CLEVELAND, Ohio – Another year and another induction class. To the Rock & Roll Hall of Fame’s credit, it continues to induct acts that allow critics to cross several snubs off their lists.
The Class of 2021 is loaded with several artists who have been nominated time and time again finally making their way into music’s hallowed ground. Of course, there’s still a long way to go.
Our updated list of the “100 Greatest Snubs in Rock and Roll Hall of Fame history” sees six artists -- Tina Turner, LL Cool J, Carole King, Gil Scott-Heron, The Go-Go’s and Kraftwerk -- all move from snubs to inductees.
We managed to replace them with other deserving acts based on impact, influence and overall legacy. As always, we didn’t waste time arguing what “rock and roll” is, choosing to go with the parameters the museum itself has set.
So, let the debate continue.
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100. Lionel Richie and the Commodores
Eligible since: 2000
Why they should be in: Even if you think the Commodores’ output as a group (which included numerous hits in funk and soul) isn’t enough for the Rock Hall, Lionel Richie’s solo career should put them over the top. Richie was one of the biggest stars of the 1980s and ranks as one of the great songwriters of all time.
Why he’s not: Do you induct Richie alone or the Commodores as a group? It’s a question the Rock Hall Nominating Committee probably hasn’t thought much about up until this point.
99. Judy Collins
Eligible since: 1987
Why she should be in: The induction of Joan Baez a few years ago had to put Collins on the Rock Hall’s radar. Similarly, her amazing voice and activism made her an inspiration to numerous folk and Americana artists. Collins also has longevity, scoring her first No. 1 album when she was 80.
Why she’s not: The Rock Hall has created a huge backlog of women who need to be honored. Collins’ reputation will likely earn her a nomination someday, but probably not anytime soon.
98. Glen Campbell
Eligible since: 1998
Why he should be in: Campbell checks all the boxes as a talented, influential musician who sold a lot of records and was revered by his peers. He’s also an underrated guitar player and one of the most gifted artists whose reputation in Nashville is stellar.
Why he’s not: Country has been a weird genre for the Rock Hall and despite influencing numerous artists outside of the genre, Campbell would surely still be considered a “country artist” by the Nominating Committee.
97. Ozzy Osbourne
Eligible since: 2006
Why he should be in: No individual has higher standing in the genre of heavy metal than Osbourne who is already in with Black Sabbath. His successful solo career, Ozzfest and fame should earn him consideration as a two-time inductee.
Why he’s not: Considering the Rock Hall can’t get some of the most important metal bands (Judas Priest, Iron Maiden, Motorhead, etc.) of all time in, it’s hard to imagine the Nominating Committee looking at Osbourne solo anytime soon.
96. Ben E. King
Eligible since: 1987
Whey he should be in: King is one of the great soul singers of all time who has already been inducted as a member of the Drifters. However, his solo career was substantial as well, especially compared to other two-time Hall of Famers.
Why he’s not: It’s likely King was on the Rock Hall’s radar as a solo act when he was participating in ceremonies. Following his death, however, he may have gotten lost in the shuffle when it comes to urgency.
95. Daft Punk
Eligible since: 2020
Why they should be in: With Kraftwerk now in, Daft Punk stand as the greatest electronic group not in the Rock and Roll Hall of Fame.
Why they’re not: It took Kraftwerk forever to get in. And even then, it was with a specialty award. Electronic music is clearly still on the back burner when it comes to voters.
Paul Rodgers of Bad Company.Getty Images
94. Bad Company
Eligible since: 2000
Why they should be in: Bad Company stands as one of rock’s most successful supergroups, selling more than 40 million records worldwide. It helps that the band has Paul Rodgers, one of the greatest and most influential rock singers of all time. But original members Simon Kirke, Boz Burrell and Mick Ralphs were no slouches. Their resumes speak for themselves.
Why they’re not: If the Rock and Roll Hall of Fame continues its trend of honoring at least one big-name, classic-rock act each year, it’s just a matter of time.
93. Tool
Eligible since: 2018
Why they should be in: Tool has a large and loyal fanbase that has watched the band take alternative metal music to new heights. When it comes to modern metal, no band has had a greater impact.
Why they’re not: Unfortunately, alternative metal hasn’t fared well among voters recently with Rage Against the Machine and Jane’s Addiction both missing out on induction.
92. The Jam
Eligible since: 2003
Why they should be in: Even if you’re not familiar with Paul Weller and the mod revival his band led in the 1970s, you are certainly familiar with the acts they inspired. There are people out there who push for bands like Oasis, Pulp and Blur to be inducted. Each of them owes a huge debt to The Jam.
Why they’re not: Despite being a popular act in the UK, The Jam didn’t make much of a dent in the U.S. where most of the Rock Hall’s voter base calls home.
91. Nas
Eligible since: 2018
Why he should be in: Nas is, arguably, the greatest rapper of all time. And the Rock Hall hasn’t been shy about honoring hip-hop.
Why he’s not: Nas hasn’t had the overall cultural impact as his peers – The Notorious B.I.G. and Tupac Shakur – who have been inducted into the Rock Hall.
90. Motley Crue
Eligible since: 2007
Why they should be in: Motley Crue won the Rock Hall’s 2020 “Voice Your Choice” in-museum fan vote, yet was left off last year’s ballot. You don’t have to go too far down the list of the greatest hard-rock acts that haven’t been inducted before you get to Motley Crue.
Why they not: Members of Motley Crue’s have said their off-stage antics have them blacklisted from the Rock and Roll Hall of Fame. Whether that’s true or not, the crazy stories do overshadow what the band accomplished musically.
89. Emmylou Harris
Eligible since: 1994
Why she should be in: Harris has done it all and she’s done it in many forms. She’s well respected as a solo artist, songwriter, collaborator and backing vocalist. Harris’ take on country, folk, Americana and bluegrass laid the blueprint for many artists that critics gush over today.
Why she’s not: Female artists with Harris’ background don’t make it on the ballot all that often. But Joan Baez’s induction a few years ago may have opened some doors.
