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10 hidden gems by George Michael

Shocking Christmas death sparks reappraisal of out singer’s lesser-known track

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George Michael, gay news, Washington Blade

George Michael at a concert in Munich, Germany on Oct. 30, 2006. (Photo courtesy Wikimedia)

Given the shocking death of pop superstar George Michael on Christmas Day at the age of 53, it’s not surprising that his mourning fans have been listening through his outstanding catalog of music, which stretches more than 30 years as a solo artist and as one half of the duo Wham!, and reliving their favorite moments from the gifted musician.

Most everybody knows his many monster hits: “Wake Me Up Before You Go-Go,” “Careless Whisper,” “Everything She Wants,” “I Knew You Were Waiting for Me” (with Aretha Franklin), “Faith,” “Father Figure,” “One More Try,” “Monkey,” “Playing for Time” and “Don’t Let the Sun Go Down on Me” (with Elton John) were all No. 1 singles in the U.S.

Other major singles include “I Want Your Sex,” “I’m Your Man,” “A Different Corner,” “Freedom ‘90,” “Too Funky” and “Fastlove.” While most readers will be familiar with these, there’s another side to George Michael’s music that might be ripe for discovery by fans who haven’t delved fully into his extensive body of work. Here are 10 lesser-known George Michael gems you may not know.

“Battlestations” (1986) 

By the time Wham! made it big, George Michael was already eyeing a solo career. The global smash “Careless Whisper” was Michael’s first solo single even though in the U.S. it was credited to Wham! Featuring George Michael and it was included on Wham!’s chart-topping second album, “Make it Big.”

After announcing Wham!’s dissolution in early 1986, Michael promised one final album with the duo and a farewell concert. Wham! went out with a bang at a massive show on June 28, 1986 at Wembley Stadium. The last album is essentially a compilation of a few newly recorded tracks, assorted singles and leftovers (including the now-ubiquitous holiday single “Last Christmas” and the No. 3 smash “I’m Your Man). In North America the album was dubbed “Music from the Edge of Heaven,” while elsewhere it was called “The Final” and featured a different track listing.

One of the highlights is the lithe and funky “Battlestations,” a stripped down electronic-pop gem that recounts a rocky romance similar in theme to the chart-topping “Everything She Wants.” “Battlestations” points to the more mature adult-themed pop that Michael would explore on his classic debut solo album “Faith.”

“They Won’t Go When I Go” (1990)

George Michael was a huge Stevie Wonder fan and covered several of his songs over the course of his career. The finest is his stunning take on the ballad “They Won’t Go When I Go,” which Wonder released on his 1974 album “Fulfillngness’ First Finale.” Michael’s recording, featured on his second solo album “Listen Without Prejudice, Vol. 1,” is a powerfully rendered version with a dynamic multi-layered vocal performance over a simple piano accompaniment. It’s one of George Michael’s most spellbinding tracks, a true testament to his power as a vocalist, arranger and producer of the highest caliber.

“Do You Really Want To Know?” (1992)

In the midst of George Michael’s legal battle with Sony Music over his perception that the corporate behemoth failed to adequately promote his downbeat 1990 album “Listen Without Prejudice, Vol. 1,” Michael donated three dance tracks that were originally intended for a planned upbeat sequel to the intense and serious Vol. 1 to the AIDS charity compilation “Red Hot + Dance.”

One track, the high-energy “Too Funky,” became a substantial hit, but his two other contributions to the album, “Happy” and the uber-catchy “Do You Really Want to Know?,” are worth checking out as well. They offer a taste of what a terrific listening experience “Listen Without Prejudice, Vol. 2” might have been.

A fourth track, “Crazyman Dance,” was included as a B-side on the “Too Funky” single. Michael had been planning a deluxe reissue of “Listen Without Prejudice, Vol. 1” prior to his death, and while it’s unknown if the project will still see the light of day, it would be fantastic indeed if the complete unreleased “Vol. 2,” including these excellent overlooked dance tracks, is included in the package.

George Michael, gay news, Washington Blade

An early ‘90s record company photo of the late George Michael. (Photo by Bradford Branson; courtesy Columbia Records)

“You Have Been Loved” (1996)

George Michael’s 2006 album “Older” was his first in six years, and his return after a high-profile feud with Sony Music essentially stalled his career for half a decade. While the first single “Jesus to a Child” was met with initial excitement in the U.S., and its follow-up “Fastlove” became Michael’s final major American hit, the album performed markedly worse in the U.S. than in his native U.K. and other countries internationally.

