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Devils & Dust

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4.7 4.7 out of 5 stars 873 ratings

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Track Listings

Disc: 1

1 Devils & Dust
2 All the Way Home
3 Reno
4 Long Time Comin'
5 Black Cowboys
6 Maria's Bed
7 Silver Palomino
8 Jesus Was An Only Son
9 Leah
10 The Hitter
11 All I'm Thinkin' About
12 Matamoros Banks

Disc: 2

1 Devils + Dust (Live Acoustic)
2 Long Time Comin' (Live Acoustic)
3 Reno (Live Acoustic)
4 All I'm Thinkin' About (Live Acoustic)
5 Matamoros Banks (Live Acoustic)

Editorial Reviews

The seed for Bruce Springsteen's 2005 album, Devils & Dust, were sown nearly a decade ago, when the singer/songwriter launched his first-ever solo acoustic tour (1995-96). Springsteen said 'I was so excited after playing on that tour, I'd get off the stage and go write, then I put those songs on the shelf for a while, until I had a chance to revisit them'. Springsteen's first release of all-new material since his September 11-themed, double platinum certified 'The Rising' in July 2002. Two of the album's songs, 'The Hitter' and 'Long Time Comin',' were actually written and performed on the Ghost of Tom Joad Tour. Devils & Dust was produced by Brendan O'Brien, who first worked with Springsteen on the acclaimed CD the Rising. Included is a bonus DVD (PAL/Region 0) featuring many tracks ant the live acoustic video footage of 'Devils And Dust', 'Long Time Comin', 'Reno', 'All I'm Thinkin' About', 'Metamoros Banks'. *Please note you will need an All Code DVD player to view. Columbia.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ Italian
  • Product Dimensions ‏ : ‎ 5.75 x 4.84 x 0.39 inches; 4.23 ounces
  • Manufacturer ‏ : ‎ Sony
  • Original Release Date ‏ : ‎ 2005
  • Date First Available ‏ : ‎ December 14, 2006
  • Label ‏ : ‎ Sony
  • ASIN ‏ : ‎ B000808YHS
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 873 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
873 global ratings

Top reviews from the United States

Reviewed in the United States on May 1, 2005
After reading some of these reviews online, I was a little apprehensive about ordering this because I am an avid iPod user and if it don't rip in iTunes, forget it. After playing it for about 3 days, I don't know why these others are having so much trouble with their DualDiscs. My experience with this disc has been nothing but positive. I can play it in both my Honda car stereo (which may be an Alpine OEM, I'm not sure) and it plays fine in my cheap Sony car stereo, which I have known to be temperamental with many types of burned CDs that play fine everywhere else.

As far as using it in a computer, I am a longtime Mac user with 10.2 and Tiger just installed. Both my 2001 iBook and my early 2002 flat-panel iMac recognize the disc as a regular CD and iTunes rips it just fine. I was able to put the songs on iPod with no problems at all. That being said, I don't know if it works on a PC for sure, but I'm sure if you have current CD equipment that was not third-party and is supported by the manufacturer, you probably will not experience any problems. I also have played it in two different GoVideo DVD/VCR decks and in my Sony all-in-one DVD/VCR home theater system. One pet peeve of mine is that DualDisc manufacturers should just come out and say what hardware it does NOT work with. Again, Mac systems are usually picky since we are only a small part of the market; therefore, the disc should work fine on a PC. Even if the CD doesn't work in your player, the DVD content on this is worth buying the disc alone. Springsteen included introductions in the video section that talk mainly about the songs on the record and his thoughts on songwriting in general. This, whether you are a Springsteen fan or not (I'm not a BIG fan), is THE reason to buy this disc.

The 5.1 mix, by Nick Didia also on the DVD side really spreads out the sounds in the music. It is very similar to a DVD-Audio disc. After you hear this mix, It's hard to listen to it in conventional stereo because it sounds as if they are trying to cram too much into two speakers on some of the songs. 5.1 sounds more natural believe it or not, and the subwoofer channel is used very effectively on this mix. Superb. I would buy CDs again if every album was remixed like this. If this is the future of music, then the iPod has been rendered obsolete as of today because iPod has no possible way of playing a 5.1 mix.

As for the actual music, Springsteen's writing continues to get better and better with age. Some songs that stand out: on the title track, he presents fear and surviving in a real way for every listener to grasp. "I've got God on my side," he writes, "I'm just trying to survive/What if what you do to survive/Kills the things you love."

"All the Way Home" describes people who have baggage and one is desperately trying to find company with the other. We can tell the character has done this many times before. "Reno" is about a lonely man with a prostitute who is still lonely, even after having the "best" he has ever had. "Long Time Comin'" is about someone who has made mistakes with raising his kids and gets a second chance to redeem himself. "All I'm Thinkin' About" utilizes Springsteen's falsetto that is reminiscent of Roy Orbison. His narratives about people who are struggling with a variety of issues, from having another kid, to loneliness and finding unsuccessful and disappointing ways to cope with that ("Reno"), are dark, but Springsteen manages to present these stories using harmonies that are light in contrast to the lyrics, which makes the record not so heavy-handed and didactic, and provides a kind of non-depressive way to get into these stories. In this day of aging rock stars desperately trying to compete with their younger counterparts, finally there is a record that is actually made for adults to enjoy.