88. Faith No More
Eligible since: 2011
Why they should be in: Faith No More stands as one of the most influential alt-metal bands of the late 1980s, receiving praise from members of Guns N’ Roses, Korn and Nirvana. The band also has one of the great frontmen in rock history in Mike Patton.
Why they’re not: Compared to an inductee and similar band like Red Hot Chili Peppers, Faith No More was never quite as mainstream.
87. Dolly Parton
Eligible since: 1989
Why she should be in: Dolly Parton is a superstar, regardless of genre. Yes, she’s country. But her influence as a pop-culture icon has extended beyond the genre. Virtually every female star who has followed in the realms of rock, folk, country and punk music owes a debt to Parton.
Why she isn’t: The Rock Hall has only inducted one pure country artist in the “Performer” category. That was Johnny Cash. The road to the next hasn’t been paved.
86. Patti LaBelle
Eligible since: 1988
Why she should be in: Patti Labelle made her mark in the 1960s and ‘70s leading impactful girl groups, then became a solo star who delivered some of the top soul hits of her time. LaBelle’s vocal power and stage presence influenced several future stars, including Jennifer Hudson, Mariah Carey, Whitney Houston and Luther Vandross.
Why she’s not: A limited number of women (compared to men) make the ballot each year. Labelle may be on the list of future candidates, but she seems to be too far down it right now.
85. Devo
Eligible since: 2003
Why they should be in: Devo’s influence is undeniable, primarily on the genres of new wave, industrial and alternative rock. With the Rock Hall inductting unique bands like Nine Inch Nails and Radiohead, Devo’s case only gets stronger.
Why they’re not: Devo may be too weird for voters without the high-brow critical standing of a Radiohead and Nine Inch Nails to balance it out.
84. Luther Vandross
Eligible since: 2002
Why he should be in: Luther Vandross is among the the greatest R&B acts not in the Rock and Roll Hall of Fame. He’s also, arguably, the greatest vocalist in history yet to be inducted.
Why he’s not: Despite working with artists like David Bowie, Todd Rundgren and Donna Summer, Vandross’ may seem like more of a Soul Music Hall of Fame inductee (which he is) than a Rock and Roll Hall of Fame one.
83. Loretta Lynn
Eligible since: 1989
Why she should be in: Loretta Lynn has been a major force in country, gospel and Americana. Her free spirit and ability to go against the norm impacted artists in other genres as well.
Why she’s not: As previously stated, the Rock Hall simply hasn’t moved beyond Johnny Cash when it comes to country acts. And odds are it won’t be a female musician when they do.
82. Iggy Pop
Eligible since: 2003
Why he should be in: Dubbed the “Godfather of Punk,” few individuals have had as big of an influence on the groundbreaking genre as Iggy Pop. He’s an icon with an impressive solo catalog that’s widely celebrated as well.
Why he’s not: Iggy Pop is already in the Rock Hall as a member of the Stooges. Considering the band has also been called Iggy and the Stooges, it is hard for some to separate his legacy from that of the band’s.
81. The Roots
Eligible since: 2019
Why they should be in: When The Roots first started, they felt like an outlier in rap. A live hip-hop band could never go mainstream. Then, they did. In the process, The Roots gave even more credibility to hip hop as a true musical art form, inspiring numerous rappers, from Jay-Z to Lil Wayne, to start touring with a live band.
Why they’re not: They just became eligible and there’s a long list of fantastic hip-hop groups that have yet to be nominated.
80. Beck
Eligible since: 2019
Why he should be in: A singular talent during the alt-rock boom of the 1990s. Beck not only released some of the best music of the past 30 years but also set a new standard for what it means to be a chic rock star.
Why he’s not: Beck has always toed the line between underground and mainstream. He’s like Sonic Youth meets Prince. It’s possible the Rock Hall’s Nominating Committee doesn’t fully know what to do with him.
79. Roberta Flack
Eligible since: 1995
Why she should be inducted: Even by the Rock Hall’s polarizing standards, Roberta Flack is someone who should have already earned a look or two, given her impact on genres of jazz and R&B. She also has a resume that industry types love, winning the Grammy’s coveted Record of the Year twice. The only other artist to accomplish that feat is U2.
Why she’s not: Having three No. 1 hits might be a double-edged sword. Flack’s biggest songs are so big, they, unfortunately, overshadow the rest of her stellar career. A song like “Killing Me Softly with His Song” is more likely to be honored in the “Singles” category than Flack is as a “Performer.”
78. Mott the Hoople
Eligible since: 1995
Why they should be in: Every significant glam-rock band you’d rank ahead of Mott the Hoople (save for New York Dolls), is now in the Rock Hall. The band’s blend of hard and glam rock along with its contemptuous attitude served as a precursor to punk and arena rock.
Why they’re not: Most people only know the song “All the Young Dudes.”
77. Rick James
Eligible since: 2004
Why he should be in: Rick James is one of the 10 greatest funk artists of all time with hits that stand the test of time. His blend of R&B and rock would influence some of the biggest artists of all time, including Prince and Michael Jackson, and become a go-to for hip hop producers looking for catchy samples.
Why he’s not: While most people know hits like “Mary Jane,” “Give It to Me Baby” and “Super Freak,” James was never a massive success. “Street Songs” was his only top-five album.
76. Pat Benatar
Eligible since: 2000
Why she should be in: More than any woman except maybe Joan Jett, Pat Benatar looks and sounds the part of a rock star. And she has the music to back it up. Benatar rates as one of the biggest stars of the 1980s with six platinum or multi-platinum albums to her name.
Why she’s not: It was rather shocking Benatar didn’t get in after finishing second in the Fan Vote in 2020. Perhaps her work (wrongfully) doesn’t feel as substantial to voters as that of her male counterparts from the 1980s.
75. Dionne Warwick
Eligible since: 1989
Why she should be in: Dionne Warwick became the first Black female pop star during the 1960s. That alone should put her on the Rock and Roll Hall of Fame’s radar. Her impact and collection of hits (56 singles that made the Hot 100) would pave the way for artists like her cousin Whitney Houston and Mariah Carey.