The downbeat tone of the album, largely inspired by the 1993 death of Michael’s lover Anselmo Feleppa of an AIDS-related brain hemorrhage, did not translate well to U.S. radio and many of the low-key but exquisite tracks that became popular internationally were overlooked in America. One in particular is the stunning and heartbreaking tribute “You Have Been Loved,” a sublime recording brimming with genuine emotion. Michael delivers one of his greatest vocal performances on a song that shows his heart firmly on his sleeve.

“If I Told You That” (duet with Whitney Houston, 2000)

Whitney Houston originally released the smooth and funky R&B gem “If I Told You That” for her smash 1998 album “My Love is Your Love.” Two years later she re-recorded it for inclusion on a greatest hits set as a duet with George Michael. His soulful vocal fits the vibe of the song perfectly and he and Houston make a dynamic pair, generating plenty of chemistry.

The video, featuring Houston and Michael dancing and singing the song together, looking and sounding their best, is startlingly poignant for such an upbeat song. It seems to speak directly to the waste of extraordinary talent represented by the early deaths of two of pop music’s most shining stars. Had the track been released a decade earlier, it surely would have soared to the top of the American pop charts. In 2000, at a time when neither Houston nor Michael were riding high on the pop charts as in their heyday, the song was a minor hit internationally but in the U.S. it was essentially ignored.

“The Long and Winding Road” (2002)

Michael performed this sublime cover of the Beatles’ 1970 classic “The Long and Winding Road” for a 1999 concert in tribute to Paul McCartney’s late wife Linda, who had died after a long battle with cancer in 1998. Michael later included his recording as one of the B-sides to this sexy U.K. dance single “Freeek!” Particularly in the later part of his career, Michael often relied upon covers of some of his favorite songs and he was a gifted interpreter of other artists’ work. This smooth and empathetic vocal on the Beatles’ final single lends it a poignancy and gravitas that fits the somber occasion for which it was performed.

“John and Elvis Are Dead” (2004)

George Michael’s final studio album, “Patience,” was a substantial hit internationally with several chart singles, but in the U.S. it sank without a trace rather quickly. “Amazing” and “Flawless (Go to the City)” were hits in American clubs, but Top 40 radio unfortunately no longer had interest in Michael.

One of the album’s high points is the emotional ballad “John and Elvis Are Dead,” a moving reflection on the senseless loss of some of the world’s greatest sources of light and talent. With a sweet vocal by Michael and a video that features video clips of Presley, Lennon and others gone too soon, the song’s emotional impact is only heightened by the realization that we can now include Michael himself in the recitation of shining stars so important to so many people that the universe allowed to slip away far too young.

“An Easier Affair” (2006)

A quarter century after forming Wham! with his former school-mate Andrew Ridgeley, Michael released his elaborate multi-disc career retrospective “Twenty-Five.” The collection gathered most of his big hits, a few new recordings and a disc of rarities and B-sides.

“An Easier Affair” is a song newly recorded for the project, a slick upbeat dance-pop number that was a substantial hit internationally but was completely passed by in the U.S. It had been a decade since George Michael had scored a hit in America (“Fastlove” in 1996) so perhaps it’s not surprising the song, despite its commercial sheen and catchy upbeat melody, was neglected by American radio and MTV. The uplifting, gay-positive lyrics probably didn’t help: “I told myself I was straight/But I shouldn’t have worried/Cause my maker had a better plan for me.”

George Michael, gay news, Washington Blade

A photo used to promote George Michael’s 2008 concert at the Verizon Center for his ’25 Live Tour’ in 2008. (Photo courtesy Live Nation)

“White Light” (2012) 

After focusing mostly on downbeat material and covers in recent years, after a 2011 health scare left him in the hospital for a month with a dangerous bout of pneumonia, Michael returned the following year with the kinetic electro-pop “White Light.”

The harrowing song seems to take on his lifestyle of recent years, which had been marked by drug arrests and health problems. It was a declaration that he was still here and ready to take on the world set to a sleek and modern electronic beat. It’s one of his most cunningly constructed singles and should have marked his triumphant return to the mainstream.

Alas, the single was all but ignored in America and the album that was planned in its wake never appeared. “White Light” was Michael’s final original studio single, ironic given its determination that “tomorrow is mine.” He was trying, which makes his shocking loss only a few years later all the more heartbreaking.

