Hotly anticipated debut studio album from the legendary Slayer guitarist, Kerry King.

Produced by Chris Coady and written by DIIV (pronounced Dive), Frog in Boiling Water, the band’s fourth full-length LP is a collection of snapshots that explores the brutal realities of end-stage capitalism and overwhelming technological advance. Across 10 dark and dazzling tracks, DIIV documents the collapse from various angles with unusual sensitivity and depth of purpose while expanding their grand, hypnotic shoegaze, to create a transportive, sensual work of hope, beauty and renewal.

On their latest album, Sonido Cosmico, Hermanos Gutiérrez embark on a sonic exploration that defies the conventional boundaries of instrumental music. Produced by Dan Auerbach, the collection is a richly textured tapestry, interwoven with the intricate threads of Latin rhythms and ephemeral atmospherics: each track a vignette, a carefully crafted narrative without words, where the brothers' transcendent guitars speak in a language all their own.

There is no artist in the world like Sia. Try to think about an artist who transformed from an in-demand indie pop vocalist and chanteuse into a global pop superstar more than a decade into their career. Try to imagine that same global pop superstar writing and producing music for many of the other most iconic stars of our time. And then let yourself think about how Sia Furler has racked up more worldwide streams and hits (6 in the “Billions Club” on Spotify, and counting...) all while never showing her face, never compromising her artistic vision, and never letting anyone else define pop stardom for her. It’s staggering to imagine any artist doing just one of these things, let alone all of them, over the course of a career that continues to reach new heights. It’s worth repeating: there is no artist in the world like Sia.

Some quick background: Sia Furler grew up in Australia the daughter of musicians. Starting out in Adelaide, singing in bands and releasing her own music in 1997, Sia moved to London and released her debut album Healing Is Difficult in 2001. That same year she first appeared as part of Zero 7 on their debut album Simple Things - a collaboration that would continue with two more albums and a series of world tours. 2004’s Colour The Small One included “Breathe Me,” which famously soundtracked the final scene of the final episode of HBO’s Six Feet Under. More albums followed (2008’s some people have REAL problems, 2010’s We Are Born) before Sia began writing and co-writing, and featuring on songs for other artists, including Rhianna, David Guetta, Flo Rida, all of whom had massive, chart-topping hits thanks to Sia.

Her song “Chandelier,” from 2014’s Grammy-nominated 1000 Forms Of Fear, not only changed the way pop music sounds, but it revolutionized the art of music video with the groundbreaking clip starring Maddie Ziegler. More worldwide smashes followed in quick succession: “Elastic Heart,” “Big Girls Cry,” “Alive,” “Together,” “Dusk ’Til Dawn” with Zayn, and “Cheap Thrills” - a Billboard number one single for 8 nonconsecutive weeks. Over 50 billion audio streams don’t lie. Her Christmas album, released in 2017, has one of the top 10 most streamed holiday songs of all time. She directed her first feature film, titled Music, in 2021, and in 2022, a song from 2016’s This Is Acting - “Unstoppable” - became a viral sensation, pushing it past a billion plays on Spotify and onto the charts again in multiple countries around the world seven years after its release. Meanwhile, Sia co-wrote songs for other icons like Miley Cyrus, Paris Hilton, and more; wrote songs for countless films and TV show soundtracks; gave away money to Survivor contestants (her favorite show!); put her energy into animal rights advocacy; and more.

And now - there is Reasonable Woman, Sia’s first proper album since 2016. Reasonable Woman is so filled to the brim with pop perfection, it almost overwhelms with how effortless it is for her to craft such instantly connectable songs. The collection is everything Sia does best, and the sonic equivalent of a myriad of things: an empowering embrace, secrets told late at night, going to the best party in the world, the vulnerability of declaring you love someone, the steadfast determination to keep going, even if your love isn’t returned; the messiness of being human; the exuberance of being human. In essence, it is life - happening to us, happening for us; the songs on Reasonable Woman mirror back to us being alive with every chorus.