Why she’s not: Warwick is mistakenly seen as a crooner or “torch singer.” While that didn’t hurt Whitney Houston’s campaign last year, Warwick’s pop-culture impact wasn’t as flashy as that of her cousin.
Warren ZevonRhino Records
74. Warren Zevon
Eligible since: 1995
Why he should be in: Zevon isn’t just one of the great singer-songwriters of the 1970s. He may be, perhaps, the most unique. Zevon had an edge to his sound that influenced future stars like Elvis Costello and Michael Stipe.
Why he’s not: The list of great singer-songwriters of the 1970s is long. Many of them are already in the Rock Hall. Others, like Harry Nilsson, Kris Kristofferson, John Denver, John Prine, Carly Simon, Jim Croce, Jimmy Buffett and Zevon are all waiting.
73. A Tribe Called Quest
Eligible since: 2015
Why they should be in: A Tribe Called Quest is unquestionably one of the greatest rap groups of all time and a pioneer of alternative rap. The group’s ability to blend jazz and rap took hip hop beyond old funk samples and into a more artistic realm.
Why they’re not: The “alternative” label hurts when it comes to hip-hop acts trying to work their way into the Nominating Committee’s view.
72. Johnny Burnette and the Rock N Roll Trio
Eligible since: 1982
Why they should be in: The Rock Hall has done a decent job inducting the key rockabilly acts that became pioneers of rock and roll, including Carl Perkins, Wanda Jackson, Bill Haley, Eddie Cochran and others. For some reason, Johnny Burnette was left out. But his influence can’t be ignored. In sound and attitude, Johnny Burnette and the Rock N Roll Trio were essential in the development of rock and roll and influenced subgenres that came after, most notably punk rock.
Why they aren’t: Among those names mentioned, his isn’t the biggest.
71. War
Eligible since: 1997
Why they should be in: War has been nominated for the Rock Hall three times, which seems reasonable given the band’s status as one of the biggest funk acts of all time with hits that any music fan can name. The band’s fusion of funk, reggae, soul, jazz and other genres certainly paved the way for several eclectic acts over the next few decades.
Why they’re not: Frontman Eric Burdon is already in the Rock and Roll Hall of Fame with The Animals. For some, that might be enough when it comes to honoring his legacy.
70. Phil Collins
Eligible since: 2007
Why he should be in: Phil Collins could stand toe to toe with the biggest acts of his era, including Bruce Springsteen, Madonna and Prince. Collins’ biggest hits are so popular they’ve been sampled by hip-hop artists, which is kind of wild to think about.
Why he’s not: Collins had big hits but lacked the sophistication of another Genesis frontman (and Rock Hall Inductee) Peter Gabriel.
69. Eurythmics
Eligible since: 2007
Why they should be in: Even among the awesome new wave bands from the same era, Eurythmics rank as innovative and edgy. The group also features one of the great, powerhouse female performers of all time in Annie Lennox.
Why they’re not: The Rock Hall has been slow-moving when it comes to the second wave of synth-pop acts. Depeche Mode just got in with bands like Duran Duran and Eurythmics waiting to be next.
68. Bad Brains
Eligible since: 2008
Why they should be in: Bad Brains is one of the pioneering bands of hardcore punk that branched out into other genres such as funk, heavy metal, reggae and jazz. While never a huge success, Bad Brains would influence some of the biggest rock bands of the 1980s and 1990s including Jane’s Addiction, Red Hot Chili Peppers, Beastie Boys, Rage Against the Machine and Soundgarden.
Why they’re not: Hardcore punk never went mainstream. And even within that genre, Bad Brains might take a backseat to Black Flag.
67. The Carpenters
Eligible since: 1995
Why they should be in: Karen Carpenter’s lovely voice was a favorite of many artists, including Herb Alpert, Paul McCartney and Michael Jackson. The influence of Carpenter’s melodic pop-rock can be heard in the ballads of numerous artists, including Madonna, Chrissie Hynde and Annie Lennox.
Why they’re not: The Carpenters’ music is as soft as soft rock gets and probably not edgy enough to get much attention from the Nominating Committee.
66. Merle Haggard
Eligible since: 1991
Why he should be in: Merle Haggard is a country music icon as important to the genre’s development as just about anyone. But his influence on rock and roll artists shouldn’t be underestimated. Haggard’s status as the embodiment of outlaw country and his edgy, lyrical storytelling was something even the hardest of rockers marveled at.
Why he isn’t: For a country act to be considered for the Rock Hall, it has to be easy to pinpoint that artist’s influence on rock and roll. Haggard is a close call.
65. Alice in Chains
Eligible since: 2016
Why they should be in: There are four, clear-cut pillars of grunge rock. Nirvana and Pearl Jam were inducted into the Rock Hall on their first tries. Soundgarden was recently nominated. Alice In Chains should be next. Late frontman Layne Staley was one of the quintessential voices of that era with Alice in Chains moving beyond the grunge genre to influence a variety of hard rock and metal bands.
Why they’re not: There’s a backlog of 1990s bands trying to get into the Rock Hall and there seems to be a pecking order. Alice in Chains may not find its way onto the ballot until Soundgarden gets in.
64. Willie Nelson
Eligible since: 1987
Why he should be in: Willie Nelson is probably the easiest sell of all country artists when it comes to the Rock Hall because of his cultural impact. He’s a musical icon whose star power ranks with that of most rockers.
Why he’s not: He’s still country. But you have to imagine Nelson has been on the minds of at least a few committee members over the years.
63. Selena
Eligible since: 2015
Why she should be in: Selena isn’t the type of artist the Nominating Committee typically considers, though, Whitney Houston’s induction helps. Selena’s murder robbed the world of a lengthy career. But even before her 24th birthday, Selena made her mark as one of the most influential Latin music artists of all time.
Why she’s not: Whitney Houston just got in and someone like Mariah Carey is still waiting.
62. Thin Lizzy
Eligible since: 1996
Why they should be in: Thin Lizzy checks every box for the Rock and Roll Hall of Fame. The band has hits, influence and style. Thin Lizzy turned hard rock into a radio-friendly force bands like Metallica and Alice In Chains could follow while perfecting the twin-lead guitarist style that would become a cornerstone for British heavy metal.
