEN THOUSAND YEARS 

BRIGHT SHINING AS THE SUN 

WE’VE NO LESS DAYS TO SING GOD'S PRAISE 

THAN WHEN WE’D FIRST BEGUN 

9

AM I LOSING YOU? 

JIM REEVES 

JIM REEVES 

(G) AM (C) I LOSING (G) YOU, ARE MY FEARS COMING (D) TRUE? 

TELL (C) ME WHAT TO (D) DO, AM I LOSING (G) YOU? 

IS YOUR (C) LOVE REALLY (G) TRUE, IS THERE SOMEBODY (D) NEW? 

ARE (C) WE REALLY (D) THROUGH, AM I LOSING (G) YOU? 

(BRIDGE) AM I TOO BLIND TO (C) SEE, WHAT’S BEEN HAPPENING TO (G) 

ME? 

EVERY ROAD HAS A (C) BEND, WILL I BE SWEETHEART OR (D7) FRIEND? 

WILL THE (C) SWEET THINGS YOU (G) DO, BE FOR SOMEBODY (D) NEW? 

HOW (C) I WISH I (D) KNEW, AM I LOSING (G) YOU? 

10

AM I THAT EASY TO FORGET? 

JIM REEVES 

CARL BELEW, W S STEVENSON 

(A) THEY SAY YOU FOUND SOMEBODY NEW 

BUT THAT WON’T STOP MY LOVING (D) YOU 

I JUST CAN’T LET YOU WALK A(A)WAY 

FORGET THE LOVE I HAD FOR (E) YOU 

GUESS I COULD FIND SOMEBODY (A) NEW 

BUT I DON’T WANT NO ONE BUT (D) YOU 

HOW COULD YOU LEAVE WITHOUT RE(A)GRET 

AM I THAT (E) EASY TO FOR(A)GET? 

BEFORE YOU LEAVE BE SURE YOU (D) FIND 

YOU WANT HIS LOVE MUCH MORE THAN (A) MINE 

CAUSE I’LL JUST SAY WE NEVER (D) MET 

IF I’M THAT (E) EASY TO FOR(A)GET 

11

A POOR MAN’S ROSES (OR A RICH MAN’S GOLD) 

PATSY CLINE, PATTI PAGE 

(A) I MUST MAKE UP MY MIND TODAY, WHAT TO HAVE, WHAT TO HOLD 

A (E) POOR MAN’S ROSES, OR A RICH MAN’S (A) GOLD 

ONE’S AS WEALTHY AS A KING IN A PALACE, THOUGH HE’S CALLOUS 

AND COLD 

HE MAY (E) LEARN TO GIVE HIS HEART FOR LOVE, INSTEAD OF BUYING 

IT WITH (A) GOLD 

AND THEN THE POOR MAN’S (D) ROSES, OR THE THRILL WHEN WE (A) 

KISS 

WILL BE (B7) MEMORIES OF PARADISE THAT I’LL NEVER (E) MISS 

AND YET THE HAND THAT BRINGS THE (A) ROSE TONIGHT, IS THE HAND 

I WILL HOLD 

FOR THE (E) ROSE OF LOVE MEANS MORE TO ME, THAN ANY RICH 

MAN’S (A) GOLD 

(REPEAT LAST VERSE) 

12

A SATISFIED MIND 

COWBOY COPAS 

JOE "RED" HAYES, JACK RHODES 

(A) HOW MANY (D) TIMES, HAVE YOU (E) HEARD SOMEONE (A) SAY 

IF I HAD HIS (E) MONEY, I WOULD (D) DO THINGS MY (A) WAY 

BUT LITTLE THEY (E) KNOW, THAT IT’S (D) SO HARD TO (A) FIND 

ONE RICH MAN IN (E) TEN, WITH A (D) SATISFIED (A) MIND 

ONCE I WAS (E) WINNING, IN (D) FORTUNE AND (A) FAME 

EVERYTHING THAT I (E) DREAMED FOR, TO GET A (D) START IN LIFE’S 

(A) GAME 

BUT SUDDENLY IT (E) HAPPENED, I (D) LOST EVERY (A) DIME 

BUT I’M RICHER BY (E) FAR, WITH A (D) SATISFIED (E) MIND 

(INSTRUMENTAL) 

MONEY CAN’T (D) BUY (A) BACK, YOUR (E) YOUTH WHEN YOU’RE (A) 

OLD 

OR A FRIEND WHEN YOU’RE (E) LONELY 

OR A (D) LOVE THAT’S GROWN (A) COLD 

THE WEALTHIEST (E) PERSON, IS A (D) PAUPER AT (A) TIMES 

COMPARED TO THE (E) MAN, WITH A (D) SATISFIED (A) MIND 

WHEN LIFE HAS (E) ENDED, MY (D) TIME HAS RUN (A) OUT 

MY FRIENDS AND MY (E) LOVED ONES 

I’LL (D) LEAVE THERE’S NO (A) DOUBT 

BUT ONE THING'S FOR (E) CERTAIN, WHEN IT (D) COMES MY (A) TIME 

I’LL LEAVE THIS OLD (E) WORLD, WITH A (D) SATISFIED (A) MIND 

13

ARE YOU LONESOME TONIGHT? 

ELVIS PRESLEY 

ROY TURK, LOU HANDMAN 

(G) ARE YOU LONESOME TONIGHT? 

DO YOU (Em) MISS ME TONIGHT? 

ARE YOU SORRY WE (E7) DRIFTED A(Am)PART? 

DOES YOUR (D) MEMORY STRAY 

TO A (D7) BRIGHT SUMMER DAY 

WHEN I (Am7) KISSED YOU AND CALLED YOU SWEET(G)HEART? 

DO THE (G7) CHAIRS IN YOUR PARLOR SEEM (C) EMPTY AND BARE? 

DO YOU (A) GAZE AT YOUR DOORSTEP 

AND (D7) PICTURE ME THERE? 

IS YOUR (G) HEART FILLED WITH PAIN? 

SHALL I (A) COME BACK AGAIN? 

TELL ME, (D) DEAR, ARE YOU (D7) LONESOME TO(G)NIGHT? 

(TALKING) I WONDER IF YOU’RE LONESOME TONIGHT 

YOU KNOW, SOMEONE SAID THAT THE WORLD’S A STAGE 

AND (Em) EACH OF US MUST PLAY A PART 

(D) FATE HAD ME PLAYING IN LOVE WITH YOU AS MY SWEETHEART 

(Em) ACT ONE WAS WHEN WE MET 

(D) I LOVED YOU AT FIRST GLANCE 

YOU READ YOUR LINES SO CLEVERLY AND NEVER MISSED A CUE 

(G) THEN CAME ACT TWO 

YOU SEEMED TO CHANGE 

(Em) YOU ACTED STRANGE AND WHY, I’LL NEVER KNOW 

(D) HONEY, YOU LIED WHEN YOU SAID YOU LOVED ME 

AND I HAD NO CAUSE TO DOUBT 

(G) BUT I’D RATHER GO ON HEARING YOUR LIES 

(Em) THAN TO GO ON LIVING WITHOUT YOU 

(G) NOW THE STAGE IS BARE 

AND I’M STANDING THERE 

(Em) WITH EMPTINESS ALL AROUND 

(D) AND IF YOU WON’T COME BACK TO ME 

THEN THEY CAN RING THE CURTAIN DOWN (G) 

(SINGING) IS YOUR (G) HEART FILLED WITH PAIN 

SHALL I (A) COME BACK AGAIN 

TELL ME, (D) DEAR, ARE YOU (D7) LONESOME TO(G)NIGHT? 

14

ASHES OF LOVE 

JOHNNY AND JACK 

J ANGLIN, J WRIGHT 

(CHORUS) (A) ASHES OF LOVE, (D) COLD (A) AS (E) ICE 

YOU MADE THE DEBT, I PAY THE (A) PRICE 

OUR LOVE IS GONE, (D) THERE’S (A) NO (E) DOUBT 

ASHES OF LOVE, THE FLAME’S BURNED (A) OUT 


THE LOVE LIGHT THAT SHINES, IN YOUR EYES 

HAS GONE OUT, TO MY SURPRISE 

WE SAID GOODBYE, MY HEART BLED 

I REALIZE, OUR LOVE IS DEAD 

(I CAN'T REVIVE YOUR LOVE IS DEAD) (CHORUS) 

I TRUSTED YOU, YOUR LOVE WAS SAND 

YOUR EVERY WISH, WAS MY COMMAND 

MY HEART TELLS ME, I MUST FORGET 

I LOVED YOU THEN, I LOVE YOU YET (CHORUS) 

(ALTERNATE, FROM AMAZING RHYTHM ACES): 

THE LOVE LIGHT THAT SHINES, IN YOUR EYES 

HAS GONE OUT, TO MY SURPRISE 

WE SAID GOODBYE, MY HEART BLED 

NOW I LIVE WITHOUT YOUR LOVE INSTEAD (CHORUS) 

I TRUSTED YOU, OUR LOVE COULD STAND 

YOUR EVERY WISH, WAS MY COMMAND 

OUR LOVE WAS WRONG, THERE'S NO DOUBT 

ASHES OF LOVE, THE FLAME'S BURNED OUT (CHORUS) 

15

BACK HOME AGAIN 

JOHN DENVER 

(A) THERE’S A STORM ACROSS THE VALLEY, (D) CLOUDS ARE ROLLING 

IN 

THE (E) AFTERNOON IS HEAVY ON YOUR (A) SHOULDERS 

THERE’S A TRUCK OUT ON THE FOUR LANE, A (D) MILE OR MORE AWAY 

THE (E) WHINING OF ITS WHEELS JUST MAKES IT (A) COLDER 

HE’S AN HOUR AWAY FROM RIDING ON YOUR PRAYERS UP IN THE SKY 

AND TEN DAYS ON THE ROAD IS BARELY GONE 

THERE’S A FIRE SOFTLY BURNING, SUPPER’S ON THE STOVE 

BUT IT’S THE LIGHT IN YOUR EYES THAT MAKES HIM WARM 

(CHORUS) (D) HEY, IT’S GOOD TO (E) BE BACK HOME A(A)GAIN 

(D) SOMETIMES (E) THIS OLD FARM (A) FEELS LIKE A LONG LOST (D) 

FRIEND 

(YES AND) (E) HEY IT’S GOOD TO BE BACK HOME A(A)GAIN 

THERE’S ALL THE NEWS TO TELL HIM, HOW’D YOU SPEND YOUR TIME 

WHAT’S THE LATEST THING, THE NEIGHBORS SAY? 

AND YOUR MOTHER CALLED LAST FRIDAY, "SUNSHINE" MADE HER CRY 

SHE FELT THE BABY MOVE JUST YESTERDAY 

AND (D) OH THE TIME THAT (E) I CAN LAY THIS (A) TIRED OLD BODY 

DOWN 

AND (D) FEEL YOUR FINGERS (E) FEATHER SOFT UP(A)ON ME 

THE (D) KISSES THAT I (E) LIVE FOR, THE (A) LOVE THAT LIGHTS MY 

WAY 

THE (D) HAPPINESS THAT LIVING WITH YOU (E) BRINGS ME 

IT’S THE SWEETEST THING I KNOW OF, JUST SPENDING TIME WITH YOU 

IT’S THE LITTLE THINGS THAT MAKE A HOUSE A HOME 

LIKE A FIRE SOFTLY BURNING, SUPPER’S ON THE STOVE 

IT’S THE LIGHT IN YOUR EYES THAT MAKES ME WARM 

HEY IT’S GOOD TO BE BACK HOME AGAIN, YES IT IS 

SOMETIMES THIS OLD FARM FEELS LIKE A LONG LOST FRIEND 

YES AND HEY, IT’S GOOD TO BE BACK HOME AGAIN 

(REPEAT THREE PREVIOUS LINES), + 

16

YES AND HEY, IT’S GOOD TO BE BACK HOME AGAIN 

17

BATTLE HYMN OF THE REPUBLIC 

WORDS BY JULIA WARD HOWE, MUSIC BY WILLIAM STEFFE (TUNE OF 

JOHN BROWN'S BODY) 

(E) MINE EYES HAVE SEEN THE GLORY OF THE COMING OF THE LORD 

HE IS (A) TRAMPLING OUT THE VINTAGE WHERE THE (E) GRAPES OF 

WRATH ARE (B7) STORED 

HE HAS (E) LOOSED THE FATEFUL LIGHTNING OF HIS TERRIBLE SWIFT 

SWORD 

HIS (B7) TRUTH IS MARCHING (E) ON 

(CHORUS) GLORY, GLORY! HALLELUJAH! 

(A) GLORY, GLORY! HALLE(E)LUJAH! 

GLORY, GLORY! HALLELUJAH! 


I HAVE SEEN HIM IN THE WATCH-FIRES OF A HUNDRED CIRCLING 

CAMPS 

THEY HAVE (A) BUILDED HIM AN ALTAR IN THE (E) EVENING DEWS AND 

(B7) DAMPS 

I CAN (E) READ HIS RIGHTEOUS SENTENCE BY THE DIM AND FLAMING 

LAMPS 

HIS (B7) DAY IS MARCHING (E) ON 

I HAVE READ A FIERY GOSPEL, WRIT IN BURNISHED ROWS OF STEEL 

"AS YE (A) DEAL WITH MY CONTEMNERS, SO WITH (E) YOU MY GRACE 

SHALL (B7) DEAL 

LET THE (E) HERO, BORN OF WOMAN, CRUSH THE SERPENT WITH HIS 

HEEL 

SINCE (B7) GOD IS MARCHING (E) ON" 

HE HAS SOUNDED FORTH THE TRUMPET THAT SHALL NEVER CALL 

RETREAT 

HE IS (A) SIFTING OUT THE HEARTS OF MEN BE(E)FORE HIS JUDGMENT 

(B7) SEAT 

O, BE (E) SWIFT, MY SOUL, TO ANSWER HIM! BE JUBILANT MY FEET 

OUR (B7) GOD IS MARCHING (E) ON 

IN THE BEAUTY OF THE LILIES CHRIST WAS BORN ACROSS THE SEA 

18

WITH A (A) GLORY IN HIS BOSOM THAT TRANS(E)FIGURES YOU AND (B7) 

ME 

AS HE (E) DIED TO MAKE MEN HOLY, LET US LIVE TO MAKE MEN FREE 


HE IS COMING LIKE THE GLORY OF THE MORNING ON THE WAVE 

HE IS (A) WISDOM TO THE MIGHTY, HE HIS (E) HONOR TO THE (B7) 

BRAVE 

SO THE (E) WORLD SHALL BE HIS FOOTSTOOL, AND THE SOUL OF 

WRONG HIS SLAVE 

OUR (B7) GOD IS MARCHING (E) ON! 

19

BIG IRON 

MARTY ROBBINS 

(INTRO: Am Em Am) 

(C) TO THE TOWN OF AGUA FRIA, RODE A (Am) STRANGER ONE FINE 

DAY 

HARDLY (C) SPOKE TO FOLKS AROUND HIM, DIDN’T (Am) HAVE TOO 

MUCH TO SAY 

NO ONE (F) DARED TO ASK HIS BUSINESS, NO ONE (C) DARED TO MAKE 

A SLIP 

THE STRANGER THERE AMONG THEM HAD A (Am) BIG IRON ON HIS HIP 

BIG IRON ON HIS (C) HIP 

IT WAS EARLY IN THE MORNING WHEN HE RODE INTO THE TOWN 

HE CAME RIDING FROM THE SOUTH SIDE, SLOWLY LOOKING ALL 

AROUND 

HE’S AN OUTLAW LOOSE AND RUNNIN’ CAME THE WHISPER FROM 

EACH LIP 

AND HE’S HERE TO DO SOME BUSINESS WITH THE BIG IRON ON HIS HIP 

BIG IRON ON HIS HIP 

IN THIS TOWN THERE LIVED AN OUTLAW, BY THE NAME OF TEXAS RED 

MANY MEN HAD TRIED TO TAKE HIM, AND THAT MANY MEN WERE DEAD 

HE WAS VICIOUS AND A KILLER, THOUGH A YOUTH OF TWENTY FOUR 

AND THE NOTCHES ON HIS PISTOL NUMBERED ONE AND NINETEEN 

MORE 

ONE AND NINETEEN MORE 

NOW THIS STRANGER STARTED TALKING, MADE IT PLAIN TO FOLKS 

AROUND 

WAS AN ARIZONA RANGER, WOULDN’T BE TOO LONG IN TOWN 

HE CAME HERE TO TAKE AN OUTLAW BACK ALIVE OR MAYBE DEAD 

AND HE SAID IT DIDN’T MATTER HE WAS AFTER TEXAS RED 

AFTER TEXAS RED 

WASN’T LONG BEFORE THE STORY WAS RELAYED TO TEXAS RED 

BUT THE OUTLAW DIDN’T WORRY, MEN THAT TRIED BEFORE WERE 

DEAD 

TWENTY MEN HAD TRIED TO TAKE HIM, TWENTY MEN HAD MADE A SLIP 

20

TWENTY-ONE WOULD BE THE RANGER WITH THE BIG IRON ON HIS HIP 


NOW THE MORNING PASSED SO QUICKLY IT WAS TIME FOR THEM TO 

MEET 

IT WAS TWENTY PAST ELEVEN WHEN THEY WALKED OUT IN THE 

STREET 

FOLKS WERE WATCHING FROM THEIR WINDOWS EVERYBODY HELD 

THEIR BREATH 

THEY KNEW THIS HANDSOME RANGER WAS ABOUT TO MEET HIS 

DEATH 

ABOUT TO MEET HIS DEATH 

THERE WAS FORTY FEET BETWEEN THEM WHEN THEY STOPPED TO 

MAKE THEIR PLAY 

AND THE SWIFTNESS OF THE RANGER IS STILL TALKED ABOUT TODAY 

TEXAS RED HAD NOT CLEARED LEATHER WHEN A BULLET FAIRLY 

RIPPED 

AND THE RANGER'S AIM WAS DEADLY, WITH THE BIG IRON ON HIS HIP 


IT WAS OVER IN A MOMENT, AND THE FOLKS HAD GATHERED ROUND 

THERE BEFORE THEM LAY THE BODY OF THE OUTLAW ON THE 

GROUND 

OH, HE MIGHT HAVE GONE ON LIVING BUT HE MADE ONE FATAL SLIP 

WHEN HE TRIED TO MATCH THE RANGER WITH THE BIG IRON ON HIS 

HIP 

BIG IRON ON HIS HIP, BIG IRON, BIG IRON, WHEN HE TRIED TO MATCH 

THE RANGER WITH THE BIG IRON ON HIS HIP 

21

B.J. THE D.J. 

STONEWALL JACKSON 

HUGH LEWIS 

(A) A STORY ‘BOUT A PAL OF MINE 

WHO WORKED DOWN NEAR THE GEORGIA LINE 

AS D.J. IN A LITTLE COUNTRY (E) STATION 

EVERYBODY LOVED HIM DEAR 

'CAUSE HE PLAYED WHAT THEY LIKED TO HEAR 

HE BUILT HIMSELF UP QUITE A REPU(A)TATION 

AT RECORD HOPS HE’D STAYED OUT LATE 

AND HIS MOM WOULD ALWAYS WAIT 

TO SEE IF HE HAD MADE IT HOME ALIVE 

SHE WARNED (HIM) AGAINST HIS LOSS OF SLEEP 

AND DRIVING FAST IN THAT OLD HEAP 

AND THAT HE HAD TO BE AT WORK BY FIVE 

(CHORUS) B.J. THE D.J. YOU’RE LIVING MUCH TOO (E) FAST 

AND IF YOU DON’T CHANGE YOUR WAYS 

DON’T SEE HOW YOU CAN (A) LAST 

EVERY MORNING JUST PAST FOUR 

FROM THE DRIVEWAY HE WOULD ROAR 

OVERSLEPT AND HE WAS LATE AGAIN 

THEN AT BREAK-NECK SPEED HE’D DRIVE 

TO SIGN THE STATION ON AT FIVE 

HE HAD LOTS OF RECORDS HE MUST SPIN 

HIS MOM SAT BY THE RADIO 

UNTIL HIS VOICE TOLD HER HELLO 

SHE KNEW THEN HE’D MADE IT THERE ALRIGHT 

THEN SHE’D SAY A LITTLE PRAYER 

HE’D BE SAFE FOR HE WAS THERE 

AND SHE’D WAIT UP FOR HIM AGAIN TONIGHT (CHORUS) 

THEN ONE COLD AND RAINY MORN 

ALL FOUR TIRES WERE BADLY WORN 

BUT STILL HE SCRATCHED OFF, JUST AS FAST THIS TIME 

B.J. HAD A LOT OF NERVE BUT HE COMPLETELY MISSED A CURVE 

22

AND HE SIGNED OFF DOWN NEAR THE GEORGIA LINE 

MOM SAT BY THE RADIO 

THE VOICE SHE HEARD SHE DIDN’T KNOW 

B.J.’D NEVER BEEN THIS LATE BEFORE 

BUT WITH THE ROADS SO BAD AND ALL 

SHE’D WAIT A WHILE BEFORE SHE’D CALL 

AND THEN SHE HEARD THE KNOCK UPON THE DOOR 

B.J. THE D.J., ONLY TWENTY-FOUR 

A WRECK AT NINETY MILES AN HOUR 

HE'LL SPIN THE HITS NO MORE 

23

BLUE CHRISTMAS 

JIM REEVES 

(A) I'LL HAVE A BLUE CHRISTMAS WITH(E)OUT YOU 

I'LL BE SO BLUE THINKING A(A)BOUT YOU 

DECORATIONS OF RED ON A (D) GREEN CHRISTMAS TREE 

(E) WON'T MEAN A THING, DEAR, IF YOU'RE NOT HERE WITH ME 

AND WHEN THOSE (A) BLUE SNOWFLAKES START (E) FALLING 

THAT'S WHEN THOSE BLUE HEARTACHES START (A) CALLING 

YOU'LL BE DOING ALL RIGHT WITH YOUR (D) CHRISTMAS OF WHITE 

BUT (E) I'LL HAVE A BLUE, BLUE (A) CHRISTMAS 


24

BLUE EYES CRYING IN THE RAIN 

WILLIE NELSON 

FRED ROSE 

(A) IN THE TWILIGHT GLOW I SEE HER 

(E) BLUE EYES CRYING IN THE (A) RAIN 

AS WE KISSED GOODBYE AND PARTED 

I (E) KNEW WE’D NEVER MEET A(A)GAIN 

(D) LOVE IS LIKE A DYING EMBER 

(A) ONLY MEMORIES RE(E)MAIN 

(A) THROUGH THE AGES I’LL REMEMBER 

(E) BLUE EYES CRYING IN THE (A) RAIN 

NOW MY HAIR HAS TURNED TO SILVER 

ALL MY LIFE I’VE LIVED IN VAIN 

I CAN SEE HER STAR IN HEAVEN 


SOMEDAY WHEN WE MEET UP YONDER 

WE’LL STROLL HAND IN HAND AGAIN 

IN A LAND THAT KNOWS NO PARTING 


25

BORN TO LOSE 

HANK SNOW 

TED DAFFAN 

(A) BORN TO LOSE, I’VE (D) LIVED MY LIFE IN (A) VAIN 

EVERY (D) DREAM HAS ONLY BROUGHT ME (A) PAIN 

ALL MY LIFE I’VE ALWAYS BEEN SO (D) BLUE 

BORN TO (E) LOSE AND NOW I’M LOSING (A) YOU 

BORN TO LOSE, IT SEEMS SO HARD TO BEAR 

HOW I LONGED TO ALWAYS HAVE YOU NEAR 

YOU’VE GROWN TIRED AND NOW YOU SAY WE’RE THROUGH 

BORN TO LOSE AND NOW I’M LOSING YOU 

BORN TO LOSE AND NOW I’M LOSING YOU 

26

BOTTLE OF WINE 

(G) BOTTLE OF WINE, FRUIT OF THE VINE 

WHEN YOU GONNA LET ME GET (D)SO(G)BER 

LEAVE ME ALONE, LET ME GO HOME 

LET ME GO HOME AND START (D)O(G)VER 

RAMBLIN’ AROUND THIS (C) DIRTY OLD (G) TOWN 

SINGIN’ FOR (D) NICKELS AND (G) DIMES 

TIMES GETTIN’ ROUGH, I (C) AIN’T GOT E(G)NOUGH 

TO GET A LITTLE (D) BOTTLE OF (G) WINE 

PAIN IN MY HEAD, BUGS IN MY BED 

PANTS ARE SO OLD THAT THEY (D/G) SHINE 

OUT ON THE STREET, TELL THE PEOPLE I MEET 

BUY ME A BOTTLE OF (D/G) WINE 

PREACHER WILL PREACH, (C) TEACHER WILL (G) TEACH 

THE MINER WILL (D) DIG IN THE (G) MINE 

I RIDE THE RODS, (C) TRUSTING IN (G) GOD 

HUGGIN’ MY LITTLE (D) BOTTLE OF (G) WINE 

27

BOUQUET OF ROSES 

GEORGE MORGAN 

STEVE NELSON - BOB HILLIARD 

(A) I’M SENDING YOU A (D) BIG BOUQUET OF (A) ROSES 

ONE FOR (E) EVERY TIME YOU BROKE MY (A) HEART 

AND AS THE DOOR OF (D) LOVE BETWEEN US (A) CLOSES 

TEARS WILL (E) FALL LIKE PETALS WHEN WE (A) PART 

I (D) BEGGED YOU TO BE DIFFERENT 

BUT YOU’LL (A) ALWAYS BE UNTRUE 

I’M (B7) TIRED OF FORGIVING 

NOW THERE’S (E) NOTHING LEFT TO DO 

SO I’M (A) SENDING YOU A (D) BIG BOUQUET OF (A) ROSES 

ONE FOR (E) EVERY TIME YOU BROKE MY (A) HEART 


YOU MADE OUR LOVERS’ LANE A ROAD OF SORROW 

TILL AT LAST WE HAD TO SAY GOODBYE 

YOU'RE LEAVING ME TO FACE EACH NEW TOMORROW 

WITH A BROKEN HEART YOU TAUGHT TO CRY 

I KNOW THAT I SHOULD HATE YOU 

AFTER ALL YOU'VE PUT ME THROUGH 

BUT HOW CAN I BE BITTER 

WHEN I’M STILL IN LOVE WITH YOU 

SO I’M SENDING YOU A BIG BOUQUET OF ROSES 

ONE FOR EVERY TIME YOU BROKE MY HEART 

28

BROWN-EYED HANDSOME MAN 

WAYLON JENNINGS 

CHUCK BERRY 

(G) FLYING ACROSS THE DESERT IN A TWA 

I SAW A WOMAN WALKING ACROSS THE SAND 

SHE BEEN A-WALKIN' THIRTY MILES EN (C) ROUTE TO L.A. 

TO GET A (D) BROWN EYED HANDSOME (G) MAN 

HER DESTINATION WAS A (F/C) BROWN-EYED HANDSOME (G) MAN 

(G) MILO VENUS WAS A BEAUTIFUL LASS 

SHE HAD THE WORLD IN THE PALM OF HER HAND 

BUT SHE LOST BOTH HER ARMS IN A (C) WRESTLING MATCH 

TO GET A (D) BROWN EYED HANDSOME (G) MAN 

SHE FOUGHT AND WON HERSELF A (F) BROWN-EYED HANDSOME (G) 

MAN 

(CHORUS) (C) WAY BACK IN HISTORY THREE THOUSAND YEARS 

BACK (G) EVER SINCE THE WORLD BEGAN 

THERE'S BEEN A LOT OF GOOD WOMEN (C) SHED A TEAR 

FOR A (D) BROWN-EYED HANDSOME (G) MAN 

THAT'S WHAT THE TROUBLE WAS, A (F) BROWN-EYED HANDSOME (G) 

MAN 

(A TONE HIGHER) (A) BEAUTIFUL DAUGHTER COULDN'T MAKE UP HER 

MIND 

BETWEEN A DOCTOR AND A LAWYER MAN 

MOTHER TOLD HER DAUGHTER GO (D) OUT AND FIND YOURSELF 

A (E) BROWN EYED HANDSOME (A) MAN 

JUST LIKE YOUR DADDY IS A (G) BROWN-EYED HANDSOME (A) MAN 

(A) ARRESTED ON CHARGES OF UNEMPLOYED 

HE WAS SITTING IN THE WITNESS STAND 

THE JUDGE'S WIFE CALLED UP THE (D) DISTRICT ATTORNEY 

SET YOU (E) FREE THAT BROWN-EYED (A) MAN 

YOU WANT YOUR JOB YOU BETTER (G) FREE THAT BROWN-EYED (A) 

MAN 

(CHORUS) (D) WAY BACK IN HISTORY THREE THOUSAND YEARS 

BACK (A) EVER SINCE THE WORLD BEGAN 

29

THERE'S BEEN A LOT OF GOOD (D) WOMEN SHED A TEAR 

FOR A (E) BROWN-EYED HANDSOME (A) MAN 

THAT'S WHAT THE TROUBLE IS A (G) BROWN-EYED HANDSOME (A) MAN 

30

BROWN-SKIN GIRL 

HARRY BELAFONTE 

CALYPSO 

(A) EVERYTHING TO (E) KEEP ME FROM (A) SLEEPING 

A LOT OF SAILOR (E) BOYS THEY WERE (A) LEAVING 

AND EVERYBODY (E) THERE THEY WERE (A) JUMPING 

TO HEAR THE SAILOR (E) BOYS IN OUR (D) CHORUS (E) SING(A)ING 

(CHORUS) BROWN-SKIN GIRL, STAY HOME AND (E) MIND BA(A)BY 

BROWN-SKIN GIRL, STAY HOME AND (E) MIND BA(A)BY 

I’M GOING AWAY IN A (D) SAILING BOAT 

AND IF I (A) DON’T COME BACK, STAY HOME AND (E) MIND BA(A)BY 

NOW THE AMERICANS (E) MADE AN IN(A)VASION 

WE THOUGHT IT WAS A (E) HELP TO THE (A) ISLAND 

UNTIL THEY LEFT FROM (E) HERE ON VA(A)CATION 

THEY LEFT THE NATIVE BOY HOME TO (D) MIND THEIR (E) CHILD(A)REN, 

SINGING (CHORUS) 

NOW I TELL YOU THE (E) STORY ABOUT (A) MILLIE 

MILLIE MADE A (E) NICE BLUE-EYED (A) BABY 

THEY SAY SHE (E) FANCIED THE (A)MOTHER 

BUT THE BLUE-EYED BABY, AIN’T (D) KNOW SHE (E) FA(A)THER 


NOW THE AMERICANS (E) ALL HAD THEIR (A) PLEASURE 

WHILE THE MUSIC (E) PLAYED TO THEIR (A) LEISURE 

AND EVERYBODY (E) THERE THEY WERE (A) JUMPING 

TO HEAR THE SAILOR (E) BOYS IN OUR (D) CHORUS (E) SING(A)ING 

(CHORUS, REPEAT CHORUS AND FADE) 

31

BUMMING AROUND 

HANK SNOW 

PETE GRAVES 

(A) GOT AN OLD SLOUCH HAT 

GOT MY ROLL ON MY (E) SHOULDER 

I'M AS FREE AS THE BREEZE AND I'LL DO AS I PLEASE 

JUST A-BUMMIN' A(A)ROUND 

GOT A MILLION FRIENDS 

DON'T FEEL ANY (E) OLDER 

I'VE GOT NOTHING TO LOSE, NOT EVEN THE BLUES 


WHEN(D)EVER WORRIES START TO BOTHERING (A) ME 

I (B7) GRAB MY COAT, MY OLD SLOUCH HAT 

(E) HIT THE ROAD AGAIN, YOU SEE 

I AIN'T GOT A (A) DIME 

DON'T CARE WHERE I'M (E) GOING 

I'M AS FREE AS THE BREEZE AND I'LL DO AS I PLEASE 




32

CATTLE CALL 

EDDIE ARNOLD 

TEX OWENS 

(YODEL TO MELODY, A-E-A-E-A) 

(A) THE CATTLE ARE PROWLING, THE (D) COYOTES ARE HOWLING 

WAY (E) OUT WHERE THE DOGIES (A) BAWL 

WHERE SPURS ARE A JINGLING, A (D) COWBOY IS SINGING 

THIS (E) LONESOME CATTLE (A) CALL (YODEL: AEAEA) 

HE (D) RIDES IN THE SUN TILL HIS (A) DAY'S WORK IS DONE 

AND HE (B7) ROUNDS UP THE CATTLE EACH (E) FALL 

(YODEL) (E) SINGING THIS CATTLE (A) CALL 

FOR HOURS HE COULD RIDE ON THE RANGE FAR AND WIDE 

WHEN THE NIGHT WINDS BLOW UP A SQUALL 

HIS HEART IS A FEATHER IN ALL KINDS OF WEATHER 

HE SINGS HIS CATTLE CALL (YODEL) 

HE'S (D) BROWN AS A BERRY FROM (A) RIDING THE PRARIE 

AND HE (B7) SINGS WITH AN OLD WESTERN (E) DRAWL 

(YODEL) (E) SINGING HIS CATTLE (A) CALL (YODEL) 

33

CHARLIE’S SHOES 

BILLY WALKER 

ROY BAHAM 

(D) I’D LIKE TO BE IN CHARLIE’S SHOES 

THAT’S (G) WHAT I ALWAYS SAID 

‘CAUSE (A) HE HAD YOU AND EVERYTHING 

TIED (D) WITH A GOLDEN THREAD 

THEN CHARLIE LEFT AND WENT AWAY 

AND (G) WHEN I GOT THE NEWS 

IT (A) WASN’T LONG ‘TILL I WAS WALKING ‘ROUND IN CHARLIE’S (D) 

SHOES 

NOW I’M WEARING OUT THE SHOES THAT CHARLIE (G) WORE 

(A) WALKING BACK AND FORTH ACROSS THE (D) FLOOR 

THE TROUBLES THAT DROVE HIM AWAY, I’VE (G) GOT FOR COMPANY 

THESE (A) NIGHTS IN CHARLIE’S SHOES ARE KILLING (D) ME 

(WHISTLE) 

THE GREENER GRASS THAT TURNED MY HEAD 

SO SWIFTLY DID TURN BROWN 

‘CAUSE EVERY LITTLE DREAM I BUILD 

SHE’S ALWAYS TEARING DOWN 

I NEVER KNEW OLD CHARLIE’S SHOES 

COULD HAVE SO MANY TACKS 

OF DISAPPOINTING SORROWS 

AND I WISH HE HAD ‘EM BACK 

‘CAUSE I’M WEARING OUT THE SHOES THAT CHARLIE WORE 

WALKING BACK AND FORTH ACROSS THE FLOOR 

THE TROUBLES THAT DROVE HIM AWAY, I’VE GOT FOR COMPANY 

THESE NIGHTS IN CHARLIE’S SHOES ARE KILLING ME 

(WHISTLE) 

34

CHATTANOOGIE SHOE SHINE BOY 

RED FOLEY, JACK STAPP, HARRY STONE 

(A) HAVE YOU EVER PASSED THE CORNER OF FOURTH AND GRAND 

WHERE A LITTLE BALL OF RHYTHM HAS A SHOE SHINE STAND 

(D) PEOPLE GATHER ROUND AND THEY CLAP THEIR HANDS 

HE’S A (A) GREAT BIG BUNDLE OF JOY, HE POPS A (E) BOOGIE WOOGIE 

RAG 

THE CHATTANOOGIE SHOE SHINE (A) BOY 

HE CHARGES YOU A NICKEL JUST TO SHINE ONE SHOE 

HE MAKES THE OLDEST KIND OF LEATHER LOOK LIKE NEW 

YOU FEEL AS THOUGH YOU WANT TO DANCE WHEN HE GETS 

THROUGH 

HE’S A GREAT BIG BUNDLE OF JOY, HE POPS A BOOGIE WOOGIE RAG 

THE CHATTANOOGIE SHOE SHINE BOY 

IT’S A (D) WONDER THAT THE RAG DON’T TEAR, THE (A) WAY HE MAKES 

IT POP 

YOU (D) OUGHT TO SEE HIM FAN THE AIR, WITH HIS 

(E) HIPPITY, HIPPITY, HIPPITY, HOPPITY, HIPPITY, HIPPITY, HOP 

HE (A) OPENS UP FOR BUSINESS WHEN THE CLOCK STRIKES NINE 

HE LIKES TO GET ‘EM EARLY WHEN THEY’RE FEELING FINE 

EVERYBODY GETS A LITTLE RISE AND SHINE 

HE’S A GREAT BIG BUNDLE OF JOY, HE POPS A BOOGIE WOOGIE RAG 

THE CHATTANOOGIE SHOE SHINE BOY 

35

CHEATING GAME 

SUSAN RAYE 

D KNUTSON, BONNIE GUITAR 

(A) BREAK A HEART, THEN LAUGH, THEN WALK AWAY 

OF (D) TRUE LOVE YOU'VE MADE A (E) MOCKERY 

FREE TO GO, KNOWING NEXT TIME YOU'LL PAY NO PRICE FOR YOUR 

COMMON VICE 

THE CHEATING (A) GAME 

LOVE AND LIES GO HAND IN HAND 

(D) YOUR LOVE GOES FREE LIKE (E) WINDBLOWN SAND 

SEEKING OUT UNWARY PREY, TEACHING THEM THE WAY YOU PLAY 

THE CHEATING (A) GAME 

(CHORUS) WHO KNOWS THE MIND OF THE CHEATING KIND, WHO'S 

BLOCKED THE SHADOWS FROM (D) SIGHT 

(E) WHO'S GOING TO PAY THE PRICE TO MAKE THE WRONG SEEM (A) 

RIGHT 

YOU'RE GONNA GO SCOT-FREE, TO LIVE A LIFE WITHOUT (D) BLAME 

WHILE (E) I REAP THE HARVEST OF HEARTACHES, FROM THE 

CHEATING (A) GAME 

YOU PLANTED THE SEED, NOW I MUST SOW 

MY LOVE ALONE TO MAKE IT GROW 

CARRYING THE ONLY THING YOU LEFT ME, A LEGACY, FROM THE 

CHEATING GAME 

THE WEB OF DREAMS YOU WEAVED SO WELL 

WAS CASTING THE DIE FROM MY PRIVATE CELL 

TAKING LOVE, FORSAKING LOVE, MAKING ME, A VICTIM OF, THE 

CHEATING GAME 

(CHORUS) 

(HUM CHORUS, FADE) 

36

CINDY, OH CINDY 

EDDIE FISHER 

BOB BARRON, BURT LONG 

(CHORUS) (A) CINDY, OH CINDY 

CINDY DON’T (E) LET ME DOWN 

WRITE ME A LETTER SOON 

AND I’LL BE HOMEWARD (A) BOUND 

I JOINED THE NAVY TO (D) SEE THE (A) WORLD 

BUT (D) NOWHERE COULD I (A) FIND 

A GIRL AS SWEET AS CINDY 

THE (D) GIRL I LEFT BE(A)HIND 

I’VE SAILED THE WIDE WORLD OVER 

(D) CAN’T GET HER OUT OF MY (A) MIND (CHORUS) 

I SEE HER FACE IN (D) EVERY (A) WAVE 

HER (D) LIPS KISS EVERY (A) BREEZE 

HER LOVING ARMS REACH OUT TO ME 

THROUGH (D) CALM AND STORMY (A) SEAS 

AT NIGHT I PACE THE LONELY DECK 

CA(D)RESSED BY MEMO(A)RIES (CHORUS) 

I KNOW MY CINDY’S (D) WAIT(A)ING 

AS I (D) WALK THE DECK A(A)LONE 

HER LOVING ARMS REACH OUT FOR ME 

SOON (D) I’LL BE HEADING (A) HOME 

THEN MY SAILING DAYS WILL BE OVER 

AND (D) NO MORE WILL I (A) ROAM (CHORUS) 

37

CITY LIGHTS 

RAY PRICE 

(D) A BRIGHT ARRAY OF CITY LIGHTS, AS (G) FAR AS I CAN SEE 

THE (A) GREAT WHITE WAY SHINES THROUGH THE NIGHT 

FOR LONELY GUYS LIKE (D) ME 

A CABARET, A HONKY TONK, THEIR (G) FLASHING LIGHTS INVITE 

A (A) BROKEN HEART TO LOSE ITSELF, IN THE GLOW OF CITY (D) 

LIGHTS 

(G) LIGHTS THAT SAY FOR(A)GET HER NAME IN A (D) GLASS OF SHERRY 

WINE 

(G) LIGHTS THAT OFFER (A) OTHER GIRLS FOR (D) EMPTY HEARTS LIKE 

MINE 

THEY PAINT A PRETTY PICTURE, OF A (G) WORLD THAT’S GAY AND 

BRIGHT 

BUT IT’S (A) JUST A MASK FOR LONELINESS, BEHIND THOSE CITY (D) 

LIGHTS 

THE WORLD WAS DARK AND GOD MADE STARS TO BRIGHTEN UP THE 

NIGHT 

DID THE GOD THAT MADE THE STARS ABOVE, MAKE THOSE CITY 

LIGHTS 

DID HE MAKE A PLACE FOR MEN TO CRY, WHEN THINGS DON’T TURN 

OUT RIGHT 

ARE WE JUST SUPPOSED TO RUN AND HIDE, BEHIND THOSE CITY 

LIGHTS 

LIGHTS THAT SAY FORGET HER LOVE, IN A DIFFERENT ATMOSPHERE 

LIGHTS THAT LURE ARE NOTHING BUT, A MASQUERADE FOR TEARS 

THEY PAINT A PRETTY PICTURE, BUT MY ARMS CAN’T HOLD THEM 

TIGHT 

AND I JUST CAN’T SAY I LOVE YOU, TO A STREET OF CITY LIGHTS 

38

COLD, COLD HEART 

HANK WILLIAMS 

(A) I TRIED SO HARD MY DEAR TO SHOW 

THAT YOU’RE MY EVERY (E) DREAM 

YET YOU’RE AFRAID EACH THING I DO 

IS JUST SOME EVIL (A) SCHEME 

A MEM’RY FROM YOUR LONESOME PAST 

KEEPS US SO FAR A(D)PART 

WHY (E) CAN’T I FREE YOUR DOUBTFUL MIND 

AND MELT YOUR COLD, COLD (A) HEART 

ANOTHER LOVE BEFORE MY TIME 

MADE YOUR HEART SAD AND BLUE 

AND SO MY HEART IS PAYING NOW 

FOR THINGS I DIDN’T DO 

IN ANGER UNKIND WORDS ARE SAID 

THAT MAKE THE TEARDROPS START 

WHY CAN’T I FREE YOUR DOUBTFUL MIND 

AND MELT YOUR COLD, COLD HEART 

YOU’LL NEVER KNOW HOW MUCH IT HURTS 

TO SEE YOU SIT AND CRY 

YOU KNOW YOU NEED AND WANT MY LOVE 

YET YOU’RE AFRAID TO TRY 

WHY DO YOU RUN AND HIDE FROM LIFE? 

TO TRY IT JUST AIN’T SMART 



THERE WAS A TIME WHEN I BELIEVED 

THAT YOU BELONGED TO ME 

BUT NOW I KNOW YOUR HEART IS SHACKLED 

TO A MEMORY 

THE MORE I LEARN TO CARE FOR YOU 

THE MORE WE DRIFT APART 



39

COME A LITTLE BIT CLOSER 

JOHNNY RODRIGUES, BILLY WALKER 

(E) IN A LITTLE CAFÉ JUST THE (A) OTHER SIDE OF THE (E) BORDER 

SHE WAS SITTING THERE GIVING ME (A) LOOKS, THAT MADE MY MOUTH 

(E) WATER 

SO I (A) STARTED WALKING HER WAY, BUT SHE BELONGED TO BAD 

MAN JOSE 

AND I (B7) KNEW, YES I KNEW I SHOULD LEAVE, BUT I HEARD HER (E) 

SAY, (A) EH, (E) EH 

(CHORUS) (A) COME A LITTLE BIT (E) CLOSER, YOU’RE (B7) MY KIND OF 

MAN 

SO BIG AND SO STRONG 

COME A LITTLE BIT (E) CLOSER, (B7) I’M ALL ALONE 

AND THE NIGHT IS SO (E) LONG 

HMMM, SO WE STARTED TO DANCE, IN MY ARMS SHE FELT SO INVITING 

I JUST COULDN’T RESIST JUST ONE LITTLE KISS SO EXCITING 

THEN I HEARD THE GUITAR PLAYER SAY, VAMOOSE JOSE’S ON HIS 

WAY 

AND I KNEW I SHOULD RUN BUT, I HEARD HER SAY, EH, EH (CHORUS) 

THEN THE MUSIC STOPPED, AND I LOOKED THE CAFÉ WAS EMPTY 

AND I HEARD JOSE SAY MAN YOU’RE IN TROUBLE PLENTY 

SO I DROPPED THE DRINK FROM MY HAND, AND THROUGH THE 

WINDOW I RAN 

AND AS I RODE AWAY I COULD HEAR HER SAY TO JOSE, EH, EH 

(CHORUS) 

40

COOL WATER 

SONS OF THE PIONEERS, FRANKIE LAINE, EDDIE ARNOLD 

BOB NOLAN 

(A) ALL DAY I'VE FACED A (E) BARREN WASTE 

WITH(D)OUT THE TASTE OF (E) WATER 

COOL (A) WATER 

OLD (D) DAN AND I, WITH (E) THROATS BURNED DRY, AND (D) SOULS 

THAT CRY, FOR (A) WATER 

(E) COOL, CLEAR, (A) WATER 

(CHORUS) KEEP A-MOVING DAN, DON'T YOU (E) LISTEN TO HIM, DAN 

HE'S A (A) DEVIL, NOT A MAN, AND HE'S (E) SPREAD THE BURNING 

SAND WITH (A) WATER 

(D) DAN, CAN YOU SEE THAT (A) BIG GREEN TREE, WHERE THE (D) 

WATER'S RUNNING FREE, AND IT'S (E) WAITING THERE FOR ME AND (A) 

YOU 

(E) COOL, CLEAR, (A) WATER 

THE NIGHTS ARE COOL, AND (E) I'M A FOOL, EACH (D) STAR'S A POOL 

OF (E) WATER 


BUT (D) WITH THE DAWN, I'LL (E) WAKE AND YAWN, AND (D) CARRY ON 

TO (A) WATER 

(E) COOL, CLEAR, (A) WATER (CHORUS) 

THE SHADOWS SWAY AND (E) SEEM TO SAY TO(D)NIGHT WE PRAY FOR 

(E) WATER 


AND (D) WAY UP THERE, HE'LL (E) HEAR OUR PRAYER, AND (D) SHOW 

US WHERE THERE'S (A) WATER 

(E) COOL, CLEAR, (A) WATER (CHORUS) 

DAN'S FEET ARE SORE, HE'S (E) YEARNING FOR, JUST (D) ONE THING 

MORE THAN (E) WATER 


LIKE (D) ME I GUESS HE'D (E) LIKE TO REST WHERE (D) THERE'S NO 

QUEST FOR (A) WATER 

(E) COOL, CLEAR, (A) WATER, (D) COOL, CLEAR, (A) WATER 

41

CRAZY ARMS 

RAY PRICE, THE CHEROKEE COWBOY 

RALPH MOONEY, CHARLES SEALS 

(A) NOW BLUE AIN’T THE WORD FOR THE (D) WAY THAT I (A) FEEL 

AND THE STORMS BREWING IN THIS HEART OF (E) MINE 

(A) THIS AIN’T NO CRAZY DREAM I (D) KNOW THAT IT’S (A) REAL 

YOU’RE SOMEONE ELSE’S (E) LOVE NOW YOU’RE NOT (A) MINE 

(CHORUS) CRAZY ARMS THAT REACH TO HOLD SOMEBODY NEW 

FOR MY YEARNING HEART KEEPS SAYING YOU’RE NOT MINE 

MY TROUBLED MIND KNOWS SOON TO ANOTHER YOU’LL BE WED 

AND THAT’S WHY I’M LONELY ALL THE TIME 

SO PLEASE TAKE THE TREASURED DREAMS I HAD FOR YOU AND ME 

AND TAKE ALL THE LOVE I THOUGHT WAS MINE 

SOMEDAY MY CRAZY ARMS WILL HOLD SOMEBODY NEW 

BUT NOW I’M SO LONELY ALL THE TIME (CHORUS) 

42

CROSS THE BRAZOS AT WACO 

BILLY WALKER 

(A) ON THE CHISOLM TRAIL IT WAS MIDNIGHT 

CARMELLA WAS STRONG ON HIS (D) MIND 

BE(E)CAUSE OF THE LIFE HE HAD CHOSEN 

CARMELLA HAD LEFT HIM BE(A)HIND 

TOO LONG HE’D BEEN EL BANDIDO 

CARMELLA HAD LEFT HIM A(D)LONE 

BUT TODAY SOMEONE BROUGHT A (A) MESSAGE 

SHE’D BEEN (E) SEEN IN OLD SAN AN(A)TONE 

(CHORUS) (D) CROSS THE BRAZOS AT WACO 

RIDE HARD AND I’LL MAKE IT BY DAWN 

(A) CROSS THE BRAZOS AT WACO 

I’M (E) SAFE WHEN I REACH SAN AN(A)TONE 

HE GLANCED BACK OVER HIS SHOULDER 

THE POSSE WAS NOWHERE IN (D) SIGHT 

HE’D (E) SENT FOR CARMELLA TO MEET HIM 

ON THE BANKS OF THE BRAZOS TO(A)NIGHT 

SHE WAS WAITING AND HE KEPT THE PROMISE 

HE’D MADE SUCH A LONG TIME A(D)GO 

AS HE DROPPED THE GUNS THAT SHE (A) HATED 

IN THE (E) MUDDY BRAZOS BE(A)LOW 

(D) CROSS THE BRAZOS AT WACO 

RIDE HARD AND I’LL MAKE IT BY DAWN 

(A) CROSS THE BRAZOS AT WACO 

I’LL (E) WALK STRAIGHT IN OLD SAN AN(A)TONE 

THEN THE NIGHT CAME ALIVE WITH GUNFIRE 

HE KNEW THAT AT LAST HE’D BEEN (D) FOUND 

AS THE (E) RANGER’S BADGE SHONE BRIGHTLY 

EL BANDIDO LAY ON THE (A) GROUND 

CARMELLA KNEW HE WAS DYING 

THAT ALL OF HER DREAMS WERE IN (D) VAIN 

AS SHE KISSED HIS LIPS FOR THE (A) LAST TIME 

SHE (E) HEARD HIM WHISPER A(A)GAIN (CHORUS) 

43

CRYSTAL CHANDELIERS 

CHARLEY PRIDE 

(CHORUS) (A) OH THE CRYSTAL CHANDELIERS LIGHT UP THE (E) 

PAINTINGS ON YOUR WALLS 

THE MARBLE STATUETTES ARE STANDING (A) STATELY IN THE 

HALL 

BUT WILL THE TIMELY CROWD THAT HAD YOU LAUGHING 

LOUD HELP YOU (D) DRY YOUR TEARS 

WHEN THE (A) NEW WEARS OFF OF YOUR (E) CRYSTAL 

CHANDE(A)LIERS 

I NEVER DID FIT IN TOO WELL / WITH THE FOLKS YOU KNEW 

AND IT’S PLAIN TO SEE THAT THE LIKES OF ME DON’T FIT WITH YOU 

SO YOU TRADED ME FOR THE GAIETY OF THE WELL-TO-DO 

AND YOU TURNED AWAY FROM THE LOVE I OFFERED YOU (CHORUS) 

I SEE YOUR PICTURE IN THE NEWS / MOST EVERY DAY 

AND YOU’RE THE CHOSEN GIRL OF THE SOCIAL WORLD SO THE 

STORIES SAY 

BUT A PAPER SMILE ONLY LASTS A WHILE THEN IT FADES AWAY 

WHEN THE LOVE WE KNEW WILL COME HOME TO YOU SOME DAY 

(CHORUS) 

44

DARK MOON 

GALE STORM, BONNIE GUITAR 

NED MILLER 

(A) DARK MOON, AWAY UP HIGH, UP IN THE SKY 

OH TELL ME WHY, OH TELL ME WHY YOU'VE LOST YOUR (E) SPLENDOR 

DARK MOON, WHAT IS THE CAUSE YOUR LIGHT WITHDRAWS, IS IT 

BECAUSE, IS IT BECAUSE, I'VE LOST MY (A) LOVE [CODA] 

(D) MORTALS HAVE DREAMS, OF (A) LOVE'S PERFECT SCHEMES 

BUT (B7) THEY DON'T REALIZE, THAT (E) LOVE WILL SOMETIMES BRING 

A 

(A) DARK MOON, AWAY … 

(REPEAT) 

(REPEAT AGAIN, AND THEN END AT [CODA] 

45

DECK OF CARDS 

TEX RITTER 

WINK MARTINDALE 

DURING THE NORTH AFRICA CAMPAIGN, A GROUP OF SOLDIER BOYS 

HAD BEEN ON A LONG HIKE 

THEY CAME TO A LITTLE TOWN CALLED BIZERTA 

THE NEXT DAY BEING SUNDAY, SOME OF THE BOYS WENT TO CHURCH 

A SERGEANT COMMANDED THE BOYS IN CHURCH 

AND AFTER THE CHAPLAIN HAD READ THE PRAYERS, THE TEXT WAS 

TAKEN UP NEXT 

THOSE OF THE BOYS WHO HAD PRAYER BOOKS TOOK THEM OUT 

BUT HIS ONE BOY ONLY HAD A DECK OF CARDS, SO HE SPREAD THEM 

OUT 

THE SERGEANT SAW THE CARDS AND SAID, SOLDIER, PUT AWAY 

THOSE CARDS 

AFTER THE SERVICES WERE OVER, THE BOY WAS TAKEN PRISONER, 

AND BROUGHT BEFORE THE PROVOST MARSHALL 

THE MARSHALL SAID, SERGEANT, WHY HAVE YOU BROUGHT THIS MAN 

HERE 

FOR PLAYING CARDS IN CHURCH, SIR 

AND WHAT HAVE YOU TO SAY FOR YOURSELF, SON 

MUCH SIR, REPLIED THE SOLDIER 

THE MARSHALL SAID, I HOPE SO, BECAUSE IF NOT, I SHALL PUNISH 

YOU MORE THAN ANY MAN WAS EVER PUNISHED 

THE BOY SAID, SIR, I HAD BEEN ON A LONG MARCH FOR SIX DAYS 

I HAD NEITHER BIBLE NOR PRAYER BOOK 

BUT I HOPE TO SATISFY YOU, SIR, WITH THE PURITY OF MY 

INTENTIONS 

AND WITH THAT, THE BOY BEGAN HIS STORY 

YOU SEE, SIR, WHEN I LOOK AT THE ACE IN MY DECK OF CARDS, I 

KNOW THERE IS BUT ONE GOD 

THE DEUCE TELLS ME THAT THE BIBLE IS DIVIDED INTO TWO PARTS, 

THE OLD AND THE NEW TESTAMENTS 

THEN WHEN I SEE THE TREY I THINK OF THE FATHER, THE SON, AND 

THE HOLY GHOST 

AND WHEN I LOOK AT THE FOUR I REMEMBER THE FOUR GREAT 

EVANGELISTS WHO PREACHED THE GOSPEL, MATHEW, MARK, LUKE 

AND JOHN 

46

WHEN I SEE THE FIVE, I THINK OF THE FIVE WISE VIRGINS WHO 

TRIMMED THE LAMPS 

THERE WERE TEN OF THEM; FIVE WERE WISE AND WERE SAVED, FIVE 

WERE FOOLISH AND WERE CAST OUT 

WHEN I LOOK AT THE SIX, I KNOW THAT IN SIX DAYS GOD MADE THE 

GREAT HEAVEN AND EARTH 

AND THE SEVEN TEACHES ME THAT ON THE SEVENTH DAY HE RESTED 

FROM HIS WORK AND CALLED IT HOLY 

WHEN I LOOK AT THE EIGHT, I THINK OF THE EIGHT RIGHTEOUS 

PERSONS GOD SAVED WHEN HE DESTROYED THE EARTH 

THEY WERE NOAH, HIS WIFE, THEIR THREE SONS AND THEIR WIVES 

AND WHEN I SEE THE NINE, I THINK OF THE LEPERS OUR SAVIOUR 

CLEANSED 

NINE OUT OF THE TEN DIDN'T EVEN THANK HIM 

OF COURSE, WHEN I LOOK AT THE TEN, I ALWAYS REMEMBER THE TEN 

COMMANDMENTS 

THE TEN COMMANDMENTS THAT GOD HANDED DOWN TO MOSES ON 

THE TABLETS OF STONE 

AND WHEN I SEE THE KING, SIR, I KNOW THERE IS BUT ONE KING OF 

HEAVEN, GOD ALMIGHTY 

AND WHEN I LOOK AT THE QUEEN, I THINK OF THE BLESSED VIRGIN 

MARY 

THE JACK, OR KNAVE, IS THE DEVIL 

WHEN I COUNT THE SPOTS ON MY DECK OF CARDS, I FIND 365, THE 

NUMBER OF DAYS IN A YEAR 

THERE ARE 52 CARDS, THE NUMBER OF WEEKS IN A YEAR 

THERE ARE 12 PICTURE CARDS, THE NUMBER OF MONTHS IN A YEAR 

THERE ARE FOUR SUITS, THE NUMBER OF WEEKS IN A MONTH 

THIRTEEN TRICKS, THE NUMBER OF WEEKS IN A QUARTER 

SO YOU SEE, SIR, MY DECK OF CARDS SERVES NOT ONLY AS A BIBLE, 

ALMANAC, BUT ALSO A PRAYER BOOK 

FRIENDS, I KNOW THIS STORY IS TRUE, BECAUSE I KNEW THAT 

SOLDIER 

(BIZERTA IS A TOWN IN TUNISIA. IT WAS THE SITE OF A MAJOR BATTLE 

IN 1943, WITH GENERAL HAROLD ALEXANDER IN CHARGE OF BRITISH 

FORCES.) 