New album from the Floridian death metal legends. Deicide is one of the "big three" US Death Metal bands, along with Cannibal Corpse and Morbid Angel

GRAMMY award-winning, multi-platinum rock band Kings of Leon are coming back big with their 9th full-length studio album, Can We Please Have Fun. As the title suggests, it’s a document of one of this era’s great rock n’ roll bands cutting loose, trying new things, and, yes, having some fun. Recorded at Dark Horse studio and produced with new collaborator Kid Harpoon (Harry Styles, Florence + the Machine) the album sees a new side of Kings of Leon. On the new album, the band harkens back to their gritty origins while simultaneously finding new gears. It’s the sound of a band unified in vision and purpose, freed from any expectations, and the album the band says they’ve always wanted to make. Indie Exclusive Apple LP. Limited Edition.

Almost out of necessity, Les Savy Fav’s sixth LP was born in a pocket reality: singer Tim Harrington’s Brooklyn attic. “A freaky barn,” as he calls it, the room was built over the ruins of black mold and plywood, a de facto studio. Different from anywhere they’d ever recorded, the space allowed for a much-needed rebirth for the long-running post-hardcore band. In that in-between, they pieced together what would become their latest evolution, OUI, LSF, growing the album’s title and cover art out of a patch of grass. “The record grew organically — literally and figuratively,” Harrington notes wryly. 

It’s impossible to talk about Les Savy Fav’s latest without acknowledging that it’s been more than 10 years since the guys released 2010’s Root for Ruin. But it’s not like they had a messy breakup or quit to become bankers. They just had a lot of living to do. “When we finished our last record, there was a sense that if we were going to do more, we wanted to do something more ambitious,” Harrington says. “I think it took us a while to even get in a space where that was possible.” In the interim, the band has been busy building growing their families, taking and losing jobs, and living through the various ecstatic and hideous aspects of growing older. Remember, these five men — Harrington, Seth Jabour, Syd Butler, Harrison Haynes, Andrew Reuland — have been friends and collaborators since 1995, when they attended Rhode Island School of Design. 

The resulting album is a glorious mix of tragedy and comedy — studded with nods to the band’s eclectic musical taste — delightfully weird and utterly them, tripping from ghostly bops to ruminations on love and loss to some seriously debauched and crazy nights. A decade may have passed, but Les Savy Fav is still growing — like their musical range, like the seeds that grew into their album art, like their legacy. Here’s to 10 more years of delicious lunacy.

KNOCKED LOOSE:

As Knocked Loose chipped away at what would become their third album, they felt the pressure from all sides. Internally, there was the need to challenge themselves as songwriters while retaining the merciless intensity and unflinching honesty that have always been their calling cards. Externally, there was a whole new set of eyes on the hard-touring Louisville quintet, following a banner year in which they’d brought their underground-seasoned sound to some of the world’s biggest stages, finding themselves the unlikely viral darlings of both Coachella and Bonnaroo.

The creative process was arduous, with the band writing close to 40 songs across a span of four years before locking in the 10 tracks that make up new LP You Won’t Go Before You’re Supposed To. But in the end, vocalist Bryan Garris, guitarists Isaac Hale and Nicko Calderon, bassist Kevin Otten and drummer Kevin “Pac Sun” Kaine honed a diverse, cohesive and savagely intense album that both sums up the massive strides they’ve taken during their decade as a band, and asserts their boundless potential going forward.

Raging lead single “Blinding Faith” skillfully wields whiplash tempo changes in service of a scathing indictment of religious groupthink. “Don’t Reach for Me” combines the band’s signature frenzied attack with deliberate catchiness and refreshing sonic variety. While “Suffocate,” featuring pop-meets-metal trailblazer Poppy, contrasts an oppressive heaviness befitting the title with a dance-y, syncopated groove and, midway through, the most concussive reggaeton rhythm you’ve ever heard.