Why they’re not: When it comes to 1970s rock bands, throw a dart. Names like Boston, Blue Oyster Cult, Ted Nugent and Grand Funk Railroad are going to come up time and time again. Though you could easily make the case that Thin Lizzy was more influential than any of them.
The Runaways: Lita Ford, (from left), Joan Jett, Jackie Fox, Sandy West and Cherie Currie.
61. The Runaways
Eligible since: 2002
Why they should be in: Joan Jett & the Blackhearts were the flashier choice to be inducted, but not necessarily the right one. The Runaways were most responsible for paving the way for future successful female rock acts as well as launching the careers of Jett and Lita Ford.
Why they’re not: The members’ post-breakup careers overshadowing the impact of the band.
60. Duran Duran
Eligible since: 2007
Why they should be in: Duran Duran’s run coincided with the rise of MTV, making the band and the channel influential forces during the 1980s. Popular music has changed a lot since then. But it’s not hard to find major acts that are disciples of Duran Duran, from Panic! at the Disco and Pink to Justin Timberlake and The Killers.
Why they’re not: Some may view Duran Duran as more style over substance.
59. The Meters
Eligible since: 1995
Why they should be in: The Meters are the act most responsible for the development of funk music not named James Brown. Their music has been sampled by numerous hip-hop acts and covered by bands like Red Hot Chili Peppers, Grateful Dead and Widespread Panic.
Why they’re not: The Meters never enjoyed the mainstream success other funk pioneers did.
58. Jethro Tull
Eligible since: 1994
Why they should be in: Jethro Tull is one of the essential progressive rock bands and helped change the genre by incorporating elements of hard rock and folk. The band’s sound and catalog of albums would provide major influence for future prog and hard-rock acts.
Why they’re not: The Rock Hall doesn’t hate progressive rock acts. But they sure are slow-moving when it comes to inducting them. Yes and Rush were inducted in recent years, while Jethro Tull, King Crimson, Emerson Lake & Palmer sit on the outside looking in.
57. Kool & the Gang
Eligible since: 1995
Why they should be in: Kool & the Gang is like the funk version of Chicago. The band began with a very credible funk career that helped make the genre as popular and as danceable as it had ever been. Kool & the Gang gained bigger fame by switching to a more adult contemporary style that was less distinct.
Why they’re not: As we saw with Chicago, the second part of a career that comes with less critical acclaim can keep you off a Rock Hall ballot for quite some time.
56. Smashing Pumpkins
Eligible since: 2016
Why they should be in: The Billy Corgan-led group was one of the best and biggest bands to come out of the 1990s with albums (“Siamese Dream,” “Mellon Collie and the Infinite Sadness”) that routinely make “greatest of all time” lists.
Why they’re not: Corgan took from a lot of styles to create the Pumpkins sound. Surprisingly, however, the band never spawned as many disciples as other big bands of the Nineties like Nirvana, Pearl Jam and Green Day.
55. The J.B.’s
Eligible since: 1996
Why they should be in: This should have been a no-brainer for the Rock Hall’s “Sidemen” category. The J.B.’s featured some of the greatest musicians of all time and were an essential part of James Brown’s biggest tunes. It’s strange to think that someone like Clyde Stubblefield (one of the greatest drummers of all time) isn’t in the Rock Hall.
Why they’re not: The “Sidemen” category turned into the Award for Musical Excellence. Since then, it has taken the focus off supporting musicians save for the E Street Band.
54. Jan & Dean
Eligible since: 1986
Why they should be in: The Rock Hall might have you believe surf rock begins and ends with The Beach Boys. But Jan & Dean were just as responsible for the genre’s popularity, releasing “Surf City” in 1963, which became the first surf song to top the Billboard Hot 100.
Why they’re not: The Rock Hall never saw fit to move beyond The Beach Boys in terms of surf rock pioneers.
53. Mary J. Blige
Eligible since: 2018
Why she should be in: She’s the “Queen of Hip Hop Soul.” The modern blend of hip hop and R&B, which acts like TLC, Mariah Carey, R. Kelly, Usher, Rihanna, Alicia Keys and Beyonce have ridden to platinum success, starts with Mary J. Blige.
Why she’s not: A black, female artist whose music doesn’t fit neatly into the narrow definition of rock and roll doesn’t have much of a chance. Consider it took Nina Simone 32 years to earn induction.
52. Chuck Willis
Eligible since: 1977
Why he should be in: Chuck Willis was responsible for some of the most covered blues and R&B records of the 1950s. His powerful voice also served as a blueprint for numerous rock and roll singers.
Why he’s not: Willis has been nominated for the first five classes of the Rock and Roll Hall of Fame but he was overshadowed by some of the biggest names in rock history.
51. The B-52′s
Eligible since: 2004
Why they should be in: The B-52′s brought a livelier element to both punk and new wave, laying the groundwork for dance rock that would influence several acts in the late 1970s and 1980s.
Why they’re not: There’s a campy image of The B-52′s centered on “Love Shack” that some people can’t get past.
50. Big Star
Eligible since: 1998
Why they should be in: One of the most influential rock bands of the last 50 years. Big Star’s music wasn’t popular in its time. But it did serve as the chief influence for the bands (R.E.M., The Replacements and others) who would pioneer alternative rock.
Why they’re not: Big Star’s chart success is virtually non-existent.
49. Wu-Tang Clan
Eligible since: 2018
Why they should be in: Before Nas, Biggie and Jay-Z, there was the Wu-Tang Clan. The collective put New York hip hop back on the map in the 1990s while spawning a series of classic solo albums to go along with its groundbreaking debut.
Why they’re not: So far, the modern gangsta rappers that have entered the Rock Hall have some sugary sweet songs for the Nominating Committee and voters to latch onto. Wu-Tang isn’t that.
48. King Crimson
Eligible since: 1995
Why they should be in: The most progressive of progressive rock bands. King Crimson’s music was so bold and revolutionary, it completely changed what the other big prog-rock bands of the time were doing. And that includes Rock Hall inductees like Genesis, Yes and Rush.