“Let Her Down Easy” (2014)

George Michael’s final album was 2014’s “Symphonica,” a collection of some of his original material and an excellent selection of covers performed live at the Royal Albert Hall with orchestral arrangements on his Symphonica Tour of 2011-2012. “Let Her Down Easy” was the album’s single and, although it was obviously impossible to imagine at the time, it would end up being his last.

The original recording, a delicate ballad by Terence Trent D’arby from his superb 1993 album “Symphony or Damn,” is hard to top, but Michael comes close with his gorgeous and empathetic vocal over a piano accompaniment with subtle strings. Michael’s supple vocal performance is front and center, as strong and beautiful as ever. His talent was still blazing and undiminished even to the very end of his recording career.

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My Rehoboth Beach culinary tour

Myriad answers to the age-old question: ‘What’s the best restaurant in town?’

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(Photo by Ethan Bean)

I’ve had the privilege of indulging in Rehoboth’s evolving culinary scene for decades — from dining on Chez La Mer’s rooftop to sipping cocktails at the Blue Moon bar before the roof was installed.

The last 30 years have brought almost unthinkable change to the once seasonal small town getaway. New town homes that overlook Route 1 are going for more than $1 million. There’s not much off-season at all these days with food festivals and other events that draw tourists year round. Indeed, hotel occupancy rates for October’s Sea Witch Festival exceed those for July Fourth weekend. 

The upside to all this growth and change? Rehoboth’s culinary scene has exploded with high-quality restaurants and bars proliferating in town and thriving up and down Route 1 from Lewes to Fenwick Island and even Ocean City. In fact, the chef at Fenwick’s One Coastal was just nominated for a prestigious James Beard Award. Matthew Kern will be the first-ever Delaware chef in James Beard Awards’ history to be named a finalist in any culinary category, according to the Delaware News Journal. He will be among five chefs competing for the title of best chef in the Mid-Atlantic region. The awards are announced June 10.

As a part-time Rehoboth resident, I frequently field questions from visitors wondering: “What’s the best restaurant in town?” That usually leads to a prolonged text exchange with me offering endless choices in various categories. In an effort to answer that age-old question in a more organized fashion, I offer this roundup of my favorite haunts in the Rehoboth area in a range of styles and budgets. (And please note: These are just my opinions based on lots of experience. Inclusions/omissions are not intended to slight anyone. These things are subjective so it’s OK if you don’t like my picks.)

HIGH-END DINING

Rehoboth offers a handful of options for a truly high-end experience. For a traditional steakhouse, there’s Houston White Co. (315 Rehoboth Ave.), where an eight-ounce filet runs about $45 and a USDA Prime Porterhouse is $85. Side dishes are priced separately and shared, ranging from a $6 baked potato to $11 onion rings. The setting is probably the most formal in town. A small bar in front is always busy and staffed by friendly, knowledgeable mixologists. 

Eden (23 Baltimore Ave.) has a beach chic vibe and the menu is probably the most reliable in town. The ahi tuna — my go to — is perfectly seared and delicious rare. There’s an extensive wine list and the bar is always lively with entertaining staff. The upstairs dining room is ideal for a large party or special event. 

By far the best new restaurant to open in recent years is Drift (42 1/2 Baltimore Ave.). If you’re looking for an upscale, special occasion seafood indulgence, this is the spot. The lobster French toast gets all the press, but the entire seafood menu is as good as any in D.C., from local oysters to the crispy Atlantic swordfish schnitzel. The coveted bar seats go fast and there are only a handful of them at the unique bar that opens to the outside so go early. And this isn’t the place for a large party; the kitchen is small so take a date here if you really want to impress. The outdoor patio is lovely in good weather but the interior is beautifully decorated so that’s the better bet.

Since 1981, the Blue Moon (35 Baltimore Ave.) has been at the forefront of Rehoboth’s restaurant and bar scene, constantly evolving and working to feed and entertain us all. The restaurant is consistently rated among the best in town. It’s intimate and charming and some of the wait staff have been here for many years making it feel like a homecoming when you arrive. The Sunday brunch remains among the best in town, complete with white tablecloths and welcome scones. In the off-season, you can’t beat Tasting Tuesdays, a three-course dinner with wine pairings for $49. Many of us miss the old days of the Moon as a sometimes-raucous bar and dance club, but happy hour is back with half-price cocktails and appetizers, Monday-Friday, 4-6 p.m. So go for a drink and stay for dinner and enjoy crab cakes, lobster risotto, duck breast, and more.