The album title — a phrase that a fellow passenger said to Garris to soothe his severe air-travel anxiety during a particularly trying flight — strikes a note of reassurance. But glossing over negative emotions isn’t what Knocked Loose are about. The new songs find them plumbing new depths of loathing — directed both inward and outward — and tortuous anguish. Musically, they’re leaning into their most extreme impulses, from blastbeat-driven fury, chaotic turbulence and seismic breakdowns, while seasoning the mix with ear-catching auxiliary percussion, evocative samples and shout-along hooks, all interwoven to perfection by Grammy-nominated, pop-savy producer Drew “WZRD BLD” Fulk.

There’s no ceiling for hardcore in 2024 — even an outfit as uncompromising as Knocked Loose can turn up in mainstream-adjacent spaces and win over new fans. But there’s a center to what they do that will never change: uncompromising heaviness, both sonically and thematically. What is evolving is their drive to find new ways to convey that heaviness, and add tasteful variety that only highlights their undiminished ferocity. Everywhere Knocked Loose have been is here on this record — but so is everywhere they may yet go.

Neon Pill is the highly anticipated new album from Cage The Elephant, and group’s first new music since their album, Social Cues, which won Best Rock album at the 2019 GRAMMY Awards.

Cage The Elephant consists of brothers Matt Shultz (vocals) and Brad Shultz (rhythm guitar) along with Daniel Tichenor (bass), Jared Champion (drums), Nick Bockrath (lead guitar) and Matthan Minster (guitar, keyboards, backing vocals).

St. Vincent’s first self-produced record, All Born Screaming is Annie Clark at her most unfiltered. All Born Screaming is an invitation to test the limits of what is possible–and to then keep going;  Brought to life with the aid of a highly curated dream lineup of friends — Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — the album is an unadulterated expression of St. Vincent’s singular vision.

"Manhattan Fire’ is a collection of demos from prolific Brooklyn outfit The Men, revealing early versions of the tracks that would go on to make up their 2023 LP ‘New York City’ – described by Pitchfork as “an unpretentious garage-punk racket […] summoning the snottiest ghosts of the city’s punk past.” Recorded in mono and with a drum machine by founding members Mark Perro and Nick Chiericozzi over lockdown in late 2020 – before being shelved for the full-band, live-to-tape affair of the final LP – ‘Manhattan Fire’ shows a new side to those songs that's even more primitive and rough around the edges, as well as previously unheard tracks that never made it onto the album.

Every single song SeeYouSpaceCowboy have released since forming in 2016 has been deeply rooted in the life experience and trauma of frontwoman Connie Sgarbossa. It’s one of the things that makes the San Diego band’s music so compelling and visceral, because those oftentimes harrowing experiences flow through its veins. Whether that’s existential anguish, substance addiction or suicidal ideation (and attempts), Sgarbossa has never been afraid to detail her pain and torment in excruciating detail. She holds nothing back, and combined with the band’s intensely dark (and darkly intense) blend of sasscore, punk, mathcore and metalcore, it’s always made for profound and devastating listening. Coup De Grâce is no exception to that rule. The band’s third album, it follows on from 2019’s The Correlation Between Entrance And Exit Wounds and 2021’s The Romance Of Affliction. But unlike those two records, which were unadulterated, no-holds-barred accounts of her life at the time, Coup De Grâce takes a different approach to its lyrics. Rather than Sgarbossa baring her most private and innermost thoughts for all to hear, on these 12 songs they’re funneled through the lives of fictional characters within a noir-inspired world of the singer’s invention.

Clancy marks Twenty One Pilots’ first studio album in three years and follows their RIAA Gold certified LP, Scaled And Icy. With details of the release teased to fans earlier this month via cryptic mailings and covert artswaps on streaming services, “Overcompensate” welcomes listeners back to the band’s immersive world of ‘Trench.’ Layers of synths build over a racing breakbeat in the song - a skilled passage of alternative dynamics, flexing in time, and ready to explode. Having amassed over 33 billion streams worldwide and over 3 million tickets sold across global headline tours, the Columbus, OH based duo of Tyler Joseph and Josh Dun have established themselves as one of the most successful bands of the 21st century and redefined the sound of a generation.  Co-produced by Joseph and Paul Meany, Clancy marks the final chapter in an ambitious multi-album narrative first introduced in the band's 2015 multi-Platinum breakthrough, Blurryface.  Furthermore, Clancy’s forthcoming release on May 17th coincides with the 9th anniversary of Blurryface, which was released exactly nine years prior to the day. Twenty One Pilots extended the ambitious concept laid out in Blurryface with their 2018 Platinum-certified album TRENCH.  Featuring the multi-Platinum and Platinum singles “Chlorine,” “My Blood” and the GRAMMY® Award-nominated “Jumpsuit,” the album graced spots on “Best of” year-end lists by Billboard, KERRANG!, Alternative Press, and Rock Sound—who placed it at #1.