Why they’re not: Prog-rock acts are getting in about every four years at this point. So maybe 2021 is King Crimson’s time.
47. Captain Beefheart
Eligible since: 1992
Why he should be in: Captain Beefheart was truly an artist like no other. He merged elements of various genres to create an avant-garde style that would influence a numerous musical acts in various genres, including Sonic Youth, Sex Pistols, Devo, Talking Heads and The White Stripes.
Why he’s not: We suppose it’s possible to be too avant-garde for the Rock Hall. Heck, Beefheart even puts Frank Zappa to shame.
46. The Spinners
Eligible since: 1987
Why they should be in: The Spinners were one of the most successful R&B groups in the world for two decades. The group’s slick music, style and showmanship would serve as an inspiration for future multi-platinum acts like the Bee Gees, David Bowie, Elton Jon and The Doobie Brothers.
Why they’re not: Though nominated multiple times, The Spinners likely got lost in the shuffle of voters who see them as tier behind similar R&B acts like The Temptations, Gladys Knight & the Pips and The Isley Brothers.
Bjork Performs At Hammersmith ApolloGetty Images
45. Bjork
Eligible since: 2003
Why she should be in: Bjork is one of the most unique and influential artists of the 21st century with many critically acclaimed albums. While she hasn’t had huge success in the U.S., she’s become a music and style icon in art-pop circles worldwide.
Why she’s not: She doesn’t fit the pedigree of a typical Rock Hall inductee. It would take someone like Kate Bush getting in first to clear a path.
44. Slayer
Eligible since: 2009
Why they should be in: In terms of thrash metal, Slayer takes a backseat only to Metallica. The band had a tremendous influence, inspiring the likes of Avenged Sevenfold, Slipknot and Pantera.
Why they’re not: Life is tough for a metal band trying to earn induction into the Rock Hall. More than any other genre, there is a pecking order of artists the Nominating Committee has addressed. Judas Priest and Motorhead are on deck. Until they get in, Slayer and Iron Maiden will likely have to wait.
43. Johnny “Guitar” Watson
Eligible since: 1979
Why he should be in: There has to be a place in the Rock Hall for a man who inspired Jimi Hendrix’s showmanship on the Fender Stratocaster, right? Johnny “Guitar” Watson was the bridge between T-Bone Walker and several great guitarists who are in the Rock and Roll Hall of Fame, including Hendrix, Steve Miller, Frank Zappa and Stevie Ray Vaughan.
Why he isn’t: Watson isn’t the biggest name among a long list of guitar greats who are still waiting.
42. Billy Ward and his Dominoes
Eligible since: 1980
Why they should be in: One of the most influential vocal groups of the 1950s whose role in setting the standard for R&B groups moving forward is on par with an act like The “5” Royales.
Why they’re not: The Dominoes are best known for being the launching pad for the careers of Clyde McPhatter (who formed the Drifters) and Jackie Wilson. Both have already been honored by the Rock Hall as solo artists.
41. Soundgarden
Eligible since: 2012
Why they should be in: In terms of the grunge icons, Soundgarden takes a backseat to only Pearl and Jam and Nirvana. Soundgarden can also lay claim to the greatest vocalist of the genre and, perhaps, of all 1990s rock in Chris Cornell.
Why they’re not: So far, Pearl Jam and Nirvana are the only grunge bands to break through, which came in recent years. Though, Soundgarden’s nomination in 2020 bodes well for the band’s chances moving forward.
40. Cher
Eligible since: 1991
Why she should be in: Considered the “Goddess of Pop,” Cher’s impact on music stretches back to her days as a folk-rock star with husband Sonny Bono. Cher eventually stood on her own as a solo star in the 1970s, adjusting with seemingly every major music trend to stay relevant while crossing over to fashion and film.
Why she’s not: Sonny & Cher’s hits were light and fluffy while Cher’s most memorable solo hits are in the realm of disco, which wasn’t the most respected genre.
39. Donny Hathaway
Eligible since: 1996
Why he should be in: The induction of Bill Withers should have opened everyone’s eyes to other important R&B stars who deserve consideration. At the top of that list is Donny Hathaway, whose impact on the genre extends from his singing to his composing.
Why he’s not: Hathaway died at the age of 33 and released just five studio albums. Only one (his 1972 album with Roberta Flack) reached the Top 20 on the Billboard 200 chart.
38. Screamin’ Jay Hawkins
Eligible since: 1983
Why he should be in: Screamin’ Jay Hawkins is the pioneer of the shock rock genre that helped earn the likes of Alice Cooper, The Stooges and KISS induction into the Rock and Roll Hall of Fame.
Why he’s not: Though his influence is tremendous, Hawkins has just the one major hit in “I Put a Spell on You.”
37. Nick Drake
Eligible since: 1995
Why he should be in: Talk about influence. When it comes to the genre of indie rock, Nick Drake’s impact looms large, inspiring the work of a countless number of stellar acts, from R.E.M. and The Cure to Kate Bush and Elliott Smith.
Why he’s not: Drake didn’t make much of a dent in terms of popularity until after his death. And even then, he hasn’t quite reached the sort of mythological status as someone like, say, a Jeff Buckley.
36. The Shangri-Las
Eligible since: 1991
Why they should be in: In terms of music, The Shangri-Las can stand toe-to-toe with most of the girl groups of the 1960s. But it’s the group’s style that defines its legacy. The edgy image would prove a major influence on punk rock acts like Ramones, Blondie and New York Dolls.
Why they’re not: The Shangri-Las run of hits lasted just a few years. And now that the group’s single “Leader of the Pack” has been inducted under the “Singles” category, it’s hard to imagine them ever earning induction as a “Performer.”
35. Jesse Belvin
Eligible since: 1977
Why he should be in: Jesse Belvin isn’t a household name, especially among younger music fans. But he was one of the most versatile and influential rock and roll singers of all time, influencing some of the great vocalists in the genre during the 1950s.