Ah, the Back Porch (59 Rehoboth Ave.) — a true pioneer in establishing Rehoboth as a culinary destination. So many naive tourists walk past the Back Porch because it’s set back from the street, down an alleyway. But those who make the stroll are rewarded with French-inspired food and a convivial bar that’s vaguely reminiscent of Key West. It’s not fancy and fussy; it’s worn and welcoming with an elevated menu and a spacious two-story outdoor dining room. Rehoboth is inexplicably lacking in outdoor dining spots; there aren’t nearly enough al fresco options for a beach town. If you’re on a budget, give it a try for lunch or brunch. The menu doesn’t seem to change, but that’s OK when the food is this good. A true locals place, there’s always a friendly face at the bar and everyone misses bartender Bee Neild who retired last year after nearly 50 years. The Back Porch is celebrating its 50th anniversary this year; let’s raise a glass to the next 50.  

La Fable (26 Baltimore Ave.) is owned by Megan Kee, a beloved restaurateur in town with an impressive track record (she also owns Houston White and Bramble & Brine in Lewes; more on that later). Kee’s unmistakable style — pairing antique furniture and tableware with modern flourishes — can be seen everywhere from the piano-turned-bar to the mismatched vintage china. She pulled off a remarkable feat, turning the rather unappealing basement setting at La Fable into an authentic and charming French bistro. You’ll find all the French favorites here, from escargot to boeuf bourguignon to steak frites. The space is small so make a reservation. 

I offer these high-end options with two caveats/pet peeves. When paying in excess of $45 for an entree, I do not expect to sit on a plastic chair. Also, I do not appreciate overly familiar service just because the waiter is “gay too!” At those prices, a comfortable chair and formal service should be the norm.

MID-PRICED DINING

The high-end scene may be small but there are a plethora of quality mid-priced restaurants that beckon. 

My favorite in this category is the always-reliable Henlopen Oyster House (50 Wilmington Ave.) with its wide selection of fresh raw oysters and equally impressive draft beer list. Henlopen does the high-low thing so well, for example pairing an indulgent dozen Wellfleet oysters with a pint of cask beer. There are lobster rolls, salads, the best steamed shrimp in town, and much more on the menu. It’s a popular place, usually with a line forming before it opens. So go early and be patient — it’s always worth the wait (they don’t take reservations). No matter how packed the bar gets, the two Amys always offer the best service with a welcoming smile. This is my go-to when asked for seafood recommendations in Rehoboth.

As I mentioned, there are too few places for quality outdoor dining/drinks in Rehoboth Beach. You’ll find a handful of touristy hotel restaurants on the boardwalk along with the requisite fast food and Grotto’s pizza joints but there just aren’t enough places for an elevated bite. Above the Dunes (101 S. Boardwalk, 2nd floor) has the best view in town; sit at the bar and try one of their grain bowls. One of the best outdoor spots is the rooftop at JAM (210 2nd St.). The space has seen multiple concepts come and go in recent years, including the aforementioned classic Chez La Mer, Papa Grande’s, the disappointing Unwined, and before that the much-missed Azzurro. But JAM took over the space last year after relocating from Baltimore Avenue and offers the same quality food (burger specials and the salmon salad are highlights) but with a view. Grab a seat on the second floor outdoor deck and enjoy the breeze.

JAM’s rooftop is one of the few places to enjoy a great meal al fresco in Rehoboth Beach. (Washington Blade photo by Daniel Truitt)

Across the street from JAM is the charming and underappreciated Aroma Mediterranean Cuisine (208 2nd St.). If you like hummus with homemade pita, falafel, kebobs, koftes, and more from the Med, then this is your spot. Try the hummus flight with three samples, including sundried tomato. Delicious.

A Rehoboth stalwart, Café Azafran (18 Baltimore Ave.) never disappoints with its small plates, dinner specials, and, of course, bustling bar featuring Washington Blade three-time Best Rehoboth Bartender winner Holly Lane, who sings (sometimes in French) while pouring drinks. Take a group of friends and order an array of small dishes to share, like the shrimp a la plancha, stuffed arancini, and ratatouille Provencal. There’s no better way to embrace family style dining. 