47

DELLA AND THE DEALER 

HOYT AXTON 

(A) IT WAS DELLA AND THE DEALER AND A DOG NAMED JAKE AND A (D) 

CAT NAMED KALAMAZOO 

(E) LEFT THE CITY IN A PICKUP TRUCK, GONNA MAKE SOME DREAMS 

COME (A) TRUE 

YEAH, THEY ROLLED OUT WEST WHERE THE WILD SUN SETS AND THE 

(D) COYOTE BAYS AT THE MOON 

(E) DELLA AND THE DEALER AND A DOG NAMED JAKE AND A CAT 

NAMED KALAMA(A)ZOO 

(CHORUS, REPEAT) IF THAT CAT COULD TALK WHAT TALES HE’D TELL 

ABOUT (E) DELLA AND THE DEALER AND THE DOG AS WELL 

BUT THE CAT WAS COOL AND HE NEVER SAID A MUMBLING (A) WORD 

DOWN TUCSON WAY THERE’S A SMALL CAFÉ WHERE THEY PLAY A 

LITTLE COWBOY TUNE 

AND THE GUITAR PLAYER WAS A FRIEND OF MINE, BY THE NAME OF 

RANDY BOONE 

YEAH, RANDY PLAYED HER A SWEET LOVE SONG, AND DELLA GOT A 

FIRE IN HER EYE 

THE DEALER HAD A KNIFE AND THE DOG HAD A GUN AND THE CAT HAD 

A SHOT OF RYE (CHORUS 2X) 

YEAH, THE DEALER WAS A KILLER, HE WAS EVIL AND MEAN, AND HE 

WAS JEALOUS OF THE FIRE IN HER EYE 

HE SNORTED HIS COKE THROUGH A CENTURY NOTE, AND HE SWORE 

THAT BOONE WOULD DIE 

YEAH, THE STAGE WAS SET WHEN THE LIGHTS WENT OUT, THERE WAS 

DEATH IN TUCSON TOWN 

TWO SHADOWS RAN FROM THE BAR BACK DOOR, AND ONE STAYED ON 

THE GROUND (CHORUS)(CHORUS) 

TWO SHADOWS RAN FROM THE BAR THAT NIGHT, AND A DOG AND A 

CAT RAN TOO 

AND THE TIRES GOT HOT ON THE PICKUP TRUCK AS DOWN THE ROAD 

THEY FLEW 

IT WAS DELLA AND HER LOVER AND A DOG NAMED JAKE AND A CAT 

NAMED KALAMAZOO 

48

LEFT TUCSON IN A PICKUP TRUCK, GONNA MAKE SOME DREAMS COME 

TRUE 

YEAH, YEAH, YEAH 

(CHORUS)(CHORUS)(CHORUS)FADE 

49

DETOUR 

ELTON BRITT 

PAUL WESTMORELAND 

(A) HEADED DOWN LIFE'S CROOKED ROAD 

LOT OF THINGS I NEVER KNOWED 

AND BECAUSE OF MY NOT KNOWIN', I NOW (E) PINE 

TROUBLE (A) GOT IN THE TRAIL 

SPENT THE (D) NEXT FIVE YEARS IN JAIL 

SHOULD HAVE (E) READ THAT DETOUR (A) SIGN 

(CHORUS) DE(D)TOUR, THERE'S A MUDDY ROAD AHEAD 

DE(A)TOUR, PAID NO MIND TO WHAT IT SAID 

DE(D)TOUR, OH, THESE BITTER THINGS I FIND 

SHOULD HAVE (E) READ THAT DETOUR (A) SIGN 

WHEN I GOT RIGHT TO THE PLACE 

WHERE IT SAID "ABOUT FACE" 

I THOUGHT THAT ALL MY WORRIES WERE BEHIND 

BUT THE FARTHER I GO, THE MORE SORROW I KNOW 

SHOULD HAVE READ THAT DETOUR SIGN (CHORUS) 

WHEN I GOT STUCK IN THE MUD 

ALL MY HOPES DROPPED WITH A "THUD" 

I GUESS THAT MY HEART'S STRINGS ARE MADE OF TWINE 

HAD NO WILLPOWER TO GET, FROM THE HOLE THAT I'M IN YET 

SHOULD HAVE READ THAT DETOUR SIGN (CHORUS) 

50

DEVIL WOMAN 

MARTY ROBBINS 

(A) I TOLD MARY ABOUT US, I TOLD HER ABOUT OUR GREAT (E) SIN 

MARY CRIED AND FORGAVE ME, AND MARY TOOK ME BACK A(A)GAIN 

SAID IF I WANTED MY FREEDOM, I COULD BE FREE EVER(D)MORE 

BUT I DON’T WANT TO BE, AND (A) I DON’T WANT TO SEE 

(E) MARY CRY ANY(A)MORE, OH… 

(CHORUS) DEVIL (E) WOMAN, DEVIL WOMAN (A) LET GO OF ME 

DEVIL WOMAN, (E) LET ME BE 

AND LEAVE ME ALONE, I (A) WANT TO GO HOME 

MARY IS WAITING AND WEEPING, DOWN AT OUR SHACK BY THE SEA 

EVEN AFTER I’VE HURT HER, MARY’S STILL IN LOVE WITH ME 

DEVIL WOMAN, IT’S OVER, TRAPPED NO MORE BY YOUR CHARMS 

‘CAUSE I DON’T WANT TO STAY, I WANT TO GET AWAY 

WOMAN LET GO OF MY ARM, OH… (CHORUS) 

DEVIL WOMAN, YOU’RE EVIL, LIKE THE DARK CORAL REEF 

LIKE THE WINDS THAT BRING HIGH TIDES, YOU BRING SORROW AND 

GRIEF 

YOU MADE ME ASHAMED TO FACE MARY, BARELY HAD THE STRENGTH 

TO TELL 

SKIES ARE NOT SO BLACK, MARY TOOK ME BACK 

MARY HAS BROKEN YOUR SPELL, OH… (CHORUS) 

RUNNING ALONG BY THE SEASHORE, RUNNING AS FAST AS I CAN 

EVEN THE SEAGULLS ARE HAPPY, GLAD I’M COMING HOME AGAIN 

NEVER AGAIN WILL I EVER, CAUSE ANOTHER TEAR TO FALL 

DOWN THE BEACH I SEE, WHAT BELONGS TO ME 

THE ONE I WANT MOST OF ALL, OH… 

DEVIL WOMAN, DEVIL WOMAN, DON’T CALL ME 

DEVIL WOMAN, LET ME BE 

AND LEAVE ME ALONE, I’M GOING BACK HOME 

51

DID SHE MENTION MY NAME? 

GORDON LIGHTFOOT 

(E) IT’S SO NICE TO MEET AN OLD FRIEND AND (A) PASS THE TIME OF 

DAY 

AND (B7) TALK ABOUT THE HOME TOWN A MILLION MILES A(E)WAY 

IS THE ICE STILL IN THE RIVER, ARE THE (A) OLD FOLKS STILL THE 

SAME 

AND BY THE (B7) WAY, DID SHE (descending) MENTION MY (E) NAME? 

DID SHE (A) MENTION MY (B7) NAME JUST IN (E) PASSING 

AND WHEN THE MORNING CAME, DO YOU REMEMBER IF SHE DROPPED 

A NAME OR (B7) TWO 

IS THE (E) HOME TEAM STILL ON FIRE, DO THEY (A) STILL WIN ALL THE 

GAMES 

AND BY THE (B7) WAY, DID SHE (ascending) MENTION MY (E) NAME? 

(instrumental – last two lines of first verse) 

IS THE LANDLORD STILL A LOSER, DO HIS (A) SIGNS HANG IN THE HALL 

ARE THE (B7) YOUNG GIRLS STILL AS PRETTY IN THE CITY IN THE (E) 

FALL 

DOES THE LAUGHTER ON THEIR FACES, STILL (A) PUT THE SUN TO 

SHAME 

AND BY THE (B7) WAY, DID SHE (descending) MENTION MY (E) NAME? 


AND WHEN THE TALK RAN HIGH, DID THE LOOK IN HER EYES LOOK FAR 

A(B7)WAY 

IS THE (E) OLD ROOF STILL LEAKING, WHEN THE (A) LATE SNOW TURNS 

TO RAIN 

AND BY THE (B7) WAY, DID SHE (asc) MENTION MY (E) NAME? 

(instrumental – full first verse) 


AND LOOKING AT THE RAIN, DO YOU REMEMBER IF SHE DROPPED A 

NAME OR (B7) TWO 

WON’T YOU (E) SAY HELLO FROM SOMEONE, THERE’LL BE (A) NO NEED 

TO EXPLAIN 

AND BY THE (B7) WAY, DID SHE (high, desc) MENTION MY (E) NAME? 

52

DOES MY RING HURT YOUR FINGER? 

CHARLEY PRIDE 

ROBERTSON, CRUTCHFIELD, CLEMENT 

(A) DOES MY RING HURT YOUR FINGER, WHEN (E) YOU GO OUT AT 

NIGHT? 

WHEN I BOUGHT IT FOR YOU DARLING, IT SEEMED TO FIT JUST (A) 

RIGHT 

SHOULD I TAKE IT TO THE JEWELER, SO IT WON’T FIT SO (D) TIGHT? 

DOES MY RING HURT YOUR (A) FINGER, WHEN (E) YOU GO OUT AT (A) 

NIGHT? 

(G) DID YOU ENJOY YOURSELF LAST NIGHT DEAR, HOW WAS THE (D) 

SHOW? 

YOU KNOW THAT I DON’T MIND IT WHEN YOU (G) GO 

I UNDERSTAND, SOMETIMES WE ALL NEED TIME A(C)LONE 

BUT WHY (G) DO YOU ALWAYS (D) LEAVE YOUR RING AT (G) HOME? 

(A) DOES MY RING HURT YOUR FINGER, WHEN YOU’RE AWAY FROM 

ME? 

I’M SO PROUD WHEN YOU WEAR IT, FOR ALL THE WORLD TO SEE 

SHOULD I TAKE IT TO THE JEWELER, SO IT WON’T FIT SO TIGHT? 

DOES MY RING HURT YOUR FINGER, WHEN YOU GO OUT AT NIGHT? 

DOES MY RING HURT YOUR FINGER, WHEN YOU GO OUT AT NIGHT? 

53

DON’T BE ANGRY 


(A) DON’T BE ANGRY WITH ME (D) DARLING 

SHOULD I (A) FAIL TO UNDERSTAND 

ALL YOUR (E) LITTLE WHIMS AND WISHES ALL THE (A) TIME 

JUST REMEMBER THAT I’M (D) DUMB I GUESS 

LIKE (A) ANY FOOLISH MAN 

AND MY (E) HEAD STAYS SORT OF FOGGY ALL THE (A) TIME 

WELL I RECALL THE FIRST TIME 

THAT I FLIRTED WITH YOU DEAR 

WHEN I JOKINGLY SAID COME AND BE MY BRIDE 

NOW THAT TIME HAS TURNED THE PAGES 

IT’S THE SWEETEST JOKE ON EARTH 

THAT I’LL HAVE YOU HERE FOREVER BY MY SIDE 

MAYBE SOMEDAY YOU’RE GONNA HURT ME 

I’VE BEEN HURT IN LOVE BEFORE 

ONLY GOD CAN KNOW, AND TIME ALONE WILL TELL 

IN THE MEANTIME I’LL KEEP LOVING YOU 

WITH ALL MY HEART AND SOUL 

AND PRAY GOD TO LET IT LAST IF IT’S HIS WILL (REPEAT 1 ST VERSE) 

54

DON'T DROP IT 

FARGO TANNER 

(CHORUS) (A) YOU TAKE MY HEART FOR A RIDE AND WHEN YOU LAY IT 

ASIDE, IT'S (E) BROKEN 

YOU DRAG IT AROUND LIKE A SACK, WHEN YOU COME DRAGGING IT 

BACK, IT'S (A) SMOKING 

(D) I'LL SAY IT DON'T MATTER TILL THE DAY THAT I'M WED 

BUT (A) EACH TIME I KISS YOU I FORGET WHAT I SAID 

I LET YOU (E) KEEP IT TONIGHT, IF YOU WILL (D) HOLD IT SO (E) TIGHT, 

DON'T (A) DROP IT 

YOU BREAK IT UP LIKE A PLATE, BEFORE A QUARTER TO EIGHT, NO 

JOKING 

THEN ALONG ABOUT TEN YOU'RE GONNA BREAK IT AGAIN, HEART- 

BROKEN 

I'LL PUT IT BACK TOGETHER TILL I RUN OUT OF GLUE 

BUT HOLDING YOU CLOSE I’LL TELL YOU WHAT I WILL DO 

I'LL LET YOU KEEP IT TONIGHT IF YOU'LL HOLD IT SO TIGHT 

DON'T DROP IT 


…DON'T DROP IT…DON’T BREAK IT… 

THE WAY I LOVE YOU BABY, WELL I GUESS IT'S A SIN 

AND EVEN THOUGH I KNOW YOU'RE GONNA BREAK IT AGAIN 

I'LL LET YOU KEEP IT TONIGHT IF YOU WILL HOLD IT SO TIGHT 

DON'T DROP IT 

55

DON’T EVER LOVE ME 

HARRY BELAFONTE, LORD BURGESS 

(SAME MUSIC AS "YELLOW BIRD") 

(C) WHILE IN THAT GAY TROPIC ISLE 

I FIRST SAW THAT MAIDEN’S (G) SMILE 

THOUGH I HAD FAILED IN THE PAST 

I SAID THIS IS TRUE LOVE AT (C) LAST 

BUT (Am) THEN SHE WHISPERED TO ME 

THAT (D7) OUR LOVE NEVER COULD (G, G7) BE 

(CHORUS) (C) DESTINY, OH (G7) WHEN WILL I SEE THE (C) DAY 

HOPELESSLY, I’VE (G7) WANDERED SO LONG THIS (C) WAY 

(F) THIS COULD NEVER BE, (C) SHE SAID PLEADINGLY 

(G) DON’T EVER LOVE ME, (C) I’M JUST FANCY FREE 

(F) THIS COULD NEVER BE, (C) SHE SAID PLEADINGLY 

(G) DON’T EVER LOVE (C) ME 

OUR LOVE WAS MOTION AND GRACE 

THE MOONLIGHT SOFT ON HER FACE 

I HELD HER CLOSE IN MY ARMS 

MY HEART WAS QUICK TO HER CHARMS 

BUT THEN I SAW IN HER GLANCE 

IT WAS JUST AN EVENING’S ROMANCE 

(CHORUS) + REPEAT LAST LINE 

56

DON'T WE ALL HAVE THE RIGHT TO BE WRONG NOW AND THEN? 

RICKY VAN SHELTON 

(A) I LAUGHED IT OFF WHEN SHE LEFT, I THOUGHT SHE'D (D) COME 

BACK A(A)GAIN 

DON'T WE (D) ALL HAVE THE (A) RIGHT TO BE (E) WRONG NOW AND 

THEN 

SHE WON'T COME (A) HOME, SHE SAYS HER LOVE WILL NEVER (D) BE 

MINE A(A)GAIN 

DON'T WE (D) ALL HAVE THE (A) RIGHT TO BE (E) WRONG NOW AND (A) 

THEN 

GUESS I (B7) WASN'T SO SMART AFTER (E) ALL 

I FOR(B7)GOT THAT WITH LOVE, THERE ARE (E) TWO WAYS TO FALL 

I LAUGHED IT OFF WHEN SHE LEFT, I THOUGHT SHE'D COME BACK 

AGAIN 

DON'T WE ALL HAVE THE RIGHT TO BE WRONG NOW AND THEN 


GUESS I WASN'T SO SMART AFTER ALL 

I FORGOT THAT WITH LOVE, THERE ARE TWO WAYS TO FALL 

SHE WON'T COME HOME, SHE SAYS HER LOVE WILL NEVER BE MINE 

AGAIN 

DON'T WE ALL HAVE THE RIGHT TO BE WRONG NOW AND THEN 

(REPEAT LAST LINE) 

57

DO WHAT YOU DO, DO WELL 

NED MILLER 

(A) HE COULDN’T MOVE A MOUNTAIN 

OR PULL DOWN A BIG OAK (E) TREE 

BUT MY DADDY BECAME A MIGHTY BIG MAN 

WITH A SIMPLE PHILOSO(A)PHY 

(CHORUS) DO WHAT YOU DO, DO WELL BOY 

DO WHAT YOU DO, DO (E) WELL 

GIVE YOUR LOVE AND ALL OF YOUR HEART 

AND DO WHAT YOU DO, DO (A) WELL 

SOMETIMES HE’D KISS MY MOTHER 

AND HOLD HER TENDERLY 

THEN HE’D LOOK ACROSS THE TOP OF HER HEAD 

THEN HE’D WINK AND HE’D SAY TO ME (CHORUS) 

NOW HE WAS A MAN OF LAUGHTER 

BUT IF A TRAGEDY CAME BY 

THE TEARS RAN FREE AND HE’D SAY TO ME 

“NEVER BE AFRAID TO CRY” (CHORUS) 

TODAY I STILL REMEMBER 

JUST LIKE YESTERDAY 

‘BOUT A MIGHTY BIG MAN WITH A MIGHTY BIG HEART 

AND A MIGHTY FEW WORDS TO SAY (CHORUS) 

58

DROP KICK ME, JESUS 

BOBBY BARE 

PAUL CRAFT 

(CHORUS) (A) DROP KICK ME, JESUS, THROUGH THE GOALPOSTS OF 

(E) LIFE 

END OVER END, NEITHER LEFT NOR THE (A) RIGHT 

STRAIGHT THROUGH THE HEART OF THOSE RIGHTEOUS UP(D)RIGHTS 

DROP KICK ME, (A) JESUS, THROUGH THE (E) GOALPOSTS OF (A) LIFE 

MAKE ME, OH, MAKE ME, LORD, (E) MORE THAN I AM 

MAKE ME A PIECE IN YOUR MASTER GAME (A) PLAN 

FREE FROM THE EARTHLY TEMPESTION BE(D)LOW 

I’VE GOT THE (A) WILL, LORD, IF (E) YOU’VE GOT THE (A) TOE (CHORUS) 

BRING ON THE BROTHERS WHO’VE GONE ON BEFORE 

AND ALL OF THE SISTERS WHO’VE KNOCKED AT YOUR DOOR 

AND ALL THE DEPARTED DEAR LOVED ONES OF MINE 

AND STICK ‘EM UP FRONT IN THE OFFENSIVE LINE (CHORUS) 

(CHORUS)(CHORUS)(FADE) 

59

EL CONDOR PASA (IF I COULD) 

PAUL SIMON, ART GARFUNKEL 

(Am) I'D RATHER BE A SPARROW THAN A (C) SNAIL 

YES I WOULD, IF I COULD, I SURELY (Am) WOULD (M-M) 

I'D RATHER BE A HAMMER THAN A (C) NAIL 

YES I WOULD, IF I ONLY COULD, I SURELY (Am) WOULD (M-M) 

A(F)WAY, I'D RATHER SAIL AWAY 

LIKE A (C) SWAN THAT'S HERE AND GONE 

A (F) MAN GETS TIED UP TO THE GROUND 

HE GIVES THE (C) WORLD ITS SADDEST SOUND 

ITS SADDEST (Am) SOUND (M-M M-M) 

I'D RATHER BE A FOREST THAN A (C) STREET 

YES I WOULD, IF I COULD, I SURELY (Am) WOULD 

I'D RATHER FEEL THE EARTH BENEATH MY (C) FEET 

YES I WOULD, IF I ONLY COULD, I SURELY (Am) WOULD 

(INSTRUMENTAL OF VERSE 2) 

60

EL CONDOR PASA (IF I COULD) 

PAUL SIMON, ART GARFUNKEL 

(Em) I'D RATHER BE A SPARROW THAN A (G) SNAIL 

YES I WOULD, IF I COULD, I SURELY (Em) WOULD (M-M) 

I'D RATHER BE A HAMMER THAN A (G) NAIL 

YES I WOULD, IF I ONLY COULD, I SURELY (Em) WOULD (M-M) 

A(C)WAY, I'D RATHER SAIL AWAY 

LIKE A (G) SWAN THAT'S HERE AND GONE 

A (C) MAN GETS TIED UP TO THE GROUND 

HE GIVES THE (G) WORLD ITS SADDEST SOUND 

ITS SADDEST (Em) SOUND (M-M M-M) 

I'D RATHER BE A FOREST THAN A (G) STREET 

YES I WOULD, IF I COULD, I SURELY (Em) WOULD 

I'D RATHER FEEL THE EARTH BENEATH MY (G) FEET 

YES I WOULD, IF I ONLY COULD, I SURELY (Em) WOULD 

(INSTRUMENTAL OF VERSE 2) 

61

ENGINE, ENGINE NUMBER NINE 

ROGER MILLER 

(A) ENGINE, ENGINE NUMBER NINE 

COMING DOWN THAT RAILROAD LINE 

HOW MUCH FARTHER BACK DID SHE GET (E) OFF? 

OH THAT SUITCASE THAT SHE CARRIED 

I’VE LOOKED FOR IT EVERYWHERE, IT 

JUST AIN’T HERE AMONG THE REST, AND 

(A) I’M A LITTLE UPSET, YES, TELL ME 

ENGINE, ENGINE NUMBER NINE 

COMING DOWN THAT RAILROAD LINE 

I KNOW SHE GOT ON IN BALTI(D)MORE 

A HUNDRED AND TEN MILES AIN’T MUCH DISTANCE 

(A) BUT IT SURE DO MAKE A DIFFERENCE 

(E) I DON’T THINK SHE LOVES ME ANY(A)MORE 

(START LOW, RAISE PITCH) I WARNED HER OF THE DANGERS 

DON’T SPEAK TO STRANGERS 

DID BY CHANCE SHE FIND NEW ROMANCE 

(E) WARMER LIPS TO KISS HER 

ARMS TO HOLD HER TIGHTER 

STIRRING NEW FIRES INSIDE HER 

HOW I WISH THAT IT WAS ME 

IN(A)STEAD OF HE THAT (E) STANDS BESIDE HER 

(A) ENGINE, ENGINE NUMBER NINE 

COMING DOWN THE RAILROAD LINE 

I KNOW SHE GOT ON IN BALTIMORE 

A HUNDRED AND TEN MILES AIN’T MUCH DISTANCE 

BUT IT SURE DO MAKE A DIFFERENCE 

I DON’T THINK SHE LOVES ME ANYMORE 

NO, I DON’T THINK SHE LOVES ME ANYMORE 

62

EVERYBODY'S SOMEBODY'S FOOL 

CONNIE FRANCIS 

JACK KELLER, HOWARD GREENFIELD 

(G) THE TEARS I CRIED FOR YOU COULD FILL AN (C) OCEAN 

BUT (D) YOU DON'T CARE HOW MANY TEARS I (G) CRY 

AND THOUGH YOU ONLY LEAD ME ON AND (C) HURT ME 

I (G) COULDN'T BRING MY(D)SELF TO SAY GOOD(G)BYE 

(CHORUS) 'CAUSE EVERYBODY'S SOMEBODY'S (C) FOOL 

(D) EVERYBODY'S SOMEBODY'S (G) PLAYTHING 

AND THERE ARE NO EXCEPTIONS TO THE (C) RU-U-ULE 

YES, (G) EVERYBODY'S (D) SOMEBODY'S (G) FOOL 

I TOLD MYSELF IT'S BEST THAT I FORGET YOU 

THOUGH I'M A FOOL AT LEAST I KNOW THE SCORE 

BUT DARLIN' I'D BE TWICE AS BLUE WITHOUT YOU 

IT HURTS BUT I'D COME RUNNIN' BACK FOR MORE (CHORUS) 

SOMEDAY YOU'LL FIND SOMEONE YOU REALLY CARE FOR 

AND IF HER LOVE SHOULD PROVE TO BE UNTRUE 

YOU'LL KNOW HOW MUCH THIS HEART OF MINE IS BREAKIN' 

YOU'LL CRY FOR HER THE WAY I CRY FOR YOU 

YES, EVERYBODY'S SOMEBODY'S FOOL 

EVERYBODY'S SOMEBODY'S PLAYTHING 

AND THERE ARE NO EXCEPTIONS TO THE RU-U-ULE 

YES, EVERYBODY'S SOMEBODY'S FOOL 

(PEAK BILLBOARD POSITION # 1 IN 1960) 

63

EVIL ON YOUR MIND 

JAN HOWARD 

(G) YOU SAY I NEED A REST, WHY DON'T I GO AND SEE MY SISTER WAY 

OUT (C) WEST 

WELL, THAT'S (D) VERY THOUGHTFUL OF YOU DEAR AND I'M REALLY 

TOUCHED WITH ALL THIS TENDER(G)NESS 

WELL, WE WOMEN ARE SUSPICIOUS THINGS, WE KNOW THAT MEN 

AREN'T BORN WITH WINGS, WHAT'S MAKING YOU SO (C) KIND? 

NOW (D) I'M NOT SMART, BUT I'M NOT BLIND AND I THINK THAT YOU'VE 

GOT EVIL ON YOUR (G) MIND 

YOU THINK THAT YOU'VE BEEN GOOD ABOUT AS LONG AS MOST RED- 

BLOODED HE-MEN COULD 

WE'VE BEEN TOGETHER FOR SO LONG AND I KNOW ANOTHER 

PASTURE'S LOOKING GOOD 

DON'T THINK THAT OTHER MEN DON'T LOOK AT ME THAT CERTAIN WAY 

FROM TIME TO TIME 

DON'T THINK THAT YOU'RE THE ONLY ONE THAT MUST CONTEND WITH 

EVIL ON YOUR MIND 

YOUR (A) MIND IS IN A HAREM AND SURROUNDED BY EXOTIC DANCING 

(D) GIRLS 

YOU'RE (A) HEARING PRETTY MUSIC AS THEY RUN THEIR SLENDER 

FINGERS THROUGH YOUR (D) CURLS (AH, DREAM ON, BABY) 

I (G) THANK YOU FOR THE FLOWERS AND THE CANDY, HONEY, THAT 

WAS VERY (C) KIND 

FOR (D) THAT'S YOUR WAY OF TELLING ME YOU'RE SORRY FOR THE 

EVIL ON YOUR (G) MIND 

64

FADED LOVE 

PATSY CLINE 

BOB WILLS, JOHNNY WILLS 

(D. LOW) AS I LOOK AT THE LETTERS, THAT (G) YOU WROTE TO ME 

IT’S (D) YOU THAT I AM THINKING (A) OF 

AS I (D) READ THE LINES THAT TO (G) ME WERE SO DEAR 

I RE(D)MEMBER OUR (A) FADED (D) LOVE 

(CHORUS) (HIGH) I MISS YOU DARLING, MORE AND (G) MORE EVERY 

DAY 

AS (D) HEAVEN WOULD MISS THE STARS A(A)BOVE 

WITH (D) EVERY HEARTBEAT I STILL (G) THINK OF YOU 

AND RE(A7)MEMBER OUR (A) FADED (D) LOVE 

AS I THINK OF THE PAST, AND ALL THE PLEASURES WE HAD 

AS I WATCH THE MATING OF THE DOVE 

IT WAS IN THE SPRINGTIME THAT YOU SAID GOODBYE 

I REMEMBER OUR FADED LOVE 

(CHORUS) AND REMEMBER OUR FADED LOVE 

AND REMEMBER OUR FADED LOVE 

65

FEET 

RAY PRICE 

(G) FEET, WALK ME DOWN TO (Am) MEMORY STREET 

(D7) BACK TO WHERE WE (D) USED TO MEET 

BEFORE SHE SAID GOOD(G)BYE (D7) 

AND (G) EYES, LOOK FOR HER A(Am)LONG THE WAY 

AND (D7) IF YOU SEE HER (D) THERE TODAY 

PROMISE ME YOU WON'T (G) CRY 

(C) HANDS, TRY TO KEEP FROM (G) REACHING OUT 

GIVE HER A CHANCE TO (D7) THINK ABOUT 

WHEN SHE WAS (G) MINE 

O (C) LIPS, PLEASE BE CAREFUL (G) WHAT YOU SAY 

WE DON'T WANT TO FRIGHTEN (D) HER AWAY 

THIS (C/D7)TIME 

O (G) HEART, PULL YOURSELF TO(Am)GETHER NOW 

AND (D7) TRY TO GET HER (D) BACK SOMEHOW 

AND HELP ME BACK ON MY (C/D/G) FEET 

(REPEAT FROM "HANDS") 

66

FOOL NUMBER ONE 

BRENDA LEE 

KATHRYN R FULTON 

(C) AM I (G) FOOL NUMBER ONE, OR AM I (C) FOOL NUMBER TWO 

(G) HOW/ MANY OTHER GIRLS (FOOLS)/ (C) HAVE BEEN FOOLED BY YOU 

I SUP(F)POSE/ THAT THE NUMBER/ IS (C) FAR FROM BEING SMALL 

AND I'LL (G) BET/ THAT I'M THE BIGGEST FOOL OF (C) ALL 

IF (F) I/ HAD THE CHANCE/ I GUESS I'D (C) DO IT ALL AGAIN 

I'D GO (G) DOWN THAT SAME OLD ROAD/ EVEN (C) KNOWING/ AT THE 

END 

YOU'D LEAVE (F) ME/ WHEN YOUR HEART HEARS/ A NEW LOVE (C) CALL 

SO I (G) GUESS/ THAT I'M THE BIGGEST FOOL OF (C) ALL 

AM I FOOL NUMBER ONE, OR AM I FOOL NUMBER TWO 

HOW MANY OTHER GIRLS (FOOLS) HAVE BEEN FOOLED BY YOU 

I SUPPOSE THAT THE NUMBER IS FAR FROM BEING SMALL 

AND I GUESS THAT I'M THE BIGGEST FOOL OF ALL 

67

FUNNY HOW TIME SLIPS AWAY 

WILLIE NELSON 

WELL, HEL(A)LO THERE, (D) MY IT’S BEEN A LONG, LONG (A) TIME 

HOW’M I DOING? (D) OH, I GUESS THAT I’M DOING (A) FINE 

IT’S BEEN SO LONG NOW, AND IT (A7) SEEMS THAT IT WAS (D) ONLY 

YESTER(B7)DAY 

GEE, AIN’T IT (E7) FUNNY, HOW TIME SLIPS A(A)WAY 

HOW’S YOUR (A) NEW LOVE, (D) I HOPE THAT HE’S DOING (A) FINE 

I HEARD YOU TOLD HIM THAT YOU’D (D) LOVE HIM TILL THE END OF (A) 

TIME 

NOW THAT’S THE SAME THING THAT YOU (A7) TOLD ME, IT SEEMS LIKE 

(D) JUST THE OTHER (B7) DAY 

GEE, AIN’T IT (E7) FUNNY, HOW TIME SLIPS A(A)WAY 

GOTTA (A) GO NOW, (D) GUESS I’LL SEE YOU A(A)ROUND 

DON’T KNOW WHEN THOUGH, NEVER (D) KNOW WHEN I’LL BE BACK IN 

(A) TOWN 

BUT REMEMBER WHAT I (A7) TELL YOU THAT IN (D) TIME YOU’RE 

GONNA (B7) PAY 

AND IT’S SUR(E7)PRISING HOW TIME SLIPS A(A)WAY 

68

FRANKIE AND JOHNNY 

JIMMIE RODGERS 

(A) FRANKIE AND JOHNNY WERE SWEETHEARTS 

OH, LORD, HOW THEY DID LOVE 

(D) SWORE TO BE TRUE TO EACH OTHER 

TRUE AS THE STARS A(A)BOVE 

HE WAS HER (E) MAN, HE WOULDN'T DO HER (A) WRONG 

FRANKIE WENT DOWN TO THE CORNER 

JUST FOR A BUCKET OF BEER 

SHE SAID, MR BARTENDER 

HAS MY LOVING JOHNNY BEEN HERE 

HE'S MY MAN, HE WOULDN'T DO ME WRONG 

I DON'T WANT TO CAUSE YOU NO TROUBLE 

I AIN'T GONNA TELL YOU NO LIES 

I SAW YOUR LOVER AN HOUR AGO 

WITH A GIRL NAMED NELLIE BLY 

HE WAS YOUR MAN, BUT HE'S DOING YOU WRONG 

FRANKIE LOOKED OVER THE TRANSOM 

SHE SAW TO HER SURPRISE 

THERE ON A COT SAT JOHNNY 

MAKING LOVE TO NELLY BLY 

HE'S MY MAN, AND HE'S DOING ME WRONG 

FRANKIE DREW BACK HER KIMONO 

SHE TOOK OUT A LITTLE FORTY-FOUR 

ROOTY-TOOT-TOOT, THREE TIMES SHE SHOT 

RIGHT THROUGH THAT HARDWOOD DOOR 

SHE SHOT HER MAN, HE WAS DOING HER WRONG 

BRING OUT THE RUBBER-TOP BUGGY(?) 

BRING OUT THE RUBBER TOP HAT(?) 

I'M TAKING MY MAN TO THE GRAVEYARD 

BUT I AIN'T GONNA BRING HIM BACK 

LORD, HE WAS MY MAN, BUT HE DONE ME WRONG 

BRING OUT A THOUSAND POLICEMEN 

69

BRING 'EM AROUND TODAY 

LOCK ME DOWN IN THE DUNGEON CELL 

AND THROW THAT KEY AWAY 

I SHOT MY MAN, HE WAS DOING ME WRONG 

FRANKIE SAID TO THE WARDEN 

WHAT ARE THEY GOING TO DO 

THE WARDEN, HE SAID TO FRANKIE 

IT'S THE ELECTRIC CHAIR FOR YOU 

'CAUSE YOU SHOT YOUR MAN, HE WAS DOING YOU WRONG 

THIS STORY HAS NO MORAL 

THIS STORY HAS NO END 

THIS STORY/ JUST GOES TO SHOW 

THAT THERE AIN'T NO GOOD IN MEN 

HE WAS HER MAN, AND HE WAS DOING HER WRONG 

70

FROM A JACK TO A KING 

NED MILLER 

(G) FROM A JACK TO A KING 

FROM LONELINESS TO A (D) WEDDING RING 

I PLAYED AN ACE AND I WON A QUEEN 

AND WALKED AWAY WITH YOUR (G) HEART 

FROM A JACK TO A KING 

WITH NO REGRET I STACKED THE CARDS LAST NIGHT 

AND LADY LUCK PLAYED HER HAND JUST RIGHT 

TO MAKE ME KING OF YOUR HEART 

FOR JUST A (C) LITTLE WHILE 

I THOUGHT THAT I WOULD (G) LOSE THE GAME 

THEN JUST IN (A) TIME I SAW 

THE TWINKLE (A7) IN YOUR (D) EYE 

FROM A (G) JACK TO A KING 

FROM LONELINESS TO A WEDDING RING 

I PLAYED AN ACE AND I WON A QUEEN 

YOU MADE ME KING OF YOUR HEART 

71

GHOST RIDERS IN THE SKY 

RIDERS IN THE SKY 

SONS OF THE PIONEERS, FRANKIE LAINE, JOHNNY CASH 

STAN JONES 

(Am) AN OLD COWPOKE WENT RIDING OUT ONE (C) DARK AND WINDY 

DAY 

UP(Am)ON A RIDGE HE RESTED AS HE WENT ALONG HIS WAY 

WHEN ALL AT ONCE A MIGHTY HERD OF RED-EYED COWS HE SAW 

A-(F)PLOUGHIN’ THROUGH THE RAGGED SKIES, AND (Am) UP A CLOUDY 

DRAW 

YI-PI-I-(C)AY, YI-PI-I-(Am)O, (F) GHOST HERD IN THE (Am) SKY 

(OR: I-AY, YI-PI-I-O) 

THEIR BRANDS WERE STILL ON FIRE AND THEIR HOOVES WERE MADE 

OF STEEL 

THEIR HORNS WERE BLACK AND SHINY AND THEIR HOT BREATH HE 

COULD FEEL 

A BOLT OF FEAR WENT THROUGH HIM AS THEY THUNDERED THROUGH 

THE SKY 

FOR HE SAW THE RIDERS COMING HARD, AND HE HEARD THEIR 

MOURNFUL CRY 

YI-PI-I-AY, YI-PI-I-O, GHOST RIDERS IN THE SKY 

THEIR FACES GAUNT THEIR EYES WERE BLURRED THEIR SHIRTS ALL 

SOAKED WITH SWEAT 

THEY’RE RIDIN’ HARD TO CATCH THAT HERD BUT THEY AIN’T CAUGHT 

THEM YET 

FOR THEY’VE GOT TO RIDE FOREVER ON THAT RANGE UP IN THE SKY 

ON HORSES SNORTIN’ FIRE, AS THEY RIDE ON HEAR THEM CRY, (I- 

AY…) 

AS THE RIDERS LOPED ON BY HIM HE HEARD ONE CALL HIS NAME 

"IF YOU WANT TO SAVE YOUR SOUL FROM HELL A-RIDING ON OUR 

RANGE 

THEN COWBOY CHANGE YOUR WAYS TODAY OR WITH US YOU WILL 

RIDE 

A-TRYIN' TO CATCH THE DEVIL'S HERD, ACROSS THESE ENDLESS 

SKIES" (I-AY…, THE GHOST HERD IN THE SKY, GHOST RIDERS IN THE 

SKY) 

72

GONNA FIND ME A BLUEBIRD 

BILLY WALKER 

MARVIN RAINWATER 

(A) GONNA FIND ME A (D) BLUEBIRD 

LET HIM SING ME A (A) SONG 

‘CAUSE MY HEART’S BEEN (E) BROKEN 

(D) MUCH (E) TOO (A) LONG 

GONNA CHASE ME A RAINBOW 

THROUGH A HEAVEN OF BLUE 

‘CAUSE I’M ALL THROUGH CRYING 

OVER YOU 

THERE WAS A (D) TIME 

MY LOVE WAS (A) NEEDED 

MY LIFE COM(E)PLETED 

MY DREAMS COME (A) TRUE 

THEN CAME THE (D) TIME 

MY LIFE WAS (A) HAUNTED 

MY LOVE UN(E)WANTED 

(D) ALL (E) FOR (A) YOU 

(REPEAT FIRST TWO VERSES) 

73

GOTTA TRAVEL ON 

THE KINGSTON TRIO, BILLY GRAMMER 

PAUL CLAYTON, LARRY EHRLICH, DAVE LAZER, FRED HELLERMAN, 

PETER SEEGER, LEE HAYS, RONNIE GILBERT 

(CHORUS) (E) I’VE LAID AROUND AND PLAYED AROUND THIS OLD TOWN 

TOO LONG 

SUMMER’S ALMOST GONE, YES, (A) WINTER’S COMING (E) ON 

I’VE LAID AROUND AND PLAYED AROUND THIS OLD TOWN TOO LONG 

AND I (A) FEEL LIKE I’VE (B7) GOTTA TRAVEL (E) ON 

PAPA WRITES TO JOHNNY, BUT JOHNNY CAN’T COME HOME 

JOHNNY CAN’T COME HOME, NO JOHNNY CAN’T COME HOME 

PAPA WRITES TO JOHNNY, BUT JOHNNY CAN’T COME HOME 

‘CAUSE HE’S BEEN ON THAT CHAIN GANG TOO LONG 

HIGH SHERIFF AND POLICE, RIDING AFTER ME 

RIDING AFTER ME, YES, COMING AFTER ME 

HIGH SHERIFF AND POLICE, RIDING AFTER ME 

AND I FEEL LIKE I'VE GOTTA TRAVEL ON (CHORUS) 

WANT TO SEE MY HONEY, WANT TO SEE HER BAD 

WANT TO SEE HER BAD, OH, WANT TO SEE HER BAD 

WANT TO SEE MY HONEY, WANT TO SEE HER BAD 

SHE’S THE BEST GAL THIS POOR BOY EVER HAD 

(CHORUS) + TRAVEL ON, TRAVEL ON 

74

GOTTA TRAVEL ON 

HARRY BELAFONTE 

CLAYTON, LAZAR, SIX, EHRLICH 

(CHORUS) I’VE LAID AROUND AND STAYED AROUND THIS OLD TOWN 

TOO LONG 

SUMMER’S ALMOST GONE, YES, SUMMER'S ALMOST GONE 

I’VE LAID AROUND AND STAYED AROUND THIS OLD TOWN TOO LONG 

AND I FEEL LIKE I’VE GOT TO TRAVEL ON 

THERE'S A LONESOME FREIGHT AT 6:08 COMING THROUGH THE TOWN 

COMING THROUGH THE TOWN, YES I'LL BE HOMEWARD BOUND 

THERE'S A LONESOME FREIGHT AT 6:08 COMING THROUGH THE TOWN 

AND I FEEL LIKE I'VE GOT TO TRAVEL ON (CHORUS) 

I'VE WAITED HERE FOR 'MOST A YEAR, WAITING FOR THE SUN TO 

SHINE 

WAITING FOR THE SUN TO SHINE, HOPING YOU'D CHANGE YOUR MIND 

I'VE WAITED HERE FOR 'MOST A YEAR, WAITING FOR THE SUN TO 

SHINE 

NOW I FEEL LIKE I'VE GOT TO TRAVEL ON (CHORUS) 

JUL' EVENIN' WILL SOON BEGIN, I'LL BE ON MY WAY 

GONNA GO SOME DAY, YES, GOING HOME TO STAY 

YES, JUL' EVENIN' WILL SOON BEGIN, I'LL BE ON MY WAY 

AND I FEEL LIKE I'VE GOT TO TRAVEL ON (CHORUS) 

75

HAITI CHERIE 

HARRY BELAFONTE, L BURGESS 

(CHORUS) (G) HAITI CHERIE, SAYS HAITI IS MY BE(D7)LOVED LAND 

OH, I NEVER KNEW THAT I’D HAVE TO LEAVE YOU TO (G) UNDERSTAND 

JUST HOW MUCH I MISS THE (C) GALLANT CITADEL 

WHERE DAYS LONG A(G)GO, BRAVE MEN (D) SERVED THIS COUNTRY 

(G) WELL 

WHERE SUN IS BRIGHT, AND EVENING WITH SOFT MOONLIGHT 

A SHADING TREE, CREOLE MAIDEN FOR COMPANY 

A GENTLE BREEZE, A WARM CARESS IF YOU PLEASE 

WORK, LAUGHTER AND PLAY, YES, WE’LL ALWAYS BE THIS WAY 

(CHORUS) 


HAITI CHERIE, NOW I’VE RETURNED TO YOUR SOIL SO DEAR 

LET ME HEAR AGAIN THE THINGS THAT GIVE MUSIC TO MY EAR 

THE SHEPHERD’S HORN THAT WELCOMES THE RISING MORN 

WHEN ROADS OVERFLOW AS CROWDS TO IRON MARKET GO 

(THEN SECOND VERSE) 

76

HALF AS MUCH 

CURLEY WILLIAMS 

(A) IF YOU LOVED ME HALF AS MUCH AS I LOVE YOU 

YOU WOULDN’T WORRY ME HALF AS MUCH AS YOU (E) DO 

YOU’RE NICE TO (A) ME WHEN THERE’S NO ONE ELSE A(D)ROUND 

YOU ONLY (B7) BUILD ME UP TO LET ME (E) DOWN 

IF YOU (A) MISSED ME HALF AS MUCH AS I MISS YOU 

YOU WOULDN’T STAY AWAY HALF AS MUCH AS YOU (E) DO 

I KNOW THAT (A) I WOULD NEVER BE THIS (D) BLUE 

IF YOU (E) ONLY LOVED ME HALF AS MUCH AS I LOVE (A) YOU 

77

HANDCUFFED TO LOVE 

HANK SNOW 

JERRY WILLIAMS - HOPE HARLOW 

(A) I'M HANDCUFFED TO THE (E) ONLY LOVE I (A) KNEW 

YET I'VE (D) NEVER COMMITTED ANY (A) CRIME 

LIKE A (D) PRISONER ALONE IN HIS (A) CELL 

I'M (E) HANDCUFFED TO THE LOVE I THOUGHT WAS (A) MINE 

THERE'S (D) NO WAY OUT AND NO ONE TO EASE MY (A) PAIN 

MY (B7) MEMORIES ARE HAUNTING ME IN (E) VAIN 

YOU (A) PROMISED TO BE (E) ALWAYS BY MY (A) SIDE 

FOR(D)EVER UNTIL THE END OF (A) TIME 

NOW YOU'RE (D) LAUGHING AT THE TEARS I CANNOT (A) HIDE 

I'M (E) HANDCUFFED TO THE LOVE I THOUGHT WAS (A) MINE 

I'M HANDCUFFED TO THE ONLY LOVE I KNEW 

LIKE A PRISONER I'M SERVING A LIFE TIME 

OH, LORD I NEED YOUR HELPING HAND 

I'M HANDCUFFED TO THE LOVE I THOUGHT WAS MINE 

THERE'S NO WAY OUT AND NO ONE TO EASE MY PAIN 

MY MEMORIES ARE HAUNTING ME IN VAIN 

I PRAY YOU WILL RETURN TO ME 

AND REMAIN UNTIL THE END OF TIME 

PLEASE OPEN THE PATHWAY TO YOUR HEART 

I'M HANDCUFFED TO THE LOVE I THOUGHT WAS MINE 

78

HAVE I TOLD YOU LATELY THAT I LOVE YOU? 

JIM REEVES 

SCOTT WISEMAN 

(A) HAVE I TOLD YOU LATELY THAT I (E) LOVE YOU? 

COULD I TELL YOU ONCE AGAIN SOME(A)HOW? 

HAVE I (D) TOLD WITH ALL MY HEART AND (A) SOUL HOW I ADORE YOU? 

WELL (E) DARLING, I’M TELLING YOU (A) NOW 

(CHORUS) MY WORLD WOULD (D) END TODAY IF I SHOULD (A) LOSE 

YOU 

I’M NO (E) GOOD WITHOUT YOU ANY(A)HOW 

THIS HEART WOULD (D) BREAK IN TWO IF YOU RE(A)FUSED ME 

WELL (E) DARLING, I’M TELLING YOU (A) NOW 

HAVE I TOLD YOU LATELY HOW I MISS YOU? 

WHEN THE STARS ARE SHINING IN THE SKY 

HAVE I TOLD YOU WHY THE NIGHTS ARE LONG, WHEN YOU’RE NOT 

WITH ME? 

WELL DARLING, I’M TELLING YOU NOW (CHORUS) 

HAVE I TOLD YOU LATELY WHEN I’M SLEEPING? 

EVERY DREAM I DREAM IS YOU SOMEHOW 

HAVE I TOLD YOU HOW I’D LIKE TO SHARE MY LOVE FOREVER? 

WELL DARLING, I’M TELLING YOU NOW (CHORUS) 

79

HAVE YOU EVER BEEN LONELY? (HAVE YOU EVER BEEN BLUE?) 

JIM REEVES, PATSY CLINE 

WORDS BY GEORGE BROWN, MUSIC BY PETER DeROSE 

(G) HAVE YOU EVER BEEN (C) LONE(G)LY? 

HAVE YOU EVER BEEN (D) BLUE? 

HAVE YOU EVER LOVED SOMEONE 

JUST AS I LOVE (G) YOU? 

CAN’T YOU (G7) SEE I’M (C) SORRY 

FOR EACH MISTAKE I’VE (G) MADE? 

CAN’T YOU SEE I’VE (D) CHANGED DEAR 

(A7) CAN’T YOU SEE I’VE (D) PAID? 

BE A LITTLE FOR(C)GIV(G)ING 

TAKE ME BACK IN YOUR (D) HEART 

HOW CAN I GO ON LIVING 

NOW THAT WE’RE A(G)PART 

IF YOU (C) KNEW WHAT I’VE BEEN THROUGH 

YOU WOULD (G) KNOW WHY (C) I ASK (G) YOU 

HAVE YOU EVER BEEN (D) LONELY? 

HAVE YOU EVER BEEN (G) BLUE? 

