Friday Night Music Club Vol 59

Yeh, you’re right, I am really struggling with those number related gifs now.

I’ll tell you what I didn’t struggle with: this week’s mix, which is an absolute belter, even if I do say so myself. And I do. There, I just said it.

So, what do we have in store for you this week?

Well, we kick off with Primal Scream reminding us why Kate Moss is not renowned for her singing talents (I still really love this Lee Hazlewood/Nancy Sinatra cover, despite that); a remix of another Fatboy Slim, one which featured on a super-long mix I put together to mark the last night that Hel and I shared a flat, and which ended with me passed out asleep on the bathroom floor after quaffing one pint of White Russian too many (sorry!); the long-overdue inclusion of Michael Kiwanuka (is 2019 over already?); a New Order classic; a much-overlooked beauty courtesy of Vince Clarke and one of Orbital’s Hartnoll brothers (Paul, I think), which sounds every bit as great as you might hope it would; a Kula Shaker cover which almost got included a couple of weeks ago, but I thought better of it (I didn’t this week); Sports Team with their one good song; the middle, most over-looked of Suede’s first three singles; then we’re into what I’n childishly referring to as the horn-y section, where we find The Boo Radleys, The Bridwell Taxis, Sharon Jones, and The Cure; then a cracking Irish folk version of a Smith classic, before we head to the end with the help of The Brilliant Corners, The Breeders, Blur and, as the mix is looking a tad ‘B’ heavy, a song that I have on a really pretty great compilation album called Basement Beehive: The Girl Group Underground, which makes things even more B-based, now I come to write this.

Trust me, you’ll like this one. A lot. As much as, say, Brian hated the Romans:

So, let’s crack on shall we?

Friday Night Music Club Vol 59

  1. Primal Scream feat. Kate Moss – Some Velvet Morning
  2. Fatboy Slim – Praise You (Fatboy Slim Vs Fedde Le Grand Remix)
  3. Michael Kiwanuka – You Ain’t The Problem (Claptone Extended Remix)
  4. New Order – Temptation
  5. Clarke:Hartnoll – All Out
  6. Kula Shaker – Hush
  7. Sports Team – Here’s The Thing
  8. Suede – Metal Mickey
  9. The Boo Radleys – Lazarus
  10. The Bridewell Taxis – Honesty
  11. Sharon Jones – I Just Dropped In To See What Condition My Condition Was In
  12. The Cure – Why Can’t I Be You?
  13. Brendan Croker & The Serious Offenders – Heaven Knows I’m Miserable Now
  14. The Brilliant Corners – I Didn’t See You
  15. The Breeders – Hellbound
  16. Voices – Fall in Love Again
  17. Blur – For Tomorrow (Single Version)

See you same time, next week?

(More soon).

Friday Night Music Club Vol 58

Evening all.

It appears to be Friday again, which can only mean it’s time for another mix (yes, another one, stop groaning at the back!), and we’ve got a right mixed bag for you this week.

Yes, from the 80s disco-soul of Jocelyn Brown, a bit of Basement Jaxx for a Friday night (at least one person out there will get that reference), through the indie-guitar pop of The Soup Dragons and Girls At Our Best, through to the fantastically named Beyond the Wizard’s Sleeve via some shouty Swedish rock courtesy of Whale, some shouty Scottish indiepop from bis, some shouty Noo Yawk rap courtesy of the Beastie Boys, some not-very-shouty-at-all French dance dudes, a Bowie classic, Soulwax remixing The Chemical Brothers, a couple of other bits which just sounded good thrown in, and the long overdue return of Half Man Half Biscuit…you’re in for a fun 62:15 tonight, tomorrow, whenever you listen to it.

Let’s begin, shall we?

Friday Night Music Club Vol 58

  1. Jocelyn Brown – Somebody Else´s Guy
  2. Basement Jaxx – Good Luck
  3. Girls At Our Best – Getting Nowhere Fast
  4. David Bowie – Suffragette City
  5. The Soup Dragons – Whole Wide World
  6. Beastie Boys – Sabotage
  7. Whale – Hobo Humpin’ Slobo Babe
  8. bis – Kandy Pop
  9. Half Man Half Biscuit – I Was A Teenage Armchair Honved Fan
  10. The Chemical Brothers – Hey Boy, Hey Girl (Soulwax Remix)
  11. Simian Mobile Disco – Hustler
  12. Bedrock – For What You Dream Of
  13. Dr Kucho! & Gregor Salto – Mr Martini
  14. Phoenix – If I Ever Feel Better, I’ll Go To The Disco
  15. Beyond the Wizards Sleeve – Don’t Cry Girl

I’ll be back tomorrow, with either the next part of my review of the Now… albums, maybe something a bit Eurovision-y, or maybe I’ll just have a bit of a Rant. We’ll see what kind of mood I’m in later once I’ve had me an end-of-week tipple.

More son, in other words.

Friday Night Music Club Vol 57

Question: what’s better than a weekend?

Answer: a weekend that has a Bank Holiday Monday right after it.

Question: what’s better than a weekend that has a Bank Holiday Monday right after it?

Answer: a weekend that has a Bank Holiday Monday right after it, where I’m going to see The Wedding Present play live at the start of it.

Well, whaddya know, that’s what we have here, for as this is getting published, I’ll be singing along with Gedge and the gang, with my old mate Richie by my side.