The Story So Far have announced their upcoming 5th studio album, I Want To Disappear, out June 21 via Pure Noise Records. Produced by Jon Markson (Drug Church, KOYO), the album features previously-released single “Big Blind” alongside nine brand new The Story So Far tracks. I Want To Disappear comes nearly six years after the band’s previous album Proper Dose, which debuted at #19 on the Billboard 200 chart.

..Is Committed represents both a return to form and a mid-career left turn. Bemis still traffics in
exaggeration and Jewish humor, but the hyperbole has been tempered by the blows of reality.
This is no longer the angst of post-adolescence, but the grim phantasms of adulthood. Coming
full circle in a sense, Bemis says these are the most autobiographical songs that he’s written since
high school.
As with any Say Anything record, the songs are rollicking and self-referential, jampacked with
meta-references and in-jokes. Before “lore” became a Gen Z cliché, Bemis was employing it was
still called “world-building.” The opener “BE, CHILDREN (INTRODUCTION TO THE
REUNION RECORD)” starts off with what might as well be a mission statement: “to the self-
indulgent/indulge yourself with me.” It’s partially a satire of a reunion song, but filled with a
jarring and uncomfortable honesty that belies the tongue-in-cheek humor. It also rocks hard.
Bemis did not bring Say Anything back to make an Iron & Wine record.

Local Natives' sixth studio album But I'll Wait For You is the expansion of their last project Time Will Wait For No One - the completion of a statement. It serves as an obligatory reminder of the transient nature of time & the necessity of prioritizing tenderness amongst the noise.

The first time ever individually on vinyl, the final album from 2005 by Fantomas. The band is Mike Patton, Buzz Osborne, Dave Lombardo and Trevor Dunn. Reissued for Ipecac's 25th Anniversary. in various colors with a 32pg mini calendar

Three time Grammy nominated Hiatus Kaiyote return with their eagerly anticipated new album Love Heart Cheat Code. The band have warmed up fans with standout single 'Everything's Beautiful' and what awaits is a masterfully crafted album from a band who are firing on all cylinders and totally in sync. LHCC is a mix of their classic neo-soul sound, fused with jazz, soul and rock - which is on full display on their cover of the Jefferson Airplane classic 'White Rabbit' and a fan favorite from their live shows, 'Cinnamon Temple'. The album also includes a feature from BMO from the cult classic animated series Adventure Time (Cartoon Network/Adult Swim). Throughout the campaign the band will build a bright and vibrant world for fans to dive into, with games, artifacts, mazes and all other matter of zaniness that one can expect from Hiatus Kaiyote. Just ahead of album release the band will be embarking on a 19 day US tour, which includes stops at Montreal and Toronto Jazz Fests and Electric Forest.

"The bi-coastal quartet fleshes out classic elements of hardcore and metal with industrial, shoegaze, and noise. Even their love songs feel extreme." - Pitchfork

CANDY return with their new album, It's Inside You. A brazen take on hardcore, metal, and disparate electronics and experimental soundscapes, It's Inside You sees CANDY take another step forward with a compelling, extreme, and one-of-a-kind take on the genre.

From the frenzied album opener "eXisTenZ", CANDY's intent is clear; It's Inside You kicks off as violently as possible. Cited as thriving in "this jumble of gothic industrial and digitized metal" by Pitchfork, the single minute, thirty-second track twists and turns as a contorted thesis statement for what will follow. Tracks like "Dehumanize Me" continue this trend, establishing an interplay between ferocious hardcore stomps helmed by guitarist Michael Quick, with pulse-pounding, electronic rhythms set against this monstrous riffing. "Dreams Less Sweet" crashes and bashes onto the record, while vocalist Zachary Quiram mourns the modern condition: "dreams laid dead/stuck grieving/how do you fight the feeling?/are we living in a world just to die?"