80

HEARTACHES BY THE NUMBER 

RAY PRICE 

HARLAN HOWARD 

(D) HEARTACHE NUMBER ONE WAS WHEN YOU (G) LEFT ME 

I (A) NEVER KNEW THAT I COULD HURT THIS (D) WAY 

AND HEARTACHE NUMBER TWO WAS WHEN YOU (G) CAME BACK AGAIN 

(A) YOU CAME BACK BUT NEVER MEANT TO (D) STAY 

(CHORUS) NOW I’VE GOT HEARTACHES BY THE NUMBER, (G) 

TROUBLES BY THE SCORE 

(A) EVERY DAY YOU LOVE ME LESS, EACH DAY I LOVE YOU (D) MORE 

YES I’VE GOT HEARTACHES BY THE NUMBER, A (G) LOVE THAT I CAN’T 

WIN 

BUT THE (A) DAY THAT I STOP COUNTING, THAT’S THE DAY MY WORLD 

WILL (D) END 

HEARTACHE NUMBER THREE WAS WHEN YOU CALLED ME 

AND SAID THAT YOU WERE COMING BACK TO STAY 

WITH HOPEFUL HEART I WAITED FOR YOUR KNOCK ON MY DOOR 

I WAITED BUT YOU MUST HAVE LOST YOUR WAY 

(REPEAT CHORUS) 

81

HE’LL HAVE TO GO 

JIM REEVES 

JOE ALLISON, AUDREY ALLISON 

(A) PUT YOUR SWEET LIPS A LITTLE (D) CLOSER TO THE (A) PHONE 

LET’S PRETEND THAT WE’RE TOGETHER ALL A(E)LONE 

I’LL TELL THE (A) MAN TO TURN THE JUKEBOX WAY DOWN (D) LOW 

AND YOU CAN (A) TELL YOUR FRIEND THERE (E) WITH YOU 

HE’LL HAVE TO (A) GO 

WHISPER TO ME, TELL ME DO YOU LOVE ME TRUE 

OR IS HE HOLDING YOU, THE WAY I DO 

THOUGH LOVE IS BLIND, MAKE UP YOUR MIND, I’VE GOT TO KNOW 

SHOULD I HANG UP, OR WILL YOU TELL HIM 


YOU CAN’T (D) SAY THE WORDS I WANT TO HEAR 

WHILE YOU’RE (A) WITH ANOTHER MAN 

IF YOU (D) WANT ME ANSWER "YES" OR "NO" 

DARLING (A) I WILL UNDER(E)STAND 

PUT YOUR SWEET LIPS A LITTLE CLOSER TO THE PHONE 

LET’S PRETEND THAT WE’RE TOGETHER ALL ALONE 

I’LL TELL THE MAN TO TURN THE JUKEBOX WAY DOWN LOW 

AND YOU CAN TELL YOUR FRIEND THERE WITH YOU 


82

HELLO WALLS 

FARON YOUNG, WILLIE NELSON 

WILLIE NELSON (RECORDED IN C, WITH BRIDGE TO D/G) 

(A) HELLO WALLS, HOW’D THINGS (D) GO FOR YOU TO(A)DAY? 

DON’T YOU MISS HER, SINCE SHE (E) UP AND WALKED AWAY 

AND I (D) BET YOU DREAD TO SPEND ANOTHER (A) LONELY NIGHT WITH 

ME 

BUT, (D) LONELY WALLS, I’LL (E) KEEP YOU COMPA(A)NY 

HELLO WINDOW, WELL I SEE THAT YOU’RE STILL HERE 

AREN’T YOU LONELY, SINCE OUR DARLING DISAPPEARED 

WELL LOOK HERE, IS THAT A TEARDROP IN THE CORNER OF YOUR 

PANE 

NOW DON’T YOU TRY TO TELL ME THAT IT’S RAIN 

SHE (B7) WENT AWAY, AND LEFT US ALL A(E)LONE THE WAY SHE 

PLANNED 

GUESS WE’LL (B7) HAVE TO LEARN TO GET ALONG WITH(E)OUT HER IF 

WE CAN 

HELLO CEILING, I’M GONNA STARE AT YOU A WHILE 

YOU KNOW I CAN’T SLEEP SO WON’T YOU BEAR WITH ME A WHILE 

WE MUST ALL PULL TOGETHER OR ELSE I’LL LOSE MY MIND 

‘CAUSE I’VE A FEELING/ SHE’LL BE GONE/ A LONG, LONG TIME 

83

HEY GOOD LOOKIN’ 

HANK WILLIAMS 

(A) HEY, HEY, GOOD LOOKIN’, WHAT CHA’ GOT COOKIN’ 

(D) HOW’S ABOUT COOKIN’ (E) SOMETHING UP WITH (A) ME 

HEY, SWEET BABY, DON’T YOU THINK MAYBE 

(D) WE COULD FIND US A (E) BRAND NEW RECI(A)PE 

I GOT A (D) HOT-ROD FORD AND A (A) TWO-DOLLAR BILL 

AND I (D) KNOW A SPOT RIGHT (A) OVER THE HILL 

THERE’S (D) SODA POP AND THE (A) DANCIN’S FREE 

SO, IF YOU (E) WANNA HAVE FUN COME ALONG WITH ME 

I’M (A) FREE AND READY, SO WE CAN GO STEADY 

HOW’S ABOUT SAVING ALL YOUR TIME FOR ME 

NO MORE LOOKIN’, I KNOW I BEEN TOOKEN 

HOW’S ABOUT KEEPIN’ STEADY COMPANY 

I’M GONNA THROW MY DATE BOOK OVER THE FENCE 

AND FIND ME ONE FOR FIVE OR TEN CENTS 

I’LL KEEP IT TILL IT’S COVERED WITH AGE 

‘CAUSE I’M WRITIN’ YOUR NAME DOWN ON EVERY PAGE 

HEY GOOD LOOKIN’, WHAT CHA’ GOT COOKIN’ 

HOW’S ABOUT COOKIN’ SOMETHING UP WITH ME 

84

HEY PORTER, HEY PORTER 

J R CASH 

(D) HEY PORTER, HEY PORTER, WOULD YOU TELL ME THE TIME? 

HOW MUCH LONGER WILL IT BE TILL WE CROSS THAT (A) MASON- 

DIXON LINE? 

AT (D) DAYLIGHT WOULD YOU TELL THAT ENGINEER TO SLOW IT (G) 

DOWN 

OR BETTER STILL JUST (D) STOP THE TRAIN ‘CAUSE I (A) WANT TO 

LOOK A(D)ROUND 

HEY PORTER, HEY PORTER, WHAT TIME DID YOU SAY? 

HOW MUCH LONGER WILL IT BE TILL I CAN (A) SEE THE LIGHT OF DAY? 

WHEN (D) WE HIT DIXIE WILL YOU TELL THAT ENGINEER TO RING HIS 

(G) BELL 

AND ASK EVERYBODY THAT (D) AIN’T ASLEEP TO (A) STAND RIGHT UP 

AND (D) YELL 

HEY PORTER, HEY PORTER, IT’S GETTING LIGHT OUTSIDE 

THIS OLD TRAIN IS PUFFING SMOKE AND I (A) HAVE TO STRAIN MY 

EYES 

WOULD YOU (D) ASK THAT ENGINEER IF HE WOULD BLOW HIS WHISTLE 

(G) PLEASE 

‘CAUSE I SMELL FROST ON (D) COTTON LEAVES AND I (A) FEEL THAT 

SOUTHERN (D) BREEZE 

HEY PORTER, HEY PORTER, PLEASE GET MY BAGS FOR ME 

I NEED NOBODY TO TELL ME NOW THAT WE’RE IN (A) TENNESSEE 

GO (D) TELL THAT ENGINEER TO MAKE THAT LONESOME WHISTLE (G) 

SCREAM 

WE’RE NOT SO FAR FROM (D) HOME SO TAKE IT (A) EASY ON THE (D) 

STEAM (INSTRUMENTAL) 

HEY PORTER, HEY PORTER, PLEASE OPEN UP THE DOOR 

WHEN THEY STOP THIS TRAIN I’M GONNA GET OFF FIRST ‘CAUSE (A) I 

CAN’T WAIT NO MORE 

TELL THAT (D) ENGINEER I SAID THANKS A LOT AND I DIDN’T MIND THE 

(G) FARE 

I’M GONNA SET MY FEET ON (D) SOUTHERN SOIL AND (A) BREATHE 

THAT SOUTHERN (D) AIR 

85

HIGH NOON (DO NOT FORSAKE ME) 

SONS OF THE PIONEERS, FRANKIE LAINE 

WORDS BY NED WASHINGTON, MUSIC BY DIMITRI TIOMKIN 

(A) DO NOT FORSAKE ME OH MY DARLING 

ON THIS OUR (A7) WEDDING (D) DAY 

DO NOT FORSAKE ME (E7) OH MY (A) DAR(Fm)LING 

(C) WAIT, WAIT A(E7)LONG 

(A) I DO NOT KNOW WHAT FATE AWAITS ME 

I ONLY KNOW I (A7) MUST BE (D) BRAVE 

AND I MUST FACE A MAN WHO (A) HATES ME 

(D) OR LIE A (A) COWARD, (D) A CRAVEN (A) COWARD 

(D) OR LIE A (A) COWARD (E) IN MY (A) GRAVE 

(D) OH TO BE TORN ‘TWIXT LOVE AND DUTY 

(A) SUPPOSIN’ I LOSE MY FAIR-HAIRED BEAUTY 

(Dm) LOOK AT THAT BIG HAND MOVE ALONG (A) NEARING HIGH (E) 

NOON 

(D) HE MADE A VOW WHILE IN STATE PRISON 

(A) VOWED IT WOULD MY LIFE OR HIS’N 

(Dm) I’M NOT AFRAID OF DEATH, BUT OH 

(A) WHAT WILL I (E7) DO IF YOU (E) LEAVE ME 

(A) DO NOT FORSAKE ME OH MY DARLING 

YOU MADE THAT PROMISE (A7) AS A (D) BRIDE 

DO NOT FORSAKE ME OH MY (A) DARLING 

(D) ALTHOUGH YOU’RE (A) GRIEVING 

(D) DON’T THINK OF (A) LEAVING 

(D) NOW THAT I (A) NEED YOU (E) BY MY (A) SIDE 

WAIT A(D)LONG, WAIT A(A)LONG, WAIT A(D)LONG, WAIT A(A)LONG 

86

HONEYCOMB 

JIMMIE F RODGERS 

B MERRILL 

(A) WELL IT’S A DARN GOOD LIFE, AND IT’S KINDA FUNNY 

HOW THE (D) LORD MADE THE BEE AND THE BEE MADE THE HONEY 

AND THE (E) HONEYBEE LOOKING FOR A HOME 

(A) AND HE CALLED IT A HONEYCOMB 

AND THEY ROAMED THE WORLD AND THEY GATHERED ALL 

OF THE (D) HONEYCOMB INTO ONE SWEET BALL 

AND THE (E) HONEYCOMB FROM A MILLION TRIPS 

(A) MADE MY BABY’S LIPS 

(CHORUS) OH, (D) HONEYCOMB, WON’T YOU BE MY BABY 

WELL, (A) HONEYCOMB BE MY OWN 

GOT A (E) HANK OF HAIR AND A PIECE OF BONE 

AND MADE A (A) WALKING, TALKING, HONEYCOMB 

WELL, (D) HONEYCOMB, WON’T YOU BE MY BABY 

WELL, (A) HONEYCOMB, BE MY OWN 

WHAT A (E) DARN GOOD LIFE WHEN YOU GOT A WIFE 

LIKE A (A) HONEYCOMB 

(RAISE KEY) AND THE LORD SAID NOW, THAT I’VE MADE A BEE 

I’M GONNA LOOK ALL AROUND FOR A GREEN, GREEN TREE 

AND HE MADE A LITTLE TREE AND I GUESS YOU HEARD 

OH, THEN, WELL HE MADE A LITTLE BIRD 

AND THEY WAITED ALL AROUND, TILL THE END OF SPRING 

GETTING EVERY NOTE THAT THE BIRDIE’D SING 

AND THEY PUT ‘EM ALL INTO ONE SWEET TONE 

FOR MY HONEYCOMB (CHORUS) 

(RAISE KEY) AND THE LORD SAID NOW, THAT I’VE MADE A BIRD 

I’M GONNA LOOK ALL AROUND FOR A LITTLE OLD WORD 

THAT SOUNDS ABOUT SWEET LIKE “TURTLE DOVE” 

AND I GUESS I’M GONNA CALL IT LOVE 

AND HE ROAMED THE WORLD LOOKING EVERYWHERE 

GETTING LOVE FROM HERE, LOVE FROM THERE 

87

AND HE PUT IT ALL IN A LITTLE OLD PART 

OF MY BABY’S HEART (CHORUS) 

88

HOW GREAT THOU ART 

CHRISTIE LANE, CONNIE SMITH 

STUART HINE 

(E) OH LORD MY GOD, WHEN I IN (A) AWESOME WONDER 

CONSIDER (E) ALL THE WORLDS THY (B7) HANDS HAVE (E) MADE 

I SEE THE STARS, I HEAR THE (A) ROLLING THUNDER 

THY POWER THROUGH(E)OUT THE UNI(B7)VERSE DIS(E)PLAYED 

(CHORUS) THEN SINGS MY SOUL, MY (A) SAVIOUR GOD TO (E) THEE 

HOW GREAT THOU (B7) ART, HOW GREAT THOU (E) ART 

THEN SINGS MY SOUL, MY (A) SAVIOUR GOD TO (E) THEE 

HOW GREAT THOU (B7) ART, HOW GREAT THOU (E) ART 

WHEN THROUGH THE WOODS AND FOREST GLADES I WANDER 

AND HEAR THE BIRDS SING SWEETLY IN THE TREES 

WHEN I LOOK DOWN FROM LOFTY MOUNTAIN GRANDEUR 

AND HEAR THE BROOK AND FEEL THE GENTLE BREEZE (CHORUS) 

AND WHEN I THINK THAT GOD, HIS SON NOT SPARING 

SENT HIM TO DIE, I SCARCE CAN TAKE IT IN 

THAT ON THE CROSS, MY BURDEN GLADLY BEARING 

HE BLED AND DIED TO TAKE AWAY MY SINS (CHORUS) 

WHEN CHRIST SHALL COME WITH SHOUTS OF ACCLAMATION 

AND TAKE ME HOME, WHAT JOY SHALL FILL MY HEART 

THEN I SHALL BOW IN HUMBLE ADORATION 

AND THERE PROCLAIM MY GOD HOW GREAT THOU ART (CHORUS) 

89

I BELIEVE IN YOU 

DON WILLIAMS 

ROGER COOK, SAM HOGIN 

(E) I DON'T BELIEVE IN SUPERSTARS, ORGANIC FOOD AND FOREIGN 

CARS 

I DON'T BELIEVE THE PRICE OF GOLD, THE CERTAINTY OF GROWING 

OLD 

THAT (B7) RIGHT IS RIGHT, AND LEFT IS WRONG, THAT NORTH AND 

SOUTH CAN'T GET ALONG 

THAT (E) EAST IS EAST AND WEST IS WEST, AND BEING FIRST IS 

ALWAYS BEST 

BUT I BELIEVE IN (A) LOVE, I BELIEVE IN (E) BABIES 

I BELIEVE IN (B7) MOM AND DAD, AND I BELIEVE IN (E) YOU 

WELL, I DON'T BELIEVE THAT HEAVEN WAITS, FOR ONLY THOSE WHO 

CONGREGATE 

I LIKE TO THINK OF GOD AS LOVE, HE'S DOWN BELOW, HE'S UP ABOVE 

HE'S WATCHING PEOPLE EVERYWHERE, HE KNOWS WHO DOES AND 

DOESN'T CARE 

AND I'M AN ORDINARY MAN, SOMETIMES I WONDER WHO I AM 

BUT I BELIEVE IN LOVE, I BELIEVE IN MUSIC 

I BELIEVE IN MAGIC, AND I BELIEVE IN YOU 

(A) I KNOW WITH ALMOST CERTAINTY, WHAT'S GOING ON WITH YOU 

AND ME, IS A (E) GOOD THING 

IT'S (B7) TRUE, I BELIEVE IN (E) YOU 

I DON'T BELIEVE VIRGINITY, IS AS COMMON AS IT USED TO BE 

IN WORKING DAYS AND SLEEPING NIGHTS, THAT BLACK IS BLACK AND 

WHITE IS WHITE 

THAT SUPERMAN AND ROBIN HOOD ARE STILL ALIVE IN HOLLYWOOD 

THAT GASOLINE'S IN SHORT SUPPLY, THE RISING COST OF GETTING BY 

BUT I BELIEVE IN LOVE, I BELIEVE IN OLD FOLKS 

I BELIEVE IN CHILDREN, I BELIEVE IN YOU 

I BELIEVE IN LOVE, I BELIEVE IN BABIES 

I BELIEVE IN MOM AND DAD, AND I BELIEVE IN YOU 


90

I CAN’T HELP IT (IF I’M STILL IN LOVE WITH YOU) 

HANK WILLIAMS 

(A) TODAY I PASSED YOU ON THE STREET 

AND MY (D) HEART FELL AT YOUR (A) FEET 

I CAN’T (E) HELP IT IF I’M STILL IN LOVE WITH (A) YOU 

SOMEBODY ELSE STOOD BY YOUR SIDE 

AND HE (D) LOOKED SO SATIS(A)FIED 


A (D) PICTURE FROM THE PAST CAME SLOWLY (A) STEALING 

AS I (E) BRUSHED YOUR ARM AND WALKED SO CLOSE TO (A) YOU 

AND (D) SUDDENLY I GOT THAT OLD-TIME (A) FEELING 


IT’S (D) HARD TO KNOW ANOTHER’S LIPS WILL (A) KISS YOU 

AND (E) HOLD YOU JUST THE WAY I USED TO (A) DO 

OH, (D) HEAVEN ONLY KNOWS HOW MUCH I (A) MISS YOU 


91

I DON’T HURT ANYMORE 

HANK SNOW, NARVEL FELTS 

JACK ROLLINS, DON ROBERTSON 

(A) I DON’T HURT ANY(D)MORE 

ALL MY TEARDROPS ARE (A) DRIED 

NO MORE WALKING THE (E) FLOOR 

WITH THAT BURNING IN(A)SIDE 

JUST TO THINK IT COULD BE 

TIME HAS OPENED THE DOOR 

AND AT LAST I AM FREE 


NO (D) USE TO DENY, I WANTED TO DIE 

(A) THE DAY YOU SAID WE WERE THROUGH 

BUT (B7) NOW THAT I FIND YOU’RE OUT OF MY MIND 

(E) I CAN’T BELIEVE THAT IT’S (A) TRUE 

I’VE FORGOTTEN SOMEHOW 

THAT I CARED SO BEFORE 

AND IT’S WONDERFUL NOW 


(REPEAT FIRST TWO VERSES OR LAST TWO VERSES) 

92

I DON'T LOVE YOU ANYMORE 

CONNIE SMITH 

BILL ANDERSON 

I DON'T (D) LOVE YOU (G) ANY(D)MORE, NOT THE (G) WAY I DID 

BE(D)FORE 

AND SINCE YOU'VE FOUND SOMEONE NEW, I THINK IT'S (A) BEST 

I DON'T (D) CRY AND (G) WALK THE (D) FLOOR, I DON'T (G) LOVE YOU 

ANY(D)MORE 

TROUBLE IS, I DON'T (A) LOVE YOU ANY (D) LESS 

(CHORUS) I DON'T (G) LOVE YOU ANYMORE, FOR I'VE GOT (D) NO MORE 

LOVE TO GIVE 

YOU DRAINED MY HEART OF ALL IT'S LOVE WITH (E) EVERY SWEET 

CA(A)RESS 

I KEEP (D) SAYING (G) O'ER AND (D) O'ER, I DON'T (G) LOVE YOU 

ANY(D)MORE 

TROUBLE IS, I DON'T (A) LOVE YOU ANY (D) LESS 

I HELD YOU CLOSE TO (G) ME ONE (D) TIME, KISSED YOUR (G) LIPS AND 

CALLED YOU (D) MINE 

BUT ANOTHER CAME AND THRILLED YOU MORE, I (A) GUESS 

I CRIED AS (D) YOU WALKED (G) OUT THE (D) DOOR, I DON'T (G) LOVE 

YOU ANY(D)MORE 

TROUBLE IS, I DON'T (A) LOVE YOU ANY (D) LESS (CHORUS) 

TROUBLE IS, I DON'T (A) LOVE YOU ANY (G) LE(D)SS 

93

I DON’T SEE ME IN YOUR EYES ANYMORE 

JIM REEVES, CHARLIE RICH 

(G) I DON’T SEE ME, IN YOUR EYES ANYMORE 

OH WHY CAN’T (D) I, MAKE THEM SHINE AS BE(G)FORE 

I DON’T SEE YOU, OR YOUR HEART IN YOUR KISS 

WHEN YOU SHOULD (D) SIGH, THAT YOU’RE MINE YOU RE(G)SIST 

THERE (C) WAS A TIME, (D) LIFE WAS FINE, LOVE WAS (G) ECSTASY 

BUT NOW I (A7) DOUBT, WHAT THE OUTCOME WILL (D) BE 

I PRAY YOU’LL (G) SAY, I’M THE ONE YOU ADORE 

THEN I’LL SEE (D) ME, IN YOUR EYES AS BE(G)FORE 


(THEN REPEAT LAST VERSE, OR THE LAST TWO LINES OF THE LAST 

VERSE) 

I PRAY YOU’LL SAY I’M THE ONE YOU ADORE 

THEN I’LL SEE ME IN YOUR EYES AS BEFORE 

94

I FALL TO PIECES 

PATSY CLINE 

HANK COCHRAN, HARLAN HOWARD 

(A) I (D) FALL TO (E) PIECES, (D) EACH TIME I (E) SEE YOU A(A)GAIN 

(A) I (D) FALL TO (E) PIECES, (D) HOW CAN I (E) BE JUST YOUR (A) 

FRIEND 

YOU WANT ME TO ACT LIKE WE’VE (D) NEVER KISSED 

YOU WANT ME (E) TO FORGET, PRETEND WE’VE (A) NEVER MET 

BUT I (D) TRY, AND I (E) TRY, BUT I (A) HAVEN’T YET 

YOU WALK (D) BY AND (E) I FALL TO (A) PIECES 

(A) I (D) FALL TO (E) PIECES, (D) EACH TIME SOME(E)ONE SPEAKS YOUR 

(A) NAME 

(A) I (D) FALL TO (E) PIECES, (D) TIME ONLY (E) ADDS TO THE (A) PAIN 

YOU TELL ME TO FIND SOMEONE (D) ELSE TO LOVE 

SOMEONE WHO’LL (E) LOVE ME TOO, THE WAY YOU (A) USED TO DO 

BUT EACH (D) TIME I GO (E) OUT WITH (A) SOMEONE NEW 

YOU WALK (D) BY, AND (E) I FALL TO (A) PIECES 

YOU WALK (D) BY, AND (E) I FALL TO (A) PIECES 

95

IF A WOMAN ANSWERS 

LEROY VAN DYKE 

BARRY MANN, CYNTHIA WEIL 

(A) HER ARMS ARE COLD BUT STILL SHE HOLDS ON(D)TO THAT VOW 

WHAT (E) ONCE WAS LOVE IS NOW A PRISON (A) WALL 

AND THOUGH I'D BREAK AWAY TO MEET YOU (D) ANYHOW 

I (E) HAVE TO SAY PLEASE REMEMBER WHEN YOU (A) CALL 

(CHORUS) IF A WOMAN (D) ANSWERS, (E) HANG UP THE (A) PHONE 

DON’T (D) TAKE A CHANCE, (E) PLEASE DON'T ASK FOR (A/E) ME 

IF A (A) WOMAN (D) ANSWERS, (E) HANG UP THE (A) PHONE 

(D) I LOVE YOU BUT (E) DARLING I'M NOT (A) FREE 

THE CHAINS THAT BIND THIS HEART OF MINE MAY NEVER BREAK 

BUT THEY CAN'T STOP MY HEART FROM WANTING YOU 

I KNOW THAT I SHOULD SAY DON'T CALL FOR BOTH OUR SAKES 

BUT I CAN'T, SO REMEMBER WHEN YOU DO 


96

IF YOU’VE GOT THE MONEY (I’VE GOT THE TIME) 

LEFTY FRIZZELL 

LEFTY FRIZZELL, JIM BECK 

(C) IF YOU’VE GOT THE MONEY, I’VE GOT THE TIME 

WE’LL GO HONKY TONKIN’, AND WE’LL HAVE A (G) TIME 

WE’LL MAKE ALL THE NIGHT SPOTS, DANCE, ROMANCE AND DINE 

IF YOU’VE GOT THE MONEY, HONEY, I’VE GOT THE (C) TIME 

THERE AIN’T NO USE TO TARRY, SO LET’S START OUT TONIGHT 

WE’LL SPREAD JOY, OH BOY, OH BOY, AND WE’LL SPREAD IT RIGHT 

WE’LL HAVE MORE FUN BABY, ALL THE WAY DOWN THE LINE 

IF YOU’VE GOT THE MONEY, HONEY, I’VE GOT THE TIME 


IF YOU’VE GOT THE MONEY, I’VE GOT THE TIME 

WE’LL GO HONKY TONKIN’, AND WE’LL HAVE A TIME 

BRING ALONG YOUR CADILLAC, LEAVE MY OLD WRECK BEHIND 

IF YOU’VE GOT THE MONEY, HONEY, I’VE GOT THE TIME 

YES, WE'LL GO HONKY-TONKIN', MAKE EVERY CLUB IN TOWN 

WE'LL GO TO THE PARK WHERE IT'S DARK, WE WON'T FOOL AROUND 

BUT IF YOU RUN SHORT OF MONEY, I'LL RUN SHORT OF TIME 

'CAUSE IF YOU'VE GOT NO MORE MONEY, HONEY, I'VE NO MORE TIME 


(REPEAT FIRST VERSE) 

(ALT. FOURTH VERSE) 

YES, WE'LL GO HONKY-TONKIN', AND WE'LL BE PLEASURE-BENT 

I'LL LOOK LIKE A MILLION, BUT I WON'T HAVE A CENT 

BUT IF YOU RUN SHORT OF MONEY, I'LL RUN SHORT OF TIME 

'CAUSE YOU WITH NO MORE MONEY, HONEY, I'VE NO MORE TIME 

97

I GOT YOU 

WAYLON JENNINGS & ANITA CARTER 

(E) DON'T GET NO ATTENTION FROM THE PEOPLE ON THE STREET 

THEY DON'T EVEN SEE US, THEY JUST STEP RIGHT ON OUR FEET 

JUST (B7) TWO UNNOTICED PEOPLE IN THIS GREAT BIG WORLD OF 

OURS 

AND WHEN I THINK ABOUT IT, GUESS THAT'S ALL WE'LL EVER BE 

(CHORUS) BUT I GOT (E) YOU, AND YOU GOT ME, AND IF THEY'D LOOK 

THEY COULD SEE, THAT WE DON'T (B7) CARE 

I GOT YOU AND YOU GOT ME AND BABY THAT'S ALL WE WILL EVER (E) 

NEED 

LOOKING THROUGH THE WINDOW OF A FANCY DIAMOND STORE 

GOING WINDOW SHOPPING FOR THE THINGS WE CAN'T AFFORD 

PEOPLE ALL AROUND US WITH THEIR NOSES IN THE AIR 

THEY WALK RIGHT ON BY US, JUST LIKE WE'RE NOT EVEN THERE 

(CHORUS) 


98

I GUESS THINGS HAPPEN THAT WAY 

BILLY WALKER 

(A) WELL, YOU ASK ME IF I’LL FOR(D)GET MY BABY 

(A) I GUESS I WILL, (D) SOMEDAY 

(A) I DON’T LIKE IT, BUT I (E) GUESS THINGS HAPPEN THAT (A) WAY 

YOU ASK ME IF I’LL (D) GET ALONG 

(A) I GUESS I WILL, (D) SOME WAY 


(CHORUS) (D) GOD GAVE ME THAT (A) GIRL TO LEAN ON 

(E) THEN HE PUT ME (A) ON MY OWN 

(D) HEAVEN HELP ME (A) BE A MAN AND 

(E) FIND THE STRENGTH TO (A) STAND ALONE 

I DON’T LIKE IT, BUT I (E) GUESS THINGS HAPPEN THAT (A) WAY 


YOU ASK ME IF I’LL (D) MISS HER KISSES 

(A) I GUESS I WILL, (D) EVERY DAY 


YOU ASK ME IF I’LL (D) FIND ANOTHER 

(A) I DON’T KNOW, (D) I CAN’T SAY 


(CHORUS) 

99

I HEARD THAT LONESOME WHISTLE 

HANK WILLIAMS 

(A) I WAS RIDING NUMBER NINE 

HEADIN’ (D) SOUTH FROM CARO(A)LINE 

I HEARD THAT LO(E)NESOME WHISTLE (A) BLOW 

GOT IN TROUBLE HAD TO ROAM 

LEFT MY (D) GAL AND LEFT MY HOME 


JUST A (D) KID ACTIN’ SMART 

I WENT AND (A) BROKE MY DARLIN’S HEART 

GUESS I WAS JUST TOO YOUNG TO (E) KNOW 

THEY TOOK ME (A) OFF THAT GEORGIA MAIN 

LOCKED ME (D) TO A BALL AND (A) CHAIN 


ALL ALONE I BEAR THE SHAME 

I’M A NUMBER NOT A NAME 

I HEARD THAT LONESOME WHISTLE BLOW 

ALL I DO IS SIT AND CRY 

WHEN THAT EVENING TRAIN GOES BY 


I’LL BE LOCKED HERE IN THIS CELL 

‘TILL MY BODY’S JUST A SHELL 

AND MY HAIR TURNS WHITER THAN SNOW 

I’LL NEVER SEE THAT GAL OF MINE 

LORD I’M IN GEORGIA DOING TIME 


100

I LOVE YOU BECAUSE 

AL MARTINO, JIM REEVES 

LEON PAYNE 

(G) I LOVE YOU BECAUSE YOU UNDER(C)STAND, DEAR 

(G) EVERY LITTLE THING I TRY TO (D) DO 

YOU'RE (G) ALWAYS THERE TO LEND A HELPING (C) HAND, DEAR 

(G) MOST OF ALL I (D) LOVE YOU BECAUSE YOU'RE (G) YOU 

NO (C) MATTER WHAT THE WORLD MAY SAY A(G)BOUT ME 

I (A7) KNOW YOUR LOVE WILL ALWAYS SEE ME (D) THROUGH 

I (G) LOVE YOU FOR THE WAY YOU NEVER (C) DOUBT ME 

BUT (G) MOST OF ALL I (D) LOVE YOU 'CAUSE YOU'RE (G) YOU 

I LOVE YOU BECAUSE MY HEART IS LIGHTER 

EVERY TIME I'M WALKING BY YOUR SIDE 

I LOVE YOU BECAUSE THE FUTURE'S BRIGHTER 

THE DOOR TO HAPPINESS YOU OPEN WIDE 

NO MATTER WHAT MAY BE THE STYLE OR SEASON 

I KNOW YOUR HEART WILL ALWAYS BE TRUE 

I LOVE YOU FOR A HUNDRED THOUSAND REASONS 

MOST OF ALL I LOVE YOU 'CAUSE YOU'RE YOU 

101

I LOVE YOU SO MUCH IT HURTS ME 

PATSY CLINE 

FLOYD TILLMAN 

(G) I LOVE YOU SO MUCH IT HURTS ME 

DARLING (A7) THAT’S WHY I’M SO BLUE 

I’M SO A(D7)FRAID TO GO TO SLEEP AT NIGHT 

AFRAID OF LOSING (G) YOU 

I LOVE YOU SO MUCH IT HURTS ME 

AND THERE’S (A7) NOTHING I CAN DO 

I WANT TO (C) HOLD YOU MY (C7) DEAR 

FOR(G)EVER AND (E7) EVER 

I LOVE YOU (A7) SO MUCH IT (D7) HURTS ME (G SO 

(REPEAT LAST TWO LINES) 

102

I’M SORRY FOR YOU, MY FRIEND 

MOE BANDY 

HANK WILLIAMS 

(A) YOU’VE KNOWN SO LONG THAT YOU WERE WRONG 

BUT STILL YOU HAD YOUR (E) WAY 

YOU TOLD HER LIES AND ALIBIS 

AND HURT HER MORE EACH (A) DAY 

BUT NOW YOUR CONSCIENCE BOTHERS YOU 

YOU’VE REACHED YOUR JOURNEY’S (D) END 

YOU’RE (E) ASKING ME FOR SYMPATHY 

I’M SORRY FOR YOU, MY (A) FRIEND 

YOU LAUGHED INSIDE EACH TIME SHE CRIED 

YOU TRIED TO MAKE HER BLUE 

SHE TAGGED ALONG THROUGH RIGHT AND WRONG 

BECAUSE SHE WORSHIPPED YOU 

YOU KNOW THAT YOU’RE THE ONE TO BLAME 

THERE’S NO USE TO PRETEND 

TODAY’S THE DAY YOU START TO PAY 


(INSTRUMENTAL / WHISTLE) 

TODAY AS SHE WALKED ARM IN ARM 

AT SOMEONE ELSE’S SIDE 

IT MADE YOU STOP AND REALIZE 

THAT TIME HAD TURNED THE TIDE 

YOU SHOULD HAVE KNOWN YOU’D BE ALONE 

‘CAUSE CHEATERS NEVER WIN 

YOU TRIED AND LOST, NOW PAY THE COST 


103

IN THE BLUE CANADIAN ROCKIES 

(BLUE CANADIAN ROCKIES) 

WILF CARTER, HANK SNOW 

(A) OH, HOW MY (D) LONELY HEART IS (A) ACHING TONIGHT 

FOR A (E) HOME I LONG TO (A) SEE 

AND OH, WHAT I'D (D) GIVE IF I COULD (A) BE THERE TONIGHT 

WITH A (E) SWEETHEART WHO'S WAITING FOR ME 

IN THE BLUE CANADIAN (A) ROCKIES 

SPRING IS (E) SIGHING THROUGH THE (A) TREES 

AND THE (E) GOLDEN POPPIES ARE (A) BLOOMING 

‘ROUND THE (E) BANKS OF LAKE LOU(A)ISE 

A(D)CROSS THE SEA THEY CALL ME 

AND I’M (A) LONESOME AND SO BLUE 

FOR THOSE (E) BLUE CANADIAN ROCKIES 

AND THE GIRL (ONE) I LOVE SO (A) TRUE 

ACROSS THE SEA THEY CALL ME 

AND I’M LONESOME AND SO BLUE 

FOR THE BLUE CANADIAN ROCKIES 

AND THE GIRL I LOVE SO TRUE 

(REPEAT THE LAST TWO VERSES) 

104

I'M DREAMING OF A WHITE CHRISTMAS 

JIM REEVES 

IRVING BERLIN 

(G) I'M DREAMING OF A (C) WHITE (D) CHRISTMAS 

(C) JUST LIKE THE ONES I USED TO (G) KNOW 

WHERE THE TREE-TOPS GLISTEN AND (C) CHILDREN LISTEN 

TO (G) HEAR SLEIGH-BELLS IN THE (D) SNOW 

(G) I'M DREAMING OF A (C) WHITE (D) CHRISTMAS 

(C) WITH EVERY CHRISTMAS CARD I (G) WRITE 

MAY YOUR DAYS BE MERRY AND (C) BRIGHT 

AND MAY (G) ALL YOUR (D) CHRISTMASES BE (G) WHITE 

(REPEAT) 

105

I’M MOVING ON 

HANK SNOW 

FIDDLE INTRO 

(A) THAT BIG EIGHT-WHEELER ROLLIN’ DOWN THE TRACK 

MEANS YOUR TRUE LOVIN DADDY AIN’T COMIN’ BACK 

I’M MOVIN’ (D) ON, I’LL SOON BE (A) GONE 

YOU WERE (E) FLYING TOO HIGH FOR MY LITTLE OLD SKY 

SO I’M MOVING (A) ON 

THAT BIG LOUD WHISTLE IT BLEW AND BLEW 

SAID HELLO ALABAMA WE’RE COMING TO YOU 

WE’RE MOVIN’ ON, OH HEAR MY SONG 

YOU HAD YOUR LAUGH ON ME SO I’M SETTING YOU FREE 

AND I’M MOVIN’ ON 

FIDDLE BREAK 

MISTER FIREMAN, WON'T YOU PLEASE LISTEN TO ME 

'CAUSE I'VE GOT A PRETTY MAMMA IN TENNESSEE 

KEEP MOVIN' ME ON, KEEP ROLLIN' ON 

SO SHOVEL THE COAL, LET THIS RATTLER ROLL 

AND KEEP MOVIN' ME ON 

MISTER ENGINEER TAKE THAT THROTTLE IN HAND 

THIS RATTLER’S THE FASTEST IN THE SOUTHERN LAND 

KEEP MOVIN’ ON, KEEP ROLLIN’ ON 

YOU’RE GONNA EASE MY MIND SO PUT ME THERE ON TIME 

KEEP ROLLIN’ ON 

GUITAR BREAK 

I WARNED YOU BABY FROM TIME TO TIME 

BUT YOU JUST WOULDN’T LISTEN OR PAY NO MIND 

I’M MOVING ON, I’M ROLLIN’ ON 

YOU HAVE BROKEN YOUR VOW, AND IT’S ALL OVER NOW 

SO I’M MOVIN’ ON 

YOU'VE SWITCHED YOUR ENGINE, NOW I AIN'T GOT TIME 

106

FOR A TRIFLIN' WOMAN ON MY MAIN LINE 

'CAUSE I'M MOVING ON, YOU DONE YOUR DADDY WRONG 

I WARNED YOU TWICE, NOW YOU CAN SETTLE THE PRICE 

'CAUSE I'M MOVING ON 

BUT SOMEDAY BABY WHEN YOU’VE HAD YOUR PLAY 

YOU’RE GONNA WANT YOUR DADDY, BUT YOUR DADDY WILL SAY 

KEEP MOVIN ON, YOU STAYED AWAY TOO LONG 

I’M THROUGH WITH YOU, TOO BAD YOU ARE BLUE 

KEEP MOVIN’ ON 

FIDDLE FADE 

107

I’M TIRED 

WEBB PIERCE 

MEL TILLIS, RAY PRICE, A R PEDDY 

(D) STANDING ON THE CORNER OF A (G) BUSY STREET 

(A) LOOKING FOR YOUR FACE IN EVERY (D) CROWD I SEE 

CHECKING EVERY HONKY TONK IN (G) THIS OLD TOWN 

(A) TRYING TO FIND THE PLACES THAT YOU (D) HANG AROUND 

(CHORUS) OH LORD I’M (G) TIRED 

(A) TIRED OF LIVING THIS A-(D)WAY 

OH LORD, I’M (G) TIRED 

(A) TIRED OF LIVING THIS A-(D)WAY 

I’VE BEEN WAITING ON YOU BABY, NIGHT AND DAY 

I’M WONDERING IF YOUR LOVE WILL EVER COME MY WAY 

MY TIME’S A-RUNNING OUT AND I’M SLOWING DOWN 

I’M TIRED OF BEING JUST ANOTHER HANG AROUND (CHORUS) 

THERE AIN’T NO HAPPINESS IN ANYTHING I DO 

I FIND MYSELF SO LONELY WHEN I’M NOT WITH YOU 

WHAT MAKES YOU JUST THE KIND OF GIRL A GUY WILL LOVE 

YOU GOT SO MANY OTHERS THAT YOU’RE THINKING OF (CHORUS) 

108

I’M IN LOVE AGAIN 

GEORGE MORGAN 

(A) NOT SO LONG AGO I (D) HAD MY POOR HEART (A) BROKEN 

I SAID CRAZY HEART SEE WHAT A FOOL YOU’VE (E) BEEN 

NOW (A) I’VE MET YOU AND AL(D)THOUGH WE’VE BARELY (A) SPOKEN 

I HEAR (E) WEDDING BELLS, AND I’M IN LOVE A(A)GAIN 

I’M IN LOVE AGAIN AND WEDDING BELLS ARE RINGING 

I’M SO HAPPY I’M AFRAID THIS DREAM MIGHT END 

LIVE EACH DAY AS THOUGH THE LAST MY HEART KEEPS SAYING 

I HEAR WEDDING BELLS AND I’M IN LOVE AGAIN 

WHEN SHE LEFT ME I WAS SURE MY WORLD HAD ENDED 

AND I COULDN’T EVEN SPEAK TO OUR FRIENDS 

AND THEN JUST AS MY POOR HEART WAS GETTING MENDED 


I’M IN LOVE AGAIN AND WEDDING BELLS ARE RINGING 

I’M SO HAPPY I’M AFRAID THIS DREAM MIGHT END 

LIVE EACH DAY AS THOUGH THE LAST MY HEART KEEPS SAYING 



109

I NEVER PICKED COTTON 

ROY CLARK 

CHARLIE WILLIAMS, BOBBY GEORGE 

(CHORUS) (E) I NEVER PICKED COTTON 

BUT MY (A) MOTHER (E) DID, AND MY (A) BROTHER (E) DID 

AND MY (A) SISTER (E) DID, AND MY (A) DADDY DIED (E) YOUNG 

(B7) WORKING IN A (E) COAL MINE (may omit “A” chords) 

(F) WHEN I WAS JUST A BABY, TOO LITTLE FOR A COTTON SACK 

I PLAYED IN THE DIRT, WHILE THE OTHERS WORKED 

TILL THEY COULDN'T STRAIGHTEN OUT THEIR BACKS 

(F#) AND I MADE MYSELF A PROMISE, WHEN I WAS BIG ENOUGH TO 

RUN 

THAT I'D NEVER STAY A SINGLE DAY 

IN THAT OKLAHOMA SUN, AND (CHORUS) 

(F) FOLKS SAID I GREW UP EARLY, AND THAT THE FARM COULDN'T 

HOLD ME THEN 

SO I STOLE TEN BUCKS, AND A PICKUP TRUCK, AND I NEVER WENT 

BACK AGAIN 

(F#) AND IT WAS FAST CARS AND WHISKEY, LONG-HAIRED GIRLS AND 

FUN 

I HAD EVERYTHING THAT MONEY COULD BRING, AND I TOOK IT ALL 

WITH A GUN, BUT (CHORUS) 

(F) IT WAS SATURDAY NIGHT IN MEMPHIS, WHEN A REDNECK GRABBED 

MY SHIRT 

WHEN HE SAID GO BACK TO YOUR COTTON SACK, I LEFT HIM DYING IN 

THE DIRT 

(F#) AND THEY'LL TAKE ME IN THE MORNING TO THE GALLOWS JUST 

OUTSIDE 

AND IN THE TIME I'VE GOT, THERE AIN'T A HELL OF A LOT, THAT I CAN 

LOOK BACK ON WITH PRIDE 

BUT (CHORUS, WITH "AND I'LL NEVER DIE YOUNG" IN PLACE OF "AND 

MY DADDY DIED YOUNG") 

(REPEAT PRECEDING CHORUS) 

110

IN THE JAILHOUSE NOW 

HANK SNOW 


(A) WELL I HAD A FRIEND CALLED RAMBLING BOB 

HE USED TO STEAL, GAMBLE AND ROB 

HE THOUGHT HE WAS THE SMARTEST GUY IN (D) TOWN 

BUT I FOUND OUT LAST MONDAY 

THAT BOB GOT LOCKED UP SUNDAY 

THEY'VE (B7) GOT HIM IN THE JAILHOUSE WAY DOWN(E)TOWN 

(CHORUS) HE'S IN THE JAILHOUSE (A) NOW 

HE'S IN THE JAILHOUSE (D) NOW 

I (E) TOLD HIM ONCE OR TWICE 

TO QUIT PLAYING CARDS AND SHOOTING DICE 

HE'S IN THE JAILHOUSE (A) NOW 

WELL I WENT OUT LAST TUESDAY 

MET A GIRL NAMED SUSIE 

TOLD HER I WAS THE SWELLEST MAN AROUND 

WE STARTED TO SPEND MY MONEY 

SHE STARTED TO CALL ME "HONEY" 

WE TOOK IN EVERY CABARET (HONKY TONK) IN TOWN 

WE'RE IN THE JAILHOUSE NOW 


THEY TOLD US ONCE OR TWICE 

TO QUIT PLAYIN' CARDS AND SHOOTIN' DICE 


(ALT. LAST VERSE) 



I TOLD THE JUDGE RIGHT TO HIS FACE 

WE DIDN'T LIKE TO SEE THIS PLACE 


111

IN THE MISTY MOONLIGHT 

HANK SNOW 

CINDY WALKER, JERRY WALLACE 

(E) IN THE MISTY (A) MOONLIGHT, BY THE FLICKERING (E) FIRELIGHT 

ANYPLACE IS (B7) ALL RIGHT, LONG AS I'M WITH (E) YOU 

IN A FARA(A)WAY LAND, ON THE TROPIC (E) SEA SAND 

IF YOUR HAND'S IN (B7) MY HAND, I WON'T BE (E) BLUE 

(CHORUS) WAY UP ON THE (A) MOUNTAIN, OR WAY DOWN IN THE (E) 

VALLEY 

I KNOW I'LL BE (A) HAPPY, ANYPLACE, ANY(B7)WHERE, I DON'T (E) CARE 

IN THE MISTY (A) MOONLIGHT, BY THE FLICKERING (E) FIRELIGHT 

ANYPLACE IS ALL (B7) RIGHT, LONG AS YOU ARE (E) THERE 

(SPEAKING) (E) I COULD BE HAPPY IN ONE LITTLE ROOM, WITH (A) ONLY 

A TABLE AND A CHAIR 

AS (B7) HAPPY AS I'D BE IN A KINGDOM BY THE SEA, DARLING, IF (E) 

YOU WERE THERE 

AND I COULD BE RICH OR I COULD BE POOR 

BUT IF (A) YOU WERE BY MY SIDE 

I COULD BE (B7) ANYWHERE IN THIS WHOLE WIDE WORLD AND I (E) 

KNOW I'D BE SATISFIED (CHORUS) 

112

I REALLY DON’T WANT TO KNOW 

RAY PRICE 

(D) HOW MANY (G) ARMS HAVE (D) HELD YOU 

AND HATED TO LET YOU (G) GO 

HOW MANY, HOW MANY I (D) WONDER 

BUT I REALLY DON’T (A) WANT TO (D) KNOW 

HOW MANY LIPS HAVE KISSED YOU 

AND SET YOUR SOUL AGLOW 

HOW MANY, HOW MANY I WONDER 

BUT I REALLY DON’T WANT TO KNOW 

SO (G) ALWAYS MAKE ME (D) WONDER 

(G) ALWAYS MAKE ME (A) GUESS 

(E7) EVEN IF I (A) ASK YOU 

(E7) DARLING DON’T CON(A)FESS 

JUST LET IT REMAIN YOUR SECRET 

‘CAUSE, DARLING I LOVE YOU SO 

NO WONDER, NO WONDER, I WONDER 

THOUGH I REALLY DON’T WANT TO KNOW 

113

I REMEMBER YOU 

SLIM WHITMAN, FRANK IFIELD, ED MENDEL 

WORDS BY JOHNNY MERCER, MUSIC BY VICTOR SHERTZINGER 

(C) I REMEMBER (B7) YOU 

(C) YOU'RE THE ONE WHO MADE MY DREAMS (C7) COME (F) TRUE 

A (Fm) FEW KISSES (C) AGO 

OH, I REMEMBER (B7) YOU 

(C) YOU'RE THE ONE WHO SAID I LOVE YOU (F) TOO 

(YES) I (Fm) DO, DIDN'T YOU (C) KNOW 

(F) I REMEMBER (E7) TOO 

A DISTANT (A7) BELL 

AND (E7) STARS THAT (A7) FELL 

LIKE THE (Am7) RAIN 

OUT OF THE (G7) BLUE 

(C) WHEN MY LIFE IS (B7) THROUGH 

(C) AND THE ANGELS ASK ME TO RE(Dm)CALL 

THE (Fm) THRILL OF THEM (C) ALL 

(D7) THEN I WILL (C) TELL THEM I RE(Dm7)MEM(G7)BER (C) YOU 

(REPEAT LAST VERSE) + TELL THEM I RE(Dm7)MEMBER (C) YOU, TELL 

THEM I RE(Dm7)MEMBER (C) YOU 

114

IS ANYBODY GOIN' TO SAN ANTONE? 

CHARLEY PRIDE 

DAVE KIRBY, GLENN MARTIN 

(A) RAIN DRIPPIN’ OFF THE (D) BRIM OF MY HAT 

(E) SURE IS COLD TO(A)DAY 

HERE I AM WALKING DOWN (D) SIXTY-SIX 

(E) WISH SHE HADN’T DONE ME THAT (A) WAY 

SLEEPING UNDER A TABLE IN A ROADSIDE PARK 

A MAN COULD WAKE UP DEAD 

BUT IT SURE SEEMS WARMER THAN IT DID 

SLEEPING IN OUR KING SIZE BED 

(CHORUS) IS ANYBODY GOING TO SAN ANTONE 

OR PHOENIX, ARIZONA 

ANYPLACE IS ALRIGHT AS LONG AS I 

CAN FORGET I’VE EVER KNOWN HER 

WIND WHIPPIN’ DOWN THE NECK OF MY SHIRT 

LIKE I AIN’T GOT NOTHING ON 

BUT I’D RATHER FIGHT THE WIND AND THE RAIN 

THAN WHAT I’VE BEEN A FIGHTIN’ AT HOME 

YONDER COMES A TRUCK WITH THE U.S. MAIL 

PEOPLE WRITIN’ LETTERS BACK HOME 

TOMORROW SHE’LL PROBABLY WANT ME BACK 

BUT I’LL STILL BE JUST AS GONE (CHORUS) 

115

IS IT REALLY OVER? 

JIM REEVES 

(A) IS IT REALLY (D) OVER 

IS THIS THE END OF THE (A) LINE 

DON'T TELL ME I'M (E7) LOSING 

THE (D) LOVE THAT WAS (A) MINE 

IF YOU'RE REALLY (D) LEAVING 

TAKE SOME PART OF (A) ME 

SO I'LL ALWAYS RE(E7)MEMBER 

HOW SWEET LOVE USED TO (A) BE 

(D) I WONDER (E7) WHO'S STEPPING (D) INTO MY (A) SHOES 

(D) WHO CAN HE (A) BE 

I CAN (D) TELL BY YOU (E7) EYES, (D) OUR LOVE HAS (A) DIED 

AND IT'S (E7) OVER FOR (A) ME 

(REPEAT PRECEDING FOUR LINES) 

REALLY (E7) OVER FOR (A) ME 

116

IS IT WRONG FOR LOVING YOU? 

MARTY ROBBINS 

(A) IS IT (E) WRONG, FOR LOVING YOU 

IS IT (A) WRONG, FOR BEING TRUE 

TELL ME (E) DARLING, TELL ME PLEASE 

IS IT (A) WRONG? 

HAVE I WAITED FOR TOO LONG 

HAS YOUR LOVE FOR ME GONE 

IS IT WRONG, IS IT WRONG 

FOR LOVING YOU? 

WAY DOWN DEEP INSIDE MY HEART 

YOU’RE THE ONLY LOVE SWEETHEART 

YES, THE ONLY LOVE SWEETHEART 

I EVER KNEW 

BUT I ASK MYSELF INSIDE 

NO NEED TO TELL MYSELF THOSE LIES 

IS IT WRONG, IS IT WRONG 

FOR LOVING YOU? 