So, I’ll keep things brief: this week’s mix contains some Britpop-era belters, some super 60s songs, a particularly fine mash-up (and regular readers will recall I’m not generally a fan of the genre), a Morrissey song performed in the best way a Morrissey song can be performed (that is: not by Morrissey, but in a foreign language (to me) with a mariachi band parping along behind it), one of the finest guitar riffs in the last *checks notes* twenty-five years (blimey, I feel old), a guitar cover of a dance tune from 2002 which is perhaps most *ahem* fondly remembered for having a video featured a bevy of scantily-clad ladies using power tools, before, in case you were wondering why Dancing Darth has made a reappearance at the top of this post, we wrap things up with a couple of space-related tunes, given that tomorrow (May 4th) is Star Wars Day (as in “May the 4th be with you”, but you knew that, right?).

Oh, and that dance tune cover contains a bit of what Simon Bates, whilst pervily licking his lips, used to refer to as “sexual swear words” as he killed the vibe/heightened the excitement (delete as applicable) at the start of movies released on video in the 80s, so we’d better get the old Effin’ & Jeffin’ warning out again:

Yup. That’s me keeping things brief.

Ready?

Let’s go.

Friday Night Music Club Vol 57

  1. The Bluetones – Keep The Home Fires Burning
  2. Ocean Colour Scene – The Day We Caught The Train
  3. Supergrass – I’d Like To Know
  4. Gay Dad – To Earth With Love
  5. The Wedding Present – Brassneck [Single Version]
  6. British Sea Power – Remember Me
  7. Mexrrissey – El Primero del Gang
  8. Jefferson Airplane – Somebody to Love
  9. Cream – White Room
  10. Go Home Productions – Work It Out With A Foxy Lady
  11. Who Made Who – Satisfaction
  12. The Umlauts – Dance & Go
  13. The Wiseguys – Ooh La La
  14. Laidback – International
  15. The Prodigy – Out Of Space
  16. Neon Neon – I Told Her On Alderaan

More soon.

Friday Night Music Club Vol 56 (Be Llŷrious edition)

Well, here’s funny. For some reason, WordPress decided not to save and publish the final, finished post yesterday, and instead farmed out an old, initial draft, with different words and songs in a different order. Sorry about that. Below is what should have been published yesterday. (Llŷr would have pretended to be mildly offended at this cock-up, but would actually have been pissing himself at me messing up on what is potentially a global stage. Laugh it up, dude)

Today would’ve been Llŷr’s birthday, and, given our shared love of compiling mix tapes and CDs, and the oh-so-many he prepared for me, it seems only right and appropriate that tonight’s mix is dedicated to him. It’s what he would have wanted.

No sleeve notes this week, as I’ve written about all of these songs before, with a couple of exceptions. I should stress that Llŷr did not like all of tonight’s tracks (only, maybe, 98.9% of them), but all of them remind me of him in one way or another, and have featured before on these pages. If you want to understand why I’ve included a particular song, then you can scroll through the Be Llŷrious series via the drop down to the left and find the back story.

The only two exceptions are the obligatory Super Furry Animals track; I’ve included one which hasn’t featured before, but, if memory serves, Llŷr told me was his favourite tune by them, in a field of many, so lawd only knows how I’ve managed to swerve posting it before.

The second is the Gene song which kicks things off; shortly after he passed I referenced this tune in my eulogy to Llŷr, but posted a different song, for reasons which I hope will become obvious. Now, five years on, it seems right to post it. Llŷr’s younger sister and uber-Gene fan Siân will know them both, of course.

As for the running order: it amuses me to stick songs next to each other which have no right to be neighbours. Hence Cliff Richard living next door to Surfer Rosa-era Pixies just tickled me.

One last bit of admin: you’ll spot that Track 16 is by Goldie Lookin’ Chain. It not only contains a huge amount of effing and jeffing, it is also incredibly filthy, so I need to slap one of these on here:

Ok, let’s go: 90 minutes of Llŷriousness. By the time you all read this, I’ll have raised several glasses (Jez-measures, of course), in his memory. Feel free to join me, whenever you read/listen to this:

Friday Night Music Club Vol 56 (Be Llŷrious edition)

  1. Gene – For The Dead
  2. The Postal Service – Such Great Heights
  3. Cliff Richard – Wired for Sound
  4. Pixies – Bone Machine
  5. Queens of the Stone Age – No One Knows
  6. Status Quo – Mean Girl
  7. R.E.M. – These Days
  8. Graham Coxon – Freakin’ Out
  9. Jimmy Eat World – The Middle
  10. Kelly Clarkson – Since U Been Gone
  11. Sisqo – Thong Song
  12. Girls Aloud – Love Machine
  13. Phil Collins – Sussudio
  14. Ralph McTell – Streets Of London
  15. Big Train – Ralph McTell sings…
  16. Goldie Lookin’ Chain – Nan Rita
  17. Cud – Purple Love Balloon
  18. Art Brut – Formed A Band
  19. Huey Lewis & The News – Hip To Be Square
  20. Mental As Anything – Live It Up
  21. Maxïmo Park – Apply Some Pressure
  22. Arcade Fire – Rebellion (Lies)
  23. Super Furry Animals – Hometown Unicorn
  24. Energy 52 – Café Del Mar (Three ‘n One Remix)

Happy birthday dude. Love ya, miss ya, always.

More soon.

Friday Night Music Club Vol 55

Friday night is upon us again, and that can only mean one thing: a new mix of tip-top tunes from yours truly. (Well, actually, it can mean a lot of things: a Friday night takeaway, a couple of post-work pints, you get the gist. What I’m saying is: there’s room in your hectic playboy/girl lifestyle for this too).

This week’s mix has been picked from the debris of the one I mentioned having jetisoned last time out, but don’t let that put you off. I’ve over-run the usual 60 minutes mark, mostly because I was enjoying this one so much I kept lobbing in extra tracks until I decided to rest back, fully satisfied and fit to burst.

