Buddy Holly’s catalog is one of the sturdiest in early rock, and it’s also one of the most inviting for cover artists: he wrote wonderful melodies with simple lyrics and performed them energetically, but he didn’t live long enough to create a performance style as definitive as Jerry Lee Lewis, Little Richard, or Chuck Berry. Still, there are dangers in approaching a Holly standard: step too lightly, and you end up with something that sounds like a nursery rhyme, especially on songs like “Everyday” and “Oh Boy.” Luckily, few of the artists on “Rave On Buddy Holly,” a new tribute record, step wrong. The Black Keys attack “Dearest”; Patti Smith turns in a luminous version of “Words of Love”; Lou Reed loosens up on “Peggy Sue”; and Paul McCartney loosens up even more on “It’s So Easy,” which includes a growling interlude full of down-and-dirty come-ons.
Goings On
What we’re watching, listening to, and doing this week, online, in N.Y.C., and beyond. Paid subscribers also receive book picks.
Pop Music
Dua Lipa Devotes Herself to Pleasure with “Radical Optimism”
In an era of postmodern, self-referential music, there’s something refreshing about the artist’s new album—short songs, big hooks, and a celebration of delight.
By Amanda Petrusich
The Front Row
How Hindsight Distorts Our View of the Beatles in “Let It Be”
Usually seen as a document of the band’s breakup, the documentary, newly restored by Peter Jackson, is just as much a record of freewheeling inspiration.
By Richard Brody
Culture Desk
An Acclaimed D.J. Who Is Ready to Sing Again
The Welsh artist Elkka made her name with buoyant dance music. Now she’s reintroducing her voice.
By Kelefa Sanneh
Goings On
Hilton Als on the Sui-Generis Films of Charles Atlas
Also: “Uncle Vanya” and “Staff Meal” reviewed, superstar pianists at Carnegie Hall, and more.