117

ISLAND IN THE SUN 

HARRY BELAFONTE, L BURGESS 

(A) THIS IS MY ISLAND (D) IN THE SUN 

(E) WHERE MY PEOPLE HAVE TOILED SINCE (A) TIME BEGUN 

I MAY SAIL ON (D) MANY A SEA 

HER (A) SHORES WILL ALWAYS BE (E) HOME TO (A) ME 

(CHORUS) OH, ISLAND (D) IN THE SUN 

(E) WILLED TO ME BY MY (A) FATHER’S HAND 

ALL MY DAYS I WILL (D) SING IN PRAISE 

OF YOUR (E) FOREST, WATERS, YOUR (A) SHINING SANDS 

AS MORNING BREAKS, THE HEAVEN ON HIGH 

I LIFT MY HEAVY LOAD TO THE SKY 

SUN COMES DOWN WITH A BURNING GLOW 

MINGLES MY SWEAT WITH THE EARTH BELOW (CHORUS) 

I SEE WOMAN ON BENDED KNEE 

CUTTING CANE FOR HER FAMILY 

I SEE MAN AT THE WATER’S SIDE 

CASTING NETS AT THE SURGING TIDE (CHORUS) 

I HOPE THE DAY WILL NEVER COME 

THAT I CAN’T AWAKE TO THE SOUND OF DRUMS 

NEVER LET ME MISS CARNIVAL 

WITH CALYPSO SONGS PHILOSOPHICAL (CHORUS, HUM CHORUS) 

118

I STILL MISS SOMEONE 

JOHNNY CASH, STATLER BROS, JOAN BAEZ 

(A) AT MY DOOR THE (D) LEAVES ARE (E) FALLING 

A (D) COLD WILD (E) WIND WILL (A) COME 

SWEETHEARTS WALK (D) BY TO(E)GETHER 

AND (D) I STILL (E) MISS SOME(A)ONE 

I GO OUT TO A PARTY 

AND LOOK FOR A LITTLE FUN 

BUT I FIND A DARKENED CORNER 

FOR I STILL MISS SOMEONE 

(CHORUS) NO, I (D) NEVER GOT (E) OVER THOSE (A) BLUE EYES 

I (D) SEE THEM (E) EVERY(A)WHERE 

I (D) MISS THOSE (E) ARMS THAT (A) HELD ME 

WHEN (D) ALL THE (E) LOVE WAS (A) THERE 

I WONDER IF SHE’S SORRY 

FOR LEAVING WHAT WE’D BEGUN 

THERE’S SOMEONE FOR ME SOMEWHERE 

AND I STILL MISS SOMEONE 

119

IT DOESN’T MATTER ANYMORE 

BUDDY HOLLY 

(C) THERE YOU GO, BABY, HERE AM I 

WELL, YOU (G) LEFT ME HERE SO I CAN SIT AND CRY 

WELL, (C) GOLLY GEE, WHAT HAVE YOU DONE TO ME 

WELL, I (G) GUESS IT DOESN’T MATTER ANY(C)MORE 

DO YOU REMEMBER BABY, LAST SEPTEMBER 

HOW YOU HELD ME TIGHT, EACH AND EVERY NIGHT 

WELL WHOOPS-A-DAISY HOW YOU DROVE ME CRAZY 

WELL I GUESS IT DOESN’T MATTER ANYMORE 

(CHORUS) (Am) THERE’S NO USE IN CRYING 

I’VE DONE EVERYTHING AND NOW I’M SICK OF TRYING 

(D) I’VE THROWN AWAY MY NIGHTS, WASTED ALL MY DAYS 

OVER (G) YOU 

WELL, YOU GO YOUR WAY AND I’LL GO MINE 

WELL, NOW AND FOREVER, ‘TILL THE END OF TIME 

I’LL FIND SOMEBODY NEW, BABY, WE’LL SAY WE’RE THROUGH 

YOU WON’T MATTER ANYMORE 

(REPEAT LAST VERSE) + NO, YOU WON’T MATTER ANYMORE 

120

IT IS NO SECRET 

WILF CARTER (“MONTANA SLIM”) 

STUART HAMBLEN 

(G) THE CHIMES OF TIME RING (C) OUT THE NEWS, A(G)NOTHER DAY IS 

THROUGH 

(D) SOMEONE SLIPPED AND FELL, (G) WAS THAT SOMEONE YOU? 

YOU MAY HAVE LONGED FOR (C) ADDED STRENGTH, YOUR (G) 

COURAGE TO RENEW 

(D) DO NOT BE DISHEARTENED, FOR (A) I’VE GOT NEWS FOR (D) YOU (I 

BRING HOPE TO (D) YOU) 

(CHORUS) IT IS NO (C) SECRET WHAT GOD CAN (G) DO 

WHAT HE’S DONE FOR (D) OTHERS, HE'LL DO FOR (G) YOU 

WITH ARMS WIDE (C) OPEN HE’LL PARDON (WELCOME) (G) YOU 

IT IS NO (D) SECRET WHAT GOD CAN (G) DO 

THERE IS NO NIGHT, FOR IN HIS LIGHT YOU’LL NEVER WALK ALONE 

ALWAYS FEEL AT HOME, WHEREVER YOU MAY ROAM 

THERE IS NO POWER CAN CONQUER YOU WHILE GOD IS ON YOUR SIDE 

JUST TAKE HIM AT HIS PROMISE, DON’T RUN AWAY AND HIDE 

(CHORUS) 

121

IT KEEPS RIGHT ON A-HURTIN’ 

BOBBY VINTON 

(A) I CRY MYSELF TO SLEEP AT NIGHT 

(D) WISHING I COULD HOLD YOU TIGHT 

LIFE (A) SEEMS SO EMPTY SINCE YOU WENT A(E)WAY 

THE (A) PILLOW WHERE YOU LAY YOUR HEAD 

NOW (D) HOLDS MY LONELY TEARS INSTEAD 

AND IT (E) KEEPS RIGHT ON A-HURTIN’ 

SINCE YOU’RE (A) GONE 

(CHORUS) IT (E) KEEPS RIGHT ON A-HURTIN’ 

EVERY (D) MINUTE OF THE DAY 

EVERY (E) HOUR YOU’RE AWAY, I FEEL SO (D)LONE(A)LY 

AND I CAN’T HELP IT, I DON’T THINK I CAN GO (D) ON 

AND IT (E) KEEPS RIGHT ON A-HURTIN’ 

SINCE YOU’RE (A) GONE 

THEY SAY A MAN SHOULD NEVER CRY 

BUT WHEN I SEE YOU PASSING BY 

MY HEART BREAKS DOWN AND CRIES A MILLION TEARS 

YOU BROKE MY HEART, AND SET ME FREE 

BUT YOU FORGOT YOUR MEMORY 

AND IT KEEPS RIGHT ON A-HURTIN’ 

SINCE YOU’RE GONE (CHORUS) 

122

IT’S BEEN A BLUE, BLUE DAY 

(BLUE, BLUE DAY) 

DON GIBSON 

(A) IT’S BEEN A BLUE, BLUE DAY, I FEEL LIKE RUNNING AWAY 

I FEEL LIKE (D) RUNNING A(E)WAY FROM IT (A) ALL 

MY LOVE HAS BEEN UNTRUE, SHE’S FOUND SOMEBODY NEW 

IT’S BEEN A (D) BLUE, BLUE (E) DAY FOR (A) ME 

(CHORUS) I FEEL LIKE (D) CRYING, DYING, (A) WHAT CAN I DO 

I FEEL LIKE (D) PRAYING, SAYING, (E) “I’M GLAD WE’RE THROUGH” 

IT’S BEEN A (A) BLUE, BLUE DAY, I FEEL LIKE RUNNING AWAY 

I FEEL LIKE (D) RUNNING A(E)WAY FROM THE (A) BLUES 

HOW CAN I MAKE BELIEVE, THAT I DON’T SIT AND GRIEVE 

IT’S BEEN A BLUE, BLUE DAY FOR ME 

I CAN’T PRETEND AND SAY, THAT I DON’T LOVE HER ANYWAY 

IT’S BEEN A BLUE, BLUE DAY FOR ME (CHORUS) 

I FEEL LIKE RUNNING AWAY FROM THE BLUES 

123

IT'S BEEN A GREAT AFTERNOON 

MERLE HAGGARD 

(G) LAST NIGHT WE HAD ONE HELL-RAISIN’ TIME 

SIPPIN’ ON TEQUILA AND SUCKIN’ ON LIME 

SUNRISE CHASED THE GOOD TIMES AWAY 

AND GOOD (D) MORNING WOULD HAVE BEEN 

THE WRONG THING TO SAY 

‘CAUSE THE (G) POUNDING IN THE TOP OF MY HEAD 

DIDN’T LEAVE ME ANY TOO SOON 

I CAN’T SAY WE HAD A GOOD MORNING 

BUT (D) BABE, IT’S BEEN A GREAT AFTERNOON 

WELL YOU (G) NURSED ME THROUGH THE MORNING 

WHILE I REALLY WAS DOWN 

THEN ONE ROWDY AFTERNOON 

GOT ME UP AND AROUND 

YES, LAST NIGHT WE HAD ONE HELL-RAISIN’ TIME 

BUT TODAY WON’T BE FORGOTTEN TOO SOON 

I CAN’T SAY WE HAD A GOOD MORNING 

BUT BABE IT’S BEEN A GREAT AFTERNOON 

124

IT’S FOUR IN THE MORNING 

FARON YOUNG 

(E) IT’S FOUR IN THE MORNING, AND ONCE MORE THE DAWNING 

JUST WOKE UP THE WANTING IN (B7) ME 

WISHING I’D NEVER MET HER, KNOWING IF I’D FORGET HER 

HOW MUCH BETTER OFF SHE WOULD (E) BE 

THE LONGER I HOLD ON AND THE LONGER THIS GOES ON 

THE HARDER THAT IT’S GONNA (A) BE 

BUT IT’S FOUR IN THE MORNING, AND (E) ONCE MORE THE DAWNING 

JUST (A) WOKE UP THE (B7) WANTING IN (E) ME 

I NEVER DESERVED HER, GOD KNOWS WHEN I HURT HER 

THAT’S THE LAST THING THAT I WANT TO DO 

SHE TRIES BUT SHE CAN’T TELL, HOW SHE FEELS BUT I KNOW 

TOO WELL WHAT SHE’S GOING THROUGH 

IF I LOVE HER SO MUCH, I DON’T KNOW WHY I CAN’T DO 

THE RIGHT THING AND JUST LET HER BE 

BUT IT’S FOUR IN THE MORNING, AND ONCE MORE THE DAWNING 

JUST WOKE UP THE WANTING IN ME 

(RAISE KEY ONE “SEMITONE”) 

LAST NIGHT I TOLD HER THIS TIME IT’S ALL OVER 

MAKING TEN TIMES I’VE TOLD HER GOODBYE 

LAST NIGHT WE BROKE UP, THIS MORNING I WOKE UP 

AND FOR THE TENTH TIME I’M CHANGING MY MIND 

I SAW MORE LOVE IN HER EYES WHEN I LEFT HER 

THAN MOST FOOLISH MEN WILL EVER SEE 

AND IT’S FOUR IN THE MORNING AND ONCE MORE THE DAWNING 


IT’S FOUR IN THE MORNING AND ONCE MORE THE DAWNING 


WISHING I’D NEVER MET HER, KNOWING IF I’D FORGET HER, HOW 

MUCH BETTER OFF SHE WOULD BE (FADE) 

125

IT'S NOW OR NEVER 

ELVIS PRESLEY 

AARON SCHROEDER, WALLY GOLD (O SOLE MIO) 

(CHORUS) (E) IT'S NOW OR NEVER, COME HOLD ME (B7) TIGHT 

KISS ME MY DARLING, BE MINE TO(E)NIGHT 

TO(Am7)MORROW WILL BE TOO (E) LATE 

IT'S NOW OR (B7) NEVER, MY LOVE WON'T (E) WAIT 

WHEN I FIRST SAW YOU, WITH YOUR SMILE SO (A) TENDER 

MY HEART WAS (B7) CAPTURED, MY SOUL SUR(E)RENDERED 

I'VE SPENT A LIFETIME, WAITING FOR THE (A) RIGHT TIME 

NOW (Am) THAT YOU'RE (E) HERE, THE TIME IS (B7) NEAR, AT (E) LAST 

(CHORUS) 

JUST LIKE A WILLOW, WE COULD CRY AN (A) OCEAN 

IF WE LOST (B7) TRUE LOVE, AND SWEET DE(E)VOTION 

YOUR LIPS EXCITE ME, LET YOUR ARMS IN(A)VITE ME 

FOR (Am) WHO KNOWS (E) WHEN, WE'LL MEET A(B7)GAIN, THIS (E) WAY 

(CHORUS + REPEAT LAST LINE) 

126

IT'S SUCH A PRETTY WORLD TODAY 

WYNN STEWART, DALE NOE 

(STRUM WITH THUMB) 

(A) IT’S SUCH A PRETTY WORLD TODAY 

LOOK AT THE (E) SUNSHINE 

AND (D) EVERY DAY’S THE (E) SAME SINCE I MET (A) YOU (E) 

IT’S SUCH A (A) PRETTY WORLD TODAY 

KNOWING THAT (E) YOU’RE MINE 

AND (D) HAPPINESS IS (E) BEING CLOSE TO (A) YOU 

AND THOUGH THE (D) RAIN MAY FALL 

OUR (E) SKIES WILL ALL BE (A) BLUE 

IF I LOOK (B7) CLOSE ENOUGH 

THE SUN WILL COME SHINING (E) THROUGH 

IT’S SUCH A PRETTY WORLD TODAY 

LOOK AT THE SUNSHINE 

TODAY AND EVERY DAY SINCE I MET YOU, 


(REPEAT ALL VERSES) + 

TO(D)DAY AND EVERY (E) DAY SINCE I MET (A) YOU 

127

IT WASN'T GOD WHO MADE HONKY TONK ANGELS 

KITTY WELLS (WOMAN'S RESPONSE TO THE WILD SIDE OF LIFE) 

J D MILLER 

(A) AS I SIT HERE TONIGHT, THE JUKE BOX IS (D) PLAYING 

THE (E) TUNE ABOUT THE WILD SIDE OF (A) LIFE 

AS I LISTEN TO THE WORDS YOU ARE (D) SAYING 

IT BRINGS (E) MEMORIES WHEN I WAS A TRUSTING (A) WIFE 

(CHORUS) IT WASN'T GOD WHO MADE HONKY TONK ANGELS 

AS YOU SAID IN THE WORDS OF YOUR SONG 

TOO MANY TIMES MARRIED MEN THINK THEY'RE STILL SINGLE 

THAT HAS CAUSED MANY A GOOD GIRL TO GO WRONG 

IT'S A SHAME THAT ALL THE BLAME IS ON US WOMEN 

IT'S NOT TRUE THAT ONLY YOU MEN FEEL THE SAME 

FROM THE START MOST EVERY HEART THAT'S EVER BROKEN 

WAS BECAUSE THERE ALWAYS WAS A MAN TO BLAME (CHORUS) 

128

I’VE BEEN EVERYWHERE 

HANK SNOW 

GEOFF MACK 

(A) I WAS TOTING MY PACK ALONG THE DUSTY WINNEMUCCA ROAD 

WHEN ALONG CAME A SEMI WITH A HIGH AND CANVAS COVERED LOAD 

IF YOU’RE (D) GOING TO WINNEMUCCA MAC, WITH ME YOU CAN RIDE 

SO I (A) CLIMBED INTO THE CAB AND THEN I SETTLED DOWN INSIDE 

HE (E) ASKED ME IF I’D SEEN A ROAD WITH SO MUCH DUST AND SAND 

AND I SAID, “LISTEN, BUD, I’VE TRAVELLED EVERY ROAD IN THIS HERE 

LAND” 

(CHORUS) I’VE BEEN EVERYWHERE, MAN, I’VE BEEN EVERYWHERE, 

MAN 

(D) CROSSED THE DESERTS BARE, MAN, I’VE (A) BREATHED THE 

MOUNTAIN AIR, MAN 

OF (E) TRAVEL I’VE HAD MY SHARE, MAN, I’VE BEEN EVERY(A)WHERE 

I’VE BEEN TO RENO CHICAGO FARGO MINNESOTA 

BUFFALO TORONTO WINSLOW SARASOTA 

(D) WICHITA TULSA OTTAWA OKLAHOMA 

(A) TAMPA PANAMA MATAWA LA PALOMA 

(E) BANGOR BALTIMORE SALVADOR AMARILLO 

(A) TOCOPILLA BARRANQUILLA AND PADILLA 

I’M A KILLER (CHORUS) 

BOSTON CHARLESTON DAYTON LOUISIANA 

WASHINGTON HOUSTON KINGSTON TEXARKANA 

MONTERREY FARADAY SANTA FE TALLAPOOSA 

GLEN ROCK, BLACK ROCK, LITTLE ROCK, OSKALOOSA 

TENNESSEE, HENNESY, CHICOPEE, SPIRIT LAKE 

GRAND LAKE, DEVIL'S LAKE, CRATER LAKE, FOR PETE’S SAKE 

(CHORUS) 

LOUISVILLE NASHVILLE KNOXVILLE OMBABIKA 

SHEFFERVILLE JACKSONVILLE WATERVILLE COSTA RICA 

PITTSFIELD SPRINGFIELD BAKERSFIELD SHREVEPORT 

HACKENSACK CADILLAC FON-DU-LAC DAVENPORT 

IDAHO JELLICOE ARGENTINA DIAMONTINA 

PASADENA CATALINA, SEE WHAT I MEAN, SIR (CHORUS) 

129

PITTSBURGH PARKERSBURG GRAVELBURG COLORADO 

ELLENSBURG REXBURG VICKSBURG ELDORADO 

LARRIMORE ATMORE HAVERSTRAW CHATTANIKA 

CHASKA NEBRASKA ALASKA OPALIKA 

BARABOU WATERLOO KALAMAZOO KANSAS CITY 

SIOUX CITY, CEDAR CITY, DODGE CITY, WHAT A PITY (CHORUS) 

(ACCOMP.) I KNOW SOMEPLACE YOU HAVEN’T BEEN 

I’VE BEEN EVERYWHERE 

130

I WALK THE LINE 

JOHNNY CASH 

(A) I KEEP A (E) CLOSE WATCH ON THIS HEART OF (A) MINE 

I KEEP MY (E) EYES WIDE OPEN ALL THE (A) TIME 

I KEEP THE (D) ENDS OUT FOR THE TIE THAT (A) BINDS 

BECAUSE YOU’RE (E) MINE, I WALK THE (A) LINE 

I FIND IT VERY, VERY EASY TO BE TRUE 

I FIND MYSELF ALONE WHEN EACH DAY IS THROUGH 

YES, I’LL ADMIT THAT I’M A FOOL FOR YOU 

BECAUSE YOU’RE MINE, I WALK THE LINE 

AS SURE AS NIGHT IS DARK AND DAY IS LIGHT 

I KEEP YOU ON MY MIND BOTH DAY AND NIGHT 

AND HAPPINESS THAT I’VE KNOWN PROVES THAT IT’S RIGHT 


YOU’VE GOT A WAY TO KEEP ME ON YOUR SIDE 

YOU GIVE ME CAUSE FOR LOVE THAT I CAN’T HIDE 

FOR YOU I KNOW I’D EVEN TRY TO TURN THE TIDE 


131

I WONDER COULD I LIVE THERE ANYMORE 

CHARLIE PRIDE 

(A) HAVE YOU EVER BEEN AWAKENED 

BY THE CROWING OF A ROOSTER 

WHILE THE NIGHT’S DEW IS STILL HEAVY ON THE (E) GROUND 

AND THE VOICE OF UNCLE BEN 

SEEMS TO BREAK THE MORNING SILENCE 

RINGING LIGHTS THE WINDOWS ALL A(A)ROUND 

WELL, IT’S TIME TO RISE AND SHINE 

AND START ANOTHER HARD WORK DAY 

AND GET THE COWS IN AND START THE MILKING (D) CHORES 

IT’S TIME TO THINK ABOUT IT 

(A) MAYBE EVEN VISIT 

BUT I (E) WONDER COULD I LIVE THERE ANY(A) MORE 

SOMETHING ‘BOUT THE SMELL OF CORNBREAD 

COOKING ON A WOOD STOVE 

SEEMS TO BRING A PICTURE TO MY MIND 

OF A LITTLE THREE-ROOM HOUSE 

WITH MOMMA IN THE KITCHEN 

BUT SHE CAN’T STOP TO TALK, AIN’T GOT THE TIME 

SHE’S A-FIXIN’ DADDY’S SUPPER 

HE’S A-WORKIN’ OVERTIME 

TRYING TO PAY OUR BILL AT THE GROCERY STORE 


MAYBE EVEN VISIT 

BUT I WONDER COULD I LIVE THERE ANYMORE 

AS I THINK ABOUT MY CHILDHOOD 

AND OF MY OLD HOME TOWN 

I DON’T REALLY MISS THEM LIKE BEFORE 


MAYBE EVEN VISIT 

BUT I WONDER COULD I LIVE THERE ANYMORE 

132

JAMAICA FAREWELL 

HARRY BELAFONTE, IRVING BURGIE (L BURGESS) (BASED ON A 

TRADITIONAL AIR) 

(A) DOWN THE WAY WHERE THE (D) NIGHTS ARE GAY 

AND THE (E) SUN SHINES DAILY ON THE (A) MOUNTAIN TOP 

I TOOK A TRIP ON A (D) SAILING SHIP 

AND WHEN I (E) REACHED JAMAICA I (A) MADE A STOP 

(CHORUS) BUT I’M SAD TO SAY, I’M ON MY WAY 

WON’T BE BACK FOR MANY A DAY 

MY HEART IS DOWN, MY HEAD IS TURNING AROUND 

I HAD TO LEAVE A LITTLE GIRL IN KINGSTON TOWN 

SOUNDS OF LAUGHTER EVERYWHERE 

AND THE DANCING GIRLS SWING TO AND FRO’ 

I MUST DECLARE MY HEART IS THERE 

THOUGH I’VE BEEN FROM MAINE TO MEXICO (CHORUS) 

DOWN AT THE MARKET YOU CAN HEAR 

LADIES CRY OUT WHILE ON THEIR HEADS THEY BEAR 

ACKEE, RICE, SALT FISH ARE NICE 

AND THE RUM IS FINE ANY TIME OF YEAR (CHORUS) 

SAD TO SAY, I’M ON MY WAY 

WON’T BE BACK FOR MANY A DAY 

MY HEART IS DOWN, MY HEAD IS TURNING AROUND 

I HAD TO LEAVE A LITTLE GIRL IN KINGSTON TOWN 

133

JAMBALAYA 

HANK WILLIAMS 

(A) GOODBYE JOE, ME GOTTA GO, ME-OH-(E)MY-OH 

ME GOTTA GO POLE THE PIROGUE DOWN THE (A) BAYOU 

MY YVONNE, THE SWEETEST ONE, ME-OH-(E)MY-OH 

SON OF A GUN WE’LL HAVE BIG FUN ON THE (A) BAYOU 

(CHORUS) JAMBALAYA, CRAWFISH PIE AND A FILET GUMBO 

‘CAUSE TONIGHT I’M GONNA SEE MY MA-CHER-A-MIO 

PICK GUITAR FILL FRUIT JAR AND BE GAY-O 

SON OF A GUN, WE’LL HAVE BIG FUN ON THE BAYOU 

THIBODEAUX, FONTAINEAUX THE PLACE IS BUZZIN’ 

KINFOLK COME TO SEE YVONNE BY THE DOZEN 

DRESSED IN STYLE, GO HOG WILD ME-OH-MY-OH 

SON OF A GUN WE’LL HAVE BIG FUN ON THE BAYOU (CHORUS) 

SETTLE DOWN FAR FROM TOWN, GET ME A PIROGUE 

AND I’LL CATCH ALL THE FISH IN THE BAYOU 

SWAP MY MON’ TO BUY YVONNE WHAT SHE NEEDS, OH 

SON OF A GUN WE’LL HAVE BIG FUN ON THE BAYOU (CHORUS) 

134

JIMMIE RODGERS BLUES 

ELTON BRITT, STONEY EDWARDS 

VAUGHN HORTON 

(A) YODELAYHE, (E) HAYEE, (A) OLAYEE, THAT'S THE JIMMIE (E) 

RODGERS (A) BLUES 

(A) I CAN SING YOU THE TRUE-LIFE STORY 

OF THE GREATEST BLUE YODELING STAR 

WITH THE (D) HELP OF THE TITLES OF THE SONGS HE SANG 

LIKE (A) YOU AND MY OLD GUITAR 

YODELAYHEE, (E) HE HE, (A) HE HE HE HE HE 

HE WAS BORN DOWN IN MISSISSIPPI 

JIMMIE RODGERS WAS HIS NAME 

HE LEFT HIS DADDY AND HOME AND GOT THE TRAVELLING BLUES 

WHILE WAITING FOR A TRAIN (YODEL) 

HE WAS WORKING ON THE RAILROAD 

RIDING ON THAT OLD CHOO CHOO 

AWAY OUT ON THE MOUNTAIN 

WHEN HE GOT THOSE BRAKEMAN'S BLUES (YODEL) 

HE SANG T FOR TEXAS, AND T FOR TENNESSEE 

AND PEACHPICKING TIME IN GEORGIA IS GIRL-PICKING TIME FOR ME 

MY LITTLE BLUE-EYED JANE HE YODELED 

AND MY CAROLINA SUNSHINE GIRL 

MY LITTLE LA-A-DY 

IS THE SWEETEST GIRL IN THE WORLD (YODEL) 

JIMMIE SAID I'M GONNA GET MARRIED 

AND LEAVE MY LITTLE OLD HOME DOWN IN NEW ORLEANS 

AND BUILD ME A MANSION OUT IN TEXAS 

THE LAND OF MY BOYHOOD DREAMS (YODEL) 

THEN CAME A LULLABY YODEL 

HE HAD TREASURES UNTOLD 

BUT HE NEVER COULD LOSE THOSE GAMBLER'S BLUES 

FROM RAMBLING DAYS OF OLD (YODEL) 

135

HE'D TAKE A BIG CHIEF BUFFALO NICKEL 

AND CALL UP HIS WIFE AND SAY 

THIS IS JIMMIE THE KID, I'M IN THE JAILHOUSE NOW 

FOR MY ROUGH AND ROWDY WAYS (YODEL) 

ANY OLD TIME YOU'D SEE HIM 

HE'D BE SINGING A BRAND NEW TUNE 

HIS TRAIN WHISTLE BLUES STILL HAUNTS ME 

WHEN THE CACTUS IS IN BLOOM (YODEL) 

THE WHOLE WORLD SHARED HIS SORROW 

WHEN HE SANG MY TIME AIN'T LONG 

THEN ONE DAY IN NEW YORK CITY 

HE SANG HIS FAREWELL SONG (YODEL) 

I'VE GOT THE T.B. BLUES 

(UP OR DOWN ONE KEY) 

GOOD MORNING CAPTAIN, ON EARTH YOU'LL SING NO MORE, NO 

MORE, NO MORE 

BUT JIMMIE RODGERS’ LAST BLUE YODEL, ECHOES ON THE GOLDEN 

SHORES (YODEL) 

(YODEL FANTASTIC) 

THAT'S THE JIMMIE RODGERS BLUES 

136

JINGLE BELLS 

JIM REEVES 

(A) DASHING THROUGH THE SNOW, IN A ONE-HORSE OPEN (D) SLEIGH 

O'ER THE FIELDS WE (E) GO, LAUGHING ALL THE (A) WAY 

BELLS ON BOBTAILS RING, MAKING SPIRITS (D) BRIGHT 

OH, WHAT FUN IT (E) IS TO RIDE AND SING A SLEIGHING SONG 

TO(A)NIGHT 

(CHORUS) JINGLE BELLS, JINGLE BELLS, JINGLE ALL THE WAY 

(D) OH, WHAT FUN IT(A) IS TO RIDE IN A (E) ONE-HORSE OPEN SLEIGH 

(A) JINGLE BELLS, JINGLE BELLS, JINGLE ALL THE WAY 

(D) OH, WHAT FUN IT (A) IS TO RIDE IN A (E) ONE-HORSE OPEN (A) 

SLEIGH 

NOW THE GROUND IS WHITE, SO GO IT WHILE YOU'RE YOUNG 

TAKE THE GIRLS TONIGHT, AND SING THIS SLEIGHING SONG 

JUST GET A BOBTAIL NAG, TWO-FIFTY FOR HIS SPEED 

THEN HITCH HIM TO AN OPEN SLEIGH, AND CRACKLIN' TAKE THE LEAD 

(CHORUS) 

137

JOHNNY B GOODE 

CHUCK BERRY 

(A) DEEP DOWN IN LOU’SIANA, CLOSE TO NEW ORLEANS 

WAY BACK UP IN THE WOODS AMONG THE EVERGREENS 

THERE (D) IN A LITTLE CABIN MADE OF EARTH AND WOOD 

LIVED A (A) COUNTRY BOY NAMED JOHNNY B. GOODE 

WHO (E) NEVER EVER LEARNED TO READ OR WRITE SO WELL 

BUT (A) HE COULD PLAY A GUITAR JUST LIKE RINGING A BELL 

GO GO, GO JOHNNY GO, GO GO, GO JOHNNY GO 

(E) GO GO, GO JOHNNY GO, GO GO, GO JOHNNY GO 

JOHNNY B. GOODE 

HE USED TO CARRY HIS GUITAR IN A GUNNY SACK 

GO SIT BENEATH A TREE BY THE RAILROAD TRACK 

OL’ ENGINEER IN THE TRAIN SITTIN’ IN THE SHADE, STRUMMIN’ WITH 

THE RHYTHM THAT THE DRIVERS MADE 

THE PEOPLE PASSIN’ BY THEY WOULD STOP AND SAY, 

OH, MY BUT THAT LITTLE COUNTRY BOY COULD PLAY 

HIS MOTHER TOLD HIM, “SOMEDAY YOU WILL BE A MAN 

AND YOU WILL BE THE LEADER OF A BIG OL’ BAND 

MANY PEOPLE COMIN’ FROM MILES AROUND 

TO HEAR YOU PLAY YOUR MUSIC WHEN THE SUN GOES DOWN 

MAYBE SOME DAY YOUR NAME WILL BE IN LIGHTS, A-SAYIN’ JOHNNY B. 

GOODE TONIGHT” 

138

JUST BETWEEN YOU AND ME 

CHARLIE PRIDE 

(C) SO I FEEL SO BLUE SOMETIMES I (F) WANT TO DIE 

AND (G) SO I’VE GOT A BROKEN HEART, SO (C) WHAT 

THEY SAY THAT TIME WILL HEAL ALL WOUNDS IN (F) MICE AND MEN 

AND I (G) KNOW THAT SOMEDAY I’LL FORGET AND (C) LOVE AGAIN 

(CHORUS) BUT JUST BETWEEN YOU AND ME 

I’VE GOT MY DOUBTS ABOUT IT 

‘CAUSE JUST BETWEEN YOU AND ME 

YOU’RE TOO MUCH TO FORGET 

SO I LOST THE ONLY GIRL I EVER LOVED 

AND SO I’VE NEVER FELT SO LOW, SO WHAT 

I’LL JUST TELL MYSELF EACH TIME I WANT TO CRY 

THAT SOMEDAY TIME WILL DRY THE TEARDROPS FROM MY EYE 


139

JUST FOR WHAT I AM 

CONNIE SMITH 

DALLAS FRAZIER, A L "DOODLE" OWENS 

(A) BLUE, AIN'T JUST A (D) WORD, IT'S A (A) FEELING 

A FEELING OF (D) LONELINESS THAT (E) I CAN FEEL RIGHT (A) NOW 

LOVE, HAS LOOKED AT (D) ME BUT TRIED TO (A) CHANGE ME 

I WISH THAT LOVE WOULD (D) TAKE ME (E) JUST FOR WHAT I (A) AM 

(CHORUS) JUST FOR WHAT I (D) AM, I (E) WANT SOMEONE TO (A) LOVE 

ME 

SOMEONE WHO WON'T EX(D)PECT ME, TO (B7) BE LIKE THEIR OLD (E) 

MEMORY 

(A) JUST FOR WHAT THEY (D) SEE, (E) JUST FOR BEING (A) ME 

I WANT SOMEONE TO (D) LOVE ME, (E) JUST FOR WHAT I (A) AM 

CRY, AIN'T JUST A SOUND, IT'S A SADNESS 

A SADNESS THAT LIVES WITH ME AND FOLLOWS ME AROUND 

LOVE WANTS ME TO BE SOMEONE I CAN'T BE 

I WISH THAT LOVE WOULD TAKE ME JUST FOR WHAT I AM 

(CHORUS) + LAST TWO LINES 

140

JUST ONE TIME 

CONNIE SMITH 

DON GIBSON 

(A) IF I COULD SEE YOU (E) JUST ONE TIME 

OH, HOW I’D EASE MY (A) TROUBLED MIND 

IF I COULD HOLD YOU (E) JUST ONE TIME 

AND THEN PRETEND THAT (A) YOU’RE STILL MINE 

LIPS THAT USED TO (E) THRILL ME SO 

THEY NOW THRILL SOMEONE (A) ELSE I KNOW 

GONE IS THE LOVE THAT (E) ONCE WAS MINE 

WISH I COULD SEE YOU (A) JUST ONE TIME 

(CHORUS) OH, OH, OH HOW I (E) MISS YOU SO 

OOOH I (A) NEED YOU SO 

I-I-I’D GIVE THIS (E) HEART OF MINE 

WISH I COULD SEE YOU (A) JUST ONE TIME 


WISH I COULD RELIVE JUST ONE TIME 

TURN BACK THE PAGES AND THERE I’D FIND 

THAT SAME OLD LOVE THAT ONCE WAS MINE 

WISH I COULD SEE YOU JUST ONE TIME 

(CHORUS:) OH, OH, OH HOW I MISS YOU SO 

OOOH I NEED YOU SO 

I-I-I’D GIVE THIS HEART OF MINE 

IF I COULD SEE YOU JUST ONE TIME 

(REPEAT CHORUS TWO MORE TIMES) 

IF I COULD SEE YOU JUST ONE TIME 

WISH I COULD SEE YOU (D) ONE (E) MORE (A) TIME 

141

JUST OUT OF REACH (OF MY TWO OPEN ARMS) (EMPTY ARMS) 

BRENDA LEE, MARGO SMITH, PATSY CLINE 

L F STEWART 

(A) LOVE THAT RUNS AWAY FROM ME 

DREAMS THAT JUST WON’T (E) LET ME BE 

BLUES THAT KEEP ON BOTHERIN’ ME 

CHAINS THAT JUST WON’T (A) SET ME FREE 

TOO FAR AWAY FROM YOU AND ALL YOUR (D) CHARMS 

JUST (E) OUT OF REACH OF MY TWO OPEN (EMPTY) (A) ARMS 

EACH NIGHT IN DREAMS I SEE YOUR FACE 

MEMORIES TIME CANNOT ERASE 

THEN I AWAKE AND FIND YOU GONE 

I’M SO BLUE AND ALL ALONE 

SO FAR AWAY FROM LIPS SO SWEET AND WARM 

JUST OUT OF REACH OF MY TWO OPEN ARMS 


THAT LONESOME FEELING ALL THE TIME 

KNOWING YOU CANNOT BE MINE 

DREAMS THAT HAUNT ME IN MY SLEEP 

VOWS THAT WE COULD NEVER KEEP 

TOO FAR AWAY FROM LIPS SO SWEET AND WARM 

JUST OUT OF REACH OF MY TWO OPEN ARMS 

(MARGO SMITH, RISING) I (E) PRAY THE LORD TO KEEP YOU FROM ALL 

HARM 

JUST OUT OF REACH OF MY TWO OPEN (A) ARMS 

JUST (E) OUT OF REACH OF MY TWO OPEN (A) ARMS 

142

KAWLIGA 

HANK WILLIAMS 

HANK WILLIAMS, FRED ROSE 

(Am) KAWLIGA WAS A WOODEN INDIAN, STANDING BY THE DOOR 

HE FELL IN LOVE WITH AN INDIAN MAID OVER IN THE ANTIQUE STORE 

KAWLIGA, JUST STOOD THERE AND NEVER LET IT (E7) SHOW 

SO SHE COULD NEVER ANSWER YES OR (Am) NO 

HE ALWAYS WORE HE SUNDAY FEATHERS AND HELD A TOMAHAWK 

THE MAIDEN WORE HER BEADS AND BRAIDS AND HOPED SOME DAY 

HE’D TALK 

KAWLIGA, TOO STUBBORN TO EVER SHOW A (E7) SIGN 

BECAUSE HIS HEART WAS MADE OF KNOTTY (A) PINE 

(CHORUS) (A) POOR OL’ KAWLIGA HE NEVER GOT A KISS 

(D) POOR OL’ KAWLIGA HE DON’T KNOW WHAT HE MISSED 

(A) IS IT ANY WONDER THAT HIS FACE IS (E7) RED 

KAWLIGA THAT POOR OLD WOODEN (Am) HEAD 


KAWLIGA WAS A LONELY INDIAN NEVER WENT NOWHERE 

HIS HEART WAS SET ON THE INDIAN MAID WITH THE COAL BLACK HAIR 

KAWLIGA, JUST STOOD THERE AND NEVER LET IT (E7) SHOW 

SO SHE COULD NEVER ANSWER YES OR (Am) NO 

AND THEN ONE DAY A WEALTHY CUSTOMER BOUGHT THE INDIAN MAID 

AND TOOK HER O SO FAR AWAY, BUT OLD KAWLIGA STAYED 

KAWLIGA, JUST STANDS THERE LONELY AS CAN (E7) BE 

AND WISHES HE WAS STILL AN OLD PINE (A) TREE (CHORUS) 

143

KINGSTON MARKET 

HARRY BELAFONTE, ARR. BY BURGIE 

(strum verses) (E) HAVE YOU EVER SEEN A (A) RAINBOW 

OR A (B7) GARDEN BLOOMING (E) BRIGHT 

HEARD THE SHUFFLE OF A (A) THOUSAND FEET 

(B7) DRUMS FROM MORNING ‘TILL (E) NIGHT 

(CHORUS) COME, WE GO DOWN, (A) COME, WE GO DOWN 

(B7) COME, WE GO DOWN TO (E) KINGSTON MARKET 

COME, WE GO DOWN, (A) COME, WE GO DOWN 

(B7) DOWN TO KINGSTON (E) MARKET 

GET YOUR TAMARIND AND SOURSOP 

MANGOES AND CASSAVA 

BREADFRUIT, OKRA, PIGEON PEAS 

CURRY GOAT AND GUAVA (CHORUS) 

DO YOU KNOW A BROWN-SKIN MAIDEN 

WITH SUNSHINE IN HER EYES 

HEARD THE SWALLOW AND THE HUMMINGBIRD 

SING HAPPY AS SHE GOES BY 

(RAISE KEY) HAVE YOU SEEN THE GHOST OF MORGAN 

OR HEARD A TALE YOU HADN’T OUGHTTA 

HAVE YOU WELCOMED THE COMING DAWN 

WITH THE RUM AND COCONUT WATER 

(CHORUS, REPEAT CHORUS TWICE, FADE) 

144

L. A. INTERNATIONAL AIRPORT 

SUSAN RAYE 

(A) STANDING IN THAT SILENT HALL, WAITING FOR THAT FINAL CALL 

SAYS HE DOESN’T LOVE ME ANY(E)MORE 

SHAKING HANDS I PACK A BAG, TREMBLING VOICE I CALL A CAB 

SLOWLY I START WALKING TO THE (A) DOOR 

THE CAB ARRIVES HE BLOWS HIS HORN, I STUMBLE OUT IN THE EARLY 

MORN 

AND TELL HIM OF THE PLACE I’VE GOT TO (E) GO 

HIT A HUNDRED SIGNAL LIGHTS, FEEDER BELTS AND A TRAFFIC FINE 

GETTING THROUGH THESE DOORS HAS BEEN SO (A) SLOW 

(CHORUS) L. A. INTERNATIONAL (D) AIRPORT, WHERE THE BIG JET 

ENGINES (A) ROAR 

L. A. INTERNATIONAL (E) AIRPORT, I WON’T SEE HIM ANY(A)MORE 

STEWARDESS IN A MINISKIRT, HIPPIE IN A LEATHER SHIRT 

STARTED ON THE WAY TO NAPLES ROME 

WHILE I’M WONDERING WHERE IT’S AT, SEE A PARIS DIPLOMAT 

COLLEGE KIDS ARE TRYING TO GET BACK HOME 

BAGGAGE CART GOES QUICKLY BY, SEE MY CASE AND I START TO CRY 

STUMBLE TO THE LOUNGE TO BE ALONE 

WHILE I’M TRYING TO GET SOME REST, I BITE MY LIPS AND TRY MY 

BEST 

TO FIGHT THE PAIN THAT’S MAKING ME LEAVE HOME (CHORUS) 

(UP ONE KEY) 

WITH SILVER WINGS ACROSS THE SKY, VAPOR TRAILS THAT WAVE 

GOOD-BYE 

TO THOSE BELOW WHO’VE GOT TO STAY AT HOME 

I WISH THAT I HAD FLOWN AT NIGHT, SO I COULD TAKE THAT 

CHAMPAGNE FLIGHT 

RID MYSELF OF EVERY TEAR I OWN 

SOARING HIGH ABOVE THE HEAVENS, IN A SEVEN-FORTY-SEVEN 

FIGHTING BACK THE TEARS THAT CURSE MY EYES 

CAPTAIN’S VOICE SO LOUD AND CLEAR, AMPLIFIES INTO MY EAR 

ASSURING ME I’M FLYING FRIENDLY SKIES (CHORUS, FADE) 

145

LET YOUR LOVE FLOW 

BELLAMY BROTHERS 

(A) THERE’S A REASON, FOR THE SUNSHINE IN THE SKY 

AND THERE’S A REASON, WHY I’M FEELING SO HIGH 

MUST BE THE (E) SEASON, WHEN THOSE LOVE LIGHTS SHINE 

ALL A(A)ROUND US 

SO LET THAT FEELING, GRAB YOU DEEP INSIDE 

AND SEND YOU REELING, WHERE YOUR LOVE CAN’T HIDE 

AND THEN GO (E) STEALING, THROUGH THE MOONLIT NIGHTS 

WITH A (A) LOVER 

(CHORUS) JUST LET YOUR (D) LOVE FLOW, LIKE A MOUNTAIN STREAM 

AND LET YOUR (A) LOVE GROW, WITH THE SMALLEST OF DREAMS 

AND LET YOUR (E) LOVE SHOW, AND YOU’LL KNOW WHAT I MEAN 

IT’S THE (A) SEASON 

LET YOUR (D) LOVE FLY, LIKE A BIRD ON THE WING 

AND LET YOUR (A) LOVE BIND YOU, TO ALL LIVING THINGS 

AND LET YOUR (E) LOVE SHINE, AND YOU’LL KNOW WHAT I MEAN 

THAT’S THE (A) REASON 

THERE’S A REASON, FOR THE WARM SWEET NIGHTS 

AND THERE’S A REASON, FOR THE CANDLELIGHTS 

MUST BE THE SEASON, WHEN THOSE LOVE RAYS SHINE 

ALL AROUND US 

SO LET THAT WONDER, TAKE YOU INTO SPACE 

AND LAY YOU UNDER, ITS LOVING EMBRACE 

JUST FEEL THE THUNDER, AS IT WARMS YOUR FACE 

YOU CAN’T HOLD BACK 

CHORUS, THEN START CHORUS AGAIN AND FADE 

146

LIVING NEXT DOOR TO ALICE 

SMOKIE 

N CHINN, M CHAPMAN 

(A) SALLY CALLED AND SHE GOT THE WORD 

(D) SHE SAID, “I SUPPOSE YOU HEARD 

(E) … (A) ABOUT ALICE” (E) 

WELL I (A) RUSHED TO THE WINDOW AND I LOOKED OUTSIDE 

AND (D) I COULD HARDLY BELIEVE MY EYES 

AT THE (E) BIG LIMOUSINE UP IN (A) ALICE’S DRIVE (E) 

(CHORUS) (OH) I (A) DON’T KNOW WHY SHE’S LEAVING, OR WHERE 

SHE’S GONNA GO 

I (D) GUESS SHE’S GOT HER REASONS, BUT I JUST DON’T WANT TO 

KNOW 

‘CAUSE FOR (E) 24 YEARS I’VE BEEN LIVING NEXT DOOR TO (A) ALICE 

(E) 

(A) TWENTY-FOUR YEARS JUST WAITING FOR A CHANCE 

TO (D) TELL HER HOW I FEEL AND MAYBE GET A SECOND GLANCE 

NOW I’VE (E) GOT TO GET USED TO NOT (D) LIVING NEXT (E) DOOR TO 

(A) ALICE 

GREW UP TOGETHER, TWO KIDS IN THE PARK 

CARVED OUR INITIALS DEEP IN THE BARK … ME AND ALICE 

NOW SHE WALKS THROUGH THE DOOR WITH HER HEAD HELD HIGH 

AND JUST FOR A MOMENT I CAUGHT HER EYE 

AS THE BIG LIMOUSINE PULLED SLOWLY OUT OF ALICE’S DRIVE 

(CHORUS) 

SALLY CALLED BACK, ASKED HOW I FELT 

SHE SAID, “I KNOW I CAN HELP … OVER ALICE” 

SHE SAID, “NOW ALICE’S GONE, BUT I’M STILL HERE, 

AND I’VE BEEN WAITING FOR 24 YEARS” 

(SLOW, MONOTONE) AND THE BIG LIMOUSINE DISAPPEARED 

(CHORUS, BUT LAST LINE IS:) 

BUT I’LL NEVER GET USED TO NOT LIVING NEXT DOOR TO ALICE 

NO, I’LL NEVER GET USED TO NOT LIVING NEXT DOOR TO ALICE 

147

LONELY WOMEN MAKE GOOD LOVERS 

BOB LUMAN 

F WELLER, S OLDHAM 

(CHORUS) (E) LONELY (A) WOMEN MAKE GOOD (B7) LOVERS 

THEY'RE (A) ALL AT THE MERCY OF A GOOD-LOOKING, SMOOTH- 

TALKING (B7) MAN 

(E) LONELY (A) WOMEN MAKE GOOD (B7) LOVERS 

SO (A) IF YOU'VE GOT A WOMAN BETTER (B7) TREAT HER JUST AS 

GOOD AS YOU (E) CAN 

(E) LOTS OF TIMES A (A) LONELY GIRL WILL (B7) GO OUT ON THE (E) 

TOWN 

(A) WITH NO THOUGHT OF (B7) EVIL ON HER (E) MIND 

BUT SHE DON'T TRY TO (A) PLANT THAT SEED, (B7) BUT THERE'S 

SOMETHING EVERY (E) WOMAN NEEDS 

AND A (A) FRIENDLY SMILE WILL (B7) DO IT EVERY (E) TIME (CHORUS) 

(UP ONE KEY) ONCE A WOMAN'S TASTED LOVE, SHE CAN'T DO 

WITHOUT IT 

SHE'LL REACH FOR SOMETHING WARM WHEN SHE GETS COLD 

AND IF HER LIPS ARE WET WITH WINE 

WHEN IT COMES TO LOVING TIME 

SHE'LL TRADE HER PRIDE FOR SOMETHING WARM TO HOLD (CHORUS) 

(REPEAT CHORUS, FADE) 

148

LONESOME 7-7203 

HANK SNOW, JUSTIN TUBB 

(E) HAD OUR NUMBER CHANGED TODAY, ALTHOUGH I (A) HATED TO 

BUT EACH (B7) TIME THE PHONE WOULD RING, THEY’D WANT TO (E) 

SPEAK TO YOU 

AND IT HURT TO TELL THEM YOU WEREN’T HERE WITH (A) ME 

MAYBE (E) NOW OLD TELE(B7)PHONE WILL LET ME (E) BE 

IT’S NOT IN THE BOOK SO NOW YOU’D BETTER WRITE IT DOWN 

JUST IN CASE YOUR LOVE FOR ME SHOULD EVER COME AROUND 

YOU MIGHT WANT TO CALL TO BREAK THE NEWS TO ME 

JUST CALL LONESOME 7-7203 


OH, I KEEP THE TELEPHONE BESIDE ME ALL THE TIME 

HOPING YOU MIGHT CALL AND SAY YOU CHANGED YOUR MIND 

IF YOU DO THEN DARLING YOU KNOW WHERE I’LL BE 

I’M AT LONESOME 7-7203 

YOU’RE THE ONLY ONE I’M GIVING OUR NEW NUMBER TO 

SO IF THE TELEPHONE SHOULD RING I’LL KNOW IT’S YOU 

IF YOU EVER LONG FOR LOVE THAT USED TO BE 



149

LOST HIGHWAY 

HANK WILLIAMS 

(G) I’M A ROLLING STONE, ALL ALONE AND LOST 

FOR A LIFE OF (C) SIN, I HAVE PAID THE (G) COST 

WHEN I PASS BY, ALL THE PEOPLE SAY 

JUST ANOTHER (C) GUY, ON THE LOST HIGH(G)WAY 

JUST A DECK OF CARDS, AND A JUG OF WINE 

AND A WOMAN’S LIES, MAKE A LIFE LIKE MINE 

ON THE DAY WE MET, I WENT ASTRAY 

I STARTED ROLLING, DOWN THAT LOST HIGHWAY 

I WAS JUST A LAD, NEARLY TWENTY TWO 

NEITHER GOOD NOR BAD, JUST A KID LIKE YOU 

AND NOW I’M LOST, TOO LATE TO PRAY 

LORD I PAID THE COST, ON THE LOST HIGHWAY 

NOW BOYS DON’T START TO RAMBLIN’ ‘ROUND 

ON THE ROAD OF SIN, OR YOU’RE SORROW-BOUND 

TAKE MY ADVICE OR YOU’LL CURSE THE DAY 

YOU STARTED ROLLING DOWN THAT LOST HIGHWAY. 