Elsewhere on the record, tracks like "Love Like Snow" showcase a different side of the band. Electronic, mechanical melodies are set against desperate cries for human connection. It's Inside You flexes more than just muscular Hardcore brutality. "Dancing to the Infinite Beat" and "Hypercore" also see raw emotion laid bare against frenetic, electronic punishment before crescendoing into cathartic, ear-worm choruses.

With It's Inside You, CANDY signals the future for what Hardcore, Metal, and Electronics can truly be.

FFO: Turnstile, Knocked Loose, Converge, Mindforce, Full of Hell, Ceremony, Code Orange

"Light Of Death" is the 15 song sophomore album from Umbra Vitae. Recorded by Kurt Ballou and Zach Weeks at God City Studios and mastered by Brad Boatright at Audiosiege. "Leave Of Absence" emerges with a spine-chilling violin swell before erupting into duel guitar driven madness courtesy of Sean Martin (Twitching Tongues, ex-Hatebreed) and Mike McKenzie (The Red Chord). Umbra Vitae stay redlined with "Belief Is Obsolete" and "Clear Cutter", showcasing the electrifying rhythm section of Jon Rice (Uncle Acid, Tsjuder) and Greg Weeks (The Red Chord). Hook-laden "Anti-Spirit Machine" then takes center stage as a war cry for the downtrodden. From here Umbra Vitae continue to smash and thrash everything in sight. The discordant "Reality In Retrograde" races with a grinding blur into the lumbering "Past Tense" and darkly seductive "Velvet Black". Two songs that are metallic heaviness incarnate. "Twenty-Twenty Vision", "Algorithm Of Fear", and "Empty Vessel" then pick up the intensity, propelled by the poignant lyrical themes and inhuman vocal deliveries of Jacob Bannon (Converge). Lastly, the trinity of slow-crawl "Cause & Effect", ultra-violent "Deep End", and whirlwind "Nature vs. Nurture" continue to bludgeon, ushering in the interlinked "Fatal Flaw" and "Light Of Death" as the vicious finale to this modern metal masterpiece.

The debut album by Passion Pit.  Manners is coming back to vinyl for its 15th Anniversary. Remastered for vinyl with full gatefold jacket that displays alternative artwork only previously available on the cd.

Billie Eilish’s third studio album, "HIT ME HARD AND SOFT", released via Darkroom/Interscope Records is her most daring body of work to date, a diverse yet cohesive collection of songs— ideally listened to in its entirety from beginning to end—does exactly as the album title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. With the help of her brother and sole collaborator, FINNEAS, the pair wrote, recorded, and produced the album together in their hometown of Los Angeles. This album comes on the heels of her two massively successful albums “WHEN WE ALL FALL ASLEEP WHERE DO WE GO?" and "Happier Than Ever" and works to further develop the world of Billie Eilish.

The long-awaited second album from NxWorries – the iconic duo of superstar vocalist Anderson .Paak and GRAMMY Award-winning beatmaker and producer Knxwledge.
8 years after their breakthrough debut Yes Lawd!, NxWorries return with Why Lawd? – a winning combination of Knx’s unmistakeable beats and .Paak’s instantly recognizable vocals.
This time, special guests are invited along for the ride. Featured artists include H.E.R., Snoop Dogg, Thundercat, Earl Sweatshirt, Rae Khalil and more.

South of Here, the fourth full-length studio release from Nathaniel Rateliff & The Night Sweats, reckons with a
lifetime of pain and trauma and transforms it into a stirring and soul-baring rumination on love, loss, hope and
resolve. Following Rateliff’s 2020 solo album, And It’s Still Alright, and The Night Sweats’ acclaimed 2021 release,
The Future, the new album blends both sides of his immense talent: emotionally potent, vivid storytelling and the
rugged, R&B revivalism that has powered the band to world-wide acclaim over the past decade. Iridescent Green
180g LP with die-cut O-card. Limited Edition. Indie Exclusive.