One of the biggest and happiest surprises in Rehoboth’s dining scene came the night I reluctantly walked into Michy’s (19287 Miller Rd. on Route 1). Reluctantly because the restaurant sits unassuming in a strip mall off Route 1 surrounded by supermarkets and nail salons. You couldn’t find a more unexpected location for one of the area’s best restaurants. But don’t let the location deter you; inside, the décor is warm and eclectic with a small bar and lively dining room. There’s a top-notch menu, including short ribs, sea scallops, and a spicy horseradish crusted salmon, but the daily specials are the stars here so be sure to order whatever special the chef is offering. There’s always a local fish option with a creative preparation. 

AFFORDABLE DINING

Let’s face it: When you’re at the beach, you don’t always want inventive and elevated. Sometimes you just want to wander into a place in your bathing suit and still find a good meal at a fair price. 

For that moment, there’s nothing better than the Starboard (2009 Rt. 1), just down the highway from Rehoboth in Dewey Beach. The Bloody Mary bar is legendary and now comes with a dedicated “sommelier” to assist in choosing from dozens of mixes, hot sauces, pickled vegetables, and more. But the real standout here is the crush — orange, grapefruit, watermelon, lemon, and more — cranked out by the busiest and best bartenders in the area (especially Doug and Shelley). The food is consistent and satisfying, if heavy on the portion size. The crab cakes, burgers, and salads are a good bet. If you’re nursing a hangover, the breakfast skillets will ease your pain. You can design your own omelet or choose from many of their egg creations. Pro tip: Share an entrée as the portions are huge. This used to be dominated by college kids enjoying summer break, but a more mature crowd, including the gays, have discovered Starboard’s many charms, which include a DJ and live bands all weekend.

Back in Rehoboth, the gay-owned Goolee’s Grille (11 S. 1st St.) offers some of the best breakfast dishes in town, including chipped beef, waffles, sandwiches, and more with a mimosa or Bloody to wash it down. There are occasional drag brunches and watch for the popular Greek night dinner specials. If the lines are too long in town for breakfast, venture across the highway to the new Eggcellent (19730 Coastal Highway), a locally owned restaurant that is open seven days 7 a.m.-3 p.m., meaning no dinner. So the focus is breakfast all the time with omelets, avocado toast, pancakes, and more. Don’t let the strip mall vibe fool you; the interior is gorgeous. 

Need a break from pizza and crab cakes? Grab a table on the second floor deck at Mariachi Restaurant (14 Wilmington Ave.) and enjoy some of the best Mexican and Spanish fare in town. You’ll likely be met at the door by Yolanda, the tireless owner who greets locals with a gregarious hug before bringing pitchers of irresistible margaritas to your table. The vast menu offers traditional pollo asado and carne asada along with paellas and assorted seafood dishes. The chips are plentiful and the salsas perfectly spiced. Mariachi opened in 2006 and won over locals by staying open during the off-season so the crowd is always a spirited mix of tourists and residents. 

HONORABLE MENTIONS

For the ideal rustic beach bar, complete with sand, the ever-popular Purple Parrot Biergarten (134 Rehoboth Ave.) beckons. The food is standard bar fare but go for the vibe — beers and cocktails outside served from a bar with a flower-covered roof and bartenders in bathing suits. Aqua Bar & Grill (57 Baltimore Ave.) offers outdoor dining and drinks as well and is always packed with gay revelers all summer long.    

Looking for something new? Check out the Libation Room in the back of Summer House (228 Rehoboth Ave.), a restaurant with a dark, speakeasy vibe or the brand new outdoor garden arranged around a gurgling fountain.

If you’re not counting carbs and are looking for a satisfying lunch to take to the beach, pick up a hulking sandwich at Frank & Louie’s (58 Baltimore Ave.) or the iconic chicken salad at Lori’s Café (39 Baltimore Ave.).

OUTTA TOWN

If you’re an old pro and have already exhausted Rehoboth’s many dining options, venture up or down Route 1 for something different. Ocean City isn’t known as a fine dining destination, but things are changing. Check out Liquid Assets (9301 Coastal Highway) and don’t be deterred by the entrance in a strip mall through the liquor store. The restaurant’s high-end menu includes Maryland crab, blackened rockfish, steamed local oysters, along with steaks and even vegan options. Browse the extensive wine list or, better yet, wander around the shop and pick a bottle from the shelves. Not far away is Ocean View/Millville with its own growing roster of appealing restaurants. One of the best is Melissa’s (35507 Atlantic Ave.), with a small menu featuring a fish of the day, seafood pasta, and shrimp or lobster fried rice. Back north in Lewes is a gem of a new discovery. Located behind Bramble & Brine (102 2nd St., Lewes, the former Buttery) is the Pink Pony, a bar and restaurant serving breakfast, lunch, and dinner that pays homage to one of Rehoboth’s first gay bars of the same name. Owner Megan Kee can often be found on her laptop at the bar and seems to know everyone who walks through the door. It’s welcoming, friendly, and the décor a real throwback. Check it out.