150

LOVE IN THE HOT AFTERNOON 

GENE WATSON 

(E) FROM SOMEWHERE OUTSIDE I HEAR THE (A) STREET VENDOR (E) 

CRY, FILET GUMBO 

FROM MY WINDOW I SEE HIM, (A) GOING DOWN THE (E) STREET, AND 

HE DON'T KNOW 

THAT SHE FELL RIGHT TO SLEEP, IN THE DAMP TANGLED SHEETS, SO 

SOON 

AFTER LOVE IN THE (B7) HOT AFTER(E)NOON 

(CHORUS) NOW THE (B7) BOURBON STREET LADY (A) SLEEPS LIKE A (E) 

BABY, IN THE SHADOWS 

SHE WAS (B7) NEARER TO ME, (A) FULL OF MYSTE(E)RY, BUT NOW I 

KNOW 

THAT SHE'S JUST A GIRL, AND I'M JUST A GUY, IN A ROOM 

FOR LOVE, IN THE (B7) HOT AFTER(E)NOON 

WE GOT HIGH IN THE PARK THIS MORNING, AND WE SAT, WITHOUT 

TALKING 

THEN WE CAME BACK HERE, IN THE HEAT OF THE DAY, TIRED OF 

WALKING 

WHERE UNDER HER BREATH, SHE HUMMED TO HERSELF, A TUNE 

OF LOVE, IN THE HOT AFTERNOON 

(CHORUS) 

151

LUCILLE 

KENNY ROGERS 

ROGER BOWLING, HAL BYNUM 

(G) IN A BAR IN TOLEDO, ACROSS FROM THE DEPOT 

ON A BARSTOOL SHE TOOK OFF HER (D) RING 

I THOUGHT I'D GET CLOSER, SO I WALKED ON OVER 

I SAT DOWN AND ASKED HER HER (G) NAME 

WHEN THE DRINKS FINALLY HIT HER, SHE SAID I'M NO QUITTER 

BUT I FINALLY QUIT LIVING ON (C) DREAMS 

I'M (D) HUNGRY FOR LAUGHTER, AND HERE EVER AFTER 

I'M AFTER WHATEVER THE OTHER LIFE (G) BRINGS 

IN THE MIRROR I SAW HIM, AND I CAREFULLY WATCHED HIM 

I THOUGHT HOW HE LOOKED OUT OF PLACE 

HE CAME TO THE WOMAN WHO SAT THERE BESIDE ME 

HE HAD A STRANGE LOOK ON HIS FACE 

HIS BIG HANDS WERE CALLUSSED, HE LOOKED LIKE A MOUNTAIN 

AND FOR A MINUTE I THOUGHT I WAS DEAD 

BUT HE STARTED SHAKING, HIS BIG HEART WAS BREAKING 

HE TURNED TO THE WOMAN AND SAID 

(CHORUS) YOU PICKED A FINE TIME TO LEAVE ME, LU(C)CILLE 

WITH FOUR HUNGRY CHILDREN AND A CROP IN THE (G) FIELD 

(C) I'VE HAD SOME BAD TIMES, LIVED THROUGH SOME SAD TIMES 

BUT THIS TIME YOUR HURTIN' WON’T (G) HEAL 

YOU PICKED A (D) FINE TIME TO LEAVE ME LU(G)CILLE 

AFTER HE LEFT US, I ORDERED MORE WHISKY 

I THOUGHT HOW SHE'D MADE HIM LOOK SMALL 

FROM THE LIGHTS OF THE BARROOM 

TO A RENTED HOTEL ROOM 

WE WALKED WITHOUT TALKING AT ALL 

SHE WAS A BEAUTY, AND WHEN SHE CAME TO ME 

SHE MUST HAVE THOUGHT I'D LOST MY MIND 

I COULDN'T HOLD HER, 'CAUSE THE WORDS THAT HE TOLD HER 

KEPT COMING BACK TIME AFTER TIME 

(CHORUS) (CHORUS, FADE) 

152

MAKING BELIEVE 

JIM REEVES 

(G) MAKING BELIEVE, (C) THAT YOU STILL (G) LOVE ME 

IT'S LEAVING (D) ME, ALONE AND SO (G) BLUE 

I'LL ALWAYS DREAM, THOUGH (C) I'LL NEVER (G) OWN YOU 

MAKING BE(D)LIEVE, THAT'S ALL I CAN (G) DO 

I CAN'T HOLD YOU (D) CLOSE 

WHEN YOU'RE NOT (G) WITH ME 

YOU'RE SOMEBODY'S (D) LOVE 

YOU'LL NEVER BE (G) MINE 

MAKING BELIEVE, (C) I'LL SPEND MY (G) LIFETIME 

LOVING (D) YOU, JUST MAKING BE(G)LIEVE 


I'M MAKING BELIEVE, THAT I NEVER LEFT YOU 

BUT MY HAPPY HOURS, I FIND ARE SO FEW 

MY PLANS FOR THE FUTURE, WILL NEVER COME TRUE NOW 

I'M MAKING BELIEVE, WHAT ELSE CAN I DO 

I CAN'T HOLD YOU CLOSE 

DARLING, WHEN YOU'RE NOT WITH ME 

YOU'RE SOMEBODY'S LOVE 

YOU'LL NEVER BE MINE 

MAKING BELIEVE, I'LL SPEND MY LIFETIME 

LOVING YOU, JUST MAKING BELIEVE 

153

MARY ANN REGRETS 

HANK SNOW, BURL IVES 

HARLAN HOWARD 

(A) I SAVED UP MY MONEY TO BUY MY SWEETHEART SOME (E) 

FLOWERS 

FOR SATURDAY'S DATE AND I RESTLESSLY COUNTED THE (A) HOURS 

THEN TODAY IN THE MAIL I RECEIVED A SHORT LITTLE (D) NOTE 

AND I (E) BROKE DOWN AND CRIED AT THE MESSAGE THAT HER 

MOTHER (A) WROTE 

(CHORUS) MARY ANN REGRETS SHE'S UNABLE TO SEE YOU AGAIN 

WE'RE LEAVING FOR EUROPE NEXT WEEK, SHE'LL BE BUSY TILL THEN 

THEY KNOW THAT SHE LOVES ME, BUT POOR BOYS DON'T FIT IN THEIR 

PLANS 

GOODBYE TRUE LOVE, GOODBYE MY SWEET MARY ANN 

THE WEEKS HAVE GONE BY, NOT A WORD HAVE I HEARD SINCE THEN 

IN THE PAPERS I READ OF THE FARAWAY PLACES SHE'S BEEN 

I CAN'T EAT, I CAN'T SLEEP, FOR OVER AND OVER AGAIN 

MY MIND READS THAT LETTER AND I CRY FOR MY MARY ANN 

MY MARY ANN DIED, TOO SAD SHE JUST WASTED AWAY 

IF I COULD HAVE SEEN HER, I KNOW SHE'D BE LIVING TODAY 

FOR WE LOVED EACH OTHER, AND IF THEY'D HAVE LEFT US ALONE 

TODAY SHE'D BE WEARING MY RING, NOT A BLANKET OF STONE 

(CHORUS) 

154

MATAMOROS 

BILLY WALKER 

(G) IN OLD MEXICO I STAND ON THE SQUARE IN MATA(C)MOROS 

‘ROUND THE (D) PLAZA THE COUPLES ARE WALKING TO MUSIC SO (G) 

SWEET 

I FOUND MY LOVE NOT TOO LONG AGO IN MATA(C)MOROS 

BUT (D) I’M FEELING LOW AS THE BEGGAR WHO SITS IN THE (G) 

STREET 

OH, THE (C) PROMISES THAT SHE MADE ME WITH EYES BLACK AS 

MIDNIGHT 

(A) HOW COULD I KNOW HOW FICKLE HER PROMISE COULD (D) BE 

NOW (G) I’M BACK TO FIND WHAT I FEEL IS MINE IN MATA(C)MOROS 

AND (D) THERE’LL BE BAD TROUBLE IF I CATCH HER CHEATING ON (G) 

ME 

STREETS ARE NARROW AND DARK AND TEQUILA RUNS FREE IN 

MATAMOROS 

I STOP FOR ONE MOMENT OUTSIDE OF MIGUEL’S SWINGING DOOR 

MY HEART BREAKS TO HEAR THE SAME HAUNTING SOUNDS OF 

GRANADA 

SHE ONCE CALLED IT OUR SONG AND VOWED SHE’D BE MINE 

EVERMORE 

THEN A(C)CROSS THE SQUARE WITH THIS WILD YOUNG VAQUERO I 

SEE HER 

(A) LAUGHING AND DANCING AND TOSSING HER RAVEN-BLACK (D) HAIR 

FATE (G) MAY TAKE A HAND WHEN I FACE THIS MAN FROM 

MATA(C)MOROS 

FOR THE (D) LOVE OF MY WOMAN IS ONE THING THAT I’LL NEVER (G) 

SHARE 


NOW I WALK IN THE NIGHT FAR AWAY FROM THE LIGHTS OF 

MATAMOROS 

AND RECALL/ THE LAST MOMENTS/ WHEN I KNEW SHE LOVED ME 

MORE THAN LIFE 

I CAN STILL HEAR HER CRY I LOVE YOU AND I’LL PROVE IT MANANA 

155

THEN SEEING MY DANGER SHE JUMPED IN FRONT OF HIS KNIFE 

I KNOW OF THE STORIES THEY’LL TELL IN THE DIM-LIT CASINOS 

OF THE RAVEN-HAIRED BEAUTY WHO FOR HER LOVE LAY DEAD ON 

THE FLOOR 

THEY’LL SPEAK OF THE FIGHT WITH THE GRINGO THAT NIGHT IN 

MATAMOROS 

AND WONDER WHAT HAPPENED, FOR HE NEVER RETURNED ANYMORE, 

OH, OH, OH 

156

ME AND BOBBY MCGEE 

KRIS KRISTOFFERSON, GORDON LIGHTFOOT 

KRIS KRISTOFFERSON, FRED FOSTER 

(A) BUSTED FLAT IN BATON ROUGE, HEADED FOR THE TRAIN 

FEELING NEARLY FADED AS MY (E) JEANS 

BOBBY THUMBED A DIESEL DOWN, JUST BEFORE IT RAINED 

TOOK US ALL THE WAY TO NEW OR(A)LEANS 

I TOOK MY HARPOON OUT OF MY DIRTY RED BANDANA 

AND WAS BLOWING SAD WHILE BOBBY SANG THE (D) BLUES 

WITH THEM WINDSHIELD WIPERS SLAPPIN’ TIME 

AND (A) BOBBY CLAPPING HANDS WE FIN- 

‘LY (E) SANG UP EVERY SONG THAT DRIVER (A) KNEW 

(D) FREEDOM’S JUST ANOTHER WORD FOR (A) NOTHING LEFT TO LOSE 

(E) NOTHING AIN’T WORTH NOTHING BUT IT’S (A) FREE 

AW BUT (D) FEELING GOOD WAS EASY LORD 

WHEN (A) BOBBY SANG THE BLUES 

(E) FEELING GOOD WAS GOOD ENOUGH FOR ME 

GOOD ENOUGH FOR ME AND BOBBY MC(A)GEE 

FROM THE COAL MINES OF KENTUCKY TO THE CALIFORNIA SUN 

BOBBY SHARED THE SECRETS OF MY SOUL 

STANDING RIGHT BESIDE ME LORD THROUGH EVERYTHING I DONE 

EVERY NIGHT SHE KEPT ME FROM THE COLD 

BUT SOMEWHERE NEAR SALINAS LORD, I LET HER SLIP AWAY 

SEARCHING FOR THE HOME I HOPE SHE’LL FIND 

I’D TRADE ALL OF MY TOMORROWS FOR A SINGLE YESTERDAY 

HOLDING BOBBY’S BODY NEXT TO MINE 

FREEDOM’S JUST ANOTHER WORD FOR NOTHING LEFT TO LOSE 

AND NOTHING LEFT IS ALL SHE LEFT FOR ME 

AW BUT FEELING GOOD WAS EASY LORD 

WHEN BOBBY SANG THE BLUES 

BUDDY THAT WAS GOOD ENOUGH FOR ME 

GOOD ENOUGH FOR ME AND BOBBY MCGEE 

NA-NA-NA-NA-NA-NA-NA-NA-NA-NA-NA-NA-NA-NA-NA… 

157

MEMORIES ARE MADE OF THIS 

DEAN MARTIN 

(ACCOMP. – REPEAT THIS AS BACKGROUND IN EVERY LINE FOR THE 

2 ND , 3 RD , AND 4 TH VERSES) 

(D) SWEET SWEET, THE (A) MEMORIES YOU GAVE TO ME 

(D) YOU CAN’T BEAT THE (A) MEMORIES YOU GAVE TO ME 

(D) TAKE ONE (A) FRESH AND TENDER (D) KISS 

ADD ONE (A) STOLEN NIGHT OF (D) BLISS 

(G) ONE GIRL, (D) ONE BOY, (A) SOME GRIEF, (D) SOME JOY 

MEMO(A)RIES ARE MADE OF (D) THIS 

DON’T FORGET A SMALL MOONBEAM 

FOLD IT LIGHTLY WITH A DREAM 

YOUR LIPS, AND MINE, TWO SIPS, OF WINE 


(G) THEN HAVE THE WEDDING VOWS 

(D) ONE HOUSE WHERE LOVERS DWELL 

(A) THREE LITTLE KIDS FOR THE (D) FLAVOR 

(G) STIR CAREFULLY THROUGH THE DAYS 

(D) SEE HOW THE FLAVOR STAYS 

(E) THESE ARE THE DREAMS WE WILL (A) SAVOR 

(D) WITH HIS BLESSINGS FROM ABOVE 

SERVE IT GENEROUSLY WITH LOVE 

ONE MAN, ONE WIFE, ONE LOVE, THROUGH LIFE 



158

MOM AND DAD WALTZ 

LEFTY FRIZZELL 

(A) I’D WALK FOR MILES, CRY OR (E) SMILE 

FOR MY (A) MOMMY AND (D) DADDY 

I (A) WANT THEM TO (E) KNOW, I LOVE THEM (E)SO (A) 

THAT’S HOW I FEEL, MY LOVE IS REAL 

FOR MY MOMMY AND DADDY 

I WANT THEM TO KNOW I LOVE THEM SO 

(CHORUS) IN MY (E) HEART, JOY TEARS START, ‘CAUSE I’M (A) HAPPY 

AND I (E) PRAY EVERY DAY, FOR MOM AND (A) DADDY, AND EACH (E) 

NIGHT 

I’D WALK FOR (A) MILES, CRY OR (E) SMILE 

FOR MY (A) MOMMY AND (D) DADDY 

‘CAUSE I (A) WANT THEM TO (E) KNOW I LOVE THEM (A) SO 

I’D FIGHT IN WARS, DO ALL THE CHORES 

FOR MY MOMMY AND DADDY 

I WANT THEM TO LIVE UNTIL THEY’RE CALLED 

I’D WORK AND SLAVE, AND NEVER LEAVE 

MY MOMMY AND DADDY 

BECAUSE I KNOW THAT I OWE THEM MY ALL (CHORUS) 

159

MORE AND MORE 

WEBB PIERCE 

(A) MORE AND MORE, I’M FORGETTIN’ THE (D) PAST 

(E) MORE AND MORE, I’M LIVING AT (A) LAST 

DAY BY DAY, I’M LOSING MY (D) BLUES 

MORE AND (A) MORE, I’M FOR(E)GETTIN’ ‘BOUT (A) YOU 

BUT, OH HOW I (E) TRIED, TO KEEP YOU BY MY (A) SIDE 

AND, OH HOW I (E) CRIED, THE DAY YOU SAID GOOD(A)BYE 

DAY BY DAY, I’M LOSING MY (D) BLUES 

MORE AND (A) MORE, I’M FOR(E)GETTIN’ ‘BOUT (A) YOU 

160

MORNING HAS BROKEN 

ROGER WHITTAKER 

WORDS BY ELEANOR FARJEON, TRADITIONAL GAELIC MELODY 

(C) MORNING HAS (Am) BRO(D)KEN, (G) LIKE THE FIRST (F) MORN(C)ING 

BLACKBIRD HAS (Em) SPO(F)KEN, (C) LIKE THE FIRST (Dm7) BIRD (G) 

(C) PRAISE FOR THE (Am) SING(F)ING, (C) PRAISE FOR THE (Am) 

MORN(Fm6)ING 

(C) PRAISE FOR THEIR (Em) SPRING(F)ING, (G7) FRESH FROM THE (C) 

WORLD 

SWEET THE RAIN’S NEW FALL, SUNKIST FROM HEAVEN 

LIKE THE FIRST DEWFALL, ON THE FIRST GRASS 

PRAISE FOR THE SWEETNESS, OF THE WET GARDEN 

SPRUNG IN COMPLETENESS, WHERE HIS FEET PASS 

MINE IS THE SUNLIGHT, MINE IS THE MORNING 

BORN OF THE WARM LIGHT, EDEN SOFT LAY 

PRAISE WITH ELATION, PRAISE EVERY MORNING 

GOD’S RECREATION, OF THE NEW DAY 


161

MOUNTAIN OF LOVE 

CHARLIE PRIDE 

HAROLD DORMAN 

(A) STANDING ON A MOUNTAIN LOOKING DOWN ON A CITY 

THE WAY I FEEL IS A DOG-GONE PITY 

(D9) TEARDROPS ARE FALLIN' DOWN THE MOUNTAINSIDE 

(A) MANY TIMES I'VE BEEN HERE AND MANY TIMES I CRIED 

WE (E7) USED TO BE SO HAPPY, (D) WHEN WE WERE IN LOVE 

(A) HIGH ON A (E7) MOUNTAIN OF (A) LOVE 

NIGHT AFTER NIGHT I BEEN STANDING HERE ALONE 

WEEPING MY HEART OUT TILL COLD GREY DAWN 

PRAYIN' THAT YOU'RE LONELY AND YOU’LL COME HERE TOO 

HOPIN' JUST BY CHANCE THAT I'LL GET A GLIMPSE OF YOU 

TRYIN' HARD TO FIND YOU, SOMEWHERE ABOVE 

HIGH ON A MOUNTAIN OF LOVE 

(BRIDGE) (D) MOUNTAIN OF LOVE, A (Dfm) MOUNTAIN OF LOVE 

(D) YOU SHOULD BE (E) ASHAMED 

(Bm OR D) YOU USED TO BE A (Dfm) MOUNTAIN OF LOVE 

BUT (D) YOU JUST CHANGED YOUR (E) NAME 

WAY DOWN BELOW THERE'S A HALF A MILLION PEOPLE 

SOMEWHERE THERE'S A CHURCH AND A BIG TALL STEEPLE 

INSIDE THE CHURCH THERE'S AN ALTAR FILLED WITH FLOWERS 

WEDDING BELLS ARE RINGING THAT SHOULD HAVE BEEN OURS 

THAT'S WHY I’M SO LONELY, HERE UP ABOVE 

HIGH ON A MOUNTAIN OF LOVE 

162

MR RECORD MAN 

WILLIE NELSON 

(G) MR RECORD MAN, I’M LOOKING FOR A SONG I HEARD TO(D)DAY 

THERE WAS SOMEONE BLUE SINGING ABOUT SOMEONE WHO WENT 

A(G)WAY 

JUST LIKE ME HIS HEART WAS YEARNING FOR A LOVE THAT USED TO 

(D) BE 

IT’S A LONELY SONG ABOUT A LONELY (C) MAN, LIKE (G) ME 

(CHORUS) THERE WAS (D) SOMETHING ABOUT A (A7) LOVE THAT DIDN’T 

(D) TREAT HIM RIGHT 

AND HE’D WAKE FROM TROUBLED (A7) SLEEP AND CRY HER (D) NAME 

AT NIGHT 

MR (G) RECORD MAN, GET THIS RECORD FOR ME WON’T YOU (D) 

PLEASE 

IT’S A LONELY SONG ABOUT A LONELY (C) MAN, LIKE (G) ME 

I WAS DRIVING DOWN THE HIGHWAY, WITH THE RADIO TURNED (D) ON 

AND THE MAN THAT I HEARD SINGING, SOUNDS SO BLUE AND ALL 

A(G)LONE 

AS I LISTENED TO HIS LONELY SONG, I WONDERED COULD IT (D) BE 

COULD THERE SOMEWHERE BY ANOTHER LONELY (C) MAN, LIKE (G) 

ME 

(CHORUS) 

163

M.T.A. 

KINGSTON TRIO 

JACQUELINE STEINER, BESS HAWES 

(SPEAKING )THESE ARE THE TIMES THAT TRY MEN'S SOULS 

IN THE COURSE OF OUR NATION'S HISTORY, THE PEOPLE OF BOSTON 

HAVE RALLIED BRAVELY WHENEVER THE RIGHTS OF MEN HAVE BEEN 

THREATENED 

TODAY, A NEW CRISIS HAS ARISEN 

THE METROPOLITAN TRANSIT AUTHORITY, BETTER KNOWN AS THE 

M.T.A., IS ATTEMPTING TO LEVEY A BURDENSOME TAX ON THE 

POPULATION IN THE FORM OF A SUBWAY FARE INCREASE 

CITIZENS, HEAR ME OUT. THIS COULD HAPPEN TO YOU. 

(D) WELL, LET ME TELL YOU THE STORY OF A (G) MAN NAMED CHARLIE 

ON A (D) TRAGIC AND FATEFUL (A) DAY 

HE PUT (D) TEN CENTS IN HIS POCKET, KISSED HIS (G) WIFE AND 

FAMILY, AND WENT TO (D) RIDE ON THE (A) M.T.(D)A. 

(CHORUS) WELL DID HE EVER RETURN, NO HE (G) NEVER RETURNED 

AND HIS (D) FATE IS STILL UN(A)LEARNED 

HE MAY (D) RIDE FOREVER, 'NEATH THE (G) STREETS OF BOSTON 

HE'S THE (D) MAN WHO (A) NEVER RE(D)TURNED 

CHARLIE HANDED IN HIS DIME AT THE KENDALL SQUARE STATION 

AND HE CHANGED FOR JAMAICA PLAIN 

WHEN HE GOT THERE THE CONDUCTOR TOLD HIM, ONE MORE NICKEL 

CHARLIE COULDN'T GET OFFA THAT TRAIN (CHORUS) 

NOW ALL NIGHT LONG, CHARLIE RIDES THROUGH THE STATION 

CRYING, WHAT WILL BECOME OF ME 

HOW CAN I AFFORD TO SEE MY SISTER IN CHELSEA OR MY COUSIN IN 

ROXBURY (CHORUS) 

CHARLIE'S WIFE GOES DOWN TO THE SCULLY SQUARE STATION 

EVERY DAY AT QUARTER PAST TWO 

AND THROUGH THE OPEN WINDOW SHE HANDS CHARLIE A SANDWICH 

AS THE TRAIN COMES RUMBLING THROUGH (CHORUS) 

164

NOW YOU CITIZENS OF BOSTON, DON'T YOU THINK IT'S A SCANDAL 

HOW THE PEOPLE HAVE TO PAY AND PAY 

FIGHT THE FARE INCREASE, VOTE FOR GEORGE O'BRIEN 

GET POOR CHARLIE OFF THE M.T.A. (CHORUS) 

165

MULE SKINNER BLUES (BLUE YODEL #8) 

JIMMIE RODGERS, GEORGE VAUGHN 

(G) WELL, GOOD MORNING CAPTAIN, WELL, GOOD MORNING TO YOU, 

SIR! 

DO YOU (C) NEED ANOTHER MULE SKINNER, DOWN ON YOUR NEW MUD 

(G) RUN? HA! HA! YIP! HA! 

YODELAYHEE (D) YODELAYEE (G) HEEHEE 

WELL, I'M AN OLD MULE SKINNER HA! 

FROM DOWN KENTUCKY WAY 

AN' (C) I CAN MAKE ANY MULE LISTEN 

OR I WON'T ACCEPT YOUR (G) PAY, HA HA HA HA HA! 

(YODEL) HA HA HA! 

(RECORDED:) I LIKE TO WORK, I'M ROLLING ON A DIME 

I CAN PUT MY INITIALS ON A MULE'S BEHIND 

YODELAYHEE YODELAYHEE ODELAYHEE ODELAYHEE 

WELL, HEY, HEY, (SPOKEN: LITTLE WATER BOY, COME HERE, BOY) 

BRING THAT WATER BUCKET 'ROUND HA HA HA 

IF YOU DON'T LIKE YOUR JOB, WATER BOY 

THEN YOU CAN SET THAT BUCKET DOWN HA HA HA 

(OR: PUT THAT WATER BUCKET DOWN) 

(YODEL) HA HA HA HA HA (YODEL)(YODEL) 

(RECORDED:) WORKING ON THE GOOD ROAD IS A DOLLAR AND A HALF 

A DAY 

MY GOOD GAL'S WAITING ON A SATURDAY NIGHT, JUST TO DRAW MY 

PAY 


(RECORDED:) I'M GOING TO TOWN, HONEY, WHAT'YOU WANT ME TO 

BRING YOU BACK? 

BRING A PINT OF BOOZE AND A JOHN B STETSON HAT (BRING IT TO ME, 

HONEY) 

(YODEL)(YODEL)(YODEL) 

I SMELL YOUR BREAD A-BURNING, TURN YOUR DAMPER DOWN 

IF YOU AIN'T GOT A DAMPER, GOOD GAL, TURN YOUR BREAD AROUND 

(YODEL) 

166

MULE TRAIN 

FRANKIE LAINE 

(G) HAH, HAH, MULE TRAIN, HAH, HAH 

CLIPPITY CLOPPIN' OVER HILL AND PLAIN 

SEEMS AS HOW THEY'LL NEVER STOP, CLIPPITY CLOP, CLIPPITY CLOP, 

CLIPPITY CLIPPITY CLIPPITY CLIPPITY, CLIPPITY CLOPPIN' ALONG 

THERE'S A (C) PLUG OF CHAW'N' TOBACCO FOR A (G) RANCHER IN 

CORONA 

A (C) GUITAR FOR A COWBOY (G) OUT IN ARIZONA 

A (C) DRESS OF CALICO FOR A (G) PRETTY NAVAJO 

GET ALONG, MULE, GET ALONG 

MULE TRAIN, HAH, HAH, MULE TRAIN 

CLIPPITY CLOPPIN' ALONG THE MOUNTAIN CHAIN 

SOON THEY'RE GONNA REACH THE TOP, CLIPPITY CLOP, CLIPPITY 

CLOP 


THERE'S SOME COTTON THREAD AND NEEDLES FOR THE FOLKS WAY 

OUT YONDER 

A SHOVEL FOR A MINER WHO LEFT HIS HOME TO WANDER 

SOME RHEUMATISM PILLS FOR THE SETTLERS IN THE HILLS 


MULE TRAIN, HAH, HAH, MULE TRAIN 

CLIPPITY CLOPPIN' THROUGH THE WIND AND RAIN 

THEY'LL KEEP GOING 'TILL THEY DROP CLIPPITY CLOP, CLIPPITY CLOP 


THERE'S A LETTER FULL OF SADNESS SEAMED WITH BLACK AROUND 

THE BORDER 

A PAIR OF BOOTS FOR SOMEONE WHO HAD THEM MADE TO ORDER 

A BIBLE IN THE PACK FOR THE REVEREND MR BLACK 


GET ALONG, MULE, GET ALONG, MULE TRAIN, HAH, HAH 

167

MY ARMS STAY OPEN LATE 

BILLIE JO SPEARS 

(E) THE BABY CRIES, I CAN ALMOST DIE, I’M (B7) LONESOME 

THE LATE SHOW’S GONE, AND THE COFFEE’S ON, I THINK I’LL (E) READ 

SOME 

SOMEWHERE OUT THERE, MY LOVE IS SHARED, BUT YOUR THOUGHTS 

ARE FAR FROM (A) HOME 

BUT WHEN THE (B7) LIGHTS OF BROADWAY GO OFF 

AND EVERY (A) HONKY TONK IS CLOSED UP 

MY (B7) ARMS STAY OPEN LATE, SO YOU’LL COME (E) HOME 

WHAT YOU DO IS WRONG, BUT MY LOVE STAYS STRONG FOR YOU 

I DON’T THINK I’D CHANGE A THING AT ALL, I MIGHT LOSE YOU 

THOUGH IT’S ALMOST DAWN, AND YOU’RE STILL NOT HOME, I WAIT 

HERE PATIENTLY 

FOR THE LIGHTS TO MY LOVE NEVER GO OFF 

AND THE DOOR TO MY HEART DON’T CLOSE UP 

MY ARMS STAY OPEN LATE SO YOU’LL COME HOME 

MY ARMS STAY OPEN LATE SO YOU’LL COME HOME 

168

MY FAREWELL PARTY 

GENE WATSON 

(G) WHEN THE LAST BREATH OF LIFE, IS (C) GONE FROM MY (G) BODY 

AND MY LIPS ARE AS COLD AS THE (D) SEA 

WHEN MY (G) FRIENDS GATHER ‘ROUND FOR (C) MY FAREWELL (G) 

PARTY 

(D) WON’T YOU PRETEND YOU LOVED (G) ME 

THERE’LL BE (C) FLOWERS FROM THOSE, WHO’LL (G) CRY WHEN I’M 

GONE 

AND LEAVE YOU IN THIS OLD WORLD A(D)LONE 

I (G) KNOW YOU’LL HAVE FUN AT (C) MY FAREWELL (G) PARTY 

I (D) KNOW YOU’LL BE GLAD WHEN I’M (G) GONE 

DON’T BE ANGRY WITH ME, FOR WANTING TO LEAVE YOU 

WHEN MY LIFE IN THIS OLD WORLD IS THROUGH 

YOU’LL BE FREE AT THE END OF MY FAREWELL PARTY 

BUT I’LL GO AWAY, LOVING YOU 

THERE’LL BE FLOWERS FROM THOSE, WHO’LL CRY WHEN I’M GONE 

AND LEAVE YOU IN THIS OLD WORLD ALONE 

I KNOW YOU’LL HAVE FUN AT MY FAREWELL PARTY 

I KNOW YOU’LL BE GLAD, WHEN I’M GONE 

OH, I KNOW YOU’LL BE GLAD, WHEN I’M GONE 

169

MY HAPPINESS 

JIM REEVES 

(G) EVENING SHADOWS (C) MAKE ME BLUE 

WHEN EACH WEARY (G) DAY IS THROUGH 

HOW I LONG TO (D) BE WITH YOU 

MY HAPPI(G)NESS 

EVERY DAY I REMINISCE 

DREAMING OF YOUR TENDER KISS 

ALWAYS THINKING HOW I MISS 

MY HAPPINESS 

A (C) MILLION YEARS IT SEEMS 

HAVE GONE (G) BY SINCE WE SHARED OUR DREAMS 

BUT I’LL (D) HOLD YOU AGAIN 

THERE’LL BE (A) NO BLUE MEMORIES (D) THEN 

WHETHER SKIES ARE (C) GRAY OR BLUE 

ANYPLACE ON EARTH WILL DO 

JUST AS LONG AS I’M WITH YOU 

MY HAPPINESS 

(REPEAT LAST TWO VERSES) 

170

MY HEART IS BREAKING(?) 

(A) WELL, MY HEART IS BREAKING 

(D) WHY’D YOU HAVE TO (A) BE SO (E) BOLD 

AND MY SOUL IS ACHING 

I NEED SOMEBODY TO (A) HOLD 

DON’T KNOW WHERE I’M GOING 

BUT I (D) SURE KNOW (A) WHERE I’VE (E) BEEN 

SO WITH HEAD BOWED DOWN, I’M A-LEAVING THIS TOWN 

AND I AIN’T A-COMING BACK A(A)GAIN 

171

MY TENNESSEE MOUNTAIN HOME 

DOLLY PARTON 

(A) SITTING ON THE FRONT PORCH ON A (D) SUMMER AFTER(A)NOON 

IN A STRAIGHT-BACKED CHAIR ON (E) TWO LEGS, LEANED AGAINST 

THE (A) WALL 

WATCH THE KIDS A-PLAYING WITH (D) JUNE BUGS ON A (A) STRING 

AND CHASE THE GLOWING (E) FIREFLIES WHEN EVENING SHADOWS (A) 

FALL 

(CHORUS) IN MY TENNESSEE (D) MOUNTAIN (A) HOME 

LIFE IS AS PEACEFUL AS A (E) BABY’S (A) SIGH 

IN MY TENNESSEE (D) MOUNTAIN (A) HOME 

CRICKETS SING IN THE (E) FIELDS NEAR(A)BY 

HONEYSUCKLE VINE CLINGS TO THE FENCE ALONG THE LANE 

THEIR FRAGRANCE MAKES THE SUMMER WIND SO SWEET 

AND ON A DISTANT HILLTOP AN EAGLE SPREADS HIS WINGS 

AND A SONGBIRD ON A FENCEPOST SINGS A MELODY (CHORUS) 

WALKING HOME FROM CHURCH ON SUNDAY WITH THE ONE YOU LOVE 

JUST LAUGHING, TALKING, MAKING FUTURE PLANS 

AND WHEN THE FOLK’S AIN’T LOOKING YOU MIGHT STEAL A KISS OR 

TWO 

SITTING IN THE PORCH SWING HOLDING HANDS (CHORUS) 

172

NO ONE WILL EVER KNOW 

GENE WATSON 

M FOREE, F ROSE 

(A) NO ONE WILL EVER KNOW / (D) MY HEART IS (A) BREAKING 

AL(E)THOUGH A MILLION TEARDROPS START TO (A) FLOW 

I'LL CRY MYSELF TO SLEEP / (D) AND WAKE UP (A) SMILING 

I'LL (E) MISS YOU BUT NO ONE WILL EVER (A) KNOW 

I'LL (B7) TELL THEM WE GREW TIRED OF EACH (E) OTHER 

AND (B7) REALIZED OUR DREAMS COULD NEVER (E) BE 

I'LL (A) EVEN MAKE BELIEVE / (D) I NEVER (A) LOVED YOU 

THEN NO (E) ONE WILL EVER KNOW THE TRUTH BUT (A) ME 

NO ONE WILL EVER KNOW HOW MUCH I'M PINING 

EACH TIME THE PAST COMES BACK TO HAUNT ME SO 

NO ONE WILL EVER SEE THE TEARS I'M HIDING 

YOU'VE HURT ME BUT NO ONE WILL EVER KNOW 

I'LL TELL THEM I FOUND TRUE LOVE WITH ANOTHER 

AND I'M GLAD THE DAY YOU SET ME FREE 

I'LL EVEN MAKE BELIEVE I NEVER LOVED YOU 

THEN NO ONE WILL EVER KNOW THE TRUTH BUT ME 

173

NORTH CAROLINA (YOU'VE TAKEN ME UNDER YOUR WING) 

DALLAS FRASIER 

(CHORUS) (A) NORTH CAROLINA, YOU'VE TAKEN ME UNDER YOUR (E) 

WING 

YOUR BIG OLD SMOKY MOUNTAINS AND YOUR PINE TREES ARE 

WATCHING OVER (A) ME 

YOU'VE GIVEN ME A WOMAN WHO LOVES ME AND KEEPS ME FROM 

CHASING THOSE CALIFORNIA (E) DREAMS 

NORTH CAROLINA, YOU'VE TAKEN ME UNDER YOUR (A) WING 

YESTERDAY, HOME SWEET HOME WAS JUST ANOTHER SONG 

AND I THOUGHT THE DOOR WOULD… 

(CHORUS) (CHORUS) 

174

NOTHING I CAN DO ABOUT IT NOW 

WILLIE NELSON 

(E) I’VE GOT A LONG LIST OF REAL GOOD REASONS 

FOR ALL THE THINGS I’VE (B7) DONE 

I’VE GOT A PICTURE IN THE BACK OF MY MIND 

OF WHAT I’VE LOST AND WHAT I’VE (E) WON 

I’VE SURVIVED EVERY SITUATION 

KNOWING WHEN TO FREEZE AND WHEN TO (B7) RUN 

AND REGRET IS JUST A MEMORY WRITTEN ON MY BROW 

AND THERE’S NOTHING I CAN DO ABOUT IT (E) NOW 

I’VE GOT A WILD AND A RESTLESS SPIRIT 

I’VE GOT MY PRICE THROUGH EVERY DEAL 

I’VE SEEN THE FIRE OF A WOMAN SCORNED 

TURN HER HEART OF GOLD TO STEEL 

I’VE GOT THE SONG OF THE VOICE INSIDE ME 

SET TO THE RHYTHM OF THE WHEELS 

AND I’VE BEEN DREAMING LIKE A CHILD 

SINCE THE CRADLE BROKE THE BOUGH 

AND THERE’S NOTHING I CAN DO ABOUT IT NOW 

(A) RUNNING THROUGH THE CHANGES 

GOING THROUGH THE STAGES 

COMING ‘ROUND THE CORNERS IN MY (E) LIFE 

(B7) LEAVING IT UP TO FATE 

STAYING OUT TOO LATE 

(E) WAITING FOR THE MOON TO SAY GOOD(B7)NIGHT 

AND I COULD (E) CRY FOR THE TIME I’VE WASTED 

BUT THAT’S A WASTE OF TIME AND (B7) TEARS 

AND I KNOW JUST WHAT I’D CHANGE 

IF I WENT BACK IN TIME AGAIN 

BUT THERE’S NOTHING I CAN DO ABOUT IT (E) NOW 


I’VE (B7) FORGIVEN EVERYTHING THAT FORGIVENESS WILL ALLOW 

AND THERE'S NOTHING I CAN DO ABOUT IT (E) NOW 

175

NOT UNTIL THE NEXT TIME 

JIM REEVES 

(D) NOT UNTIL THE NEXT TIME, WILL I (A) CRY ALL NIGHT FOR YOU 

YES, (E) I'LL STOP LOVING YOU, UNTIL THE (A) NEXT TIME 

HERE I AM THE WAY YOU LEFT ME 

WITH A (E) HEART TOO FULL OF PAIN 

AS I LOOK INTO THE PAST I SEE 

THIS (A) PICTURE ONCE AGAIN 

EVERY TIME I LET IT HAPPEN 

I (E) KNOW THIS IS THE END 

AND I STOP LOVING YOU 

UNTIL THE (A) NEXT TIME 

(CHORUS) (D) NOT UNTIL THE NEXT TIME 

WILL I (A) CRY ALL NIGHT FOR YOU 

AND (E) LISTEN WHEN YOU BEG ME 

FOR A (A) CHANCE WHEN YOU'RE UNTRUE 

(D) NOT UNTIL THE NEXT TIME 

WILL MY (A) HEART LET ME FORGIVE 

YES, (E) I'LL STOP LOVING YOU 

UNTIL THE (A) NEXT TIME 

ONCE AGAIN I TAKE YOUR PICTURE 

AND PLACE IT OUT OF SIGHT 

AND I PUT AWAY THE RECORDS 

WE LISTENED TO EACH NIGHT 

I REARRANGE EACH LITTLE THING 

AS I'VE DONE SO MANY TIMES 

AND I WON'T PUT THEM BACK 

UNTIL THE NEXT TIME 

(CHORUS) 

176

NOW AND THEN THERE'S A FOOL SUCH AS I 

(A FOOL SUCH AS I) 

HANK SNOW, ELVIS PRESLEY, BOB DYLAN 

BILL TRADER 

(G) PARDON ME IF I’M (B7) SENTIMENTAL (C) WHEN WE SAY 

GOOD(G)BYE 

DON’T BE ANGRY WITH (A) ME (A7) SHOULD I (D) CRY (D7) 

WHEN YOU’RE (G) GONE YET I'LL (B7) DREAM A LITTLE (C) DREAM AS 

YEARS GO (G) BY 

(C) NOW AND (G) THEN THERE’S A (D) FOOL (D7) SUCH AS (G) I (G7) 

(CHORUS) NOW AND (C) THEN THERE’S A FOOL SUCH AS I (G) AM (C) 

OVER (G) YOU 

YOU (D) TAUGHT ME HOW TO (A7) LOVE AND NOW 

YOU (D) SAY THAT WE ARE (D7) THROUGH 

I’M A (G) FOOL BUT I’LL (B7) LOVE YOU DEAR UN(C)TIL THE DAY I (G) DIE 

(C) NOW AND (G) THEN THERE’S A (D) FOOL (D7) SUCH AS (G) I 


(CHORUS) + REPEAT LAST LINE, FADE 

177

OCCASIONAL WIFE 

FARON YOUNG 

(CHORUS) (D) IF OUR LIFE’S WORTH LIVING TOGETHER THEN WHY LET 

IT (G) GO 

IF (A) OUR LOVE’S WORTH SAVING, IT NEEDS SOME ATTENTION TO (D) 

GROW 

IT NEEDS MORE THAN JUST AN OCCASIONAL PIECE OF YOUR (G) LIFE 

A (A) HOME JUST CAN’T STAND WHEN IT HAS AN OCCASIONAL (D) WIFE 

THE NAME OF THE GAME YOU’RE (G) PLAYING MUST BE 

(A) SEE JUST HOW FAR YOU CAN (D) GO 

BUT CAN’T YOU SEE WHAT IT’S (G) DOING TO ME 

AND THE (A) WORLD WE BOTH USED TO (D) KNOW 

(CHORUS), PLUS 

A (A) HOME JUST CAN’T STAND WHEN IT HAS AN OCCASIONAL (D) WIFE 

178

OH BABY MINE 

PAT BALLARD 

(A) OH BABY MINE 

I GET SO LONELY WHEN I (E) DREAM ABOUT YOU 

CAN’T DO WITHOUT YOU, (A) THAT’S WHY I DREAM ABOUT YOU 

IF I COULD ONLY PUT MY (E) ARMS AROUND YOU 

LIFE WOULD BE SO (A) FAIR 

IF YOU WERE THERE / 

WE COULD HUG AND KISS AND NEVER TIRE 

I’M ON FIRE, YOU ARE MY ONE DESIRE 

I GET SO LONELY WHEN I DREAM ABOUT YOU 

WHY CAN’T YOU BE THERE 

(CHORUS) (D) TOSSING AND TURNING IN MY SLUMBER, (A) HOLDING 

YOU IT SEEMS 

(D) I GIVE YOU KISSES WITHOUT NUMBER, BUT (E) ONLY IN MY DREAMS 

OH BABY MINE 

I GET SO LONELY WHEN I DREAM ABOUT YOU 

CAN’T DO WITHOUT YOU, THAT’S WHY I DREAM ABOUT YOU 

IF I COULD ONLY PUT MY ARMS AROUND YOU 

LIFE WOULD BE SO FAIR 

179

OH LONESOME ME 

DON GIBSON 

(A) EVERYBODY’S GOING OUT AND (E) HAVING FUN 

I’M JUST A FOOL, FOR STAYING HOME AND (A) HAVING NONE 

I CAN’T GET OVER HOW SHE SET ME (D) FREE 

(E) OH, LONESOME (A) ME 

A BAD MISTAKE I’M MAKING BY JUST HANGING’ ‘ROUND 

I KNOW THAT I SHOULD HAVE SOME FUN AND PAINT THE TOWN 

A LOVESICK FOOL THAT’S BLIND AND JUST CAN’T SEE 

OH, LONESOME ME 

I’LL (E) BET SHE’S NOT LIKE ME, SHE’S OUT AND FANCY FREE 

FLIRTIN’ WITH THE BOYS WITH ALL HER CHARMS 

BUT I STILL LOVE HER SO, AND BROTHER DON’T YOU KNOW 

I’D WELCOME HER RIGHT BACK HERE IN MY (A) ARMS 

WELL THERE MUST BE SOME WAY I CAN LOSE THESE LONESOME 

BLUES 

FORGET ABOUT THE PAST AND FIND SOMEBODY NEW 

I’VE THOUGHT OF EVERYTHING FROM A TO Z 



Don Gibson died in 2003, at age 75, in Nashville, Tennessee. He wrote two of 

his most famous songs, Oh, Lonesome Me, and I Can’t Stop Loving You, a Ray 

Charles hit in 1962, on the day his television and vacuum cleaner were 

repossessed. “When I wrote those songs, I couldn’t have been any closer to 

bottom,” he said. (Obituary in Time, Dec. 1, 2003). 

180

OKIE FROM MUSKOGEE 

MERLE HAGGARD 

MERLE HAGGARD, ROY EDWARD BURRIS 

(A) WE DON’T SMOKE MARIJUANA IN MUSKOGEE 

WE DON’T TAKE OUR TRIPS ON LS(E)D 

WE DON’T BURN OUR DRAFT CARDS DOWN ON MAIN STREET 

‘CAUSE WE LIKE LIVING RIGHT, AND BEING (A) FREE 

WE DON’T MAKE A PARTY OUT OF LOVING 

WE LIKE HOLDING HANDS AND PITCHING WOO 

WE DON’T LET OUR HAIR GROW LONG AND SHAGGY 

LIKE THE HIPPIES OUT IN SAN FRANCISCO DO 

(CHORUS) I’M PROUD TO BE AN OKIE FROM MUSKOGEE 

A PLACE WHERE EVEN SQUARES CAN HAVE A BALL 

WE STILL WAVE OLD GLORY DOWN AT THE COURTHOUSE 

AND WHITE LIGHTNING’S STILL THE BIGGEST THRILL OF ALL 

LEATHER BOOTS ARE STILL IN STYLE FOR MANLY FOOTWEAR 

BEADS AND ROMAN SANDALS WON’T BE SEEN 

FOOTBALL’S STILL THE ROUGHEST THING ON CAMPUS 

AND THE KIDS HERE STILL RESPECT THE COLLEGE DEAN 

(CHORUS), THEN: 

IN MUS(E)KOGEE OKLAHOMA US(A)A 

181

OKLAHOMA HILLS 

JACK GUTHRIE, J GUTHRIE, W GUTHRIE 

(A) MANY MONTHS HAVE COME AND GONE 

SINCE I (D) WANDERED FROM MY HOME 

IN THOSE (E) OKLAHOMA HILLS WHERE I WAS (A) BORN 

MANY A PAGE OF LIFE HAS TURNED 

MANY A (D) LESSON I HAVE LEARNED 

BUT I (E) FEEL LIKE IN THOSE HILLS I STILL BE(A)LONG 

(CHORUS) WAY DOWN YONDER IN THE INDIAN NATION 

I (D) RIDE MY PONY ON THE RESERVATION 

IN THE (E) OKLAHOMA HILLS WHERE I WAS (A) BORN 

NOW, WAY DOWN YONDER IN THE INDIAN NATION 

A (D) COWBOY'S LIFE IS MY OCCUPATION 

IN THOSE (E) OKLAHOMA HILLS WHERE I WAS (A) BORN 


BUT AS I SIT HERE TODAY 

MANY MILES I AM AWAY 

FROM THE PLACE I RODE MY PONY THROUGH A DRAW 

WHILE THE OAK AND BLACKJACK TREES 

KISS THE PLAYFUL PRARIE BREEZE 

IN THOSE OKLAHOMA HILLS WHERE I WAS BORN (CHORUS) 

NOW AS I TURN LIFE A PAGE 

TO THE LAND OF THE GREAT OSAGE 

IN THOSE OKLAHOMA HILLS WHERE I WAS BORN 

WHILE THE BLACK OIL BLOWS AND FLOWS 

AND THE SNOW-WHITE COTTON GROWS 

IN THOSE OKLAHOMA HILLS WHERE I WAS BORN (CHORUS) 

182

OLD SHEP 

ELVIS PRESLEY, WILF CARTER 

CLYDE "RED" FOLEY 

WHEN (G) I WAS A (E7) LAD, AND OLD (A7) SHEP WAS A PUP 

OVER (D) HILL AND (D7) MEADOW WE’D (G) ROAM (STRAY) 

JUST A BOY AND HIS (E7) DOG WE WERE (A7) BOTH FULL OF LOVE 

WE (D) GREW UP TO(D7)GETHER THAT (G) WAY (G7) 

I RE(C)MEMBER THE TIME AT THE (G) OLD SWIMMING HOLE 

WHEN I WOULD HAVE DROWNED BEYOND (D7) DOUBT 

BUT OLD (G) SHEP WAS RIGHT (E7) THERE, TO THE (A7) RESCUE HE 

CAME 

HE (D) JUMPED IN AND (D7) HELPED PULL ME (G) OUT 

AS THE YEARS FAST DID (E7) ROLL, OLD (A7) SHEP HE GREW OLD 

HIS (D) EYESIGHT WAS (D7) FAST GROWING (G) DIM 

AND ONE DAY THE (E7) DOCTOR LOOKED (A7) AT ME AND SAID 

I CAN (D) DO NO (D7) MORE FOR HIM, (G) JIM (G7) 

WITH (C) HANDS THAT WERE TREMBLING I (G) PICKED UP MY GUN 

AND AIMED IT AT SHEP’S FAITHFUL (D7) HEAD 

BUT I (G) JUST COULDN’T (E7) DO IT, I (A7) WANTED TO RUN 

I (D) WISHED THEY WOULD (D7) SHOOT ME IN(G)STEAD 

I WENT TO HIS (E7) SIDE, AND (A7) SAT ON THE GROUND 

AND (D) LAY HIS OLD (D7) HEAD ON MY (G) KNEE 

I STROKED THE BEST (E7) FRIEND, THAT A (A7) MAN EVER FOUND 

I (D) CRIED SO I (D7) SCARCELY COULD (G) SEE (G7) 

OLD (C) SHEP HE KNEW HE WAS (G) GOING TO GO 

FOR HE REACHED OUT AND LICKED AT MY (D7) HAND 

HE (G) LOOKED UP AT (E7) ME JUST AS (A7) MUCH AS TO SAY 

WE'RE (D) PARTING, BUT (D7) YOU UNDER(G)STAND 

OLD SHEP HE IS (E7) GONE WHERE THE (A7) GOOD DOGGIES GO 

AND NO (D) MORE WITH OLD (D7) SHEP WILL I (G) ROAM 

BUT IF DOGS HAVE A (E7) HEAVEN, THERE’S (A7) ONE THING I KNOW 

OLD (D) SHEP HAS A (D7) WONDERFUL (G) HOME 

183

ONCE A DAY 

CONNIE SMITH 

BILL ANDERSON 

(E) WHEN YOU FOUND SOMEBODY NEW, I THOUGHT I (B7) NEVER 

WOULD 

FORGET YOU, FOR I THOUGHT THEN, I (E) NEVER COULD 

BUT TIME HAS TAKEN ALL THE PAIN A(A)WAY 

UNTIL (E) NOW, I'M DOWN TO (B7) HURTIN' ONCE A (E) DAY 

(CHORUS) ONCE A DAY, ALL DAY (A) LONG 

AND ONCE A (B7) NIGHT, FROM DUSK TILL (E) DAWN 

THE ONLY TIME, I WISH YOU WEREN'T (A) GONE 

IS ONCE A (E) DAY, (A) EVERY (E) DAY, (B7) ALL DAY (E) LONG 

I'M SO GLAD THAT I'M NOT LIKE A GIRL I KNEW ONE TIME 

SHE LOST THE ONE SHE LOVED, THEN SLOWLY LOST HER MIND 

SHE SAT AROUND AND CRIED HER LIFE AWAY 

LUCKY ME, I'M ONLY CRYING ONCE A DAY 


184

ONE DAY AT A TIME 

CHRISTY LANE, MARIE GIBSON & RICHARD LORING 

WILKIN / KRIS KRISTOFFERSON - DAVID GRESHAM 

(A) I'M ONLY HUMAN, I'M JUST A (E) WOMAN 

HELP ME BELIEVE IN WHAT I CAN BE AND ALL THAT I (A) AM 

SHOW ME THE STAIRWAY, I HAVE TO (D) CLIMB 

LORD FOR MY (A) SAKE, TEACH ME TO (E) TAKE, ONE DAY AT A (A) TIME 

(CHORUS) ONE DAY AT A (D) TIME, SWEET JESUS, THAT'S ALL I'M 

ASKING OF (A) YOU 

JUST GIVE ME THE (E) STRENGTH TO DO EVERY DAY, WHAT I HAVE TO 

(A) DO 

YESTERDAY'S (D) GONE, SWEET JESUS, AND TOMORROW MAY NEVER 

BE (A) MINE 

LORD HELP ME TO(E)DAY, SHOW ME THE WAY, ONE DAY AT A (A) TIME 

DO YOU REMEMBER, WHEN YOU WALKED AMONG MEN 

WELL, JESUS, YOU KNOW, IF YOU'RE LOOKING BELOW, IT'S WORSE 

NOW THAN THEN 

PUSHING AND SHOVING, VIOLENCE AND CRIME 

SO FOR MY SAKE, TEACH ME TO TAKE, ONE DAY AT A TIME 

(CHORUS) 

185

ON THE ROAD AGAIN 

WILLIE NELSON 

(A) ON THE ROAD AGAIN 

I JUST CAN’T WAIT TO GET ON THE ROAD AGAIN 

THE LIFE I LOVE IS MAKING (E) MUSIC WITH MY FRIENDS 

AND (D) I CAN’T WAIT TO GET (E) ON THE ROAD A(A)GAIN 

ON THE ROAD AGAIN 

GOIN’ PLACES THAT I’VE NEVER BEEN 

SEE’N THINGS THAT I MAY NEVER SEE AGAIN 

I CAN’T WAIT TO GET ON THE ROAD AGAIN 

(BRIDGE) ON THE (D) ROAD AGAIN 

LIKE BAND OF GYPSIES WE GO DOWN THE (A) HIGHWAY 

WE’RE THE (D) BEST OF FRIENDS 

INSISTING THAT THE WORLD KEEP TURNING (A) OUR WAY 

AND (E) OUR WAY 

IS ON THE ROAD AGAIN 

I JUST CAN’T WAIT TO GET ON THE ROAD AGAIN 

THE LIFE I LOVE IS MAKING MUSIC WITH MY FRIENDS 

AND I CAN’T WAIT TO GET ON THE ROAD AGAIN 

186

ON THE WINGS OF A DOVE 

FERLIN HUSKY, SIMON CRUMB 

BOB FERGUSON 

(A) WHEN TROUBLES SURROUND US, WHEN EVILS (D) COME 

THE BODY GROWS (E) WEAK, THE SPIRIT GROWS (A) NUMB 

WHEN THESE THINGS BESET US, HE DOESN’T FOR(D)GET US 

HE SENDS DOWN HIS (E) LOVE, ON THE WINGS OF A (A) DOVE 

(CHORUS) ON THE WINGS OF A SNOW WHITE DOVE 

HE SENDS HIS (D) PURE SWEET LOVE 

A SIGN FROM A(E)BOVE 

ON THE WINGS OF A (A) DOVE 

WHEN NOAH HAD DRIFTED, ON THE FLOOD MANY DAYS 

HE SEARCHED FOR LAND, IN VARIOUS WAYS 

TROUBLES HE HAD SOME, BUT HE WASN’T FORGOTTEN 

HE SENT HIM HIS LOVE, ON THE WINGS OF A DOVE (CHORUS) 

WHEN JESUS WENT DOWN, TO THE WATERS THAT DAY 

HE WAS BAPTISED, IN THE USUAL WAY 

WHEN IT WAS DONE, GOD BLESSED HIS SON 

HE SENT HIM HIS LOVE, ON THE WINGS OF A DOVE (CHORUS) 

187

PALOMA BLANCA 

GEORGE BAKER 

HANS BOUWENS, JOSE MEJIA 

(A) WHEN THE SUN SHINES / (D) ON THE (A) MOUNTAINS 

AND THE NIGHT IS / (D) ON THE (A) RUN 

IT’S A NEW DAY / (D) IT’S A (A) NEW WAY 

AND I (E) FLY UP TO THE (A) SUN 

I CAN FEEL THE / MORNING SUNLIGHT 

I CAN SMELL THE / NEW MOWN HAY 

I CAN HEAR GOD’S / VOICES CALLING 

FROM MY GOLDEN SKYLIGHT WAY 

(CHORUS) UNA PALOMA (D) BLANCA 

I’M JUST A BIRD IN THE (A) SKY 

UNA PALOMA (D) BLANCA 

OVER THE MOUNTAINS I (A) FLY 

NO ONE CAN (E) TAKE MY FREEDOM A(A)WAY 

ONCE I HAD MY SHARE OF LOSING 

ONCE THEY LOCKED ME ON A CHAIN 

YES, THEY TRIED TO BREAK MY POWER 

OH I STILL CAN FEEL THE PAIN 

(CHORUS) + NO ONE CAN TAKE MY FREEDOM AWAY 

188

PAPER ROSES 

MARIE OSMOND 

WORDS BY JANICE TORRE, MUSIC BY FRED SPIELMAN 

(G) I REALIZE THE WAY YOUR EYES DE(D7)CEIVED ME 

WITH TENDER LOOKS THAT I MISTOOK FOR (G) LOVE 

SO TAKE AWAY THE FLOWERS (G7) THAT YOU (C) GAVE ME 

AND (D7) SEND THE KIND THAT YOU REMIND ME (G) OF 

(CHORUS) PAPER (C) ROSES, (D7) PAPER (G) ROSES 

OH, HOW (Am) REAL THOSE ROSES (D7) SEEMED TO (G) BE 

BUT THEY’RE (C) ONLY (D7) IMI(G)TATION 

LIKE YOUR (Am) IMITATION (D7) LOVE FOR (G) ME 

I THOUGHT THAT YOU WOULD BE THE PERFECT LOVER 

YOU SEEMED SO FULL OF SWEETNESS AT THE START 

BUT LIKE A BIG RED ROSE THAT’S MADE OF PAPER 

THERE ISN’T ANY SWEETNESS IN YOUR HEART (CHORUS) 