In 2016, Foals singer Yannis Philippakis was offered the opportunity of a lifetime: a two-day session with the great drummer Tony Allen. The pair quickly established an intuitive telepathy, and the music, germinated from jams and loops, and was complemented by a unique atmosphere of two cultures and creatives colliding. Joined by Tony’s regular collaborators Vincent Taeger (percussion, marimba), Vincent Taurelle (keys) and Ludovic Bruni (bass, guitar) that first meeting resulted in a handful of near complete songs, which were further developed during a couple subsequent sessions. But between scheduling issues and Covid restrictions, the recordings were not completed before Tony passed away in April 2020. Yannis felt a deep duty to complete the project, not only as a bittersweet way to honor and celebrate his old friend, but also because Tony had been so eager to share these songs with the world. The result is this five-track EP, Lagos Paris London, under the Yannis & The Yaw umbrella.

Imagine Dragons’ sixth studio album LOOM represents the pinnacle of their artistic journey of self-discovery and marks the best body of work they've ever made. LOOM, produced entirely by Imagine Dragons and their longtime collaborators Mattman and Robin, finds the perfect balance between the classic sounds that have made them superstars and the freshness that brought them joy in the studio. Featuring 9 brand new tracks including hit single “Eyes Closed”, LOOM signifies new beginnings on the horizon – the excitement for a new day, moments yet to come.

GEL return with a new 5-track EP, Persona, to make their Blue Grape Music debut. In just a few short years, GEL have grown to become one of the most exciting bands coming out of the world of aggressive music. The New Jersey-based five-piece make ultra-visceral hardcore with a healthy dose of punk DNA coupled with a live show that is unmatched in it’s energy and urgency.

The brand-new album by David Gilmour, ‘Luck and Strange’ was recorded over five months in Brighton and London and is Gilmour’s first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with ALT-J and Marika Hackman, with lyrics mostly written by Polly Samson, Gilmour’s co-writer for the past thirty years.

The album features eight new tracks along with a beautiful reworking of The Montgolfier Brothers’ ‘Between Two Points’, which sees Romany Gilmour, who performs backing vocals across the album, on vocals and harp.

Musicians contributing to the record include Guy Pratt & Tom Herbert on bass, Adam Betts, Steve Gadd and Steve DiStanislao on drums, Rob Gentry & Roger Eno on keyboards and the string and choral arrangements are by Will Gardner. The title track also features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 during a ‘Barn Jam’ at David’s house.

The album’s cover image, photographed and designed by renowned artist Anton Corbijn, is inspired by lyrics written by Charlie Gilmour for the album’s final song ‘Scattered’.

1 x LP – translucent sea blue vinyl. Gatefold sleeve and booklet with photography and design by Anton Corbijn

Releasing COPE, Manchester Orchestra stated it was an "unapologetically heavy rock record".  Ten years later, the legacy holds up as the band's loudest, fastest, & most pounding album of their career. To celebrate the 10th Anniversary of this seminal album COPE, Manchester Orchestra took the stage for one night only at East Atlanta’s tiny but beloved rock venue The Earl to perform a blistering set, performing the record from start to finish. Immortalized on this special 10th anniversary tribute.

 5 years on from 2nd record Young Enough, Charly Bliss are back with new album Forever, produced by Jake Luppen & Caleb Wright (Hippo Campus), they say it "celebrates the big love between the four of us & the life we’ve fought for & built together. The lyrics are head over heels, overflowing with romantic love, friend love, crushes & the hurricanes of feeling that accompany all the massive shifts of growing up. We fell back in love with making music through this record, & you can hear it."