Why he’s not: Belvin died in 1960 at the age of 27, leaving behind a short legacy centered on his writing of “Earth Angel” and his solo hit “Goodnight My Love.”
34. Jane’s Addiction
Eligible since: 2013
Why they should be in: The boom in 1990s alternative rock was led by Jane’s Addiction. The band was the true meaning of “alternative,” helping shape the genres of funk-punk and nu-metal, influencing everyone from Rage Against the Machine and Korn to The Smashing Pumpkins and System of a Down. Add in Perry Farrell’s role as the creator of Lollapalooza and you have one of the most influential acts of the late 1980s/early 1990s.
Why they’re not: Jane’s Addiction didn’t earn its first nomination until 2017. But that time, a backlog of 1990s bands waiting for induction was already jammed.
33. My Bloody Valentine
Eligible since: 2011
Why they should be in: My Bloody Valentine is one of the most influential artists from the late 1980s and early 1990s, pioneering the shoegaze genre. When you speak about indie rock and its impact through the 21st century, MBV’s name has to come up. The band also lays claim to one of the best albums from the decade in the form of “Loveless.”
Why they’re not: It’s doubtful the term “shoegaze” has ever come up during a Rock Hall Nominating Committee meeting.
32. De La Soul
Eligible since: 2014
Why they should be in: De La Soul ushered in alternative hip hop, a genre that has given birth to some of rap’s biggest artists, including Kanye West, Drake and Outkast. De La Soul was also one of the first hip-hop acts to make use of complex samples and album skits, which would become a mainstay in rap music.
Why they’re not: At the moment, the Rock Hall seems focused on the more lucrative gangsta rap of the 1990s.
31. Rufus with Chaka Khan
Eligible since: 1999
Why they should be in: The combined legacy of these two acts should give them an edge. But Rufus with Chaka Khan has been nominated multiple times only to miss out on induction. Rufus is unquestionably one of the great funk bands of all time, while Chaka Khan is a singer who paved the way for Mariah Carey, Whitney Houston, Anita Baker and so many more.
Why they’re not: Should it be Rufus with Chaka Khan or just Chaka Khan? The Nominating Committee has tried both, which might have watered things down in voters’ minds.
30. Joe Tex
Eligible since: 1991
Why he should be in: The Nominating Committee has been very supportive of Southern soul, a genre that influenced the formation of funk music. So it makes sense that one of Southern soul’s key figures, Joe Tex, has been nominated five times. Tex’s performance style and vocals rank right up there with the likes of Otis Redding, James Brown and Bobby “Blue” Bland.
Why he’s not: Tex had some huge hits for his era. But his legacy hasn’t sustained like the artists mentioned above.
29. Salt-N-Pepa
Eligible since: 2012
Why they should be in: Salt-N-Pepa paved the way for every female hip-hop act that came after them thanks to their massive success. The group has some of the biggest rap hits of all time, while its fourth album ‘Very Necessary” sold 7 million copies worldwide, proving women could hang with men on the charts.
Why they’re not: The Rock Hall’s struggles with inducting women have been documented. Add in the stigma of being a rap act and it’s a tough sell.
Zack de la Rocha and Tom Morello of Rage Against The Machine.Getty Images
28. Rage Against the Machine
Eligible since: 2018
Why they should be in: Rage Against the Machine was a great band that managed to be politically charged without sacrificing any of its mainstream appeal. For much of the 1990s, Rage was one of the biggest bands in the world helping put nu-metal on the map.
Why they’re not: The rap-metal tag doesn’t help. But the biggest thing against Rage Against the Machine could be longevity. The band’s run lasted less than a full decade.
27. Toots and the Maytals
Eligible since: 1988
Why they should be in: The Rock Hall has only inducted two reggae acts and the third should be Toots and the Maytals. In terms of popularizing the genre and contributing to its evolution, no figure (save for Bob Marley) looms larger than Toots Hibbert and his exceptional voice.
Why they’re not: Reggae star Jimmy Cliff earned induction on the strength “The Harder They Come,” which made a huge impact in the U.S. Toots and the Maytals doesn’t have such a flashy mark on its resume.
26. Mary Wells
Eligible since: 1987
Why she should be in: Mary Wells was a cornerstone of Motown’s early years. Along with the label’s big four groups (The Temptations, The Supremes, The Miracles and The Temptations), she was essential in the rise of black music to the top of the charts in the 1960s.
Why she’s not: Like other artists, Wells was overshadowed when she was nominated for the Rock Hall’s first two classes. Just one woman (Aretha Franklin) was inducted at that time.
25. Dick Dale
Eligible since: 1988
Why he should be in: Dick Dale ranks as one of the most important artists in surf-rock history, having influenced the other key figures in the genre such as The Beach Boys and Jan & Dean. But where Dale’s reaches greater heights is in his role as one of the most influential guitarists of all time, influencing Jimi Hendrix, Stevie Ray Vaughan, Eddie Van Halen, Jeff Beck and other Rock and Roll Hall of Famers.
Why he’s not: Without Dale, guitar playing wouldn’t be what it is (look into his influence on electric amplification). And yet, for many, his name doesn’t sit on the tip of the tongue when talking about the greatest guitarists of all time.
24. The Marvelettes
Eligible since: 1987
Why they should be in: If you had to identify the one song that put Motown on the map, it wasn’t by The Temptations, The Supremes or Smokey Robinson. It was The Marvelettes’ “Please Mr. Postman.” But they weren’t just a one-hit-wonder. The group’s comeback single, “Don’t Mess with Bill,” was also a big hit. The Marvelettes paved the way for future Motown groups like The Supremes and The Jackson 5.
Why they’re not: Completely overshadowed by The Supremes’ success and the star power of Diana Ross. It’s also looking like The Marvelettes are a better fit for the much-maligned “Singles” category.
23. New York Dolls
Eligible since: 1999
Why they should be in: When you dig into where punk rock comes from, you trace things back to precursors like The Stooges, Velvet Underground and New York Dolls. That’s quite a trio to be part of. New York Dolls influenced the likes of Sex Pistols, Ramones and Dead Kennedys, while their glam-rock style would set the stage for KISS, Misfits and others.