189

PICK ME UP (ON YOUR WAY DOWN) 

PATSY CLINE 

(A) ONCE MY LOVE WAS (E) GOOD ENOUGH 

TRUE (D) HAPPINESS WE (A) KNEW 

THEN FAME AND FORTUNE (E) CAME YOUR WAY 

AND (D) MADE A CHANGE IN (A) YOU 

YOU'LL FIND YOUR LADDER (E) OF SUCCESS, IS (D) NOT ON SOLID (A) 

GROUND 

AND WHEN IT STARTS TO (E) TREMBLE, PICK ME UP ON YOUR WAY (A) 

DOWN 

(CHORUS) PICK ME UP WHEN DREAMS ARE SHATTERED, WHEN FALSE 

(D) FRIENDS CANNOT BE FOUND 

FOR YOU (E) KNOW I'LL STILL BE WAITING, PICK ME UP ON YOUR WAY 

(A) DOWN 


YOU'VE HIT THE TOP, BUT IT WON'T LAST 

THERE'S JUST ONE WAY TO GO 

THE WORLD YOU'VE CHOSEN IS NOT REAL 

THESE THINGS YOU'LL COME TO KNOW 

WHEN FOLKS SAY THEY DON'T KNOW YOU 

AND YOU'VE LOST YOUR FINAL ROUND 

WHEN YOU FIND THAT YOU ARE LONELY 

PICK ME UP ON YOUR WAY DOWN (CHORUS) 

190

PICK ME UP (ON YOUR WAY DOWN) 

CHARLIE WALKER 

HARLAN HOWARD 

(A) YOU WERE MINE FOR JUST A WHILE 

NOW YOU'RE (D) PUTTING ON THE STYLE 

AND YOU'VE (E) NEVER ONCE LOOKED BACK 

AT YOUR HOME ACROSS THE (A) TRACK 

YOU'RE THE GOSSIP OF THE TOWN 

BUT MY HEART CAN STILL BE FOUND 

WHERE YOU TOSSED IT ON THE GROUND 

PICK ME UP ON YOUR WAY DOWN 

(CHORUS) PICK ME UP ON YOUR WAY DOWN 

WHEN YOU'RE BLUE AND ALL ALONE 

WHEN THEIR GLAMOR STARTS TO BORE YOU 

COME ON BACK WHERE YOU BELONG 

YOU MAY BE THEIR PRIDE AND JOY 

BUT THEY'LL FIND ANOTHER TOY 

THEN THEY'LL TAKE AWAY YOUR CROWN 

PICK ME UP ON YOUR WAY DOWN 


THEY HAVE CHANGED YOUR ATTITUDE 

MADE YOU HAUGHTY AND SO RUDE 

YOUR NEW FRIENDS CAN TAKE THE BLAME 

UNDERNEATH YOU'RE STILL THE SAME 

WHEN YOU LEARN THESE THINGS ARE TRUE 

I'LL BE WAITING HERE FOR YOU 

AS YOU TUMBLE TO THE GROUND 

PICK ME UP ON YOUR WAY DOWN (CHORUS) 

191

PLAY BORN TO LOSE AGAIN 

AFTER SWEET MEMORIES, PLAY BORN TO LOSE AGAIN 

DOTTSY 

KENT ROBBINS 

AFTER (E) SWEET MEMORIES, PLAY BORN TO (A) LOSE AGAIN 

PARDON ME… I'M JUST ANOTHER (E) LONELY FOOL 

AND I KNOW THE BAND IS TIRED, IT'S HALF-PAST (A) TWO 

BUT WOULD YOU PLAY ONE LAST REQUEST FOR AN (D) OLD FRIEND 

AFTER (E) SWEET MEMORIES, PLAY BORN TO (A) LOSE AGAIN 

(CHORUS) AFTER SWEET MEMORIES, WOULD YOU PLAY (E) BORN TO 

LOSE AGAIN 

I'M (D) HERE 'MOST EVERY NIGHT, 'TILL/ THE (A) MUSIC ENDS 

I KNOW YOU KNOW MY STORY, I (D) HEAR IT NOW AND THEN 

SO AFTER (E) SWEET MEMORIES, PLAY BORN TO (A) LOSE AGAIN 

I KNOW THE WAITRESS HERE, SHE SEATS ME NEAR THE BAND 

SHE BRINGS ME SCOTCH AND SODA, AND HER EYES UNDERSTAND 

OH, YOUR HARD DAY'S NIGHT IS ENDING, BUT MINE WILL SOON BEGIN 

SO AFTER SWEET MEMORIES, PLAY BORN TO LOSE AGAIN 

(CHORUS) + YES, AFTER SWEET MEMORIES, PLAY BORN TO LOSE 

AGAIN 

192

PLEASE HELP ME I’M FALLING (IN LOVE WITH YOU) 

HANK LOCKLIN, BOBBY HELMS 

DON ROBERTSON, HAL BLAIR 

(A) PLEASE HELP ME I’M FALLING, IN (D) LOVE WITH (A) YOU 

CLOSE THE DOOR TO TEMP(D)TA(A)TION, DON’T LET ME WALK (E) 

THROUGH 

TURN AWAY FROM ME (A) DARLING, I’M BEGGING YOU (D) TO 

PLEASE HELP ME I’M (A) FALLING, IN (E) LOVE WITH (A) YOU 

I BELONG TO ANOTHER, WHOSE ARMS HAVE GROWN COLD 

BUT I PROMISED FOREVER, TO HAVE AND TO HOLD 

I CAN NEVER BE FREE DEAR, BUT WHEN I’M WITH YOU 

I KNOW THAT I’M LOSING, THE WILL TO BE TRUE 

PLEASE HELP ME I’M FALLING, AND THAT WOULD BE SIN 

CLOSE THE DOOR TO TEMPTATION, DON’T LET ME WALK IN 

FOR I MUSTN’T WANT YOU, BUT DARLING I DO 

PLEASE HELP ME I’M FALLING, IN LOVE WITH YOU 

193

RELEASE ME 

RAY PRICE, ENGLEBERT HUMPERDINCK 

EDDIE MILLER, ROBERT YOUNT, DUB WILLIAMS 

(A) PLEASE RELEASE ME LET ME (D) GO 

FOR (E) I DON’T LOVE YOU ANY(A)MORE (E) 

TO (A) WASTE OUR LIVES WOULD BE A (D) SIN 

RE(A)LEASE ME AND (E) LET ME LOVE A(A)GAIN 

I HAVE FOUND A NEW LOVE DEAR 

AND I WILL ALWAYS WANT HER NEAR 

HER LIPS ARE WARM WHILE YOURS ARE COLD 

RELEASE ME, MY DARLING, LET ME GO 

(D) PLEASE RELEASE ME, CAN’T YOU (G) SEE 

YOU’D (A) BE A FOOL TO CLING TO (D) ME (A) 

TO (D) LIVE A LIE WOULD BRING US (G) PAIN 

SO RE(D)LEASE ME, AND (A) LET ME LOVE A(D)GAIN 

194

PROMISED LAND 

FREDDY WELLER, ELVIS PRESLEY 

CHUCK BERRY 

(D) I LEFT MY HOME IN NORFOLK VIRGINIA, CALIFORNIA ON MY (G) MIND 

(A) STRADDLED THAT GREYHOUND, RODE HIM INTO RALEIGH, AND ON 

ACROSS CARO(D)LINE 

STOPPED IN CHARLOTTE, BYPASSED ROCK HILL, NEVER WAS A 

MINUTE (G) LATE 

WE WERE (A) NINETY MILES OUT OF ATLANTA BY SUNDOWN, ROLLING 

OUT OF GEORGIA (D) STATE 

HAD MOTOR TROUBLE, IT TURNED INTO A STRUGGLE, HALF WAY 

ACROSS ALABAM 

AND THE ‘HOUND BROKE DOWN AND LEFT US ALL STRANDED IN 

DOWNTOWN BIRMINGHAM 

RIGHT AWAY I BOUGHT ME A THROUGH-TRAIN TICKET, RIDING 'CROSS 

MISSISSIPPI CLEAN 

AND I WAS ON THAT MIDNIGHT FLYER OUT OF BIRMINGHAM, SMOKING 

INTO NEW ORLEANS 

SOMEBODY HELP ME GET OUT OF LOUISIANA, JUST HELP ME GET TO 

HOUSTON TOWN 

THERE ARE PEOPLE THERE WHO CARE A LITTLE 'BOUT ME, AND THEY 

WON'T A-LET THE POOR BOY DOWN 

SURE AS YOU'RE BORN, THEY BOUGHT ME A SILK SUIT, PUT LUGGAGE 

IN MY HAND 

AND I WOKE UP HIGH OVER ALBUQUERQUE ON A JET TO THE 

PROMISED LAND (INSTRUMENTAL) 

WORKING ON A T-BONE STEAK A LA CARTE, FLYING OVER TO THE 

GOLDEN STATE 

WHEN THE PILOT TOLD US THAT IN THIRTEEN MINUTES HE WOULD SET 

US AT THE TERMINAL GATE 

SWING LOW CHARIOT, COME DOWN EASY, TAXI TO THE TERMINAL 

DOME 

CUT YOUR ENGINES AND COOL YOUR WINGS AND LET ME MAKE IT TO 

THE TELEPHONE 

LOS ANGELES, GIVE ME NORFOLK VIRGINIA, TIDEWATER FOUR TEN OH 

NINE 

195

TELL THE FOLKS BACK HOME THIS IS THE PROMISED LAND CALLING 

AND THE POOR BOY'S ON THE LINE (REPEAT LAST LINE) 

(INSTRUMENTAL) + REPEAT LAST SIX LINES 

196

RAINBOWS ARE BACK IN STYLE 

SLIM WHITMAN 

D BURGESS 

(CHORUS) (A) RAINBOWS ARE (D) GETTING BACK IN (E) STYLE 

THERE'S SUNSHINE EVERYWHERE AND I'M (A) LEARNING HOW TO 

SMILE 

THE ONLY TIME IT RAINS IS TO (D) COOL THINGS FOR A WHILE 

SINCE I (E) MET YOU, I CAN'T FORGET YOU, AND RAINBOWS ARE BACK 

IN (A) STYLE 

THERE'S NOT A THING IN THIS WORLD THAT I'D RATHER DO THAN JUST 

(E) SIT AND STARE AT YOUR FACE 

YOU'RE SO PRETTY THAT YOU'VE MADE THE WORLD A (A) WHOLE LOT 

HAPPIER PLACE 

WELL LIFE'S WORTH LIVING AND THE LOVE YOU'RE GIVING HAS (D) 

MADE ME FEEL THIS WAY 

AND (E) RAINBOWS HAVE CHASED THE CLOUDS A(A)WAY (CHORUS) 

WELL YOUR NAME IS LIKE MUSIC AND I CAN'T HELP SINGING IT OVER 

AND OVER AGAIN 

THIS HAPPY FEELING HAS GOT ME THINKING IT'S HEAVEN I'M LIVING IN 

WELL THE LOVE WE SHARE PUTS MAGIC IN THE AIR AND EVERY 

DREAM COMES TRUE 

AND RAINBOWS HAVE TURNED MY SKIES TO BLUE (CHORUS) 

197

RAVISHING RUBY 

TOM T HALL 

(E) RAVISHING (B7) RUBY, SHE’S BEEN A(E)ROUND FOR A WHILE 

RAVISHING (B7) RUBY, SHE WAS A (E) TRUCK-STOP CHILD 

BORN IN THE (E7) BACK OF A RIG, SOMEWHERE (A) NEAR L A 

RAVISHING (E) RUBY, YOU POURED A (B7) LOTTA HOT COFFEE (E) IN 

YOUR DAY 

RAVISHING (B7) RUBY, BELIEVE ANY(E)THING YOU SAY 

JUST LIKE HER (B7) DADDY SAID, SAID HE’D BE (E) BACK SOME DAY 

SHE WAS (E7) JUST FOURTEEN, SHE GREW UP (A) WILD AND FREE 

AND ALL THE (E) TIME SHE’S BEEN WAITING ON (B7) HIM SHE’S BEEN 

WAITING ON (E) YOU AND ME 

(CHORUS) RAVISHING (A) RUBY, SHE SLEEPS IN A (E) BUNK OUT BACK 

HER DAYS AND (B7) NIGHTS ARE FILLED WITH DREAMS OF A MAN 

NAMED (E) SMILIN’ JACK 

THAT WAS HER (E7) DADDY’S NAME, AND THAT’S ALL SHE (A) EVER 

KNEW 

RAVISHING (E) RUBY AIN’T GOT (B7) TIME FOR GUYS LIKE (E) ME AND 

YOU 

RAVISHING (B7) RUBY, A BEAUTIFUL (E) YOUNG GIRL NOW 

RAVISHING (B7) RUBY, SHE MADE A (E) SOLEMN VOW 

WAITING ON (E7) SMILING JACK, HE’LL COME (A) ROLLING BY 

AND SHE WANTS TO (E) SEE HIM, SHE WANTS TO (B7) TOUCH HIM 

EITHER WAY, (E) DEAD OR ALIVE (CHORUS) 

198

REMEMBER ME (WHEN THE CANDLELIGHTS ARE GLEAMING) 

WILLIE NELSON 

SCOTT WISEMAN 

(A) YOU TOLD ME ONCE THAT YOU WERE (D) MINE ALONE FOR(A)EVER 

AND I WAS (E) YOURS ‘TILL THE END OF ETERNI(A)TY 

BUT ALL THOSE VOWS ARE BROKEN (D) NOW AND I WILL (A) NEVER 

BE THE (E) SAME EXCEPT IN MEMO(A)RY 

(CHORUS) REMEMBER (D) ME, WHEN THE CANDLELIGHTS ARE (A) 

GLEAMING 

REMEMBER (E) ME, AT THE CLOSE OF A LONG, LONG (A) DAY 

AND IT WOULD BE SO (D) SWEET, WHEN ALL ALONE I’M (A) DREAMING 

JUST TO KNOW YOU (E) STILL REMEMBER (A) ME 


A BRIGHTER FACE MAY TAKE MY (D) PLACE WHEN WE’RE A(A)PART, 

DEAR 

ANOTHER (E) LOVE WITH A HEART MORE BOLD AND (A) FREE 

BUT IN THE END FAIR-WEATHER (D) FRIENDS MAY BREAK YOUR (A) 

HEART, DEAR 

AND IF THEY (E) DO, SWEETHEART, REMEMBER (A) ME 


199

REMEMBER YOU’RE MINE 

PAT BOONE 

MANN - LOWE 

(A) BE FAITHFUL, DARLING, WHILE YOU’RE AWAY 

FOR WHEN IT’S SUMMER, A HEART CAN (E) STRAY 

AND THOUGH I’LL (A) MISS YOU, HAVE A WONDERFUL (D) TIME 

JUST REMEMBER (A) DARLING, RE(E)MEMBER YOU’RE (A) MINE 

IF YOU GO DANCING, AND HE HOLDS YOU TIGHT 

AND LIPS ARE TEMPTING, ON A SUMMER NIGHT 

YOUR HEART BEATS FASTER, WHEN THE STARS START TO SHINE 

JUST REMEMBER DARLING, REMEMBER YOU’RE MINE 

I’LL BE (E) LONELY, I’LL BE (A) BLUE 

BUT I (B7) PROMISE, I’LL BE (E) TRUE 

AND THOUGH I’LL (A) MISS YOU, HAVE A WONDERFUL (D) TIME 

JUST REMEMBER (A) DARLING, RE(E)MEMBER YOU'RE (A) MINE 

200

RIBBON OF DARKNESS 

MARTY ROBBINS, CONNIE SMITH 

GORDON LIGHTFOOT 

(A) RIBBON OF DARKNESS OVER (E) ME 

SINCE MY TRUE LOVE WALKED OUT THE (A) DOOR 

TEARS I NEVER HAD BE(D)FORE 

RIBBON OF (E) DARKNESS OVER (A) ME 

CLOUDS ARE GATHERING O’ER MY HEAD 

THEY CHILL THE DAY AND HIDE THE SUN 

THAT SHROUD THE NIGHT WHEN DAY IS DONE 

RIBBON OF DARKNESS OVER ME 

(E) RAIN IS FALLING ON THE (A) MEADOW 

(E) WHERE ONCE MY LOVE AND I DID (A) LIE 

(E) NOW SHE IS GONE FROM THE (A) MEADOW 

(E) MY LOVE GOODBYE 


WHERE ONCE THE WORLD WAS YOUNG AS SPRING 

WHERE FLOWERS DID BLOOM AND BIRDS DID SING 


(E) IN THIS COLD ROOM A-(A) LYING 

(E) DON’T WANT TO SEE NO ONE BUT (A) YOU 

(E) LORD I WISH I COULD BE (A) DYING 

(E) TO FORGET YOU 

HOW I WISH YOUR HEART COULD SEE 

HOW MINE JUST ACHES AND BREAKS ALL DAY 

COME ON BACK AND TAKE AWAY 

THIS RIBBON OF DARKNESS OVER ME 

201

ROOM FULL OF ROSES 

SONS OF THE PIONEERS, GEORGE MORGAN, MICKEY GILLEY 

TIM SPENCER 

(A) IF I SENT A ROSE TO YOU 

FOR EVERY TIME, YOU MADE ME BLUE 

YOU’D HAVE A ROOM FULL OF (E) ROSES 

AND IF I SENT A ROSE OF WHITE 

FOR EVERY TIME I CRIED ALL NIGHT 

YOU’D HAVE A ROOM FULL OF (A) ROSES 

AND (D) IF YOU TOOK THE PETALS 

AND YOU (A) TORE THEM ALL APART 

YOU’D BE (B7) TEARING AT THE ROSES 

THE (E) WAY YOU TORE MY HEART 

SO (A) IF SOMEDAY YOU’RE FEELING BLUE 

YOU COULD SEND SOME ROSES TOO 

WELL I DON’T WANT A ROOM FULL OF (E) ROSES 

I JUST WANT MY ARMS FULL OF (A) YOU 


202

ROSE MARIE 

NELSON EDDY, SLIM WHITMAN 

RUDOLF FREML, OTTO HORBACK, OSCAR HAMMERSTEIN II 

((C) OH ROSE, MY (D7) ROSE MA(G)RIE) 

OH ROSE MARIE I LOVE YOU 

I’M (D7) ALWAYS DREAMING (G) OF YOU 

NO (C) MATTER WHAT I DO I CAN’T FOR(D7)GET YOU 

SOME(A7)TIMES I WISH THAT I HAD NEVER (D7) MET YOU 

AND (G) YET IF I SHOULD LOSE YOU 

'TWOULD (B7) MEAN MY VERY LIFE TO (Em) ME 

OF (C) ALL THE QUEENS THAT EVER LIVED I (G) CHOOSE YOU 

TO (C) RULE ME, MY (D7) ROSE MA(G)RIE 


OF (C) ALL THE QUEENS THAT EVER LIVED I’D (G) CHOOSE YOU 

TO (C) RULE ME, MY (D7) ROSE MA(G)RIE 

OF ALL THE QUEENS THAT EVER LIVED, I’D CHOOSE YOU 

YES I’D CHOOSE YOU 

TO RULE ME, MY ROSE MARIE 

203

ROSES ARE RED 

JIM REEVES 

(A) A LONG, LONG (E) TIME AGO 

ON GRADU(A)ATION DAY 

YOU HANDED (D) ME YOUR BOOK 

I (E) SIGNED THIS (A) WAY 

(CHORUS) ROSES ARE (D) RED, MY LOVE 

VIOLETS ARE (A) BLUE 

SUGAR IS (E) SWEET, MY LOVE 

BUT NOT AS SWEET AS (A) YOU 

WE DATED THROUGH HIGH SCHOOL 

AND WHEN THE BIG DAY CAME 

I WROTE INTO YOUR BOOK 

NEXT TO MY NAME (CHORUS) 

IS THAT YOUR LITTLE GIRL 

SHE LOOKS SO MUCH LIKE YOU 

SOME DAY SOME BOY WILL WRITE 

IN HER BOOK, TOO (CHORUS) 

(D) THEN I WENT FAR AWAY 

AND (A) YOU FOUND SOMEONE NEW 

(D) I READ YOUR LETTER, DEAR 

AND (E) I WROTE BACK TO YOU 

(CHORUS, BUT LAST LINE IS: GOOD LUCK, MAY GOD BLESS YOU) 

204

SAN ANTONIO ROSE 

BOB WILLS, SONS OF THE PIONEERS 

(D) DEEP WITHIN MY HEART LIES A (G) MELODY 

A (A) SONG OF OLD SAN AN(D)TONE 

WHERE IN DREAMS I LIVE WITH A (G) MEMORY 

BE(A)NEATH THE STARS ALL A(D)LONE 

IT WAS THERE I FOUND BESIDE THE ALAMO 

ENCHANTMENT STRANGE AS THE BLUE UP ABOVE 

A MOONLIT PASS THAT ONLY SHE WOULD KNOW 

STILL HEARS MY BROKEN SONG OF LOVE 

(A) MOON IN ALL YOUR SPLENDOR, KNOW (E) ONLY MY HEART 

CALL BACK MY ROSE, ROSE OF (A) SAN ANTONE 

LIPS SO SWEET AND TENDER, LIKE (E) PETALS FALLING APART 

SPEAK ONCE AGAIN OF MY (A) LOVE, MY OWN 

BROKEN SONG, EMPTY WORDS I KNOW 

STILL LIVE IN MY HEART ALL ALONE 

FOR THAT MOONLIT PASS BY THE ALAMO 

AND ROSE, MY ROSE OF SAN ANTONE 


205

SEARCHING 

KITTY WELLS 

(A) SEARCHING, (D) I’VE SPENT A LIFETIME DARLING (A) SEARCHING 

(E) LOOKING, FOR SOMEONE JUST LIKE (A) YOU 

(A) DREAMING, (D) IN ALL MY DREAMS I DREAM THAT 

(A) SOMEDAY I’LL FIND (E) SOMEONE LIKE (A) YOU 

(D) OTHER LOVES HAVE COME MY WAY 

BUT (A) THEY WERE NOT FOR ME 

(D) TELL ME THAT YOU’RE HERE TO STAY 

DON’T (A) EVER SET ME (E) FREE 

‘CAUSE I’VE BEEN (A) SEARCHING 

(D) I’VE SPENT A LIFETIME DARLING (A) SEARCHING 

(E) LOOKING, FOR SOMEONE JUST LIKE (A) YOU 

206

SEVEN LONELY DAYS 

PATSY CLINE 

EARL SCHUMAN, ALDEN SCHUMAN, MARSHALL BROWN 

(D) SEVEN LONELY DAYS, MAKE (G) ONE LONELY (D) WEEK 

(A) SEVEN LONELY NIGHTS MAKE (G) ONE LONELY (D) ME 

EVER SINCE THE TIME YOU (G) TOLD ME WE WERE (D) THROUGH 

(A) SEVEN LONELY DAYS I (G) CRIED AND CRIED FOR (D) YOU 

OH, MY DARLING I’M CRYING, BOO HOO, HOO, (G) HOO 

THERE’S NO USE IN DE(A)NYING, I CRIED FOR (D) YOU 

IT WAS YOUR FAVORITE PASTIME, MAKING ME (G) BLUE 

LAST WEEK WAS THE (A) LAST TIME, I CRIED FOR (D) YOU 

SEVEN HANKIES BLUE I FILLED WITH MY TEARS 

SEVEN LETTERS TOO I FILLED WITH MY FEARS 

GUESS IT NEVER PAYS TO MAKE YOUR LOVER BLUE 

SEVEN LONELY DAYS I CRIED AND CRIED FOR YOU 

207

SHE WEARS MY RING 

HANK SNOW 

MUSIC: NARCISO SERRADEL SEVILLE (1883). SPANISH LYRICS “LA 

GOLONDRINA” (“THE SWALLOW”) BY SERRADEL. (SUNG BY NANA 

MOUSKOURI); ENGLISH LYRICS (1960) (“SHE WEARS MY RING”): 

BOUDLEAUX & FELICE BRYANT 

(A) SHE WEARS MY RING, TO SHOW THE WORLD THAT (E) SHE 

BELONGS TO ME 

SHE WEARS MY (A) RING, TO SHOW THE WORLD SHE'S (E) MINE 

ETERNALLY 

WITH LOVING (A) CARE, I PLACED IT ON HER (D) FINGER 

TO SHOW MY (A) LOVE, FOR (E) ALL THE WORLD TO (A) SEE 

THIS TINY (E) RING, IS A TOKEN OF TENDER DE(A)VOTION 

AN ENDLESS (E) POOL OF LOVE, THAT'S AS DEEP AS THE (A) OCEAN 

SHE SWEARS TO WEAR IT, WITH ETERNAL DE(D)VOTION 

THAT'S WHY I (A) SING, BE(E)CAUSE SHE WEARS MY (A) RING 


(REPEAT LAST TWO LINES) 

MEXICAN COMPOSER NARCISO SERRADEL SEVILLE (1843-1910) BORN 

IN VERACRUZ. HIS NAME ALSO APPEARS AS NARCISO SERRADEL(L) 

THE SPANISH LYRICS OF “LA GOLONDRINA” (“THE SWALLOW”) USE THE 

IMAGE OF A MIGRATING SWALLOW TO EVOKE SENTIMENTS OF 

LONGING FOR ONE'S HOMELAND. THE SONG IS ALSO KNOWN AS: THE 

MEXICAN 'HOME SWEET HOME' 

ORIGINAL RECORDED BY SEÑOR CARL FRANCISCO IN NEW YORK IN 

JUNE 1906 VICTOR 16065 

FELICE & BOUDLEAUX BRYANT PROVIDED THE ENGLISH LYRICS “SHE 

WEARS MY RING.” THE ORIGINAL VERSION WITH THESE LYRICS WAS 

RECORDED BY JIMMY BELL (1960 HICKORY). ALSO RE-RELEASED 

UNDER HIS REAL NAME OF JIMMY SWEENEY IN 1962 ON THE BUCKLEY 

LABEL. 

208

FIRST GUITAR INSTRUMENTAL OF LA GOLONDRINA WAS RECORDED BY 

CHET ATKINS IN 1955. 

A VERY INTERESTING INDO-INSTRO-ROCK VERSION WAS RECORDED 

BY (ELECTRIC JOHNNY & ) THE SKYROCKETS IN 1962 

SPANISH LYRICS: 

A DONDE IRÁ 

VELOZ Y FATIGADA 

LA GOLONDRINA 

QUE DE AQUÍ SE VA 

POR SI EN EL VIENTO 

SE HALLARA EXTRAVIADA 

BUSCANDO ABRIGO 

Y NO LO ENCONTRARA. 

JUNTO A MI LECHO 

LE PONDRÉ SU NIDO 

EN DONDE PUEDA 

LA ESTACIÓN PASAR 

TAMBIÉN YO ESTOY 

EN LA REGIÓN PERDIDO 

O CIELO SANTO! 

Y SIN PODER VOLAR. 

DEJE TAMBIÉN 

MI PATRIA IDOLATRADA 

ESA MANSIÓN 

QUE ME MIRÓ NACER 

MI VIDA ES HOY 

ERRANTE Y ANGUSTIDA 

Y YA NO PUEDO 

A MI MANSIÓN VOLVER. 

AVE QUERIDA 

AMADA PEREGRINA 

MI CORAZÓN 

AL TUYO ACERCARE 

VOY RECORDANDO 

TIERNA GOLONDRINA 

209

RECORDARE 

MI PATRIA Y LLORARE. 

210

SHUTTERS AND BOARDS 

JERRY WALLACE, DEAN MARTIN 

AUDIE MURPHY, SCOTT TURNER 

(CHORUS) (G) SHUTTERS AND BOARDS, (D) COVER THE WINDOWS 

OF THE (A) HOUSE WHERE WE USED TO (D) LIVE 

(G) ALL I HAVE LEFT, IS A (D) HEART FULL OF SORROW 

SINCE (A) SHE SAID SHE’D NEVER FOR(D)GIVE 

THE HOUSE THAT WE BUILT, WAS ONCE FILLED WITH LAUGHTER 

BUT I CHANGED THAT LAUGHTER TO TEARS 

AND NOW I LIVE IN A WORLD WITHOUT SUNSHINE 

OH, HOW I WISH YOU WERE HERE (CHORUS) 

LAST NIGHT I DREAMED THAT YOU CAME TO OUR HOUSE 

TO TAKE AN OLD BOOK FROM THE SHELF 

IF YOU’LL OPEN THE SHUTTERS, I’LL TEAR DOWN THE BOARDS 

‘CAUSE I DROVE EVERY NAIL BY MYSELF (CHORUS) 

211

SILVER BELLS 

JIM REEVES 

(G) CITY SIDEWALKS, BUSY SIDEWALKS, DRESSED IN (C) HOLIDAY 

STYLE 

IN THE (D) AIR THERE'S A FEELING OF (G) CHRISTMAS 

CHILDREN LAUGHING, PEOPLE PASSING, MEETING (C) SMILE AFTER 

SMILE 

AND ON (D) EVERY STREET CORNER YOU (G) HEAR 

(CHORUS) SILVER BELLS, SILVER (C) BELLS 

(D) IT'S CHRISTMAS TIME IN THE (G) CITY 

DING-A-LING, HEAR THEM (C) SING 

(D) SOON IT WILL BE CHRISTMAS (G) DAY 

STREAMS OF STREET LIGHTS, SEE THE STOP LIGHTS, BLINK A BRIGHT 

RED AND GREEN 

AS THE SHOPPERS RUSH HOME WITH THEIR TREASURES 

HEAR THE SNOW CRUNCH, SEE THE KID'S BUNCH, THIS IS SANTA'S BIG 

SCENE 

AND ABOVE ALL THIS BUSTLE YOU HEAR 

(CHORUS) 

212

SINGING THE BLUES 

SONNY JAMES, MARTY ROBBINS 

MELVIN ENDSLEY 

(A) WELL I NEVER FELT MORE LIKE (D) SINGING THE BLUES 

‘CAUSE (A) I NEVER THOUGHT, THAT (E) I’D EVER LOSE 

YOUR (D) LOVE DEAR 

(E) WHY’D YOU DO ME THIS (A) WAY 

WELL I NEVER FELT MORE LIKE CRYING ALL NIGHT 

‘CAUSE EVERYTHING’S WRONG AND NOTHING AIN’T RIGHT WITHOUT 

YOU 

YOU GOT ME SINGING THE BLUES 

THE (D) MOON AND STARS NO (A) LONGER SHINE 

THE (D) DREAM IS GONE I (A) THOUGHT WAS MINE 

THERE’S (D) NOTHING LEFT FOR (A) ME TO DO 

BUT CRY-Y-Y-Y, OVER (E) YOU 

WELL I NEVER FELT MORE LIKE RUNNING AWAY 

BUT WHY SHOULD I GO ‘CAUSE I COULDN’T STAY 

WITHOUT YOU 

YOU GOT ME SINGING THE BLUES 

213

SILVER THREADS AND GOLDEN NEEDLES 

LINDA RONSTADT 

DICK REYNOLDS, JACK RHODES 

(A) I DON’T WANT YOUR LONELY MANSION 

WITH A (D) TEAR IN EVERY ROOM 

ALL I (A) WANT’S THE LOVE YOU PROMISED 

BENEATH THE HALOED (E) MOON 

BUT YOU (A) THINK I SHOULD BE HAPPY 

WITH YOUR (D) MONEY AND YOUR NAME 

AND (A) HIDE MYSELF IN SORROW 

WHILE YOU (E) PLAY YOUR CHEATING (A) GAME 

SILVER (D) THREADS AND GOLDEN NEEDLES 

CANNOT (A) MEND THIS HEART OF MINE 

AND I DARE NOT DROWN MY SORROW 

IN THE WARM GLOW OF YOUR (E) WINE 

YOU CAN’T BUY MY LOVE WITH MONEY 

FOR I NEVER WAS THAT KIND 

SILVER THREADS AND GOLDEN NEEDLES 

CANNOT MEND THIS HEART OF MINE 

(REPEAT SECOND VERSE) 

214

SIX DAYS ON THE ROAD 

DAVE DUDLEY 

(G) WELL I PULLED OUT OF PITTSBURGH, (D) ROLLING DOWN THE 

EASTERN SEA(G)BOARD 

I GOT MY DIESEL WOUND UP AND SHE’S RUNNING LIKE NEVER 

BE(D)FORE 

THERE’S A (C) SPEED ZONE AHEAD, ALRIGHT, WELL I (D) DON’T SEE A 

COP IN SIGHT 

SIX (G) DAYS ON THE ROAD AND I’M (D) GONNA MAKE IT HOME 

TO(G)NIGHT 

I GOT TEN FORWARD GEARS AND A GEORGIA OVERDRIVE 

I’M TAKING LITTLE WHITE PILLS AND MY EYES ARE OPEN WIDE 

I JUST PASSED A ‘JIMMY’ AND A ‘WHITE’, BEEN PASSING EVERYTHING 

IN SIGHT 

SIX DAYS ON THE ROAD AND I’M GONNA MAKE IT HOME TONIGHT 

WELL IT SEEMS LIKE A MONTH SINCE I KISSED MY BABY GOODBYE 

I COULD HAVE A LOT OF WOMEN BUT I’M NOT LIKE SOME OTHER GUYS 

I COULD FIND ONE TO HOLD ME TIGHT, BUT I COULD NEVER MAKE 

BELIEVE IT’S ALRIGHT 


WELL THE ICC IS A-CHECKING ON DOWN THE LINE 

I’M A LITTLE OVERWEIGHT AND MY LOG BOOK’S WAY BEHIND 

OH THERE’S NOTHING BOTHERS ME TONIGHT, I CAN DODGE ALL THE 

SCALES ALRIGHT 


YOU KNOW MY RIG’S A LITTLE OLD BUT THAT SURE DON’T MEAN SHE’S 

SLOW 

THERE’S A FLAME FROM HER STACK AND THAT SMOKE’S BLOWIN’ 

BLACK AS COAL 

WELL MY HOME TOWN’S COMING IN SIGHT, IF YOU THINK I’M HAPPY 

YOU’RE RIGHT 


215

SLIPPING AROUND 

MARGARET WHITING & JIMMY WAKELY, GEORGE MORGAN & MARION 

WORTH 

FLOYD TILLMAN 

(A) SEEMS WE ALWAYS HAVE TO SLIP AROUND TO (D) BE TOGETHER 

DEAR 

(E) SLIPPING AROUND, A(A)FRAID WE MIGHT BE FOUND 

I KNOW I CAN'T FORGET YOU, AND I'VE (D) GOTTA HAVE YOU NEAR 

BUT (E) WE JUST HAVE TO SLIP AROUND AND LIVE IN CONSTANT (A) 

FEAR 

THOUGH YOU'RE (E) TIED UP WITH SOMEONE ELSE, AND (A) I'M ALL 

TIED UP TOO 

OH, I (B7) KNOW I'VE MADE MISTAKES DEAR, BUT I'M (E) SO IN LOVE 

WITH (E7) YOU 

I (A) KNOW SOMEDAY I'LL FIND A WAY TO (D) BRING YOU BACK TO ME 

AND (E) I WON'T HAVE TO SLIP AROUND TO HAVE YOUR COMPA(A)NY 



216

SLOWLY 

WEBB PIERCE 

WEBB PIERCE, TOMMY HALL 

(D) SLOWLY I’M FALLING (G) MORE IN LOVE WITH (D) YOU 

SLOWLY YOU’RE WINNING, A (E7) HEART THAT CAN BE (A) TRUE 

NOW (D) I CAN’T HIDE MY FEELINGS FOR (G) SOMEONE LIKE (D) YOU 

FOR (G) SLOWLY I’M (D) FALLING, (A) MORE IN LOVE WITH (D) YOU 

MORE AND MORE I NEED YOU, AND WANT YOU BY MY SIDE 

MORE AND MORE I LOVE YOU AS EACH DAY PASSES BY 

MY HEART I KNOW YOU’RE STEALING, I HOPE THAT YOU’LL BE TRUE 

FOR SLOWLY I’M FALLING, MORE IN LOVE WITH YOU 

217

SMOKY MOUNTAIN MEMORIES 

MEL STREET 

(CHORUS) (A) SMOKY MOUNTAIN MEMORIES, ABOUT MY HOME IN 

TENNESSEE 

(E) YESTERDAY KEEPS CALLING ME, CALLING ME HOME 

(A) MOUNTAINS RISING IN MY SOUL 

HIGHER THAN IN THE DREAMS I'VE KNOWN 

(E) MISTY-EYED THEY CLING TO ME 

MY SMOKY MOUNTAIN MEMO(A)RIES 

(BRIDGE) AN OLD GREY MAN WITH A DOG, ASLEEP AT HIS FEET 

PLAYS A (E) WORN-OUT FIDDLE FULL OF MELO(A)DIES 

HE SMILES WITH HIS EYES, BUT THE LINES IN HIS FACE 

(E) TOLD ME AS MUCH AS THE TUNES HE (A) PLAYS (CHORUS) 

TALKING ABOUT MY SMOKY MOUNTAIN MEMORIES, PRETTY GIRL IN 

TENNESSEE 

I WAS SUCH A FOOL TO LEAVE, LEAVE HER ALL ALONE 

THINK ABOUT HER IN MY DREAMS 

I WONDER IF SHE THINKS OF ME 

I ALWAYS WANT HER CLOSE TO ME 

IN MY SMOKY MOUNTAIN MEMORIES 


SO MISTER PLAY YOUR FIDDLE, PLEASE, PLAY SOME MOUNTAIN 

MEMORIES 

I'VE BEEN DOWN A LONELY ROAD, SO FAR FROM HOME 

NOTHING LEFT TO HOLD ONTO 

I MADE SOME PLANS BUT THEY FELL THROUGH 

NOW THERE'S NOTHING LEFT FOR ME 

BUT MY SMOKY MOUNTAIN MEMORIES 

(CHORUS, FADE) 

218

SOMEDAY (YOU’LL WANT ME TO WANT YOU) 

JIM REEVES, ELTON BRITT (HIS RCA RECORDING WAS ONE OF THE 

BIGGEST COUNTRY HITS OF 1946) 

WORDS AND MUSIC BY JIMMIE HODGES 

I KNOW THAT (D) SOMEDAY YOU'LL WANT ME TO (A7) WANT YOU 

WHEN I'M IN (D) LOVE WITH (D7) SOMEBODY (G) ELSE (Em) 

YOU EX(A7)PECT ME TO BE TRUE, AND (D) KEEP ON LOVING YOU 

THOUGH (E7) I AM FEELING BLUE, YOU (A7) THINK I CAN'T FORGET YOU 

UNTIL (D) SOMEDAY YOU'LL WANT ME TO (A7) WANT YOU 

WHEN I AM (D) STRONG FOR (D7) SOMEBODY (G) NEW (Em) 

AND THOUGH YOU DON'T WANT ME NOW 

(D) I'LL GET ALONG SOME(B7)HOW 

AND THEN I (E7) WON'T (A7) WANT (D) YOU (D6) 

219

SOUTH OF THE BORDER (DOWN MEXICO WAY) 

BOB WILLS, PATSY CLINE 

JIMMY KENNEDY, MICHAEL CARR 

SOUTH OF THE (G) BORDER, DOWN (D) MEXICO (G) WAY 

THAT’S WHERE I FELL IN LOVE, WHEN (D) STARS ABOVE CAME OUT TO 

PLAY 

AND NOW AS I (G) WANDER, MY THOUGHTS EVER (C) STRAY 

SOUTH OF THE (G) BORDER, DOWN (D) MEXICO (G) WAY 

SHE WAS A PICTURE, IN OLD SPANISH LACE 

JUST FOR A TENDER WHILE I KISSED THE SMILE UPON HER FACE 

FOR IT WAS FIESTA, AND WE WERE SO GAY 

SOUTH OF THE BORDER, DOWN MEXICO WAY 

THEN SHE SIGHED AS SHE WHISPERED MA(D7)NANA 

NEVER DREAMING THAT WE WERE (G) PARTING 

AND I LIED AS I WHISPERED MA(Am)NANA 

FOR THAT TO(D)MORROW (D7) NEVER (G) CAME 

SOUTH OF THE BORDER, I RODE BACK ONE DAY 

THERE IN A VEIL OF WHITE BY CANDLELIGHT SHE KNELT TO PRAY 

THE MISSION BELLS TOLD ME THAT I MUSTN’T STAY 

SOUTH OF THE BORDER, DOWN MEXICO WAY 

AY AY AY (D) AY, AY AY AY (G) AY, AY AY AY (D) AY, AY AY AY (G) AY 

220

SONNY’S DREAM 

PAUL HINES, WONDERFUL GRAND BAND 

(G) SONNY LIVES ON A FARM, ON A WIDE OPEN SPACE 

WHERE YOU TAKE OFF YOUR SNEAKERS AND (C) GIVE UP THE (G) 

RACE 

AND (D) LAY YOUR HEAD DOWN BY A SWEET RIVER BED 

BUT SONNY (C) ALWAYS REMEMBERS JUST WHAT HIS MOMMA (D) SAID 

(CHORUS) SONNY (G) DON’T GO AWAY I AM HERE ALL ALONE 

AND YOUR DADDY’S A SAILOR, WHO (C) NEVER COMES (G) HOME 

AND THE (D) NIGHTS GET SO LONG, STILL I LINGER ON 

SONNY (C) DON’T GO AWAY, I AM NOT ALL THAT (D) STRONG 

SONNY CARRIES A LOAD, THOUGH HE’S BARELY A MAN 

HE DON’T DO ALL THAT MUCH, BUT HE DOES ALL HE CAN 

AND HE WATCHES THE SEA, FROM HIS ROOM BY THE STAIRS 

AND THE WAVES COME CRASHING IN, LIKE THEY’VE DONE FOR YEARS 

IT’S A HUNDRED MILES TO TOWN, SONNY’S NEVER BEEN THERE 

BUT HE GOES TO THE HIGHWAY AND STANDS THERE AND STARES 

AND THE MAIL COMES AT FOUR, AND THE MAILMAN IS OLD 

BUT HE STILL DREAMS HIS DREAMS FILLED WITH SILVER AND GOLD 

SONNY’S DREAMS CAN’T BE REAL, THEY’RE JUST STORIES HE’S READ 

AND THE STARS IN HIS EYES ARE JUST DREAMS IN HIS HEAD 

AND HE HUNGERS INSIDE FOR THE WILD WORLD OUTSIDE 

AND I TRY TO HOLD HIM HERE, YES I’VE TRIED AND I’VE TRIED 

SONNY DON’T GO AWAY 

SONNY DON’T GO AWAY 

SONNY DON'T GO AWAY 

221

STAND BY YOUR MAN 

TAMMY WYNETTE 

BILLY SHERRILL AND TAMMY WYNETTE 

(G) SOMETIMES IT'S HARD TO BE A (D) WOMAN 

(Am) GIVING ALL YOUR (D7) LOVE TO JUST ONE (G) MAN 

(C) YOU'LL HAVE BAD TIMES, AND (G) HE'LL HAVE GOOD TIMES 

(A) DOING THINGS THAT (A7) YOU DON'T UNDER(D)STAND 

(G) BUT IF YOU LOVE HIM, YOU'LL FOR(D)GIVE HIM 

(Am) EVEN THOUGH HE'S (D7) HARD TO UNDER(G)STAND 

(C) AND IF YOU LOVE HIM, (G) BE PROUD OF HIM 

(D7) 'CAUSE AFTER ALL, HE'S JUST A (G) MAN 

(CHORUS) (G) STAND BY YOUR (B7) MAN 

(C) GIVE HIM TWO ARMS TO CLING TO 

(G) AND SOMETHING (E) WARM TO COME TO 

(A) WHEN NIGHTS ARE (D7) COLD AND LONELY 

(G) STAND BY YOUR (B7) MAN 

(C) AND TELL THE WORLD YOU LOVE HIM 

(G) KEEP GIVING (D7) ALL THE LOVE YOU (B7/E) CAN 

(C) STAND (D) BY YOUR (G) MAN 

(REPEAT LAST FOUR LINES) 

222

STEP ASIDE 

FARON YOUNG 

(A) ANGRY WORDS WERE SPOKEN AND I LEFT MY BABY IN A CLOUD OF 

(E) BLUE 

GOT INTO MY CAR AND DROVE AROUND UNTIL I SPOTTED THIS 

SA(A)LOON 

CAME INSIDE AND BOUGHT A DRINK, THEN I SAW YOU AND FELT THE 

BURNING (D) GLOW 

(E) GOT THE URGE TO HOLD YOU TIGHT, BUT IF I TRY, REFUSE ME, 

TELL ME (A) NO 

(CHORUS) STEP ASIDE IF I TRY TO GET (E) NEAR YOU 

LOCK YOUR HEART IF I START MAKING (A) TIME 

WALK AWAY IF I SAY THAT I (E) NEED YOU 

STEP ASIDE IF I STEP OUT OF (A) LINE 

BITTER IS MY FEELING FOR MY BABY AND THE THINGS SHE SAID SO 

CRUEL 

HALF OF ME SAYS CHEAT ON HER, BUT PART OF ME SAYS STOP DON’T 

BE A FOOL 

DON’T LET ME GET CLOSE TO YOU, ‘CAUSE IF I DO I WON’T BE VERY 

STRONG 

SAVE ME FROM MY CONSCIENCE AND KEEP ME FROM BEING SORRY 

LATER ON 

(CHORUS), PLUS 

STEP ASIDE IF I STEP OUT OF LINE 

223

STORMS NEVER LAST 

DOTTSY 

JESSI COLTER 

(CHORUS) (E) STORMS NEVER LAST, DO THEY (A) BABY 

(B7) BAD TIMES ALL PASS WITH THE (E) WIND 

YOUR HAND IN MINE STILLS THE (A) THUNDER 

AND (B7) YOUR LOVE MAKES THE SUN WANT TO (E) SHINE 

I'VE FOLLOWED YOU, DOWN SO MANY (A) ROADS, BABY 

I'VE (B7) PICKED WILD FLOWERS, SUNG YOU SOFT SWEET (E) SONGS 

AND EVERY ROAD YOU TOOK, I KNOW, THE (A) SEARCH WAS FOR THE 

TRUTH 

AND THE (B7) CLOUDS BREWING NOW, WON'T BE THE (E) LAST 

(CHORUS) 


(CHORUS) 


224

SUNDAY MORNING COMING DOWN 

JOHNNY CASH 

KRIS KRISTOFFERSON 

(A) WELL I WOKE UP SUNDAY MORNING, WITH NO (D) WAY TO HOLD MY 

(E) HEAD THAT DIDN’T (A) HURT 

AND THE BEER I HAD FOR BREAKFAST WASN’T (D) BAD, SO I HAD (E) 

ONE MORE FOR DESSERT 

THEN I (A) FUMBLED THROUGH MY CLOSET, THROUGH MY (D) CLOTHES 

AND FOUND MY CLEANEST DIRTY (A) SHIRT 

AND I (E) SHAVED MY FACE AND COMBED MY HAIR AND STUMBLED 

DOWN THE STAIRS TO MEET THE DAY 

WELL I (A) SMOKED MY MIND THE NIGHT BEFORE 

WITH (D) CIGARETTES AND (E) SONGS I’D BEEN (A) PICKIN’ 

BUT I LIT MY FIRST AND WATCHED A SMALL KID 

(D) CUSSIN’ AT A (E) CAN THAT HE WAS KICKIN’ 

THEN I (A) CROSSED THE EMPTY STREET, AND CAUGHT THE (D) 

SUNDAY SMELL OF SOMEONE FRYIN’ (A) CHICKEN 

THEN IT (E) TOOK ME BACK TO SOMETHING 

THAT I’D LOST SOMEHOW, SOMEWHERE ALONG THE (A) WAY 

(CHORUS) ON A SUNDAY MORNING (D) SIDEWALK, I’M WISHING LORD 

THAT I WAS (A) STONED 

‘CAUSE THERE’S SOMETHING IN A (E) SUNDAY, THAT MAKES A BODY 

FEEL A(A)LONE 

AND THERE’S NOTHING SHORT OF (D) DYING, HALF AS LONELY AS THE 

(A) SOUND 

OF A SLEEPING CITY (E) SIDEWALK, SUNDAY MORNING COMING (A) 

DOWN 

IN A (A) PARK I SAW A DADDY, WITH A (D) LAUGHING LITTLE (E) GIRL, 

THAT HE WAS (A) SWINGING 

AND I STOPPED BESIDE A SUNDAY SCHOOL, AND (D) LISTENED TO THE 

(E) SONG THAT THEY WERE SINGING 

THEN I (A) HEADED BACK FOR HOME AND SOMEWHERE (D) FAR AWAY A 

LONELY BELL WAS (A) RINGING 

AND IT (E) ECHOED THROUGH THE CANYONS 

LIKE THE DISAPPEARING DREAMS OF YESTER(A)DAY (CHORUS) 

225

SWEET DREAMS OF YOU 

FARON YOUNG, PATSY CLINE 

(A) SWEET (B7) DREAMS OF (E) YOU 

EVERY (A) NIGHT (B7) I GO (E) THROUGH 

WHY (D) CAN’T I FORGET YOU AND (A) START MY LIFE A(D)NEW 

IN(A)STEAD OF HAVING (E) SWEET DREAMS OVER (A) YOU 

YOU DON’T LOVE ME IT’S PLAIN 

I SHOULD HAVE KNOWN YOU’D NEVER WEAR MY NAME 

I SHOULD HATE YOU THE WHOLE NIGHT THROUGH 

INSTEAD OF HAVING SWEET DREAMS OVER YOU 

SWEET DREAMS OF YOU 

DREAMS I KNOW CAN’T COME TRUE 

WHY CAN’T I FORGET YOU AND START MY LIFE ANEW 

INSTEAD OF HAVING SWEET DREAMS OVER YOU 

226

SWEET LIES 

HANK SNOW 

MARTY ROBBINS 

(G) I WATCHED AS HE HELD HER AND KISSED HER GOODNIGHT 

(C) HEARD EVERY WORD AS I STOOD OUT OF SIGHT 

(D) JUST LIKE A FOOL EVERY WORD HE BELIEVED 

NOTHING BUT SWEET LIES SHE ONCE TOLD TO (G) ME 

(C) FOOL-HEARTED BOY SHOULD I TELL WHAT I KNOW 

(D) JUST HOW SHE'D WIN LOVE AND THEN LET IT GO 

(C) TOO MUCH IN LOVE AND TOO FAR GONE TO SEE 

(G) IT'S ONLY SWEET LIES SHE ONCE TOLD TO (D) ME 

(G) ONCE HE STARTS FALLING HE WON'T WANT TO STOP 

SHE'LL BUILD HIM UP HIGH AND THEN LET HIM DROP 

DOWN WITH THE OTHERS WHO NEVER COULD SEE 

IT'S ONLY SWEET LIES SHE ONCE TOLD TO ME 

(C) SHE'LL WHISPER SWEET WORDS AND MAKE HIS HEAD SPIN 

HE'LL NEVER KNOW ALL THE TROUBLE THAT HE'S IN 

TILL IT'S ALL OVER AND HE'LL SURELY SEE 

IT'S ONLY SWEET LIES SHE ONCE TOLD TO ME 

(G) OH, WHAT I'D GIVE JUST TO HEAR HER ONCE MORE 

WHISPER THE SAME THING SHE WHISPERED BEFORE 

I'M STILL IN LOVE ANY BLIND MAN CAN SEE 

I LOVE THOSE SWEET LIES SHE ONCE TOLD TO ME 

(C) HE THINKS HE'LL WIN HER 'CAUSE SHE SAYS SHE CARES 

THAT'S JUST HER GAME AND SHE WON'T PLAY IT FAIR 

SHE'LL LEAVE HIM SAD FULL OF DEEP MISERY 

WITH ALL THOSE SWEET LIES SHE ONCE TOLD TO ME 

(G) SHE COULDN'T BE TRUE IT'S SAD BUT IT'S SO 

HOW CAN SHE LOVE WITH A HEART THAT'S COLD AS STONE 

HE'S DOOMED TO HEARTACHES BUT TOO BLIND TO SEE 

NOTHING BUT SWEET LIES SHE ONCE TOLD TO ME 

227

SWEET SURRENDER 

JOHN DENVER 

(C) LOST AND ALONE ON SOME FORGOTTEN HIGHWAY 

TRAVELLED BY MANY, REMEMBERED BY (G) FEW 

LOOKING FOR SOMETHING THAT I CAN BELIEVE IN 

LOOKING FOR SOMETHING THAT I’D LIKE TO (C) DO 

WITH MY LIFE 

THERE’S NOTHING BEHIND ME AND NOTHING THAT TIES ME 

TO SOMETHING THAT MIGHT HAVE BEEN TRUE YESTER(G)DAY 

TOMORROW IS OPEN, AND RIGHT NOW IT SEEMS 

TO BE MORE THAN ENOUGH TO JUST BE HERE TO(C)DAY 

AND I DON’T KNOW WHAT THE FUTURE IS HOLDING IN STORE 

I DON’T KNOW WHERE I’M GOING, I’M NOT SURE WHERE I’VE (G) BEEN 

THERE’S A SPIRIT THAT GUIDES ME, A LIGHT THAT SHINES FOR ME 

MY LIFE IS WORTH THE LIVING, I DON’T NEED TO SEE THE (C) END 

(CHORUS) (G) SWEET, SWEET SUR(C)RENDER 

(G) LIVE, LIVE WITH(C)OUT CARE 

LIKE A (G) FISH IN THE (C) WATER 

LIKE A (G) BIRD IN THE (C) AIR (REPEAT) 