For seasoned Australian alternative stalwarts Atlas Genius, their third album – and first in nine
years – End of the Tunnel on the Orchard comes after a trying time that included leaving Warner
Records and then their adopted base of Los Angeles for home just before the pandemic shut
down the world. Whether that’s a light or an oncoming train in their path, the band’s lead
vocalist/guitarist/writer and founding member Keith Jeffery is looking ahead, not over his
shoulder, on 11 songs which reflect that turmoil and growth, both personal and universal, over
the past several years.
“We’re happy enough just to get this album out, above everything else,” admits Keith, with the
band in “musical purgatory” due to another aborted label deal. “We have no expectations this
time.”
The previously released “Elegant Strangers” is a melodic ode to the drug-fueled L.A. faux
schmooze culture, “dressed for the morning sun/Mirrors and razors,” already charting at
SiriusXM’s Alt Nation. The opening disco-inflected track, “Falling So Hard,” offers a longing
song for a lover “oceans apart.” It’s a theme explored as well on “Nobody Loves Like You,” with
Keith’s falsetto and funky guitar solo underlining a tale of missing someone “half the world
away,” a dance-rock track that combines the club floor and the furthest reaches of the arena. The
epic orchestral intro to the geo-political tract “Don’t Let Love be a Stranger,” “Can’t Be Alone
Tonight” and “On a Wave,” inspired by Keith’s passion for surfing, sport an anthemic melodic
drive with whisper-to-a-scream dynamics.
“It’s not really about the water, though I used to love to surf,” says Keith about “On a Wave,”
“It’s like riding that emotional roller coaster, trying to maintain your balance despite all of life’s
ups and downs.”
“Romans” examines a dysfunctional relationship Jeffery experienced while in L.A. “We were
seemingly under control, like Romans, but we were really just bullshitting and using one
another,” explains Keith, a Pisces and admitted “hopeless” romantic. “Animals” and “Do Me
This Way” offer thumping, funky odes to unbridled, passionate lust.
“’Animals’ is just about the chemistry between people,” observed Keith. “The coy games that
couples play, the dance of courtship which results in marriage and kids or is simply a one-night
stand. ‘Do Me This Way’ is about indulging in all the wrong shit in L.A., when you should be
focusing on what you need to be doing.”
“All for nothing, all for show/If all else fails, at least we rode,” “On a Wave”
Atlas Genius started out in Victor Harbor, a tiny town an hour south of Adelaide on the coast of
southern Australia in 2011 with Keith and his brothers Michael on drums and Steve on bass and
keys along with keyboardist Darren Sell, working out of a home studio they built with funds
from playing at local bars. Signed worldwide to Warner Records, Atlas Genius released a three-

song EP and two full-length albums. The debut, When It Was Now, dropped in 2013, producing
the SiriusXM Alt Nation hit, “Trojans,” the album peaking at #3 on the Billboard Alternative
chart (where it remained for over 52 straight weeks), and #34 on the Billboard 200, with a
second single, “If So,” hitting #8 on the Billboard Alternative Songs chart. Inanimate Objects
came out two years later, with the first single, “Molecules,” going Top 10 on Billboard’s
Alternative Airplay chart, where it spent 22 weeks before the band was unceremoniously
dropped.
“We have to remind people that we’re still here,” acknowledges Keith. “I feel very positive about
things now. You have to go through a really shit period to appreciate what you’ve got. We’re
ready to put the past behind us, to emerge from the ‘End of the Tunnel’ into the sunlight. We’re
excited to start playing these new songs for people. It’s about time.
“This is by far our strongest album from front to back, mainly because we had the time to get it
right. These 11 songs are the best from the more than hundred I’ve written over that time. I’m
just very happy with how it turned out.”

The two out-of-print solo acoustic albums from Melvins frontman, King Buzzo, packaged together in a 2LP gatefold vinyl. Includes an expanded 12pg booklet and bonus flexi-disc.

Madrid's Hinds, back to their formative line-up of best friends Carlotta Cosials & Ana Perrote, return with a sonically adventurous & career-defining 4th album. Recorded with producer Pete Robertson (Beabadoobee) & Grammy-nominated engineer Tom Roach in rural France, VIVA HINDS features the singles "Coffee", "Boom Boom Back" with a guest verse from Beck & the band's close friend Grian Chatten of Fontaines D.C. singing on the simmering post-punk inspired stand-out track “Stranger.”