Why they’re not: The influence is huge. But the band never had mainstream success.
22. Diana Ross
Eligible since: 1996
Why she should be in: The definition of a pop diva. Diana Ross isn’t just a music superstar, but a cultural icon whose career served as the inspiration for the Oscar-winning film “Dreamgirls.” Sure, Ross was the lead singer of The Supremes. But her solo career also features seven No. 1 hits.
Why she’s not: She’s already in with The Supremes, which might be good enough for some.
21. Kate Bush
Eligible since: 2004
Why she should be in: Kate Bush is one of the most admired artists of the last half-century. She also has an impeccable catalog of music. Her music and style may be unique. But even the Rock Hall’s Nominating Committee saw fit to put her on the ballot in 2018, recognizing her impact on artists like Bjork, Radiohead, Tori Amos, Fiona Apple and others.
Why she’s not: Bush’s experimental sound may be unfamiliar to some voters, especially American ones.
20. Outkast
Eligible since: 2019
Why they should be in: Outkast is, arguably, the greatest rap group of all time and certainly the biggest. The duo has a handful of classic albums to its credit and has gone where no rap group has gone before by winning the Grammy for Album of the Year for the diamond-selling “Speakerboxxx/The Love Below.”
Why they’re not: The Rock Hall has yet to venture outside of the East or West Coast with its hip-hop nominations. But southern rap will have to be addressed eventually.
19. Chic
Eligible since: 2003
Why they should be in: Ask the Nominating Committee that put the band on the ballot an astonishing 11 times! Chic was one of the most influential bands in three genres: Disco, funk and hip hop. The group’s influence is through the roof with some of the biggest dance hits of all time to its name.
Why they’re not: It’s short-sighted to label Chic a “disco band.” And sadly, leader Nile Rodgers earning the Award for Musical Excellence in 2017 will probably be as far as Chic ever gets with the Rock Hall.
18. Eric B. & Rakim
Eligible since: 2012
Why they should be in: Few acts have caused such a seismic shift in a genre as Eric B. & Rakim did with hip hop. Rakim’s uncanny wordplay and flow forever changed the genre, shifting it from shouting to a lyrical art form.
Why they’re not: Every hip-hop act that has been inducted into the Rock and Roll Hall of Fame as multiple platinum albums or landmark hits. Eric B. & Rakim can’t make that claim to either, never having entered the Top 20 on the album charts or released a hit single on the pop charts.
George Michael performs at the "Concert of Hope" in 1993.AP
17. George Michael
Eligible since: 2013
Why he should be in: An icon of not just 1980s music, but pop culture in general. George Michael has the album sales, hits and stunning voice to stack up with just about anyone from his era. But the legacy the Rock Hall should be most willing to honor is how he used his success to become a campaigner for rights within the gay community and to spread awareness about HIV /AIDS.
Why he’s not: He may be a bit too pop. Still, as one of the greatest blue-eyed soul vocalists of all time, Michaels should get the same treatment as acts like The Righteous Brothers and Hall & Oates.
16. Motorhead
Eligible since: 2003
Why they should be in: The heavy metal genre should be one of the easiest for the Rock Hall to deal with considering there’s a top tier of five essential bands. In that mix is Motorhead, the first metal act to mix in punk rock, which would influence the thrash sound of Metallica, Slayer, Megadeth and others.
Why they’re not: The Nominating Committee has put both Judas Priest and Motorhead on the ballot. But, so far, no true metal band other than Black Sabbath or Metallica has been able to break through.
15. Buzzcocks
Eligible since: 2003
Why they should be in: It’s darn near impossible to measure the Buzzcocks’ influence. Not only did the group inspire virtually every punk-rock, pop-punk and power-pop act that came after them. The band is also a pioneer of the indie movement.
Why they’re not: Quick – name a Buzzcocks song…Rock Hall candidacy should be more than that. But it’s also something members of The Nominating Committee surely take into account when they’re picking which acts to lobby for.
14. Pixies
Eligible since: 2013
Why they should be in: While never a huge success itself, the Pixies inspired a large number of great bands, including Arcade Fire, Weezer, Smashing Pumpkins, Radiohead, Nirvana and Pavement. The band’s guitar sound and ability to bring pop to indie rock became the go-to for alt-rock bands moving forward. Without Pixies, we simply wouldn’t have songs like “Smells Like Teen Spirit” or “Say It Ain’t So.”
Why they’re not: Pixies inspired some of the biggest bands to come out of the late 1980s and 1990s. But the band itself never impacted mainstream pop culture all that much.
13. Mariah Carey
Eligible since: 2016
Why she should be in: There’s only one argument against Mariah Carey being in the Rock and Roll Hall of Fame. It’s the age-old “she’s-not-rock-and-roll” debate. Thankfully, it’s null and void. The induction of Whitney Houston means Carey is in play. As are her 19 No. 1 hits (second only to The Beatles), her vocal range and her ability to merge genres like hip hop, R&B and pop.
Why she’s not: Whitney Houston just got in, brushing off the “torch singer” label some might put on such an artist. Mariah Carey’s time will come.
12. Link Wray
Eligible since: 1984
Why he should be in: Link Wray is one of the most influential guitarists of all time whose versatility in playing country and rockabilly allowed him to impact a wide range of artists, including Jeff Beck, Joe Walsh, Pete Townshend, Jimmy Page and Neil Young. But it wasn’t just the sound. Wray’s rebel attitude and style were also a blueprint for the hard-edged rock and roll of acts like The Stooges, MC5 and The Clash.
Why he’s not: Link Wray is yet another case of an artist with one major song that overshadows the rest of his career. Not surprisingly, “Rumble” was inducted into the Singles category in 2018.
11. Iron Maiden
Eligible since: 2005
Why they should be in: Another member of heavy metal’s elite class. Iron Maiden is the complete package when it comes to metal bands, influencing both the early thrash groups and melodic metal acts that would follow. Iron Maiden also built up one of the most loyal fanbases in music history thanks to live shows that rank among the greatest of all time.