(THEN REPEAT THE ENTIRE SONG, AND REPEAT THE CHORUS 

SEVERAL TIMES, FADING AT THE END) 

228

TAKE THESE CHAINS FROM MY HEART 

HANK WILLIAMS 

(A) TAKE THESE CHAINS FROM MY HEART AND SET ME (E) FREE 

YOU’VE GROWN COLD AND NO LONGER CARE FOR (A) ME 

ALL MY FAITH IN YOU IS GONE 

BUT THE (D) HEARTACHES LINGER ON 

TAKE THESE (E) CHAINS FROM MY HEART AND SET ME (A) FREE 

GIVE MY HEART JUST A WORD OF SYMPATHY 

BE AS FAIR TO MY HEART AS YOU CAN BE 

THEN IF YOU NO LONGER CARE 

FOR THE LOVE THAT’S BEATING THERE 

TAKE THESE CHAINS FROM MY HEART AND SET ME FREE 


YOU’VE GROWN COLD AND NO LONGER CARE FOR ME 

ALL MY FAITH IN YOU IS GONE 

BUT THE HEARTACHES LINGER ON 


229

TALK BACK TREMBLING LIPS 

JOHN D LOUDERMILK 

(D) EVERYDAY OUR (G) LOVE’S A BATTLE (D) ROYAL 

DEAR, IT SEEMS THAT FIGHTING IS ALL WE (A) DO 

BUT (D) IF I LET YOU (G) KNOW HOW MUCH I (D) LOVE YOU 

YOU’LL DO THINGS TO (A) ME YOU SHOULDN’T (D) DO 

(CHORUS) SO, (G) TALK BACK TREMBLING LIPS 

SHAKY (D) LEGS DON’T JUST STAND THERE 

(A) DON’T LET HER KNOW (THAT) SHE’S GETTING THROUGH TO (D) YOU 

(G) TALK BACK TREMBLING LIPS 

BURNING (D) EYES DON’T START CRYING 

(A) HEART, DON’T LET HER KNOW THAT YOU’RE BREAKING IN (D) TWO 

EVERY TIME YOU UP AND HURT MY FEELINGS 

I PRETEND IT COULDN’T MATTER LESS 

I’M JUST HIDING ALL OF MY EMOTIONS 

BEHIND MY BROKEN HEART I GUESS 

230

T FOR TEXAS (BLUE YODEL NO. 1) 

GRANDPA JONES 


(G) T FOR TEXAS, T FOR TENNESSEE 

(C) T FOR TEXAS, T FOR TENNES(G)SEE 

(D) T FOR THELMA, THAT GAL THAT’S MADE A WRECK OUT OF (G) ME 

ODELAYHE OODE(D)LAYHE AY ODE(D)LAYHE (AFTER EVERY VERSE) 

JR: ODELAYHE AY AYHE O AYHE 

IF YOU DON’T WANT ME MOMMA, YOU SURE DON’T HAVE TO STALL 

IF YOU DON’T WANT ME MOMMA, YOU SURE DON’T HAVE TO STALL 

‘CAUSE I CAN GET MORE WOMEN 

THAN A PASSENGER TRAIN CAN HAUL 

I'M GONNA BUY ME A PISTOL, JUST AS LONG AS I’M TALL (YEAH, YEAH) 

I'M GONNA BUY ME A PISTOL, JUST AS LONG AS I’M TALL 

I’M GONNA SHOOT POOR THELMA, JUST TO SEE HER JUMP AND FALL 

I'M GOING WHERE THE WATER TASTES LIKE SHERRY WINE 

I'M GOING WHERE THE WATER TASTES LIKE SHERRY WINE 

'CAUSE THE GEORGIA WATER TASTES LIKE TURPENTINE 

I'M GONNA BUY ME A SHOTGUN, WITH A GREAT LONG SHINY BARREL 

I'M GONNA BUY ME A SHOTGUN, WITH A GREAT LONG SHINY BARREL 

GONNA SHOOT THAT ROUNDER THAT STOLE AWAY MY GAL 

I'D RATHER DRINK THE MUDDY WATER, AND SLEEP IN A HOLLOW LOG 

I'D RATHER DRINK THE MUDDY WATER, AND SLEEP IN A HOLLOW LOG 

THAN TO BE IN ATLANTA, TREATED LIKE A DIRTY DOG 

231

THANK GOD AND GREYHOUND 

ROY CLARK 

EARL NIX - LARRY KINGSTON 

(E) I’VE MADE A SMALL FORTUNE, AND YOU’VE SQUANDERED IT (A) ALL 

YOU SHAMED ME ‘TILL (E) I FEEL, ABOUT ONE INCH (B7) TALL 

BUT I (E) THOUGHT I LOVED YOU, AND I HOPED YOU WOULD (A) 

CHANGE 

SO I GRITTED MY (E) TEETH AND (B7) DIDN’T COM(E)PLAIN 

(E) NOW YOU’VE COME TO ME WITH A SIMPLE GOOD(A)BYE 

YOU TELL ME YOU’RE (E) LEAVING, BUT YOU DON’T TELL ME (B7) WHY 

NOW WE’RE (E) HERE AT THE STATION, AND YOU’RE GETTING (A) ON 

AND ALL I CAN (E) THINK OF IS… 

THANK GOD AND (B7) GREYHOUND YOU’RE (E) GONE 

(A) THANK GOD AND GREYHOUND YOU’RE GONE 

I DIDN’T KNOW HOW MUCH LONGER, I COULD GO (B7) ON 

(E) WATCHING YOU TAKE THE RESPECT OUT OF ME 

(A) WATCHING YOU MAKE A TOTAL WRECK OF (B7) ME 

THAT (E) BIG DIESEL MOTOR IS A-(A)PLAYING MY (E) SONG 

THANK GOD AND (B7) GREYHOUND YOU’RE (E) GONE 

THANK GOD AND GREYHOUND YOU’RE GONE 

THAT LOAD ON MY MIND GOT LIGHTER WHEN YOU GOT ON 

THAT SHINY OLD BUS IS A BEAUTIFUL SIGHT 

WITH THE BLACK SMOKE A-ROLLIN’ UP AROUND THE TAIL LIGHTS 

IT MAY SOUND KINDA CRUEL, BUT I’VE BEEN SILENT TOO LONG 

THANK GOD AND GREYHOUND YOU’RE GONE 

232

THAT'LL BE THE DAY 

BUDDY HOLLY 

(CHORUS) (D) WELL, (G) THAT'LL BE THE DAY, WHEN YOU SAY 

GOODBYE 

YES, (D) THAT'LL BE THE DAY, WHEN YOU MAKE ME CRY 

YOU (G) SAID YOU GONNA LEAVE, YOU KNOW IT'S A LIE 

'CAUSE (D) THAT'LL BE THE DAY (A) WHEN I (D) DIE 

YOU (G) GIVE ME ALL YOUR LOVING AND YOUR TURTLE-DOVING 

AND (D) ALL YOUR HUGS AND KISSES AND YOUR (A) MONEY (D) TOO 

WELL, (G) YOU KNOW YOU LOVE ME BABY, UNTIL YOU TELL ME MAYBE 

(A) THAT SOME DAY, WELL, I'LL BE THROUGH (CHORUS) 


(CHORUS) 

WHEN (G) CUPID SHOT HIS DART HE SHOT IT AT YOUR HEART 

SO (D) IF WE EVER PART AND (A) I LEAVE (D) YOU 

WELL, YOU (G) SAY YOU TOLD ME, AND YOU TELL ME BOLDLY 

(A) THAT SOME DAY, WELL, I'LL BE THROUGH (CHORUS) 

WELL, (G) THAT'LL BE THE DAY, , OO-OO 

WELL, (D) THAT'LL BE THE DAY, , OO-OO 

WELL, (G) THAT'LL BE THE DAY, , OO-OO 

WELL, (A) THAT'LL BE THE DAY, BUMP-BUMP-BUMP-(D)BUMP 

233

THAT’S WHAT MAKES THE JUKEBOX PLAY 

MOE BANDY 

(A) I JUST SPENT MY LAST NICKEL, TRYING TO DRIVE MY TEARS 

A(E)WAY 

TRYING TO MEND A BROKEN HEART, THAT YOU ONCE LED A(A)STRAY 

I KNOW LIFE IS FUNNY, THIS OLD WORLD IS BUILT THAT (E) WAY 

SO MANY DISAPPOINTMENTS, THAT’S WHAT MAKES THE JUKEBOX (A) 

PLAY 

EVERY TIME I SEE A NEW LOVE, I BOW MY HEAD AND PRAY 

THAT THEY’LL ALWAYS TALK THINGS OVER, AND UNDERSTAND EACH 

OTHER’S WAY 

BUT SOMETIMES IT DOESN’T HAPPEN, IT’S A FOOL LIKE ME WHO PAYS 

TO BE ALONE IN THIS OLD WORLD, THAT’S WHAT MAKES THE JUKEBOX 

PLAY 


SOME PEOPLE SEEM SO HAPPY, THEY’RE LAUGHING AND GAY 

LOVE TO THEM IS JUST A WORD, TOMORROW’S ANOTHER DAY 

MY LIFE WOULD BE SO EMPTY, FOR MY HEART WON’T LIVE THAT WAY 

ALL KINDS OF PEOPLE MAKE THIS WORLD, THAT’S WHAT MAKES THE 

JUKEBOX PLAY 

ALL KINDS OF PEOPLE MAKE THIS WORLD, THAT’S WHAT MAKES THE 

JUKEBOX PLAY 

234

THE AUCTIONEER 


LEROY VAN DYKE, BUDDY BLACK 

(SPOKEN, AS RECORDED) HEY WELL ALL RIGHT SIR, HERE WE GO 

THERE 

AND WHAT'RE YOU GONNA GIMME FOR 'EM 

I'M BID 25, WILL YOU GIMME 30 DOLLAR, 30, MAKE IT 30 

BID IT AT 30, 35, AND NOW THEN 40 MAKE IT A 40 

BID IT AT 40 NOW 5 5 5 MAKE IT A 45 AND NOW 50 

MAKE IT A 50 I GOT A BUYER THERE (FADE) 

(SPOKEN, FROM BOOK) HEY, WELL ALL RIGHT SIR, HERE WE GO THERE 

AND WHAT'RE YOU GONNA GIVE ME FOR 'EM 

I'M BID 25, WILL YA GIMME 30, MAKE IT 30 

BID IT TO BUY 'EM AT 30 DOLLARS ON 'ER WILL YA GIMME 30 

NOW 5, WHO WOULDDA BID IT AT 5, MAKE IT 5, 5 BID 

AND NOW FORTY DOLLARS ON 'ER TO BUY 'EM THERE 

(D) THERE WAS A BOY IN ARKANSAS 

WHO (G) WOULDN’T LISTEN TO HIS MA 

WHEN (A) SHE TOLD HIM THAT HE SHOULD GO TO (D) SCHOOL 

HE’D SNEAK AWAY IN THE AFTERNOON 

TAKE A (G) LITTLE WALK AND PRETTY SOON 

YOU’D (A) FIND HIM AT THE LOCAL AUCTION (D) BARN 

(G) HE’D STAND AND LISTEN CAREFULLY 

THEN (D) PRETTY SOON HE BEGAN TO SEE 

HOW THE (E) AUCTIONEER COULD TALK SO RAPID(A)LY 

HE (D) SAID "OH MY, IT’S DO OR DIE 

I’VE (G) GOT TO LEARN THAT AUCTION CRY 

GOTTA (A) MAKE MY MARK AND BE AN AUCTION(D)EER" 

25 DOLLAR BID AN' NOW 30 DOLLAR 30 

(G) WILL YOU GIMME 30? MAKE IT 30 

BI-DI-DI-BOM A 30 DOLLAR 

(A) WILL YOU GIMME 30? 

WHO-DA-DA BI-DI-DA 30 DOLLAR (D) BID? 

30 DOLLAR BID AN' NOW, 35 

(G) WILL YOU GIMME 35 

TO MAKE IT A 35, TO BI-DI-DA 35? 

235

(A) WHO WOULDA BID IT AT A 35 DOLLAR (D) BID? 

AS TIME WENT ON HE DID HIS BEST 

AND ALL COULD SEE HE DIDN’T JEST 

HE PRACTICED CALLING BIDS BOTH NIGHT AND DAY 

HIS PAP WOULD FIND HIM BEHIND THE BARN 

JUST WORKING UP AN AWFUL STORM 

AS HE TRIED TO IMITATE THE AUCTIONEER 

THEN HIS PAP SAID, “SON, WE JUST CAN’T STAND 

TO HAVE A MEDIOCRE MAN 

SELLING THINGS AT AUCTION USING OUR GOOD NAME 

I’LL SEND YOU OFF TO AUCTION SCHOOL 

THEN YOU’LL BE NOBODY’S FOOL 

YOU CAN TAKE YOUR PLACE AMONG THE BEST” 


WILL YOU GIMME 40? MAKE IT 40 


WILL YOU GIMME 30? 

WHO-DA-DA BI-DI-DA 40 DOLLAR BID? 


WILL YOU GIMME 45 


WHO WOULDA BID IT AT A 45 DOLLAR BID? 

SO FROM THAT BOY WHO WENT TO SCHOOL 

THERE GREW A MAN WHO PLAYED IT COOL 

HE CAME BACK HOME A FULL-FLEDGED AUCTIONEER 

THEN THE PEOPLE CAME FROM MILES AROUND 

JUST TO HEAR HIM MAKE THAT RHYTHMIC SOUND 

THAT FILLED THEIR HEARTS WITH SUCH A HAPPY CHEER 

THEN HIS FAME SPREAD OUT FROM SHORE TO SHORE 

HE HAD ALL HE COULD DO AND MORE 

HAD TO BUY A PLANE TO GET AROUND 

NOW HE'S THE TOPS IN ALL THE LAND 

LET'S PAUSE AND GIVE THAT MAN A HAND 

HE'S THE BEST HILLBILLY AUCTIONEER 

(or: HE'S THE BEST OF ALL THE AUCTIONEERS) 


WILL YOU GIMME 50? MAKE IT 50 

236


WILL YOU GIMME 50? 

WHO-DA-DA BI-DI-DA 50 DOLLAR BID? 


WILL YOU GIMME 55 


SOLD THAT HOG FOR A 50 DOLLAR BILL 

(SPOKEN, AS RECORDED) HEY WELL ALL RIGHT SIR 

OPEN THE GATE AND LET 'EM OUT AND WALK 'EM BOYS 

HERE WE COME A LOT OF NUMBER 29 AND WHAT'RE WE GONNA GIVE 

FOR 'EM 

I'M BID 25, WILL YOU GIVE ME 30 DOLLAR, 30, MAKE IT 30 

BID IT AT 30, AND NOW 5 AND NOW 40 DOLLAR 45 

AND NOW 50 DOLLAR 50 DOLLAR MAKE IT A 50 (FADE) 

(SPOKEN, FROM BOOK) HEY, WELL ALL RIGHT, SIR 

OPEN THE GATE AN' LET 'EM OUT AND WALK 'EM BOYS 

HERE WE COME WITH LOT NUMBER 29 IN 

WHAT'RE YOU GONNA GIVE FOR 'EM 

I'M BID 25, WIL YA GIMME 30, MAKE IT 30 

BIT IT TO BUY 'EM AT 30 DOLLARS ON 'ER 

WILL YOU GIMME 30 DOLLARS ON 'ER 

NOW FIVE, 35 AN' NOW THE 40 DOLLARS ON 'ER 

WILL YOU GIMME 40, MAKE IT 40 

NOW 5, 45 AN' NOW THE 50 DOLLARS ON 'ER 

WILL YOU GIMME 50, NOW 5, 55 

AN' NOW THE 60 DOLLARS ON 'ER 

WILL YOU GIMME 60, MAKE IT 60 

NOW 5, WHO'D A BID IT AT 60 DOLLARS ON 'ER TO BUY 'EM THERE 

237

THE BLIZZARD 

JIM REEVES, BILLY WALKER 

HARLAN HOWARD 

(C) THERE’S A BLIZZARD COMING ON, HOW I’M (F) WISHING I WERE (C) 

HOME 

FOR MY PONY’S LAME AND HE CAN’T HARDLY (G) STAND 

LISTEN (C) TO THAT NORTHER SIGH, IF WE (F) DON’T GET HOME WE’LL 

(C) DIE 

BUT IT’S (G) ONLY SEVEN MILES TO MARY (Am) ANNE 

(YES), IT’S (G7) ONLY SEVEN MILES TO MARY (C) ANNE 

YOU CAN BET WE’RE ON HER MIND, FOR IT’S NEARLY SUPPERTIME 

AND I’LL BET THERE’S HOT BISCUITS IN THE PAN 

LORD, MY HANDS FEEL LIKE THEY’RE FROZE, AND THERE’S A 

NUMBNESS IN MY TOES 

BUT IT’S ONLY FIVE MORE MILES TO MARY ANNE 

(YES,) IT’S ONLY FIVE MORE MILES TO MARY ANNE 

THAT WIND’S HOWLING AND IT SEEMS, MIGHTY LIKE A WOMAN’S 

SCREAMS 

AND WE’D BEST BE MOVING FASTER IF WE CAN 

DAN, JUST THINK ABOUT THAT BARN, WITH THAT HAY SO SOFT AND 

WARM 

FOR IT’S ONLY THREE MILES TO MARY ANNE 

(YES,) IT’S ONLY THREE MILES TO MARY ANNE 

(SPEAKING) DAN, GET UP, YOU ORNERY CUSS, OR YOU’LL (F) BE THE 

DEATH OF (C) US 

I’M SO WEARY, BUT I’LL HELP YOU IF I (G) CAN 

ALL RIGHT, (C) DAN, PERHAPS IT’S BEST THAT (F) STOP A WHILE AND 

(C) REST 

FOR IT’S (G) STILL A HUNDRED YARDS TO MARY (Am) ANNE 

(YES,) IT’S (G7) STILL A HUNDRED YARDS TO MARY (C) ANNE 

(SPEAKING) LATE THAT NIGHT THE STORM WAS GONE, AND THEY (F) 

FOUND HIM THERE AT (C) DAWN 

HE’D HAVE MADE IT, BUT HE JUST COULDN’T LEAVE OLD (G) DAN 

YES, THEY (C) FOUND HIM THERE ON THE PLAINS, (WITH) HIS (F) HANDS 

FROZE TO THE (C) REINS 

238

HE WAS (G) JUST A HUNDRED YARDS FROM MARY (Am) ANNE 

HE WAS (G7) JUST A HUNDRED YARDS FROM MARY (C) ANNE 

239

THE BLUE SIDE OF LONESOME 

JIM REEVES 

LEON PAYNE 

(G) I'M CALLING TO TELL YOU IT'S (D) OVER 

YES, DARLING, YOU'RE NOW FREE TO (G) GO 

YOU'RE SAYING YOU'RE SORRY YOU (D) HURT ME 

BUT YOU'VE HURT ME MUCH MORE THAN YOU (G) KNOW 

YOU'RE (C) ASKING ME WHERE THIS CALL (G) COMES FROM 

OH, I (D) HOPE THAT YOU (A) DON'T END UP (D) HERE 

IF YOUR (G) NEW ROMANCE TURNS OUT A (D) FAILURE 

HERE'S WHERE TO FIND ME, MY (G) DEAR 

(CHORUS) I'M JUST ON THE BLUE SIDE OF (D) LONESOME 

RIGHT NEXT TO THE HEARTBREAK HO(G)TEL 

IN A TAVERN THAT'S KNOWN AS THREE (D) TEARDROPS 

ON A BARSTOOL NOT DOING SO (G) WELL 

THE (C) HANDS ON THE CLOCK NEVER (G) ALTER 

FOR (D) THINGS NEVER (A) CHANGE IN THIS (D) PLACE 

THERE'S NO (G) PRESENT, NO PAST, NO (D) FUTURE 

WE'RE THE ONES WHO HAVE LOST IN LOVE'S (G) RACE (CHORUS) 

240

THE CHRISTMAS POLKA 

JIM REEVES 

THIS IS CHRISTMAS SEASON, SO THERE ISN'T ANY REASON 

WE CAN'T DANCE THE CHRISTMAS POLKA 

HEAR SLEIGH BELLS RINGING, EVERYBODY'S SINGING 

DANCING THE CHRISTMAS POLKA 

CHRISTMAS TREES AND HOLLY MAKE EVERYONE SO JOLLY 

AND LOVE JUST FILLS THE AIR 

IT'S A WONDERFUL WORLD FOR A BOY AND A GIRL 

WHILE DANCING THE CHRISTMAS POLKA 

THE MERRY CHRISTMAS POLKA 

LET'S DANCE, LET'S DANCE, LET'S DANCE 

EVERYONE'S SO HAPPY, THE AIR IS FILLED WITH ROMANCE 

WITH THE SWEETHEARTS KISSING AS THEY DANCE 'NEATH THE 

MISTLETOE 

IT'S A SIGHT TO BEHOLD FOR THE YOUNG AND THE OLD 

THE MERRY CHRISTMAS POLKA 


241

THE GREEN, GREEN GRASS OF HOME 

TOM JONES 

CURLY PUTNAM 

(D) THE OLD HOME TOWN LOOKS THE SAME 

AS I (G) STEP DOWN FROM THE (D) TRAIN 

AND THERE TO MEET ME, IS MY MOMMA AND MY (A) PAPA 

AND DOWN THE (D) ROAD I LOOK AND THERE RUNS MARY 

(G) HAIR OF GOLD AND LIPS LIKE CHERRIES 

IT’S (D) GOOD TO TOUCH THE (A) GREEN, GREEN GRASS OF (D) HOME 

(CHORUS) YES THEY’LL ALL COME TO MEET ME 

ARMS A-(G)REACHING, SMILING SWEETLY 

IT’S (D) GOOD TO TOUCH THE (A) GREEN, GREEN GRASS OF (D) HOME 

THE OLD HOUSE IS STILL STANDING 

THOUGH THE PAINT IS CRACKED AND DRY 

AND THERE’S THAT OLD OAK TREE THAT I USED TO PLAY ON 

DOWN THE LANE I WALK WITH MY SWEET MARY 

HAIR OF GOLD AND LIPS LIKE CHERRIES 

IT’S GOOD TO TOUCH THE GREEN, GREEN GRASS OF HOME 

THEN I AWAKE AND LOOK AROUND ME 

AT THOSE FOUR GREY WALLS THAT SURROUND ME 

AND I REALIZE THAT I WAS ONLY DREAMING 

FOR THERE’S A GUARD AND THERE’S A SAD OLD PADRE 

ARM IN ARM WE’LL WALK AT DAYBREAK 

AGAIN I’LL TOUCH THE GREEN, GREEN GRASS OF HOME 

YES, THEY’LL ALL COME TO SEE ME 

IN THE SHADE OF THAT OLD OAK TREE 

AS THEY LAY ME, ‘NEATH 

THE GREEN, GREEN GRASS OF HOME 

242

THE HANGING TREE 

FRANKIE LAINE, MARTY ROBBINS 

M DAVID - J LIVINGSTON 

(A) I CAME TO TOWN TO SEARCH FOR GOLD 

AND I BROUGHT WITH ME A (E) MEMORY 

AND I SEEMED TO (D) HEAR THE (E) NIGHT WIND (A) CRY 

GO (D) HANG YOUR DREAMS ON THE (A) HANGING TREE 

YOUR (D) DREAMS OF LOVE THAT WOULD (A) NEVER BE 

HANG YOUR (E) FADED DREAMS ON THE (A) HANGING TREE 

I SEARCHED FOR GOLD AND I FOUND MY GOLD 

AND I FOUND A GIRL WHO (E) LOVED JUST ME 

AND I WISHED THAT (D) I COULD (E) LOVE HER (A) TOO 

BUT I'D (D) LEFT MY HEART ON THE (A) HANGING TREE 

I'D (D) LEFT MY HEART WITH A (A) MEMORY 

AND A (E) FADED DREAM ON THE (A) HANGING TREE 

NOW THERE WERE MEN WHO CRAVED MY GOLD 

AND THEY MEANT TO TAKE MY (E) GOLD FROM ME 

WHEN A MAN IS (D) GONE, HE (E) NEEDS NO (A) GOLD 

SO THEY (D) CARRIED ME TO THE (A) HANGING TREE 

TO (D) JOIN MY DREAMS TO A (A) MEMORY 

YES, THEY (E) CARRIED ME TO THE (A) HANGING TREE 

TO REALLY LIVE YOU MUST ALMOST DIE 

IT HAPPENED JUST THAT (E) WAY WITH ME 

THEY TOOK THE (D) GOLD AND THEY (E) SET ME (A) FREE 

AND I (D) WALKED AWAY FROM THE (A) HANGING TREE 

I (D) WALKED AWAY FROM THE (A) HANGING TREE 

AND MY (E) OWN TRUE LOVE, OH YES, SHE (A) WALKED WITH ME 

THAT'S (D) WHEN I KNEW THAT THE (E) HANGING TREE 

WAS A (D) TREE OF LIFE, NEW (A) LIFE FOR ME 

A (D) TREE OF HOPE, NEW (A) HOPE FOR ME 

A (D) TREE OF LOVE, NEW (A) LOVE FOR ME 

THE (D) HANGING TREE, THE (E) HANGING TREE, THE (A) HANGING 

TREE 

243

THE HARDER THEY COME 

JIMMY CLIFF 

OH YEAH, WELL, OH YEAH, ALL RIGHT, ALL RIGHT 

WELL THEY TELL ME OF A PIE UP IN THE SKY 

WAITING FOR ME WHEN I DIE 

BUT BETWEEN THE DAY YOU'RE BORN AND WHEN YOU DIE 

YOU NEVER SEEM TO HEAR EVEN YOUR CRY 

SO AS SURE AS THE SUN WILL SHINE 

I'M GONNA GET MY SHARE NOW OF WHAT'S MINE 

AND THEN THE HARDER THEY COME, THE HARDER THEY'LL FALL, ONE 

AND ALL 

OO, THE HARDER THEY COME, THE HARDER THEY'LL FALL, ONE AND 

ALL 

THE OPPRESSORS ARE TRYING TO KEEP ME DOWN 

TRYING TO DRIVE ME UNDERGROUND 

AND THEY THINK THAT THEY HAVE GOT THE BATTLE WON 

I SAY FORGIVE THEM LORD THEY KNOW NOT WHAT THEY'VE DONE 

FOR AS SURE AS THE SUN WILL SHINE 

I'M GONNA GET MY SHARE NOW OF WHAT'S MINE 


AND ALL 


ALL 

OH YEAH, WELL OH YEAH, OH YEAH, OH YEAH 

AND I'LL KEEP FIGHTING FOR THE THINGS I WANT 

THOUGH I KNOW THAT WHEN YOU'RE DEAD YOU CAN'T 

BUT I'D RATHER BE A FREE MAN IN MY GRAVE 

THAN LIVING AS A PUPPET OR A SLAVE 

SO AS SURE AS THE SUN WILL SHINE 

I'M GOING TO GET MY SHARE RIGHT NOW OF WHAT'S MINE 


AND ALL 


ALL 

244

YEAH, THE HARDER THEY COME, THE HARDER THEY'LL FALL, ONE AND 

ALL 

YEAH, THE HARDER THEY COME, THE HARDER THEY'LL FALL, ONE AND 

ALL (FADE) 

245

THE HURTIN'S ALL OVER 

CONNIE SMITH 

HARLAN HOWARD 

(D) NOW THE HURTIN'S ALL (G) OVER, (A7) ALL OVER (D) ME 

A YEAR AGO TO(G)DAY I FELT LIKE (D) DYING 

AS UNLOVED AND UNWANTED AS A (A7) HEART COULD BE 

BUT (D) TIME HAS A (G) WAY OF (A7) CHANGING YESTER(D)DAY 

NOW THE HURTIN'S ALL (G) OVER, (A7) ALL OVER (D) ME 

(CHORUS) YES, THE HURTIN'S ALL (G) OVER, (A7) ALL OVER MY (D) 

BODY 

IT STARTED IN MY (A7) HEART AND IT (D) SPREAD ALL OVER (A7) ME 

FATHER (D) TIME DID HIS (G) PART, TOOK THE (A7) HURT OUT OF MY (D) 

HEART 

NOW THE HURTIN'S ALL (G) OVER, (A7) ALL OVER (D) ME 

NOW MY ARMS ACHE TO (G) HOLD YOU LIKE THEY USED TO (D) DO 

AND MY EYES ACHE FOR THE LOVE LIGHT (A7) THEY NO LONGER SEE 

HOW I (D) MISS YOUR (G) CARESS, HOW MY (A7) LIPS ACHE TO BE (D) 

KISSED 

YES, THE HURTIN'S ALL (G) OVER, (A7) ALL OVER (D) ME 

(CHORUS) + LAST LINE 

246

THE LAST CHEATER’S WALTZ 

T G SHEPPARD 

SONNY THROCKMORTON 

(G) SHE WAS GOING TO PIECES HE WALKED IN THE DOOR 

SHE (C) JUST HAD TO SEE HIM SHE CAN’T WAIT NO MORE 

TO(D)NIGHT HE’LL BE WITH HER NO MATTER THE COST 

AS THE BAND / PLAYS THE LAST / CHEATER’S (G) WALTZ 

HE TELLS HER HE LOVES HER AND THE MUSIC PLAYS ON 

HE TELLS HER HE NEEDS HER BUT SOMEONE’S AT HOME 

THE BALL GAME’S ALL OVER AND SHE KNOWS SHE’S LOST 

AS THE BAND / PLAYS THE LAST / CHEATER’S WALTZ 

(CHORUS GDCDC / DCDCG) AND O(D)O(C)O (D) DON’T THEY SOUND (C) 

LONELY 

AND (D)O(C)O(D)O (C) DON’T THEY PLAY (G) SAD 

AND O(D)O(C)O (D) THREE-QUARTER (C) ONLY 

(D) WATCH HOW HE HOLDS HER / AS THEY DANCE / TO THE LAST / 

CHEATER’S (G) WALTZ 

(INSTRUMENTAL (A WALTZ)) 

AND OOO DON’T THEY SOUND LONELY 

AND OOO DON’T THEY PLAY SAD 

AND OOO THREE-QUARTER ONLY 

WATCH HOW HE HOLDS HER AS THEY DANCE TO THE LAST CHEATER’S 

WALTZ 

(INSTRUMENTAL (A WALTZ), FADE) 

247

THE LAST THING ON MY MIND 

(A) A LESSON TOO (D) LATE FOR THE (A) LEARNING 

MADE OF (E) SAND, MADE OF (A) SAND 

IN THE WINK OF AN (D) EYE MY SOUL WAS (A) TURNING 

IN YOUR (E) HAND, IN YOUR (A) HAND 

(CHORUS) ARE YOU (E) GOING AWAY WITH NO (D) WORD OF 

FARE(A)WELL 

WILL THERE (D) BE NOT A (A) TRACE LEFT (E) BEHIND 

I (A) COULD HAVE LOVED YOU (D) BETTER 

DIDN’T (A) MEAN TO BE UNKIND 

YOU (E) KNOW THAT WAS THE LAST THING ON MY (A) MIND 

AS I WALK ALONG MY THOUGHTS ARE SLOWLY TUMBLING 

ROUND AND ROUND, ROUND AND ROUND 

UNDERNEATH MY FEET A SUBWAY IS RUMBLING, 

UNDERGROUND, UNDERGROUND (CHORUS) 

YOU’VE GOT REASONS A-PLENTY FOR GOIN’ 

THIS I KNOW, THIS I KNOW 

THE WEEDS HAVE BEEN STEADILY GROWING 

PLEASE DON’T GO, PLEASE DON’T GO (CHORUS) 

248

THE LORD KNOWS I'M DRINKING 

CAL SMITH 

BILL ANDERSON 

(G) WELL HELLO, MRS JOHNSON, YOU SELF-RIGHTEOUS WOMAN 

(C) SUNDAY SCHOOL TEACHER, WHAT BRINGS YOU OUT SLUMMING 

DO YOU RECKON THE (G) PREACHER WOULD APPROVE WHERE YOU 

(C) ARE 

STANDING HERE (G) VIS'TIN' WITH A (D) BACKSLIDING CHRISTIAN IN A 

NEIGHBORHOOD (G) BAR 

WELL, YES, THAT'S MY BOTTLE, AND YES, THAT'S MY GLASS 

AND I SEE YOU'RE EYEBALLING, THIS PRETTY YOUNG LASS 

IT AIN'T NONE OF YOUR BUSINESS, BUT YES, SHE'S WITH ME 

AND WE DON'T NEED NO SERMON, YOU SELF-RIGHTEOUS WOMAN, 

JUST LET US BE 

(CHORUS) THE LORD KNOWS I'M (C) DRINKING, AND RUNNING 

A(G)ROUND 

AND HE DON'T NEED YOUR (C) LOUD MOUTH, INFORMING THE (D) 

TOWN 

THE LORD KNOWS I'M (C) SINNING, AND SINNING AIN'T (G) RIGHT 

BUT ME AND THE (D) GOOD LORD, GONNA HAVE US A GOOD TALK, 

LATER TO(G)NIGHT 


GOODBYE, MRS JOHNSON, YOU SELF-RIGHTEOUS BITTY 

I DON'T NEED YOUR PREACHING, AND I DON'T NEED YOUR PITY 

SO GO BACK TO WHATEVER YOU HIPPOCRITES DO 

AND WHEN I TALK TO HEAVEN, BE NICE, AND I'LL PUT IN A GOOD WORD 

FOR YOU 

(CHORUS) 

249

THE MEMORY OF AN OLD CHRISTMAS CARD 

JIM REEVES 

THERE'S AN OLD CHRISTMAS CARD, IN AN OLD DUSTY TRUNK 

AND IT BRINGS BACK SWEET MEMORIES DEAR TO ME 

THOUGH IT'S FADED AND WORN, IT'S AS PRECIOUS AS THE MORN 

WHEN I FOUND IT 'NEATH OUR FIRST CHRISTMAS TREE 

(CHORUS) I THRILL WITH EVERY WORD, EVERY LINE 

GUESS I'M ALWAYS SENTIMENTAL 'ROUND THIS TIME 

PARDON ME, IF A TEAR FALLS UPON MY CHRISTMAS CHEER 

IT'S THE MEMORY OF AN OLD CHRISTMAS CARD 

(SPEAKING) YOU KNOW, I DON'T KNOW WHY I GET TO FEELING 

SENTIMENTAL ABOUT THIS TIME OF YEAR 

BUT EVERY TIME I SEE A CHRISTMAS CARD I SOMEHOW CAN'T HELP 

REMEMBERING 

ABOUT THE VERY FIRST CHRISTMAS THAT YOU AND I SPENT 

TOGETHER 

WHAT A BEAUTIFUL CHRISTMAS CARD YOU GAVE ME THAT YEAR 

WHY, I KNOW YOU MUST HAVE LOOKED THROUGH THOUSANDS OF 

CARDS 

TO FIND THAT WONDERFUL POEM THAT STILL BRINGS A TEAR TO MY 

EYE 

(CHORUS) 

250

THE NIGHT THEY DROVE OLD DIXIE DOWN 

JOAN BAEZ 

J. R. ROBERTSON, ROBBIE 

(Am) VIRGIL CAINE IS MY NAME, AND I (F) DROVE ON THE DANVILLE (Am) 

TRAIN 

TILL STONEMAN’S CAVALRY CAME AND (F) TORE UP THE TRACKS 

A(Am)GAIN 

IN THE WINTER OF (C) ’65, WE WERE (Am) HUNGRY, JUST (C) BARELY 

ALIVE 

(Am) BY MAY THE TENTH (C) RICHMOND IT FELL, IT WAS A (Am) TIME, I 

REMEMBER, OH, SO (G) WELL 

(CHORUS) THE (Am) NIGHT THEY DROVE OLD DIXIE (C) DOWN, AND ALL 

THE BELLS WERE RINGING 

THE (Am) NIGHT THEY DROVE OLD DIXIE (C) DOWN, AND ALL THE 

PEOPLE WERE SINGING 

THEY WENT (Am) NA NA-NA NA-NA-NA, (Dm) NA-NA NA-NA-NA NA-NA-NA- 

(F) NA 

(Am) BACK WITH MY WIFE IN TENNESSEE, AND (F) ONE DAY SHE SAID 

TO (Am) ME 

VIRGIL, QUICK COME SEE, (F) THERE GOES THE ROBERT E (Am) LEE 

NOW I DON’T MIND ‘EM (C) CHOPPING WOOD, AND (Am) I DON’T CARE IF 

THE (C) MONEY’S NO GOOD 

JUST (Am) TAKE WHAT YOU NEED AND (C) LEAVE THE REST 

BUT THEY SHOULD (Am) NEVER HAVE TAKEN THE VERY (G) BEST 

(CHORUS) 

(Am) LIKE MY FATHER BEFORE ME, (F) I’M A WORKING (Am) MAN 

AND LIKE MY BROTHER BEFORE ME, (F) I TOOK THE REBEL (Am) STAND 

WELL HE WAS JUST 18, (C) PROUD AND BRAVE, WHEN A (Am) YANKEE 

LAID HIM (C) IN HIS GRAVE 

I (Am) SWEAR BY THE BLOOD (C) BELOW MY FEET 

YOU CAN’T (Am) RAISE A CAINE BACK UP, WHEN HE’S IN DE(G)FEAT 

(CHORUS) 

251

THE PARTY’S OVER 

WILLIE NELSON 

(CHORUS) (G) TURN OUT THE LIGHTS, THE (D) PARTY’S (G) OVER 

THEY SAY THAT (D) ALL GOOD THINGS MUST END 

CALL IT A (G) NIGHT, THE PARTY’S (C) OVER 

AND (G) TOMORROW STARTS THE (D) SAME OLD THING A(G)GAIN 

WHAT A CRAZY, CRAZY PARTY 

NEVER SEEN SO MANY PEOPLE 

LAUGHING, DANCING, LOOK AT YOU, YOU’RE HAVING FUN 

BUT LOOK AT ME, I’M ALMOST CRYING 

BUT THAT DON’T KEEP HER LOVE FROM DYING 

MISERY, ‘CAUSE FOR ME, THE PARTY’S OVER (CHORUS) 

ONCE I HAD A LOVE UNDYING 

I DIDN’T KEEP IT, WASN’T TRYING 

LIFE FOR ME WAS JUST ONE PARTY, AND THEN ANOTHER 

I BROKE HER HEART SO MANY TIMES 

HAD TO HAVE MY PARTY WINE 

THEN ONE DAY SHE SAID, SWEETHEART, THE PARTY’S OVER 

(CHORUS) + AND (C) TOMORROW STARTS THE (G) SAME OLD (D) THING 

A(G)GAIN 

252

THERE’LL BE NO TEARDROPS TONIGHT 

HANK WILLIAMS 

I’LL PRETEND I’M FREE FROM SORROW 

MAKE BELIEVE THAT WRONG IS RIGHT 

YOUR WEDDING DAY WILL BE TOMORROW 

AND THERE’LL BE NO TEARDROPS TONIGHT 

WHY, OH, WHY, SHOULD YOU DESERT ME 

ARE YOU DOING THIS FOR SPITE 

IF YOU ONLY WANT TO HURT ME 

THEN THERE’LL BE NO TEARDROPS TONIGHT 

I BELIEVE THAT YOU STILL LOVE ME, 

WHEN YOU WEAR YOUR VEIL OF WHITE 

BUT YOU THINK THAT YOU’RE ABOVE ME 

BUT THERE’LL BE NO TEARDROPS TONIGHT 

SHAME, OH SHAME, FOR WHAT YOU’RE DOING 

OTHER ARMS WILL HOLD YOU TIGHT 

YOU DON’T CARE WHOSE LIFE YOU RUIN 

BUT THERE’LL BE NO TEARDROPS TONIGHT 

253

THERE SHE GOES 

JERRY WALLACE 

MILLER, HADDOCK, STEVENSON 

(E) THERE SHE GOES, SHE’S WALKING A(A)WAY 

AND EACH STEP SHE (B7) TAKES, BRINGS HEARTACHES MY (E) WAY 

HE’S WON HER HEART, I LOST HER SOME (A) WAY 

THERE SHE (B7) GOES, SHE’S WALKING A(E)WAY 

OH, (CHORUS) IF (A) I HADN’T CHEATED, AND IF (E) I HADN’T LIED 

(A) I’D BE THE ONE, (B7) WALKING BY HER SIDE 

I LOVE HER (E) STILL, AND I GUESS THAT IT (A) SHOWS 

THE WAY THAT I (B7) FEEL, AS THERE SHE (E) GOES 

(SPEAKING, 4 BEATS EACH) (E) THERE SHE GOES, (A) SHE'S WALKING 

AWAY 

AND (B7) EACH STEP SHE TAKES, BRINGS (E) HEARTACHES MY WAY 

IF (A) I HADN'T CHEATED, IF (E) I HADN'T LIED 

(A) I'D BE THE ONE, (B7) WALKING BY HER SIDE 

I LOVE HER (E) STILL, AND I GUESS THAT IT (A) SHOWS 

SHE'S WALKING A(B7)WAY, THERE SHE (E) GOES 

(B7) THERE SHE (E) GOES, (B7) THERE SHE (E) GOES 

254

THERE STANDS THE GLASS 

WEBB PIERCE, BILLY WALKER 

RUSS HULL, MARY JEAN SHURTZ, WEBB PIERCE 

(G) THERE STANDS THE GLASS 

THAT WILL (C) EASE ALL MY (G) PAIN 

THAT WILL (C) SETTLE MY (G) BRAIN 

IT’S MY (D) FIRST ONE TO(G)DAY 


THAT WILL HIDE ALL MY TEARS 

THAT WILL DROWN ALL MY FEARS 

BROTHER I’M ON MY WAY 

I’M (C) WONDERING WHERE YOU ARE TONIGHT 

I’M WONDERING IF YOU ARE ALRIGHT 

I’M (A) WONDERING IF YOU THINK OF ME 

IN MY MISE(D)RY 


FILL IT UP TO THE BRIM 

‘TILL MY TROUBLES GROW DIM 

IT’S MY FIRST ONE TODAY 

255

THE ROCK ISLAND LINE 

AMERICAN 

(G) I SAY THE ROCK ISLAND LINE IS A MIGHTY GOOD ROAD 

I SAY THE ROCK ISLAND LINE IS THE (D7) ROAD TO RIDE 

OH, THE (G) ROCK ISLAND LINE IS A MIGHTY GOOD ROAD 

IF YOU (C) WANT TO RIDE IT, GOT TO (G) RIDE IT LIKE YOU'RE FLYIN' 

BUY YOUR (C) TICKET AT THE STATION FOR THE (D7) ROCK ISLAND (G) 

LINE 

(G) A, B, C, DOUBLE X, Y (A7) Z 

(D7) CAT'S IN THE (G) CUPBOARD BUT (D7) HE CAN'T SEE (G) ME 

(CHORUS) 

JESUS DIED TO SAVE OUR SIN 

GLORY BE TO GOD, WE'RE GONNA NEED HIM AGAIN (CHORUS) 

I MAY BE RIGHT AND I MAY BE WRONG 

BUT I KNOW YOU'RE GONNA MISS ME WHEN I AM GONE (CHORUS) 

256


LONNIE DONEGAN 

(G) OH (CHORUS) THE ROCK ISLAND LINE IT IS A MIGHTY GOOD ROAD 

OH, THE ROCK ISLAND LINE IS THE (D7) ROAD TO RIDE 

THE (G) ROCK ISLAND LINE IT IS A MIGHTY GOOD ROAD 

WELL IF YOU (C) WANT TO RIDE YOU GOT TO (G) RIDE IT LIKE YOU FIND 

IT 

GET YOUR (C) TICKET AT THE STATION FOR THE (D7) ROCK ISLAND 

(G) LINE 

IT'S CLOUDY IN THE WEST LOOKS LIKE RAIN 

(A7) BOUGHT ME A (D) TICKET ON A (D7) RAILROAD (G) TRAIN 

POUR ON THE WATER SHOVEL ON THE COAL 

STICK YOUR (A7) HEAD OUT THE (D) WINDOW AND SEE THE (D7) 

DRIVERS (G) ROLL 

OH, WELL, THE (CHORUS) 

THE SEVEN-FORTY-FIVE WAS ALWAYS LATE 

BUT (A7) ARRIVED TO(D)DAY AT A (D7) QUARTER TO (G) EIGHT 

THE (G) ENGINEER SAID WHEN THEY CHEERED HIS NAME 

"WE'RE (A7) RIGHT ON (D) TIME BUT THIS IS (D7) YESTERDAY'S (G) 

TRAIN" 


THE ENGINEER SAID BEFORE HE DIED 

"THERE'S TWO MORE DRINKS THAT I WOULD LIKE TO TRY" 

THE CONDUCTOR SAID "WHAT CAN THEY BE?" 

"A COLD GLASS OF WATER AND A HOT CUP OF TEA" 


THE EASTBOUND TRAIN WAS ON THE WESTBOUND TRACK 

THE NORTHBOUND TRAIN WAS ON THE SOUTHBOUND TRACK 

THE CONDUCTOR HOLLERED "NOW AIN'T THIS FINE 

WHAT A PECULIAR WAY TO RUN A RAILROAD LINE" 


257


JIMMIE RODGERS, JOHNNY CASH, HARRY BELAFONTE 

L DONEGAN 

NOW THIS HERE’S THE STORY ABOUT THE ROCK ISLAND LINE 

WELL, THE ROCK ISLAND LINE SHE RUNS DOWN INTO NEW ORLEANS 

THERE’S A BIG TOLL GATE DOWN THERE AND YOU KNOW IF YOU GOT 

CERTAIN THINGS ON BOARD, WHEN YOU GO THROUGH THE TOLL 

GATE, WELL YOU DON’T HAVE TO PAY THE MAN NO TOLL 

WELL THE TRAIN DRIVER HE PULLED UP TO THE TOLL GATE AND THE 

MAN HOLLERED AND ASKED HIM WHAT ALL HE HAD ON BOARD, AND HE 

SAID 

I GOT LIVESTOCK, I GOT LIVESTOCK, I GOT COWS, I GOT PIGS, I GOT 

SHEEP, I GOT MULES, I GOT ALL LIVESTOCK 

WELL, HE SAID, YOU ALL RIGHT BOY, YOU DON’T HAVE TO PAY NO 

TOLL, YOU CAN JUST GO RIGHT ON THROUGH, SO 

HE WENT ON THROUGH THE TOLL GATE 

AND AS HE WENT THROUGH HE STARTED PICKING UP A LITTLE BIT OF 

SPEED, PICKING UP A LITTLE BIT OF STEAM 

(STRUM, GRADUALLY INCREASING THE TEMPO) 

HE GOT ON THROUGH, AND HE TURNED AND LOOKED BACK AT THE 

MAN, AND HE SAID 

WELL I FOOLED YOU, I FOOLED YOU, I GOT THE PIG IRON, I GOT THE 

PIG IRON, I GOT ALL PIG IRON 

(CHORUS) NOW THE ROCK ISLAND LINE SHE’S A MIGHTY GOOD ROAD 

THE ROCK ISLAND LINE IT’S THE ROAD TO RIDE 

THE ROCK ISLAND LINE IT’S A MIGHTY GOOD ROAD 

WELL IF YOU RIDE, YOU GET TO RIDE IT LIKE YOU FIND IT 

GET YOUR TICKET AT THE STATION FOR THE ROCK ISLAND LINE 

OH IT’S CLOUDY IN THE WEST AND IT LOOKED LIKE RAIN 

‘ROUND THE CURVE COME A PASSENGER TRAIN 

A NORTHBOUND TRAIN ON A SOUTHBOUND TRACK 

HE DON’T MIND LEAVING BUT HE WON’T BE BACK (CHORUS) 

WELL, I MAY BE RIGHT AND I MAY BE WRONG, BUT YOU(’RE) GONNA 

MISS ME WHEN I’M GONE 

WELL THE ENGINEER SAID BEFORE HE DIED, THAT THERE WERE TWO 

MORE DRINKS THAT HE’D LIKE TO TRY 

258

CONDUCTOR SAID, WHAT COULD THEY BE, A HOT CUP OF COFFEE AND 

A COLD GLASS OF TEA (CHORUS) 

259

THE TIPS OF MY FINGERS 

ROY CLARK 

BILL ANDERSON 

(G) I HELD YOU (D) RIGHT ON THE (C) TIPS OF MY (G) FINGERS… 

(G) I REACHED OUT MY (D) ARMS AND I (G) TOUCHED YOU 

WITH SOFT WORDS I (D) WHISPERED YOUR (G) NAME 

I HELD YOU (D) RIGHT ON THE (C) TIPS OF MY (G) FINGERS 

AH, BUT (A7) THAT WAS AS CLOSE AS I (D) CAME 

MY (G) EYES HAD A (D) VISION OF (G) SWEET LIPS 

YIELDING BE(D)NEATH MY (G) COMMAND 

I HELD YOUR (D) LOVE ON THE (C) TIPS OF MY (G) FINGERS 

BUT I LET IT SLIP (C) RIGHT THROUGH MY (G) HANDS 

BUT I LET IT SLIP (C) RIGHT THROUGH MY (G) HANDS 

(D) SOMEBODY TOOK YOU WHEN (C) I WASN'T (G) LOOKING 

AND I SHOULD HAVE KNOWN FROM THE (D) START 

THAT IT'S A (G) LONG, LONG (D) WAY FROM THE (C) TIPS OF MY (G) 

FINGERS 

TO THE LOVE HIDDEN (C) DEEP IN YOUR (G) HEART 

TO THE LOVE HIDDEN (C) DEEP IN MY (G) HEART 

I HAD YOU (D) RIGHT ON THE (C) TIPS OF MY (G) FINGERS 

BUT I LET YOU SLIP (C) RIGHT THROUGH MY (G) HANDS 

YES, I LET YOU SLIP (C) RIGHT THROUGH MY (G) HANDS 

260

THE WAYWARD WIND 

GOGI GRANT, SLIM WHITMAN 

HERB NEWMAN, STAN LEBOWSKY 

(CHORUS) (A) OH, THE WAYWARD WIND, IS A RESTLESS (D) WIND 

A RESTLESS (A) WIND, THAT YEARNS TO (E) WANDER 

AND I WAS (A) BORN, THE NEXT OF (D) KIN 

THE NEXT OF (A) KIN, TO THE (E) WAYWARD (A) WIND 

IN A LONELY SHACK BY A RAILROAD TRACK 

I SPENT MY YOUNGER DAYS 

AND I GUESS THE SOUND OF THE OUTWARD BOUND 

MADE ME A (E) SLAVE, TO MY WANDERING (A) WAYS 

AND (CHORUS) 

OH, I MET HER THERE IN A BORDER TOWN 

I VOWED WE’D NEVER PART 

THOUGH I TRIED MY BEST TO SETTLE DOWN 

SHE’S NOW ALONE, WITH A BROKEN HEART 

AND (CHORUS) + REPEAT LAST LINE 

261

THE WILD SIDE OF LIFE 

HANK THOMPSON, RAY PRICE (RESPONSE, "IT WASN'T GOD WHO MADE 

HONKY TONK ANGELS," IS BY KITTY WELLS) 

(A) YOU WOULDN’T READ MY LETTER IF I (D) WROTE YOU 

YOU (E) ASKED ME NOT TO CALL YOU ON THE (A) PHONE 

BUT THERE’S SOMETHING I’M WANTING TO (D) TELL YOU 

SO I (E) WROTE IT IN THE WORDS OF THIS (A) SONG 

(CHORUS) I DIDN’T KNOW GOD MADE HONKY TONK ANGELS 

I MIGHT HAVE KNOWN YOU’D NEVER MAKE A WIFE 

YOU GAVE UP THE ONLY ONE WHO EVER LOVED YOU 

AND WENT BACK TO THE WILD SIDE OF LIFE 

(HANK THOMPSON) THE GLAMOR OF THE GAY NIGHT LIFE HAS LURED 

YOU 

TO THE PLACES WHERE THE WINE AND LIQUOR FLOW 

WHERE YOU WAIT TO BE ANYBODY'S BABY 

AND FORGET THE TRUEST LOVE YOU'LL EVER KNOW 

YES IT HURT ME TO KNOW THAT YOU DON’T LOVE ME 

THOUGH I KNOW THAT YOU’RE FOREVER GONE 

AND IT KILLED THE HEART AND PRIDE DEAR INSIDE ME 

WHEN I SAW YOU IN THAT STRANGER’S ARMS SO LONG 

I’LL JUST LIVE MY LIFE ALONE WITH MEM’RIES OF YOU 

AND DREAM OF KISSES YOU TRADED FOR MY TEARS 

AND NO ONE WILL EVER KNOW HOW MUCH I LOVE YOU 

AND I PRAY THAT YOU’LL BE HAPPY THROUGH THE YEARS 

262

THE WRECK OF THE OLD ‘97 

J R CASH, JOHNSON BLAKE, HANK SNOW 

CHARLES NOELL, FRED LEWEY, WHITTER/WORK 

(A) WELL, THEY GAVE HIM HIS ORDERS AT (D) MONROE, VIRGINIA 

SAYING, (A) STEVE, YOU’RE WAY BEHIND (E) TIME 

THIS IS (A) NOT ‘38, IT'S (D) OLD ‘97 

YOU MUST (A) PUT HER INTO (E) SPENCER ON (A) TIME 

SO HE TURNED AROUND AND SAID TO HIS BLACK, GREASY FIREMAN 

HEY, SHOVEL ON A LITTLE MORE COAL 

AND WHEN WE CROSS THAT WHITE OAK MOUNTAIN 

WATCH OLD ‘97 ROLL 


IT’S A MIGHTY ROUGH ROAD FROM LYNCHBURG TO DANVILLE 

WITH A LINE ON A THREE-MILE GRADE 

IT WAS ON THAT GRADE THAT HE LOST HIS AIR BRAKES 

OH WHAT A JUMP HE MADE 

HE WAS GOING DOWN THE GRADE DOING 90 MILES AN HOUR 

HIS WHISTLE BROKE INTO A SCREAM 

HE WAS FOUND IN THE WRECK WITH HIS HAND ON THE THROTTLE 

SCALDED TO DEATH BY THE STEAM 


THEN A TELEGRAM CAME FROM WASHINGTON STATION 

AND THIS IS HOW IT READ 

OH, THAT BRAVE ENGINEER WHO RAN OLD '97 

IS A-LYING IN OLD DANVILLE DEAD 

SO, NOW, ALL YOU LADIES, YOU’D BETTER TAKE A WARNING 

FROM THIS TIME ON AND LEARN 

NEVER SPEAK HARSH WORDS TO YOUR TRUE, LOVING HUSBAND 

HE MAY LEAVE YOU AND NEVER RETURN 

263

THE WURLITZER PRIZE 

I DON'T WANT TO GET OVER YOU 

WAYLON JENNINGS 

BOBBY EMMONS, CHIPS MOMAN 

(D) I’M NOT HERE TO FORGET YOU, I’M HERE TO RECALL 

THE THINGS WE USED TO SAY AND DO 

I DON’T WANT TO GET (A) OVER YOU 

I DON’T WANT TO GET (D) OVER YOU 

I HAUNT THE SAME PLACES WE USED TO GO 

ALONE AT A TABLE FOR TWO 

I DON’T WANT TO GET OVER YOU 


(CHORUS) THEY OUGHT TO GIVE ME THE WURLITZER (D7) PRIZE 

FOR (G) ALL THE SILVER I LET SLIDE DOWN THE (A) SLOT 

... 