Brendan O'Brien's production is top notch, while Bob Ludwig's mastering job is excellent on all of the 2-track mixes. I highly recommend this record, for the technology as well as the content. Many people will not get what Springsteen accomplishes, but this CD will be regarded as a classic in 5 years.
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Reviewed in the United States on April 29, 2005
"Devils & Dust" occupies a spot somewhere between "Nebraska" and "Tunnel of Love" in the Springsteen canon.

Yes, it is spare, when compared to some of the full-bodied arrangements of the E Street Band, but it's NOT just Bruce and a guitar, like "Nebraska".

Nor is it as monotonous and bleak as "The Ghost of Tom Joad". Not even close.

In fact, many songs have full guitar-bass-drums back-ups, with synths, horns and back-up vocals sprinkled throughout the entire disc. Many are up-tempo as well.

It's a serious and heavy record, but it has its' foot-stomping moments here and there. In the same way, "Nebraska" has a zippy tune or two, so does this. It most definitely moves.

What makes this more of a nakedly "confessional" album is not that Bruce is opening himself up, revealing more of himself. He instead is immersing himself in various other characters, and brings them breathtakingly alive in each of his songs...little vignettes...little movies.

Many songs have "protagonists", just like a novel or a film. Bruce occupies each character, and THEN opens them for us to examine, to experience. He sings in different "voices", one half-spoken, one more "southern", another in falsetto...all according to the person he's singing about. Or more correctly, the voice of the character singing.

Many things will be written about "Reno", but I guarantee you'll be fixated with his tale of a man and a hooker. Shoot...the lyrics read like a tight little short story.

You'll be haunted by "Matamoros Bank", one of the several songs dealing, either directly or indirectly, with the plight of immigrants in the U.S. He had covered this area before in Joad's "Across The Border" but nothing like this.

You'll smile when the "band" kicks in on "Maria's Bed", sort of like Bruce goosing the accelerator on a beat-up pick-up truck, barrelling down some dusty back road. He's telling you a story while you sit there in the passenger's seats, grinning from ear to ear.

Each song deserves a separate analysis or their own individual recognition here (and they get a lot of print and praise in the other reviews), but I think you'd be better off, if you at all interested in the album, to go ahead and just get it without reading too many more of these things.

Discover it yourself. It's the type of album where each listener will find all sorts of hidden treasures & unexpected pleasures.

I'll tell you, even for this Springsteen fan, I was quietly impressed. Borderline astonished.
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Reviewed in the United States on July 22, 2013
As Bruce Springsteen enjoyed another great decade following the colossal
success of The Rising and a brief international tour, The Boss have again fully
resumed his recording career in 2005 when he released this heartfelt master-
work. Devils And Dust is a deeply robust combination of low-key artistry, folk-
rock, dramatic ballads, haunting stories, social commentary and rocking notes
filled with hope and self-determination that not only gave him another hit CD,
but also provides another phrase for him as both a rock titan and a storyteller.
Heralded by a quietly stark, stripped down dusty ambience beginning with the
title track, the track set proceed well a set of excellent songs, like All The Way
Home (written for Southside Johnny to include in his album Better Days which
he released in 1991), Long Time Coming, the slide guitar-driven Reno, Silver
Palomino, The Hitter, All I’m Thinking About and Metamonas Banks, for whom
he perform in a two-step rhythm, first rate virtuosity and occasional harmonica
solos to spare. Lyrically speaking, there are a couple moving moments like the
contemplative allegory Black Cowboys, in which he pit the hard edge narrative
against the soft whispering canvas of acoustic guitar and organ. Also added to
the success of Devils And Dust can be directly owed to his stance he taken on
corporate politics because of humanitarian or social reasons as he once again
tells tales of individuals rather than moments, and you will truly find this one to
be an upbeat and aspiring timeless hit that ranks with one of his best albums.
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Top reviews from other countries

Translate all reviews to English
lucido
5.0 out of 5 stars bonjour
Reviewed in France on March 17, 2024
tout va bien
Roni H.
5.0 out of 5 stars Genial
Reviewed in Germany on January 25, 2024
Was für ein Grandioses Album,reiht sich nahtlos mit Nebrasaka und Ghost of Tom Joad zu meinen absoluten Lieblings Platten vom Boss ein.
Unbedingte Kaufempfehlung!
Ant2869
5.0 out of 5 stars Ennesimo capolavoro
Reviewed in Italy on October 24, 2023
Album considerato fra i "minori ' di Springsteen.
A torto.
Tutta la produzione del Boss è un cammino nella sua vita 100% americana, niente è suonato e cantato a caso o solo per rallegrare il pubblico.
In concerto dal vivo riesce a trasmettere energie impensabili, nei CD lascia pensieri e musiche per l'anima.
One person found this helpful
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steen poulsen
5.0 out of 5 stars den er bra
Reviewed in Sweden on August 9, 2023
KD Thor
5.0 out of 5 stars Crystal clear sound
Reviewed in Canada on February 25, 2020
This pressing is amazing. Very pleased with the sound. Great album
One person found this helpful
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