Why they’re not: The metal pecking order hasn’t gotten to Iron Maiden yet. At this rate, it could be a while.
10. The Replacements
Eligible since: 2007
Why they should be in: It was The Replacements shift from punk rock to a more melodic sound that would drive alternative rock, leading numerous bands to follow suit. When it comes to pushing alternative rock to the heights it reached in the 1980s and 1990s, The Replacements come right after R.E.M.
Why they’re not: Success and popularity aren’t necessarily requirements for the Rock and Roll Hall of Fame. But, as we’ve pointed out, they help…A LOT. Whereas R.E.M. went on to become one of the biggest bands in the world and MTV darlings, The Replacements never reached such heights.
9. Black Flag
Eligible since: 2004
Why they should be in: One of the first hardcore punk bands and the most influential. Black Flag turned punk-rock into something more visceral. The band’s music would launch influential label SST Records, helping Black Flag inspire wide range of hard-hitting alternative rock acts.
Why they’re not: Hardcore punk isn’t a genre that has yielded any Rock Hall inductees yet. However, Bad Brains’ recent nomination suggests hope for the future.
8. Brian Eno
Eligible since: 2000
Why he should be in: Brian Eno’s experimental work as an artist, performer, songwriter and producer has touched numerous aspects of music. His work as a member of Roxy Music speaks for itself (and earned Eno induction into the Rock Hall as part of that group). Then there’s his groundbreaking collaborations with the likes of Robert Fripp, David Bowie, Devo, Talking Heads and John Cale. In the process, Eno became one of the most influential artists in pop-music history, laying the groundwork for some of the most creative acts of today, from Radiohead to Bjork to LCD Soundsystem.
Why he’s not: Despite having several critically acclaimed albums, Eno’s solo music never entered the mainstream. There’s also a question of which category to induct him into. He could go in as a “Performer.” But he’s just as worthy as a non-performer and a candidate for the Award for Musical Excellence.
7. The Smiths
Eligible since: 2009
Why they should be in: The Smiths have been called the most influential British band since The Beatles and that’s not a stretch by any means. The Smiths arrived in the early 1980s with a guitar sound and emotional lyrics that helped take post-punk and turn it into mainstream alternative rock. It wasn’t just about inspiring a new generation of Britpop acts like Oasis, Pulp and Blur. The Smiths became the template for a wide variety of indie and alternative rock bands.
Why they’re not: The Smiths were very successful in the UK, but not in America. While the band has been nominated twice before, frontman Morrissey’s habit of making controversial comments isn’t going to help The Smiths moving forward.
Rob Halford of Judas Priest.NJ Advance Media for NJ.com
6. Judas Priest
Eligible since: 2000
Why they should be in: Judas Priest is the most important heavy metal band not named Black Sabbath. The band brought a more melodic sound to the genre while introducing metalheads to the twin-guitar sound. In doing so, Priest became the blueprint for modern metal while frontman Rob Halford’s style ushered in the glam metal of the 1980s.
Why they’re not: Maybe there just aren’t enough metalheads in the Rock Hall’s voter pool. Judas Priest is next in line in terms of metal acts. But it might take a perfect ballot for the band to find its way in.
5. Gram Parsons
Eligible since: 1993
Why he should be in: You probably wouldn’t get as much of an argument for Parsons’ induction had he been included with The Byrds. But he wasn’t. Thus, his role in pioneering the country-rock genre and vision of “Cosmic American Music” that influenced The Rolling Stones, Eagles, Elvis Costello, R.E.M. and many others was never truly honored.
Why he’s not: Believe it or not, there are a lot of people who think Parsons was included with The Byrds. There’s also a case to be made for Parson’s other group The Flying Burrito Brothers. Either way, Parson’s influence as a solo entity hasn’t received the proper consideration.
4. Joy Division/New Order
Eligible since: 2004
Why they should be in: This is cheating a bit by combining two bands. But the Rock Hall has done it before with Faces/Small Faces and Parliament-Funkadelic. Together, Joy Division and New Order have a powerhouse case for induction. Joy Division pioneered post-punk, which made them an influence on A LOT of alternative-rock acts. New Order, which formed after Ian Curtis’ suicide, became one of the most important dance-rock acts of all time.
Why they’re not: The Nominating Committee would have to agree to combine the two bands first to give them their best shot with voters. Separately, Joy Division has the better case. But the band lasted for just two albums.
3. MC5
Eligible since: 1992
Why they should be in: If the Rock and Roll Hall of Fame is about telling the story of rock and roll, you can’t do so without mentioning MC5. The band took hard rock in a different direction both in its anti-establishment stance and in terms of sound. Whereas other hard rock acts like Led Zeppelin and Deep Purple were showy, MC5 was gritty. The band’s sound served as a precursor to punk, metal and grunge music.
Why they’re not: The Nominating Committee thinks MC5 should be in, nominating the band five times. But voters may not be sold on an artist known mostly for its debut album and the fiery title track.
Noise rock icons Sonic Youth.BPI
2. Sonic Youth
Eligible since: 2008
Why they should be in: Until Sonic Youth arrived, punk rock was the dominant influence in rock music. But the band’s brand of noise rock and unorthodox guitar sound shook things up. Sonic Youth’s ability to reject the norm and turn their experimental rock into respected art would become one of the driving forces in alternative and indie rock moving forward.
Why they aren’t: Noise rock isn’t something the powers that be have addressed, despite the induction of multiple artists that were influenced by Sonic Youth.
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1. John Coltrane
Eligible since: 1982
Why he should be in: There isn’t much that has to be said here. Every music historian will agree that John Coltrane is one of the most important musicians in American history. His Rock Hall candidacy rests in proving his impact beyond jazz. That’s not hard. Hip hop is the easiest connection. But Coltrane’s experimentation with improvised melody would also serve as a huge influence on every rock band that ever broke into a “jam” both in live settings and in the studio.
Why he’s not: In 2006, the Rock Hall made a statement by inducting Miles Davis and acknowledging his impact on rock and roll. The institution just never took the next step in honoring other key figures, specifically Coltrane.