PLAYING THOSE (D) SONGS SUNG BLUE 

HELP ME RE(A)MEMBER YOU 

I DON’T WANT TO GET (D) OVER YOU 

A FRESH ROLL OF QUARTERS, SAME OLD SONG 

MISSING YOU THROUGH AND THROUGH 



(CHORUS) + I DON'T WANT TO GET OVER YOU 

I DON'T WANT TO GET OVER YOU 

264

THE YEAR THAT CLAYTON DELANEY DIED 

TOM T HALL 

(G) I REMEMBER THE YEAR THAT (D) CLAYTON DELANEY (G) DIED 

THEY (C) SAID FOR THE LAST TWO WEEKS THAT HE SUFFERED AND (G) 

CRIED 

IT (C) MADE A BIG IMPRESSION ON ME, ALTHOUGH I WAS A BAREFOOT 

(G) KID 

THEY SAY HE GOT RELIGION AT THE (D) END, AND I’M GLAD THAT HE 

(G) DID 

CLAYTON WAS THE BEST GUITAR PICKER IN OUR TOWN 

I THOUGHT HE WAS A HERO AND I USED TO FOLLOW CLAYTON 

AROUND 

I OFTEN WONDERED WHY CLAYTON, WHO SEEMED SO GOOD TO ME 

NEVER TOOK HIS GUITAR AND MADE IT DOWN IN TENNESSEE 

WELL, DADDY SAID HE DRANK A LOT, BUT I COULD NEVER 

UNDERSTAND 

I KNEW HE USED TO PICK UP IN OHIO WITH A FIVE-PIECE BAND 

AND CLAYTON USED TO TELL ME, SON, YOU BETTER PUT THAT OLD 

GUITAR AWAY 

THERE AIN’T NO MONEY IN IT, IT’LL LEAD YOU TO AN EARLY GRAVE 

I GUESS IF I’D ADMIT IT, CLAYTON TAUGHT ME HOW TO DRINK BOOZE 

I CAN SEE HIM HALF-STONED, PICKING OUT THE LOVESICK BLUES 

WHEN CLAYTON DIED I MADE HIM A PROMISE, I WAS GONNA CARRY ON 

SOMEHOW 

I’D GIVE A MILLION DOLLARS, IF HE COULD ONLY SEE ME NOW 

I REMEMBER THE YEAR THAT CLAYTON DELANEY DIED 

NOBODY EVER KNEW IT, BUT I WENT OUT IN THE WOODS AND I CRIED 

WELL I KNOW THERE’S A LOT OF BIG PREACHERS, WHO KNOW A LOT 

MORE THAN I DO 

BUT IT COULD BE THAT THE GOOD LORD LIKES A LITTLE PICKING, TOO 

YEAH, I REMEMBER THE YEAR THAT CLAYTON DELANEY DIED 

265

THE YELLOW BANDANA 

FARON YOUNG 

(A) THIS IS THE STORY OF A (E) YELLOW BANDANA, A (D) HANDSOME 

YOUNG SOLDIER, AND A (E) GIRL NAMED ROS(A)ANNA 

AWAY OUT WEST IN THE WILDS OF NEW (E7) MEXICO 

THERE LIVED A GIRL AND A SOLDIER WHO (A) LOVED HER SO 

AND EVERY NIGHT ‘NEATH THE FULL CRIMSON (E7) MOON ABOVE 

THIS BRAVE YOUNG SOLDIER WOULD PLEDGE HER HIS (A) LOVE 

(CHORUS) AND HE GAVE ROSANNA HIS (E) YELLOW BANDANA 

TO (D) WEAR IN HER HAIR ‘TILL HE’S (E) WITH HER ONCE (A) MORE 

HE GAVE ROSANNA HIS (E) YELLOW BANDANA 

(D) MOUNTED HIS PONY AND (E) RODE OFF TO (A) WAR 

HIS ORDERS CAME AND HE HAD TO RIDE WEST AGAIN 

SEEMS THAT APACHES WERE CAUSING UNREST AGAIN 

HE KISSED ROSANNA GOODBYE AS HE RODE AWAY 

PROMISING THIS TIME HE’D COME BACK TO STAY (CHORUS) 

THE WAR WAS OVER AND HE CAME BACK HOME AND FOUND 

THAT THE APACHES HAD BURNED THE WHOLE VILLAGE DOWN 

AND ‘NEATH THE TREE WHERE HE LAST KISSED ROSANNA 

DRAPED ON A CROSS WAS HIS YELLOW BANDANA (CHORUS) 


266

THIS OLE HOUSE 

STUART HAMBLEN 

(A)THIS OLD HOUSE ONCE KNEW MY CHILDREN 

THIS OLD (D) HOUSE ONCE KNEW MY WIFE 

THIS OLD (E) HOUSE WAS HOME AND COMFORT 

AS WE (A) FOUGHT THE STORMS OF LIFE 

THIS OLD HOUSE ONCE RANG WITH LAUGHTER 

THIS HOUSE (D) ONCE HEARD MANY SHOUTS 

NOW SHE (E) TREMBLES IN THE DARKNESS 

WHEN THE LIGHTNING WALKS A(A) BOUT 

(CHORUS) AIN’T GONNA (D) NEED THIS HOUSE NO LONGER 

AIN’T GONNA (A) NEED THIS HOUSE NO MORE 

AIN’T GOT (E) TIME TO FIX THE SHINGLES 

AIN’T GOT (A) TIME TO FIX THE FLOOR 

AIN’T GOT (D) TIME TO OIL THE HINGES 

NOR TO (A) MEND THE WINDOW PANE 

AIN’T GONNA (E) NEED THIS HOUSE NO LONGER 

I’M A-GETTIN’ READY TO MEET THE (A) SAINTS 


THIS OLD HOUSE IS A-GETTING’ SHAKY 

THIS OLD HOUSE IS A-GETTING’ OLD 

THIS OLD HOUSE LETS IN THE RAIN 

THIS OLD HOUSE LETS IN THE COLD 

ON MY KNEES I'M A-GETTIN' CHILLY 

BUT I FEEL NO FEAR OR PAIN 

‘CAUSE I SEE AN ANGEL PEEKIN’ THROUGH 

A BROKEN WINDOW PANE (CHORUS) 


NOW THIS OLD HOUSE IS AFRAID OF THUNDER 

THIS OLD HOUSE IS AFRAID OF STORMS 

THIS OLD HOUSE JUST GROANS AND TREMBLES 

WHEN THE NIGHT WIND FLINGS ITS ARMS 

THIS OLD HOUSE IS A-GETTIN’ FEEBLE 

THIS OLD HOUSE IS A-NEEDIN’ PAINT 

267

JUST LIKE ME IT'S TUCKERED OUT 

BUT I’M GETTING’ READY TO MEET THE SAINTS (CHORUS) 

NOW, MY OLD HOUND-DOG LIES A-SLEEPIN’ 

HE DON’T KNOW I’M GONNA LEAVE 

ELSE HE’D WAKE UP BY THE FIREPLACE 

AND HE’D SIT THERE AND HOWL AND GRIEVE 

BUT MY HUNTIN’ DAYS ARE OVER 

AIN’T GONNA HUNT THE COON NO MORE 

GABRIEL DONE BROUGHT IN THE CHARIOT 

WHEN THE WIND BLEW DOWN THE DOOR (CHORUS) 

268

TO DADDY 

EMMYLOU HARRIS 

DOLLY PARTON 

(G) MAMA NEVER SEEMED TO MISS THE FINER THINGS OF LIFE 

IF SHE DID SHE NEVER DID SAY SO TO (D) DADDY 

SHE NEVER WANTED TO BE MORE THAN MOTHER AND A WIFE 

IF SHE DID SHE NEVER DID SAY SO TO (G) DADDY 

THE ONLY THING THAT SEEMED TO BE IMPORTANT IN HER LIFE 

WAS TO MAKE OUR HOUSE A (G7) HOME AND MAKE US (C) HAPPY 

MAMA NEVER WANTED ANY (G) MORE THAT WHAT SHE HAD 

IF SHE (D) DID SHE NEVER DID SAY SO TO (G) DADDY 

HE OFTEN LEFT HER ALL ALONE SHE DIDN'T MIND THE STAYING HOME 

IF SHE DID SHE NEVER DID SAY SO TO (D) DADDY 

AND SHE NEVER MISSED THE FLOWERS AND THE CARDS HE NEVER 

SENT HER 

IF SHE DID SHE NEVER DID SAY SO TO (G) DADDY 

BEING TOOK FOR GRANTED WAS A THING THAT SHE ACCEPTED 

AND SHE DIDN'T NEED THOSE (G7) THINGS TO MAKE HER (C) HAPPY 

AND SHE DIDN'T SEEM TO NOTICE THAT (G) HE DIDN'T KISS AND HOLD 

HER 

IF SHE (D) DID SHE NEVER DID SAY SO TO (G) DADDY 

(BRIDGE) ONE (C) MORNING WE AWOKE JUST TO FIND A NOTE 

THAT MAMA CAREFULLY WROTE AND LEFT TO (D) DADDY 

AND AS (C) HE BEGAN TO READ IT OUR EARS COULD NOT BELIEVE IT 

THE WORDS THAT SHE HAD WRITTEN THERE TO (D) DADDY 

SHE (G) SAID THE KIDS ARE OLDER NOW THEY DON'T NEED ME VERY 

MUCH 

AND I'VE GONE IN SEARCH OF (G7) LOVE I NEED SO (C) BADLY 

I HAVE NEEDED YOU SO LONG BUT (G) I JUST CAN'T KEEP HOLDING ON 

SHE NEVER MEANT TO COME BACK HOME 

IF SHE (D) DID SHE NEVER DID SAY SO TO (C) DADDY 

GOODBYE TO (G) DADDY 

269

TOGETHER AGAIN 

BUCK OWENS 

(D) TOGETHER AGAIN 

MY (D7) TEARS HAVE STOPPED (G) FALLING 

THE LONG LONELY (A) NIGHTS 

ARE NOW AT AN (D) END 

THE KEY TO MY HEART 

YOU HOLD IN YOUR HAND 

AND NOTHING ELSE MATTERS 

WE’RE TOGETHER AGAIN 

TOGETHER AGAIN 

THE GREY SKIES ARE GONE NOW 

YOU’RE BACK IN MY ARMS 

NOW WHERE YOU BELONG 

THE LOVE THAT I KNEW 

IS LIVING AGAIN 

AND NOTHING ELSE MATTERS 

WE’RE TOGETHER AGAIN 

270

TOM DOOLEY 

KINGSTON TRIO 

(SPEAKING) (D) THROUGHOUT HISTORY THERE HAVE BEEN MANY 

SONGS 

(G) WRITTEN ABOUT THE ETERNAL TRIANGLE 

(A)THIS ONE TELLS THE STORY, OF A MISTER GRAYSON, A BEAUTIFUL 

(D) WOMAN, AND A CONDEMNED MAN NAMED (G) TOM DOOLEY 

WHEN THE SUN RISES TOMORROW, (A) TOM DOOLEY MUST HANG (D) 

(CHORUS) (D) HANG DOWN YOUR HEAD TOM DOOLEY, HANG DOWN 

YOUR HEAD AND (A) CRY 

HANG DOWN YOUR HEAD TOM DOOLEY, POOR BOY YOU’RE BOUND TO 

(D) DIE 

I MET HER ON THE MOUNTAIN, THERE I TOOK HER (A) LIFE 

MET HER ON THE MOUNTAIN, STABBED HER WITH MY (D) KNIFE 

THIS TIME TOMORROW RECKON WHERE I’D (A) BEEN 

HADN’T A BEEN FOR GRAYSON, I’D ‘A’ BEEN IN TENNES(D)SEE 

THIS TIME TOMORROW, RECKON WHERE I’LL (A) BE 

DOWN IN SOME LONESOME VALLEY 

HANGIN’ FROM A WHITE OAK (D) TREE 

271

TONIGHT CARMEN 

MARTY ROBBINS 

CARMEN, CARMEN, CARMEN 

(E) TONIGHT I AM ACHING, MY BODY IS SHAKING, TONIGHT CARMEN'S 

COMING BACK (B7) HOME 

TONIGHT THERE'LL BE NO ROOM FOR TEARS IN MY BEDROOM 

TONIGHT CARMEN'S COMING BACK (E) HOME 

TONIGHT AS I STAND HERE, I NOTICE MY HAND HERE, IS TREMBLING AS 

NEVER BE(A)FORE 

MY FEELINGS I CAN'T HIDE, RE(E)SISTANCE HAS ALL DIED, MY (B7) 

PRIDE WILL RUSH OUTSIDE 

THE MOMENT SHE WALKS THROUGH THE (E) DOOR 

THE LIPS THAT HAVE KISSED HER, THAT'S LOVED HER AND MISSED 

HER, ARE LIPS THAT HAVE CURSED HER AT NIGHT 

IN ANGUISH AND TORMENT I'VE CURSED AS THE NIGHT WENT FROM 

DARKNESS TO DAWN'S GOLDEN LIGHT 

I'VE THOUGHT OF JUST TAKING THESE TWO HANDS AND BREAKING 

THE BODY I'M WAITING TO TOUCH 

I FIND WHILE I'M WAITING THERE'S NO TIME FOR HATING WHILE 

ANTICIPATING THE WOMAN I'VE WANTED SO MUCH 

(RAISE KEY) 

(G) I'VE PLACED PRETTY FLOWERS TO BRIGHTEN THE HOURS, I'VE PUT 

BRAND-NEW SHEETS ON THE (D) BED 

I'M NERVOUS, I'M TREMBLING, RECALLING, REMEMBERING, THE WAY 

THAT SHE TOSSES HER (G) HEAD 

I'VE GIVEN MUCH THOUGHT TO THE FACT THAT I OUGHT TO HAVE 

MORE CONTROL OVER MY (C) LIFE 

HOW CAN I FIGHT IT, HOW (G) CAN I DENY IT, THERE'S (D) NO WAY TO 

HIDE IT, THE LOVE THAT I HAVE FOR MY (G) WIFE 

(D) CARMEN, CARMEN, CAR(G)MEN 

272

TOO MANY RIVERS 

BRENDA LEE 

HARLAN HOWARD 

(A) I WISH I COULD COME BACK TO (D) YOU, DEAR 

'CAUSE (E) I KNOW THAT YOU WANT ME (A) TO 

BUT TOO MUCH WATER'S RUN (D) UNDER THAT OLD BRIDGE 

THERE'S (E) TOO MANY RIVERS BE(A)TWEEN ME AND YOU 

(CHORUS) THERE'S TOO MANY RIVERS TO CROSS, DEAR 

TOO MANY DREAMS HAVE BEEN LOST 

AND THERE'S TOO MANY LONG NIGHTS THAT I'VE TURNED AND I’VE 

TOSSED 

THERE'S TOO MANY RIVERS TO CROSS 

NOW DON'T THINK FOR A MOMENT I BLAME ONLY YOU 

WE BOTH KILLED THE FRUIT ON THE VINE 

AND WHEN YOU TRY TO PUT LOVE BACK TOGETHER AGAIN 

THERE'S ALWAYS A FEW LITTLE PIECES YOU CAN'T FIND 

(CHORUS, SLIGHTLY MODIFIED) 

YES, THERE'S TOO MANY RIVERS TO CROSS, DEAR 

AND THERE'S TOO MANY DREAMS THAT HAVE BEEN LOST 

AH THERE'S TOO MANY LONG NIGHTS THAT I'VE TURNED AND I'VE 

TOSSED 

THERE'S TOO MANY RIVERS TO CROSS 

273

TROUBLE IN MIND 

HANK SNOW, JOHNNY CASH 

RICHARD M JONES 

(D) TROUBLE IN MIND, I'M (A7) BLUE 

BUT I (D7) WON'T BE BLUE AL(G)WAYS 

'CAUSE THE (D) SUN'S GONNA SHINE 

IN (A7) MY BACK DOOR SOME(D)DAY 

MY GOOD GAL, SHE DONE (A7) QUIT ME 

AND IT (D7) SURE DOES LEAVE MY (G) MIND 

WHEN YOU (D) SEE ME LAUGHING 

IT’S (A7) LAUGHING TO KEEP FROM (D) CRYING 

TROUBLE IN MIND, THAT'S (A7) TRUE 

I HAVE (D7) ALMOST LOST MY (G) MIND 

LIFE (D) AIN'T WORTH LIVING 

I (A7) FEEL LIKE I COULD (D) DIE 

TROUBLE IN MIND, I'M (A7) BLUE 

MY POOR (D7) HEART IS HEALIN' (G) SLOW 

NEVER (D) HAD SO MUCH TROUBLE 

(A7) IN MY LIFE BE(D)FORE 

I'M GOING DOWN TO THE (A7) RIVER 

GONNA (D7) TAKE ME A ROCKING (G) CHAIR 

AND IF THESE (D) BLUES DON'T LEAVE ME 

I'LL (A7) ROCK ON AWAY FROM (D) HERE 

I'M GONNA LAY MY (A7) HEAD 

ON THAT (D7) LONESOME RAILROAD (G) LINE 

AND LET THE (D) 2:19 SPECIAL 

(A7) EASE MY TROUBLED (D) MIND 

274

TRUE LOVE 

GRACE KELLY, BING CROSBY IN MOVIE “HIGH SOCIETY” (1956) 

COLE PORTER 

(E) SUNTANNED, (B7) WINDBLOWN 

(E) HONEYMOONERS AT (B7) LAST ALONE 

(E) FEELING (A) FAR ABOVE PAR 

(E) OH, HOW LUCKY WE (B7) ARE 

(E) WHILE I GIVE TO (A) YOU AND YOU (B7) GIVE TO (E) ME 

(B7) TRUE LOVE, (E) TRUE LOVE 

SO ON AND (A) ON IT WILL (B7) ALWAYS (E) BE 

(B7) TRUE LOVE, (E) TRUE LOVE 

FOR (Am) YOU AND (C) I HAVE A (G) GUARDIAN ANGEL 

ON (Am) HIGH WITH (D7) NOTHING TO (B7) DO 

BUT TO (E) GIVE TO (A) YOU AND TO (B7) GIVE TO (E) ME 

(B7) LOVE FOREVER (E) TRUE 

275

TUMBLING TUMBLEWEEDS 

SONS OF THE PIONEERS, EDDIE ARNOLD, JIMMIE RODGERS 

BOB NOLAN 

(SLOW!) (G) I'M A ROVING COWBOY, (C) RIDING ALL DAY (G) LONG 

(D7) TUMBLEWEEDS AROUND ME, (G) SING THEIR LONELY SONG 

(C) NIGHTS UNDERNEATH THE PRAIRIE (G) MOON 

(A7) I RIDE ALONG AND SING THIS (D7) TUNE 

(C) SEE THEM TUMBLING DOWN 

(B7) PLEDGING THEIR LOVE TO THE GROUND 

(C) LONELY BUT FREE I’LL BE (G) FOUND 

(D7) DRIFTING ALONG WITH THE TUMBLING (G) TUMBLEWEEDS 

(C) CARES OF THE PAST ARE BEHIND 

(B7) NOWHERE TO GO BUT I’LL FIND 

(C) JUST WHERE THE TRAIL WILL (G) WIND 


I (D7) KNOW WHEN NIGHT IS (G) GONE 

THAT A (A) NEW WORLD’S BORN AT (D7) DAWN 

(C) I’LL KEEP ROLLING ALONG 

(B7) DEEP IN MY HEART IS A SONG 

(C) HERE ON THE RANGE I BE(G)LONG 


(WHISTLE) 

(REPEAT LAST VERSE, REPEAT LAST LINE) 

276

UNCHAINED MELODY 

RIGHTEOUS BROTHERS 

ALEX NORTH, HYMAN ZARITSKY (HY ZARET) 

(CHORUS) (C) OH, MY (Am) LOVE, MY (E) DARLING 

I’VE (G) HUNGERED FOR YOUR (C) TOUCH 

A (Am) LONG, LONELY (G) TIME 

(C) TIME GOES (Am) BY SO (F) SLOWLY 

AND (G) TIME CAN DO SO (C) MUCH 

ARE (Am) YOU STILL (Em) MINE 

I (C) NEED YOUR LOVE, I (Am) NEED YOUR LOVE 

GOD (F) SPEED YOUR LOVE (G) TO (C) ME 

(F) LONELY RIVERS (G) FLOW, TO THE (F) SEA, TO THE (G) SEA 

(F) TO THE OPEN (G) ARMS OF THE (C) SEA 

(F) LONELY RIVERS (G) SIGH, WAIT FOR (F) ME, WAIT FOR (G) ME 

(F) I’LL BE HEADING (G) HOME, WAIT FOR (C) ME 

(F) LONELY MOUNTAINS (G) GAZE, AT THE (F) STARS, AT THE (G) STARS 

(F) WAITING FOR THE (G) DAWN OF THE (C) DAY 

(F) ALL ALONE I (G) GAZE, AT THE (F) STARS, AT THE (G) STARS 

(F) I’LL BE HEADING (G) HOME, WAIT FOR (C) ME 

277

WABASH CANNONBALL 

ROY ACUFF, JIMMIE RODGERS 

A P CARTER 

(D) FROM THE GREAT ATLANTIC OCEAN TO THE WIDE PACIFIC (G) 

SHORE 

FROM THE (A) GREEN OLD FLOWING MOUNTAINS TO THE SOUTH 

BELT'S WIDEST (D) SHORES 

SHE'S MIGHTY TALL AND HANDSOME, AND KNOWN QUITE WELL BY (G) 

ALL 

(A) SHE’S THE COMBINATION ON THE WABASH CANNON(D)BALL 

SHE CAME DOWN FROM BIRMINGHAM ONE COLD DECEMBER DAY 

AS SHE ROLLED INTO THE STATION YOU COULD HEAR ALL THE PEOPLE 

SAY 

THERE’S A GAL FROM TENNESSEE SHE’S LONG AND SHE’S TALL 

SHE CAME DOWN FROM BIRMINGHAM ON THE WABASH CANNONBALL 

OUR EASTERN STATES ARE DANDY, SO THE PEOPLE ALWAYS SAY 

FROM NEW YORK TO ST LOUIS AND CHICAGO BY THE WAY 

FROM THE HILLS OF MINNESOTA, WHERE THE RIPPLING WATERS FALL 

NO CHANGES CAN BE TAKEN ON THAT WABASH CANNONBALL 


HERE’S TO DADDY CLAXTON MAY HIS NAME FOREVER STAND 

AND ALWAYS BE REMEMBERED 'ROUND THE COURTS OF ALABAM 

HIS EARTHLY RACE IS OVER AND THE CURTAINS ‘ROUND HIM FALL 

WE’LL CARRY HIM HOME TO DIXIE ON THE WABASH CANNONBALL 

LISTEN TO THE JINGLE, THE RUMBLE AND THE ROAR 

AS SHE GLIDES ALONG THE WOODLAND THROUGH THE HILLS AND BY 

THE SHORE 

HEAR THE MIGHTY RUSH OF THE ENGINE, HEAR THAT LONESOME 

HOBO’S CALL 

YOU'RE TRAVELING THROUGH THE JUNGLES ON THE WABASH 

CANNONBALL 

278

WALKING THE FLOOR OVER YOU 

ERNEST TUBB 

(A) YOU LEFT ME AND YOU WENT A(D)WAY 

YOU (E) SAID THAT YOU’D BE BACK IN JUST A (A) DAY 

YOU’VE BROKEN YOUR PROMISE, AND YOU (D) LEFT ME HERE ALONE 

I (E) DON’T KNOW WHY YOU DID, DEAR, BUT I DO KNOW THAT YOU’RE 

(A) GONE 

(CHORUS) I’M WALKING THE FLOOR OVER YOU 

I CAN’T SLEEP A WINK THAT IS TRUE 

I’M HOPING AND I’M PRAYING, AS MY HEART BREAKS RIGHT IN TWO 

WALKING THE FLOOR OVER YOU 

NOW DARLING YOU KNOW I LOVE YOU WELL 

I LOVE YOU MORE THAN I CAN EVER TELL 

I THOUGHT THAT YOU WANTED ME, AND ALWAYS WOULD BE MINE 

BUT YOU WENT AND LEFT ME HERE, WITH TROUBLES ON MY MIND 

(CHORUS) 

NOW SOME DAY YOU MAY BE LONESOME TOO 

WALKING THE FLOOR IS GOOD FOR YOU 

JUST KEEP RIGHT ON WALKING, AND IT WON’T HURT YOU TO CRY 

REMEMBER THAT I LOVE YOU AND I WILL THE DAY I DIE (CHORUS) 

279

WALK RIGHT BACK 

THE EVERLY BROTHERS, ANNE MURRAY 

SONNY CURTIS 

(G) I WANT YOU TO TELL ME WHY YOU WALKED OUT ON ME 

I'M SO LONESOME EVERY (D) DAY 

I WANT YOU TO KNOW THAT SINCE YOU WALKED OUT ON ME 

NOTHING SEEMS TO BE THE SAME OLD (G) WAY 

THINK ABOUT THE LOVE THAT BURNS WITHIN MY HEART FOR YOU 

GOOD TIMES WE HAD BEFORE YOU WENT A(C)WAY AWAY 

WALK RIGHT BACK TO ME THIS MINUTE 

(G) BRING YOUR HEART TO ME DON'T SEND IT 

(D) I'M SO LONESOME EVERY (G) DAY 

(REPEAT, UP ONE KEY + REPEAT LAST LINE, FADE) 

(END OF THEIR RENDITION…WHAT THEY DIDN'T SING…) 

(A) THESE EYES OF MINE THAT GAVE YOU LOVING GLANCES ONCE 

BEFORE 

CHANGE TO SHADES OF CLOUDY (E) GREY 

I WANT SO MUCH TO SEE YOU, JUST AS BEFORE 

I'VE GOT TO KNOW YOU'RE COMING BACK TO (A) STAY 

PLEASE BELIEVE ME WHEN I SAY IT'S GREAT TO HEAR FROM YOU 

BUT THERE'S A LOT OF THINGS A LETTER JUST CAN'T (D) SAY, OH ME 

WALK RIGHT BACK TO ME THIS MINUTE 

(A) BRING YOUR LOVE TO ME, DON'T SEND IT 

(E) I'M SO LONESOME EVERY (A) DAY 

280

WALK ON BY 


KENDALL HAYES 

(G) IF I SEE YOU TO(C)MORROW, (D) ON SOME STREET IN (G) TOWN 

PARDON (C) ME IF I (D) DON’T SAY HEL(G/D)LO 

I BE(G)LONG TO A(C)NOTHER, IT (D) WOULDN’T LOOK SO (G) GOOD 

TO (C) KNOW SOMEONE I’M (D) NOT SUPPOSED TO (G) KNOW 

(CHORUS) JUST WALK ON BY, WAIT ON THE (D) CORNER 

I (C) LOVE YOU BUT WE’RE (D) STRANGERS WHEN WE (G/D) MEET 

JUST WALK ON (G) BY, WAIT ON THE (D) CORNER 

I (C) LOVE YOU BUT WE’RE (D) STRANGERS WHEN WE (G) MEET 

IN A DIMLY LIT CORNER, AT A PLACE OUTSIDE OF TOWN 

TONIGHT WE’LL TRY TO SAY GOODBYE AGAIN 

BUT I KNOW IT’S NOT OVER, I’LL CALL TOMORROW NIGHT 

I CAN'T LET YOU GO SO WHY PRETEND (CHORUS) 

281

WALTZ ACROSS TEXAS 

WILLIE NELSON 

(G) WHEN WE DANCE TOGETHER, MY (D) WORLD’S IN DISGUISE 

IT’S A FAIRYLAND TALE THAT’S COME (G) TRUE 

AND WHEN YOU/ LOOK AT ME/ WITH THOSE (D) STARS/ IN YOUR EYES 

I COULD WALTZ ACROSS TEXAS WITH (G) YOU 

(CHORUS) WALTZ ACROSS TEXAS WITH YOU IN MY ARMS 

WALTZ ACROSS TEXAS WITH YOU 

LIKE A STORYBOOK ENDING, I’M LOST IN YOUR CHARMS 

AND I COULD WALTZ ACROSS TEXAS WITH YOU 


MY HEARTACHES AND TROUBLES WERE JUST UP AND GONE 

THE MOMENT THAT YOU CAME IN VIEW 

AND WITH YOUR HAND IN MINE, DEAR, I COULD DANCE ALL NIGHT 

LONG 

I COULD WALTZ ACROSS TEXAS WITH YOU 

(CHORUS) 

282

WATERLOO 


MARIJOHN WILKIN, JOHN LOUDERMILK 

(CHORUS) (A) WATERLOO, WATERLOO WHERE WILL (E) YOU MEET 

YOUR WATERLOO 

EVERY (A) PUPPY HAS ITS DAY, EVERY(D)BODY HAS TO PAY 

EVERY(A)BODY HAS TO (E) MEET HIS WATER(A)LOO 

NOW OLD AD/AM/ WAS/ THE (D) FIRST IN HISTOR(A)Y 

WITH AN /AP/PLE/ HE/ WAS (E) TEMPTED AND DECEIVED 

JUST FOR (A) SPITE, THE DEVIL, (D) MADE HIM TAKE A BITE 

AND THAT’S (A) WHERE OLD ADAM (E) MET HIS WATER(A)LOO 

(CHORUS) 

LITTLE /GE/NE/RAL, NA(D)POLEON OF (A) FRANCE 

TRIED TO /CON/QUER THE WORLD BUT (E) HE LOST HIS PANTS 

MET DE(A)FEAT, / KNOWN AS (D) BONAPARTE’S RETREAT 

AND THAT’S (A) WHEN NAPOLEON (E) MET HIS WATER(A)LOO (CHORUS) 

NOW A FEL/LER, / WHOSE (D) DARLING PROVED UN(A)TRUE 

TOOK/ HER/ LIFE, / BUT (E) HE LOST HIS TOO 

NOW HE (A) SWINGS, WHERE THE (D) LITTLE BIRDIES SING 

AND THAT’S (A) WHERE TOM DOOLEY (E) MET HIS WATER(A)LOO 

(CHORUS) 

283

WHEN IT’S SPRINGTIME IN ALASKA 

JOHNNY HORTON 

(A) I MUSHED FROM FORT BARROW THROUGH (E) BLIZZARDS OF (A) 

SNOW 

BEEN OUT PROSPECTING, FOR TWO YEARS OR SO 

PULLED INTO FAIRBANKS, THE CITY WAS A-BOOM 

AND I TOOK A LITTLE STROLL TO THE (D) RED DOG SA(A)LOON 

AS I WALKED IN THE DOOR THE MUSIC WAS CLEAR 

THE PURTIEST VOICE I HAD HEARD IN TWO YEARS 

THE SONG SHE WAS SINGING MADE A MAN’S BLOOD RUN COLD 

WHEN IT’S SPRINGTIME IN ALASKA, IT’S FORTY BELOW 

IT WAS RED-HEADED LIL WHO WAS SINGING SO SWEET 

I REACHED DOWN AND TOOK THE SNOW-PACS OFF MY FEET 

I REACHED FOR THE GAL WHO WAS SINGING THE TUNE 

WE DID THE ESKIMO HOP ALL AROUND THE SALOON 

WITH THE CARIBOU CRAWL AND THE GRIZZLY BEAR HUG 

WE DID OUR DANCE ON A KODIAC RUG 

THE SONG SHE KEPT SINGING MADE A MAN’S BLOOD RUN COLD 

WHEN IT’S SPRINGTIME IN ALASKA IT’S FORTY BELOW 

I WAS AS INNOCENT AS I COULD BE 

I DIDN’T KNOW LIL WAS BIG ED’S WIFE TO BE 

HE TOOK OUT HIS KNIFE AND HE GAVE IT A THROW 

WHEN IT’S SPRINGTIME IN ALASKA, I’LL BE SIX FEET BELOW 

284

WHEN MY BLUE MOON TURNS TO GOLD AGAIN 

SONS OF THE PIONEERS, ELVIS PRESLEY 

WILEY WALKER, GENE SULLIVAN 

(D) MEMORIES THAT LINGER IN MY (A) HEART 

MEMORIES THAT MAKE MY HEART GROW (D) COLD 

BUT SOMEDAY THEY'LL LIVE AGAIN SWEET(A)HEART 

AND MY (G) BLUE MOON A(A)GAIN WILL TURN TO (D) GOLD 

(CHORUS) WHEN MY BLUE MOON TURNS TO GOLD AGAIN 

WHEN THE RAINBOW TURNS THE CLOUDS AWAY 

WHEN MY BLUE MOON TURNS TO GOLD AGAIN 

YOU'LL BE BACK WITHIN MY ARMS TO STAY 


THE LIPS THAT USED TO THRILL ME SO 

YOUR KISSES WERE MEANT FOR ONLY ME 

IN MY DREAMS THEY LIVE AGAIN SWEETHEART 

BUT MY GOLDEN MOON IS JUST A MEMORY (CHORUS) 

THE CASTLES WE BUILT OF DREAMS TOGETHER 

WERE THE SWEETEST STORIES EVER TOLD 

MAYBE WE WILL LIVE THEM ALL AGAIN 

AND MY BLUE MOON AGAIN WILL TURN TO GOLD 

(CHORUS) + REPEAT LAST LINE, FADE 

285

WHEN TWO WORLDS COLLIDE 

JIM REEVES 

ROGER MILLER, BILL ANDERSON 

(G) YOUR WORLD WAS SO DIFFERENT FROM (D) MINE, DON'T YOU SEE 

WE JUST COULDN'T BE CLOSE THOUGH WE (G) TRIED 

WE BOTH REACHED FOR HEAVENS, BUT (D) OURS WEREN'T THE SAME 

THAT'S WHAT HAPPENS WHEN TWO WORLDS COL(G)LIDE 

(CHORUS) YOUR WORLD WAS MADE UP OF THINGS SWEET AND GOOD 

MY WORLD COULD NEVER FIT IN, WISH IT COULD 

TWO HEARTS LIE IN SHAMBLES, AND, OH, HOW THEY CRIED 

THAT'S WHAT HAPPENS WHEN TWO WORLDS COLLIDE 


286

WHERE IS MY CASTLE? 

CONNIE SMITH 

DALLAS FRAZIER 

(A) MORE THAN ONCE I (D) CRIED BECAUSE IM(A)PATIENCE LET ME 

DOWN 

I COULD SEE THE GOLD BE(E)FORE THE GOLD WAS (A) FOUND 

AND EVERY TIME I (D) TRUSTED LOVE TO (A) LEAD ME BY THE HAND 

IT CIRCLED BACK AND (E) LEFT ME WHERE I (A) STAND 

(CHORUS) WHERE IS MY (D) CASTLE 

(A) WHERE IS MY DESTINY 

HOW MUCH LONGER WILL I HAVE TO (E) DREAM 

(A) WHERE IS MY (D) SUNSHINE 

(A) WHERE IS MY (D) VALLEY 

(A) WHERE IS THE (E) LOVE THAT'S MEANT FOR (A) ME 


THE NEXT TIME I CROSS (D) OVER THAT OLD (A) BRIDGE I'M GONNA 

STAY 

I DON'T CARE IF THE RIVER (E) WASHES IT A(A)WAY 

'CAUSE I'M NOT GONNA (D) TAKE ONE STEP UN(A)TIL THE DAY I FIND 

A MAN WITH A FAITHFUL (E) HEART AND A MADE-UP (A) MIND 

(CHORUS) 

287

WHO’S SORRY NOW? 

CONNIE FRANCIS 

BERT KALMAR, TED SNYDER, AND HARRY RUBY 

(PEAK BILLBOARD POSITION # 4 IN 1958) 

(G) WHO’S SORRY NOW, (B7) WHO’S SORRY NOW? 

(E) WHOSE HEART IS ACHIN’ FOR (A) BREAKIN’ EACH VOW? 

(D) WHO’S SAD AND BLUE, (G) WHO’S CRYIN’ TOO? 

(A) JUST LIKE I CRIED OVER (D) YOU 

(G) RIGHT TO THE END (B7) JUST LIKE A FRIEND 

(E) I TRIED TO WARN YOU SOME(C)HOW 

YOU HAD YOUR WAY, (G) NOW YOU MUST PAY 

(A) I’M GLAD THAT (D) YOU’RE SORRY (G) NOW (REPEAT VERSE) 

288

WONDERING, WONDERING 

WEBB PIERCE 

JOE WERNER 

(G) WONDERING, WONDERING WHO’S KISSING (D) YOU 

WONDERING, WONDERING IF YOU’RE WONDERING (G) TOO 

EVERY (C) HOUR OF THE DAY, SINCE YOU'VE BEEN (D) AWAY 

I KEEP WONDERING, YES WONDERING 

IF YOU’RE WONDERING (G) TOO 

I PRAY EVERY NIGHT TO THE (D) GOOD LORD ABOVE 

TO SEND BACK TO ME, THE ONE I REALLY (G) LOVE 

WONDERING, WONDERING WHO’S KISSING YOU 

WONDERING, WONDERING IF YOU’RE WONDERING TOO 

EVERY HOUR OF THE DAY, SINCE YOU'VE BEEN AWAY 

I KEEP WONDERING, YES WONDERING 

IF YOU’RE WONDERING TOO 


(ALT. VERSION ...SINCE YOU WENT AWAY...) 

289

YOU CAN’T ROLLER SKATE IN A BUFFALO HERD 

ROGER MILLER 

(E) YOU CAN’T ROLLER SKATE IN A BUFFALO HERD 

(B7) YOU CAN’T ROLLER SKATE IN A BUFFALO HERD 

(E) YOU CAN’T ROLLER SKATE IN A BUFFALO HERD 

BUT (B7) YOU CAN BE HAPPY IF (E) YOU’VE A MIND TO 

YOU CAN’T TAKE A SHOWER IN A PARAKEET CAGE 



BUT YOU CAN BE HAPPY IF YOU’VE A MIND TO 

(A) ALL YOU GOTTA DO IS (E) PUT YOUR MIND TO IT 

(A) KNUCKLE DOWN, BUCKLE DOWN, (B7) DO IT, DO IT, DO IT 

WELL, YOU CAN’T GO SWIMMING IN A BASEBALL POOL 

YOU CAN’T GO SWIMMING IN A BASEBALL POOL 

YOU CAN’T GO SWIMMING IN A BASEBALL POOL 


DO-DO, DO-DO, DO-DO-DO-DO-DO-DO-DO 

YOU CAN’T CHANGE FILM WITH A KID ON YOUR BACK 




YOU CAN’T DRIVE AROUND WITH A TIGER IN YOUR CAR 




ALL YOU GOTTA DO IS PUT YOUR MIND TO IT 

KNUCKLE DOWN, BUCKLE DOWN, DO IT, DO IT, DO IT 

WELL, YOU CAN’T ROLLER SKATE IN A BUFFALO HERD... 

WELL, YOU CAN’T GO FISHING IN A WATERMELLON PATCH... 

WELL, YOU CAN’T ROLLER SKATE IN A BUFFALO HERD... 

290

YOUR CHEATING HEART 

HANK WILLIAMS 

(A) YOUR CHEATING HEART, WILL MAKE YOU (D) WEEP 

YOU’LL CRY AND (E) CRY, AND TRY TO (A) SLEEP 

BUT SLEEP WON’T COME, THE WHOLE NIGHT (D) THROUGH 

YOUR CHEATING (E) HEART, WILL TELL ON (A) YOU 

WHEN TEARS COME (D) DOWN, LIKE FALLING (A) RAIN 

YOU’LL TOSS A(D)ROUND, AND CALL MY (E) NAME 

YOU’LL WALK THE (A) FLOOR, THE WHOLE NIGHT (D) THROUGH 

YOUR CHEATING (E) HEART, WILL TELL ON (A) YOU 

YOUR CHEATING HEART WILL PINE SOME DAY 

AND CRAVE THE LOVE YOU THREW AWAY 

THE TIME WILL COME, WHEN YOU’LL BE BLUE 

YOUR CHEATING HEART, WILL TELL ON YOU 

WHEN TEARS COME DOWN, LIKE FALLING RAIN 

YOU’LL TOSS AROUND, AND CALL MY NAME 

YOU’LL WALK THE FLOOR, THE WAY I DO 

YOUR CHEATING HEART, WILL TELL ON YOU 

291

YOU’RE THE ONLY GOOD THING (THAT’S HAPPENED TO ME) 

GENE AUTRY, BILLY WALKER, RAY PRICE, GEORGE MORGAN 

(A) ARE YOU THINKING THAT I DON’T (E) CARE FOR YOU 

COULD IT BE YOU BELIEVE THAT (A) I’VE BEEN UNTRUE 

WELL LISTEN SWEETHEART, THIS JUST CANNOT (D) BE 

'CAUSE YOU’RE THE ONLY (A) GOOD THING THAT’S (E) HAPPENED TO 

(A) ME 

(CHORUS) WE (E) HAVE OUR UPS AND DOWNS 

AS (A) ALL LOVERS DO 

BUT YOU (B7) KNOW IN YOUR HEART 

THAT (E) I WORSHIP YOU 

SO (A) DON’T EVER THINK OF (D) SETTING ME FREE 

‘CAUSE YOU’RE THE ONLY (A) GOOD THING 

THAT’S (E) HAPPENED TO (A) ME 


IF YOU EVER SHOULD THINK THAT I DON’T LOVE YOU 

THAT I’M NOT SATISFIED WITH THINGS THAT YOU DO 

I WANT YOU TO KNOW, AND PLEASE UNDERSTAND 

THERE’S NOTHING IN THIS WORLD WORTH THE TOUCH OF YOUR HAND 

(CHORUS) 

292

YOU’RE THE REASON 

HANK SNOW 

(ACCOMP.) (A) WALKING THE FLOOR, (D) FEELING SO BLUE, (A) LOSING 

(E) SLEEP OVER (A) YOU… 

(A) WELL, I LIE HERE AT NIGHT, I TOSS AND I TURN, (D) LOVING YOU SO, 

HOW MY HEART YEARNS 

HONEY, (A) YOU’RE THE REASON I DON’T SLEEP AT (E) NIGHT 

JUST (A) WALKING THE FLOOR, FEELING SO BLUE, (D) SMOKE 

CIGARETTES, DRINK COFFEE TOO 

HONEY, (A) YOU’RE THE REASON (E) I DON’T SLEEP AT (A) NIGHT 

(CHORUS) I’M (D) BETTING YOU’RE NOT LOSING, (A) SLEEP OVER ME 

BUT (D) IF I’M WRONG, DON’T FAIL TO CALL, (A) COME OVER AND KEEP 

ME COMPAN(E)Y 

SOMETIMES I (A) GO FOR A WALK, TAKE A LOOK AT THE MOON 

(D) STRUM MY GUITAR TO SOME OLD LONESOME TUNE 

HONEY, (A) YOU’RE THE REASON (E) I CAN’T SLEEP AT (A) NIGHT 

(ACCOMP.) (A) JUST WALKING THE FLOOR, (D) FEELING SO BLUE, (A) 

SMOKE CIGARETTES, (E) DRINK COFFEE TOO 

(A) STRUM MY GUITAR, (D) LOOK AT THE MOON 

(A) LOSING (E) SLEEP OVER (A) YOU 

LIKE A BRIGHT SHOOTING STAR, I’VE TRAVELLED AFAR 

TRYING TO FORGET, BUT I HAVEN’T YET 

IN THIS OLD WORLD, I’VE WANDERED FAR AND WIDE 

FROM THE COLD ARCTIC SEAS, TO THE TROPICAL BREEZE 

DOWN TO OLD MEXICO, THERE’S NO PLACE I DON’T KNOW 

HONEY, YOU’RE THE REASON I DON’T SLEEP AT NIGHT (CHORUS) 

(ACCOMP.) WALKING THE FLOOR, FEELING SO BLUE, SMOKE 

CIGARETTES, DRINK COFFEE TOO 

STRUM MY GUITAR, LOOK AT THE MOON, LOSING SLEEP OVER YOU 

293

YOU’RE THE REASON GOD MADE OKLAHOMA 

DAVID FRIZZELL / SHELLEY WEST 

SANDY PINKARD, LARRY COLLINS, BOUDLEAUX BRYANT, FELICE 

BRYANT 

(G) THERE’S A FULL MOON (C) OVER (G) TULSA 

I HOPE THAT IT’S (D) SHINING ON (G) YOU 

THE NIGHTS ARE GETTING’ COLDER IN (C) CHEROKEE (G) COUNTY 

THERE’S A BLUE NORTHER (D) PASSIN’ (G) THROUGH 

I REMEMBER GREEN EYES AND A (C) RANCHER’S (G) DAUGHTER 

BUT REMEMBER IS (D) ALL THAT I (G) DO 

LOSING YOU LEFT A (C) PRETTY GOOD (G) COWBOY 

WITH NOTHING TO (D) HOLD ON (G) TO 

(C) SUNDOWN CAME AND I DROVE TO TOWN, TO DRINK A DRINK OR 

TWO 

(BRIDGE) (G) YOU’RE THE REASON GOD MADE (C) OKLA(G)HOMA 

YOU’RE THE REASON GOD MADE (C) OKLA(G)HOMA 

AND I’M SURE (D) MISSING (G) YOU, I’M SURE (D) MISSING (G) YOU 

HERE THE CITY LIGHTS (C) OUTSHINE THE (G) MOON 

I WAS JUST NOW (D) THINKING OF (G) YOU 

SOMETIMES WHEN THE WIND BLOWS YOU CAN (C) SEE THE (G) 

MOUNTAINS 

AND ALL THE WAY TO (D) MALI(G)BU 

EVERYONE’S A STAR HERE IN (C) L.A.(G) COUNTY 

YOU OUGHT TO SEE THE (D) THINGS THAT THEY (G) DO 

ALL THE COWBOYS DOWN ON THE (C) SUNSET (G) STRIP 

WISH THEY COULD (D) BE LIKE (G) YOU 

(C) THE SANTA MONICA FREEWAY 

SOMETIMES MAKES A COUNTRY GIRL BLUE (TO BRIDGE) 

(A) I WORKED TEN HOURS ON A (D) JOHN DEERE (A) TRACTOR 

JUST THINKING OF (E) YOU ALL (A) DAY 

I’VE GOT A CALICO CAT AND A (D) TWO-ROOM FLAT 

ON A (A) STREET IN (E) WEST L.(A)A. (TO BRIDGE, IN A) 

294

YOUR TIME’S COMING 

FARON YOUNG 

(A) WELL, I KNEW SHE BELONGED TO SOMEONE ELSE AT THE TIME 

BUT LONELY LOOKING WOMEN ARE A (E) WEAKNESS OF MINE 

SO I THOUGHT ALL SHE SAID ABOUT THE LOVE HE NEVER GAVE HER 

FIGURED I’D JUST LOVE HER SOME AND DO US BOTH A (A) FAVOR 

JUST AS I GOT UP TO LEAVE, HE WALKED THROUGH THE DOOR 

AND I GUESS I THOUGHT HE’D BE SUR(D)PRISED 

BUT HE (E) LOOKED AT ME AS IF TO SAY HE’D BEEN THERE BEFORE 

AND HE OFFERED ME THIS WORD TO THE WISE…HE SAID, 

(CHORUS) (A) YOU KNOW SHE’S A CHEATER, SON 

BUT YOU BELIEVE THAT YOU’RE THE ONE 

WHO’S GOT A LOT OF WHAT IT TAKES TO (E) CHANGE HER 

AND I’VE NO DOUBT THAT YOU CAN’T GET HER 

YOU AIN’T MUCH BUT THAT DON’T MATTER 

NOTHING SUITS HER BETTER THAN A (A) STRANGER 

AND THE STRANGER MAN THE BETTER 

AND THE CHANCES ARE SHE’LL SET HER EYES ON YOU 

THE NEXT TIME SHE GOES (D) SLUMMING 

SO (E) JUST SIT BACK AND WAIT YOUR TURN, BOY 

YOU’VE GOT LOTS OF TIME TO LEARN, BOY 

COOL IT WHILE YOU CAN, ‘CAUSE YOUR TIME’S (A) COMING 

WELL, IT HAPPENS THAT IN TIME IT HAPPENED JUST LIKE HE SAID 

AND SOON ANOTHER’S SHOES WERE SITTING UNDER MY BED 

AND I CONFESS I DID MY BEST TO PROVE THAT MAN HAD LIED 

BUT NOTHING SHORT OF SUICIDE COULD KEEP HER SATISFIED, SO 

BUDDY 

LOSING HER TO YOU WAS JUST A MATTER OF TIME 

AND IT’S HER TIME FOR FINDING SOMETHING NEW 

NOTHING I CAN SAY IS GONNA MAKE YOU CHANGE YOUR MIND 

SO I'LL JUST GIVE THE SAME ADVICE TO YOU… (CHORUS) 

295

YOU WIN AGAIN 

HANK WILLIAMS 

(A) THE NEWS IS OUT, ALL OVER (D) TOWN 

THAT YOU’VE BEEN (A) SEEN, OUT RUNNIN’ (E) ‘ROUND 

I KNOW THAT (A) I SHOULD LEAVE, BUT (D) THEN 

I JUST CAN’T (E) GO, YOU WIN A(A)GAIN 

THIS HEART OF (D) MINE, COULD NEVER (A) SEE 

WHAT EVERY(D)BODY KNEW BUT (E) ME 

JUST (A) TRUSTING YOU, WAS MY GREAT (D) SIN 

WHAT CAN I (E) DO, YOU WIN A(A)GAIN 

I’M SORRY FOR YOUR VICTIM NOW 

‘CAUSE SOON HIS HEAD LIKE MINE WILL BOW 

HE’LL GIVE HIS HEART, BUT ALL IN VAIN 

AND SOMEDAY SAY, YOU WIN AGAIN 

YOU HAVE NO HEART, YOU HAVE NO SHAME 

YOU TAKE TRUE LOVE AND GIVE THE BLAME 

I GUESS THAT I SHOULD NOT COMPLAIN 

I LOVE YOU STILL, YOU WIN AGAIN 

296

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