What we have this week, is a load of songs which mostly fall into the following categories: quiet build up; wicked bassline; who are these/I’ve forgotten about these/where are they now?; absolute stone cold classic. I’ll let you decide which falls into which box.

So welcome one and all, to this week’s mix for which I’ve done some sleeve notes, and included links so you can stream the individual song or album it comes from (don’t get used to this level of customer service, by the way), so I won’t waste any more time with my attempts to fashion a new introduction, let’s crack straight on shall we?

Friday Night Music Club Vol 55

  1. Kevin McDermott Orchestra – Mother Nature’s Kitchen

This is from 1989, but ignore the ever-so-slightly egotostical grandeur of the mention of Orchestra in the title. This is good old fashioned acoustic-driven folk/rock, like Mumford & Sons could have been if they weren’t insistent on being awful.

2. World Party – Ship Of Fools

I was very sad to hear of the passing of World Party main man, and ex-Waterboy, Karl Wallinger recently. I’ve been meaning to write something about how much I love their first album, Private Revolution, from which this is lifted, for a while, as a kind of eulogy, but time pressures blahblahblah. Maybe I’ll do something for SWC’s continually excellent Nearly Perfect Albums series over at No Badger Required. We’ll see.

3. The Charlatans – Forever

If you’ve ever been to see The Charlatans play live – and if you haven’t that’s something you should rectify as soon as possible – you’ll know that often – not always – they kick things off with this. It’s a near-perfect intro tune, the opening track on their 1999 Us and Us Only album, one of their finest in my opinion, and lawd knows they’ve been around for a goodly while, so it’s up against some stiff competition.

4. We Have Band – Hear It In The Cans

This lot should have been huge. I mean, listen to this: bouncy bass, spiky guitars, boy/girl shared vocals – I’m probably doing them a dis-service here, but I can imagine early B-52’s doing this, and I totally mean that as a compliment. This is from their debut album from 2010, WHB, a moniker under which they released further stuff, but, according to their wiki page, nothing since 2014, which is disappointing, because this is, well, just ace.

5. Metronomy – The Bay (Erol Alkan’s Extended Rework)

More boy/girl vocals and harmonies, more bouncing basslines, stretched out by DJ hero of mine, Erol Alkan. The original can be found on their 2011 album The English Riviera.

All these irresistable basslines mean I can’t resist, and nor can Alan…

Smooth.

6. Saint Etienne – Sylvie

Classic kitsch from Sarah, Bob and Pete. You don’t need me to tell you how ace they are/this is. It’s Saint Etienne, therefore….From their 1998 Good Humor album.

7. EMF – I Believe

It always struck me as amusing that their follow-up to the massive was Unbelieveable was a song called I Believe. If only they’d called the next one Now You Mention It, That’s a Thinker. From 1991’s Schubert Dip album.

8. Jesus Jones – Bring It On Down

Look, I know that time and history may not look favourably upon the likes of Jesus Jones. But what I think is often over-looked is how, with their blend of guitars and samples, bands like this very much laid the groundwork for devoted guitar obsessed indie kids, as I was back in 1989 (on their Liquidizer album) to like dance music. This was precursor for what was to follow: baggy, Madchester, indie/dance crossover, Screamadelica. It may have taken hold eventually, but it was because of the stuff that Jones’ and their likes released that blinkered idiots like me we were more receptive.

9. Pop Will Eat Itself – Def Con One

Ditto.

I bought this on 7″ single at college. with the specific intention of dropping it at the Indie Night I was DJ’ing at. Imagine my disappointment, and embarrasment having not listened to it before I played it out, that I’d bought the BBC-friendly version, where the integral “Big Mac” line had been changed to “Milk Shake”. How I ever managed to recover any credibility I’ll never know. You’ll find this of-it’s-time belter on 16 Different Flavours of Hell.

10. The Wonder Stuff – Don’t Let Me Down, Gently

Since we’re in the Black Country, an absolute banger from popular rhyming slang Miles Hunt and the boys, this, the first single from their 1989 second album Hup!, reached #19 in the UK charts, and deserved to have got a lot higher.

11. Crazyhead – What Gives You the Idea That You’re so Amazing Baby?

I’m not going to pretend this is a fine moment, let alone this Leicester band’s finest moment, but it does have one of the greatest titles of a single ever. This lot played the Students Union in my first year, before I was involved in the Ents side of things. I went to see them, liked them, but recall a conversation in the gents afterwards with a random which went pretty much like this:

Random: What did you think of them that, mate?

Me: Thought they were alright. Not sure about some of the song titles, though. I mean “I Don’t Want That Pint of Blood”? C’mon….

The song in question is actually I Don’t Want That Kind of Love and I was an idiot. Listen to their Desert Orchid album and tell me I’m a fool to have misheard.

12. The Jesus & Mary Chain – Taste of Cindy

There are three reasons this is here:

i) it’s ace

ii) it works at this point in the mix

iii) It provides a handy link to the next record, which you won’t know

13. John Moore & The Expressway – Something About You Girl

John Moore was, briefly, in The Jesus & Mary Chain. He took over from Bobby Gillespie on his very taxing drum duties, later moving to guitar, but left the band in 1988. He’s probably better know now for his involvement in Black Box Recorder, but this is what he did in between.

14. Westworld – Sonic Boom Boy

Whenever I hear this record, I immediately think of my old mate Tony, sadly no longer with us. Back in 2016, on what would have been his 50th birthday, I wrote this:

He sidled up to me once in the Sixth Form Common Room; a mixtape I had made was playing, and suddenly I was aware that Tony was standing by my side.