Our independent restaurateurs and their dedicated staff need support, so skip the chains and enjoy the diverse array of Rehoboth-area restaurants this summer.

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What’s new at Rehoboth Beach for summer 2024

Higher parking fees, Pamala moves to Diego’s, and more

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Rehoboth favorites Magnolia Applebottom and Pamala Stanley are reunited this summer at Diego’s. (Blade file photo by John Bator)

Another Rehoboth Beach season is upon us. I have been going to the beach for more years than I can count, and always love it. Some now consider Rehoboth a year-round community, and in many ways they are right. But summer still brings out tens of thousands of tourists, from day-trippers, to those with second homes at the beach. Others book a weekend, or longer, at the many great hotels. They all come to the beach for the sun and sand, food, and drink. Some like to relax, others to party, and you can do both in Rehoboth. 

So here is some of the good (and a little of the bad) of what’s new this season. First the bad: Parking at a meter will now cost you $4 an hour. Meters are in effect May 15-Sept. 15. Parking permits for all the non-metered spaces in town are also fairly expensive. You can find information on both transferable and individual permits, online.

Now for the good — and there is lots of it. First, Aqua Bar & Grill has reopened for the season. During Women’s Fest they were packed, with many sitting around the outdoor heaters, and that included lots of good looking men. I recommend taking advantage of the Thursday Burger night. Then the Blue Moon just announced John Francis Flynn will be on the piano from May 26-June 26, Sunday to Thursday, 6-8:30 p.m. He will then be back again on the same schedule from July 30-Sept. 11. During July, Nate Buccieri returns to town for a month-long runs of shows.

My favorite place at the beach, The Coffee Mill, in the mews between Rehoboth and Baltimore Avenues, opens every morning at 7 a.m. Whenever I am at the beach I am there. Mel, who also owns Brashhh! on 1st Street, announced he is starting his own clothing line, called FEARLESS! 

The Purple Parrot, is celebrating its 25th anniversary this year so be sure to spend some time there raising a glass. The Summer House last year opened the upscale Libation Room, with drinks like a Bacon Maple Old Fashioned. This year, they opened a nice garden looking out on Rehoboth Avenue, with a fountain. With the renewed interest in vinyl records you may want to stop in at Extended Play. Traveling a little beyond the town is the new 302 Local, located in Coastal Station behind Iron Hill Brewery. It is themed as a 1920s-era speakeasy. If you are in town on a Sunday for T-dance, you will have the chance to hear Pamala Stanley perform at Diego’s Bar and Nightclub. This is the perfect venue for Pamala’s talents in an indoor-outdoor setting that is already drawing packed crowds. Don’t miss it. Speaking of Diego’s, Pamala and Best Rehoboth Drag Queen winner Magnolia Applebottom are reunited there this summer. Don’t miss Magnolia’s Memorial Day Thursday party on May 23 from 8-10 p.m. featuring “naughtee bingo.”

If you are looking for culture Rehoboth has some of that as well. There’s Clear Space Theater on Baltimore Avenue. This year’s shows include The Bodyguard, The Roommates, Jersey Boys, Rock of Ages and The Prom. Tickets sell fast so I suggest you book early and they are available online. Then there is the Pride Film Festival, June 14-16. More information on that can be found at CAMP Rehoboth, the LGBTQ community center. CAMP plans the annual Sunfestival each Labor Day weekend, a not-to-miss event each year. On the CAMP website you can also find information on its speaker series, concerts, and other special events that will be going on during summer. This year Rehoboth Beach Pride takes place July 18-21. Sussex Pride is taking the lead on the festival, which will happen at the Convention Center July 20 from 10 a.m.-2 p.m. If you visit CAMP, or are just walking up Baltimore Avenue, make sure you pick up a copy of the Blade in the box in front of the building.

