• 2. Respect yourself • 3. Respect others • 4. Raise your hand and wait to be called on before speaking “Rocket ‘88.’” Jackie Brenston and His Delta Cats’ 1951 single, “Rocket ‘88.’” Recorded in Memphis and produced by Sam Phillips (Elvis Presley’s first producer), • While it is legally credited to Brenston, he may have written only the lyrics and lifted the music from an earlier song called “Cadillac Boogie” simple verse form verse instrumental verse • Simple verse form. It repeats a single section of music eight times and, as you will see in the diagram, each section is labeled either “verse” or“instrumental verse.” • The only exception is verse 2, which slightly alters the structure found in all the other sections. • Simple verse form is common in rock music, and we will see many instances of it in the chapters that follow. Doo – Wop Progression
• I – vi – IV – V. In the key of C, this
progression would go C – A minor – F – G
• This familiar chord progression can
heard in 1950s tracks such as the Five Satins’ “In the Still of the Night” and the Del Vikings’ “Come Go with Me.” TYPICAL FORMAL TYPES IN AMERICAN POPULAR MUSIC • Simple Verse Form. • Simple Verse-Chorus. • Contrasting Verse-Chorus. • AABA Form.
• The 12-Bar Blues.
• The Doo-Wop Progression • Bridge. Simple Verse - Chorus • A chorus is a section that repeats the same music and lyrics intact in each presentation. (Remember that verses use the same music with different words.) When a single musical pattern is used as the basis for both verses and choruses in a song, the resulting form is called simple verse - chorus Contrasting Verse - Chorus. • Unlike a simple verse-chorus, in which the verse and chorus sections share the same musical material, when the verses and choruses of a song employ different music, we call this contrasting verse - chorus. AABA • We use the designation AABA to show that the first two 8-bar phrases are very similar, the third 8-bar phrase is contrasting, and the last 8-bar phrase is similar to the first two.