“This should be number one, shouldn’t it, mate?” he whispered to me.

In an ideal world, Tony, yes, it should have been. (It got to Number 11.)

And he was right, it should have been Number One because it’s bloody great, far better than most of the old tosh that was cluttering up the UK Singles Charts at the time. Who cares that they released nothing else of any note? That is a great record. Westworld were The Ting Tings of the 80s, only without the number one hit record.

I stand by that.

On a related note: I’m going to see The Wedding Present play in Cambridge in a couple of weeks (May 3rd). Tony would have loved to have been there, but for fairly obvious reasons, can’t be. As it happens, a mate who was supposed to be joining me and my old mate Richie has dropped out, so if you know anyone in the area who fancies joining us, let them know I have a spare, and to contact me via the Comments or by email.

15. Cliff Bennett & The Rebel Rousers – Got to Get You Into My Life

A Northern Soul-esque version of what is probably one of my favourite Beatles songs.

16. The Webb Brothers – I Can’t Believe You’re Gone

One of the tunes salvaged from the wreckage of that mix I mentioned last week. The Webb Brothers are the sons of Jimmy Webb, and that discarded mix ended with a run of Webb-related songs; this (from 2000’s wonderful Maroon album), the next song in this mix, and, sandwiched in-between, actor Richard Harris’ version of the Jimmy Webb MacArthur Park, which, much as I love it, I decided you probably don’t need to hear.

16. Glenn Campbell – Witchita Lineman

Written by Jimmy Webb, this is just one of the greatest records ever made. Fact.

That’s yer lot. ‘Til next time…

More soon.

Friday Night Music Club Vol 54

The more astute of you will have spotted that each week, when I can find one, I include an image or gif related to the number of the volume of Music Club we’ve reached. Usually, the image will have no bearing whatsoever on the contents of the mix that is to follow, and never has that been truer than this week.

For, had it occured to me that the obvious choice this week would be hedonistic 70s New York nightclub Studio 54’s logo, then this week’s mix would have been suitably disco and diva-ish. But the penny didn’t drop until I came to write this and did a Google Image seach for something with 54 in it, letting out an audible groan when the realisation dawned.

So, if you’re new to these pages, have stumbled across if because of the Studio 54 emblem, then I’m sorry to disppoint you, but there’s barely a whiff of glitter or poppers in this week’s mix. If I can misquote Sheryl Crow: This ain’t no disco/It ain’t no country club either/This is…Friday Night Music Club.

But stick around, you never know, you may find there’s something you like in what’s to come: 18 songs squeezed into 63 minutes, as this week more than any other we skid around the circuit of musical genres with barely a gear-grind in earshot.

No sleeve-notes this week, partly because I’ve not had time, but mostly because of a last-minute change of heart as to which mix to post this week. I know you may find this hard to believe, but I do exercise a little quality control around here, and having listened to the mix that was scheduled to appear I decided it was just a little bit…well, shit is probably the kindest way to describe it, so it got bumped. Now you may listen to this mix and think: this is better than the other one?? which is fair enough, can’t please all the people all the time and all that. In particular, we kick off this week with a tune by a band who, whenever I feature them on these pages, are consistently met with absolute indifference.

But stick around, you never know, you may find there’s something you like in what’s to come: 18 songs squeezed into 63 minutes blahblahblahblahblah you get the gist.

Let’s crack on, shall we?

Friday Night Music Club Vol 54

  1. The Beautiful South – Tonight I Fancy Myself
  2. The Mighty Wah! – Come Back
  3. The Coral – Dreaming Of You
  4. Echo & The Bunnymen – The Back Of Love
  5. Eat – Fecund
  6. Jenny Wilson – Let My Shoes Lead Me Forward (The Knife Remix)
  7. Jungle – All of the Time
  8. Da Hool – Meet Her at The Love Parade
  9. Swedish House Mafia – Greyhound
  10. Greyhound – Black and White
  11. The Mighty Diamonds – Pass The Kouchie
  12. LL Cool J – Mama Said Knock You Out
  13. Stereo Total – I Love You, Ono
  14. Billie Eilish – Bad Guy
  15. Juliana Hatfield – Totally Hot
  16. Wings – Goodnight Tonight
  17. Hot Hot Heat – Goodnight Goodnight
  18. We Are Scientists – After Hours

Now, you’ll have to excuse me; I’ve got to prepare a new mix for next week now, and also write a post about disc 2 of Now That’s What I Call Music Volume 1 to annoy you all with tomorrow, if the reaction to last week’s post is anything to go by.

In other words: more soon.

Friday Night Music Club Vol 53

Four day working weeks, eh? They’re great, aren’t they? I mean, apart from thinking Tuesday is Monday, Wednesday is Tuesday, Thursday is Wednesday and so on until come Saturday, everything goes back to normal and you stop thinking it’s Friday cos you can lay in bed for a bit longer.

Wait, Friday? Well, that must mean it’s time for another one of those “eclectic” mixes that I throw together diligently curate for your aural delectation. I see Herbie’s pretty revved up in anticipation, even if you aren’t.

With all this talk of there being one less day in work this week, you’d think I’d have bothered to write some sleevenotes, wouldn’t you? Well, you’d be wrong.

So what can I say about this week’s fare to whet your appetite? Well, safe to say it’s a little more beat-centric, less-guitary than usual, but it contains all of the usual hallmarks of one of my mixes (by which I don’t mean poorly done, thank you very much): we kick off with an appropriate tune, if a little more chilled – and definitely wetter – than many previous efforts; there’s guest appearances from Tricky (even though, if memory serves, he was less than delighted with it) and Nina Simone (via a sample, granted); it builds effortlessly to a climax which will have you collapsing back onto your beds, shuddering, breathless, exhausted; and contains an 80s MOR tune remixed. (I did warn you about these cropping up from time to time – but fear not! There’s no need to avoid or be concerned this week as it’s by the legend that is Arthur Baker)

So without further ado (I do dislike ado, especially when there’s much of it and it’s about, well, nothing), let’s crack on shall we?

