Transition to Rock & Doo Wop
•Transferir como PPT, PDF•
1 gostou•917 visualizações
class notes from MUS 330
Recomendados
Mais conteúdo relacionado
Mais procurados
Mais procurados (18)
Semelhante a Transition to Rock & Doo Wop
Semelhante a Transition to Rock & Doo Wop (20)
Mais de sandy schaefer
Mais de sandy schaefer (20)
Último
Último (20)
Transition to Rock & Doo Wop
- 1. Transition To Rock 1946-1954 1951 was the Turning Point, More European-Americans listening to African- American Music Why? Just Listen.
- 2. Transition Pop Music- Saccharine Ballads, Novelty Songs R&B - Jump Blues, Doo Wop, Gospel Influenced Singers 1951 Bill Haley’s Country Band Covered Rocket 88
- 3. Top 10 of 1951 1. Too Young - Nat King Cole 2. Because of You - Tony Bennett 3. How High The Moon - Les Paul 4. Come On-A My House - Clooney 5. Be My Love - Mario Lanza 6. On Top of Old Smokey - Weavers 7. Cold Cold Heart - Bennett 8. If - Perry Como 9. Loveliest Night of the Year - Lanza 10. Tennessee Waltz - Patti Page Doggie
- 4. Top 10 R&B 1951 1. Sixty Minute Man - Dominoes 2. Black Night - Charles Brown 3. Teardrops From My Eyes - Ruth Brown 4. Chains of Love - Joe Turner 5. Don’t You Know I Love You - Clovers 6. Please Send Me Someone to Love - Sledge 7. I’m Waiting Just For You - Millinder 8. Glory of Love - 5 Keys 9. Rocket 88 - Brenston (Ike Turner) 10. Rockin’ Blues - Johnny Otis
- 5. R&B and C&W Billboard Magazine Changed Chart Names in June 1949 “Harlem Hit Parade” Became “Rhythm and Blues” (R&B) “Hillbilly”Became “Country & Western” (C&W) Yes, C&W and R&B are Four Kinds of Music
- 6. Influence of Radio AM Radio Waves Bounce off the Ionosphere, travel 1,000s of miles Listeners Across the Country Could Receive R&B Radio Broadcasts White Teens Could Hear R&B, and Could Order By Mail
- 7. Radio WDIA Memphis Hired all African- American DJs 10/25/48 WLAC Nashville Played some R&B beginning in 1943, (Randy’s Records) WATL Atlanta WJMR New Orleans “Poppa Stoppa” Most Were White Imitators
- 8. Alan Freed 1st Important Rock N Roll DJ 1st Applied the Term “Rock ‘n’ Roll” to the Music Known as “Rhythm & Blues”
- 9. The Term Rock’n’Roll “Here was thy father's bed, here in my breast; Thou art the next of blood, and 'tis thy right: Lo! in this hollow cradle take thy rest, My Throbbing heart shall rock thee day and night: There shall not be one minute in a hour wherein I will not kiss my sweet love's flower Venus and Adonis, by William Shakespeare
- 10. The Term Rock’n’Roll Do, my Johnny Boker, Come rock and roll me over;Do, my Johnny Boker do! Do, my Johnny Boker, the skipper is a rover; Do, my Johnny Boker do! Do, my Johnny Boker, the mate he's never sober; Do, my Johnny Boker do! Do, my Johnny Boker, the bo'sun is a tailor; Do, my Johnny Boker do! Do, my Johnny Boker, come roll me in the clover; Do, my Johnny Boker do!