I would be remiss if I didn’t mention some of the other restaurants and clubs in town. Just a reminder, during season you often need reservations. Come to the beach often enough, and you can try them all: The Pines (and their Monday steak night) and Top of the Pines are at the epicenter of the fun on Baltimore Avenue. Freddie’s Beach Bar and Restaurant offers a busy summer of events and entertainment. Rigby’s remains a go-to spot for the LGBTQ community on Rehoboth Avenue. Bodhi Kitchen is back in its second year offering delicious modern Asian cuisine “with a twist.” These are only a few of the great places to eat and drink at the beach.

Remember to book your reservations for hotels and restaurants early. Rehoboth is a happening place and very busy. Here’s wishing you fun at the beach. 

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‘RuPaul’s Drag Race: All Stars’ cast visits D.C.

8 queens vie for $200,000 prize for charity in new season, premiering May 17

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The cast of the latest ‘RuPaul’s Drag Race All Stars’ season sashayed on the National Mall to promote the reality show's ninth season on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)

Donning sparkling and star-studded red, white, and blue attire on a gloomy, humid D.C. Monday, the cast of the latest “RuPaul’s Drag Race All Stars” season sashayed on the National Mall to promote the reality show’s ninth season.  

This upcoming season is different than those in the past — eight queens are competing for a donation of $200,000 for the charity of their choosing, rather than a personal cash prize. 

Several cast members noted how it felt important to visit the nation’s capital, being authentically themselves and wearing drag. Nina West, who competed in season 11, likened drag to armor. 

“We’re here during a really specific time in history, that’s, I would say, markedly dark,” she told the Blade at the steps of the Lincoln Memorial. “And there’s an opportunity, as drag has always done, which is for our community as specifically LGBTQI+ people, to stand in our truth and be wonderful — like guardians and fighters for our community.” 

She’s competing for the Trevor Project, which is focused on suicide prevention and crisis intervention for young LGBTQ people. This season’s pivot to compete for charity made Nina West want to come back on the show for the All Stars season. She’s been offered the spot two times before this, she said, and this twist aligned with what she wanted to do. 

Several of the other queens mentioned that it’s an honor to be featured in this season, including season 5’s Roxxxy Andrews. She also competed in two subsequent All-Stars seasons. 

She chose the organization Miracle of Love, which provides HIV/AIDS prevention programming and assistance in central Florida. It’s a smaller, more local organization, which is why Roxxxy Andrews chose it. She wants to make its work more nationally known. Also, vying to win during a charity season makes the competition feel more rewarding, she said. 

Plastique Tiara of season 11 also noted it’s different competing for charity. She’s competing for the Asian American Foundation, which launched in 2021 in response to the rise in anti-Asian hate and aims to curb discrimination and violence through education and investments in nonprofits. 

“It’s more competitive because then you’re fighting not just only for yourself, but your ideas and the things that you love,” she said. 

Vanessa Vanjie of seasons 10 and 11 agreed that competing for charity adds a bit more pressure — she chose the ASPCA. And as onlookers near the Lincoln Memorial took pictures of and with the queens, she said she was relieved. 

“I was a little bit worried somebody would yell some slurs at us,” Vanessa Vanjie said. “Nothing happened. Everybody came to take pictures like Santa Claus in the middle of the mall.”

There’s a range of contestants from different seasons for this round of All Stars. Some queens hail from recent seasons, but Shannel competed on the show’s first season. To be a part of this new season is surreal, she said. 

She’s competing for the Anxiety and Depression Association of America, which she has a close tie to. She’s dealt with anxiety her entire life. The association is focused on increasing awareness and improving diagnosis and treatment. 

“I always felt like I just wasn’t normal, sadly,” she said. “And so now being able to be able to do this season and to get back to that organization is like amazing to me.”

Gottmik, from season 13, is competing for Trans Lifeline — a nonprofit providing advocacy, a hotline and grants created by trans people, for trans people. Being able to do drag and give back is the “perfect scenario,” Gottmik said. 

Gottmik was the first openly trans man on Drag Race, which was overwhelming when first on the show. Gottmik felt pressure to be the “perfect example,” but later realized that they didn’t have to worry so much. 

“I just want to show people that trans people are real people. We can express ourselves however we want to express ourselves, through drag, through whatever it may be,” Gottmik said. 

The new season will be available to stream on Paramount+ on May 17. 

The cast of RuPaul’s Drag Race pose with White House Press Secretary Karine Jean-Pierre at The Little Gay Pub on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)
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