Friday Night Music Club Vol 53

  1. Groove Armada – At The River
  2. Smoke City – Underwater Love
  3. Sneaker Pimps – 6 Underground
  4. Garbage feat. Tricky – Milk (The Wicked Mix)
  5. Brother Brown (feat. Frank’ee) – Under the Water (Club Radio Edit)
  6. Björk – Human Behaviour
  7. Layo & Bushwacka! – Love Story
  8. Goldtrix Presents Andrea Brown – It’s Love (Trippin’)
  9. AB/DC – The Feelin’
  10. X-Press 2 – Smoke Machine
  11. Shakedown – At Night
  12. N-Joi – Anthem
  13. Fleetwood Mac – Big Love (House Upon The Hill Mix)

Til this time next week (unless you fancy reading anything I write here before then, that is).

More soon, in other words.

Friday Night Music Club Vol 52

See? I’m a man of my word, back again, with another spankingly good mix for you to get yer lug ‘oles round.

There are sleeve notes this week, but unless I can think of something hilarious, brilliant, pertinent or informative for every tune featured (which I really haven’t managed this time out), take it as read that there won’t be any more. Although I may resurrect them every now and again (hey, it is Easter after all).

Here you go folks, enjoy!

Friday Night Music Club Vol 52

  1. Bloc Party – The Prayer

And so my quest for the perfect record to kick off a Friday Night mix continues…this would be perfect, were it not about going out and being cool, which, if you’re actually listening to this on a Friday night, you’re not, just like me.

2. Everything Everything – Distant Past

My buddy Tim is often banging on about this lot on Twitter (seriously, does anyone actually call it X? Thought not), so this is for him.

3. Erasure – Victim Of Love

The first single by this lot that I bought. Yes, primarily bought to stick on a mixtape to entertain the 6th Form common room, but unlike others bought for the same reason (I’m looking at you, Bruce Willis and your cover of Under the Boardwalk), bought loving it.

4. Elvis Costello – (What’s So Funny ‘Bout) Peace, Love & Understanding

Speaking of loving it, if this isn’t my favourite Costello single, then it’s right up there, despite it not having beem written by the great man himself. Take a bow, Mr Nick Lowe.

So why do I love it so much? I reckon you can blame Bill Murray for doing it at karaoke in Lost in Translation.

5. Julie Driscoll, Brian Auger & The Trinity – Save Me (Parts 1 & 2)

Not had any Northern Soul for a while, so this more than makes up for it, I think

6. Definition Of Sound – Wear Your Love Like Heaven

Oh, c’mon, you knew I’d drop this next, right?

7. The Velvelettes – These Things Will Keep Me Loving You

And back to a Northern Soul belter.

8. Gabriella Cilmi – Sweet About Me

I mentioned earworms at the weekend, songs which you suddenly find yourself humming or singing apparently unprompted. This is another of my recent ones.

Back in 2008, on the back of this single, for a brief nano-second, everyone thought Aussie Gabrielle was going to be a huge star. She seemed sassy, cool, sexy, and had a video which highlighted these characteristics, even if it did take the “the world’s a better place when it’s upside down, boy” lyric a little too literally:

If memory serves, even that *coughs* style guru Liam Gallagher was a fan.

And then we heard her album, realised she only had this one catchy tune, and promptly ignored her forever.

9. Courtney Barnett – Elevator Operator

Craving an alternative cool and contempory antipodean female artist? Courtney’s what you’re looking for.

10. Sheryl Crow – All I Wanna Do

This is just…such a great record…Not only catchy country-tinged rock, but those lyrics really paint a picture like nothing else she has done since (although there are many other great tunes in her back catalogue).

11. Simon & Garfunkel – The Boxer

Back in my 6th form days, and throughout my college years (and for a year after I graduated) I earned myself some pennies working in a Happy Eater roadside restaurant. For the first few years this was at Sawtry (South), and I would usually get a lift to and from work with the manager, Jane.

Jane was a couple of years older than me, in fact she’d been in the same school year as my brother. He won’t remember this, he steadfastly refuses to remember anyone who wasn’t in a dodgy non-band with him, or a goth or a punk, like what he was. Jane and I found that we shared similar musical tastes, enjoyed singing along to a tune or two as she drove us to-and-from work, and if we had done the late shift, we would often end up at hers, where the three of us – me, her and her fiance, Andrew – would have a few wind-down beers, play a few records, and have a bit of a sing-song. Thinking about it, it’s probably when the seed of what you’re reading now was planted.

On occasions, we’d go to her friend Kathy’s house, where much the same would happen. We’d plunder her parents’ record collection (predominantly Simon & Garfunkel, The Carpenters, that kind of thing) and we’d take it in turns to pick one to play, and then we’d drunkenly sing-a-long. This was a favourite end-of-nighter.

All together now: “LI-LA-LI! LI-LA-LI-LI-LI-LA-LI!”

Happy times.

12. R.E.M. – Radio Free Europe (Original Hib-Tone Single)

This doesn’t need any explanation, does it? The birth of one of the greatest, most interesting (college) rock bands.

12. LCD Soundsystem – Daft Punk Is Playing At My House

If I was being super-predictable, I’d play some Daft Punk next. But I’m not, so I won’t. Instead, this bleak little bastard:

13. Joy Division – She’s Lost Control

Again, no explanation required, you all know how important and influential this lot were.