- 11. The Term Rock’n’Roll My Daddy Rocks Me With One Steady Roll (1922) Trixie Smith Rock That Thing (1929) Lil Johnson Rock Me Mama (1929) Ikey Robinson Rocking and Rolling (1930) Bob Robinson I'm A Steady Rollin' Man (1937) Robert Johnson Rock Me Daddy (1937) Georgia White Rock It For Me (1938) Mildred Bailey
- 12. More Songs Rock Awhile - (1949) Goree Carter Good Rockin’ Tonight - (1947) Wynonie Harris Rockin’ The House - (1947) Memphis Slim Rock The Joint (1949) Jimmy Preston Around the Clock Blues - (1947) Joe Turner We’re Gonna Rock, We’re Gonna Roll - (1947) Wild Bill Moore
- 13. Alan Freed Cleveland Record Store Owner Alerted Him in 1951 Moon Dog Show (WJW 7/4/51) 1952 Moondog Coronation Ball, Interracial Rock Concert Moved to New York (WINS) 1954
- 14. Teens Buying R&B
- 15. Alan Freed Sued by Street Musician Moondog Hardin, Forced Him to Find A New Name “Alan Freed’s Rock and Roll Party” Becomes #1 in 1954 Rock Concerts & Riots 1st Rock Movies
- 16. Rock Concerts
- 17. Riot in Boston
- 18. Rock Movies
- 19. Alan Freed Radio Fires Him TV Show Causes Racial Tension Payola Scandal Ends Career
- 20. Covers: Transition or Segregation What is it? Is It Racial? Is It Capitalism? The Publishing Business? Was It A Transition Period? 1954-55 Kept R&B Off Mainstream Radio
- 21. Covers 1954 “Sh-Boom” - Chords/Crew Cuts Earth Angel - Penguins/Crew Cuts Goodnight Sweetheart - Spaniels/McGuire S. Shake Rattle & Roll- Joe Turner/Bill Haley Sincerely - Moonglows/McGuire S.
- 22. Covers Served as Transition, Helped Develop A Desire For More, Real R&B Pat Boone’s Covers of Little Richard’s “Tutti Frutti” Didn’t Work
- 23. Independent Record Labels Called “Indies” Specialized in Fringe Musics: R&B, C&W, Ethnic Atlantic, King, Chess, Modern, Imperial, Specialty, Sun Operated by Individual, or Brothers
- 24. Indies Successful Because: 1. Small size = Easier to Respond to Trends 2. Low Overhead, Profit from Moderate Sales 3. Avoided Paying Royalties 4. One-Man Decision Process
- 25. Transition Artists Ruth Brown • “Mama He Treats Your Daughter Mean” • Early Use of Tambourine (from Gospel) The Clovers • Good Lovin’ (early Doo Wop)
- 26. Transition Artists Joe Turner • Kansas City Blues Shouter • “Honey Hush” also “Shake Rattle & Roll” Ray Charles • Before Gospel • “Mess Around”
- 27. Doo Wop Based on Earlier Styles of Mills Brothers, Ink Spots, Golden Gate Gospel Quartet Gospel Groups began to Cross Over in the Late 1940s “Sh-Boom” Top 10 in 1954
- 28. Doo Wop Characteristics 1. Falsetto Lead Singer 2. Prominent Bass Voice 3. Riff Style Accompaniment Using Scat Syllables 4. Early Doo Wop used 12-Bar Blues 5. Later used I-vi-IV-V progression 6. Acapella (no instruments) 7. Triple Subdivision of the Beat
- 29. Doo Wop Group Names: Birds, Jewels, Flowers, Cars, Numbers, Musical Names Doo Wop Indies: Atlantic, King, Rama, Gee, Gone Often Groups were Engineered by Record Men: The Drifters Story
- 30. Jerry Leiber & Mike Stoller Most Prolific Writers of the Period Many Hits for Elvis & Drifters (p81) Their Story: “Smokey Joes Café” Robins/Coasters
- 31. The Platters Modeled on the Ink Spots Had #1 Hits 1955-1956 Borderline Doo Wop, Lack of Syllables “Only You” “The Great Pretender”
- 32. Classic Doo Wop 1955-58 George Goldner recorded 93 Doo Wop Groups Frankie Lymon & the Teenagers “Why Do Fools Fall in Love” 1956
- 33. Other Classic Doo Wop • Heartbeats “A Thousand Miles Away” 1956 • “In the Still of the Night” Five Satins • “Book of Love” Monotones 1958 • Classic Doo Wop Fades from Popularity
- 34. Neo Doo Wop 1960 a Doo Wop Revival Became “Mannered” Characteristics were “larger than life” “Blue Moon” Marcels 1961 “Barbara Ann” The Regents “Daddy’s Home” Shep & the Limelites
- 35. Doo Wop Ends Replaced by Motown Vocal Groups Today, Boy Bands Continue