14. Hot Chip – Over and Over

Rounding things off this week with a much more upbeat tune, even if it is a snarling response to criticism of their previous releases having been “laid back”. Which would be fine, had they released anything quite as un-laid back since (*awaits Comments directing me to a particular Hot Chip tune which isn’t laid back, of which there are many*).

More soon, as they say (well, me, I say that).

Friday Night Music Club Vol 51

Apologies for the absence of any posts for the past week or so; I had a case of ‘can’t-be-arsed’, a lethargy descending which often happens to me during the winter months, a little later this year than most. Thanks for the kind messages enquiring about my well-being, they were massively appreciated. Rest assured, all is as well as can be expected – is anyone ever 100% happy….?

So on to business, and a new mix for you all to cherish/enjoy/ignore as you see fit, and with the benefit of hindsight I guess I can say that the somewhat gloomy start (and end) to this one can probably be explained by my mood at the time that I did it. Still, fear not: it does pick up for the most part, so bear with it.

Still, one of the things I like doing with these mixes is putting songs by very different acts together, tunes which on the face of it shouldn’t work when placed alongside each other, but somehow, surprisingly, do: this week, Metallica become neighbours with Kate Bush, which sounds like a recipe for an ASBO, a planning permission dispute, or at the very least the plot for a great sitcom (“Lars, that mad woman from next door’s cat is shitting in our garden again!”).

And a word of warning: I’ve put together a couple of these whilst I was AWOL, and there’s a recurring feature on them, which started a couple of mixes ago to remarkably little outrage, so I figured I’d carry on: a MOR tune given a new lease of life by an uplifting, banging dance mix, which on this occasion I immediately spoil by rounding things of with something great but despairing. Sorry, I couldn’t resist the circularity of starting and ending with Nothing.

Also this week: two great (IMO) covers, one lifted from the great Alvin Lives (in Leeds): Anti Poll Tax Trax, a 1990 compilation containing prominent indie bands of the day covering mostly 70s tunes, with the intention of raising funds for those campaigning against what was a very unpopular piece of government legislation way back then. (You can read a much more detailed review of the album over in a post dating back to 2014 over at JC’s ever-inspirational The (new) Vinyl Villain here; the links may have expired, but I’m sure were you to ask JC he’d happily re-up them, or if there’s one mentioned that piques your interest, let me know and I’ll find a way to post it myself).

All I would add is that the Poll Tax inspired more than just a protest album: there were marches, riots, and eventually it was axed (the legislation, not the album), which shows the power of the people. It was replaced by the Council Tax, which as we all know is a hugely popular substitute, as I’m sure anyone who has recently received their bill for 2024/5 will attest. Me, well I’m delighted to see mine increase by 6.1%, including a 200% increase in the charge for “CPCA Mayoral Precept”. I think delighted is the word I’m searching for, anyway….

I’m not going to go off on a political rant – not just yet, anyway; instead, let’s crack on, shall we?

Friday Night Music Club Vol 51

And here’s your sleeve note-free tracklisting:

  1. Metallica – Nothing Else Matters
  2. Kate Bush – The Man With The Child In His Eyes
  3. The Left Banke – Walk Away Renee
  4. Billy Bragg – Walk Away Renee
  5. The Box Tops – The Letter
  6. Squeeze – Another Nail For My Heart
  7. Dr Feelgood – Roxette
  8. Gomez – Get Myself Arrested
  9. The Siddeleys – Love Grows (Where My Rosemary Goes)
  10. The Specials – Rudy, A Message To You
  11. George Ezra – Budapest
  12. Editors – Munich
  13. Girls Aloud – The Show
  14. Groove Armada – Superstylin’
  15. Bruce Hornsby & The Range – The Way It Is (Brothers In Rhythm Mix)
  16. Del Amitri – Nothing Ever Happens

More soon.

Friday Night Music Club Vol 50

So, here we are, Volume 50. I’m not sure I believe I’ve done so many of these, especially when you take into account the Christmas, Easter and Halloween editions which haven’t gone towards the total, and that I split the first six playlists (apart from Vol 3, which has been forever wiped from the annals of history, unless any of you downloaded it) into 22 more palatable hour-long chunks.

What follows is, as I mentioned previously, essentially a Friday Night Music Club Greatest Hits compilation, with a few others thrown in just to keep it…well, interesting, I hope. In reality, it’s just a load of my favourite records, many of which just happen to have featured in this series before. And no, not all of them are in anyway cool, but then neither am I. They do, however, make grear sin-a-long records should you elect to take drink when listening to this (which is recommended). Anyway, if I just featured the achingly-hip here, I’d be betraying the No Such Thing as a Guilty Pleasure tagline I cling to.

My thanks to my old buddy Richie, who I bombarded with the first and second goes at this, to seek his opinion and feedback. His response? “Genuinely, really good…even the dance stuff I’d never heard before”. I’m sticking that on the promo posters.

I should add that I’ve had at least another two goes at it since then. New songs added, some dismissed. The thing is, I kept haring songs and thinking: “Well, that should be on there!” I’ve had to just stop, and add those that I’ve missed to future volumes.

Let’s crack on, shall we?

Friday Night Music Club Vol 50

Here’s your track-listing with, as promised/threatened (delete as applicable), sleeve notes:

1, Saint Etienne – Join Our Club

No, I don’t know how I’ve managed to avoid including this appropriate little beauty for so long either!

2. The Cardigans – My Favourite Game

Just to hammer home the favourite records theme, here’s a couple of tunes with Favourite in the title.

I will always remember a conversation with an old mate, following the release of the Manic Street Preachers’ Your Love Alone is Not Enough, which featured lead Cardigan Nina Persson, when they revealed they hated that single becaue they hated Nina’s voice. Now, I totally get that some people’s voices just grate (see Ed Sheeran as a good example of someone who can make me turn the radio off whenever one of his dreary yet bafflingly succesful tunes is aired). But Nina Persson’s????? I haven’t spoken to this old mate in at least 20 years, and proximity is only part of the reason for that.

3. The Wedding Present – My Favourite Dress

Favourite tune #2. You didn’t really think I’d get through this without Mr Gedge making an appearance, did you?

4. PJ Harvey – Dress

I’ve said it before and I’ll say it again: I don’t post anywhere near enough Peej on here. Consider that partially rectified.

5. Buzzcocks – What Do I Get?

Back at college, I was in a band. Not a very good band, but a band nonethless. We mostly did covers of punk and new wave records: they were short, recognisable to the masses who flocked to our gigs (sense the tone), and most importantly, with barely more than three chords between them, piss-easy to learn. This was one of them: I even persuaded our lead singer to shout “Tricky guitar solo!” just as I’d seen Pete Shelley do on some old footage of the Buzzers (the Cocks?) do as that instrumental break hoved into view.

6. Super Furry Animals – God! Show Me Magic

You didn’t really think I’d get through this without Gruff and the boys making an appearance, did you? If this isn’t the greatest record ever to mention the lead singer’s hamster, then it has to be in the Top Ten at least.

7. Manic Street Preachers – Motown Junk

Just an absolute belter, with what would become standard Manic’s sloganeering (standard until Richie went missing. Did I ever mention I shared a cheese salad with him…? Yes I did.)

8. Half Man Half Biscuit – Joy Division Oven Gloves

Thanks to my brother, I own a pair. Best Christmas present ever. Apart from maybe the fake NME Brat Award he gave me for one of these mixes (true story).

9. Generation X – Dancing With Myself

Unlike the debunked theory that The Vapors’ Turning Japanese is about the joys of ononism, this probably is about exactly that. When I was in the aforementioned band, I wrote a song which referenced it – less subtly, it was called The Lonely Dance – and we used to dedicate it to someone we knew was in attendance whenever we played it. They felt cool because we’d name-checked them, everyone else would know we’d just called them a wanker.

10. Underworld – Cowgirl (Bedrock Mix)

You’ll have guessed from previous posts that I adore Underwold, so it’s a rare event when I hammer my flag to the mast and say: this is Underword’s finest moment and this is the finest mix of it.

11. LCD Soundsystem – All My Friends

Some years ago, my friend Matt and I were invited to provide the music for a mate’s 40th birthday, held in a little basement bar somewhere in That London. I went down the traditional route of preparing a mix, burning it on to a CD (I know? Imagine that!! So old fashioned…!) and handing it to the bar staff to play; Matt, who is much cooler than I am (I’m sure you’ll find that hard to believe) simply paired his phone to the speakers and DJ’d as he chatted, ate, drank and danced. He dropped this one, and the dancefloor emptied, leaving just me and him looking quizzically at each other as we continued to cut a mean rug between us. Where had everyone gone? Why weren’t they dancing?

Then someone approached Matt and, pointing upwards as if the speakers were in the sky, asked “What’s this? It’s ace!” (or words to that effect). And so, whilst we were baffled as to how nobody knew this absolute banger, we came to the conclusion: people around the 40 mark don’t like to dance in public to things they don’t know.

It is ace, mind.

12. Dizzee Rascal & Calvin Harris – Dance Wiv Me

I wish I could recall what Matt played next, but whatever it was it got everybody back on the dancefloor. I’ll say it was this. If not, Deee-Lite’s Groove is in the Heart (not featured here) is my go-to floorfiller.

13. Double Trouble & Rebel MC – Street Tuff (Scar Mix)

I’ve dropped this bon mot before I think, but many years ago I attended a house party in North London. Music was supposed to be provided by some DJ friends, but they had to drop out when they got an actual paid gig on the same night, the selfish sods. I was asked to help out and so I prepared 13 CDs, each an hour-or-so-long, numbered and to be played in numerical order, left them in a stack next to the CD player, so that if you were closest to the music box when one ended, you could just pop the next in the sequence in. They went from intro/welcome tunes to indie bangers to the-pills-should-be-kicking-in-by-now to comedown chillout tunes. This one featured somewhere in the middle, and a bloke I’d never met before or since approached me, hugged me, and thanked me for including it in my musical selection, before treating me to his break-dancing efforts, Which I really appreciated, obviously.

14. Lizzo – Juice

Shush! A rarity: something released in the last 10 years!

15. Girls Aloud – Love Machine

You didn’t really think I’d get through this without Sarah (RIP) and the girls making an appearance, did you? A song which will forever remind me of Llŷr, from when we played it in our guest DJ spot at a friend’s wedding, those attending went wild. Miss you bro, always.

16. Le Tigre – Hot Topic

At work team meetings, we now have a Hot Topic to discuss each month. I’ve suggested this as the theme tune to announce the start of the discussion. My suggestion has not yet been agreed.

17. Los Campesinos! – You! Me! Dancing!

Had any of them actually been Welsh, as opposed to having merely met and formed in Cardiff, then this would’ve featured in last week’s St David’s Day mix. But they aren’t, so it didn’t.

One of the many things I love about this record, is that bit towards the end, about it being a good idea to go paddling in a fountain on the way home from a night out. I know exactly which fountain they mean, and, as it was on my way home, the thought crossed my mind many times as I wobbled my way back home at 3am. And that’s because it really is a good idea. I was never brave/drunk/off my tits enough though. I feel like I’ve missed out, somehow.

18. Arctic Monkeys – I Bet You Look Good On The Dancefloor

Just wonderful. A piece to accompany the Dizzie Rascal tune which featured earlier, only with more Shakespeare references and much more sardonic intent.

19. Status Quo – Mystery Song

You didn’t really think I’d get through this without Francis and the boys making an appearance, did you?

This, from way back in 1976, just before they tipped over into cliche and parody of themselves, is unquestionably my favourite Quo song. It’s (RIP) Parfitt’s ode to a sex worker, set to a literally amphetimine-fuelled background. There’s a notorious story about how, one day in the studio, Rossi put a spoonful of speed into Parfitt’s tea, not expecting (he now says) him to drink it. But he did, and they left him in the studio, messing around with a riff – dink-dink-dink, dink-dink-de-dur-de-dink – and returned the next day to find Parfitt sitting exactly where they left him, playing the same riff – dink-dink-dink, dink-dink-de-dur-de-dink. Phew, rock’n’roll, eh?

20. Milltown Brothers – Janice Is Gone

An under-rated and generally unknown classic. The Janice in question is the much-missed DJ Janice Long, and you can read what I wrote when she passed away here, and here’s a post about an adventure I had with the band themselves, way back when (the download links are all dead on that one, let me know via the Comments if you want anything uploading again).

The only thing to add to that is a year or so later, the Milltown Brothers came round on the college circuit again. I said hello to them all post-gig, and one of them asked if we’d met before. I recounted the story about our last meeting, and, memories jogged, they plied me with booze and suspiciously constructed rollies. I passed out in the toilets, waking up after everyone had left the building, staggered home through the Welsh snow. I think I missed my train back home as a result; lawd knows what excuse I gave my parents (doubtless they will remind me if they’ve read this far).

21. Linda Rondstadt/The Stone Poneys – Different Drum

There are so many versions of this classic written by former Monkee Mike Nesmith out there – many of which have featured on these pages – but for my money this is the best, the absolute beauty, peerless.

22. Clout – Substitute

If ever there was one record that explained the “No Such Thing as a Guilty Pleasure” moniker under which this blog sits, it’s this one. I bought a compilation album called Guilty Pleasures Rides Again; this was on it and I couldn’t understand why anyone would feel guilty about liking it. I mean, it’s a stone cold banger, right? (Right!)

23. Billy Bragg – The Saturday Boy

In one of the first goes I had at doing this mix, Billy featured, but it wasn’t this tune, it was Sexuality, because it was much poppier than this. But that didn’t feel right, so I swapped it for this, Billy’s finest moment in my book. I’ve often said that, whilst his politics broadly chime with mine, it’s his love songs – or in this case, his unrequited love songs – which mostly hit the mark with me. I can never thank my old buddy Richie enough for pointing me in the direction of these songs from Billy’s back catalogue – albeit he played me The Man in the Iron Mask, and I was smitten – and since then, when I’ve wanted to persuade a mate of Billy’s relevance, this is my go-to song, because everyone has experienced the adolescent amourous rejection this song highlights.

24. The Go-Go’s – Our Lips Are Sealed

I’ve said it before and I’ll say it again: quite possibly the greatest pop song ever written…

25. The Waltones – She Looks Right Through Me

…although this pushes it pretty close. Pretty much the happiest night of my life was when, a few years ago, Richie and I saw The Waltones support The Chesterfields at the 100 Club in That London. After they’d played, I found myself standing next to lead singer James Knox; we discussed our ever burgeoning waistlines and our choice of t-shirt to either disguise or embrace it. He was wearing a shape-concealing black tee, I was wearing this:

…which, for the uninitiated is a reference to one of these bad boys:

26. The Chesterfields – Kiss Me Stupid

Since I’ve mentioned them, it seems somewhat churlish of me to not include something by them.

27. The Soup Dragons – Hang Ten!

Indie Banger. That is all.

28. The Smiths – William, It Was Really Nothing

Remember way back when we didn’t know Morrissey was a racist twat and could just enjoy the beauty of The Smiths’ records without feeling any guilt? Forget the current, live in the past for a few moments.

29. Kirsty MacColl – Free World

This is from 1989. You’d think things might have improved since then, wouldn’t you? But, nope: just as relevant now as it was 35 (yikes) years ago.

30. Johnny Boy – You Are The Generation That Bought More Shoes And You Get What You Deserve

Possibly the greatest song title ever. And the song’s not far off being one of the greatest anti-capitalist records ever.

31. Denim – Middle Of The Road

For my money, the song that properly kick-started the Britpop scene, and probably never bettered by any Union Jack wafting indie-kid underling. Surely, when it comes to unrecognised musical geniuses, Lawrence has to be at the front of the queue, right…?

32. Belinda Carlisle – Leave A Light On

Turns out the title of that Denim tune was an indicator to how we wrap things up here.

Apart from Johnny Marr (who I think appears on the Kirsty tune), Belinda is the only one to feature twice on this one. She was, of course, lead singer of The Go-Go’s, but it wasn’t until the band split and she went solo that Belinda became succesful on this side of the pond. I bloody love this song.

33. Dionne Warwick – Heartbreaker

Written by the Bee Gee boys, this seemingly effortless beauty is just one of the finest records ever.

34. Chas’n’Dave – Ain’t No Pleasing You

And to bring things to a close, this beauty.

Given their close association with Tottenham, I feel sorry for Arsenal fans, joyless vagrants that they are, for they can never admit to liking this.

And that’s your lot.

More soon.